Guy Aon

Post Composition, 2016

Representations of the body, disassembled and reassembled upon a torso, function as a support for a composition of surreal images that move along both dialectic and concrete axes between childhood and adulthood, the natural and the synthetic, the whole and its parts, unity and fragmentation, the digital and the real. This process arises from reflections on ornamenting oneself before the camera (which in this case also becomes a mirror). The hybrid compositions raise contemporary questions about humanity, alienation, fetishization and sanctity.

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