http://www.benyaminiceramics.org בית בנימיני לקרמיקה עכשווית Wed, 14 Aug 2013 14:12:07 +0000 http://wordpress.org/?v=2.9.2 he 1.0 http://www.benyaminiceramics.org http://www.benyaminiceramics.org %d7%90%d7%99%d7%a8%d7%95%d7%a2%d7%99%d7%9d %d7%90%d7%9e%d7%a0%d7%99%d7%9d-%d7%90%d7%95%d7%a8%d7%97%d7%99%d7%9d %d7%91%d7%99%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99 %d7%91%d7%aa%d7%a7%d7%a9%d7%95%d7%a8%d7%aa %d7%92%d7%9c%d7%a8%d7%99%d7%94 %d7%94%d7%95%d7%a4%d7%a2%d7%94-%d7%97%d7%99%d7%94 %d7%94%d7%a8%d7%a6%d7%90%d7%94 %d7%95%d7%99%d7%93%d7%90%d7%95 %d7%97%d7%99%d7%a0%d7%9d %d7%99%d7%95%d7%9d-%d7%a2%d7%99%d7%95%d7%9f %d7%9b%d7%99%d7%aa%d7%aa-%d7%90%d7%9e%d7%9f %d7%9b%d7%9c%d7%9c%d7%99 %d7%9b%d7%aa%d7%99%d7%91%d7%94 %d7%9e%d7%90%d7%9e%d7%a8%d7%99-%d7%94%d7%a2%d7%a9%d7%a8%d7%94 %d7%9e%d7%93%d7%a4%d7%99%d7%94 %d7%9e%d7%95%d7%96%d7%99%d7%a7%d7%94 %d7%9e%d7%9c%d7%92%d7%95%d7%aa %d7%a1%d7%93%d7%a0%d7%90%d7%95%d7%aa %d7%a1%d7%98%d7%95%d7%93%d7%99%d7%95-%d7%a8%d7%90%d7%a9%d7%95%d7%9f 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ngg_tag%e2%80%8fkohavit-ben-ezra ngg_tag%e2%80%8flena-dubinsky ngg_tag%e2%80%ac ngg_tag%e2%80%ac-%d7%91%d7%99%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99 ngg_tag%e2%80%ac-%d7%a9%d7%91%d7%99%d7%9c%d7%99-%d7%99%d7%a2%d7%a8%e2%80%ab grandson test http://www.benyaminiceramics.org/?page_id=64 Wed, 30 Nov -0001 00:00:00 +0000 http://www.benyaminiceramics.org/?page_id=64 64 2010-04-07 18:37:49 0000-00-00 00:00:00 closed open draft 0 0 page 0 _edit_lock 1270654669 _edit_last 2 http://www.benyaminiceramics.org/?p=1557 Wed, 30 Nov -0001 00:00:00 +0000 http://www.benyaminiceramics.org/?p=1557 1557 2010-10-21 08:13:40 0000-00-00 00:00:00 closed open draft 0 0 post 0 _edit_lock 1287641620 _edit_last 3 טקסט וידגט בעברית http://www.benyaminiceramics.org/?page_id=817 Wed, 30 Nov -0001 00:00:00 +0000 http://www.benyaminiceramics.org/?page_id=817 כאן]]> 817 2010-05-06 12:58:46 0000-00-00 00:00:00 closed open draft 0 0 page 0 _edit_lock 1273139986 _edit_last 3 עמוד ליצירת טקסט וידגט http://www.benyaminiceramics.org/?page_id=818 Wed, 30 Nov -0001 00:00:00 +0000 http://www.benyaminiceramics.org/?page_id=818 לראות את הפעילויות העבר לחצו כאן]]> 818 2011-12-30 08:32:42 0000-00-00 00:00:00 closed open draft 0 0 page 0 _edit_lock 1325226762 _edit_last 2 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default פגישה שהתקיימה במרכז השבוע http://www.benyaminiceramics.org/?p=1614 Wed, 30 Nov -0001 00:00:00 +0000 http://www.benyaminiceramics.org/?p=1614 1614 2010-11-07 20:04:00 0000-00-00 00:00:00 closed open draft 0 0 post 0 _edit_lock 1289153102 _edit_last 4 סדנת "לגעת בחומר" http://www.benyaminiceramics.org/?p=1789 Wed, 30 Nov -0001 00:00:00 +0000 http://www.benyaminiceramics.org/?p=1789 "לגעת בחומר" בכל יום שבת בבוקר. סדנת "לגעת בחומר" היא סטודיו פתוח לחויות התנסות בעבודה עם חמר. בסדנה אפשרות לעבודה חופשית או מונחית .מיועד להורים וילדים ולכל מי שנפשו חפצה לגעת בחומר. יום שבת בין השעות 10 בבוקר ל-12:00 בצהריים החל מ9.7.2011. מחיר: 40 ₪]]> 1789 2011-06-03 12:38:03 0000-00-00 00:00:00 closed open draft 0 0 post 0 _edit_lock 1307093942 _edit_last 2 "המדפיה" http://www.benyaminiceramics.org/?p=2738 Wed, 30 Nov -0001 00:00:00 +0000 http://www.benyaminiceramics.org/?p=2738 2738 2011-07-31 20:25:28 0000-00-00 00:00:00 closed open draft 0 0 post 0 _edit_lock 1312133796 _edit_last 3 "המדפיה" http://www.benyaminiceramics.org/?p=2739 Wed, 30 Nov -0001 00:00:00 +0000 http://www.benyaminiceramics.org/?p=2739 2739 2011-07-31 20:38:03 0000-00-00 00:00:00 closed open draft 0 0 post 0 _edit_lock 1312133932 _edit_last 3 המדפיה"" http://www.benyaminiceramics.org/?p=2751 Wed, 30 Nov -0001 00:00:00 +0000 http://www.benyaminiceramics.org/?p=2751 2751 2011-07-31 22:08:38 0000-00-00 00:00:00 closed open draft 0 0 post 0 _edit_last 3 _edit_lock 1312139318 אתי גורן http://www.benyaminiceramics.org/?page_id=5694 Wed, 30 Nov -0001 00:00:00 +0000 http://benyaminiceramics.daze.co.il/?page_id=5694 5694 2012-07-19 14:10:09 0000-00-00 00:00:00 closed open draft 0 0 page 0 _edit_lock 1342696209 _edit_last 3 ראיון עם ג'ודית שוורץ http://www.benyaminiceramics.org/?p=6945 Wed, 30 Nov -0001 00:00:00 +0000 http://www.benyaminiceramics.org/?p=6945 6945 2012-08-26 14:53:05 0000-00-00 00:00:00 closed open draft 0 0 post 0 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _edit_lock 1345981986 _edit_last 3 ראיון עם ג'ודית שוורץ http://www.benyaminiceramics.org/?p=6944 Wed, 30 Nov -0001 00:00:00 +0000 http://www.benyaminiceramics.org/?p=6944 6944 2012-08-26 14:52:34 0000-00-00 00:00:00 closed open draft 0 0 post 0 _edit_lock 1345981954 _edit_last 3 המדפייה http://www.benyaminiceramics.org/?page_id=8721 Wed, 30 Nov -0001 00:00:00 +0000 http://www.benyaminiceramics.org/?page_id=8721 8721 2013-04-04 18:53:01 0000-00-00 00:00:00 closed open draft 0 0 page 0 _edit_lock 1365090781 _edit_last 3 Ceramic Sculpture http://www.benyaminiceramics.org/?p=7350 Wed, 30 Nov -0001 00:00:00 +0000 http://www.benyaminiceramics.org/?p=7350 click here ]]> 7350 2012-10-30 08:45:49 0000-00-00 00:00:00 closed open draft 0 0 post 0 _edit_last 3 _edit_lock 1351579549 "שבר, שבריריות": מפגש עם אוצרת התערוכה http://www.benyaminiceramics.org/?p=7742 Wed, 30 Nov -0001 00:00:00 +0000 http://www.benyaminiceramics.org/?p=7742 המפץ הגדול של האובייקט שנשבר, או לחלופין, הפעולה המכוונת של זריקת אובייקט קרמי, נחווים כפעולה אלימה ומאיימת במיוחד. ובכל זאת, הניפוץ של הקיום השלם, היחיד והאחדותי לשברים מרובים ולא-אחידים בגדלים ובמשקל שונים הוא הזדמנות לממדיות חדשה. בעוד היצירה של האובייקט הקרמי נוסחה על ידי לאו דזה כפעולה של החדרת חלל (או היעדר) אל תוך החומר, פעולה המתמירה אותו מגוש דחוס לאובייקט תלת-ממדי, הניפוץ של הכלי הוא המרתו בחזרה מתלת-ממדיות לחומר שטוח. המאמץ לשחרר את החלל הכלוא בפנים, לאפשר לאובייקט לחזור אל הדו-ממד, צורך כמויות גדולות של כוח ואנרגיה, אשר משתחררת אל פני השטח של האובייקט כדי לחדור לתוכו ולפרקו.

מפגש עם אוצרת תערוכת "שבר, שבריריות", ד"ר איילת זהר, יתקיים ביום שישי, 11 בינואר 2013, בשעה 11:00 בבית בנימיני.

הכניסה חופשית.

]]> 7742 2012-12-24 12:50:51 0000-00-00 00:00:00 closed open draft 0 0 post 0 _edit_lock 1356346251 _edit_last 3 כתבי עת בקרמיקה http://www.benyaminiceramics.org/?page_id=7950 Wed, 30 Nov -0001 00:00:00 +0000 http://www.benyaminiceramics.org/?page_id=7950 7950 2013-01-27 14:12:57 0000-00-00 00:00:00 closed open draft 0 0 page 0 _edit_lock 1359288777 _edit_last 3 Smashing! Exhibitions: Seeing through potsherds http://www.benyaminiceramics.org/?p=7875 Wed, 30 Nov -0001 00:00:00 +0000 http://www.benyaminiceramics.org/?p=7875 7875 2013-01-17 14:11:20 0000-00-00 00:00:00 closed open draft 0 0 post 0 _edit_lock 1358424680 _edit_last 3 ספריה http://www.benyaminiceramics.org/?page_id=7885 Wed, 30 Nov -0001 00:00:00 +0000 http://www.benyaminiceramics.org/?page_id=7885 7885 2013-01-21 18:04:38 0000-00-00 00:00:00 closed open draft 0 0 page 0 _edit_lock 1358784278 _edit_last 3 סדנה רעיונית ליוצרים בחומר http://www.benyaminiceramics.org/?page_id=9326 Wed, 30 Nov -0001 00:00:00 +0000 http://www.benyaminiceramics.org/?page_id=9326 המורכבות והבין תחומיות של שפת האמנות והעיצוב בימינו מחייבת הבנה כוללת, מרובדת ואינטגרטיבית של היבטים חומריים, טכנולוגיים ורעיוניים. התוכנית מיועדת ליוצרים בחומר המעוניינים לחדד את הצד הרעיוני של עבודתם. בקורס נעבוד על נושא כללי שיוצג בפני הקבוצה ונפתח באופן אישי וקבוצתי את היבטיו השונים. הקורס מבוסס על תרגילי ביניים, הרצאות, ביקורת עבודות ותרגיל מסכם.

מועד הקורס: 30 ביולי עד 1 באוגוסט 2013 (שלושה ימים מרוכזים), בין השעות 9:00-16:00.

עלות הקורס: 950 ₪.

]]> 9326 2013-06-17 13:12:09 0000-00-00 00:00:00 closed open draft 0 0 page 0 _edit_lock 1371463930 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default אודות http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/ Thu, 01 Apr 2010 00:08:59 +0000 http://www.benyaminiceramics.org/?page_id=5

[imagebrowser id=68]

בית בנימיני - המרכז לקרמיקה עכשווית על שם יששכר ויהודית בנימיני הוקם על מנת לקדם את האמנות והעיצוב הקרמי ולהוות בית פעיל ותוסס לקהילה המקצועית ולקהל הרחב. מטרת הפעילות היא ליצור דיון בהיבטים השונים של תחום הקרמיקה והרחבת גבולותיו בהקשר הרחב של התרבות החומרית.

בית בנימיני (מרכז בנימיני) הוקם כהקדש בשנת 2001 לזכרם של יששכר ויהודית בנימיני, על פי משאלתה האחרונה של יהודית וכביטוי לאהבתם של בני הזוג בנימיני לאמנות הקרמיקה. תרומתם הנדיבה של בני הזוג בנימיני תמכה בעבר במגוון מיזמים ופעילויות בישראל. כעת, משהחל לפעול במשכנו החדש בדרום תל אביב מתקיימים בבית בנימיני לימודי קרמיקה במסגרת בית הספר הייחודי לאמנות הקרמיקה, תערוכות קרמיקה מתחלפות במסגרת הגלריות במקום וכן אירועים ופעילויות שונות.

ביוני 2011 נפתח בית בנימיני בבנין שנרכש בדרום תל אביב, שופץ והותאם לשימוש המרכז.

פעילויות:

לעדכונים ופרטים נוספים: 03-5182257 ‏ כתובת: רחוב העמל 17 תל אביב 66532 www.benyaminiceramics.org בית בנימיני בפייסבוק

שעות פתיחה:
ימים ב–ה: 11 – 19 ימים שישי ושבת: 11 – 14 ]]> 5 2010-04-01 03:08:59 2010-04-01 00:08:59 open open %d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99 publish 0 2 page 0 _edit_lock 1367750065 _edit_last 3 _wp_page_template default _alp_processed 1367750064 _revision-control a:1:{i:0;s:8:"defaults";} description בית בנימיני – המרכז לקרמיקה עכשווית על שם יששכר ויהודית בנימיני - סטודיו לקרמיקה הכולל קורסים, סדנאות וגלריות קרמיקה. מרכז הקרמיקה הישראלית בבית בנימיני _alp_broken_links a:4:{s:113:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/";a:0:{}s:113:"http://www.benyaminiceramics.org/%D7%AA%D7%A2%D7%A8%D7%95%D7%9B%D7%95%D7%AA-%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/";a:0:{}s:132:"http://www.benyaminiceramics.org/%D7%9E%D7%A8%D7%9B%D7%96-%D7%91%D7%A0%D7%99%D7%9E%D7%99%D7%A0%D7%99/%D7%A1%D7%A4%D7%A8%D7%99%D7%94/";a:0:{}s:74:"http://www.benyaminiceramics.org/פעילויות/סטודיו-ראשון/";a:0:{}} title אודות בית בנימיני - סטודיו לקרמיקה keywords סטודיו קרמיקה, סטודיו לקרמיקה robotsmeta index,follow 1033 http://www.rayban123.com 186.89.53.143 2013-07-24 12:29:26 2013-07-24 09:29:26 レイバン... אודות בית בנימיני - סטודיו לקרמיקה |...]]> 0 trackback 0 0 Benyamini Center http://www.benyaminiceramics.org/en/benyamini-center/ Thu, 01 Apr 2010 00:09:28 +0000 http://www.benyaminiceramics.org/?page_id=7 Google+ [imagebrowser id=68] The aim of the Issachar and Yehudit Benyamini Contemporary Ceramics Center is to promote ceramic art and design in a vibrant atmosphere of creativity for professional artists as well as the general public. Through the on-going activities we wish to create a dialogue between the various aspects of ceramics and extend its scope in the broad spectrum of material culture. The Issachar and Yehudit Benyamini Center for Contemporary Ceramics is a public non-profit organization founded in 2001 by the trustees Ilan Meyer and Marcelle Klein as set out in the will of Yehudit Benyamini. The center expresses Yehudit and Issachar's love of ceramic art and we intend to foster the vibrant atmosphere of the Benyamini home – a place of work and creativity, a meeting place of young and old, a place of cultural debate that promotes interdisciplinary dialogue and a place which nurtures learning and contribution to the community. The generous donation made by Yehudit and Issachar expresses their love of people, ceramics, and the arts. This donation enables us to support numerous programs including gallery exhibitions, workshops, visiting artists program, the First Studio program and various community activities. The Benyamini center is committed to promoting ceramic art on all levels including art, design and the craft of this very ancient and diverse material. To meet this goal our center will have a fully equipped ceramic studio with a comprehensive program of ceramic workshops, lessons, lectures and master classes geared towards professional ceramic artists, amateurs, who are at the beginning of their interest in clay, as well as the general public. The Benyamini center is located in an area developing into the next hub of the vibrant art scene in Tel Aviv and will have two gallery spaces. The Center's mission is to showcase the best work done in this field as well as expose young artists. Combining studios and galleries within a single location, the Benyamini center aims at enhancing ceramic art activities on a national level in Israel as well as developing international ties with the ceramic community abroad. The Issachar and Yehudit Benyamini Center is proud to be the first contemporary ceramic art center in Israel. Activities include:
  • School for Ceramic Art: workshops in throwing, design and sculpture for adults, youth and children
  • Galleries: changing exhibitions, gallery talks and guided visits Reference Library
  • Events: special workshops, seminars, lectures and master classes
  • Artist residency and visiting artists from abroad
  • Activities for groups with special needs
  • First Studio Scholarship for young artists
For further information: 03-5182257 www.benyaminiceramics.org Benyamini Center on Facebook Address: 17 Ha'amal Street, Tel Aviv Opening hours: Sunday: 11:00-13:00 Monday - Thursday: 11:00-19:00 Friday - Saturday: 11:00-14:00]]> 7 2010-04-01 03:09:28 2010-04-01 00:09:28 open open benyamini-center publish 0 2 page 0 _edit_lock 1361878688 _edit_last 3 robotsmeta index,follow _wp_page_template default _revision-control a:1:{i:0;s:8:"defaults";} 1026 http://www.iztPPWKi.com 176.31.202.122 2013-07-24 05:47:31 2013-07-24 02:47:31 ... [Trackback]... [...] There you will find 49851 more Infos: benyaminiceramics.org/en/benyamini-center/ [...]...]]> 0 trackback 0 0 1038 http://www.kfsmtv.net/Airmax/airmax2013.html 218.76.23.142 2013-07-24 16:17:30 2013-07-24 13:17:30 エアマックス 2013... Benyamini Center |...]]> 0 trackback 0 0 פעילויות http://www.benyaminiceramics.org/?page_id=9 Thu, 01 Apr 2010 00:10:16 +0000 http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa/ [nggallery id=2 template=carousel id=101]

בבית בנימיני החדש ברחוב העמל 17 בתל אביב נפתח לקהל בחודש יוני 2011 מרכז בנימיני לקרמיקה עכשווית המיישם את משאלתה האחרונה של יהודית בנימיני - הקמת מרכז לפעילויות חינוכיות ואמנותיות בתחום הקרמיקה, הציור והפיסול:

תכנית קורסים וסדנאות – 2011/2012

תערוכות וגלריה

ארועי אמנות

ספריה

פעילויות העבר (2002-2011)

הזמנת וארוח של אמני קרמיקה מובילים בעולם המעבירים סדנאות מקצועיות לקרמיקאים בישראל, הדגמות לסטודנטים לקרמיקה בבצלאל, תל חי והמדרשה לאמנות והרצאות בליווי שקופיות לקהל הרחב במסגרות שונות. עד עתה ביקרו בארץ אמנים מאנגליה, ארצות הברית, קנדה, אוסטרליה, סין ויפן.

תמיכה כספית עבור אוצרים וקטלוגים לתערוכות קרמיקה בישראל כולל הביאנלה לקרמיקה שמתקיימת במוזיאון ארץ-ישראל ברמת אביב

תמיכה באמנים בוגרי פקולטות לאמנות במגמת קרמיקה על ידי הענקת סטודיו מצויד ליצירה לתקופה של שנה. הפרויקט התקיים משנת 2003 בבית של הזוג בינימיני באפקה ויחזור לפעילות עם סיום השיפוצים בבית מרכז בנימיני החדש ברחוב העמל 17 בתל אביב.

הפעלת סדנא ניידת - רכב מסחרי מצויד בכל הנדרש לפעולה כסטודיו לקרמיקה. הרכב מופעל ע"י סטודנטים לקרמיקה מהמדרשה לאמנות בבית ברל ומשמש ללימוד קרמיקה בבתי ספר בהם לומדות אוכלוסיות בעלות צרכים מיוחדים]
]]> 9 2010-04-01 03:10:16 2010-04-01 00:10:16 open open %d7%a4%d7%a2%d7%99%d7%9c%d7%95%d7%99%d7%95%d7%aa draft 0 2 page 0 _wp_page_template default _edit_lock 1342698816 _edit_last 3 _alp_processed 1342698754 _revision-control a:1:{i:0;s:8:"defaults";} description בבית בנימיני פעילויות מגוונות בתחום האמנות. תערוכות, קורסים, סדנאות אמנים אורחים מהארץ ומחו"ל, ארועי אמנות, מלגות לאמנים צעירים, ספריה ועוד keywords תערוכות אמנות, ספרית אמנות, מלגות לאמנים, אמנים אורחים, קורסים בקרמיקה, אירועי אמנות title פעילויות בבית בנימיני robotsmeta index,follow Activities http://www.benyaminiceramics.org/en/?page_id=10 Thu, 01 Apr 2010 00:10:50 +0000 http://www.benyaminiceramics.org/?page_id=10 Benyamini Center's activities: Benyamini Center's goals:
  • Bring professional world renowned artists
  • Educate professional ceramists and students
  • Inspire and raise the level
  • Broaden outlook and show possibilities
  • Provide cultural activities for general public
  • Create cultural ties exchange
  • Expose Israel and what goes on here and connect us to the world wide ceramic community
  • Promote excellence

]]> 10 2010-04-01 03:10:50 2010-04-01 00:10:50 open open activities draft 0 2 page 0 _edit_lock 1354183698 _edit_last 3 robotsmeta index,follow _wp_page_template default _revision-control a:1:{i:0;s:8:"defaults";} בלוג http://www.benyaminiceramics.org/%d7%91%d7%9c%d7%95%d7%92/ Thu, 01 Apr 2010 00:11:27 +0000 http://www.benyaminiceramics.org/?page_id=12 12 2010-04-01 03:11:27 2010-04-01 00:11:27 open open %d7%91%d7%9c%d7%95%d7%92 publish 0 3 page 0 _edit_lock 1362056956 _edit_last 3 robotsmeta index,follow _wp_page_template blogpage.php _alp_processed 1343741972 _revision-control a:1:{i:0;s:8:"defaults";} Blog http://www.benyaminiceramics.org/en/blog/ Thu, 01 Apr 2010 00:11:47 +0000 http://www.benyaminiceramics.org/?page_id=14 14 2010-04-01 03:11:47 2010-04-01 00:11:47 open open blog publish 0 3 page 0 _edit_lock 1295176729 _edit_last 4 robotsmeta index,follow _wp_page_template blogpage.php 1046 http://www.jXUdcQa.com 5.135.113.140 2013-07-25 17:50:15 2013-07-25 14:50:15 ... [Trackback]... [...] Find More Informations here: benyaminiceramics.org/en/blog/ [...]...]]> 0 trackback 0 0 קישורים http://www.benyaminiceramics.org/?page_id=16 Thu, 01 Apr 2010 00:12:12 +0000 http://www.benyaminiceramics.org/?page_id=16 אגודת אמני הקרמיקה בישראל

http://israel-ceramics.org

אמנים יוצרים בישראל/ אמנויות

http://www.designcrafts.org.il/

יוליה צוקרמן Yulia Tsukerman

http://www.wix.com/yuliatsukerman/tsu

]]> 16 2010-04-01 03:12:12 2010-04-01 00:12:12 open open %d7%a7%d7%99%d7%a9%d7%95%d7%a8%d7%99%d7%9d draft 0 4 page 0 _edit_lock 1342698719 _edit_last 3 robotsmeta index,follow _wp_page_template default _alp_processed 1342698718 _revision-control a:1:{i:0;s:8:"defaults";} Links http://www.benyaminiceramics.org/en/?page_id=18 Thu, 01 Apr 2010 00:12:40 +0000 http://www.benyaminiceramics.org/?page_id=18 Ceramic Artists Association of Israel http://israel-ceramics.org/en/homepage Yulia Tsukerman http://www.wix.com/yuliatsukerman/tsu]]> 18 2010-04-01 03:12:40 2010-04-01 00:12:40 open open links draft 0 4 page 0 _edit_lock 1343545263 _edit_last 3 robotsmeta index,follow _wp_page_template default _revision-control a:1:{i:0;s:8:"defaults";} _oembed_b804fc8c1bed84e2748f5688480807d2 {{unknown}} _oembed_2be27c3f464fa1d238de59745ea66a6b {{unknown}} צור קשר http://www.benyaminiceramics.org/%d7%a6%d7%95%d7%a8-%d7%a7%d7%a9%d7%a8/ Thu, 01 Apr 2010 00:13:06 +0000 http://www.benyaminiceramics.org/?page_id=20 20 2010-04-01 03:13:06 2010-04-01 00:13:06 open open %d7%a6%d7%95%d7%a8-%d7%a7%d7%a9%d7%a8 publish 0 5 page 0 _edit_lock 1366885623 _edit_last 3 robotsmeta index,follow _wp_page_template template.nosidebar.php _alp_processed 1366881723 _revision-control a:1:{i:0;s:8:"defaults";} 681 http://www.benyaminiceramics.org/2012/09/%d7%94%d7%a9%d7%a7%d7%aa-%d7%94%d7%a7%d7%98%d7%9c%d7%95%d7%92-%d7%97%d7%9e%d7%95%d7%a8/ 91.193.50.70 2012-09-24 10:41:37 2012-09-24 08:41:37 1 pingback 0 0 828 http://www.benyaminiceramics.org/2013/03/shift-%d7%a8%d7%a9%d7%9e%d7%99%d7%9d-%d7%9e%d7%a2%d7%a8%d7%91-%d7%a4%d7%aa%d7%99%d7%97%d7%aa-%d7%94%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%94/ 91.193.50.70 2013-03-19 12:31:32 2013-03-19 10:31:32 1 pingback 0 0 912 http://www.benyaminiceramics.org/2013/05/%d7%a4%d7%90%d7%a0%d7%9c-%d7%a7%d7%a8%d7%99%d7%90%d7%94-%d7%94%d7%90%d7%a8%d7%a0%d7%91%d7%aa-%d7%a2%d7%9d-%d7%a2%d7%99%d7%a0%d7%99-%d7%94%d7%a2%d7%a0%d7%91%d7% 91.193.50.70 2013-05-20 19:39:56 2013-05-20 16:39:56 1 pingback 0 0 Contact http://www.benyaminiceramics.org/en/contact/ Thu, 01 Apr 2010 00:13:24 +0000 http://www.benyaminiceramics.org/?page_id=22 Directions to Benyamini Center [contact-form 2 "Contact Form in English"] ]]> 22 2010-04-01 03:13:24 2010-04-01 00:13:24 open open contact publish 0 5 page 0 _edit_lock 1343626118 _edit_last 3 robotsmeta index,follow _wp_page_template template.nosidebar.php _revision-control a:1:{i:0;s:8:"defaults";} אתר נולד http://www.benyaminiceramics.org/2010/04/%d7%90%d7%aa%d7%a8-%d7%a0%d7%95%d7%9c%d7%93/ Wed, 07 Apr 2010 14:53:18 +0000 http://www.benyaminiceramics.org/2010/04/%d7%a4%d7%95%d7%a1%d7%98-%d7%a9%d7%a0%d7%99/ בימים אלו החלה יצירת התכנים לאתר מרכז בנימיני החדש. תלמידים לשעבר של יששכר, אמנים שהשתתפו בפעילויות המרכז וכל מי שיש לו מה לומר, מוזמנים לתרום תכנים לאתר החדש. אנא צרו עמנו קשר בעזרת טופס צור קשר באתר זה

]]> 50 2010-04-07 16:53:18 2010-04-07 14:53:18 closed open %d7%90%d7%aa%d7%a8-%d7%a0%d7%95%d7%9c%d7%93 publish 0 0 post 0 _edit_lock 1359041717 _edit_last 3 _alp_processed 1326638271 _alp_broken_links a:1:{s:47:"http://www.benyaminiceramics.org/צור-קשר/";a:0:{}} _revision-control a:1:{i:0;s:8:"defaults";} title אתר נולד keywords בית בנימיני, אתר אינטרנט description אתר האינטרנט של בית בנימיני נולד robotsmeta noindex,follow _wp_old_slug %d7%a4%d7%95%d7%a1%d7%98-%d7%a9%d7%a0%d7%99 8 kesemy@gmail.com http://www.kesemydesign.com 77.251.118.211 2010-10-16 10:31:56 2010-10-16 08:31:56 1 0 0 A site is born http://www.benyaminiceramics.org/en/2010/04/a-site-is-born/ Wed, 07 Apr 2010 14:53:43 +0000 http://www.benyaminiceramics.org/?p=51 Contact Us form to, well, contact us in this matter]]> 51 2010-04-07 16:53:43 2010-04-07 14:53:43 closed open a-site-is-born publish 0 0 post 0 _edit_lock 1326638005 _edit_last 2 robotsmeta index,follow _wp_old_slug second-post _revision-control a:1:{i:0;s:8:"defaults";} description Today we launched the Benyamini Center web site title Benyamini site keywords Benyamini center, web site, 2 mkay@netvision.net.il http://www.marcelleklein.com 93.172.49.207 2010-04-20 11:34:30 2010-04-20 08:34:30 1 0 0 616 http://checkyoursitevalue.com/www.meat-spot.com 76.121.43.248 2012-06-16 17:29:45 2012-06-16 14:29:45 Original posted ...... [...] You can find much more information here... [...]...]]> spam trackback 0 0 תלמידים אודות בנימיני http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%aa%d7%9c%d7%9e%d7%99%d7%93%d7%99%d7%9d-%d7%90%d7%95%d7%93%d7%95%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/ Wed, 07 Apr 2010 15:22:44 +0000 http://www.benyaminiceramics.org/?page_id=54 [imagebrowser id=40]בשנות השבעים והשמונים של המאה הקודמת למדו קרמיקה בסטודיו המחתרתי משהו של יששכר בנימיני עשרות תלמידים בגילאים שונים. חווית הלמידה בסטודיו של יששכר ויהודית היתה יחודית. פרט ליצירת הכלים עצמם - החל מלישת החומר הדחוס שהגיע ארוז ב'נקניקים' עטופים בניילון, דרך יצירת הכלים, ייבושם, שריפתם ועיטורם - למדנו גם משהו על עבודה בכלל. גרעין קטן של תלמידים נשאר גם אחרי השיעורים, לשיחה, כוס משקה קר על המרפסת או סתם בטלה שהיתה חביבה במיוחד על יהודית והרבה פחות על יששכר החרוץ.

ביקשנו ממספר תלמידים לכתוב כמה מילים על בני הזוג בנימיני ועל חווית הלימוד אצל יששכר

נוני

יורם

אילן

]]> 54 2010-04-07 18:22:44 2010-04-07 15:22:44 closed closed %d7%aa%d7%9c%d7%9e%d7%99%d7%93%d7%99%d7%9d-%d7%90%d7%95%d7%93%d7%95%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99 publish 5 3 page 0 _edit_lock 1343715557 _edit_last 3 robotsmeta index,follow _wp_page_template default _alp_processed 1343715556 _alp_broken_links a:2:{s:243:"http://www.benyaminiceramics.org/%D7%9E%D7%A8%D7%9B%D7%96-%D7%91%D7%A0%D7%99%D7%9E%D7%99%D7%A0%D7%99/%D7%AA%D7%9C%D7%9E%D7%99%D7%93%D7%99%D7%9D-%D7%90%D7%95%D7%93%D7%95%D7%AA-%D7%91%D7%A0%D7%99%D7%9E%D7%99%D7%A0%D7%99/%D7%99%D7%95%D7%A8%D7%9D/";a:0:{}s:243:"http://www.benyaminiceramics.org/%D7%9E%D7%A8%D7%9B%D7%96-%D7%91%D7%A0%D7%99%D7%9E%D7%99%D7%A0%D7%99/%D7%AA%D7%9C%D7%9E%D7%99%D7%93%D7%99%D7%9D-%D7%90%D7%95%D7%93%D7%95%D7%AA-%D7%91%D7%A0%D7%99%D7%9E%D7%99%D7%A0%D7%99/%D7%90%D7%99%D7%9C%D7%9F/";a:0:{}} _revision-control a:1:{i:0;s:8:"defaults";} _thumbnail_id ngg-304 Students about Benyamini http://www.benyaminiceramics.org/en/benyamini-center/students-about-benyamini/ Wed, 07 Apr 2010 15:37:19 +0000 http://www.benyaminiceramics.org/?page_id=62 Elinoar Yoram Ilan]]> 62 2010-04-07 18:37:19 2010-04-07 15:37:19 closed open students-about-benyamini publish 7 3 page 0 _edit_lock 1313252955 _edit_last 3 robotsmeta index,follow _wp_page_template default _revision-control a:1:{i:0;s:8:"defaults";} בית מרכז בנימיני http://www.benyaminiceramics.org/2010/04/%d7%91%d7%99%d7%aa-%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/ Mon, 19 Apr 2010 14:09:29 +0000 http://www.benyaminiceramics.org/?p=123 בית בנימיני לפני השיפוץ

הבית ברחוב העמל 17 בתל אביב נרכש על ידי קרן בנימיני וישמש את מרכז בנימיני לאחר שיפוצים. יש לנו תכניות רבות לגבי הבנין. בבנין שלוש קומות וקומת גג וגם גן קטן ובו עץ רימון ישן. תצלומי הבנין מבחוץ מוצגים בגלרית תמונות בעמוד זה. מפת גוגל תעזור לכם למצוא אותו

[nggallery id=1]

]]> 123 2010-04-19 17:09:29 2010-04-19 14:09:29 closed open %d7%91%d7%99%d7%aa-%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99 publish 0 0 post 0 _edit_last 3 _edit_lock 1359041725 robotsmeta index,follow _alp_processed 1315136726 _revision-control a:1:{i:0;s:8:"defaults";} Benyamini Center building http://www.benyaminiceramics.org/en/2010/04/benyamini-center-building/ Mon, 19 Apr 2010 14:20:57 +0000 http://www.benyaminiceramics.org/?p=125 125 2010-04-19 17:20:57 2010-04-19 14:20:57 closed open benyamini-center-building publish 0 0 post 0 _edit_lock 1326637544 _edit_last 2 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} איך מגיעים http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%90%d7%99%d7%9a-%d7%9e%d7%92%d7%99%d7%a2%d7%99/ Mon, 19 Apr 2010 16:05:03 +0000 http://www.benyaminiceramics.org/?page_id=137 מרכז בנימיני נמצא ברחוב העמל 17 בתל אביב, בקרית המלאכה, ליד בית עיתון "הארץ" ברחוב שוקן.  האזור משמש מזה עשורים בתי מלאכה לתעשיות זעירות ובשנים האחרונות מתמלא בסדנאות של אמנים וגלריות [singlepic id=1039 w=320 h=240 float=center]

איך מגיעים למרכז בנימיני:

ברכבת - התחנה הקרובה היא תחנת ההגנה בתל אביב.

באוטובוס - להלן קווי האוטובוס המגיעים לאזור בית בנימיני:

רחוב שוקן:

דן: 3 – 19 – 72 – 119- 129 – 172

אגד: 84 – 154 – 163 – 192 – 201 – 289 – 273

סופרבוס: 153 – 245 – 4512 – 457 – 461

שדרות הר ציון:

דן: 189 – 289

אגד: 96 – 126 – 173

סופרבוס: 245 – 450

קונקס: 179

דרך סלמה:

דן: 42 – 142

רחוב העלייה:

דן: 25 – 125 – 418

אגד: 83

ברכב - לנוסעים צפונה על רחוב שוקן, הפניה ימינה לרחוב העמל היא מיד אחרי בית "הארץ". לנוסעים דרומה על רחוב שוקן הפניה היא שמאלה לפני בית "הארץ". חניון בר יוחאי - כניסה מרחוב בר יוחאי, 25 ₪ ליום. חניון בית המשפט - כניסה ברחוב שוקן, תעריף לפי שעה

[singlepic id=1040 w=320 h=240 float=center]

כתובת: רחוב העמל 17 תל אביב 66532

טלפון: 03-5182257

שעות פתיחה: ימים שני עד חמישי: 11-19 ימים שישי ושבת: 11-14

[singlepic id=1041 w=320 h=240 float=center]

[singlepic id=1042 w=320 h=240 float=center]

[singlepic id=1043 w=320 h=240 float=center]

View Issachar and Yehudit Benyamini Contemporary Ceramics Center in a larger map with labels

]]> 137 2010-04-19 19:05:03 2010-04-19 16:05:03 closed closed %d7%90%d7%99%d7%9a-%d7%9e%d7%92%d7%99%d7%a2%d7%99 publish 5 4 page 0 _edit_last 3 _edit_lock 1365940611 robotsmeta index,follow _wp_page_template default _alp_processed 1365940489 _revision-control a:1:{i:0;s:8:"defaults";} _thumbnail_id ngg-611 Getting here http://www.benyaminiceramics.org/en/benyamini-center/benyamini-center-map/ Mon, 19 Apr 2010 16:23:07 +0000 http://www.benyaminiceramics.org/?page_id=141 Getting to the Benyamin Center By train - nearest train station is Hahagana Station, Tel Aviv By bus - from Central station Tel Aviv, Dan lines going to Schoken street: 1, 2, 3, 9, 12, 19, 26, 41, 119. Busline map By car - right turn off of Schoken street past the Ha'aretz building, if you are traveling north on Schoken. Left turn off of Schoken, before the Ha'aretz building, if you are traveling south on Schoken. Parking - Bar Yohai parking - enter at Bar Yohai street, 25 NIS a day. Beit Hamishpat parking - enter at Schoken street, hourly rate. [singlepic id=1040 w=320 h=240 float=center] Address: 17 Ha'amal Street, Tel Aviv 66532, Israel Tel: 03-5182257 Opening hours: Sun: 10 - 13 (gallery closed) Mon-Thurs: 11 - 19 Fri, Sat: 11 - 14 [singlepic id=1041 w=320 h=240 float=center] [singlepic id=1042 w=320 h=240 float=center] [singlepic id=1043 w=320 h=240 float=center]
View Larger Map]]> 141 2010-04-19 19:23:07 2010-04-19 16:23:07 closed open benyamini-center-map publish 7 4 page 0 _edit_lock 1365942389 _edit_last 3 robotsmeta index,follow _wp_page_template default _revision-control a:1:{i:0;s:8:"defaults";} אלינוער http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%aa%d7%9c%d7%9e%d7%99%d7%93%d7%99%d7%9d-%d7%90%d7%95%d7%93%d7%95%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/elinoar-he/ Tue, 20 Apr 2010 15:24:33 +0000 http://www.benyaminiceramics.org/?page_id=196 [singlepic id=303 w=320 h=240 float=right]בית בנימיני עמד בכניסה לאפקה: השער לאפקה. הדלת תמיד הייתה פתוחה בסטודיו, ואנשי השכונה היו נכנסים ועוצרים לדבר, לספר, ולראות את העבודות האחרונות. תמיד הייתה פעילות, ניסיונות, תנור פתוח שמתמלא. כששמענו לראשונה על יששכר, המכונה בפי ילדי השכונה "שכר”, הייתי בכיתה ב. אני ואמי באנו לסטודיו. היה ריח של חמר טרי וגלזורות ואלף אפשרויות. שכר היה חביב. הוא הציע לי לשבת לידו על האבניים שבנה. ישבתי עם רגלי הקצרות מדלדלות וצמודה אליו שלא אפול והוא סובב את הגלגל התחתון, בועט ובונה ראיתי איך גוש בוץ הופך לכלי נושם. אז החל הרומן שלי עם הבנימינים.

שיעור הקרמיקה הראשון היה לבנות כוס ואחריו בקבוק, פעמונים. אט אט בכל בתי אפקה החלו לצוץ דמויות חמר: דג, נסיך, נסיכה, מלכה, כולם נצר לבית המלוכה בנימיני. יהודית, שהייתה אמנית בשיעור קומה דומה ליששכר, הייתה בצניעות מעטרת את עבודותיו, ובשקט מעירה הערות ומתפעלת. כל שיעור, אחרי עבודה קשה, היה מסתיים בגלידה מוגשת בקערות קרמיקה בקומה למעלה, בבית או בגינה היפיפייה שטיפחו. הסטודיו הפך למועדון מקום מפגש של דורות שונים של ילדי יששכר ויהודית. יששכר היה אז בשנות החמישים לחייו, אך צעיר וילדי יותר מכולנו. הוא קרא לעבודה לשחק, ושיחק ברצינות וביסודיות, מהבית שבנה לבנה על לבנה ועד ליסודיות בה רחץ את כפיות הגלידה שאחרי.

שנים מאוחר יותר כשלמדתי בבצלאל הגיעו החדשות הנוראות על האוטובוס שהותקף ביד מחבלים במצרים. טלפונים בהולים וחדשות מקוטעות הבהירו את האמת הקשה: יששכר נהרג ויהודית נפצעה. בשנים שחלפו מאז הפיגוע, יהודית המשיכה את המורשת הבנימינית: אהבת החיים, לימודים, טיולים, התנסות, בית פתוח. בביקורי מארה"ב תמיד המשכנו את השיחה דרך תחנות חיים שונות. מאז בכל פעם שאני נכנסת לאפקה אני שומעת את הצחוק הידוע ה-ה-ה של יששכר מלווה בדפיקות ליישור כלי על רקע צלילי הרדיו. גם כעת, כשאינם, הם חיים בקשר שבינינו, קשר החמר והלב.

]]> 196 2010-04-20 18:24:33 2010-04-20 15:24:33 closed open elinoar-he publish 54 0 page 0 _edit_lock 1278585928 _edit_last 2 robotsmeta index,follow _wp_page_template default _alp_processed 1278585927 _revision-control a:1:{i:0;s:8:"defaults";} יורם http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%aa%d7%9c%d7%9e%d7%99%d7%93%d7%99%d7%9d-%d7%90%d7%95%d7%93%d7%95%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%99%d7%95%d7%a8%d7%9d/ Tue, 20 Apr 2010 15:31:24 +0000 http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%a2%d7%9e%d7%95%d7%93-%d7%a4%d7%a0%d7%99%d7%9e%d7%99/%d7%99%d7%95%d7%a8%d7%9d-%d7%90%d7%95%d7%93%d7%95%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99 [singlepic id=74 w=320 h=240 float=right]קיץ 1980, אפקה, תל אביב. אנחנו יושבים עם יששכר ויהודית בנימיני על המרפסת אחרי יום עבודה בסטודיו. אחר צהריים חם ולח. קו 24 שואג על רחוב רשפון. אנחנו שותים משקה קר מכוסות גבוהות עשויות זכוכית ירוקה. את עור האצבעות מכסה אבק חמר אפרפר. יהודית מתארת את המבנים של אנטוני גאודי שראתה בברצלונה שנים קודם לכן. אני, קצת אחרי גיל בר-מצווה, מאזין. יששכר, ישוב על הכיסא הפשוט בהמתנה ליום עבודה נוסף, שותק ומחייך-מהנהן קלות, עיניו מטיילות בין המגש עליו מונחות הכוסות ובין צמרת העץ שנוגעת במעקה המרפסת. אולי הוא מתכנן לגזום אותו בבוקר.

סתיו 1978, אפקה, תל אביב. חברי הטוב יאיר ואני משתוללים על האופניים בצומת רשפון ואופקים. יששכר, שעומד בשער ביתו, פונה אלינו ובכך מדרבן אותנו להרשים אותו בעזרת תעודות אנשי 'משמרות הבטיחות בדרכים' שהיו ברשותנו כתלמידי כיתה ו', ולהזדהות בשמות בדויים: יוסף ואברם. שבוע אחר כך אנחנו יושבים אל ספסלי העבודה יחד עם 4-5 ילדים נוספים - בחוג הקרמיקה המחתרתי שיששכר העביר בסטודיו ברחוב אופקים מספר 1 – לשים חומר ובונים כלי מחוליות.

כשהחוג נפסק כי ליששכר נמאס מילדים שמבזבזים חומר ומבלבלים את המוח, המשכתי לעבוד בסטודיו. לאחר שנים מספר ישבתי גם אני, כמו יששכר, על האבניים הגדולות שהונעו בכוח הרגל. למדתי לזרוק גוש, למרכז אותו, לפתוח, וזכיתי ברגע הזן הראשון שלי כשהרמתי, בקלות מפתיעה, כלי. חוויה מעצבת. ללטף את האינסוף. יששכר, שהייתה לו נעל אחת עם סוליה עבה פי שתיים מהשנייה מאז נפגע בתאונת עבודה, הרשים אותי כשסחרר את האבניים תוך הוצאת מינימום אנרגיה, שלט בחמר בכף ידו הקטנה בהחלטיות וברכות, השתמש בכלי עבודה נכונים לביצוע משימות שונות ותמיד היה קוטף לו כלים רזים, חזקים ויעילים. מיששכר למדתי איך בונים כלי חזק ולא כבד, איך ממחזרים חומר, טובלים כלים, ממלאים תנור, דואגים למכחולים ואיך מבשלים תה בחלב לגדוד חיילים בצבא המנדט הבריטי. מיששכר, ששנים קודם לכן בנה את ביתו במו ידיו יחד עם ילד אחר מאפקה שהיה 'פועל' שלו, שמעתי על הבתים אותם בנה בתל אביב כפועל ואחר כך כמנהל עבודה, ועל אדם שחוסל בעת ששתה גזוז בקיוסק בנחלת בנימין, בירית צלף שישב בצריח של חסן בק.

יששכר נולד בטביליסי בשנת 1917 ועלה ארצה עם משפחתו והרבה אחים ואחיות, בעגלה, כשהיה בן שמונה. בתחילה שירת כנוטר ואז בצבא הבריטי בבסיס סרפן. יהודית נולדה בירושלים בשנת 1927, למדה בבית הספר לאחיות בעפולה ועבדה כאחות כל חייה. לבני הזוג בנימיני לא היו ילדים וגם לא הרבה ביקורי משפחה. אף פעם לא שאלתי איך זה.

יהודית הייתה חוזרת ממרפאת הסוכרת בסניף זמנהוף כל יום בפיאט 900 השמורה שלהם, תשושה מיום שהחל בשבע בבוקר במהלכו טיפלה בעשרות חולים וספגה את כל גחמותיו של דוקטור סוקניק הנישא. כשהייתה מתאוששת הצטרפה גם היא לעבודה בסטודיו, לבושה בחלוק עבודה פרחוני דהוי ודק משנים, לעטר כלים במשיחות מכחול ולהרים כלים על האבניים החשמליות הקטנות כשהיא מרוכזת ומוסחת דעת בו בזמן. תמיד השתאיתי כשהספיגה את המכחול בכמות הצבע הנכונה, סחררה את הכלי בקצב הנכון והצמידה אליו את המכחול ברגע הרצוי תוך הפעלת לחץ אופטימלי. כשהייתה מתעייפת ועולה הביתה, היה עליה עוד לשכנע את יששכר שמספיק להיום. מיהודית שמעתי אודות אמנות ויוצרים: ספרות, פיסול, ציור, מוזיקה, מחול, קולנוע.

פברואר 1990, מצרים. יהודית ויששכר יוצאים בטיול מאורגן למצרים. קצת אחרי חמש בערב, לאחר חציית התעלה בדרכם מערבה לקהיר עוצרת את האוטובוס מכונית פז'ו 505 לבנה. שני מחבלים עולים, מורים לנוסעים המצריים לצאת, משליכים רימונים ומרססים במקלעים. יששכר מדמם למוות במשך שעות על החול לצד הכביש. יהודית שורדת. עשרה הרוגים.

בהעדרו של יששכר, התדרדר גם מוסר העבודה. לאחר שיהודית פחות או יותר חזרה לעצמה, שבה לעבוד בסטודיו. הצטרפתי אליה. עבדנו והאזנו להרצאות שהקליטה. תרבות המזרח, פילוסופיה מערבית, תולדות הקולנוע.

חורף 1997, אפקה, תל אביב. יהודית חולה. באחת מפגישותינו האחרונות בבית ברחוב אופקים היא רומזת לי שמהמחלה הזאת לא מבריאים. אני מעודד אותה ומסרב להטמיע. גם את לכתו של יששכר לא עיכלתי עד אז. כאילו נסע למצרים ונשאר שם. יהודית נפטרה בנובמבר 1999.

לפני מותה ביקשה ממרסל קליין ואילן מאיר, ראשוני התלמידים וחברים, שיקיימו את צוואתה – להקדיש את הבית ואת העיזבון להקמת מרכז ללימוד קרמיקה שייטיב עם ילדים משכבות חלשות ויסייע לאמני קרמיקה מוכשרים.

]]> 198 2010-04-20 18:31:24 2010-04-20 15:31:24 closed open %d7%99%d7%95%d7%a8%d7%9d publish 54 0 page 0 _wp_page_template default _alp_processed 1272436260 _edit_lock 1278585270 _edit_last 2 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} 1039 http://www.kfsmtv.net/Airmax/airmax2013.html 190.36.156.238 2013-07-24 16:59:09 2013-07-24 13:59:09 エアマックス 2013... יורם |...]]> 0 trackback 0 0 אילן http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%aa%d7%9c%d7%9e%d7%99%d7%93%d7%99%d7%9d-%d7%90%d7%95%d7%93%d7%95%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%90%d7%99%d7%9c%d7%9f/ Tue, 20 Apr 2010 15:46:01 +0000 http://www.benyaminiceramics.org/?page_id=202 [singlepic id=301 w=320 h=240 float=right]תרגום לשפה העברית של מאמרו של אילן נמצא בהכנה. עד אז יש את המקור בשפה האנגלית

]]> 202 2010-04-20 18:46:01 2010-04-20 15:46:01 closed open %d7%90%d7%99%d7%9c%d7%9f publish 54 0 page 0 _edit_lock 1278585960 _edit_last 2 robotsmeta index,follow _wp_page_template default _alp_processed 1278585959 _revision-control a:1:{i:0;s:8:"defaults";} Ilan http://www.benyaminiceramics.org/en/benyamini-center/students-about-benyamini/ilan/ Tue, 20 Apr 2010 15:50:12 +0000 http://www.benyaminiceramics.org/?page_id=204 204 2010-04-20 18:50:12 2010-04-20 15:50:12 closed open ilan publish 62 0 page 0 _edit_lock 1278586071 _edit_last 2 robotsmeta index,follow _wp_page_template default _revision-control a:1:{i:0;s:8:"defaults";} Yoram http://www.benyaminiceramics.org/en/benyamini-center/students-about-benyamini/yoram/ Tue, 20 Apr 2010 19:17:39 +0000 http://www.benyaminiceramics.org/?page_id=231 231 2010-04-20 22:17:39 2010-04-20 19:17:39 closed open yoram publish 62 0 page 0 _edit_lock 1278586250 _edit_last 2 robotsmeta index,follow _wp_page_template default _revision-control a:1:{i:0;s:8:"defaults";} Elinoar http://www.benyaminiceramics.org/en/benyamini-center/students-about-benyamini/elinoar/ Tue, 20 Apr 2010 19:22:15 +0000 http://www.benyaminiceramics.org/?page_id=233 233 2010-04-20 22:22:15 2010-04-20 19:22:15 closed open elinoar publish 62 0 page 0 _edit_lock 1278586035 _edit_last 2 robotsmeta index,follow _wp_page_template default _revision-control a:1:{i:0;s:8:"defaults";} 1031 http://www.kfsmtv.net/ASICS/ 119.187.83.247 2013-07-24 10:45:10 2013-07-24 07:45:10 アシックス シューズ... Elinoar |...]]> 0 trackback 0 0 אמנים אורחים http://www.benyaminiceramics.org/%d7%a4%d7%a2%d7%99%d7%9c%d7%95%d7%99%d7%95%d7%aa/%d7%90%d7%9e%d7%a0%d7%99%d7%9d-%d7%90%d7%95%d7%a8%d7%97%d7%99%d7%9d/ Thu, 22 Apr 2010 18:03:01 +0000 http://www.benyaminiceramics.org/%d7%9e%d7%99%d7%96%d7%9e%d7%99%d7%9d/%d7%90%d7%9e%d7%a0%d7%99%d7%9d-%d7%90%d7%95%d7%a8%d7%97%d7%99%d7%9d/ [imagebrowser id=22]מרכז בנימיני לקרמיקה עכשווית מזמין לישראל אמנים אורחים מרחבי העולם. אמנים אורחים אלו מעבירים סדנאות, שיעורים, משתתפים בסימפוזיונים ומעשירים את יוצרי הקרמיקה בישראל.

אמנים אורחים שהוזמנו לישראל על ידי מרכז בנימיני:

Susan Collett, קנדה. אמנית אורחת בנאות הכיכר, פברואר 2009
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סוזן קולט יוצרת מכלים גדולי ממדים מפורצלן (paper clay) בטכניקה ייחודית המעניקה לעבודות חזות של כלים שזה עתה נישלו מן הים, ספק אלמוגים ספק כלים היסטוריים מעידן קדמון. עבודתה דנה בפרדוקסים ומשדרת כוח ועצמה לצד שקיפות ושבריריות.
Fong Choo, ארה"ב. אמן אורח בתל חי, דצמבר 2008 [nggallery id=28]למעלה מעשר שנים מתמקדת עבודתו של Fong Choo בקומקום התה המסורתי ומטענו התרבותי. צ'ו שואב השראתו ממסורת קומקומי ה – Yixing הנפוצים בתרבות הסינית ויוצק בהם פרשנות חדשנית וייחודית לו. קומקומיו זעירים, דמויי תכשיט, בשילובים מרתקים של צורה, צבעוניות עזה ודמיון. פונג צ'ו מתאר את החוויה של אמן אורח במרכז בנימיני כאן (אנגלית).
Les Manning, קנדה. אמן אורח בנאות הכיכר, פברואר 2008 [nggallery id=23] אמן קנדי עטור פרסים ובעל מוניטין בינלאומי. עבודותיו עוסקות בהכלה מעשית וקונספטואלית. הוא יוצר כלים פיסוליים שעיקרם הפשטה של הנופים הדינמיים ורבי העצמה של הרי הרוקי הקנדיים. ההכלה של הנוף מיושמת על צורות קטנות ואינטימיות יחסית. אלו הנופים הנשקפים אליו מרבית שנות חייו.
Chris Gustin, ארה"ב. אמן אורח בתל חי, דצמבר 2007 קריס הוא אמן אמריקני היוצר כלים גדולי ממדים בטכניקה ייחודית של עבודת אבניים משולבת בבניה ידנית. עבודותיו משדרות עצמה ומונומנטליות תוך התייחסות מרתקת לגוף האדם.
Jackson Li, סין. אמן אורח בנאות הכיכר, פברואר 2007 [nggallery id=29] ג'קסון הוא אמן סיני רבגוני בעל מוניטין בינלאומי. עבודותיו וסגנון חייו משלב מפגש מופלא ומרתק של תרבויות המזרח והמערב. פסליו מקרינים נמרצות ומונומנטליות על אף מידותיהם הצנועות ומשקפות גישה אסתטית שאינה שואפת להתייפייפות. לצד עבודה בחומר הוא ממשיך מסורת סינית עתיקה של יצירת מכחולים ייחודיים שהם מלאכת מחשבת מקורית. הוא מנהל מרכז לימודי גדול לאמנות הקרמיקה San Bao שנמצא בעיירה Jingdejhen, בירת הפורצלן בסין.
Robin Hopper, קנדה. אמן אורח בתל חי, דצמבר 2006 [nggallery id=33]רובין יוצר מזה 50 שנה, בעיקר בפורצלן. עבודותיו - כלים שימושיים ויצירה אמנותית ייחודית - משקפות מחקר היסטורי וטכני מעמיק. לצד יצירה קרמית, מסעות וחיים טובים, רובין שואב הנאה מגננות ובמיוחד ממחקר של גנים אוריינטלים. הגן האנגלו-יפני שיצר ב Chosin Pottery הוצג בספרים, מגזינים ותכניות טלוויזיה. רובין פרסם מספר ספרים וסרטי וידאו אודות היבטים שונים של יצירה קרמיקה והטכנולוגיה המעורבת ביצירה קרמית.
Mitsuo Shoji, אוסטרליה. אמן אורח בנאות הככר, פברואר 2006 [nggallery id=30]כלי הקרמיקה של שוג'י אינם בהכרח שימושיים. יצירתו המגוונת כוללת פסלים בבניה ידנית המעוטרים בפסי צבע, ציור ניסיוני הכולל אלמנטים מיצירה קרמית כמו שרפה, רצועות חמר, עלי כסף וזהב. עבודות דו-ממדיות ייחודיות אלו אותן הוא מכנה "ציור קרמי" מבוסות על נסיון החיים שלו. שוג'י חי ויוצר באוסטרליה מאז שנת 1973.
Leah Leitson, ארה"ב. אמנית אורחת בתל חי, דצמבר 2005
[nggallery id=32]לאה היא אמנית אמריקנית היוצרת כלי פורצלן שימושיים בטכניקה מיוחדת של פירוק ובניה מחדש של הצורה. גלגל האבניים משמש את לאה כנקודת מוצא ליצירת אלמנטים אותם היא מרכיבה לכלים בעלי אמירה אסתטית אלגנטית עם אזכורים היסטוריים מהאומנויות הדקורטיביות של המאה ה-19 וה-18 כמו גם אלמנטים מן הצומח.
Linda Lighton, ארה"ב. אמנית אורחת באפקה, פברואר 2005
[nggallery id=26]פסליה של לינדה מוגדרים על ידי חושניות, פוריות וכוח המיניות. עבודותיה חוקרות מנוקדת מבט נשית מיקרוקוסמוס שונים הנובעים מרעיונות של צמיחה ומעבר. הן מציגות את כח החיות וחוגגות את רוח החיים.
Linda Christiansen, ארה"ב. אמנית אורחת בתל חי, דצמבר 2004
[nggallery id=31]לינדה חוקרת את יחסי היומיום עם כלים שימושיים. היא יוצרת כלים על אבנים רגליים ואז חותכת אותם, מרכיבה מחדש, מדביקה ידיות ורגליות ומצפה אותם בסליפ. לאחר זיגוג הכלים מוכנסים לתנור עץ או מלח. שטח הפנים החיצוני הנוצר בתהליך תלוי בצרוף של תרכובת האוויר, עץ, ומלח הנוכחים בתנור.
David Binns & Wendy Lawrence, אנגליה. אמנים אורחים בנאות הככר, פברואר 2004
[nggallery id=27]את השראתה שואבת וונדי מצורות, טקסטורות ומשטח הפנים של סלעים שעברו בלייה. קדמוניות וראשוניות - ארכיטקטורה, תרבות, פולחן וכוחות גאולוגיים - מספקים גם הם כח השראה לוונדי.
דייויד שואב השראה מצורות וטקסטורות המצויות בארכיטקטורה ונוף. הוא פיתח טכניקה ליציקת תרכובות של חומר שרוף גרוס יחד עם זכוכית שהוא מלטש לאחר השריפה. למרות העושר והמורכבות של פני השטח שדיויד יוצר בטכניקות מתקדמות, עבודותיו משדרות שקט ומינימליזם.
Nick Joerling, ארה"ב. אמן אורח בתל חי, דצמבר 2003
[nggallery id=25]ניק יוצר כלים בהשראת גוף האדם. כליו 'מדברים' אודות דיוקנים ותנועה. “אני מקווה ליצור כלים בעלי תכונות חושניות, רחמניות, הומוריסטיות והסתכנויות"
Malkhaz Schwedlaze, ג'ורג'יה. אמן אורח באפקה, מאי 2003

[nggallery id=34]מלכז יוצר פסלים בעלי ארכיטקטורה ייחודית המורכבת מאלמנטים רבים. את ההשראה שואב מלכז מממצאים ארכיאולוגיים של אמנות אטרוסקית. לעבודותיו ביטוי מיוחד של תרבות מסורתית ודימיון עשיר.

Richard Dewar, אנגליה. אמן אורח בתל חי, דצמבר 2002
[nggallery id=41]ריצ'רד למד קרמיקה באנגליה וכיום מתגורר בצרפת. בסדנה שלו ב-Locoal-Mendian יוצר ריצ'רד כלים בשריפת תנור עץ עם מלח.

]]> 271 2010-04-22 21:03:01 2010-04-22 18:03:01 closed open %d7%90%d7%9e%d7%a0%d7%99%d7%9d-%d7%90%d7%95%d7%a8%d7%97%d7%99%d7%9d publish 9 7 page 0 _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default robotsmeta index,follow _edit_lock 1340011220 _edit_last 3 _alp_processed 1307313498 Visiting artists http://www.benyaminiceramics.org/en/activities/visiting-artists/ Thu, 22 Apr 2010 18:08:42 +0000 http://www.benyaminiceramics.org/?page_id=272 Artists Residencies 2012 application form [imagebrowser id=22]Since 2002 the Benyamini Center has sponsored numerous world-renowned ceramic artists to come to Israel and participate in symposia and workshops. The purpose of our program is to enhance the level of professional ceramists and students. These demonstrations and master-classes broaden the scope of understanding the medium, inspire artists towards excellence, and raise the level of work produced in Israel. This cultural exchange creates ties with other ceramic communities and opportunities for local artists to make connections abroad. Our guests experience the diverse landscape and culture of the country as well as the warm hospitality of our community and from the feedback we have received, return home with a positive image of Israel and so become ambassadors for our country. Artists who visited Israel with the Benyamini Center Visiting Artists program: Susan Collett – Canada. Guest artist at Neot HaKikar, February 2009
[nggallery id=44]
Susan Collet creates large porcelain paper clay vessels using a unique technique of building. The objects look as if they have been retrieved from the sea and are reminiscent of corals. Her luminescent ceramic vessels seem delicate and fragile yet they express strength and presence. Fong Choo – USA/Singapore. Guest artist at Tel Hai, December 2008 [nggallery id=24] For more than ten years Fong Choo's work has focused on miniature teapots inspired by traditional Chinese Yixing teapots. He continues to challenge and explore the boundaries of this complex object addressing color, design and form. I was one of the presenters at Tel Hai College. It arguably was one of the greatest highlights of my clay career of 26 years," Says Fong Choo a guest of the Visiting Artist Program. "Along with two other presenters, Gareth Mason and Merete Ramussen from England, we were greeted with the most incredible hospitality by our gracious host Yael Novak. We were chauffeured around and toured the incredible country of Israel. At the conference, of the most memorable moments was at the end. Glancing down I noticed a long line of attendees. They were there to simply greet, thank and embrace what I shared with them for several delightful days. That touched my heart to feel such gratitude. Clay just has this great affinity to bridge gaps and bring us all together. Thanks to the Benyamini Foundation and to all the others that made it happen." Les Manning – Canada. Guest artist at Neot Hakikar, February 2008 [nggallery id=23] The ceramic works by Les Manning are inspired by the dynamic landscape of the Canadian Rocky Mountains. He combines different clay bodies and by throwing and altering the forms gets a very personal artistic result. The combination of these disparate materials causes stress in the ceramic process, similar to the natural forces that create the landscape from which these pieces were inspired. Chris Gustin – USA. Guest Artist at Tel Hai, December 2007 Chris Gustin makes pots that allude to function and at the same time make connections to the human figure. The use of the pot context allows for abstraction. The skin of the clay holds the invisible interior of the vessel and the forms are manipulated "around" that air, constraining it, enclosing it, or letting it expand and swell. Jackson Li – China/Canada. Guest artist at Neot Hakikar, February 2007 [nggallery id=29] Jackson Li is a world renowned artist. His work combines the cultures of east and west and even though his sculptures are not large they feel monumental. In addition to his clay work he continues the ancient tradition of hand made paintbrushes. He is the director of the San Bao Ceramic Center which he established in Jingdejhen, the porcelain capital of China. Robin Hopper – Canada. Guest artist at Tel Hai. December 2006 [nggallery id=33] Robin’s work includes a great deal of ceramic historical and technical research, and an ongoing studio involvement with both functional production and one-of-a-kind art works, primarily in porcelain. Next to ceramics his other life-long passion is gardening, particularly Oriental gardens. His “Anglojapanadian Garden" at ’Chosin Pottery has been widely featured. He is author of several books and videos on the various aspects of ceramics and ceramic technology. Mitsuo Shoji – Australia/Japan. Guest artist at Neot Ha Kikar, February 2006 [nggallery id=30] Mitsuo's ceramics are not limited to functional design ware; his work covers a broad range including hand built sculptural objects. He also experiments with paintings, which utilize ceramic elements such as fire and sometimes clay slip, gold and silver leaf. These unique two-dimensional works: "Ceramic Paintings", as he calls them, are based firmly within his own life and experiences. Mitsuo Shoji has been based in Australia since 1973 Leah Leitson – USA. Guest artist at Tel Hai, December 2005 [nggallery id=32] Leah makes wheel-thrown pottery that is altered and assembled and brings sculptural expression to functional ceramics. The forms are predominately inspired by eighteenth and nineteenth century decorative arts, particularly utilitarian silver tableware and Sevres porcelain as well as plant forms in nature. Linda Lighton – USA. Guest artist at Afeka, february 2005 [nggallery id=26] Linda's sculptures are defined by their sensuality, fertility and empowered sexuality. The work explores various microcosms evolved from the ideas of growth and transition, from the feminine point of view. They present the life force and celebrate the spirit of life.

Linda Christiansen – USA. Guest artist at Tel Hai, December 2004 [nggallery id=31] Linda Christiansen explores the daily relationship with utilitarian pots. Working with stoneware or porcelain, the pots are initially formed on a treadle wheel. Cut apart, reassembled, handled, or footed, the pots are coated with a thick slip and fired in a wood or salt kiln. The exterior of the pots depends upon a combination of atmosphere, wood, and salt from the kiln.

David Binns & Wendy Lawrence – England. Guest artists at Neot Ha Kikar, February 2004

[nggallery id=27] David Binns work draws inspiration from forms and textures found in engineering, architecture and the natural landscape employing new material processes. The objects have a complex surface but convey a sense of quietness and simplicity. He has developed a process of kiln cast ceramic aggregates and glass forming materials. All the work is finished through a process of grinding and polishing.

Wendy Lawrence work draws inspiration from forms, textures and surfaces found in eroded rock and the landscape of antiquity; architecture, culture and worship as well as the forces of the geological process.

Nick Joerling – USA. Guest artist at Tel Hai, December 2003 [nggallery id=25] Nick makes pots that are inspired by people and their bodies; they talk of profile and animation. "I hope for pots that have qualities of sensuality, compassion, humor and risk." Malchaz Schvelidze - Georgia. Guest artist at Afeka, May 2003 [nggallery id=34] Malchaz creates sculptures and architectonic constructions that incorporate an amazing collection of elements like pieces of a puzzle. Inspired by ancient Etruscan archaeology, his work displays his own personal imagination and a unique interpretation of traditional culture. Richard Dewar - England/France. Guest artist at Tel Hai, December 2003 [nggallery id=41] Richard Dewar trained in England and has since moved to France where he lives and works in Locoal-Mendian. Richard creates salt glazed wood fired stoneware.]]> 272 2010-04-22 21:08:42 2010-04-22 18:08:42 closed open visiting-artists publish 10 7 page 0 _revision-control a:1:{i:0;s:8:"defaults";} _edit_lock 1354183207 _edit_last 3 robotsmeta index,follow _wp_page_template default 1004 http://www.2qJAc3Dl3.com 178.33.173.185 2013-07-04 18:22:06 2013-07-04 15:22:06 ... [Trackback]... [...] Informations on that Topic: benyaminiceramics.org/en/activities/visiting-artists/ [...]...]]> 0 trackback 0 0 תערוכות העבר http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/ Thu, 22 Apr 2010 18:12:48 +0000 http://www.benyaminiceramics.org/?page_id=276 מרכז בנימיני תומך בתערוכות כחלק מפעילותו לקידום אמנות הקרמיקה והצגת יצירה משובחת בחימר. מרכז בנימיני מאמין שבעזרת תערוכות ניתן להעשיר את הציבור ולטפח הערכה לאמנות הקרמיקה, כולל חשיפת מורכבות המדיום ומגוון האפשרויות המוכלות בו. על ידי יצירת במה להצגת עבודות מאפשר מרכז בנימיני לאמנים להתמיד ולשקוד על האג'נדה האמנותית שלהם.

תערוכות במוזיאונים ובגלריות מציבות את אמנות הקרמיקה כחלק לגיטימי של עולם האמנות והעיצוב ומעודדות דיאלוג בין סוגי מדיה שונים.

]]> 276 2010-04-22 21:12:48 2010-04-22 18:12:48 closed open %d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8 publish 5716 3 page 0 _edit_lock 1371485724 _edit_last 3 robotsmeta index,follow _wp_page_template default _alp_processed 1371485183 _revision-control a:1:{i:0;s:8:"defaults";} _thumbnail_id ngg-1407 Past exhibitions http://www.benyaminiceramics.org/en/ceramic-galleries/past-exhibitions/ Thu, 22 Apr 2010 18:21:15 +0000 http://www.benyaminiceramics.org/?page_id=279 279 2010-04-22 21:21:15 2010-04-22 18:21:15 closed open past-exhibitions publish 6167 3 page 0 _edit_lock 1371485161 _edit_last 3 robotsmeta index,follow _wp_page_template default _revision-control a:1:{i:0;s:8:"defaults";} _thumbnail_id ngg-864 סטודיו ראשון http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%a1%d7%98%d7%95%d7%93%d7%99%d7%95-%d7%a8%d7%90%d7%a9%d7%95%d7%9f/ Thu, 22 Apr 2010 18:30:48 +0000 http://www.benyaminiceramics.org/?page_id=284 מטרת פרויקט "סטודיו ראשון" של בית בנימיני היא לעודד אמנים צעירים, בוגרים מצטיינים של מחלקה ללימודי קרמיקה במוסד ללימודי אמנות, ולתמוך בהם. תמיכה זו מוענקת לאותם בוגרים המעוניינים להמשיך לעבוד וליצור בתחום הקרמיקה, ולחוות את כל הכרוך בניהול סטודיו עצמאי לקרמיקה.

פרויקט "סטודיו ראשון" מסייע לצלוח את התקופה המאתגרת שבין סיום הלימודים לבין העולם שמחוץ לאקדמיה, במהלכה בוגרים מתמרנים בין המשכיות ביטוי אמנותי אישי, גיבוש כיוון, ופרנסה.

מרכז בנימיני מעניק לזוכים סטודיו קרמיקה מצויד במלואו במרכז בנימיני וחלל פרטי העומד לרשותם. בתמורה, תורמים אמני "סטודיו ראשון" את חלקם לניהול חלל הסטודיו הציבורי במרכז בנימיני.

פרויקט "סטודיו ראשון" מאפשר לבוגרי מחלקות קרמיקה להתמיד וליצור בתחומם הנבחר, לבסס קשרים עם אמני קרמיקה מבוססים ולקחת חלק בפעילויות מרכז בנימיני המיועדות ליוצרים בקרמיקה.

אנו מאמינים שחבירה לדור ההמשך של אמני קרמיקה בישראל מבטיחה המשכיות מבוססת ובעלת משמעות של פלטפורמת אמנויות הקרמיקה, המאפשרת לאמנים אלו לקדם עצמם בתחומם.

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הקרן ע"ש יששכר ויהודית בנימיני מזמינה אמני קרמיקה צעירים, שסיימו את לימודיהם האקדמאים בתחום הקרמיקה בקיץ 2013 , להגיש את מועמדותם למלגת "סטודיו ראשון".

תחילת עבודה בסטודיו: 1 ספטמבר 2013 ועד 31 אוגוסט 2014 המלגה תינתן לתקופה של 12 חודשים ובסיום התקופה תהיה אפשרות להציג פרויקט סיום המסכם את שנת העבודה. הצעת הפרויקט תתגבש במהלך השנה.

תאריך אחרון להגשת מועמדות: 31 במאי 2013.

להורדת טופס ההרשמה

אמני "סטודיו ראשון" לאורך השנים:

]]> 284 2010-04-22 21:30:48 2010-04-22 18:30:48 closed open %d7%a1%d7%98%d7%95%d7%93%d7%99%d7%95-%d7%a8%d7%90%d7%a9%d7%95%d7%9f publish 5 8 page 0 _alp_processed 1365585844 _edit_lock 1365638353 _edit_last 3 _wp_page_template default _revision-control a:1:{i:0;s:8:"defaults";} description פרויקט סטודיו ראשון מעודד אמנים צעירים בעזרת מלגה keywords מילגה, אמנים צעירים, סטודיו ראשון _thumbnail_id ngg-906 title סטודיו ראשון - מלגה לאמנים צעירים | בית בנימיני robotsmeta index,nofollow 283 http://www.benyaminiceramics.org/2011/08/%d7%a1%d7%98%d7%95%d7%93%d7%99%d7%95-%d7%a8%d7%90%d7%a9%d7%95%d7%9f/ 174.132.78.226 2011-08-06 02:10:20 2011-08-05 23:10:20 1 pingback 0 0 First Studio http://www.benyaminiceramics.org/en/benyamini-center/first-studio/ Thu, 22 Apr 2010 18:34:01 +0000 http://www.benyaminiceramics.org/?page_id=286

The aim of the Benyamini Center First Studio program is to encourage and support young artists. This prize is awarded to an excellent graduate of a ceramic department art school that shows a desire to continue working in the field and is interested in experiencing the intricacies of running an independent ceramic studio. The First Studio is a life bridge between art school and the real world, facilitating artistic expression and at the same time exposing the young artist to the many aspects necessary to survive as an artist.

The Benyamini Center provides a fully equipped ceramic studio with a private work area. In exchange, First Studio artists are expected to contribute in running the general studio space.

This program not only encourages ceramic art program graduates to persevere in their chosen field but it also enables them to create ties with established artists and be involved with the activities for ceramic artists. We believe that by creating bonds with the future generation of ceramic artists we ensure the continuation of a strong and meaningful ceramic art platform that will work towards the promotion of their field.

We are pleased to announce the winners of the First Studio Scholarship for 2012-13 Gal Goren and Efrat Keren, both graduates of the ceramic department at Bezalel. Michal Fargo and Yulia Tsukerman have completed a year at the Benyamini Center. We would like to thank Michal and Yulia for their professional contribution to the center and their help with all the activities of the past year.  We wish them success for the future.  We will show the work that they made in the year during the coming exhibition season. The new resident artists will be taking over in the coming weeks. Gal creates porcelain objects made of various colored layers and is inspired by the natural environment and the characteristics of the clay.  Efrat creates an environment that she invents from abstract objects she makes on the wheel.  We welcome them to the Benyamini Center and wish them a productive and enjoyable year.

First Studio artists:

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Cohavit Ben Ezra [nggallery id=6] Lena Dubinsky [nggallery id=10] Guy Jana [nggallery id=11] Kesem Yahav [nggallery id=9] Ayelet Gavriel [nggallery id=7] Sara Shuraki Yahel Peizer Yael Mor]]> 286 2010-04-22 21:34:01 2010-04-22 18:34:01 closed open first-studio publish 7 8 page 0 _edit_lock 1346054014 _edit_last 3 _wp_page_template default _revision-control a:1:{i:0;s:8:"defaults";} keywords First Studio, graduates, art school, prize, award description First Studio project encourages young graduates of art school by providing an award title First Studio project robotsmeta index,follow סדנה על גלגלים http://www.benyaminiceramics.org/%d7%a4%d7%a2%d7%99%d7%9c%d7%95%d7%99%d7%95%d7%aa/%d7%a1%d7%93%d7%a0%d7%94-%d7%a2%d7%9c-%d7%92%d7%9c%d7%92%d7%9c%d7%99%d7%9d/ Thu, 22 Apr 2010 18:35:30 +0000 http://www.benyaminiceramics.org/%d7%9e%d7%99%d7%96%d7%9e%d7%99%d7%9d/%d7%a1%d7%98%d7%95%d7%93%d7%99%d7%95-%d7%a2%d7%9c-%d7%92%d7%9c%d7%92%d7%9c%d7%99%d7%9d/ [imagebrowser id=2]מטרת פרוייקט "סדנה על גלגלים" של מרכז בנימיני היא לתרום לקהילה ולחשוף תלמידים צעירים לאמנות הקרמיקה. במהלך השנים האחרונות, מרכז בנימיני תמך בקיום שעורי קרמיקה ובשיתוף עם המדרשה למורי אמנות בבית ברל, איפשר לבני-עשרה לחוות יצירה בקרמיקה.

נכון לעכשיו הפרוייקט מתמקד בשתי קהילות החסרות את האמצעים לפתח את כישוריהם האמנותיים של התלמידים.

בשנת 2009, בין החודשים ינואר ומאי, תלמידי המדרשה למורי אמנות בבית ברל לימדו שעורי קרמיקה והעבירו פעילויות העשרה אמנותית בחטיבת הביניים בטירה ובפנימית אלונים בכפר סבא. פעילות זו הוכיחה את עצמה כמוצלחת, מעודדת ביטוי עצמי והתנהגות חיובית.

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]]> 288 2010-04-22 21:35:30 2010-04-22 18:35:30 closed open %d7%a1%d7%93%d7%a0%d7%94-%d7%a2%d7%9c-%d7%92%d7%9c%d7%92%d7%9c%d7%99%d7%9d publish 9 6 page 0 _wp_page_template default robotsmeta index,follow _edit_lock 1307313915 _edit_last 2 _alp_processed 1307313731 _revision-control a:1:{i:0;s:8:"defaults";} Studio on Wheels http://www.benyaminiceramics.org/en/activities/studio-on-wheels/ Thu, 22 Apr 2010 18:38:23 +0000 http://www.benyaminiceramics.org/?page_id=289 289 2010-04-22 21:38:23 2010-04-22 18:38:23 closed open studio-on-wheels publish 10 6 page 0 _edit_lock 1278610625 _edit_last 2 robotsmeta index,follow _wp_page_template default _revision-control a:1:{i:0;s:8:"defaults";} יששכר ויהודית בנימיני http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%99%d7%a9%d7%a9%d7%9b%d7%a8-%d7%95%d7%99%d7%94%d7%95%d7%93%d7%99%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/ Fri, 23 Apr 2010 19:50:39 +0000 http://www.benyaminiceramics.org/?page_id=382 [imagebrowser id=69]יששכר ויהודית בנימיני היו אמני קרמיקה שהעבירו את חייהם בצניעות וביצירה באפקה. את מסורתם האסתטית ואהבתם לאמנות דאגו להפיץ בין תלמידיהם הרבים, רובם צעירים, אשר נהגו להתקבץ ולהעביר את זמנם בבית החם שבאפקה. יששכר היה איש עבודה, בנאי; יהודית היתה אחות מרפאה

מרכז בנימיני לקרמיקה מיישם את משאלתה האחרונה של יהודית בנימיני – הקמת מרכז לפעילויות חינוכיות ואמנותיות בתחום הקרמיקה, הציור והפיסול – במגוון מיזמים ופעילויות

]]> 382 2010-04-23 22:50:39 2010-04-23 19:50:39 closed open %d7%99%d7%a9%d7%a9%d7%9b%d7%a8-%d7%95%d7%99%d7%94%d7%95%d7%93%d7%99%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99 publish 5 1 page 0 _edit_lock 1367750340 _edit_last 3 _wp_page_template default _alp_processed 1367750098 _revision-control a:1:{i:0;s:8:"defaults";} _thumbnail_id ngg-612 title יששכר ויהודית בנימיני robotsmeta index,follow Issachar and Yehudit Benyamini http://www.benyaminiceramics.org/en/benyamini-center/issachar-and-yehudit-benyamini/ Fri, 23 Apr 2010 19:55:18 +0000 http://www.benyaminiceramics.org/?page_id=391 391 2010-04-23 22:55:18 2010-04-23 19:55:18 closed open issachar-and-yehudit-benyamini publish 7 1 page 0 _edit_lock 1367407170 _edit_last 3 robotsmeta index,follow _wp_page_template default _revision-control a:1:{i:0;s:8:"defaults";} 1041 http://www.kfsmtv.net/RayBan/ 54.247.19.145 2013-07-24 19:15:19 2013-07-24 16:15:19 レイバン... Issachar and Yehudit Benyamini |...]]> 0 trackback 0 0 First-Studio-application http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%a1%d7%98%d7%95%d7%93%d7%99%d7%95-%d7%a8%d7%90%d7%a9%d7%95%d7%9f/first-studio-application/ Sat, 24 Apr 2010 10:28:55 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2010/04/First-Studio-application.pdf 475 2010-04-24 13:28:55 2010-04-24 10:28:55 closed open first-studio-application inherit 284 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2010/04/First-Studio-application.pdf _wp_attachment_metadata a:0:{} _wp_attached_file 2010/04/First-Studio-application.pdf חומר צעיר http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%91%d7%aa%d7%9e%d7%99%d7%9b%d7%aa-%d7%91%d7%99%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%97%d7%95%d7%9e%d7%a8-%d7%a6%d7%a2%d7%99%d7%a8/ Sun, 25 Apr 2010 11:29:52 +0000 http://www.benyaminiceramics.org/?page_id=478 אודות תערוכת "חומר צעיר"

תערוכת "חומר צעיר" נפתחה בגלריה שי אריה בעשירי באפריל , 2008 ברחוב שלמה המלך 61 תל אביב יפו

כביטוי לרוחם של בני הזוג בנימיני, נאמני מרכז בנימיני גאים לתמוך במיזם "חומר צעיר" - המאפשרות לאמנים צעירים להציג את יצירותיהם מחד וחושפות את הקהלהישראלי לקרמיקה עכשווית מאידך. מרגש לראות את המבט הצעיר של היוצרים כפי שהוא בא לידי ביטוי בחומר הקרמי אשר לו מסורת עתיקת יומין באזור. כל דור מושפע מהאירועים וההתרחשויות בתקופתו. ישראל מרובת תנודות פוליטיות, חברתיות וסביבתיות. מעניין יהיה לראות את ביטויים של נושאים אלו ביצירות המוצגות בתערוכה. קידום אמנות הקרמיקה בארץ חייב להתקיים יחד עם השתתפותם הפעילה של קרמיקאיים צעירים בעשייה. התערוכה מהווה במה חשובה לקירובם ולמחויבותם לפעילות בתחום

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דבר האוצרים: מהו "חומר צעיר"? אוצרים: רינה קמחי ואריה פרנקו

בריגוש, בחשש ובסקרנות רבה קיבלנו את ההצעה לאצור יחד תערוכת צעירים. שאלות רבות ניצבו בפנינו והעיקרית שבהן הייתה "מהו חומר צעיר?". כשהתחלנו לתור ולחפש אחר חוט השני שיגדיר את רעיון התערוכה התחבטנו בין היתר בשאלה "מהו צעיר?", מעבר למסגרת הגיל שקבעה האגודה. ואולם למרות ניסיוננו החוזר ונשנה למצוא תשובות, התגלתה לנו שוב ושוב מורכבותו של המושג, אולי משום שהתשובה מצויה אצל מי שגילו אינו רב, אך בכל זאת בוחר בחומר עתיק יומין לבטא את רוחו.

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מגוון ההצעות שהגיע אלינו ניכר בכיוון הפלורליסטי שבחרנו לבסוף, ואולם במבט לאחור העבודות בתערוכה מתחלקות לשתי קבוצות עיקריות: קבוצת יוצרים אחת מקורה בדיסציפלינה הקרמית, כלומר יוצרים שהחומר והתהליכים הקרמיים הם הבסיס ליצירתם. יוצרים בקבוצה זאת מנסים לבדוק ולהרחיב את המדיום הקרמי, בניסיון להשתחרר ממוסכמות ולחבר שפה עכשווית של חומר, צורה ושימוש. קבוצת היוצרים האחרת בוחרת בביטוי אישי פוסט-מודרני לביקורת חברתית, וכאן השימוש בחומר הקרמי הוא נסיבתי.

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ככל שדחק בנו הזמן והיה עלינו לגבש החלטה במה תעסוק התערוכה, הבנו שהתשובה מצויה בכוחות עצמם, בצעירים, שבאמצעות עבודתם ויצירותיהם יגידו את דברם, ואנחנו נהיה להם אך לבמה. אנו מאמינים אפוא שהצלחתה של התערוכה תנבע מרצונם של קרמיקאים צעירים לבחון ולהבין את השאלות "מהו צעיר?" "ומהי קרמיקה צעירה?". תשובתם החומרית לשאלות אלה תציג תמונת מצב של הקרמיקה הצעירה בישראל בלי שאנו, הבאים בימים, ננסה להגדיר ולתחום את הנושא ממרום גילנו.

בתערוכה הצלחנו להכיל את המגוון העשיר של כיווני הדרך, ולייצג את היכולות ואת הכישרונות הניכרים של המשתתפים. אלה ראויים לאמון, לעידוד ולתמיכה בהמשך דרכם באמנות הקרמיקה.

רינה קמחי ואריה פרנקו, תל- אביב, חורף 2008

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פרטי העבודות

מאיה בן-דוד, "כאב בטן", 2007

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אמנון עמוס, "תחתית וספל", 2007

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שירלי בר-אמוץ, "סוחבות", 2007

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חן פלס, "סלים", 2006

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גיא ג'אנה, "שחור", 2007

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עדי סנד, "נגיחה", 2006

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דני גסנר ואורי סעידי, "קופה" - OTOTO Studio

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הודא ג'מאל, "צפרדע ולא נסיך", 2007

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איילת גבריאל, "אריחים", 2007

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גד אפוטקר ואנדרי שרף, "ממדים" ,2007

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שלומית מנדלקרן, "חרוטות", 2007

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עדה יואלס, "עוגה", 2006

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הראל עדן, "ברלין", 2007

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רויטל ברלב, "גופים", 2007

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נצר לוריא, "טנמוקו", 2007

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שלי לוטקין, "כוסות",2007

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]]> 478 2010-04-25 14:29:52 2010-04-25 11:29:52 closed open %d7%97%d7%95%d7%9e%d7%a8-%d7%a6%d7%a2%d7%99%d7%a8 publish 9475 1 page 0 _edit_lock 1371484860 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1371484859 _thumbnail_id ngg-280 Young Clay http://www.benyaminiceramics.org/en/ceramic-galleries/exhibitions-supported-by-benyamini-center/young-clay/ Sun, 25 Apr 2010 11:36:33 +0000 http://www.benyaminiceramics.org/?page_id=480 Young Clay - Curators' text With great excitement, hesitation, deliberation and curiosity we accepted the offer to curate together the exhibition of young artists. Numerous questions lay before us, the main one being: What is young clay? When we began seeking for a clue to define the exhibitions concept we grappled, among others, with the question: What is young?. Despite our repeated attempts to find answers, we discovered again and again the complexity of the term, perhaps because the answer lies with someone who is not old, but who yet chooses the ancient ceramic matter to express his young spirit. [nggallery id=37] Pressured by time and having to decide the topic of the young artists’ exhibition, we understood that the answer lies in the forces themselves, in the young artists, who through their work and creations will make their statements, while we merely provide them the stage. However, we believe that the success of the exhibition will derive from the desire of the young ceramicists to examine and understand the questions “What is young?” and “What is young clay?” Their substantive answers to the questions will present a picture of young clay in Israel without us trying to define and delineate the subject from the vantage point of our age. [nggallery id=38]The range of proposals we received was impressive in terms of the pluralistic direction that we ultimately chose, though in retrospect the choosen works fall into two main categories: one group of artists originates in the ceramic discipline i.e. creators for whom the ceramic material and process are the base of their creations. The artists in this group try to adhere to and at the same time expand the ceramic medium, in an attempt to escape the conventions, to connect and to compose a contemporary language of ceramic material, form and use. The second group opts for a post-modern personal expression of social criticism, where the use of ceramic material is circumstantial. We hope to have managed to encompass in the exhibition a rich myriad of directions, and to present the remarkable abilities and skills of the participants who are worthy of faith, encouragement and support in their ensuing future in ceramic art. Rina Kimche and Arye Franco, Tel Aviv, Winter 2008 [nggallery id=39] Participating artists Maya Ben-David[singlepic id=288 w=320 h=240 float=center] Amnon Amos[singlepic id=293 w=320 h=240 float=center] Shirly Bar-Amotz[singlepic id=287 w=320 h=240 float=center] Chen Peles[singlepic id=289 w=320 h=240 float=center] Guy Jana[singlepic id=296 w=320 h=240 float=center] Adi Sened[singlepic id=297 w=320 h=240 float=center] Dani Gassner & Ori Saidi - studio OTOTO[singlepic id=290 w=320 h=240 float=center] Huda Jammal[singlepic id=292 w=320 h=240 float=center] Ayelet Gabriel[singlepic id=294 w=320 h=240 float=center] Gad Apotecker[singlepic id=295 w=320 h=240 float=center] Shlomit Mandelkern[singlepic id=299 w=320 h=240 float=center] Ada Yoels[singlepic id=300 w=320 h=240 float=center] Harel Eden[singlepic id=291 w=320 h=240 float=center] Revital Barlev[singlepic id=298 w=320 h=240 float=center] Netzer Luria[singlepic id=285 w=320 h=240 float=center] Shelly Lotkin[singlepic id=286 w=320 h=240 float=center] ]]> 480 2010-04-25 14:36:33 2010-04-25 11:36:33 closed open young-clay publish 9492 1 page 0 _edit_lock 1343566514 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _thumbnail_id ngg-280 מדרשה http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%91%d7%aa%d7%9e%d7%99%d7%9b%d7%aa-%d7%91%d7%99%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%9e%d7%93%d7%a8%d7%a9%d7%94/ Sun, 25 Apr 2010 12:08:14 +0000 http://www.benyaminiceramics.org/?page_id=499 [imagebrowser id=17]מרכז בנימיני בשיתוף עם המדרשה למורי אמנות בבית ברל תמך בתערוכת "תנור הנייר" שהוצגה בתאריכים 25-26 בחודש מאי, 2009.

אוצרים: אווה אבידר, רותי ביגר, יואב אפרתי

]]> 499 2010-04-25 15:08:14 2010-04-25 12:08:14 closed open %d7%9e%d7%93%d7%a8%d7%a9%d7%94 publish 9475 3 page 0 _edit_lock 1371484835 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1371484835 _thumbnail_id ngg-80 Midrasha http://www.benyaminiceramics.org/en/ceramic-galleries/exhibitions-supported-by-benyamini-center/midrasha/ Sun, 25 Apr 2010 12:08:44 +0000 http://www.benyaminiceramics.org/?page_id=501 501 2010-04-25 15:08:44 2010-04-25 12:08:44 closed open midrasha publish 9492 3 page 0 _edit_lock 1343565758 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1278494272 _thumbnail_id ngg-80 בצלאל http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%91%d7%aa%d7%9e%d7%99%d7%9b%d7%aa-%d7%91%d7%99%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%91%d7%a6%d7%9c%d7%90%d7%9c/ Sun, 25 Apr 2010 12:09:36 +0000 http://www.benyaminiceramics.org/?page_id=503 [imagebrowser id=16]תערוכות בתמיכת מרכז בנימיני באקדמיה לאמנות בצלאל המחלקה לעיצוב קרמי וזכוכית:
  • "ללא עריכה" - ארכיון בצלאל דניאלה יניב-ריכטר - 12.3 - 11.5.06
  • LIGHT - מוארים: משתתפים עינת כהן וסהר בצרי - 15.5 - 15.6.06
  • אוסף פרטי אסתר בק - 15.10.07 - 15.12.07
  • ענת שיפטן - להסתכל בטבע 22.11.06
  • ישראל הדני - המסע 22.1.07
  • מיכל זהבי - שחקי - playing the horn 9.5.07 - 13.6.07
  • גקרנדה קורי - כדים - 22.10 - 20.11.06
]]> 503 2010-04-25 15:09:36 2010-04-25 12:09:36 closed open %d7%91%d7%a6%d7%9c%d7%90%d7%9c publish 9475 1 page 0 _edit_lock 1371485050 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1371484808 _thumbnail_id ngg-78 Bezalel http://www.benyaminiceramics.org/en/ceramic-galleries/exhibitions-supported-by-benyamini-center/bezalel/ Sun, 25 Apr 2010 12:10:05 +0000 http://www.benyaminiceramics.org/?page_id=505 Exhibitions sponsored by the Benyamini Center at the Bezalel Academy of Art in Jerusalem,The Department of Ceramic and Glass Design
  • Unedited - Bezalel Archive Daniella Yaniv Richter 12.3 - 11.5.06
  • Jacaranda Cori - Kadim - 22.10 - 20.11.06
  • Michal Zehavi - Playing the Horn - 9.5.07 - 13.6.0
  • Israel Hadani - Ha'masa - 22.1.07
  • Anat Shiftan Private Collection - Ester Beck Light - Le'histakel Ba'teva - 22.11.0
  • Einat Cohen & Sahar Batzri - Light - 15.5 - 15.6.06
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D200";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1197544999";s:9:"copyright";s:0:"";s:12:"focal_length";s:2:"50";s:3:"iso";s:3:"100";s:13:"shutter_speed";s:4:"0.01";s:5:"title";s:0:"";}} Shlomit Mandelkern http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%91%d7%aa%d7%9e%d7%99%d7%9b%d7%aa-%d7%91%d7%99%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%97%d7%95%d7%9e%d7%a8-%d7%a6%d7%a2%d7%99%d7%a8/shlomit-mandelkern-2/ Tue, 27 Apr 2010 21:33:02 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2010/04/Shlomit-Mandelkern1.jpg 612 2010-04-28 00:33:02 2010-04-27 21:33:02 closed open shlomit-mandelkern-2 inherit 478 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2010/04/Shlomit-Mandelkern1.jpg _wp_attached_file 2010/04/Shlomit-Mandelkern1.jpg _wp_attachment_metadata 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http://www.benyaminiceramics.org/wp-content/uploads/2010/04/yoram1977-4x3.jpg 640 2010-04-28 08:44:56 2010-04-28 05:44:56 closed open yoram1977-4x3 inherit 198 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2010/04/yoram1977-4x3.jpg _wp_attached_file 2010/04/yoram1977-4x3.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"400";s:6:"height";s:3:"300";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:25:"2010/04/yoram1977-4x3.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:25:"yoram1977-4x3-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:25:"yoram1977-4x3-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt יורם Yoram Guy 3 text http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%91%d7%aa%d7%9e%d7%99%d7%9b%d7%aa-%d7%91%d7%99%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%97%d7%95%d7%9e%d7%a8-%d7%a6%d7%a2%d7%99%d7%a8/guy3/ Thu, 29 Apr 2010 14:48:52 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2010/04/Guy3.jpg 778 2010-04-29 17:48:52 2010-04-29 14:48:52 closed open guy3 inherit 478 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2010/04/Guy3.jpg _wp_attached_file 2010/04/Guy3.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"378";s:6:"height";s:3:"503";s:14:"hwstring_small";s:22:"height='96' width='72'";s:4:"file";s:16:"2010/04/Guy3.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:16:"Guy3-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:16:"Guy3-225x300.jpg";s:5:"width";s:3:"225";s:6:"height";s:3:"300";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt Guy 3 text First-Studio-application02 http://www.benyaminiceramics.org/?attachment_id=1315 Thu, 08 Jul 2010 07:30:56 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2010/07/First-Studio-application02.pdf 1315 2010-07-08 10:30:56 2010-07-08 07:30:56 closed open first-studio-application02 inherit 0 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2010/07/First-Studio-application02.pdf _wp_attached_file 2010/07/First-Studio-application02.pdf _wp_attachment_metadata a:0:{} אירועים http://www.benyaminiceramics.org/%d7%90%d7%a8%d7%95%d7%a2%d7%99%d7%9d/ Thu, 08 Jul 2010 11:05:25 +0000 http://www.benyaminiceramics.org/?page_id=1439 שיח גלריה משותף לשתי תערוכות המוצגות בימים אלו בבית בנימיני: לא דפנה לא אפולו של זהבה אדלסבורג, וקומיקרמיקה של רינה פלג.

שישי, 16.8.13 בשעה 11:30

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פתיחת התערוכה "סל צריחה", התערוכה השנתית של אגודת אמני קרמיקה בישראל יום חמישי 29 באוגוסט 2013, בשעה: 20:00 בבית בנימיני רחוב העמל 17 תל אביב לפרטים נוספים

כיתת אמן עם אמבר אגירה Amber Aguirre ביום רביעי 21.8.13 בשעה 16:00. כניסה 20 ₪

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Amber Aguirre - amber playing jihad

הרצאה: הארמון האנציקלופדי - הביאנלה בוונציה 2013

יום חמישי, 11 ביולי 2013, בשעה 20:00.

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שיח גלריה: תערוכת "תל אביב, ברלין, במעבר"

שיח עם אוצרת התערוכה, רונית צור והאמנים המציגים.

יום שבת, 29 ביוני 2013, בשעה 11:30.

פאנל קריאה - "הארנבת עם עיני הענבר" / אדמונד דה-ואל

האירוע יתקיים ביום חמישי, 13 ביוני 2013 בשעה 20:00, בבית בנימיני.

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קראפט עכשווי - יום עיון מיוחד בבית בנימיני

בית בנימיני – המרכז לקרמיקה עכשווית, עמותת אמנים יוצרים בישראל – תחום אמנויות ואגודת אמני קרמיקה בישראל מזמינים את הקהל הרחב ליום עיון בנושא קראפט עכשווי. יום העיון יתקיים בבית בנימיני, העמל 17 תל אביב, ביום שני, 27 במאי, החל מהשעה 14:00.

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פעילות חוויתית לילדים בחול המועד פסח

בחול המועד פסח נקיים בבית בנימיני פעילות חוויתית מיוחדת לילדים בהשראת תערוכת Shift. בתוכנית: סיור מודרך לילדים בתערוכה וחווית יצירה בחומר.

הפעילות החוויתית תתקיים ביום חמישי, 28 במרץ 2013, בין השעות 10:30-12:00.

הפעילות מיועדת לילדים מגיל 5 ומעלה. עלות: 40 ש"ח למשתתף.

להרשמה ומידע נוסף, צרו קשר.

יום ו', 5 באפריל 2013, בשעה 11:30 - סיור בתערוכה  SHIFT והרצאות

EATING Design /עידו גרעיני, סטודיו אפטיט.

שימוש בעיצוב להפיכת אובייקט, מרכיב או חוויה לתחושת תאבון. האכילה בעולם המערבי ה"שבע" איננה לשם הישרדות בלבד. היבטים חברתיים תרבותיים ואמנותיים מהווים מרכיבים משמעותיים בחווית האכילה. בהרצאה יוצגו נושאים עכשוויים וטרנדים וגישות בעולם הקולינארי, חווית אכילה ועיצוב.

שיטה . תבנית . אוביקט / יערה לנדאו-כץ

שיטה של תבניות מתחלפות  ליציקות קרמיות אשר פותחה במהלך פרויקט הגמר במחלקה לעיצוב תעשייתי בשנקר.יערה עיצבה סדרה של ואזה, קערה וגוף תאורה קרמיים אשר יוצרו ופותחו דרךאותה שיטה. צורת העבודה החדשה מקנה לאובייקטים מבניות ושפה ויזואלית חדשה. שיטת הייצור מאפשרת ליצור משפחה שלאובייקטים בעלי קומפוזיציה שונה ושפה צורנית אחידה.

מכונה פואטית - הדפסת חומרים קרמיים / ערן גל-אור.

במסגרת פרוייקט הגמר במחלקה לעיצוב תעשייתי במכון הטכנולוגי בחולון, פיתח ערן גל-אור מדפסת תלת-מימדית אשר מדפיסה חומרים קרמיים ופורצלן, זכוכית ומתכות .המדפסת ייחודית בעולם מבחינת גודל ההדפסה ושיטת ההזרקה הקרמית. באמצעותה - יצר ערן כלים קרמיים אשר שפתם הצורנית שאובה מעולם הטכנולוגיה .

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"חומר, אש, אמנות" - ערב שלא כדאי להחמיץ

ביום ראשון, 24 בפברואר 2013, בשעה 17:00 יתקיים בבית בנימיני ערב ייחודי שיעסוק בשני אלמנטים שהם מאבני היסוד של האנושות, האש והחומר, ובמפגש ביניהם שמאפשר את יצירת האמנות הקרמית. במסגרת האירוע ירצו ד"ר גדעון עפרת והאמן הצרפתי ז'אן פרנסואה בורלה, ותחל מכירת קופסאות הפתעה לקראת פורים.

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רשמי מסע: בעקבות אמני קרמיקה בבוסניה וגיאורגיה

מפגש עם אורן ארבל, בעקבות מסעו בעקבות אמני קרמיקה בבוסניה ובגיאורגיה. המפגש יתקיים במוצאי שבת, 19 בינואר 2013, בשעה 18:00.

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תערוכה: "שבר, שבריריות" – מפגש עם אוצרת התערוכה, ד"ר איילת זהר

יום שישי, 11 בינואר 2013, בשעה 11:00. הכניסה חופשית.

המפץ הגדול של האובייקט שנשבר, או לחלופין, הפעולה המכוונת של זריקת אובייקט קרמי, נחווים כפעולה אלימה ומאיימת במיוחד. ובכל זאת, הניפוץ של הקיום השלם, היחיד והאחדותי לשברים מרובים ולא-אחידים בגדלים ובמשקל שונים הוא הזדמנות לממדיות חדשה. בעוד היצירה של האובייקט הקרמי נוסחה על ידי לאו דזה כפעולה של החדרת חלל (או היעדר) אל תוך החומר, פעולה המתמירה אותו מגוש דחוס לאובייקט תלת-ממדי, הניפוץ של הכלי הוא המרתו בחזרה מתלת-ממדיות לחומר שטוח. המאמץ לשחרר את החלל הכלוא בפנים, לאפשר לאובייקט לחזור אל הדו-ממד, צורך כמויות גדולות של כוח ואנרגיה, אשר משתחררת אל פני השטח של האובייקט כדי לחדור לתוכו ולפרקו.

לפרטים נוספים על תערוכת "שבר, שבריריות"

אמני קרמיקה למען פליטים

אירוע התרמה - מכירת קערות קרמיקה ע"י אמנים מובילים. האירוע יתקיים בחצר המשותפת של ג'וז ולוז ורחל א', רח' יהודה הלוי 51, תל אביב.

יום שבת, 29.12.2012, בשעה 16:00.

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כיתות אמן - אמני קרמיקה בינלאומיים בבית בנימיני

אגודת אמני הקרמיקה בישראל מארחת בבית בנימיני שלושה אמני קרמיקה בינלאומיים לכיתות אמן ב-9 וב-19 לדצמבר 2012.

בהשתתפות: טיפ טולנד, קת'רין מורלינג וג'ונתן גארט.

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בית בנימיני בקהילה: אמנים ישראליים למען גן לוינסקי

התערוכה השנתית למען הספרייה ומרכז התרבות בגן לוינסקי תתקיים השנה בבית בנימיני.

פתיחת התערוכה: יום חמישי, 28 בנובמבר 2012, בשעה 18:00.

סיור מודרך בתערוכה "חמור"

בהשתתפות אוצרת התערוכה רויטל בן אשר פרץ ועם האמנים איתמר לוי, אורי שפירא, רועי מעין והילה עמרם, יתקיים ביום שבת, 17 בנובמבר 2012, בשעה 11:00 בבית בנימיני.

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"חמור" - השקת הקטלוג, שיח עם האוצרת רויטל בן-אשר פרץ ועם איתמר לוי והקרנת הסרט "זמן חמור".

תאריך: יום שישי, 12 באוקטובר 2012, בשעה 10:30.

למידע נוסף ולפרטים

פתיחת התערוכה "חמור" תיערך ביום חמישי, 30 באוגוסט, בשעה 20:00.

בית בנימיני גאה להשתתף בפסטיבל האמנות של תל אביב-יפו - "אוהבים אמנות. עושים אמנות".

ביום ה', 6 בספטמבר הגלריה תהיה פתוחה עד השעה 23:00. ב-7 וב-8 בספטמבר, במהלך סוף השבוע, הגלריה תיפתח בין השעות 11:00-18:00.

כמו כן, תתקיים בסדנה הדגמה על אבניים בכל שעה עגולה.

נשמח לראותכם!

אוהבים אמנות - לחצו להגדלה

פתיחת התערוכה "חמור" תיערך ביום חמישי, 30 באוגוסט, בשעה 20:00.

את התערוכה אצרה רויטל בן-אשר פרץ ומוצגות בה עבודתיהם של לידיה זבצקי, הילה עמרם, איתמר לוי, אורי שפירא ורועי מעין.

לפרטים נוספים אודות התערוכה

להגדלה לחצו כאן

תמונות מערב הפתיחה

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בוקר של הרצאות בבית בנימיני עם שלוש אמניות קרמיקה מארה"ב ומקנדה יתקיים ביום ו', 20.7.12 בשעה 10:00

‏Molly Hatch, Nan Smith, Linda Sormin הן אמניות קרמיקה בעלות שם בין-לאומי, יגיעו ארצה בהזמת קרן AIDA, יציגו וינהלו דיון על עבודותיהן.

לינדה סורמין www.lindasormin.com

לינדה נולדה בבנגקוק, מתגוררת כיום בקנדה ועובדת בקרמיקה ובמדיה מעורבת. היא יוצרת מיצבים ייחודיים למקום ‏Site Specific Installations} ( מקונסטרוקציות עשויות חומר וחפצים מצויים. המיצבים שלה צבעוניים, גדולי מידות ומשתרעים במורכבותם על פני כל חלל התצוגה.
נאן סמית' www.nansmith.com
דמויות הנשים המעודנות שנאן סמית' מפסלת דנות בנושאים חברתיים-מגדרייים. היא מקימה מיצבים המתמקדים וחושפים את עיסוקה בתודעה האנושית, במיקומה של האשה בחברה העכשווית, בנוסטלגיה ובנושאים סביבתיים העולים לאחרונה לדיון הציבורי.
מולי האטש www.mollyhatch.com
מולי היא אמנית הבאה ממשפחה בעלת מסורת של איסוף חפצים שימושיים מזה דורות. הפרוייקטים שהיא יוצרת מתבססים על איורים קלאסיים היסטוריים אותם היא מפרקת ומרכיבה מחדש על כלים קרמיים שימושיים באמצעות טכניקות עיטור שונות.

מחיר השתתפות: 50 שח'

רישום מראש בטלפון 03-5182257

הרצאה והדגמה בבית בנימיני עם אמנית אורחת מארה"ב, Christa Assad, שתעביר הרצאה והדגמה.

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כריסטה יוצרת כלים שימושיים ואובייקטים פיסוליים בטכניקה ייחודית של פירוק ובנייה מחדש של הצורה העגולה שהיא תוצר של עבודת גלגל. האבניים משמשים את האמנית כבסיס וכנקודת מוצא ליצירת אובייקטים בהם מתקיים חיבור אסתטי מעניין בין המסורתי לעכשווי.

נוף אורבאני מתועש - גרפיטי, מגדלים, תרנים, ארובות, צינורות ושלדי מתכת מתועשים משמשים לה מקורות השראה באמצעותם היא יוצרת אמירה תרבותית אישית ועדכנית.

יום חמישי, מאי 10, 2012 בשעה 18:00

75 ש"ח כניסה

50 ש"ח לסטודנטים בבית בנימיני, חברי אגודת הקרמיקאים ואומנים צעירים

ביום ראשון ה- 22.4.12 הוכרזו, בטכס שהתקיים בבית בנימיני - המרכז לקרמיקה עכשווית, הזוכים בתחרות פרס קרן אליכס דה רוטשילד 2012 בנושא "לצאת מהמסגרת". עבודות המועמדים שעלו לשלב הגמר בתחרות יוצגו בבית בנימיני בתערוכה בשם "לצאת מהמסגרת" 12.5.12 – 20.4.12.

השנה מטרת התחרות היתה לעודד אומנים לחשיבה יצירתית וחדשנית בתהליכי עבודתם, לאפשר מתן ביטוי לרעיונות חדשים, מקוריים העשויים באיכות גבוהה.
הפרס שהוענק השנה הוא בסך 12,000$ ומחולק בין הזוכים על פי החלטת וועדת שיפוט מקומית.
  • מקום ראשון: רימה ארסלנוב
  • מקום שני משותף: שלומית באומן ואיתמר שגיא
  • מקום שלישי משותף: אורי שפירא, אסנת קובלנץ ומיכל צדרבאום בעבודה משותפת עם נועם דובר.

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רימה ארסלנוב - מציגה את קוביה לבנה – מבנה ארכיטקטוני דמוי המשרביה האוריינטלית העשוי מסוכר. בעבודתה המקורית והמבוצעת ברמה טכנית גבוהה יש התייחסות אירונית למושג המקובל של חלל התצוגה המודרני "הקוביה הלבנה" וכן ביקורת חברתית פוליטית העוסקת בין היתר בחדירה לפרטיות. חבר השופטים בחר בעבודה זו בשל מקוריותה, אופן הטיפול המעניין והאסתטי בנושא התחרות והביצוע הקפדני.
שלומית באומן – מתייחסת מנקודת מבט מורכבת לסוגיות טכנולוגיות הרלווונטיות לתחום יצירתה – הקרמיקה ובודקת תוצאות של מפגש בין חומר מקומי שאזל עם הפורצלן האציל והאופנתי. החיבור ביניהם יוצר הנגדה פיוטית הבאה לידי ביטוי באובייקטים חדשים, סדוקים, המחברים אלמנטים מסורתיים דקורטיביים עם מוצרי צריכה עכשוויים ומעלים שאלות ביקורתיות על חיבורים של עולמות תרבותיים.
איתמר שגיא – בעבודתו מקלט – ספר רקום, יש מן הפיתוח של רקמה ישראלית חדשה, אשר במכוון אינה בהכרח אלגנטית ונקיה, אך בעלת עושר ויזואלי המסתמך על המצאי התרבותי המקומי.
אורי שפירא - בגישה פסוודו־מדעית, בוחן בעבודותיו התנהגות של חומר דומם על פני ציר זמן. כאמן־אלכימיסט הוא כמו מפיח רוח חיים במתכות דוממות. בתהליכי ניסוי ותעייה הוא מגדל ומצמיח סביבות של אסטתיקה דינמית, ובורא "צמחיית מתכת".
נועם דובר ומיכל צדרבאום - תהליך עבודתם העיצובי-מחקרי מבקש לבדוק את היחסים המתקיימים בין מאסה ושבירות; בין הבטון – שהוא חומר לא מקובל ליצירה אמנותית לבין המטען התרבותי שלו.
אסנת קובלנץ – מציגה קבוצת עבודות צורפות מקיפה מתוך הסידרה "שיריה" (הנגזרת מהמילה שיריון). בסדרה יש שימוש בפתרונות עיצוביים ליצירת האפקט השריוני על משמעותו המטפורית וכן באות לידי ביטוי התכונות האופיניות למתכות האצילות: גמישות, החזרת אור ויציבות מבנית.
האמנים הנוספים המשתתפים בתערוכה:
אבי בירן, אפרת אייל, נורית בלטיאנסקי ותמר עקוב, אוהד בנית, אבנר בר חמא, דינה ברמן, רות ברקאי, ישראל הדני, רינה חייקין, איריס טוטנאואר, עינת לידר, אורית מרילי, יעל פרידמן, ליאורה קאון, נאוה תיבון-שגב
אספנות, חפצים ומזכרות
בוקר של הרצאות במסגרת ÜberKitsch

הרצאות מאת ראובן נרדי, טליה טוקטלי, יהונתן הופ.
כניסה חופשית. יום ו' 9/3/2012 11:00

[caption id="attachment_4567" align="aligncenter" width="196" caption="ÜberKitsch lectures"]ÜberKitsch lectures[/caption]

פתיחה של התערוכה ‏ÜberKitsch תתקיים ביום ה', 26 בינואר בשעה 19:00 בבית בנימיני רחוב העמל 17, תל אביב.

בפתיחה יוצג פרפורמנס מאת ובביצוע אמילי קייג' וענת כ"ץ‪.‬ ביצוע חי של עבודת קיר על ידי יוחאי מטוס.

Emily Cage אמילי קייג'

כתת אמן ייחודית עם האמנית Ilona Romule, אמנית מרתקת מריגה, לטביה.
אילונה צברה מוניטין בינלאומי בשל ייחודיות עבודותיה בפורצלאן בהן מתקיים שילוב מופלא ומקורי של רעיון, טכניקה, ביצוע וגימור מוקפד.
מגוון טכניקות עבודה בפורצלאן שאולות מתהליכי ייצור תעשייתיים, דימויים הנשענים על עולם האגדות והפנטזיה, מתובלים בתחכום, בהומור, ארוטיות ומיסטיות משמשים נקודת מוצא לאובייקטים המצויים במרחב שבין הדו והתלת מימד ועל קו התפר שבין שדה הפיסול, הציור והעיצוב העכשווי.
כתת אמן ביום חמישי ה 23 בפברואר 2012 בשעה 18:00
הזמנות מקום מראש במשרד 03-5182257 או בעזרת טופס צור קשר
Ilona Romule

‏Jason Lim אמן קרמיקה מסינגפור - מהמובילים בתחומו ואמן מיצג מהידועים בעולם. שילוב של אמנות מיצג וקרמיקה.

כיתת אמן ביום ראשון, ה-15 בינואר 2012 בשעה 20:00

  • כניסה: 75 ש"ח
  • 50 ש"ח לסטודנטים בבית בנימיני, חברי אגודת הקרמיקאיים ואומנים צעירים
  • הרשמה מראש במשרד

סדנא ייחודית: ביום חמישי, ה-19 בינואר 2012 בשעה 16:00

במהלך הסדנא יתקיים מפגש חוויתי בין אמנות המיצג לחומר הקראמי. במרחב הזמן, במסגרת המקום ובנקודת המפגש עם המשתתפים - ישמש החומר הקראמי נקודת מוצא ליצירת מופע. הסדנא תתמקד ביצירת מקבילות תנועתית בין תכונותיו הייחודיות של החומר ודרכי עיבודו לבין תנועות גופו של האמן. הפעולות הנלוות לעבודה בחומר כלישה ורידוד והתכונות המיוחדות הגלומות בו – רכות, זרימה והיענות - ישמשו בסיס למיצג. משך הסדנא כחמש שעות שבמהלכן יוקדש זמן לעבודה אישית ולאחריה התנסויות בעבודה קבוצתית.

  • עלות: 350 ש"ח
  • 10% הנחה לסטודנטים בבית בנימיני חברי האגודה ולאמנים צעירים
  • הרשמה מראש במשרד
  • מספר מקומות מוגבל
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ביום שישי ה 6 בינואר בשעה 11:00 יתקיים בבית בנימיני שיח גלריה בתערוכה "הפלגה" בהשתתפות אוצרת התערוכה – תרצה ילון קולטון, והאמנים המציגים

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במהלך חודש דצמבר נקיים שני מפגשים מרתקים ומאתגרים עם שלושה אמנים אורחים מחו"ל: אמן אמריקני ממוצא יפני, אמן בריטי ואמן אירי.

כיתת אמן (הרצאה והדגמה) עם Akio Takamori תתקיים ביום ראשון ה 25 בדצמבר 2011 בשעה 16:00Akio Takamori הוא אמן, פסל ומחנך עטור פרסים ובעל מוניטין בינלאומי. יצירותיו מוצגות במיטב המוזיאונים ומצויות באוספים חשובים ברחבי העולם. עבודותיו פיגוראטיביות בעיקרן ובמרכזן מככב הגוף האנושי על מכלול תכניו הפיזיים והרגשיים. מתמקד בעיקר במיכלים גדולי מימדים ומיצבים רבי דמויות ורבי עוצמה. עבודותיו משדרות מורכבות ויזואלית, הומור, לעיתים שחור, ארוטיות ותחכום.אודות Akio Takamori באתר Frank Lloyd

צפו בוידאו של Akio Takamori בעבודה במקאו, 2010

[embed]http://www.youtube.com/watch?v=zc0BBa2dFrk[/embed]

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כיתת אמן עם שני האמנים - John Higgins ו- Marcus O'Mahony - התקיימה ב 5 בינואר 2012 בשעה 16:00

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John Higgins
יוצר בעיקר כלים בטכניקה ייחודית של עבודת אבניים משולבת בבנייה ידנית. עבודותיו מאופיינות באיכויות פיסוליות עם אזכורים ארכיטקטוניים. פני השטח מחופים בשכבות אנגוב סדוקות המדמות קילופי קיר עתיק יומין - עדות אילמת לשכבות קיום קודמות.

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‏Marcus O'Mahony
קדר אירי. יוצר בעיקר אובייקטים שימושיים על האבניים. בעזרת תוספות של חומרי גלם מקומיים וצריפה בתנור מלח ועצים הוא מנסה לשדר מקומיות, קירבה לטבע ולנוף הסובב אותו - לוקאליות בה הוא חי ויוצר. בכלים רכות וזרימה שהם תוצר של עבודת גלגל חופשית ופני שטח מעוטרים בכתמי צבע ביישום משוחרר, דינאמי וספונטאני.

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תודה מיוחדת שלוחה לקרן AIDA ובעיקר לאביבה בן סירה מנהלת הקרן בארץ ולקרן של רות קורמן בבריטניה Designer Crafts Foundation על מאמצי התמיכה והסיוע לאורך שנים.

  • כניסה: 75 שקל לכל אירוע – 10% הנחה לסטודנטים בבית בנימיני
  • 50 שקל לחברי אגודת אמני הקרמיקה
  • הזמנת מקומות מראש במשרד
  • האירוע באירגון של אגודת אמני הקרמיקה בישראל

יעל נובק - קשרי חוץ

למידע נוסף ניתן לפנות לבית בנימיני בעזרת טופס צור קשר, או בטלפון 03-5182257

רשמי מסע בעקבות אומני קרמיקה בעולם מוצ"ש 3 בדצמבר בשעה 18:00 בבית בנימיני

דרום קוריאה / שולמית טייבלום מילר
"בימי הפריחה של הסלדון הקוריאני שימשו הכלים בעיקר את האצולה במרחב של קוריאה-סין. כיום הקוריאנים יוצרים כלים אלה לעתים מתוך שימור המסורת העתיקה ולעתים מתוך נתינת פירוש חדש. אחת הטכניקות שהודגמו לנו היא בניית האונגי – מכל ענק המיועד לאחסון קימצ'י (ירקות מוחמצים חריפים, שיחד עם האורז הם ליבת החוויה הקולינרית בקוריאה, שממנה נמלטנו בערבים לקפה דה פריז – המנומנם והיחיד בעירו – כדי למצוא נוחם בקרואסון וקפה מן המניין)".

טנזניה / אורן ארבל
"בכפר Usangi על רכס הרי ה-Pare , בגבול טנזניה קניה, פגשתי את קבוצת הקדריות העליזה ביותר שפגשתי מאודי. במשך חודש וחצי הגעתי יום-יום לסטודיו המשותף, בו מייצרות המאמות במהירות הבזק ובאמצעות אובני רגל, את שלל כלי המטבח המסורתיים אשר משמשים גם היום את עקרות הבית במזרח אפריקה".

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תצלומים מהארוע

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פתיחת התערוכה "הפלגה" - סירה לשום מקום
פתיחה חגיגית של התערוכה תתקים ביום ה', נובמבר 2011 בשעה 19:00 בבית בנימיני ברחוב העמל 17 תל אביב. כולכם מוזמנים. התערוכה תנעל בתאריך 14 בינואר 2011.

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הקרנת הסרט "אבוא במחילות"
הסרט "אבוא במחילות" - מסע בחבל לכיש בעקבות הפסל משה שק - יוקרן בבית בנימיני במוצאי שבת, 5 בנובמבר 2011, בשעה 18:00

"אבוא במחילות", סרט תיעודי על הפסל משה שק ז"ל (2011-1936) בבימויה של סילבינה לנדסמן, מתחקה אחר שק, הידוע בכינויו ג'וק, במרחב חייו - חבל לכיש. בין מערות חבויות, בשדות פתוחים, בסטודיו ובביתו שבקיבוץ בית ניר - נפרש בפני הצופה דו-שיח בלתי אמצעי בין האמן ועבודתו לבין התרבות המקומית הקדומה והחדשה, והנוף מתוכו היא צומחת. הסרט, שהפיקו סמדר תימור ונועה קרוון-כהן, זכה לפני כשנה בפרס הראשון לסרט התיעודי בפסטיבל הבינלאומי לסרטי חומר וזכוכית ב-Montpellier שבצרפת.

אבוא במחילות, 2007, בימוי וצילום: סילבינה לנדסמן, הפקה: סמדר תימור, נועה קרוון-כהן, 60 דק' עם כותרות אנגלית

עלות כניסה: 20 ש"ח

Documentary about Moshe Shek - סרט דקומנטרי אודות משה שק

יום עיון
במסגרת התערוכה א-לה-מוד ולרגל צאתו לאור של הספר" מוד פרידלנד - ספר אמן", יתקיים ביום שני, 7 בנובמבר 2011 יום עיון בבית בנימיני בשיתוף אגודת אמני הקרמיקה בישראל

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סדר היום:

  • 14:30 התכנסות
  • 15:00 דברי פתיחה
  • 15:15 יפעת אלפר, יסכה לנדו
    מיכלים - המיכל כסמל
    בהשראת עבודותיה של מוד פרידלנד נתבונן במיכל כסמל. נכיר יצירות מגוונות מזמנים קדומים הנוגעות בחומר, שפה והתפתחות נפשית. נתעמק בסוגיות כמו האדם ככלי והכלי כשפה ברוח פסיכולוגית המעמקים של קארל יונג. מיכלי החרס של מוד פרידלנד ישמשו לנו אכסניה להתבוננות משותפת על יצירה
  • 16:15 ד"ר אליק מישורי
    עושר החומר באמנות הישראלית
    ההרצאה תתמקד באופייה של אמנות הקרמיקה וכיצד היא יוצרת בלבול בקרב אוצרי מוזיאונים בשל החומר ה"עתיק" שבו היא עושה שימוש. "היי-טק" של פלסטיק ואלומיניום לעומת בוץ שרוף בתקופה הפוסט-מודרנית
  • 17:15 הפסקה
  • 17:45 ד"ר ברוך בליך
    אסטטיקה אקראית
    בחיי היום יום שלנו אנחנו נתקלים בתופעות ומעשים אקראיים. דומה המצב באמנות. לא מעט אמנים מנסים חומרים, צורות ורעיונות מתוך כוונה לראות 'מה יצא'. בהרצאתי אציג אמנים אחדים שעסקו באקראיות, כמו ג'ון ווד ופול הריסון שעבודתם היא מחושבת ומתוכננת, אך התוצאה אקראית. כן אציג את עבודותיה של קייט גילמור, שבדומה לשני הנ"ל עורכת סוג של מיצגים שמבוססים על עקרון האקראיות
  • 18:45 טולה עמיר על עיצוב תערוכה
  • 19:10 יעל עצמוני
    מוד פרידלנד - על עבודותיה
  • 19:40 משה עמר
    מוד פרידלנד - מאחורי הקלעים
עלות למשתתף:
175 ש"ח
עבור חברי אגודה וסטודנטים בבית בנימיני- 150 ש"ח

הרשמה מראש במשרדי האגודה או בבית בנימיני 03-5182257

אודות המרצים:

  • יפעת אלפר - בעלת תואר שני ביהדות, אמנות ומגדר, מרצה באקדמיה
  • יסכה לנדו - פסיכולוגית קלינית יונגיאנית
  • ד"ר אליק מישורי - היסטוריון אמנות, חוקר תרבות ישראלית, שימש בעבר כמבקר האמנות של עיתון הארץ ופרסם מאמרים העוסקים בתולדות האמנות והעיצוב בישראל
  • ד"ר ברוך בליך - מלמד במחלקה להיסטוריה ותיאוריה בבצלאל אקדמיה לאמנות ועיצוב, כותב מאמרים, משתתף בכנסים בארץ ובעולם
  • טולה עמיר - ארכיטקטית, אוצרת, פרסמה מאמרים בעיתונות מקצועית
  • יעל עצמוני - אמנית, מרצה במחלקה לעיצוב קרמי וזכוכית, בצלאל אקדמיה לאמנות ועיצוב
  • משה עמר - אמן רב תחומי, מעצב ואוצר תערוכות ופרויקטים מיוחדים, ידיד קרוב של מוד

פגישת הכרות עם האמנית אנה כרמי תערך בבית בנימיני ביום שלישי, 25/10/2011 בשעה 18:00.
בתכנית:
  • הרצאה - הכרות עם אנה ועבודתה המתמקדת בצבע ובפני השטח בחומר הקרמי
  • מפגש קבוצתי - דיון משותף בעבודת כל משתתף ואפשרויות פיתוח העבודה בדרכים שונות: תבליטים, הדפסי משי, צובענים, לסטרים, זיגוגים תעשייתים ודקאלים.
    הכניסה חופשית, יש להרשם למפגש במשרד בית בנימיני עד ה-21/10/2011 בטלפון:03-5182257 או בעזרת טופס צור קשר באתר
    כל משתתף מתבקש להביא עבודה אישית אותה הוא מבקש לפתח.

מפגש עם האמנית אנה קרמי

ביום ב' 3/10/2011 בשעה 18:00 יערך בבית בנימיני שיח גלריה בתערוכתה של יעל עצמוני "שבילי יער" בהשתתפות האמנית יעל, האוצרת רונית צור וערן ארליך שכתב טקסט מלווה לקטלוג התערוכה.

ביום ב' 7/11/2011 יערך בבית בנימיני ערב עיון בתערוכתה של מוד פרידלנד "א-לה-מוד” ויתקיימו הרצאות בנושאים הנוגעים ליצירתה של פרידלנד. פרטים נוספים בהמשך.

Maud Friedland at the Benyamini Center

אוהבים אומנות עושים אומנות - אירוע שפותח את עונת התערוכות בתל אביב. האירוע מתחיל ביום חמישי בערב עם פתיחת הגלריות ומוזיאונים עד 11 בלילה. בשישי‪-‬שבת אומנים ברחבי העיר פותחים את הסטודי בין 11:00-18:00. בעמוד אוהבים אומנות עושים אומנות באתר עיריית תל אביב מפורטים כל האירועים.

שיח גלריה
ביום שישי ה 22 ביולי בשעה 11:30 יתקיים שיח גלריה אודות התערוכה של מי האדמה הזאת?
התערוכה עוסקת בייחודיות הקשר שבין האמן היוצר לאדמה, חומר הגלם שלו, קשר שלא מתקיימים בו יחסים של בעלות או שליטה אלא של הדדיות ודיאלוג. במפגש ישתתפו אוצר התערוכה ערן ארליך והאמנים המציגים. האוצר, ערן ארליך, מנסה להעלות מודל זה של יחסים כאופציה אפשרית להתנהלות האדם בעולם.

נשמח לראותכם

פתיחה רשמית של מרכז בנימיני

בית בנימיני המרכז לקרמיקה עכשווית - פתיחה רשמית.
בשעה טובה נפתח את שערי המרכז במסיבה חגיגית ובפתיחת התערוכה הראשונה בבית בנימיני, "של מי האדמה הזאת".

16.6.2011 בשעה 19:00

"לילה לבן" של עיריית תל-אביב במרכז בנימיני לקרמיקה

מרכז בנימיני לקרמיקה משתתף בארועי "לילה לבן". במרכז יוצג "חומר לבן ו-20 קדרים" – מיצג קרמיקה חי בהנחיית עדינה בר-און. 30.6.2011 החל מ 19:00. בר שתייה יפעל במקום

לילה לבן במרכז בנימיני

לגעת בחמר
בכל שבת בבוקר בחופשת הקיץ סדנא חוייתית משותפת של הורים וילדים המעונינים להתנסות בחומר.
יום שבת 9/7/2011 בין השעות 10‪:‬30‪-‬12‪:‬00. עלות: 40 שקל כולל חומר והדרכה

לגעת בחומר

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Thursday 29/8/2013, 20:00 at the Benyamini Center Further details
Amber Aguirre Master Class August 21st, 16:00, entrance 20 NIS Further details Amber Aguirre - amber playing jihad
Panel - The Hare with the Amber Eyes Thursday 13 June 2013 at 20:00 Further details
Contemporary Craft- Symposium Monday 27 May 2013 at 14:00 Further details
Shift - Gallery tour and lecture Lectures & “Shift” exhibition tour: Friday, April 5th 2013, at 11:30. For further details
Clay, Fire, Art - An evening not to be missed, with Dr. Gideon Ofrat and French artist Jean Francois Bourlard. Sunday 24 February at 17:00 Further details
Master class with three internationally acclaimed ceramic artists - December 9, 2012, 5pm; December 19, 2012, 4pm More details
Israeli artists support the Levinsky Garden library - November 28, 2012, 6pm. More details
Guided tour of the "Donkey" exhibition - November 17, 2012, 11am. More details
A morning of lectures by visiting artists from America and Canada at the Benyamini Center on Friday 20/7/12 at 10:00 Three internationally acclaimed ceramic artists, visiting Israel with the support of AIDA, will discuss their work and present a slide lecture. Nan Smith www.nansmith.com

Her female ceramic figures deal with social issues through narrative sculpture. The installations she creates reveal her interest and concern in human consciousness, nostalgia and most recently environmental issues. Linda Sormin www.lindasormin.com

Linda was born in Bangkok and lives in Canada working in ceramics and mixed media. Using thin clay constructions and found objects she creates site specific installations creating a spatial experience with her work. Molly Hatch www.mollyhatch.com

Molly is an artist who has a passion for the handmade coming from a family connected to functional objects for generations. Her projects are based on historical imagery and her feminine surface decorations include several decorating techniques. Entrance: 50 shekels Advance reservations: 03-5182257

Master class with Christa Assad, a visiting artist from the USA will be held at the Benyamini Center on Thursday, May 19th, 2012 at 18:00

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Christa makes both functional and sculptural objects that begin on the potter's wheel but move beyond the round. The wheel is a starting point for her unique technique and artistic approach of combining the traditional and contemporary.

Urban and industrial landscapes are her sources of inspiration. 'Discarded roadside junk', graffiti, water towers, chimneys, pipes and old metal industrial structures inform her pieces to create a strong personal cultural statement.

75 NIS entry fee

50 NIS for Benyamini Center students and, CAAI members and young artists

Alix de Rothschild Crafts Award winners were announced on April 22nd at the Benyamini Center

  • First place: Rimma Arslano
  • Second place: Shlomit Bauman and Itamar Sagi
  • Third place: Uri Shapira Asnat Koblenz Noam Dover and Michal Cederbaum

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The aim of the competition this year was to encourage artists to think about their work in a new and creative way. Rimma Arslanov - White Cube Her work consists of oriental bricks made of sugar - Mashrabiya creating a kind of room. This very original work that is beautifully crafted refers to the modernist gallery space - the white cube and suggests a transparent, nonobjective, fragile and ephemeral space. The judges selected her work as the winner for first prize for originality, aesthetic and excellent execution and interesting reference to the title of the competition. Shlomit Bauman - Untitled These works bring together almost extinct local clay with fashionable, delicate and imported porcelain, and juxtapose their different technological characteristics inherent in ceramic technology. The combination creates cracks and deformations - a visual representation of contrasts, a desire to be connected and similar versus the expression of the differences and distortions. These materials comprise different cultural worlds and raise questions of cultural heritage. Itamar Sagi - Shelter An embroidered book that shows contemporary Israeli stitching which is not necessarily elegant but visually rich relating to local cultural issues. Uri Shapira - Untitled In his pseudo-scientific approach, he explores the behaviour of chemicals in a time line. As an artist-alchemist he grows dynamic and aesthetic environments. Noam Dover and Michal Cederbaum - Concrete Their cast concrete bowl explores the relationship between mass and fragility - between concrete - an unusual medium for such an object - and the cultural dynamic of this material Asnat Koblenz These works from her Shield series and their design give the effect of linked metals that are flexible and structurally sound, with a rhythmical composition different on either side.

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The Benyamini Center is hosting the biannual Alix de Rothschild Crafts Award this year. Winners of this year's award will be announced by Ruth Corman and lawyer Pazit Shalmon-Baratz at the Benyamini Center on Sunday, April 22nd, 2012 at 19:00 Opening of an exhibition displaying finalisys' work will take place on April 20th, 2012. More on our gallery page

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Collecting, objects and souvenirs

On Friday, March 9th, 2011 a morning of lectures in the framework of the exhibition ÜberKitsch. Lectures by: Reuven Nardy, Talia Tokatly, Johnathan Hopp Free Admission

[caption id="attachment_4567" align="aligncenter" width="196" caption="ÜberKitsch lectures"]ÜberKitsch lectures[/caption]

Master Class

Ilona Romule - internationally acclaimed artist from Riga, Latvia - world renowned for her unique, distinctive, contemporary slip cast porcelain objects.

Strict devotion to porcelain has made her a true connoisseur of the material, of slip casting techniques and China painting surface decorations.

Assorted industrial casting techniques, fabulous, fable – like fantasy laden imagery, erotic and mysterious narratives generate a unique and superbly finished body of work.

Three dimensional sculptural figures enhanced by two dimensional fantastic drawings places the artist within the realm of fine art and contemporary design.

Master Class: Thursday, February 23, 2012 at 18:00

The artist will present her work, that of other artists and her work- related experiences around the world.

Entrance: 75 NIS

10% discount for Benyamini students, young artists and members of the CAAI

Advance registration required – limited places available.

Contact the Benyamini Center office at 03-5182257 or via our Contact Us form

Ilona Romule

Opening of the exhibition ‏ÜberKitsch, Thursday, January 26th, 2012 at 19:00 at the Benyamini Center.

Performance by Emily Cage - Artistic advisor and video Anat Katz. Live Wall Installation Performance by Yochai Matos.

Emily Cage אמילי קייג'

Jason Lim - a leading ceramic artist from Singapore and an internationally acclaimed performance artist combining Performance Art and Clay

Master Class: Sunday, January 15th at 20:00

  • Entrance: 75 NIS
  • 50 NIS discount for Benyamini students, CAAI members and young artists
  • Advance reservations required

Workshop: Thursday, January 19th at 16:00

Rhythm, repetition, sound and duration will be the focus of the workshop. The inherent characteristics of clay – soft, malleable and responsive combined with basic movements associated with clay work - will be the starting point for the exploration of performance possibilities within a time frame, a space and the performer's body. The workshop will be approximately 5 hours. Time will be dedicated to individual work followed by group work. In the course of time, collaboration, intervention and interaction will be encouraged.

  • Cost: 350 shekels
  • 10% discount for Benyamini students, young artists and members of the CAAI
  • Advance reservations required - limited places available

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Gallery Talk, Friday 6/1/12 at 11:00 A Gallery Talk with Tirza Yalon Kolton, the curator of the exhibition Voyage and the participating artists

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Two exciting and challenging Master Classes with three internationally acclaimed artists are planned for December 2011:

Akio Takamori – a Japanese artist from the USA
John Higgins - a British artist from the UK
Marcus O'Mahony - an Irish artist from Ireland
All three talents share common concerns and interests and yet each one represents a unique and distinguished world of its own.
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Akio Takamori
One of the most exciting, gifted and innovative contemporary ceramic artists.
He has exhibited extensively throughout the world, his work found in several significant collections and museums.
Takamori's work is mostly figurative and based on the human body and its gamut of expressive emotions and sensuality.
Vessel forms, large scale sculptures and installations reflect his interests in themes concerning the human experience –' the passage of time, locations, memories and history'.
Master Class with Akio - Sunday, December 25th 2011 at 16:00
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John Higgins
Using a unique technique which combines hand built and thrown components, John's work is mostly informed by his empathy for human beings and their history as expressed in architecture as well as everyday objects.
Surface treatments consist of several layers. Usually textured and dry, just like the layers of paint on old buildings they reflect years of the human experience and a silent witness to previous forms of existence. [singlepic id=673 w=320 h=240 float=center] [singlepic id=674 w=320 h=240 float=center]
Marcus O'Mahony
Inspired by the Leach Hamada tradition, Marcus mainly produces wood fired functional stoneware and porcelain exhibited extensively both in Ireland and abroad.
Passionate about wood and salt firings, soft, free, fluid and spontaneous throwing as well as decorating result in a very distinguished body of work which strongly echoes the feel of the elemental, the local and the indigenous – rooted in tradition yet innovative, experimental and skilled.
Master Class with both artists - Thursday, January 5th, 2012 at 16:00
Special thanks to Aviva Ben Sira of AIDA, Association of Israel's Decorative Arts and to Ruth Korman - Designer Crafts Foundation, whose assistance in bringing the artists to Israel is highly appreciated.
  • 75 NIS entrance fee for each of the events
  • 50 NIS entrance fee for members of the Ceramic Artists Association of Israel
  • 10% discount for Benyamini Center students
  • The events are organized by the Ceramic Artists Association of Israel
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Travel Diaries – Encounters with Ceramics around the World
Saturday evening December 3rd at 18:00
South Korea – Lecture by Shulamit Teiblum Miller Korean Celadons were only affordable to the aristocracy in the past. Today these pots are made in honor of ancient traditions or as a contemporary version of past glories. Shula will show us the process of making a giant traditional pickle jar.
Tanzania – Lecture by Oren Arbel On the border between Tanzania and Kenya in the village of USANGI Oren spent over a month with the happy group of potters. He will share his experiences with these women making traditional kitchenware supplying the housewives of East Africa. Tickets: 30 shekels Register at the office

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The new exhibition "Voyage - a boat to nowhere" opened in a wonderful party held at the Benyamini Center on November 17th

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Documentary by Sylvina Landsman

Unto Thy Land - A journey in the footsteps of the sculptor Moshe Shek (1936 – 2011), will be screened on Saturday evening November 5th at 18:00 at the Benyamini Center

The movie follows Juk (Shek's nickname) in the Lachish region – the area where he lived – between the hidden caves, the open fields and his studio and home in Kibbutz Beit Nir. The viewer is exposed to a direct dialogue between the artist and his work and between ancient local culture and the present time.

Produced by Smadar Timor and Noa Karavan-Cohen, the documentary won first prize at the Montpelier Festival of Clay and Glass movies.

The movie made in 2007 is 60 min long and has English subtitles.

Admission: 20 Shekels

Documentary about Moshe Shek - סרט דקומנטרי אודות משה שק

Symposium in conjunction with the exhibition - A-La-Maud - the works of Maud Friedland will be held at the Benyamini Center on Monday, November 7th, 14:30 - 20:30

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Program:

  • 14:30 - Registration
  • 15:00 - Opening remarks
  • 15:15 - Ifat Alper, Iska Lando Vessels - the vessel as a symbol
  • 16:15 - Dr. Alik Mishory Clay in Israeli Art
  • 17:15 - Break
  • 17:45 - Dr Baruch Blich The Aesthetics of the Accidental
  • 18:45 - Tula Amir Exhibition Design
  • 19:10 - Yael Atzmony Maud Friedland = Her Work
  • 19:40 - Moshe Amar Maud Friedland – Behind the Scenes
Cost: 175 NIS 150 NIS for members of the Ceramics Association and students at the Benyamini Center Registration required: 03-5182257 or 03-6874150

About the speakers

  • Yifat Alper - Masters Degree in Judaism, art and gender. Academic lecturer
  • Yiska Lando - Jungian clinical psychologist
  • Dr Alik Mishori - Art Historian and researcher of Israeli Culture, previously an art critic for the Ha'aretz newspaper. Has published articles on art and design history in Israel
  • Dr Baruch Blich - senior lecturer at the Bezalel Academy of Art and Design
  • Tula Amir - architect, curator
  • Yael Atzmony - a ceramic artist and lecturer at the Bezalel Academy of Art and Design and friend of Maud
  • Moshe Amar - artist and curator, close friend of Maud and producer of the film about Maud accompanying the exhibition

Meet Artist Anna Carmi A special introductory class on Tuesday, October 25th at 18:00

Program:

  • A lecture introducing Anna and her work, focusing on color and surface on clay
  • Group discussion on work brought by the participants discussing how each piece could evolve – relief, print, color, luster, glaze and decals

Register prior to October 21st at the Benyamini Center, telephone: 03-5182257 or contact us online.

Participants should bring with one of their pieces they would like to develop and work on the surface.

Free admission

מפגש עם האמנית אנה קרמי

Gallery Talk on Monday, October 3rd 2011 at 18:00 with Yael Atzmony, the artist, the curator Ronit Zor and Eran Ehrlich who contributed his writing to accompany the exhibition.

On Monday, November 7th 2011 a symposium about the work of Maud Friedland and issues associated with her approach to ceramics and art. Save the date - details to follow.

Maud Friedland at the Benyamini Center

Loving Art Doing Art Opens the exhibitions season in Tel Aviv. The event begins with exhibition openings on Thursday, Sept. 8th evening with galleries and museums open until 11 PM. On Friday and Saturday artists open their studio to the public between 11:00 - 18:00. On Tel Aviv's municipality Loving Art Doing Art web page you'll find all the listings for this event citywide

A Gallery Talk The curator, Eran Ehrlich, and the artists of the exhibition "Whose Earth is it Anyway?" will be present at the gallery talk on Friday July 22nd at 11:30. The exhibition deals with the artists approach to his creative work and its material components as a dialogue. The curator proposes this connection to earth, in which ownership plays no part, as a paradigm for a different way of connecting with the world.

Official opening, June 16 2011

The Benyamini Center for contemporary Ceramics - the official opening The Benyamini Center for Contemporary Ceramics will open its doors in a grand party and festivities. On that happy day the Center will launch its first exhibition - "Whose Earth is it Anyway?". June 16th 2011, 19:00

"White Night" at the Benyamini Center Participating in Tel Aviv municipality White Night events – White Clay and 20 Potters – live ceramic production performance by artist Adina Bar-on. June 30th at 19:00 and on. Drinking bar on premises.

לילה לבן במרכז בנימיני

Hands on Clay Every Saturday morning, beginning July 9th, 2011, an open studio for all who would like to experience working with clay. Work with a guide or independently. Children, parents and any person wishing to put their hands on clay and create something. Price: 40 NIS. 10:00-12:00, Saturday, July 9th, 2011

לגעת בחומר

]]> 1442 2010-07-08 14:08:16 2010-07-08 11:08:16 closed open events publish 0 3 page 0 _edit_lock 1376484755 _edit_last 2 _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default description The Events page provides details about various ceramics and art related events title Listing of events, exhibitions, gallery talks, Symposia, master artists classes, and morescreenings keywords events, exhibitions, gallery talks, Symposia, master artists classes, screening, art openings robotsmeta index,follow סדנאות http://www.benyaminiceramics.org/%d7%a4%d7%a2%d7%99%d7%9c%d7%95%d7%99%d7%95%d7%aa/%d7%a1%d7%93%d7%a0%d7%90%d7%95%d7%aa/ Thu, 08 Jul 2010 11:10:50 +0000 http://www.benyaminiceramics.org/?page_id=1445 סדנת קדרות לבני הנוער בחופשת הקיץ [singlepic id=490 w=140 h=100 float=right]הכרות והתנסות בחומר הקרמי בארבעה מפגשים רצופים בני שלוש שעות. המשתתפים ילמדו ליצור כלים על האובניים ויתנסו בטכניקות צביעה ועיטור הכלים. מפגש חוויתי של יצירה מהנה ומאתגרת. עלות: 500 שקל ל-4 כולל חומרים ושרפות תאריכים: 18-21/7, 1-4/8 , 8-11/8 בשעות 13‪:‬00‪-‬16‪:‬00
סדנאות שבת להורים וילדים [singlepic id=548 w=140 h=100 float=right] בכל שבת בבוקר בחופשת הקיץ סדנא חוייתית משותפת של הורים וילדים המעונינים להתנסות בחומר.
החל מיום שבת 9/7/2011 בין השעות 10‪:‬30‪-‬12‪:‬00. עלות: 40 שקל כולל חומר והדרכה

קורסי קיץ

קדרות - יסודות בהנחיית אמנון עמוס.
[singlepic id=409 w=160 h=120 float=right]מטרת הקורס: הקניית מיומנויות וטכניקות בסיסיות לעבודה באובניים. לסטודנטים יהיה זה מפגש ראשוני עם החומר הקרמי, לישה, מרכוז, בניית צילינדר, צד שני וטיפול צבעוני. אין צורך בידע מוקדם.
יום ד' בין השעות 17-20.
עלות: 1000 שקל ל-8 מפגשים כולל חומרים ושריפות

קדרות - יסודות בהנחיית רועי מעין.
[singlepic id=414 w=160 h=120 float=right]מטרת הקורס: הקניית מיומנויות וטכניקות בסיסיות לעבודה באובניים. לסטודנטים יהיה זה מפגש ראשוני עם החומר הקרמי, לישה, מרכוז, בניית צילינדר, צד שני וטיפול צבעוני. אין צורך בידע מוקדם.
יום ה' בין השעות 9 - 12.
עלות: 1000 שקל ל-8 מפגשים כולל חומרים ושריפות
קדרות - שיפור מיומנויות בהנחיית אתי גורן.
[singlepic id=461 w=160 h=120 float=right]הקורס מיועד לסטודנטים בעלי ניסיון עבודה באובניים המבקשים לחזק יכולות, להתמקד בפתרון בעיות ולרכוש מיומנויות נוספות על פי בחירתם. נדרש ניסיון עבודה על האובניים.
יום א' בין השעות 17-20.
עלות: 1000 שקל ל-8 מפגשים כולל חומרים ושריפות
כלים גדולים - קדרות ובניית יד. בהנחיית ג'קרנדה קורי.
[singlepic id=411 w=160 h=120 float=right]מטרת הקורס: הכרות עם טכניקות ואופני בנייה שונים של כלים גדולים בבניית יד ועל האובניים. במהלך הקורס יתמודדו הסטודנטים עם שלושה תרגילים שונים דרכם ירכשו מיומנות טכנית וכמו כן הבנה ויכולת ניתוח הצורני של נפחים גדולים. נדרש ידע מוקדם הן על האובניים והן בבניית יד.
יום א' בין השעות 9-13.
עלות: 1250 שקל ל-8 מפגשים כולל חומרים ושריפות.
פיסול פיגורטיבי בהנחיית ליאוניד גוסין.
[singlepic id=407 w=160 h=120 float=right]מטרת הקורס: רכישת מיומנות פיסול בגוש חומר מלא המאפשרת עבודה באופן חופשי ומיידי שאינו מחייב התמודדות עם פתרונות טכניים מורכבים או ידע מוקדם. לאורך הקורס יושם דגש על עבודה תוך כדי התבוננות ובחינה של הצורה בשלמותה. הקורס מתאים לסטודנטים בכל הרמות. יום ב' בין השעות 9-12 או 17-20.
עלות 1000 שקל ל-8 מפגשים כולל חומר ושריפות

סדנא רעיונית ליוצרים בחומר בהנחיית שלומית באומן.
[singlepic id=412 w=160 h=120 float=right]המורכבות והבין תחומיות של שפת האמנות והעיצוב בימינו מחייבת הבנה כוללת, מרובדת ואינטגרטיבית של היבטים חומריים, טכנולוגיים ורעיוניים. הסדנא מיועדת ליוצרים בחומר המעוניינים לחדד את הצד הרעיוני של עבודתם. בסדנא נעבוד על נושא כללי שיוצג בפני הקבוצה ונפתח באופן אישי וקבוצתי את היבטיו השונים. הסדנא תהיה מבוססת על תרגילי ביניים, הרצאות, ביקורת עבודות ותרגיל מסכם. ימים שני,שלישי ורביעי, 25-27 ביולי, בין השעות 9-16. עלות: 850 שקל

הנחה מיוחדת של 15% לחברי עמותת אומנים בישראל לסדנאות קיץ 2011

]]> 1445 2010-07-08 14:10:50 2010-07-08 11:10:50 closed open %d7%a1%d7%93%d7%a0%d7%90%d7%95%d7%aa trash 9 1 page 0 _edit_lock 1314790565 _edit_last 6 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1314790587 Workshops http://www.benyaminiceramics.org/%d7%a4%d7%a2%d7%99%d7%9c%d7%95%d7%99%d7%95%d7%aa/workshops/ Thu, 08 Jul 2010 11:13:33 +0000 http://www.benyaminiceramics.org/?page_id=1447 Hands on Clay

[singlepic id=548 w=160 h=120 float=left]Every Saturday morning during the summer vacation the studio will be open for parents and children who want to experience the magic of clay. The event includes instruction and clay. Saturday between 10.30-12 starting on 9.7.11. Cost: 40 shekels

Summer program

Basic Throwing [singlepic id=409 w=320 h=240 float=left]Instructor: Amnon Amos Objective: Acquiring basic throwing skills and technique. First time clay students will learn about wedging, centering, building cylinders, turning and using color on clay. No previous experience required Time: Wednesday from 17 - 20 (8 meetings) Cost: 1000 shekels including materials and firing.

Basic Throwing [singlepic id=414 w=320 h=240 float=left]Instructor: Roee Mayan Objective: Acquiring basic throwing skills and technique. First time clay students will learn about wedging, centering, building cylinders, turning and using color on clay. No previous experience required Time: Thursday from 9 - 12 (8 meetings) Cost: 1000 shekels including materials and firing.

Advanced Throwing - Improving technique [singlepic id=461 w=320 h=240 float=left]Instructor: Eti Goren The course is for students with throwing experience wanting to strengthen their abilities, solve problems and acquire particular skills. Previous throwing experience essential. Time: Sunday from 17 – 20 (8 meetings) Cost: 1000 shekels including materials and firing.

Large Vessels - throwing and handbuilding [singlepic id=411 w=320 h=240 float=left]Instructor: Jacaranda Kori Objective: Learning different building techniques for large pots using the wheel or handbuilding. During the course the students will be given three different projects through which they will acquire technical skills as well as an understanding and ability to analyse the shape of large volume vessels. Throwing and handbuilding experience required. Time: Sunday from 9 – 13 (8 meetings) Cost: 1250 Shekels including materials and firing.

Figurative Sculpture [singlepic id=407 w=320 h=240 float=left]Instructor: Leonid Gosin Objective: Acquiring skill using solid clay for free expression eliminating complicated technical solutions or previous knowledge. During the course emphasis will be placed on reflection and analysing the entire form. No previous experience required, suitable for all levels Time: Monday from 9 – 12 or 17 – 20 (8 meetings) Cost: 1000 shekels including materials and firing.

Development of Ideas for Clay Artists: [singlepic id=412 w=320 h=240 float=left]Instructor: Shlomit Bauman Objective: The complicated interdisciplinary language of art and design today requires a broad understanding, and multi-level and integrated view of materials, technology and ideas. The workshop is geared towards artists who work in clay and are interested in deepening the conceptual side of their work. A general idea set before the class will be the basis of work done, individually as well as a group, considering all aspects in execution. The workshop will be based on intermediary exercises, lectures, critiques of work done and a final project. Time: Monday, Tuesday and Wednesday July 25 – 27 from 9 – 16 Cost: 850 shekels

A special discount of 15% will be given to members of the Israel Designer Craftsmen Association for the summer workshops 2011.]]> 1447 2010-07-08 14:13:33 2010-07-08 11:13:33 closed open workshops trash 9 1 page 0 _edit_lock 1312669968 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1314790587 גלריה http://www.benyaminiceramics.org/?page_id=1450 Thu, 08 Jul 2010 11:15:10 +0000 http://www.benyaminiceramics.org/?page_id=1450 תערוכות המוצגות עכשיו

שתי תערוכות חדשות מוצגות בבית בנימיני: "דו" ו- "Tea for Two":

"דו"

דו-מימד תלת-מימדי בכלים קרמים

עירית אבא, עמי דרך, דב גנשרוא

21.6.2012 - 4.8.2012

תערוכה זו מהווה מפגש בין הקדרית עירית אבא והמעצבים עמי דרך ודב גנשרוא. מפגש דיסיפלינות, מפגש בחומר וסביב נושא הכלים הקרמיים אך ובהעדר המאפיין המהותי והמגדיר של אותו כלי קרמיים - היכולת להכיל. עירית רושמת בחופשיות וואזות. הרישומים נעשים בחומר, כך שהרישום הדו-מימדי מקבל קיום פיזי, משקל, ומבניות ובכך מתעלה מעל מחסומי הדו-מימד. לעתים, עירית מזככת כלי על עיטוריו, לישות תבליטית אחת ולעיתים לוכדת את אופייה של הוואזה בקו. העדר נפח הכלי, אותו גוף שמחויב במבחן הפונקציונליזם, מאפשר למתבונן לבחון את זרימתה וקלילותה של הצורה המאפיינת כלים מסוג זה.

עמי ודב חתכו והסירו חלקים מכלים קרמים קיימים והותירו רק את עמוד השדרה של אותם כלים. פעולה זו מגלה מידע תכני מתכנון ויצור הכלים: עוביי דופן משתנים, צלעות חיזוק, פגמי ניקוב חורים והתאמה בין חלקים. החתך הינו, עבור מעצב המוצרים, מה שהתוכנית לאדריכל - מבט נקי ובהיר אל מהות העיצוב. כאן, חתכים מכלים שונים נערכו למקבצים על גבי "שולחנות", וכך נוסף מימד נרטיבי בעת ההצבה.

כלל הכלים המוצגים בתערוכה מבטאים זיכוך וצמצום לסוג של מהות בסיסית- ה-די-אן-איי של הכלי - תמצית זו מהווה חומר גלם פוטנציאלי למימוש כלים שלמים

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Tea For Two

תערוכה קבוצתית של אגודת אמני הקרמיקה

21.6.2012 - 4.8.2012

‏Tea For Two - תערוכה קבוצתית של אגודת אמני הקרמיקה העוסקת באותו נושא קרמי מובהק של מערכת כלים לשתיית תה בשניים.

בתערוכה מוצגות פרשנויות חדשות ומרתקות של 25 אמנים היוצרים במדיה הקרמית. יש בין העבודות התייחסות לעיצובים מסורתיים ממקורות שונים בעולם, יש המייצגות גישה אירונית - הומוריסטית לנושא ולצידן עבודות המעלות אמירות קונספטואליות לגביו.

אמנים משתתפים: אהובה ליבנה, איב ענן, אירית אורפז, אמונה סירקין, אנה כרמי, אסתר בק, אתי גורן, אתי קציר, דליה בן-מיור, דרורה קוזלובסקי, זהרה הראל, זיו פלג, חנה נייגר, יעל רול, ליה בורס, מאיר מוהבן, מוטי סיקרון, מרגה פיישטיין, מרתה ריגר, סטלה להב, עדי טורצקי, פנינה ברקאי, קלסובסקי מיכל, רונית זהר, שולה מילר

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תערוכות שהוצגו בבית בנימיני ונסגרו

שוהה

תמר בן שאול

אוצרת רונית צור

17/5/2012 - 16/6/2012

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פתיחה: יום חמישי 17 במאי, 2012, בשעה 20:00

תמר בן שאול לוקחת אותנו למסע של תעתוע בין פנים וחוץ, של ציור – צילום, של היות רובץ ומתעופף.

בן שאול מציירת על פי תצלומים של פורטרטים. המהותי עבורה בבחירת התצלום שתצייר לפיו היא עמדתו והתהליך שאותו עובר המצולם תוך כדי פעולת הצילום, משמעות התצלום כמשקף הלך רוח של תקופה, כמרמז על תחושות והתנהגויות מול הקליק – אז והיום; הטקסיות, החד פעמיות לעומת הצילום האינטנסיבי הזמין לכל ובכל עת.

צילומי ווידאו מוקרנים על הקירות מתעדים סצינות בית וגינה, דוממות כמעט, מכניסים את ההתרחשות המרפרפת בחוץ פנימה. זהו צילום של דימויים בתנועה השופך אור על משמעות של שהייה, מבוסס על מוכר ושכיח אך ממוסך בראייה של מבט פסיבי. הנחת האבנים המצוירות בחלל הגלריה זו לצד זו מחברת את העכשווי, המשתטה, עם העבר הקיים למעשה בתשתיתו, ויוצרת פסיפס של זמנים. הציור על אבן, הפקעתה ממהותה המקורית והכנסתה לתוך חדר יוצרים דיסוננס אשר באמצעותו מתקבלת הסתכלות עם משמעויות חדשות של נוכחות ואופציות לבחירה סבלנית בעצם ההוויה של להיות.

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קו בחומר

דודי אלדר

אוצרות: דלית שרון ורונית צור (תערוכה בהפקה משותפת עם כנפיים)

17/5/2012 - 16/6/2012

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פתיחה: יום חמישי 17 במאי, 2012, בשעה 20:00

בתערוכה קו בחומר מוצג מערך עבודות בשני מדיומים מרכזיים: החומר הקרמי ורישומי נייר מיניאטורים.

דודי אלדר יודע את מלאכת החומרים. הוא מנווט את דרכו בין הדו-מימד לתלת-מימד, בין הצורך לחוש בחושניות של הפורצלן בידיו לבין הטיפול העדין והמאופק ברישומים. המתח והריגוש של הקו נוכח בכל עבודותיו. בדיוק מרבי, ביד יציבה ומתמסרת, יוצר אלדר עשרות רבות של רישומים עדינים שהם כמו ריקמה על נייר. הוא מתייחס לנייר כאל חומר – ובטכניקה המזכירה מעין אקשן פטרנינג (Action Patterning) הוא חורט, מקפל, מדביק ומנקב. "הנייר סופג את הקווים, והם זורמים עליו רכים, מינימליסטים מחד ועמוסים מאידך".

דודי אלדר הוא אמן שלא יכול אחרת. יכולות טכניות גבוהות מאפשרות לו להתמודד עם תכונות החומרים, להבין אותם וליצור מעין דו שיח מתפתח, כמה אפשר ללחוץ ועד איפה, לא להכניע את החומר אלא להרגיש לאן ניתן להתקדם איתו. התערוכה מלווה בקטלוג

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לצאת מהמסגרת

12.5.12 - 20.4.12

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פתיחה: יום חמישי 20.4.12 בשעה 19:30

בית בנימיני שמח לארח את עבודות המועמדים שעלו לשלב הגמר בתחרות פרס קרן אליכס דה רוטשילד 2012 בתערוכה לצאת מהמסגרת.

הקרן על שם אליכס דה רוטשילד הוקמה לזכר הברונית רוטשילד – אשה מיוחדת ורבת פעלים שחיה בין השנים 1982 – 1911 והייתה ידועה באהבתה ובתמיכתה באומנות בכלל ובאומנות ישראלית בפרט בתחומי היצירה השונים.

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הקרן המנוהלת על ידי עו"ד פזית שלמון-ברץ פועלת כיום בשני ערוצים: הענקת מלגות מדי שנה לסטודנטים בשיתוף עם אוניברסיטת תל אביב וניהול תחרות אחת לשנתיים בנושא נבחר, המיועדת לאומנים החיים ופועלים בישראל ומצטיינים בתחום האומניות השימושיות. את התחרות ע"ש אליכס דה רוטשילד מארגנת ומפיקה רות קורמן - יועצת אומנות, אוצרת ובעלת גלריה בלונדון.

התחרות השנה היא בנושא לצאת מהמסגרת ומטרתה לעודד אומנים לחשיבה יצירתית וחדשנית בתהליכי עבודתם, לאפשר מתן ביטוי לנסיונות הנסמכים על דרכם אך בודקים כיוונים ורעיונות חדשים, מקוריים ובאיכות גבוהה.

שלב השיפוט הראשוני התבצע בלונדון ע"י וועדה שהורכבה מאנשי אמנות מקומיים אשר בחרה ב 21 יוצרים מתוך כלל המועמדים שניגשו לתחרות.

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בבית בנימיני יוצגו בתערוכה לצאת מהמסגרת עבודות המועמדים שעלו לשלב הגמר. הפרס שיוענק השנה יהיה בסך 12,000$ ויחולק בין הזוכים על פי החלטת וועדת שיפוט מקומית. שמות הזוכים יוכרזו בטקס הענקת הפרס שיתקיים ביום ראשון ה 22.4.12 בשעה 19:00 בבית בנימיני בנוכחות הגברת רות קורמן והגברת פזית שלמון-ברץ.

האמנים המשתתפים בתערוכה:
אבי בירן, אפרת אייל, רימה ארסלנוב, שלומית באומן, נורית בלטיאנסקי ותמר עקוב, אוהד בנית, אבנר בר חמא, דינה ברמן, רות ברקאי, נועם דובר ומיכל צדרבאום, ישראל הדני, רינה חייקין, איריס טוטנאואר, עינת לידר, אורית מרילי, יעל פרידמן, אסנת קובלנץ, ליאורה קאון, נאוה שגב, איתמר שגיא, אורי שפירא

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‏מגדלים באוויר

29.3.12 - 12.5.12

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אוצרת: נורית זילברברג

פתיחה: יום חמישי 29.3.12 בשעה 19:30

תערוכה קבוצתית של אמנים חברי עמותת "אמנים יוצרים בישראל - אמנויות" העוסקת בנושא המגדלים, הן מההיבט המוחשי והוויזואלי של צורתם המוארכת והן מהיבט מטאפורי כסמל לעלייה ולהצלחה.

כבר מימי קדם בנה האדם מגדלים, מתוך כמיהה אנושית להתרומם מעל פני הקרקע, לנסות להשתחרר מן האדמה ומכוח הכובד שלה, לנסוק לגובה ולהגיע לשמים. צורתם הדומה לגופו המוארך של האדם, מנסה לעלות כלפי מעלה, לשאוף לרוחניות עליונה ולהגיע לגבהים, שהם מעבר ליכולותיו הפיזיות של הגוף, חרף הסיכון ואף הכישלון הכרוכים בכך. מאז כישלונו של מגדל בבל בניסיונו להגיע לשמים, משמש המגדל גם כסמל לאי הצלחה ולמגבלות האדם. הוא מייצג הן של הדחף האנושי להתרומם אל על ולחרוג ממגבלות גשמיות, והן את הסיכון שבשבירת קו הרקיע הרציף. סמל הן של התרוממות והן של נפילה בעת ובעונה אחת

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התערוכה "מגדלים באוויר" מסיטה את המבט המקובל מן המגדל כסמל לכוח ולעוצמה, ומבקשת לחשוף את הצדדים הארעיים והשבירים שבו, ולהשתמש בו כמטאפורה לשאיפות ולחלומות, הגם שלעתים רבות אין הם מתגשמים. העבודות, בדו-ממד ובתלת-ממד, מציגות מגוון עשיר של טכניקות וחומרים. החל מציור והדפס, דרך עבודות קרמיקה וזכוכית, עבודות בד וריקמה ועד לפיסול ואסמבלאז' מחומרים מצויים יותר או פחות.

משתתפים: איווה רות קמחי, עמי ליבוביץ', בתיה איכנהולץ, בילי שטראוס סלומון, דפנה שרטיאל, דניה צ'למינסקי לשם, דילבר קמחי, מרגלית בסן, מירה וינשטין, אסנת גפן, רחל רוזנפלד, רות וינשטין-פאפוריש, שרה בורשטין, שושנה פרידריך, טלי בלומנאו, צילה גולדשטיין, צבי רייכוורגר

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ÜberKitsch

26.1.12 - 24.3.12

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אוצר: רועי מעין

פתיחה: יום חמישי 26.1.12 בשעה 19:00

הקיטש נתפס באופן מסורתי כיצירה של טעם רע, בעלת מראה זול ומנייריסטי. ברמה הצורנית מתאפיין הקיטש בחזרתיות, עודפות, גלאם, וצבעוניות עזה ובוהקת, וברמה התמטית ברגשנות יתרה, פתיינות, וייצוג של הצדדים הנעימים והיפים של החיים תוך הדרה מובהקת של הצדדים האפלים והכואבים. אלמנטים אלו מייצרים שפה, שאינה נושאת עמה את הגיבנת המודרניסטית של אידיאת דלות החומר והמסר, אלא להיפך – חוגגת את העודפות וההכברה.

המוצגים בתערוכה ÜberKitsch משתמשים באסתטיקה זאת אשר לרוב נלעגת על ידי קובעי טעם ואיכות, ומנצלים אותה כפלטפורמה להעלאת נושאים ביקורתיים, חתרניים או אירוניים. נושאים אלו יכולים להיות רעיוניים כמו גם צורניים.

משתתפים: אליאונורה אורלי אדלביץ', שאולי ארזי, גיא ג'אנה, אנה כרמי, יוחאי מטוס, ורד ניסים, אמנון עמוס, מירי פליישר, אמילי קייג' אסנת ריצ'מן. בתערוכה מוצגים פריטים מאוסף ראובן נרדי.

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פרטי התמונות:
מירי פליישר: המנוחה עליה השלום, 2011, גובה 25 רוחב 5, פורצלן,גלזורות,לאסטר זהב,שריפה גבוההאמנון עמוס: עשה לי נסיכה,2011, 30X6X8, יציקה ועיבוד ידני, הדפס משי,לאסטר זהב, שוקולד.יוחאי מטוס: מאקומבה # 1 מתוך הסדרה מאגיה לבנה, 2011-12, 17X5X9 , טכניקה מעורבת.אליאונורה אורלי אדלביץ', Legacy, 2011, גובה 50, קוטר 30 ס"מ, יציקה לתבנית, זיגוג, דקאלים, לסטר זהב, הדפסת STL, עבודה ידנית.צילום: הגר ציגלר

"הפלגה" - סירה לשום מקום

נעילה: 14.1.12

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בתערוכה הפלגה אובייקט הסירה מהווה נקודת משען חזותית, ממנה אנו יכולים להסיט את המבט לעבר הנרמז והמובל ממנו. הסירה היא מעין בית קיבול, המכיל בו זמנית מגוון משמעויות אישיות כגון מסע, בריחה, הרפתקה. בדימוי של הסירה אפשר לראות רובדי משמעות רבים, החל מיעדים אופטימיים בסיפורי הרפתקאות וכלה בגוון פסימי של הסירה שנושאת את גופת המת במסעה האחרון. בכל אחת מהעבודות המוצגות בתערוכה נחשף תהליך הקשור במצב רגשי או קיומי ואנו נחשפים למסעות של שחזור ועיבוד זיכרונות. בחלק מהעבודות נחווה מעין מצב סטטי של חידלון או היתקעות אשר עצם המודעות אליו היא בבחינת נקודת פתיחה למסע עתידי.

יש עבודות המציגות סוג של קונפליקט כך שהיצירה היא מיזוג של מצבים ותהליכים הסותרים זה את זה, המטעינים אותה בכפל משמעות, וזו חושפת סערת רגשות המטלטלת את הסירה על פני מים לא שלווים. בין העבודות יש המתארות הפלגות ובהן מצבים של חלום, תהייה או כמיהה המבוטאים באופן לירי.

בתערוכה מוצגות יצירות באמצעי ביטוי מגוונים כמו עבודות בחומר, עבודת וידאו, מיצב, ציור וצילום.

אוצרת: תרצה ילון קולטון

משתתפים: נורה ונעמי, אברהם אופק, אווה אבידר, ענת בראל, רונן סימן טוב, נועה בן-נון מלמד, לאוניד גוסין, רותי ברקאי, יונתן אופק, טליה בר, מאירה אונא בן-חנן, דיוויד מוריס, בנימינה נדלר-נאור, סבטלנה פיירמן ושולמית עציון.

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התערוכה מלווה בקטלוג

נעילה: 14.1.12

בחלל הגלריה הוצגה התערוכה "א-לה-מוד" ובה עבודות קדרות של מוד פרידלנד (1996 – 1927).

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בחלל המעבדה תוצג התערוכה "שבילי יער" של יעל עצמוני, מחווה למוד.

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פתיחה: 8/9/2011 נעילה: 14/11/2011

מוד פרידלנד עלתה ארצה ב 1950 לאחר סיום לימודי אמנות באקדמיה בבוקרשט, השלימה לימודי אמנות בבית הספר הגבוה בוזארט בפריס והשתלמה בלימודי קרמיקה בווינה.
התערוכה המוצגת מלווה השקת ספר אמן של מוד פרידלנד - אמנית קרמיקה טוטאלית שאמנותה היתה אותנטית, פראית, ובעלת איכויות מדהימות וייחודיות בנוף הישראלי.

מוד פרידלנד היתה אמנית משמעותית ביותר בתולדות הקרמיקה הישראלית, באישיותה הסוחפת כאדם-אמן-מורה ובהתנערותה מהדקורטיביות הים-תיכונית שקסמה באותה תקופה לאמני קרמיקה רבים. החופש החובר לפרפקציוניזם, המקוריות הנשענת על מסורת ועל ניסויים מעמיקים, המאפיינים את עבודתה של מוד פרידלנד, כל אלה נמצאים גם ביצירתה של יעל עצמוני, ומכאן הזמנתה להציג תערוכת לווין לתערוכתה של מוד פרידלנד. בדיעבד התברר כי חברות עמוקה התקיימה בין השתיים. התערוכה שבילי יער של יעל עצמוני תוצג בו זמנית בבריכת הקשתות ברמלה ובבית בנימיני. עצמוני יצרה גופים קרמיים מעין וקטורים מסולסלים אוצרי זיכרון אישי ואוניברסאלי והשקיעה אותם בבריכת הקשתות ברמלה. עבודת ווידאו שעצמוני צילמה במקום תוקרן בחלל המעבדה. המרחבים השונים - הבריכה והגלריה, העיר רמלה והעיר תל-אביב יהיו קשורים כאשר לכל אחד ישנה הנוכחות והאוטונומיה שלו. העבודה נוגעת בנושאים בעלי משקעים מרובדים של חוויות משפחתיות של ילדה שגדלה בעיר רמלה בצל תרבות אירופאית מפוארת אך גם כואבת.

"של מי האדמה הזאת?"
אוצר: ערן ארליך
פתיחה: 16/6/2011 נעילה: 27/8/2011

הפתיחה הרשמית של בית בנימיני המרכז לקרמיקה עכשווית תערך ב 16 בחודש מאי 2011 בשעה 19:00 עם פתיחת התערוכה הראשונה שתוצג במרכז: "של מי האדמה הזאת". בתערוכה משתתפים: יואב אדמוני, מיכה אולמן, ציפי איתי, פינה באוש, רותי ביגר, תמרה בן-ארצי, הגר בן-מאיר, אסתר בק, מאיה סלומון, קלאודי קזנובס, גלעד רטמן, שלי שביט, קלוד שמפי, יגאל תומרקין

"של מי האדמה הזאת" היא שאלה לכאורה פרובוקטיבית ובוודאי קונטרברסיאלית, אך למעשה מתחת להדי המאבק ארוך השנים הזה "בינינו לבינם" המבוטא בשאלה הזו, טמונה הסכמה כי האדמה שייכת למישהו. "הם" ו"אנחנו" חולקים הסכמה משותפת על כך שהיחס של האדם לאדמה הוא יחס של בעלות. האומנם אין בנמצא יחס אחר בין אדם לאדמה, בין אדם לעולמו? התערוכה מבקשת להראות כי היחס בין האדם לעולמו אינו חייב לעבור רק דרך המודל של הבעלות וכי קיימת אלטרנטיבה אחרת לחשוב על הקשר לעולם. המודל הנחשף בתערוכה דרך הנגיעות הספציפיות והייחודיות של כל אחת ואחד מהאמנים המשתתפים בה הוא זה שנבקש לכנותו בשם המודל של האמן. במודל זה מתקיים יחס המבוסס על הקשבה של האמן לאפשרויות הגלומות בחומר, יחס שבו האפשרויות של החומר הן שמגדירות את פעולת היוצר ומאידך פעולת היוצר היא ניסיון לחשוף את אותן אפשרויות עצמן ולהעניק להן ערך מטפורי. בתערוכה בחרנו בחומר ובאדמה כנקודת מוצא שהיא סמלית וקונקרטית כאחד, שהרי האדמה אולי יותר מכל חומר אחר טעונה במשמעויות סימבוליות. תחושת השייכות מומרת בתערוכה זו ממקום של בעלות למקום של חוויה והיא הזדמנות והזמנה פתוחה לכל.
ערן ארליך, אוצר התערוכה

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]]> 1450 2010-07-08 14:15:10 2010-07-08 11:15:10 closed open %d7%92%d7%9c%d7%a8%d7%99%d7%94 draft 0 0 page 0 _edit_lock 1376401168 _edit_last 2 _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1343234216 title גלריה description תערוכות מתחלפות בגלריה של בית בנימיני לקרמיקה עכשווית _thumbnail_id 5551 robotsmeta index,follow keywords גלריה, תערוכות, קרמיקה, אמנות, בית בנימיני Gallery http://www.benyaminiceramics.org/en/?page_id=1452 Thu, 08 Jul 2010 11:16:36 +0000 http://www.benyaminiceramics.org/?page_id=1452 Currently on exhibit at the Benyamini Center

Two new exhibitions will be on display at the Benyamini Center:
Do
A look at almost-two-dimensional ceramic vessels
Irit Abba, Ami Drach and Dov Ganchrow
16/6/2012 - 4/8/2012
This exhibit acts as the meeting ground between the ceramicist Irit Abba and designers Ami Drach and Dov Ganchrow. It is a meeting of disciplines through the common ceramic material and common object resulting in a vessel devoid of its most basic physical characteristic; the ability to contain. Irit has freely sketched vases using ceramic material as her medium, escaping, just barely, the two-dimensionality of drawing. At times her works reduce three-dimensional objects and their two-dimensional graphics to a singular relief-dimension. Irit captures the flow and character of a vast array of vessels, with a lightness and sensitivity possible only when the burdensome body has been shed.
Ami and Dov have cut away all but the very center portion of existing ceramic table wear. This act exposes the very technical aspects of object making; wall thickness, interfacing of parts, structural ribs etc. A traditional design discipline backbone, the section is to the product designer what the plan is to the architect, a chance to see with clarity the essence of the design.
Sectioned products have been assembled into table settings, allowing for a contextual look at the assorted vessels. Vessels in the show are both reduced to their essence--to their DNA-- and at the same time are suggestive and charged with the desire to grow and manifest as complete ceramic bodies.
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Tea For Two

25 artists from the Ceramic Artists Association
16/6/2012 - 4/8/2012
A group exhibition of 25 artists from the Ceramic Artists Association presenting their interpretation of the traditional porcelain tea set. Some the artists have focused on the design influence from around the world, others have given their work an ironic or humorous twist and some of the works are conceptual.
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Previously exhibited at the Benyamini Center
Being
Tamar Ben Shaul
17/5/2012 - 16/6/2012
Curator: Ronit Zor
Opening on May 17th, 2012 at 20:00 at the Benyamini Center
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Tamar Ben Shaul takes us on an illusionary journey between drawing and photography.
The portraits she paints are taken from photographs and she captures the essence of the time they were taken and the stance of the subject. Her works focus on the pose and the ceremony of photographs taken in the past as opposed to the instant and readily available photographic communication of the present. The video works in the show document common scenes from the house and the garden.
The almost still video moves the exterior to the interior. The images illustrate the meaning of being; the common and familiar are exposed from a passive viewpoint. The painted stones on the gallery floor link contemporary based on the past and create a mosaic of time.
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Of Lines and Materials

Dodi Eldar 17/5/2012 - 16/6/2012
Curators; Ronit Zor and Dalit Sharon (exhibition is a joint project with Kenafayim)
Opening on May 17th, 2012 at 20:00 at the Benyamini Center
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Of Lines and Materials: This exhibition shows a series of works in porcelain and miniature drawings on paper.
Dodi Eldar is proficient in both these media and navigates between 2D and 3 D, between his desire to express himself in the sensuous clay or the controlled and delicate line drawings. The tension and emotion of the line is evident in all his work and the delicate sketches are like embroidery on the material, a technique that could be called action patterning – engraving, folding, sticking and puncturing the paper and clay. The exhibition has a catalog
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Breaking the Mould
29/5/2012-12/5/2012
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Opening: Thursday 20/4/12
This competition is an exciting project that encourages artists to think outside their comfort zone and to find new and original ways of expressing their creativity.
The Alix de Rothschild Crafts Awards Scheme began in 1998 to commemorate the life of a very special woman, Alix de Rothschild (1911 – 1982). During her lifetime Alix had a passion for both Israel and craft work of all kinds and it is fitting that this competition continues in memory of such a unique personality. Throughout her life she supported artists of all media.
The fund is managed by the lawyer Pazit Shalmon-Baratz and the competition has been administered voluntarily since 1998 by Ruth Corman, art consultant, curator and gallerist based in London and Israel.
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The competition, which occurs every two years, awards prize money of $12,000 to Israeli artists who excel in the field of contemporary applied art. The objective is to encourage artists to think in new directions, to explore new ideas and produce work that is original but always of the highest standard. This year the topic is “Breaking the Mould“.
A specially selected panel of judges does the initial selection in London, producing a short list, this year comprising 21 artists. The second stage is for a second panel of judges in Israel to see the work and decide how the prize money should be awarded. This year the event will take place at The Benyamini Contemporary Ceramics Center in Tel Aviv where an exhibition of the finalists’ work will be on display from April 20 – May 12, 2012.
The winners will be announced at the prize giving ceremony on Sunday 22 April at 19:00.
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Finalists: Avi Biran, Efrat Eyal, Rimma Arslonov, Shlomit Bauman, Nurit Baltiansky and Tamar Akov, Ohad Benit, Avner Bar Hama, Dina Berman, Ruth Barkai, Noam Dover and Michal Cederbaum, Israel Hadani, Rina Haikin, Iris Tutanauer, Einat Leader, Orit Marili, Yael Friedman, Asnat Koblenz, Liora Kowan, Nava Segev, Itamar Sagi, Uri Shapira
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Towering Above
29/5/2012-12/5/2012
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Opening: Thursday 29/3/12 at 19:30
Curator: Nurit Zilberberg
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Previously exhibited at the Benyamini Center

Uberkitsch 26/1/12 - 24/3/12 [singlepic id=844 w=320 h=240 float=center]

Opening: Thursday 26/1/12 at 19:00 Curator: Roy Mayan
Kitsch is characterized by repetition, redundancy, glam, bold and bright colors and on the thematic level it exemplifies over-sentimentally, seduction, and representation of the pleasant and beautiful sides of life while clearly excluding the dark and painful aspects.
The works in the exhibition ÜberKitsch use the very aesthetics that are usually ridiculed by trend-setters and connoisseurs, and raise critical, subversive or ironic issues - which can be ideological or form related.

It is no coincidence that kitsch is considered typical of ceramics.
Kitsch, as stated, is intended for mass production - and ceramics is clearly a field of mass production. The fact that the ceramic work is duplicated by its very nature makes the debate on originality and reproduction redundant. Each object is simultaneously an original and a copy. Kitsch ceramic works designed for the masses are perceived as beautiful and pleasant – works that will suit every home.
The works in the exhibition ÜberKitsch leach like parasites onto the back of well-known ceramic and aesthetic traditions and exploit the delineated shapes to emphasize new themes. The familiar forms - plates, figurines, fertility icons, Faberge eggs - all serve as a platform with historical ties on which a new contemporary statement can be created.
Participants: Amnon Amos, Miri Fleisher, Eleanora Orly Edlavitch, Yochai Matos, Vered Nissim, Shaul Arazi, Guy Jana, Anna Carmi, Emily Cage, Osnat Raichman.
The exhibition will also include the Reuven Nardy collection.
At the opening: Performance by Emily Cage - Artistic advisor and video Anat Katz Live Wall Installation Performance by Yochai Matos
The exhibition is accompanied by a catalog
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‏Details of images:
  • Miri Fleisher: May She Rest in Peace, 2011 Height 25 cm, porcelain, glaze, gold luster
  • Amnon Amos: Make me a princess, 2011 Height 30 cm, cast clay, altered, screen print, gold luster, chocolate
  • Yochai Matos: Makombe#1 from the White Magic series , 2011-12, Height 17cm, mixed media
  • Eleanora Orly Edlavitch: Legacy, 2011, Height 50cm, cast clay, altered, glaze, decals, gold luster, STL printing,
Photographs: Hagar Zigler

Voyage - A boat to nowhere 17/11/2011-14/1/2012

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Boats and ships have a prominent presence in the mythologies of many nations and peoples. Such was, for example, the heavenly boat belonging to the Egyptian Sun God Ra, who sailed daily across the sky; and such were the boats that transported mythological peoples like the Tuatha Dé Danann ("peoples of the goddess Danu") - the ancestors of the ancient Irish. One of these mythical vessels was Fryer the Norwegian's magical ship, which, while it held on board an entire army, complete with its arms and horses, it could also fit into his pocket. According to Greek mythology, the ship Argo that boarded seekers of the Golden Fleece of Kolchis, possessed the gift of prophecy and guidance, balancing the spirit of spontaneity and adventurousness that characterized the warriors on board.
The early Canaanite culture believed that in the evening, the Sun Goddess Shapash would descend into the underworld, the underground dwelling of Mot the Death God, and with the rise of dawn she would resurrect and restart her journey by boat across the sky. Boats also symbolize an independent universe that harbors the seeds of renewal and survival, and is closely bound to Flood Myths in various cultures (including Noah's Ark). The boat may also symbolize change and transition, or the crossing of a barrier. In some cases, like that of the members of the Tanka people in China, the boat is the place in which they are born, live and die, and it represents not only a home but a way of life.
The boat thus acts as a type of receptacle, simultaneously harboring a variety of subjective meanings such as travel, escape and adventure, in addition to the deeper symbolic weight of the general, mythological and religious meanings.
The image of the boat can depict many layers of significance, from the optimistic destinies perceived by the young and adventurous as drifting toward the unknown, to the pessimistic tones signifying the end of the road, on a personal level, as well as crossing of the Styx River (the river of hate) after death. The boat may be the tiny vessel that carried baby Moses to his destiny across the Nile River, a boat carrying war-mongering and adventurers warriors to battle, or it could be a Funeral boat, like those belonging to the Vikings and the ancient Egyptians, upon which the body of the deceased made its final voyage.
Every one of the works displayed in the exhibition reveals a process in which an emotional or existential condition leads to insight, thus we are exposed to journeys of recovering and processing memories. In relation to some of the works, we may experience a static mode of destruction or immobilization, a seemingly pessimistic situation, in which the mere awareness, understanding and expression of it form a point from which future journeys may depart. In other works one may get the impression of a "snapshot" that freezes the voyage There are works that raise conflicts, merging or synthesizing contradicting states and processes; these situations load the boat displayed with ambiguities that reveal emotional turmoil that rocks the boat as it moves on the tumultuous waters.
Even when the journeys described seem ridden with pain and obstacles, it is clear that all energy and resources are recruited to push forward and continue. Other works depict journeys in which dreams, wishes and desires are lyrically expressed.
A Memory of the Voyage
When I was little ...
I knew how to fold paper boats and I took them for a walk in the yard, in the aluminum wash tub.
Folded newspaper boats
Submitting, absorbing
And immediately sinking
And what about me? I stand firm
In a rocking boat
I carefully inspect and try to understand.
And I do not know whether to believe in the boats, that disappeared in the tub,
If there was something
I would know
Not any more.
Thoughts about the exhibition evolved from a distant journey into myself.
The memory of a pain that is no longer clear or tangible.
Journeys I could have taken, or maybe did in another time and place.
The exhibition features works created in various mediums: clay, video art, installation, drawing and photography by a group of artists , whose works I choose to display over and again. This is not an official group, and members are not necessarily aware of each other's creations, though they are acquainted with one another. They share characteristics such as style, aesthetics (which in Greek means 'I perceive"), and similar handwriting.
The exhibition extends beyond the concept of a "boat" as an object and engages with the idea of a "journey." The boats serve as an object on which the eye can halt, while the goal is to shift the observation from the material objects to the intangible insinuated aspects loaded in their physicality.
Ronen Siman Tov, The Branch Boat
"Into the night sails the boat of melancholy, in search of hidden worlds. The journey raises questions about man's place in the world, the perception of reality, where man comes from, to what he is heading (sailing), and what is place? Will the boat ever reach a destination?
The mental representation of the boat is no more than a shell that encompasses within it the individual wandering in the dark in search of his destiny.
The reflections on the water duplicate the world and extend the riddle of existence in the universe, placing man in nature on the border between heaven and earth, temporality and eternity. This is the yearning of the individual, from his solitude, for sublime infinity ... "
Noa Ben-Nun Melamed, Mimuzia
A paper boat (made from a post-it) and a photograph of a tree in all its natural splendor, so perfect that it looks detached from nature: "A seductive aesthetic experience." The boat is ready to set sail; on the road, under a tree, a shady and protected spot. The work illustrates "the visual experience as an act of the imagination. Concrete reality is perceived as an internal experience, recalling a familiar feeling that feels out of place." This work is part of a series of works that were based on childhood memories and deal with the mechanism of memory. The boats "sail between the sea and the mountain, between the actual and the imagined, between the innocent and the tempting, and between the amusing and the threatening".
Eva Avidar, Untitled
A fragile boat, filled with rocks, hovers lightly in emptiness towards the unknown, despite its heavy load that is supposed to affix it in place. There is nothing around it, and the wondering gaze fixes on the boat, struggling to decide where it was heading beyond the here and now.
"Dreaming, yearning ... your mind, your soul, your forehead, your eyes, your hands, the warmth of your body.
Reaching out into nothingness. Stones in my body. I continue.
Like Charon, forever- sealed CH
His heart cracked.
Sinful and lost souls on board his boat, screaming pleading, hurting and terrified.
he cannot take it anymore. He abandons ship."
Leonid Gosin, Fata Morgana
Leonid Gosin's boats have completed their missions. They are, in fact, after-fragments and still they get a place of honor on the windowsill. Buildings posing as boats are reflected on the windowpane behind them. Gusin provides momentary insight into the nature of dreams and life. "The boat's remains are like his broken soul."
"I'm sitting on the side
And from the side I see
People walking past me,
And I am not moving
I am not moving
The shadow beside me
Moves slowly
Where oh where are you going
Perhaps I
Will arise and go
But I do not know where and how
I light another cigarette
Play with the smoke
Admiring the vanishing
Cloud
Slowly a minute passes
Tagging the minute that passed before
From the clock's hand "
Jonathan Ofek, Boat
"Is that a coffin carrying the dead moving on into a new life? Or a crate for the many varieties of fish who are actually dead,
The boat is either dragged or it drags, is pulled or pulls
In the space between the work of art and the spectator, everything is possible and everything is true.
The tension between the sea and the land, the seashore is the tension between life and death - the unity of opposites.
It is easier to understand the fact that we are entrusted in the hands of fate when sailing on a boat"
Svetlana Fireman, Gazing / Boats
Svetlana creates her boats in bowls that amplify the sense of depth.
The bowl represents an autonomous and intimate space, and since the vessel is open, it allows us to peep into the story hidden inside. A body is contained within another body. The sea is the bowl that contains the boat within it, which contains the boats and their stories.
Anat Barel, Phoenix
Parts of boats, walls, free of functional constraints and architectural elements - all of these come together to form a new image. "Fragments from a broken and bruised world, that underwent traumas and disasters, a testimony of the world that might have been and is no longer; fragments that once had the capacity to contain and today contain nothing, as though belonging to a destroyed world. But perhaps it is possible to hold on to them and survive. The smoke leaves a trace in the material, making a drawing like veins in the earth, inside the body, like cracks that were created in me - within us, over the years. "
Meira Unna, The Eye of the Storm
Two ceramic vessels are the creative field for Meira Unna.
The vessel is the quiet center (the eye of the storm in a hurricane), and the storm spirals around it.
"I look to the horizon, and it is a line between water and sky. Sometimes it is stormy and buzzing with excitement, and sometimes it is sharp and clean. In any event, it stretches to the end of the world, which is a lot, and I want to hold on to something in face of this infinity".
David Morris, Ship of Fools
David Morris often displays the grotesque side of life in his works, and in this work we encounter once again his familiar figures who set out on an endless journey.
Ship of Fools is a satirical poem written by the German writer Sebastian Brant in 1494. It is an allegory depicting mankind's weakness, and ever since, the expression "Ship of Fools" has become a common phrase. The painter Hieronymus Bosch drew his idea of the concept in 1490_-1500. Michel Foucault also used the story as part of his book Madness and Civilization: A History of Insanity in the Age of Reason, in which he attested that the identities of the "Fools "vary as a function of historical processes, from lepers, to fools to the madmen whom society choses to exclude due to the threat they pose in their digression.
Nora and Naomi, from "The freight voyage"
Boats in the exhibition "Escape" were the starting point for the exhibition "The Freight Journey," from which two works are exhibited. Images of boats reappear in Nora and Naomi's works, and emphasizes their claim that the present is a reflection of the past. The boats do not sail, but rather symbolize the constant turmoil of life.
"We relied on research of myths of nations, near and far. The element of a chair – as the seat for the body, and the element of the boat - a place for the moving body, mobility and stability, migration and escape ...".
Shulamit Etzion, Personal
"The hands with the boat came from a very vulnerable place. The pose is quiet, personal, a position in which a circular motion exists, debating whether to submit or to save.
The boat for me is a personal territory - in all senses, not just physical. The reality of an inner space.. What the boat can mean to someone who is at sea."
The little leather boat, stitched with pink thread, which is normally used for transportation, is now transported and protected by hands made of fragile white porcelain. If you touch it- it will break.
Ruti Barkai, Longing Sails
The sails that are supposed to be the driving force of the boat are separated from it. The detachment of the sails from the boat places them out of their functional context and defines a new role for them.
The installation, a set of sails, appears as a flotilla of boats or leaves on the water's surface. The sails are made of porcelain, and the fragility of the material as opposed to their original function, creates an absurd dissonance.
Talia Bar, Voyage End
A journey ends. The boat may rest on the side. Dented, worn out, loved.
Thank you boat. Thank you Sea.
At the edge of choppy, churning water, it rests.
Voyage end"
Avraham Ofek, Thanks to Jerusalem, I will tear their sea
Avraham Ofek painted this piece two months before his death. For many years the boat in his work symbolized freedom and movement, and his arrival to Israel. Despite the promise that arises from the work's optimistic title the boat is stuck in the ground and cannot move.
Binyamina Nadler – Naor (Bini), Pendulum
"The hand holds on to the boat to protect the near reality, but also to prevent or delay the departure from the past, from childhood, from the ship of memories. Pulling the boat and the hand in opposite directions creates a power struggle. I choose to use material that is strong and durable and will last for generations to come, through which the sensation of the vulnerable and light paper is conveyed."

[nggallery id=76]

At the Gallery we will exhibit A-la-Maud – wheel thrown work by the artist Maud Friedland (1927 – 1996). [nggallery id=65] At the Lab we will exhibit Forest Paths by Yael Atzmony, a video work, in tribute to Maud Friedland. [nggallery id=66] Opening: 8/9/2011 Closing: 14/11/2011 Maud Friedland came to Israel in 1950 after she completed her art studies at the Art Academy in Bucharest, Beaux Arts in Paris and ceramic studies in Vienna. The artist monograph will be launched at the opening of the exhibition. Maud was an artist in all her being characterized by an authentic and free spirit making her a unique voice in the history of Israeli ceramics. She removed herself from the characteristic decorative ceramics which was typical of her time. She was a charismatic figure as a person-artist-teacher. Freedom and perfectionism, originality resting on tradition and on in-depth experimentation, all of which characterize the works of Maud Friedland I have also found in the works of Yael Atzmony. With this in mind, she has been invited to present a satellite-tribute exhibition to that of Maud. The exhibition Forest Paths will be presented simultaneously at the Pool of the Arches in Ramla and at the Benyamini Center. Atzmony has created abstract, sensual ceramic objects, like curled vectors, hoarding personal and universal memories. The objects have been submerged in the Pool of the Arches in Ramla, an underground pool constructed in 789 A.D. The video filmed on the site will be shown at the Benyamini Center. The work deals with layered meanings of family memories, of a child who grew up in Ramla in the shadow of the grand European culture stained with pain.
"Whose Earth is it Anyway?" Curator: Eran Ehrlich Participants: Yoav Admoni, Micha Ulman, Tsipi Itai, Pina Bausch, Ruth Bigger, Tamara Ben-Artzi, Hagar Ben-Meir, Ester Beck, Maya Salomon, Cluadi Casanovas, Gilad Ratman, Shelly Shavit, Claude Champy, Yigal Tomarkin Opening: 16/6/2011 Closing: 27/8/2011

“Whose earth is it” is a somewhat provocative and very controversial question, but what underlies the long-standing struggle between “us and them” is the shared notion that the earth in fact belongs to somebody and that man's connection to earth is one of ownership. Without the common consensus that land is meant to and should be owned, there would be no cause for this conflict and the uncompromising struggle between us and them. Is this paradigm of ownership really the only possible connection between man and earth? The current exhibition proposes that this connection does not necessarily need to pass through the prism of the ownership and that there is another option. The idea presented, through the specific and unique style each of the participating artists, is what I would like to term the “Artist’s Model”. The model of the connection between the artist and his material is not one of control and ownership, but rather one based on the artist’s attention to the material’s inherent possibilities which define the creative activity, while the result is an attempt to expose these qualities by giving them a metaphoric value. The sense of belonging is transformed from a place of ownership to one of experience and constitutes an opportunity and invitation that is open to all. Eran Ehrlich, Curator [nggallery id=57] ]]> 1452 2010-07-08 14:16:36 2010-07-08 11:16:36 closed open gallery draft 0 0 page 0 _edit_lock 1343566342 _edit_last 3 _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default description The Benyamini Center gallery exhibits ceramics, sculpture, drawing, video art, installation, drawing, photography in rotating exhibitions title Benyamini Center Gallery - current and past art exhibitions robotsmeta index,follow keywords Benyamini Center, gallery, past exhibits, current exhibits, ceramics, video art, installation, drawing, sculpture, photography סיור וידאו של השיפוץ http://www.benyaminiceramics.org/2010/10/%d7%a9%d7%99%d7%a4%d7%95%d7%a5-%d7%91%d7%a0%d7%99%d7%9f-%d7%94%d7%97%d7%9c-%d7%a1%d7%99%d7%95%d7%a8-%d7%95%d7%99%d7%93%d7%90%d7%95/ Thu, 14 Oct 2010 20:13:35 +0000 http://www.benyaminiceramics.org/?p=1514 Renovating the Benyamini Center - Oct 2010 from bccc on Vimeo. 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Though Residence Speaker Jesse Boehner, one of many executives Soldiers spoke with, said, "For 24 months, the greater part in your house has been the principle type of safety on your United states citizens alongside some sort of authorities in which requires an excess of, tax returns too much plus borrows far too much if left behind out of hand. "The United states citizens re-elected the president, in addition to re-elected much of our absolute majority in your,Ins Boehner, involving Arkansas, stated from a fact. "If there's a requirement, it's a mandate both for persons to search for common ground as well as take action with each other to help you our own overall economy get bigger which will create work opportunities, which is necessary to handling your debts.Inches United states senate Financial Panel Chairman Fatmus Baucus, a Montana Democrat, says yesterday he predicted Barack obama in order to call on The nation's lawmakers shortly afterwards this election to pass the deficit-reduction plan that has money grows together with paying abrasions. "There's your mandate for that reasonable solution, and also that method it has in the form of blend of sales and then reduces,In . ex - Consultant Jim Perriello, some The state of virginia Democrat, claimed with an talk to. Except Our elected representatives operates, automated expending nicks, termed sequestration, will start with Revenue as well as the Bush taxing shapes should terminate January. Thirty one. Obama plus congressional Dems choose to let the taxation sections terminate for the greatest earners, even when Republicans promoter lengthening these for salary degrees. This investing reduces not to mention tax burden enhances, amounting to help you $607 zillion on The year 2013, are called that "fiscal ledge.Inch Eric Ueland, fundamental associated with personnel so that you can past Senator Statement Frist as soon as the Tennessee Republican was initially bulk chief, talked about Barack obama "has a duty to help you step forward immediately plus communicate their particular involvement in exactly what they wishes to find occur in Dec . after which you can make it possible for Congress react to which often.Centimeter Ueland stated The president's glory rises demands relating to them to arive at across the fence. "While she will have the capability to argue that the guy was given the recommendation for his own careers, attractive gets the obligation in using the services of all of the Republicans in their home along with Us senate," Ueland reported. Various congressional Republicans, especially in the actual Chair for economic council, own mentioned they may be very happy to look into getting rid of some regulations and tax breaks to help you spend money on removing instant nicks to successfully defense services. Into the level the fact that Soldiers "wants to transfer to the governmental store, that is in which the succeed receives tired a torn united states government, we'll be currently there to satisfy him nearly,Inches Chair for economic council Fraction Innovator Mitch McConnell, some The state of kentucky Republican, reported in the document. "That should begin as a result of proposing a means for both get-togethers to operate alongside one another in avoiding your 'fiscal cliff' with no negatively affecting an inadequate as well as sensitive economy." McConnell even was telephoned with The federal government relating to the diary for the remainder of the yea. The federal government would like to improve best income tax prices towards the degrees that they come to when Ceo Costs Clinton departed work throughout Beginning of 2001 -- during Thirty-nine percentage and 22.6 %. Also, he likes higher income taxes with budget results and even dividends as opposed to at present and then a reduced residence taxes exception to this rule and amount. When it comes to July, any Chair for economic council, of which Democrats nowadays management 53-47, exceeded legislations to supply through 2013 a duty abrasions with respect to human being cash flow up to $200,Thousand twelve months and then wages of married folks as much $250,000. Previously mentioned the thresholds, individuals could are up against large levels intended for every day profit, main city benefits along with benefits. Within his win talk The following friday night time, College used through any olive office to be able to Republicans, wanting to know to satisfy by way of Romney in addition to ensuring, "I are looking forward to trying and additionally and dealing through business leaders involving supposedly to meet troubles we can easily basically address together.Inch Romney, conceding inside a thoughtful dialog, proclaimed, "At an occasion full this way, i not able to chance partisan arguing. This executives have got to accomplish surrounding the church aisle to attempt a some people's give good results.Centimeter Barack obama proceeds to do business with a solid wining in a partioned electorate, getting rid of a new severe push who was the highest priced at any time together with the elevate regarding excellent PACs and even never-ending fundraising events as a result of both of those job hopefuls. Soldiers gained Fifty nine.Six million ballots, and Fifty percent on the total, along with 303 electoral votes as a result of transforming out his / her coalition of girls, unprivileged and even childhood and then defending an individual's largest percentage overall nevertheless a couple of of one's says of which assisted the dog come up with heritage four years gone since the primary African-American originator. She grabbed Las vegas, Virginia as well as the additional 8 significant arena suggests, except for Texas , it really is result's yet to be recognized as, as well as brought Romney 303-206 found in electoral ballots. Earnings of 260 electoral votes should be applied designed for triumph. Using 99 percent from Georgia precincts exposure soon after Several:31 a real.m., Return to school obtained Five,122,789 ballots (50 percent) so that you can Romney's 5,079,589 (44 percentage). Country wide, through Ninety-seven % from the precincts reports, Return to school previously had picked up Fifty nine,574,491 ballots, Half of your entire, This Similar Click noted. Romney received gained 60,950,714 votes, and Seventy two percent -- or about 2.6 000 0000 under Soldiers from 116.5 k throw. Romney's selection intends declined such as dominoes collectively action express to another was initially cal toms shoes headed meant for The president -- Pennsylvania, Nh, Iowa, Michigan, Iowa and also, a lot of devastatingly for any Republican, Kentkucky. Colorado, Vegas along with Va also got destroyed This administration's technique. Romney used Nc and yet has a strike in California, but once he does acquire which often say, it is weak hands and even overdue. From the state governments Government claimed during 2007, exclusively Indianapolis together with Nc gone to any Republican. "We seem to be a united states loved ones and now we fall and rise in concert,In . Soldiers informed a great exultant, flag-waving herd regarding Ten,500 within Chicago's McCormick Destination because with his fantastic loved ones used happens located at 1:Thirty eight any.michael. Ny precious time. Obama, 1st lovely women Mrs . 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And then irrespective of whether I just acquired your political election or otherwise not, I have followed one. I had found out from your business. While you forced me to be a significantly better ceo.Ins He stated he'd seek advise from the two of you in your getting many weeks to try and correct the income tax prefix together with immigration procedure as well as no charge the united states via desire for imported petroleum. "I have not attempted really been significantly more expectant on the subject of some of our near future. Irrrve never happen to be additional aspiring concerning Numerous potential future, plus i request you to experience that will expect,In he said. Going time for the 2003 Democratic tradition speech this released his particular ascent, Return to school claimed, "We typically are not simply because break up like our national politics imply. "We be greater than variety of crimson declares and also green declares. We're also -- and additionally always would be -- the states associated with The nation." Romney, any rich n entrepreneur and additionally original Boston governor, admitted at a postmidnight contact to help you College. Related to 11:55 a new.mirielle., the particular conquered adversary, what individuals obtained perform pertaining to web design manager ever since 2007, used happens during his own Boston ma headquarters for a five-minute language. "I now have simply identified as Ceo Physician Longchamps Pas Cher ama to make sure you congratulate your ex boyfriend concerning their glory,In . Romney mentioned. "This is known as a age of good dilemmas to United states, when i hope obama might be triumphant throughout regarding much of our location.Inches Your dog thanked your partner's partner, Ann -- "She will be a marvelous to start with lady" -- the five sons who exactly could "tireless work" designed for her system, plus suggested, "At some time of this nature we not able to probability misogynistic bickering along with Authentic Louis Vuitton posturing. With Saturday, all the Republican nominee had written an important 1,118-word win special message that they assumed would probably consider his own years-long search for the actual obama administration. His particular concession speech had taken five minutes. Romney's managing significant other, Distributor. Dave Johnson (R-Wis.), was given an important ease value -- re-election towards your partner's Family home hold. Acknowledging Romney's hard-fought rush, Obama claimed he looked forward to waiting using Romney this few weeks to speak about "how to move the united states in advance.Ins This administration's victory seemed to be observed through Democrats around California, where the ceo seemed looking with a roughly 3-2 wining edge. "Obama's be successful with is a vindication of 4 number of legitimate develop in that location that has been inexpensive via the Romney plan,Ins stated The writer Jacobs, chairman with the Nassau Democratic Party. "Republicans stood within his option,Ins says John Rules for the Bronx, area of some sort of cheering guests with only a condition Democratic panel occasion in a midtown New york accommodation. "Now we are able to begin their work jointly as opposed to splitting up the nation." 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"Again, good neatest thing which will ever could accidentally others. Now i am definitely by natural means an important determined individual who just really wants to be the best. All last week would was only supply significantly more desire and more flare to simply leave the house in that respect there and even enjoy baseball and then do best advertising.Centimeter Te'o stopped at your Chargers just before the condensation, issuing Telesco and then beginner top of your head advisor Simon McCoy the ability to question him within the problems. "He managed doing it awesome, Telesco pointed out. Were being this Chargers Red Bottom Shoes Sale troubled by your overview Te'o has actually been below? "Obviously far from. You had taken him,Inch Telesco pointed out. "We could a lot of our due research. That junk isn't a anxiety to everyone. Which means that our company is exactly genuinely, extremely delighted to receive the pup these. They had this Notre Dame method plus types of increased any gift standard of all the program. The guy was basically the actual proven chief currently there. We got who. "As a gamer, as a general playmaker, she's instinctive. I not able to wait to gain him or her about the particular field.In Telesco claimed the particular Chargers obtained Te'o graded being a first-rounder. These people necessary an internal linebacker for the reason that Takeo Spikes premiered and Demorrio Williams is definitely a free adviser. Telesco was given Arizona's second-round pick out, Not any. Thirty-eight, to acquire San Diego's second- (Hardly any. 1 out of 3) as well as fourth-round (Virtually no. One hundred ten) choices. "We suspected somebody should come close to have the pup. It's stringently merely award, an important instincts contact,Half inch Telesco stated. "Can most of us hold out now days? We tend to constructed your progress to gain him. May possibly we've found patiently lay? Laptop computer can never predict. People consideration the additional value appeared to be now there as much as letting go the fact that pick out to go acquire him or her.In . Before being chose with the Wall chargers, Telesco is in any Downtown indiana Colts' facade workspace with personally seen Te'o enjoy repeatedly. "He's one of the many most interesting young people We have all realized,Inch Telesco said. "He really loves baseball, is undoubtedly captivated with doing it. He has a leader. This guy would have been a chief executive from Notre Dame, don't just around the golf club, nevertheless about the fact that college.Inch A couple of authorities, every one by using a completely different company, suggested their particular club sets offered Te'o in the primary over moderately as a consequence of his particular off-field complications. That my family Oakley Sunglasses Cheap m, communicating in on shape regarding anonymity Louis Vuitton Outlet because workforce set up technique is secret, suggested your decision hasn't been simply because of any off unite efficiency and the linebacker's bad functionality through the countrywide heading sport. The Heisman Prize runner-up became the arse from country's humor upon that it was shown she or he was basically tricked right into a world-wide-web enchantment he previously using a sweetheart your dog never connected with. That too-good-to-be-true report started off along with Te'o's incredible tasks after grasping your partner's granny and then whatever he thought was in fact her sweetheart were dead inside days of 1 one additional found in Sept .. Te'o said hello determined your ex to experiment with her most desirable nfl football many winter, it was so riveting that this helped convert Te'o straight into a Heisman Award challenger as he ended up being foremost the Preventing Irish into an undefeated frequent time of year not to mention towards the national title online game. On Dec. Twenty-six, Te'o intimated Notre Dame reps that he have experienced a try provided by your partner's allegedly useless girlfriend's mobile phone three weeks past. The school looked over is without a doubt January. Sixteen -- when Deadspin.web smashed the situation from the false girl -- casual residence Jack port Swarbrick launched during a reports conference which will Te'o were deluded. Ronaiah Tuiasosopo, 25, subsequently explained the guy developed the on the net individuality involved with Lennay Kekua, a new nonexistent lady as to who Te'o says the guy decreased excited about despite having do not ever assembly the woman's physically. Te'o battled throughout Notre Dame's year-end loss in the nation's champion recreation to help you Creola with its the offense loaded with upcoming Nhl draft choices. Any type of those competitors, suitable fix And.R. Fluker, was initially chosen from the Battery chargers while using the Eleventh overall find Tuesday day. Te'o stated all sorts of things he or she is applied has grown the romance for ones sport due to the fact "that's my best retreat, which may be your fortress whereby So i'm most comfortable. Pretty much all it provides accomplished created us enjoy when ever Now i am backside for which usually market all over again." Te'o could get quite a lot of notice earlier than this guy actually bets a sport aided by the Screws. "This will most likely be an important baseball squad. He'll are looking at it again,In McCoy explained. "The circumstances came out, he may manage which often. People are gonna currently have issues, Fine? Which is taken place. He's going to on-line massage therapy schools them, nearly the same as a lot of other people in your daily course. You are an error every now and again, what ever which can be, also, you move on. A person study from this. It could possibly occur throughout effort, nevertheless we are going to contend with that nevertheless we need to. However they have considered one of our bait currently and he'll allow us win an important title here.Ins Te'o pointed out browsing Chargers can be "a wonderful problem. My personal fathers and mothers comes and enjoy, Allow me to go home, it is really San Diego. All people are enthralled. I will not wind up being any kind of more pleased. Merely wanting forward to waking up now there and receiving this complete item going. "You examine a Chargers, specifically a fabulous Samoan young child at all like me and you just look into Jr . Seau and just what they performed certainly, there and then the legacy the person abandoned not only in Hillcrest but also in all of the Football,Centimeter he was quoted saying, refering to the actual Chargers' late legend linebacker. Your four-year beginning as well as club captain, Te'o got 113 fights, several interceptions -- the foremost actually inside a time of the year with a Combating Irish linebacker -- and 1陆 bags in 2012. Te'o explained he'll end up being the similar musician in the professionals because what food was in school. "I adore this online game, in the first instance. I'm a person in the adventure. I enjoy examine show. I work really hard. That's exactly what I shall be. Now i am not attending modification most things.Half inch Within the additionally circle, your Wall chargers got Keenan Allen, California's all-time foremost big unit, with the 76th pick total. Your choose was first unexpected, but advancements the duty. 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"I possessed a lot of goals this year and that i wouldn't obtain they all."But which had been much more match he would burn almost all period, starting with succeed in 37 from December. Eleven to make sure you March A couple of, as he overcame Utz, 1-0, for those 1A/2A claim great quality brand."That tie in with (along with Kail) would be a blend of couple of things: physical fitness and also solo mindedness,Half inch this guy increased.Twigg exactly where mother wrestled growing up actually stumbled on the experience when an individual's ten years younger sister Austin, texas, the Glenelg sophomore 2010, acquired it around grow old half a dozen.Previously being a wrestler, Sean Twigg enjoyed looked at basketball along with futbol, and in the end as well was a stand apart basketball poker player meant for Glenelg Highschool."I just didn't prefer hockey,Within Twigg claimed. "I'm terrible in basket ball, and that is certainly a strong exaggeration."By the right time she reached senior high school, Twigg has been a seasoned wrestler. Still with a weight finished 2 hundred pounds like a freshman, struggling college in opposition to 15 and yr olds was in fact unthinkable.From his sophomore year or so, Tw adjustable Levers igg received grown up larger sized along with better, in addition to believed that they had been willing to battle college great quality. But yet a wound along with an incumbent more mature prohibited him or her motionless in place. The guy done undefeated in which year, being successful some JV state concept."Sophomore season would be a modest crazy, nevertheless it was only one thing this is to get over,In he said.This past year, Twigg eventually gained his particular likelihood. Getting in the summer season, he was quoted saying, her mentioned mission would have been to "really simply site for suggests for truly feel about it."Twigg completed 37-5 which will year or so, with a lot of from her failures arriving in River Hill's Jerr Brown, the Next year 3A/4A claim champ c3300k. Though his particular is declared the winner integrated the particular native while stating companies.In 2010, Twigg received the anxiety associated with duplication mainly because point out success, but also, he reached wrestle next to his young buddy Austin, tx, whom done 30-12 at the moment found at 195 kilos with next spot is done in your regional plus location."We're truly shut but we will also certainly competing. 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The later part of last month, the judge unanimously determined which often MacLean's disclosures were covered with the Whistleblower Insurance Operate along with wanted innovative proceedings so that you can reevaluate her shooting.All the 1989 whistle-blower legislations prohibits retaliation with fed personnel with regard to disclosing material that will reveals mismanagement, violations connected with force, the particular misuse involving authorities dough and high scourges to help public overall health or maybe basic safety."There were being several outrageous discussions to protect against my family who held possessing upheld,Ins MacLean, 43, stated regarding the court court case. "I wasted plenty of beliefs in your strategy, nonetheless, you really need to always keep arguing these materials."MacLean's legal representatives, the government Authorities Officers Assn. and govt watch dog classes, much like the Plan with Federal government Error, the court dominating provides a real success for that open and even whistle-blowers, just who normally skin time consuming, unsuccessful legal battles to maintain their employment together with authorities services or even national builders.This legal representatives deal that had w not Longchamp Le Pliage this guy court influenced versus MacLean, associated with the southern region of Oc, this precedent would've emboldened gov departments to be able to require broad secrecy limitations their very own staff members lacking specialist out of The legislature, generally stripping whistle-blowers connected with protections."This event wrecks the actual often-repeated reasoning of which nationwide safety is normally confronted by a lot of of disclosures," pointed out Jim Devine, suitable home for the Governing Responsibility Task and also MacLean's co-counsel. 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Authorities attorneys have got asserted that the ex - weather marshal vulnerable national security measure.MacLean, betrothed using some little ones, seemed to be heated just after offering Fourteen unblemished several years uphill Power, all the National boundaries Patrol along with the National Surroundings Marshal Support, where exactly the guy started on 2002 when the terrorist episodes during which airliners were chosen to wreck typically the Pentagon as well as eliminate the entire world Swap Target within Big apple.The Shipping Security measure Government launched looking at MacLean when it comes to 2005, each co-worker recorded they identified MacLean's style before the your pet converse on the subject of NBC regarding the surroundings marshal Louis Vuitton Outlet Online s' gown prefix.MacLean in the future acknowledged that he showed up relating to "Nightly News" and even had also been the original source for the purpose of MSNBC's adventure regarding the mean to remove secureness from air travel trips.It had become uneven, he stated, that in case his own admissions that TSA allowed to remain your man relating to proactive job for almost all five a few months with the help of the means to access classed as knowledge even while your partner's predicament seemed to be explained by the top from the Surroundings Scar Louis Vuitton Luggage shal Service plan "as one of the heinous leaks" linked to all the agency's procedures.This TSA shot MacLean on the grounds which often his own reports in order to Fox news dishonored business laws blocking the production for "sensitive protection details," which isn't a considered status.However the arrange to shrink provider isn't designated sensitive gets hotter was in fact conveyed for you to oxygen marshals using unencrypted texts, the actual TSA, depending on court case records, retroactively chosen the content simply because "sensitive security measure information" with firm principles.Through the future decades, MacLean challenged his getting rid twofold ahead of th Coach Outlet Store Online ourite Deserve Systems Shelter Plank, which unfortunately adjudicates is important connected with whistle-blowers.He said your classic telephone copy approximately security measure discounts hadn't been labeled sensitive which an individual's disclosures to make sure you Fox news had been warranted considering that the removal of security and safety by air flights would jeopardize the populace.However plank upheld MacLean's shooting, on the grounds that this control the guy was terminated less than carried the body weight from legislations. Our elected representatives, your screen stated, been on effect approved its influence to check secrecy precautions with the Dept regarding Birthplace Safety, in which flows a TSA.The government outlet chucked out of dominating at the end of 04 because of the fact which usually MacLean's disclosure hasn't been mainly banished by your Whistleblower Security React, and then shipped the challenge back up in your Worthiness Models Shelter Enter.Governing administration law firm may possibly demand of the fact that selection come to be reconsidered by the govt program. Should turned down for, they are draw in a Oughout.S. Top court."I'm assured I will be reinstated. It is simply an issue of how much time the us government needs to defer this,Inches MacLean explained. 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I not really know what the hell I'm looking at just what exactly can i find out. When required should he obtain tat when Goldencents triumphed in, Pitino easily mentioned, Basically no, the game of basketball merely. Post your Provide feedback]]> 0 0 0 998 coachoutletseoer@gmail.com http://www.coach-outlet-storeonline.com/ 110.89.60.221 2013-07-02 15:51:07 2013-07-02 12:51:07 Coach Outlet Store Online t shot 7-for-15 from the field for a game-high 24 points. Point guard Russell Westbrook finished two rebounds away from a triple double. He collected 19 points, 10 assists and eight boards. Serge Ibaka added 17 points, seven boards and three blocks. Harden paced the Rockets with 20 points on 6-for 19 shooting and was only 1-for-6 from behind the arc. The frontline of Greg Smith, Chandler Parsons and Omar Asik were held to a combined 24 points and 13 rebounds. Game 2 is Wednesday back in Oklahoma City. Houston began the night going 0-for-9 from the field. Its only points in the first six minutes came on a pair of free throws. It was evident the playoff atmosphere had gotten to the Rockets. But it was Westbrook ability to penetrate at will that really hampered the Rockets early on. "I thought Russell got loose a lot on long drives, four or five fee about the free throw line," Houston coach Kevin McHale said. "With Russell, you've got to step in and take some charges. You have to try and slow him down. He was really playing downhill and coming at us hard." Despite that, Oklahoma City didn Louboutin Pas Cher 't take advantage of Houston's cold shooting. After building its lead to 13 points, the Thunder allowed the Rockets to climb back into the contest behind the Wizardry of Harden. The Thund Longchamp Outlet er led 26-19 after one quarter of action. After Oklahoma City went up 20-8, Houston outscored them 30-18 to tie the game at 38-38 in the next eight minutes. It was Ibaka's defensive tenacity that got the Thunder rolling again. His blocked shots led to easy fastbreak points. Oklahoma City went on a 22-9 run to close out the hal Coach Outlet Online f and lead 60-47. "We told them that every minute counts," Thunder coach Scott Brooks said. "We knew that this team could make runs. That's what they do. Then we caught fire. We made some transition points off our defense. But we wanted to focus on those last five minutes. You can really impact a game while you are in there. I thought the guys did a great job of closing out that second quarter." Oklahoma City continued to pour it on in the second. Houston had no answer for Durant's shot making and the overall speed and athleticism of the Thunder. "We just wanted to take care of our home court," Durant said. "We haven't done anything yet." NOTES: With its top three players under the age of 25, Oklahoma City is considered a young team. However, the Thunder still hold a significant advantage in experience over the Rockets. Heading into the series, Oklahoma City's roster had 625 playoff games on its resume while Houston had a combined 133. "With any team, especially as young as we are, you have to start somewhere," Houston coach Kevin McHale said. "The object was to make the playoffs. Now we are here. What I tell them about the playoffs will mean very little. They have to experience it. That's how experience comes. You don't gain experience by listening to someone. You gain experience by doing it." ... No one has more experience than Oklahoma City's Derek Fisher, who has played in 230 playoffs games by himself and leads all active players. He trails only Robert Horry (244) and Kareem Abdul-Jabbar (237) on the all-time list. ... The Rockets were first in pace this season at 96.1 possessions/game. Against the Thunder, they averaged 107.3, their highest against any opponent. ... Houston's Chandler Parsons has a little extra motivation when taking on Oklahoma City. 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Today we will get prepared for the subsequent game along with take over from there.'' The creator connected with Stony Brook's achievements is coach Joe Spallina, who is responsible for within his following time once foremost Adelphi to three upright state companies. Mercier has become taught by simply Spallina given that the school several years located at Difficult Point. "He involved that will Adelphi. He has normally believed in myself,'' the particular frosh midfiel Longchamp Outlet der stated. "He has made everybody the ball player that we are.'' Somewhat, Mercier, which has Twenty seven objectives, features played in your eye shadows involving Prepare a meal and even Petersen. "Demi not to mention Claire most stylish, amazing athletes,'' this girl Cheap Michael Kors Bags reported. "I idolize these people quite a lot actually a pay tribute to having fun with him or her.'' 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Presently, who truce ends on Tuesday, when a pair of the lowest thriving Traditional 6-8 groupings 鈥?you'll be able to tennis ball so the Blackhawks in it, way too 鈥?as a final point interact with just as before somebody in charge of given that Bobby Orr backchecked Glen Sather out on kept wing. Nyc or Ma. Short-term commute, extensive grudges. The Bruins get received all the Mug 6-8 situations, most recently in 2011. The actual Rangers include caught doing it 4 times, just once during the last Seventy three years and years. Not a soul chooses to don't forget this, although the Ranger along with Bruins was league doormats for a few months during that pre-expansion period of time. Right from 1943 to 1966, any Rangers complete on the list of leading four merely 5 various Borse Louis Vuitton situations. Any Bruins didn't result in the 2010 playoffs with respect to 7 right changing seasons, coming from 1960 towards 1968, that could be not easy to use merely six to eight matchups. 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Should the Bruins from Orr as well as Phil Esposito defeated the actual Ranger for Curtain rod Gilbert and even Eddie Giacomin from the 1973 finals, the actual enmity was first legitimate. Orr utterly decided all of the six-game set, polishing off utilizing four ambitions and 3 will help, murdering bank charges on occasion by means of skating number eights around the snowing conditions. 鈥淓very occasion most people used that it was a real showdown. Which were the most competition I鈥檝e seen,鈥?Emile Francis said, with Jay Moran鈥檚 e-book, 鈥淭he Rangers, All of the Bruins, as well as the Side of each Era.鈥?Important things found very puzzling throughout 1973 once the Ranger interchanged Kaira Meadow and even Jean Ratelle to get Phil Esposito and Jean Vadn Louis Vuitton Sito Ufficiale ais. Then it grew unsightly within 1979, if Terry O鈥橰eilly and even John Milbury risen in the is an acronym to combat using Gardening devotees. The two Rangers and even Bruins retaliated appreciable lines to reach this valuable second-round set. All of the Rangers returned coming from 0-2 for their line, profitable Sport 9 while travelling, since the Bruins made a comeback as a result of a hopeless 4-1 shortage inside Gameplay 5 against the Leafs. There's a hometown incline, extremely. Mark Tortorella to become in Ma, your young boy connected with an electrical contractor, not to mention put in any half-hour鈥檚 push from the metropolis during Harmoniousness, Huge. Few drawing tooth to obtain the Ranger trainer to express a incidents. He's got that resembles the marketing only 1 belief: how the an opposing side is normally having the duty without due cause tricky. Tortorella confessed one misstep within the Truck caps set. So as to plant superior energy levels via an individual's roster, Tortorella was required to increase your partner's along with to get alot more a short time with his own second and third strains. 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It has been some unreal point in time ... any "WrestleMania occasion," only overnight.Once admirers gotten whatever they inquired along with Ziggler, they can made ones own awareness in another place. Essentially.Throughout Randy Orton compared to. Sheamus, the riff-raff evolved disinterested and even chanted pertaining to all although the fit. Individuals chanted in the Large Clearly show. That they chanted for any umpire (Dave Choida). Individuals chanted to the gurus (JBL, Jerry Lawler together with Meters Cole). These products chanted for that engagement ring announcer (Justin Roberts). They chanted for individuals that were not still truth be told there, prefer Mark Austin, texas together with Shawn Michaels. They will chanted promptly have there been yet weren't section of the exhibit, for instance the guy selling soft ice cream and the other dude supplying egyptian cotton goodies.On all that, that they revised a staple wrestling chant, just saying, "We happen to be wonderful.In . Sheamus and then Randy Orton, by means of option or perhaps by means of drive, disregarded every thing together with went through ones own suit (Sheamus possibly even uploaded a new ironic twitter to sort it out all of in a while), and at last in the event the Major Demonstrate to interfered, everyone else chanted: "Thank anyone, Massive Reveal."Shockingly, the best quality was nevertheless to return.Dolph Ziggler took over as World Best quality success prior inside the display, but not possibly even they seemed to be the particular superstar for the event. Very little, the particular superstar was first none other than Fandango. You bet, Fandango!Or simply Dennis Johnston, WWE's homeowner look popular music musician, who actually needs a enormous benefit for the purpose of recruiting the first Amy Curtis with your a catchy style record of which enthusiasts performed and additionally b Cheap Toms Shoes ummed together all the way through this suit ... and so the then in shape ... and the next.Definitely maintained likely (in fact, n Longchamp Sale y simply friend, Dab Laprade, warned me and my friends Longchamp Outlet with Myspace that when they are the present, fans have been honking your horns to your beat involving Fandango's melody on the parking lot). It all got which means that boisterous through Diane Cena versus. Indicate Henry which will Cena still could any grooving step, into the please in the guests.Following show, Cena thanked the particular obnoxious market because of their electricity plus for making this kind important along with specific occasion for Dolph Ziggler. She or he enable the fans serenade your pet backstage towards Fandango's tracks, and then before long, the songs technical caved for tried Fandango's new music again.Thats a miraculous, unpredictabl Longchamp Sale ourite nighttime.You may be had the group start up this fashion, this particular herd that is a solid try out size hardcore, thorough WWE enthusiasts?The reason performed these products chant "same old " when David Cena had been at the crime and then react previously preceding? Maybe it was a hostile personal message to successfully WWE about what that like as well as including? Was it out from utter night-life? To play devil's suggest, could it have been all of the an effort for you to "get independently over" and take away in the steps within the ring (all things considered, "we seem to be awesome" actually is often a self-benefiting chant).I might slim around the 1st two increasingly being legitimate plus could show who Jesse Cena handled your chants remarkably, causing them to be section of the meet.Those are the evenings which makes everyone absolutely adore professional wrestling. Just last year, "Yes" was a reached chant. In 2010, vocal range Fandango's song you choose became a matter. The post-WrestleMania pack is one of entertaining, good, together with over the top. Basically if i can aid them, Let me for no reason pass-up a new post-WrestleMania Natural through-out my well being. At this moment, can throngs of people bear this energy source together within the days to come back?Swift Gets:-- When i tweeted Touts involved with Jesse Cena's post-Raw address for the group. Test them all regarding Tweets (@arda_ocal).]]> 0 0 0 1007 coachoutletseoer@gmail.com http://www.coach-outlet-storeonline.com/ 110.89.47.140 2013-07-06 07:03:43 2013-07-06 04:03:43 Coach Outlet Store aid as grants than seniors do, Mr. Kantrowitz says. 鈥?Scrutinize the fine print on merit awards. Many schools offer generous "merit aid" to high-achieving students in an effort to meet enrollment goals and boost college rankings. But most offers aren't adjusted for inflation. Some are good for only a single year or require that the student meet other requirements.Families should ask colleges what happens to the award if costs increase and whether there are any conditions for renewal.Another question to ask: What happens to the aid package if the student receives outside scholarships? Colleges typically reduce financial-aid packages proportionately for students who win outside scholarships, but they can do it by cutting loans, grants or both. 鈥?Balance prestige and cost. Some students, like Chandler Walsh, a senior in Berlin, Mass., are confronting a choice between a cheaper school and one with a better reputation. "I could go to some schools and not have to worry about money, and some schools where I would worry a lot," she says. Dean Skarlis, president of the College Advisor of New York, which works with families on college admissions and aid, advises families facing this dilemma to weigh costs over four years. "Is this place $22,000 times four better?" he asks. "It forces them to clarify why one school is better than the other."Mr. Kantrowitz recommends selecting the better-regarded school if the difference in net price is $1,000 or less. If the gap is more than $5,000, "go with the cheaper school," he says. Students who borrow heavily are less likely to attend graduate school, might be under pressure to choose a job that pays better over one for which they are better suited and are more likely to struggle to repay their college debt, he says. 鈥?Manage borrowing. As a rule of thumb, total student debt at graduation鈥攊ncluding parent loans the student is expected to repay鈥攕houldn't exceed the student's annual starting salary at graduation, Mr. Kantrowitz says. Parents shouldn't take on more debt鈥攆or all of their children鈥攖han they can afford to repay within 10 years or by retirement, whichever comes first, he adds.Federal loans are the safest option because they contain special protections and repayment options, including income-based repayment, says Lauren Asher, president of the Institute for College Access and Success, an advocacy group. Subsidized Stafford loans are particularly attractive, partly because interest doesn't begin to accrue until the repayment period begins.Families planning to ta Coach Outlet Online ke out federal Parent Plus loans should apply as soon as they can to be sure they qualify. Rejection rates have increased since the federal government tightened lending standards for Parent Plus loans last fall.Beware of aid offers that include private loans "because it means you can't borrow enough from the federal government," advises Nancy Coolidge, associate director of student financial support for the University of California system. Federal rules generally limit undergraduates who are dependents to $31,000 in government-backed loans. 鈥?Appeal inadequate aid offers. "If your financial-aid package isn't what you expected, there is absolutely no harm in going back to the financial-aid office and letting them know this isn't what you expected," says Justin Draeger, president of the National Association of Student Financial Aid Administrators.To bolster your case, document a change in family circumstances, such as a job loss or large medical bi Longchamp Le Pliage lls, or a major expense that doesn't show up on your fina Christian Louboutin Pas Cher ncial-aid form, such as the cost of caring for an aging parent.Mr. Skarlis says one client nabbed a larger award by showing that a property sale that generated a large capital gain was a one-time event. An offer from a competing school also might work in your favor, particularly if your child's test scores and grades are in the top 25% for that institution, he says. 鈥?Focus on outcomes. A record 88% of last year's incoming freshmen cited the ability to get a better job as a "very important" reason for attending college, according to a national survey released in January by the Higher Education Research Institute at the University of California, Los Angeles.For a sense of outcomes, families should look at a college's four-year and six-year graduation rate, loan-default ra Coach Outlet te for its students, average debt loads and the pay for recent and midcareer graduates. Families can find this type of information on websites such as College Navigator (nces.ed.gov/collegenavigator), the Institute for College Access and Success's College InSight (college-insight.org) and PayScale (payscale.com).Families also should keep an eye out for mitigating factors. High average debt loads are less troubling if few students borrow. Liberal-arts graduates might have lower starting pay but earn more over time. What's more, salary figures don't account for students who go on to graduate school. The least-selective schools, meanwhile, are likely to have lower graduation rates.Some schools voluntarily provide average debt at graduation, while in other cases, the only information available is debt at the time borrowers enter repayment, whether or not they have graduated. That can understate borrowing at schools with high drop out rates.Families also should ask what the college does to help students burnish their resumes and interviewing skills, how many students go on to graduate school and where they study, and which employers come to the school to recruit, says Deborah Fox, a San Diego financial planner and founder of Fox College Funding.Eli Castronova, a real-estate executive in Scottsdale, Ariz., says his daughter, Naomi, now a freshman, chose Barrett, the Honors College at Arizona State University, in part because 70% of its graduates go on to graduate school."You need a graduate school specialty to excel in the workplace, and we have finite resources," he says. Barrett is "known for helping its students prepare for and pursue postgraduate studies." Write to Ruth Simon at ruth.simon@wsj.com A version of this article appeared March 23, 2013, on page B7 in the U.S. edition of The Wall Street Journal, with the headline: Making Sense of College Aid.]]> 0 0 0 1008 divismoon16@gmail.com http://sito-louis-vuitton.weebly.com 222.77.224.29 2013-07-07 11:32:05 2013-07-07 08:32:05 0 0 0 1009 beikeme@gmail.com http://www.guccioutlet-online.net/ 120.43.5.85 2013-07-07 18:30:02 2013-07-07 15:30:02 the eight-time world title holder wound up shooting baskets with another friend seasons, a pair of vs Virginia while in the NCAA title.A Dark-colored Knights鈥?work arrived in the fifth once Edward Web page singled, procured #file_li Longchamp Le Pliage nks\keywords14.txt,1,S] third on your eliminate and also individual by means of Ervin Glass beads in addition to obtained regarding Provide 4 x 4 truck Orden鈥檚 contract bunt.Trademark The year 2013 Your Involved Media. Almost all defenses earmarked. 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(19 Main St.; 860-970-5382, hillsidesweetshoppe.com)NEW YORK STAGE AND FILM S POWERHOUSE SEASON AT VASSAR COLLEGE124 Raymond Ave., Poughkeepsie, NY; 845-437-5599; powerhouse.vassar.eduMetro-North makes this summer fest easily accessible from New York City, and it s a great place to catch stars working on new projects. Hotly a the eight-time world title holder wound up shooting baskets with another friend nticipated shows include the Steve Martin-Edie Brickell bluegrass musical Bright Star (July 12 to 14) and a new tuner, The Brooklyn Hero Supply Company, based on novelist Michael Chabon s characters (July 26 to 28).* Insider tip My local favorite is the Beech Tree Grill, says Michael Wilson, who ll direct James Lecesne s new play, Mother of Invention (July 19 to 21). Nothing better after a show than to see the place full of actors, directors, audience members, all talking about what they have j Michael Kors Canada ust seen. 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That year, the Oldsmobile 442 W-30 brought home the bacon by winning the National Hot Rod Association's drag racing C/Stock category. By 1967, the word was out about the hot, new musclecar at Oldsmobile and the company finally began to play up the W-30's existence. The result was a jump in production to 502 cars, plus a host of over-the-counter conversion kits known as the Track-Pac. The big change for 1967 was in the carburetion. The three two-barrel set up was replaced with a Rochester Quadrajet four-barrel after GM brass mandated that only Corvettes could have the multiple-carb (known as Tri-pow Ray Ban UK er) setup. As well, the 442 package became available only on the Cutlass Supreme. The next year, the 442 was named Performance Car of the Year by Cars Magazine. And that year, more 442s were built than in any other year in the musclecar era, which generally spans 1964-'72. 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The story inside the arrange is undoubtedly simple and compact, if really cheaper than all-inclusive. This individual protects an astonishing level inside of a 300-page book, through areas at Philip Astley (your Native english speakers n entrepreneur who essentially made the circus), R.Big t. Barnum, Cirque du Soleil along with the older root beginnings of your feats which eventually became the particular system termed as a spectacle. Wall surface, then again, concentrates for the a small number of assists, but 鈥?whatever could possibly be referred to as a wide range of real human discussions having gravitational forces: acrobatics, keeping up with and even clowning. 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]]> 1647 2011-01-16 13:01:06 2011-01-16 11:01:06 closed open %d7%91%d7%99%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99-%d7%91%d7%94%d7%a7%d7%9e%d7%94 publish 0 0 post 0 _edit_lock 1315136487 _edit_last 2 _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1315136485 robotsmeta index,follow The new Benyamini center under construction http://www.benyaminiceramics.org/en/2011/01/the-new-benyamini-center-under-construction/ Sun, 16 Jan 2011 11:10:14 +0000 http://www.benyaminiceramics.org/?p=1650 1650 2011-01-16 13:10:14 2011-01-16 11:10:14 closed open the-new-benyamini-center-under-construction publish 0 0 post 0 _edit_lock 1315136535 _edit_last 2 _revision-control a:1:{i:0;s:8:"defaults";} robotsmeta index,follow FirstStudio http://www.benyaminiceramics.org/?attachment_id=1681 Mon, 28 Feb 2011 08:48:32 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/02/FirstStudio.pdf 1681 2011-02-28 10:48:32 2011-02-28 08:48:32 closed open firststudio inherit 0 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/02/FirstStudio.pdf _wp_attached_file 2011/02/FirstStudio.pdf _wp_attachment_metadata a:0:{} סטודיו ראשון - טופס http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%a1%d7%98%d7%95%d7%93%d7%99%d7%95-%d7%a8%d7%90%d7%a9%d7%95%d7%9f/firststudio-2/ Mon, 28 Feb 2011 08:51:46 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2010/04/FirstStudio.pdf 1682 2011-02-28 10:51:46 2011-02-28 08:51:46 closed open firststudio-2 inherit 284 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2010/04/FirstStudio.pdf _wp_attached_file 2010/04/FirstStudio.pdf _wp_attachment_metadata a:0:{} First_Studio_application_3 http://www.benyaminiceramics.org/?attachment_id=1701 Thu, 21 Apr 2011 09:47:15 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/04/First_Studio_application_3.pdf 1701 2011-04-21 12:47:15 2011-04-21 09:47:15 closed open first_studio_application_3 inherit 0 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/04/First_Studio_application_3.pdf _wp_attached_file 2011/04/First_Studio_application_3.pdf _wp_attachment_metadata a:0:{} מועמדות למלגת "סטודיו ראשון" 2011 http://www.benyaminiceramics.org/2011/04/%d7%9e%d7%95%d7%a2%d7%9e%d7%93%d7%95%d7%aa-%d7%9c%d7%9e%d7%9c%d7%92%d7%aa-%d7%a1%d7%98%d7%95%d7%93%d7%99%d7%95-%d7%a8%d7%90%d7%a9%d7%95%d7%9f/ Thu, 21 Apr 2011 10:01:49 +0000 http://www.benyaminiceramics.org/?p=1710 הוארך המועד להגשת מועמדות למלגת "סטודיו ראשון" של מרכז בנימיני. המועד האחרון להגשת המועמדות הוא כעת ה 31 במאי 2011. ניתן להוריד את טופס הגשת המועמדות כאן. מטרת פרויקט "סטודיו ראשון" של מרכז בנימיני היא לעודד אמנים צעירים, בוגרים מצטיינים של מחלקה ללימודי קרמיקה במוסד ללימודי אמנות, ולתמוך בהם.

]]> 1710 2011-04-21 13:01:49 2011-04-21 10:01:49 closed open %d7%9e%d7%95%d7%a2%d7%9e%d7%93%d7%95%d7%aa-%d7%9c%d7%9e%d7%9c%d7%92%d7%aa-%d7%a1%d7%98%d7%95%d7%93%d7%99%d7%95-%d7%a8%d7%90%d7%a9%d7%95%d7%9f publish 0 0 post 0 _edit_lock 1359041745 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1303380258 _alp_broken_links a:1:{s:74:"http://www.benyaminiceramics.org/פעילויות/סטודיו-ראשון/";a:0:{}} April_20_2011_Haaretz http://www.benyaminiceramics.org/2011/04/%d7%9b%d7%aa%d7%91%d7%94-%d7%91%d7%94%d7%90%d7%a8%d7%a5/april_20_2011_haaretz/ Thu, 21 Apr 2011 10:08:35 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/04/April_20_2011_Haaretz.jpg 1718 2011-04-21 13:08:35 2011-04-21 10:08:35 closed open april_20_2011_haaretz inherit 1716 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/04/April_20_2011_Haaretz.jpg _wp_attached_file 2011/04/April_20_2011_Haaretz.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"336";s:6:"height";s:3:"576";s:14:"hwstring_small";s:22:"height='96' width='56'";s:4:"file";s:33:"2011/04/April_20_2011_Haaretz.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:33:"April_20_2011_Haaretz-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:33:"April_20_2011_Haaretz-175x300.jpg";s:5:"width";s:3:"175";s:6:"height";s:3:"300";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt כתבה בעיתון הארץ כתבה ב"הארץ" http://www.benyaminiceramics.org/2011/04/%d7%9b%d7%aa%d7%91%d7%94-%d7%91%d7%94%d7%90%d7%a8%d7%a5/ Thu, 21 Apr 2011 10:10:37 +0000 http://www.benyaminiceramics.org/?p=1716 כתבה בעיתון הארץ

]]> 1716 2011-04-21 13:10:37 2011-04-21 10:10:37 closed open %d7%9b%d7%aa%d7%91%d7%94-%d7%91%d7%94%d7%90%d7%a8%d7%a5 publish 0 0 post 0 _edit_last 2 _edit_lock 1307098384 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1307098383 בית בנימיני לפני השיפוץ http://www.benyaminiceramics.org/2010/04/%d7%91%d7%99%d7%aa-%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/img_1355/ Thu, 26 May 2011 11:02:55 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/05/IMG_1355.jpg 1726 2011-05-26 14:02:55 2011-05-26 11:02:55 closed open img_1355 inherit 123 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/05/IMG_1355.jpg _wp_attached_file 2011/05/IMG_1355.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"640";s:6:"height";s:3:"480";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:20:"2011/05/IMG_1355.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:20:"IMG_1355-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:20:"IMG_1355-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:3:"6.3";s:6:"credit";s:0:"";s:6:"camera";s:18:"Canon PowerShot G2";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1266051871";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"7";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:9:"0.0015625";s:5:"title";s:0:"";}} _wp_attachment_image_alt בית בנימיני לפני השיפוץ לילה לבן במרכז בנימיני http://www.benyaminiceramics.org/2011/06/%d7%9c%d7%99%d7%9c%d7%94-%d7%9c%d7%91%d7%9f-%d7%91%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/ Thu, 02 Jun 2011 21:49:33 +0000 http://www.benyaminiceramics.org/?p=1733 האירועים במרכז בנימיני, לחץ כאן. white-nightsm]]> 1733 2011-06-03 00:49:33 2011-06-02 21:49:33 closed open %d7%9c%d7%99%d7%9c%d7%94-%d7%9c%d7%91%d7%9f-%d7%91%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99 publish 0 0 post 0 _edit_lock 1315136389 _edit_last 2 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1315136388 White Night at Benyamini Center http://www.benyaminiceramics.org/en/2011/06/white-night-at-benyamini-center/ Thu, 02 Jun 2011 21:52:33 +0000 http://www.benyaminiceramics.org/?p=1735 Benyamini Center white night 2011

]]> 1735 2011-06-03 00:52:33 2011-06-02 21:52:33 closed open white-night-at-benyamini-center publish 0 0 post 0 _edit_lock 1315136424 _edit_last 2 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} לילה לבן במרכז בנימיני http://www.benyaminiceramics.org/en/2011/06/white-night-at-benyamini-center/dsc00754/ Thu, 02 Jun 2011 22:04:36 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/06/DSC00754.jpg 1741 2011-06-03 01:04:36 2011-06-02 22:04:36 closed open dsc00754 inherit 1735 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/06/DSC00754.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"640";s:6:"height";s:3:"389";s:14:"hwstring_small";s:23:"height='77' width='128'";s:4:"file";s:20:"2011/06/DSC00754.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:20:"DSC00754-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:20:"DSC00754-300x182.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"182";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attached_file 2011/06/DSC00754.jpg _wp_attachment_image_alt לילה לבן במרכז בנימיני תערוכה - של מי האדמה הזאת http://www.benyaminiceramics.org/2011/06/%d7%a9%d7%9c-%d7%9e%d7%99-%d7%94%d7%90%d7%93%d7%9e%d7%94-%d7%94%d7%96%d7%90%d7%aa/ Thu, 02 Jun 2011 23:41:41 +0000 http://www.benyaminiceramics.org/?p=1761 "של מי האדמה הזאת?" אוצר: ערן ארליך. תערוכה בהשתתפות: יואב אדמוני, מיכה אולמן, ציפי איתי, פינה באוש, רותי ביגר, תמרה בן-ארצי, הגר בן-מאיר, אסתר בק, מאיה סלומון, קלאודי קזנובס, גלעד רטמן, שלי שביט, קלוד שמפי, יגאל תומרקין. פתיחה: 16/6/2011 נעילה: 27/8/2011

]]> 1761 2011-06-03 02:41:41 2011-06-02 23:41:41 closed open %d7%a9%d7%9c-%d7%9e%d7%99-%d7%94%d7%90%d7%93%d7%9e%d7%94-%d7%94%d7%96%d7%90%d7%aa publish 0 0 post 0 _revision-control a:1:{i:0;s:8:"defaults";} robotsmeta index,follow _edit_lock 1359041809 _edit_last 3 _alp_processed 1315136273 Beck http://www.benyaminiceramics.org/2011/06/%d7%a9%d7%9c-%d7%9e%d7%99-%d7%94%d7%90%d7%93%d7%9e%d7%94-%d7%94%d7%96%d7%90%d7%aa/beckprivatecollection/ Thu, 02 Jun 2011 23:59:03 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/06/BeckPrivateCollection.jpg 1764 2011-06-03 02:59:03 2011-06-02 23:59:03 closed open beckprivatecollection inherit 1761 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/06/BeckPrivateCollection.jpg _wp_attached_file 2011/06/BeckPrivateCollection.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"386";s:6:"height";s:3:"315";s:14:"hwstring_small";s:23:"height='96' width='117'";s:4:"file";s:33:"2011/06/BeckPrivateCollection.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:33:"BeckPrivateCollection-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:33:"BeckPrivateCollection-300x244.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"244";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt Beck לגעת בחומר http://www.benyaminiceramics.org/%d7%a4%d7%a2%d7%99%d7%9c%d7%95%d7%99%d7%95%d7%aa/%d7%a1%d7%93%d7%a0%d7%90%d7%95%d7%aa/img_3945sm/ Fri, 03 Jun 2011 09:40:26 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/06/IMG_3945sm.jpg 1790 2011-06-03 12:40:26 2011-06-03 09:40:26 closed open img_3945sm inherit 1445 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/06/IMG_3945sm.jpg _wp_attached_file 2011/06/IMG_3945sm.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"640";s:6:"height";s:3:"480";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:22:"2011/06/IMG_3945sm.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:22:"IMG_3945sm-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:22:"IMG_3945sm-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt לגעת בחומר Whose Earth is it Anyway? http://www.benyaminiceramics.org/en/2011/06/3167/ Fri, 03 Jun 2011 10:42:28 +0000 http://www.benyaminiceramics.org/?p=3167 Eran Ehrlich Participants: Yoav Admoni, Micha Ulman, Tsipi Itai, Pina Bausch, Ruth Bigger, Tamara Ben-Artzi, Hagar Ben-Meir, Ester Beck, Maya Salomon, Cluadi Casanovas, Gilad Ratman, Shelly Shavit, Claude Champy, Yigal Tomarkin Opening: 16/6/2011 Read more about “Whose Earth is it Anyway?” on our Gallery page

]]> 3167 2011-06-03 13:42:28 2011-06-03 10:42:28 closed open 3167 publish 0 0 post 0 _edit_lock 1315135782 _edit_last 2 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} "Hands on Clay" - Saturday workshops http://www.benyaminiceramics.org/2011/06/hands-on-clay-saturday-workshops/ Fri, 03 Jun 2011 10:47:14 +0000 http://www.benyaminiceramics.org/?p=1845 "Hands on Clay" - an open studio for anyone who wants to experience the magic of clay – free expression and instruction for children and adults. Saturday between 10 and 12 midday starting on 9.7.11. Click here for more information about workshops and courses at the Benyamini Center

hands on clay - Saturday workshops

]]> 1845 2011-06-03 13:47:14 2011-06-03 10:47:14 closed open hands-on-clay-saturday-workshops trash 0 0 post 0 _edit_lock 1307882645 _edit_last 2 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1314791079 exhibition - "Whose Earth is it Anyway?" http://www.benyaminiceramics.org/2011/06/exhibition-whose-earth-is-it-anyway/ Fri, 03 Jun 2011 11:02:10 +0000 http://www.benyaminiceramics.org/?p=1857 Benyamini Center's first exhibition - "Whose Earth is it Anyway?". Opening on June 16th, 2011 at 19:00. The official opening of the Benyamini Center will take place on that same evening

]]> 1857 2011-06-03 14:02:10 2011-06-03 11:02:10 closed open exhibition-whose-earth-is-it-anyway trash 0 0 post 0 robotsmeta index,follow _edit_last 2 _edit_lock 1315135535 _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1315135534 Benyamini_opening http://www.benyaminiceramics.org/%d7%90%d7%a8%d7%95%d7%a2%d7%99%d7%9d/benyamini_opening/ Sun, 05 Jun 2011 18:39:22 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/06/Benyamini_opening.jpg 1862 2011-06-05 21:39:22 2011-06-05 18:39:22 closed open benyamini_opening inherit 1439 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/06/Benyamini_opening.jpg _wp_attached_file 2011/06/Benyamini_opening.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"785";s:6:"height";s:4:"1162";s:14:"hwstring_small";s:22:"height='96' width='64'";s:4:"file";s:29:"2011/06/Benyamini_opening.jpg";s:5:"sizes";a:3:{s:9:"thumbnail";a:3:{s:4:"file";s:29:"Benyamini_opening-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:29:"Benyamini_opening-202x300.jpg";s:5:"width";s:3:"202";s:6:"height";s:3:"300";}s:5:"large";a:3:{s:4:"file";s:30:"Benyamini_opening-691x1024.jpg";s:5:"width";s:3:"691";s:6:"height";s:4:"1024";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} whos earth is it anyway - exhibition http://www.benyaminiceramics.org/2011/06/%d7%a9%d7%9c-%d7%9e%d7%99-%d7%94%d7%90%d7%93%d7%9e%d7%94-%d7%94%d7%96%d7%90%d7%aa/whos-earth-exhibition/ Sun, 05 Jun 2011 18:46:53 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/06/whos-earth-exhibition.jpg 1867 2011-06-05 21:46:53 2011-06-05 18:46:53 closed open whos-earth-exhibition inherit 1761 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/06/whos-earth-exhibition.jpg _wp_attached_file 2011/06/whos-earth-exhibition.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"372";s:6:"height";s:3:"377";s:14:"hwstring_small";s:22:"height='96' width='94'";s:4:"file";s:33:"2011/06/whos-earth-exhibition.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:33:"whos-earth-exhibition-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:33:"whos-earth-exhibition-296x300.jpg";s:5:"width";s:3:"296";s:6:"height";s:3:"300";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} צוות ההנהלה http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%a6%d7%95%d7%95%d7%aa/ Sun, 05 Jun 2011 20:24:03 +0000 http://www.benyaminiceramics.org/?page_id=1903 בית מרכז בנימיני מרסל קליין - מנהלת ונאמנת ההקדש [singlepic id=402 w=60 h=60 float=right]יוזמת פעילויות ההקדש – המרכז ללימודי קרמיקה ע"ש יששכר ויהודית בנימיני מאז הקמתו ב-2001. מרצה לקדרות בעבר, מדרשה לאומנות בית ברל תואר ראשון בהפרעות בתקשורת, אוניברסיטת תל אביב אילן מאיר - נאמן ההקדש [singlepic id=417 w=60 h=60 float=right]Ilan H. Meyer, Ph.D. is Professor of Clinical Sociomedical Sciences and Deputy Chair for MPH Programs at the Department of Sociomedical Sciences at Columbia University’s Mailman School of Public Health. Ilan was a student and friend of Issachar and Yehudit Benyamini שלומית באומן - נאמנת ההקדש [singlepic id=406 w=60 h=60 float=right]מרצה לעיצוב קרמי ב-HIT - מכון הטכנולוגי חולון ובבית הספר לאמנות חברה ותרבות - מכללת ספיר. אוצרת הביאנלה השישית לקרמיקה ישראלית, מוזיאון ארץ ישראל, תל אביב. עד 2008 - חברה במערכת כתב עת 1280. ניהלה את אגודת הקרמיקה בישראל בין השנים 1998 – 2005. בוגרת המחלקה לעיצוב קרמי בבצלאל ‏ בוגרת תואר שני למדעים (MSC) בעיצוב תעשייתי, טכניון, חיפה אסתר בק - מנהלת הספריה וארכיון [singlepic id=401 w=60 h=60 float=right].בעלת סטודיו עצמאי לקרמיקה כותבת בכתבי עת מקצועיים על קרמיקה ישראלית אוצרת עצמאית של תערוכות קרמיקה אספנית של קרמיקה בינלאומית תואר שני בפסיכולוגיה רוית לצר - מנהלת בית הספר לקרמיקה [singlepic id=403 w=60 h=60 float=right]מרצה במכללת שנקר במחלקה לעיצוב תעשייתי. בעלת סטודיו עצמאי לקדרות, עיצוב ופיסול קרמי. לימודי אמנות ועיצוב קרמי, בצלאל, ו- Parsons School of Design, NYC. תואר ראשון, אמנות ועיצוב קרמי Suny, NYC. תואר שני, התוכנית הבין תחומית באומנויות, אוניברסיטת תל אביב. רונית צור - מנהלת הגלריה [singlepic id=404 w=60 h=60 float=right]אוצרת ובעלת סטודיו פרטי לפיסול קרמי. במתמטיקה, האוניברסיטה העברית ירושלים MSC. לימודי תולדות האמנות, האוניברסיטה העברית ירושלים. בוגרת לימודי אוצרות בתכנית הבינלאומית ללימודי אוצרות של מכללת סמינר הקיבוצים. שירה סילברסטון - מנהלת אירועים [singlepic id=405 w=60 h=60 float=right]עורכת משנה ומפיקה של כתב העת לקרמיקה 1280. תואר ראשון במדעי החיים, אוניברסיטת תל אביב. בוגרת המחלקה לקדרות, מכללת לתל-חי. יעל נובק - יועצת לקשרי חוץ [singlepic id=638 w=60 h=60 float=right]תואר ראשון בספרות אנגלית ותולדות האמנות – האוניברסיטה העברית, ירושלים לימודי תואר שני חינוך וחינוך מיוחד, אוניברסיטת יורק, טורונטו, קנדה לימודי עיצוב קראמי – ג'ורג' בראון קולג', טורונטו, קנדה בעלת סטודיו עצמאי לקדרות ]]> 1903 2011-06-05 23:24:03 2011-06-05 20:24:03 closed open %d7%a6%d7%95%d7%95%d7%aa publish 5 4 page 0 _alp_processed 1366636800 _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _edit_last 3 robotsmeta index,follow _edit_lock 1366636800 _thumbnail_id ngg-1042 Team http://www.benyaminiceramics.org/en/benyamini-center/team/ Sun, 05 Jun 2011 20:26:32 +0000 http://www.benyaminiceramics.org/?page_id=1906 Members of the Benyamini Center management Marcelle Klein - trustee and director of the Center

[singlepic id=402 w=60 h=60 float=left]Initiator of the Benyamini foundation since 2001. Past lecturer at Midrasha Art Teachers College, Beit Berl, pottery department. Graduate of Tel Aviv University, Speech and Hearing Therapy. Student and friend of Issachar and Yehudit Benyamini

Ilan Meyer - trustee of the Center

[singlepic id=417 w=60 h=60 float=left]Ilan H. Meyer, Ph.D. is Professor of Clinical Sociomedical Sciences and Deputy Chair for MPH Programs at the Department of Sociomedical Sciences at Columbia University’s Mailman School of Public Health. Ilan was a student and friend of Issachar and Yehudit Benyamini

Shlomit Bauman - Trustee of the foundation

[singlepic id=406 w=60 h=60 float=left]Lecturer of ceramics design at Holon Institute of Technology and Sapir College and school of art, society and culture Curator of the sixth Bienale Ceramic Exhibition, Eretz Israel Museum, Tel Aviv Past member of the editorial staff of 1280 ceramic art magazine. Director of the Israel Ceramic Artists Association 1998- 2005. Graduate of Bezalel Acadamy of Art, ceramic design department. Masters degree in Industrial Design Science, Tehnion, Haifa

Ester Beck - Library and Research Center Manager

[singlepic id=401 w=60 h=60 float=left]Independent ceramics studio Writer covering Israeli Ceramics for international professional periodicals. Independent curator collector of international ceramics. Masters degree in psychology

Ravit Lazer - Director Benyamini Ceramic Art School

[singlepic id=403 w=60 h=60 float=left]Lecturer at Shenkar College, industrial design faculty. Independent studio for pottery, design and ceramic sculpture Studied art and design at Bezalel Acadamy of Art, Parsons School of Design, New York Bachelors degree in ceramic art and design, Suny, NYC Masters degree, Interdisciplinary Art Program, Tel Aviv University.

Ronit Zor - Gallery Director

[singlepic id=404 w=60 h=60 float=left]Independent Curator.

Masters degree, Mathematics and Art History, Hebrew University, Jerusalem. Graduate of Curatorial studies, International Curatorial Program, Kibbutz Seminary.

Shira Silverstone - Events Manager

[singlepic id=405 w=60 h=60 float=left]Sub-Editor and production assistant of 1280, ceramic art magazine. Graduate of Tel Aviv University, Life Sciences and Tel Hai College, Pottery department.

Yael Novak - Advisor on International Relations
[singlepic id=638 w=60 h=240 float=left]Graduate of the Hebrew University, Jerusalem - English and Art History and York University, Toronto, Canada - Education and Special Education.
Arts and Design Center - George Brown College, Toronto, Canada - Ceramic Design.
Studio Potter since 1990.

Instructors at the Benyamini Center

Eti Goren Teaches ceramics at the Tel Aviv Museum art workshop Specializes in reduction firing in a gas kiln Independent studio in Tel Aviv Studied ceramics at the City of London PolytechnicMembers of Benyamini Center management.

Leonid Gosin Teaches at the Midrasha Art College, Beit Berl Independent studio in Jerusalem Participates in group projects and solo exhibitions Graduate of Bezalel Academy of Arts and Design, Ceramic Design Department Jacaranda Kori Teaches at the Bezalel Academy of Arts and Design, ceramic design department Independent studio in Tel Aviv Exhibits in Israel and abroad Graduated with honors, Bezalel Academy of Arts and Design, Ceramic Design Department Roy Mayan Exhibits and lectures at exhibitions and international festivals and ceramic events in Europe and the Far East Does work that explores extending the boundaries of ceramics as a material and conceptual medium Independent studio in Savion Curator of the International Ceramic Symposium and the exhibition "Balata" in the Umm el-Fahem Art Gallery Graduate of Bezalel Academy of Arts and Design, Ceramic Design Department MA in Multidisciplinary Arts Program, Tel Aviv University Amnon Amos Associate member of Gilda gallery - a ceramic artist's cooperative in Jerusalem A potter whose work explores the ceramic tradition and its expression in culture Independent studio in Tel Aviv Graduate of Bezalel Academy of Arts and Design, Ceramic Design Department Shlomit Bauman Lecturer of ceramic design at HIT- Holon Institute of Technology and at Sapir College and School of Arts, Society and Culture Curator of the Sixth Biennale for Israeli Ceramics at the Eretz Israel Museum, Tel Aviv Initiator and, till 2008, editorial board member of the ceramic magazine 1280ºc Manager of the Israel Ceramic Artists Association from1998 – 2005 Graduate of Bezalel Academy of Arts and Design, Ceramic Design Department MSC in Industrial design science, Technion, Haifa ]]> 1906 2011-06-05 23:26:32 2011-06-05 20:26:32 closed open team publish 7 4 page 0 _edit_lock 1366707316 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default ספריה http://www.benyaminiceramics.org/%d7%a1%d7%a4%d7%a8%d7%99%d7%94/ Sun, 05 Jun 2011 21:12:18 +0000 http://www.benyaminiceramics.org/?page_id=1946

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ספריית בית בנימיני כוללת אוסף של כ-500 ספרים העוסקים בשלל היבטיו של שדה אומנות הקרמיקה: קדרות, עיצוב, טכנולוגיה, היסטוריה של הקרמיקה, קרמיקה ישראלית, ספרי עיון ועוד. המבחר מייצג את מיטב הספרות של עולם הקרמיקה מהארץ ומחו"ל והוא כולל גם את כל כתבי העת העכשוויים החשובים בתחום. בספריה ישנו ארכיון הולך וגדל של ספרים, כתבי עת, סרטים וקטלוגים מראשית הקרמיקה הישראלית ועד היום. אנו מעדכנים את חומרי הספריה באופן קבוע בספרות המקצועית החדישה ביותר וניתן לעקוב אחריה במאגר המידע הממוחשב (בקטלוג ישנה רשימת קטגוריות ומילות מפתח לחיפוש קל, נוח ויעיל). מטרת הספריה היא לאפשר גישה לעושר הרב הקיים בתחום הקרמיקה לאומנים מקצועיים, לסטודנטים של בית הספר לקרמיקה של בית בנימיני כמו גם לסטודנטים ממוסדות אחרים וכן לציבור הרחב השוחר אומנות.

ניתן לעיין בחומרי הספריה במקום (לא ניתן לשאול ספרים) בשעות פתיחת המרכז

ארגון הספריה בקטגוריות (על המדפים ובמאגר מידע):

• ספרי עיון (צהוב)

• אוספים (אדום)

• טכנולוגיה (ירוק)

• אומנים (כחול)

• היסטוריה (אפור)

• אומנות (לבן)

• אמנות כללית (אדום-לבן)

• קרמיקה ישראלית (חום)

בנוסף:

• מבחר תקליטורים

• 8 כתבי עת בינלאומיים וכתב העת הישראלי

• ארכיון של קרמיקה ישראלית (קטלוגים, סרטים, ספרים ועוד)

לקטלוג הספרייה הממוחשב

לקטלוג של ארכיון הקרמיקה הישראלית (קובץ Excel).

אתם מוזמנים לעקוב אחר הניוזלטר שלנו למידע על פרסומים חדשים ורכישות חדשות.

קריאה נעימה!

]]> 1946 2011-06-06 00:12:18 2011-06-05 21:12:18 closed open %d7%a1%d7%a4%d7%a8%d7%99%d7%94 publish 0 3 page 0 _edit_lock 1366710647 _edit_last 3 _wp_page_template default _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1359290259 description הספריה בבית בנימיני מכילה מאות ספרי אמנות, DVD ועוד _thumbnail_id ngg-1039 keywords ספריה, DVD, ספרי אמנות title ספריה | ספריית קרמיקה בבית בנימיני robotsmeta index,follow _alp_broken_links a:2:{s:292:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%9E%D7%AA%D7%97%D7%99%D7%9C%D7%99%D7%9D/%D7%A7%D7%95%D7%A8%D7%A1-%D7%A7%D7%93%D7%A8%D7%95%D7%AA-%D7%99%D7%A1%D7%95%D7%93%D7%95%D7%AA/";a:0:{}s:262:"http://www.benyaminiceramics.org/%D7%9E%D7%A8%D7%9B%D7%96-%D7%91%D7%A0%D7%99%D7%9E%D7%99%D7%A0%D7%99/%D7%A1%D7%A4%D7%A8%D7%99%D7%94/%D7%A7%D7%98%D7%9C%D7%95%D7%92-%D7%A1%D7%A4%D7%A8%D7%99%D7%99%D7%AA-%D7%91%D7%99%D7%AA-%D7%91%D7%A0%D7%99%D7%9E%D7%99%D7%A0%D7%99/";a:0:{}} Library http://www.benyaminiceramics.org/en/library/ Sun, 05 Jun 2011 21:14:09 +0000 http://www.benyaminiceramics.org/?page_id=1948 database which can be viewed on the Benyamini internet site (it lists the Categories and Keywords for easy search). The aim of the Library is to familiarize professionals in the field, students, and the public at large with the ceramic field in all its richness, and be a well-equipped research center, as well as a learning source for the Benyamini Ceramic Art School. The material of the Library is free to be used on the premises only, during opening hours of the center. The Library is arranged in the following categories (on the shelves as well as in the Database): - Textbooks (Yellow) - Collections (Red) - How-To (Green) - Specific Artists (Blue) - History (Grey) - Craft (White) - Art ( Red+White) Israeli Ceramics: (Brown) + DVD/CDs + Magazines: Ceramics Art and Perception (American) Ceramics Technical (American) Ceramic Review (British) Studio Potter (American) New Ceramics (European/German) Ceramics Monthly (American) Crafts (British) Revue de la Ceramique et du Verre (French) + Archive of Israeli Ceramics (catalogs, books, movies etc.). Please follow our updates with information about new acquisitions. Enjoy the read!]]> 1948 2011-06-06 00:14:09 2011-06-05 21:14:09 closed open library publish 0 3 page 0 _edit_lock 1359362811 _edit_last 3 _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default description The Benyamini Center library contains hundreds of titles, art books, DVDs and more keywords library, art books, dvd title Library robotsmeta index,follow ravit lazer http://www.benyaminiceramics.org/benyamini-center/team/ravit/ Thu, 09 Jun 2011 08:07:48 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/06/ravit.jpg 2076 2011-06-09 11:07:48 2011-06-09 08:07:48 closed open ravit inherit 1906 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/06/ravit.jpg _wp_attached_file 2011/06/ravit.jpg _wp_attachment_metadata a:5:{s:5:"width";s:3:"130";s:6:"height";s:3:"130";s:14:"hwstring_small";s:22:"height='96' width='96'";s:4:"file";s:17:"2011/06/ravit.jpg";s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} shira silverstone http://www.benyaminiceramics.org/benyamini-center/team/shira/ Thu, 09 Jun 2011 08:09:44 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/06/shira.jpg 2079 2011-06-09 11:09:44 2011-06-09 08:09:44 closed open shira inherit 1906 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/06/shira.jpg _wp_attached_file 2011/06/shira.jpg _wp_attachment_metadata a:5:{s:5:"width";s:3:"130";s:6:"height";s:3:"130";s:14:"hwstring_small";s:22:"height='96' width='96'";s:4:"file";s:17:"2011/06/shira.jpg";s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} ronit zor http://www.benyaminiceramics.org/benyamini-center/team/ronit/ Thu, 09 Jun 2011 08:31:58 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/06/ronit.jpg 2101 2011-06-09 11:31:58 2011-06-09 08:31:58 closed open ronit inherit 1906 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/06/ronit.jpg _wp_attached_file 2011/06/ronit.jpg _wp_attachment_metadata a:5:{s:5:"width";s:3:"130";s:6:"height";s:3:"130";s:14:"hwstring_small";s:22:"height='96' width='96'";s:4:"file";s:17:"2011/06/ronit.jpg";s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} Summer Courses http://www.benyaminiceramics.org/2011/06/summer-courses/ Thu, 09 Jun 2011 12:41:16 +0000 http://www.benyaminiceramics.org/?p=2259 Workshops page. amnon-amos work]]> 2259 2011-06-09 15:41:16 2011-06-09 12:41:16 closed open summer-courses trash 0 0 post 0 _edit_lock 1314790326 _edit_last 6 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1314790406 הפתיחה http://www.benyaminiceramics.org/2011/06/%d7%94%d7%a4%d7%aa%d7%99%d7%97%d7%94/ Sun, 12 Jun 2011 08:09:56 +0000 http://www.benyaminiceramics.org/?p=2419 השבוע - הפתיחה הרשמית של בית בנימיני!!! המרכז לקרמיקה עכשווית על שם יששכר ויהודית בנימיני. מסיבה חגיגית החל מהשעה 19:00 ביום ה' ה 16 ביוני 2011

פתיחה רשמית של מרכז בנימיני

]]> 2419 2011-06-12 11:09:56 2011-06-12 08:09:56 closed open %d7%94%d7%a4%d7%aa%d7%99%d7%97%d7%94 publish 0 0 post 0 _edit_last 2 _edit_lock 1315135456 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1315135455 Official Opening!!! http://www.benyaminiceramics.org/en/2011/06/official-opening/ Sun, 12 Jun 2011 08:12:19 +0000 http://www.benyaminiceramics.org/?p=2421 This week - the Official Opening!!! The Benyamini Center will officialy open on June 16th, 2011, at 19:00. Big party.

Official opening, June 16 2011

]]> 2421 2011-06-12 11:12:19 2011-06-12 08:12:19 closed open official-opening publish 0 0 post 0 _edit_lock 1321897067 _edit_last 2 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} hands on clay - Saturday workshops http://www.benyaminiceramics.org/?attachment_id=2431 Sun, 12 Jun 2011 12:40:52 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/06/IMG_3961.jpg 2431 2011-06-12 15:40:52 2011-06-12 12:40:52 closed open img_3961 inherit 0 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/06/IMG_3961.jpg _wp_attached_file 2011/06/IMG_3961.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"640";s:6:"height";s:3:"480";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:20:"2011/06/IMG_3961.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:20:"IMG_3961-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:20:"IMG_3961-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:3:"2.8";s:6:"credit";s:0:"";s:6:"camera";s:23:"Canon PowerShot A710 IS";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1306813022";s:9:"copyright";s:0:"";s:12:"focal_length";s:3:"5.8";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:15:"0.0166666666667";s:5:"title";s:0:"";}} _wp_attachment_image_alt hands on clay - Saturday workshops Official opening, June 16 2011 http://www.benyaminiceramics.org/en/2011/06/official-opening/opening_english/ Tue, 14 Jun 2011 09:54:04 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/06/opening_english.jpg 2485 2011-06-14 12:54:04 2011-06-14 09:54:04 closed open opening_english inherit 2421 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/06/opening_english.jpg _wp_attached_file 2011/06/opening_english.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"880";s:6:"height";s:3:"380";s:14:"hwstring_small";s:23:"height='55' width='128'";s:4:"file";s:27:"2011/06/opening_english.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:27:"opening_english-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:27:"opening_english-300x129.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"129";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt Official opening, June 16 2011 פתיחה רשמית של מרכז בנימיני http://www.benyaminiceramics.org/%d7%90%d7%a8%d7%95%d7%a2%d7%99%d7%9d/img1/ Tue, 14 Jun 2011 09:59:52 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2010/07/img1.jpg 2489 2011-06-14 12:59:52 2011-06-14 09:59:52 closed open img1 inherit 1439 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2010/07/img1.jpg _wp_attached_file 2010/07/img1.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"880";s:6:"height";s:3:"380";s:14:"hwstring_small";s:23:"height='55' width='128'";s:4:"file";s:16:"2010/07/img1.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:16:"img1-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:16:"img1-300x129.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"129";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt פתיחה רשמית של מרכז בנימיני אירוע הפתיחה - הסרט http://www.benyaminiceramics.org/2011/06/%d7%90%d7%99%d7%a8%d7%95%d7%a2-%d7%94%d7%a4%d7%aa%d7%99%d7%97%d7%94-%d7%94%d7%a1%d7%a8%d7%98/ Tue, 21 Jun 2011 07:59:16 +0000 http://www.benyaminiceramics.org/?p=2513 ]]> 2513 2011-06-21 10:59:16 2011-06-21 07:59:16 closed open %d7%90%d7%99%d7%a8%d7%95%d7%a2-%d7%94%d7%a4%d7%aa%d7%99%d7%97%d7%94-%d7%94%d7%a1%d7%a8%d7%98 publish 0 0 post 0 _edit_lock 1315135406 _edit_last 2 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1315135405 Opening Night - the movie http://www.benyaminiceramics.org/en/2011/06/opening-night-the-movie/ Tue, 21 Jun 2011 08:18:31 +0000 http://www.benyaminiceramics.org/?p=2521 ]]> 2521 2011-06-21 11:18:31 2011-06-21 08:18:31 closed open opening-night-the-movie publish 0 0 post 0 _edit_lock 1315138027 _edit_last 2 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} הפתיחה - תצלומים http://www.benyaminiceramics.org/2011/06/%d7%94%d7%a4%d7%aa%d7%99%d7%97%d7%94-%d7%aa%d7%a6%d7%9c%d7%95%d7%9e%d7%99%d7%9d/ Thu, 23 Jun 2011 09:50:03 +0000 http://www.benyaminiceramics.org/?p=2551 2551 2011-06-23 12:50:03 2011-06-23 09:50:03 closed open %d7%94%d7%a4%d7%aa%d7%99%d7%97%d7%94-%d7%aa%d7%a6%d7%9c%d7%95%d7%9e%d7%99%d7%9d publish 0 0 post 0 robotsmeta index,follow _edit_lock 1315135296 _edit_last 2 _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1315135295 Opening night - images http://www.benyaminiceramics.org/en/2011/06/opening-night-images/ Thu, 23 Jun 2011 09:51:45 +0000 http://www.benyaminiceramics.org/?p=2555 2555 2011-06-23 12:51:45 2011-06-23 09:51:45 closed open opening-night-images publish 0 0 post 0 _edit_last 2 _edit_lock 1308822722 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} youth wheel throwing courses סדנת קדרות לנוער http://www.benyaminiceramics.org/?attachment_id=2573 Sat, 09 Jul 2011 12:04:41 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/07/youth_courses.jpg 2573 2011-07-09 15:04:41 2011-07-09 12:04:41 closed open youth_courses inherit 0 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/07/youth_courses.jpg _wp_attached_file 2011/07/youth_courses.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"341";s:6:"height";s:3:"256";s:14:"hwstring_small";s:23:"height='96' width='127'";s:4:"file";s:25:"2011/07/youth_courses.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:25:"youth_courses-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:25:"youth_courses-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt youth wheel throwing courses סדנת קדרות לנוער Wheel–throwing summer course for teens http://www.benyaminiceramics.org/2011/07/wheel%e2%80%93throwing-summer-course-for-teens/ Sat, 09 Jul 2011 12:28:27 +0000 http://www.benyaminiceramics.org/?p=2585 Come and experience clay and throwing for three hours in the afternoon on four consecutive days. The participants will learn to make pots on the wheel and experiment with color and painting techniques. A course for teenagers that is both creative and challenging. Cost: 500 shekels for four classes including materials and firing. 13:00–16:00 on 18–21/7 or 1–4/8 or 8–11/8

youth wheel throwing courses סדנת קדרות לנוער

]]> 2585 2011-07-09 15:28:27 2011-07-09 12:28:27 closed open wheel%e2%80%93throwing-summer-course-for-teens trash 0 0 post 0 _edit_lock 1310215009 _edit_last 2 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1314790207 שיח גלריה יולי 2011 http://www.benyaminiceramics.org/2011/07/%d7%a9%d7%99%d7%97-%d7%92%d7%9c%d7%a8%d7%99%d7%94-%d7%99%d7%95%d7%9c%d7%99-2011/ Wed, 13 Jul 2011 15:04:49 +0000 http://www.benyaminiceramics.org/?p=2718 יום שישי ה 22 ביולי בשעה 11:30 יתקיים שיח גלריה אודות התערוכה של מי האדמה הזאת?

[singlepic id=522 w=320 h=240 float=center]

]]> 2718 2011-07-13 18:04:49 2011-07-13 15:04:49 closed open %d7%a9%d7%99%d7%97-%d7%92%d7%9c%d7%a8%d7%99%d7%94-%d7%99%d7%95%d7%9c%d7%99-2011 trash 0 0 post 0 _edit_lock 1310570536 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1312582377 Gallery talk july 2011 http://www.benyaminiceramics.org/2011/07/gallery-talk-july-2011/ Wed, 13 Jul 2011 15:08:24 +0000 http://www.benyaminiceramics.org/?p=2720 here [singlepic id=522 w=320 h=240 float=center] ]]> 2720 2011-07-13 18:08:24 2011-07-13 15:08:24 closed open gallery-talk-july-2011 trash 0 0 post 0 _edit_lock 1310576028 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1312582376 "המדפיה" http://www.benyaminiceramics.org/2011/07/%d7%94%d7%9e%d7%93%d7%a4%d7%99%d7%94/ Sun, 31 Jul 2011 18:37:59 +0000 http://www.benyaminiceramics.org/?p=2740 2740 2011-07-31 21:37:59 2011-07-31 18:37:59 closed open %d7%94%d7%9e%d7%93%d7%a4%d7%99%d7%94 trash 0 0 post 0 _edit_lock 1312138035 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1312137850 המדפיה - חלון לנעשה בתחום הקרמיקה http://www.benyaminiceramics.org/2011/07/%d7%94%d7%9e%d7%93%d7%a4%d7%99%d7%94-2/ Sun, 31 Jul 2011 19:19:10 +0000 http://www.benyaminiceramics.org/?p=2752 המדפיה” - עשרה מדפים לעשרה אומנים במשך עשרה שבועות. תצוגה מתחלפת למכירה של עבודות של מיטב אומני הקרמיקה בארץ במטרה ליצור "חלון ראווה" של הנעשה בתחום.

On the Shelf exhibit פריט בתצוגה "על המדף"

Lidia Zavadsky

בקבוקים: מתוך פרויקט הגמר בבצלאל העוסק בהפשטה של צורה אשר הוביל לסתימה של הפתח ועל ידי כך ערער על תפקוד הכלי וההכלה. הצורניות מושפעת מבקבוקי זכוכית שהפכו לאטומים ונוצקו לתוך תבניות צבעו מפורצן צבעוני.

[caption id="attachment_3023" align="aligncenter" width="200" caption=""בקבוקים" - שלומית מנדלקרן."]"בקבוקים" - שלומית מנדלקרן[/caption] ]]> 2752 2011-07-31 22:19:10 2011-07-31 19:19:10 closed open %d7%94%d7%9e%d7%93%d7%a4%d7%99%d7%94-2 publish 0 0 post 0 _edit_lock 1359041800 _edit_last 3 robotsmeta index,nofollow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1325104554 "On the Shelf" – Israeli ceramics showcase http://www.benyaminiceramics.org/en/2011/07/the-madafia/ Sun, 31 Jul 2011 19:27:12 +0000 http://www.benyaminiceramics.org/?p=2759 On the Shelf exhibit פריט בתצוגה "על המדף"

[caption id="attachment_3820" align="aligncenter" width="300" caption="Lidia Zavadsky"]Lidia Zavadsky[/caption]

[caption id="attachment_3023" align="aligncenter" width="200" caption="Bottles - Shlomit Mandelkern"]"בקבוקים" - שלומית מנדלקרן[/caption] Bottles: Cast porcelain bottles based on a project of abstraction of the form of glass bottles where the function is lost and the object is no longer a container.]]> 2759 2011-07-31 22:27:12 2011-07-31 19:27:12 closed open the-madafia publish 0 0 post 0 _edit_lock 1325107295 _edit_last 2 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} בית בנימיני ברשת ב' http://www.benyaminiceramics.org/2011/07/%d7%9e%d7%a8%d7%a1%d7%9c-%d7%a7%d7%9c%d7%99%d7%99%d7%9f-%d7%9e%d7%aa%d7%a8%d7%90%d7%99%d7%99%d7%a0%d7%aa-%d7%95%d7%9e%d7%a1%d7%a4%d7%a8%d7%aa-%d7%a2%d7%9c-%d7%91%d7%99%d7%aa-%d7%91%d7%a0%d7%99%d7%9e/ Sun, 31 Jul 2011 19:57:29 +0000 http://www.benyaminiceramics.org/?p=2776 מירי קרמולובסקי - בית בנימיני הוא מרכז אומנויות חדש בת"א קובץ MP3 - מנגן בחלון חדש]]> 2776 2011-07-31 22:57:29 2011-07-31 19:57:29 closed open %d7%9e%d7%a8%d7%a1%d7%9c-%d7%a7%d7%9c%d7%99%d7%99%d7%9f-%d7%9e%d7%aa%d7%a8%d7%90%d7%99%d7%99%d7%a0%d7%aa-%d7%95%d7%9e%d7%a1%d7%a4%d7%a8%d7%aa-%d7%a2%d7%9c-%d7%91%d7%99%d7%aa-%d7%91%d7%a0%d7%99%d7%9e publish 0 0 post 0 robotsmeta index,follow _edit_lock 1315135165 _edit_last 2 _revision-control a:1:{i:0;s:8:"defaults";} enclosure http://192.118.60.6/radio/2011/07/20/3859071.mp3 270000 audio/mpeg _alp_processed 1315135163 Benyamini Center on Reshet Bet radio http://www.benyaminiceramics.org/en/2011/07/miri-krimilovski-interviews-marcelle-klein-about-beit-benyamini-on-the-morning-program-of-reshet-bet-on-20-7-11/ Sun, 31 Jul 2011 20:32:01 +0000 http://www.benyaminiceramics.org/?p=2779 Miri Krimilovski - Benyamini house is the new Contemporary Ceramics Center MP3 file playing in a new window]]> 2779 2011-07-31 23:32:01 2011-07-31 20:32:01 closed open miri-krimilovski-interviews-marcelle-klein-about-beit-benyamini-on-the-morning-program-of-reshet-bet-on-20-7-11 publish 0 0 post 0 _edit_lock 1315137040 _edit_last 2 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} enclosure http://192.118.60.6/radio/2011/07/20/3859071.mp3 270000 audio/mpeg זוכות "סטודיו ראשון" 2011 http://www.benyaminiceramics.org/2011/08/%d7%a1%d7%98%d7%95%d7%93%d7%99%d7%95-%d7%a8%d7%90%d7%a9%d7%95%d7%9f/ Fri, 05 Aug 2011 23:10:14 +0000 http://www.benyaminiceramics.org/?p=2807 הוכרזו הזוכות במלגת "סטודיו ראשון" של בית בנימיני לשנת 2011-2012. מלגת "סטודיו ראשון" מעודדת אמנים צעירים, בוגרים מצטיינים של מחלקות ללימודי קרמיקה במסד ללימודי אמנות, ותומכת בהם. מיכל פרגו ויוליה צוקרמן הן הזוכות במלגת "סטודיו ראשון".

[caption id="attachment_3086" align="aligncenter" width="300" caption="Michal Farago"]michal farago[/caption]

מיכל פרגו

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יוליה צוקרמן

[caption id="attachment_3087" align="aligncenter" width="300" caption="Yulia Tsukerman"]Yulia Tsukerman4[/caption]

[nggallery id=62]

]]> 2807 2011-08-06 02:10:14 2011-08-05 23:10:14 closed open %d7%a1%d7%98%d7%95%d7%93%d7%99%d7%95-%d7%a8%d7%90%d7%a9%d7%95%d7%9f publish 0 0 post 0 _edit_last 2 _edit_lock 1331587945 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1331587943 _alp_broken_links a:1:{s:74:"http://www.benyaminiceramics.org/פעילויות/סטודיו-ראשון/";a:0:{}} First Studio 2011 winners http://www.benyaminiceramics.org/en/2011/08/first-studio/ Fri, 05 Aug 2011 23:27:08 +0000 http://www.benyaminiceramics.org/?p=2812 First Studio scholarship program for 2011-20112. The winners are Yulia Tsukerman and Michal Farago. Benyamini Center's First Studio scholarship encourages and supports young artists, notable graduates of ceramic departments in an art school. [caption id="attachment_3086" align="aligncenter" width="300" caption="Michal Farago"]Michal Farago[/caption] Michal Farago [nggallery id=60]
Yulia Tsukerman [caption id="attachment_3087" align="aligncenter" width="300" caption="Yulia Tsukerman"]Yulia Tsukerman[/caption] [nggallery id=62] ]]> 2812 2011-08-06 02:27:08 2011-08-05 23:27:08 closed open first-studio publish 0 0 post 0 _edit_lock 1331588182 _edit_last 2 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} תכנית קורסים וסדנאות - 2011/2012 http://www.benyaminiceramics.org/2011/08/%d7%aa%d7%9b%d7%a0%d7%99%d7%aa-%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%95%d7%a1%d7%93%d7%a0%d7%90%d7%95%d7%aa-20112012/ Fri, 05 Aug 2011 23:48:41 +0000 http://www.benyaminiceramics.org/?p=2819 תכנית קורסים וסדנאות - 2011/2012 באתר.
רישום לקורסים:
שעות פתיחת המרכז:
יום א : 10:00–13:00
ימים ב – ה: 11:00–19:00
ימים שישי ושבת: 11:00–14:00
( הגלריה סגורה ביום א')
]]> 2819 2011-08-06 02:48:41 2011-08-05 23:48:41 closed open %d7%aa%d7%9b%d7%a0%d7%99%d7%aa-%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%95%d7%a1%d7%93%d7%a0%d7%90%d7%95%d7%aa-20112012 publish 0 0 post 0 _edit_lock 1326995168 _edit_last 2 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1322471972 _alp_broken_links a:1:{s:163:"http://www.benyaminiceramics.org/%D7%AA%D7%9B%D7%A0%D7%99%D7%AA-%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%95%D7%A1%D7%93%D7%A0%D7%90%D7%95%D7%AA-%E2%80%93-20112012/";a:0:{}} לימודי קרמיקה http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/ Sat, 06 Aug 2011 01:31:08 +0000 http://www.benyaminiceramics.org/?page_id=2825

בית הספר לאמנות הקרמיקה בבית בנימיני הינו מרכז מקצועי בו פועלים חובבים, אמנים ומעצבים המבקשים להתנסות וליצור בגבולות החומר הקרמי.

מערך הקורסים המגוון מאפשר את הרחבת הידע המעשי והתיאורטי באמצעות צוות מרצים מקצועי ואיכותי. בית הספר מאפשר למידה, התפתחות והתמקצעות דרך קורסים, סדנאות, הרצאות וימי עיון ומפגשי אמן מהארץ ומחו"ל. בשנת הלימודים הקרובה ישולבו הרצאות בכל הקורסים במטרה להעשיר ולהרחיב את הידע בתחום.

שנת הלימודים תחל ב-20 באוקטובר 2013.

מנהלת בית הספר - רוית לצר.

להלן מערכת השעות לשנת הלימודים 2013/2014:

לצפייה בחוברת הקורסים (קובץ PDF)

למידע על לימודי פיסול

]]> 2825 2011-08-06 04:31:08 2011-08-06 01:31:08 closed open %d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94 publish 0 1 page 0 _edit_lock 1376414644 _edit_last 2 _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1375001416 _alp_broken_links a:1:{s:181:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%9C%D7%99%D7%9E%D7%95%D7%93%D7%99-%D7%A4%D7%99%D7%A1%D7%95%D7%9C/";a:0:{}} description בית הספר לאמנות הקרמיקה מציע מגוון קורסי לימוד קרמיקה, קדרות ופיסול בכל הרמות. בואו ללמוד במרכז הקרמיקה הישראלי בבית בנימיני ולקבל השראה מאמנים מובילים title לימודי קרמיקה | בית בנימיני | המרכז לקרמיקה עכשווית robotsmeta index,follow keywords בית בנימיני, מרכז בנימיני, קורסים לקרמיקה, קורס קרמיקה, בית ספר לקרמיקה, סדנאות קדרות, לימודי קרמיקה, אמנות, גלריה, גלריה לקרמיקה 284 http://www.benyaminiceramics.org/2011/08/%d7%aa%d7%9b%d7%a0%d7%99%d7%aa-%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%95%d7%a1%d7%93%d7%a0%d7%90%d7%95%d7%aa-20112012/ 174.132.78.226 2011-08-06 04:39:56 2011-08-06 01:39:56 1 pingback 0 0 646 http://www.benyaminiceramics.org/2012/08/%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94-%d7%99%d7%a9%d7%a8%d7%90%d7%9c%d7%99%d7%aa-%d7%9e%d7%95%d7%93-%d7%a4%d7%a8%d7%99%d7%93%d7%9c%d7%a0%d7%93/ 91.193.50.70 2012-08-22 11:49:44 2012-08-22 08:49:44 1 pingback 0 0 724 http://www.benyaminiceramics.org/2012/12/%d7%9b%d7%9c%d7%99%d7%9d-%d7%a2%d7%99%d7%a8%d7%95%d7%9e%d7%99%d7%9d-%d7%a9%d7%a8%d7%99%d7%a4%d7%95%d7%aa-%d7%a2%d7%99%d7%a9%d7%95%d7%9f-%d7%91%d7%a7%d7%a8%d7%9 91.193.50.70 2012-12-21 13:07:06 2012-12-21 11:07:06 1 pingback 0 0 IMG_5957 http://www.benyaminiceramics.org/%d7%a4%d7%a2%d7%99%d7%9c%d7%95%d7%99%d7%95%d7%aa/%d7%a1%d7%93%d7%a0%d7%90%d7%95%d7%aa/img_5957/ Sat, 06 Aug 2011 22:24:10 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2010/07/IMG_5957.jpg 2913 2011-08-07 01:24:10 2011-08-06 22:24:10 closed open img_5957 inherit 1445 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2010/07/IMG_5957.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"640";s:6:"height";s:3:"480";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:20:"2010/07/IMG_5957.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:20:"IMG_5957-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:20:"IMG_5957-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:3:"2.8";s:6:"credit";s:0:"";s:6:"camera";s:19:"Canon PowerShot G11";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1312614513";s:9:"copyright";s:0:"";s:12:"focal_length";s:3:"6.1";s:3:"iso";s:3:"320";s:13:"shutter_speed";s:15:"0.0166666666667";s:5:"title";s:0:"";}} _wp_attached_file 2010/07/IMG_5957.jpg Course schedule for 2011 - 2012 Semester 1 http://www.benyaminiceramics.org/course-schedule-for-2011-2012-semester-1/ Wed, 10 Aug 2011 16:17:24 +0000 http://www.benyaminiceramics.org/?page_id=2929 Basic Throwing [singlepic id=541 w=100 h=100 float=left] Instructor: Roy Mayan, Ronen Yamin First time clay students will acquire basic throwing skills and techniques on the wheel including wedging, centering, building cylinders, turning and using color on clay. No previous experience required Roy Mayan – 16 meetings, Wed. 9.00 – 12.00 Semester 1. Cost: 2160 IS including materials and firing Ronen Yamin – 20 meetings, Sun. 17.00 – 20.00 Semester 1 Cost: 2700 IS including materials and firing -------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- [singlepic id=543 w=160 h=100 float=left] Throwing – Idea/form/function Instructor: Amnon Amos We will make a set of vessels based on an idea - form relationship and focus on creating a personal style with each participant. Through a series of exercises on the wheel and analysis of the results we will examine the essence of working on the wheel; from traditional pottery of making functional dishes to the use of the wheel as a language to make a statement that is not necessarily functional. We will concentrate on refining the form, scale and relationship of the volume. We will relate to the aesthetic values in the design world and check the effect it has on each students personal style. Experience in throwing is essential. 33 meetings, Wed. 17.00 – 20.00 Semester 1 and 2 Cost: 4455 IS including materials and firing ------------------------------------------------------------------------------------------------------------------------------------------------------------------ [singlepic id=539 w=100 h=120 float=left] Large Vessels – Throwing and handbuilding Instructor: Jacaranda Kori The students will learn different building techniques for making large pots using the wheel and hand building. Through a series of exercises the students will acquire technical skill as well as an ability to analyze large volume forms. The class will include different surface techniques with engobes and glazes. Experience in throwing and hand building is essential. 20 meetings, Sun. 9.00 – 13.00 Semester 1 Cost: 3600 shekels including materials and firing ------------------------------------------------------------------------------------------------------------------------------------------------------------ 2D on 3D: Color and surface in clay Instructor: Anna Carmi In the course we will experiment with a wide range of decorating techniques and surface treatment working in layers at different temperatures. Each piece will be fired several times. We will work with relief, silk screen, colorants, commercial glazes, decals and lustres. The course is suitable for beginners, professionals and designers interested in including ceramic elements in their work. Advice and individual guidance will be possible during the course. 20 meetings, Tues. 18.00 – 21.00, Semester 1 Cost: 3500 shekels including materials and firing ----------------------------------------------------------------------------------------------------------------------------------------------------------- [singlepic id=542 w=160 h=120 float=left] Let the Clay Speak Instructors: Eti Goren and Ester Beck The workshop will focus on different techniques used in clay: hand building, sculpture and wheel throwing. The classes are designed to experience clay, enrich the imagination and extend ones creativity. *The course is for persons who are blind or with limited vision. *The course will begin on 8.11.11 12 meetings, Tues. 9.00 – 12.00, Semester 1 Cost: 750 shekels including materials and firing --------------------------------------------------------------------------------------------------------------------------------------------------------- Stepping into the Art World – Artist Coaching Instructor: Revital Ben Asher-Peretz The course is a series of individual meetings offering guidance for artists working in clay or with a clay background. The meetings will cover critiques of work, direction and curatorial advice; which museum, gallery or curator to approach and the manner in which to do this. Preparation of portfolio, refining works towards an exhibition, advice in placing work, writing text, public relations. The participants will get advice and assistance in `opening doors` and gaining access to the broader art scene. Individual meeting of one hour, once a month, coordinated in advance The meetings will take place on a regular basis or as a one time session (should there be place available). 10 meetings, Wed. 9.30 – 13.30 Semester 1 and 2 Single session: 240 shekels Course: 2200 IS ---------------------------------------------------------------------------------------------------------------------------------------------------------------- [singlepic id=538 w=160 h=100 float=left]Drawing in Clay and on Clay Instructor: Leonid Gosin The course will focus on developing skills in spatial perception as a basis for drawing: composition and arranging the work in space, using negative space that results from changing the shape of the clay. We will use different techniques for drawing on clay – etching, relief, drawing with ceramic pencils and brushes. 20 meetings, Mon. 16.00 – 19.00, Semester 1 Cost: 2700 IS including materials and firing ------------------------------------------------------------------------------------------------------------------------------------------------------------- [singlepic id=538 w=160 h=100 float=left]Fundamentals in Clay Sculpture Instructor: Leonid Gosin Students will learn various techniques that are the basis for creating in clay, figurative sculpture, copying materials, incorporating wheel thrown and hand made parts. The preliminary exercises to acquire different skills will be the basis for free expression. 39 meetings, Mon. 19.00 – 22.00, Semester 1 and 2 Cost: 5265 IS including materials and firing ----------------------------------------------------------------------------------------------------------------------------------------------------------- [singlepic id=540 w=140 h=120 float=left]Contemporary Questions in Ceramic Sculpture Instructor: Shlomit Bauman The course will deal with clarifying questions in contemporary sculpture such as: the relationship between material and idea, and interdisciplinary and intercultural thinking. During the course we will develop working techniques in accordance with the questions raised by the participants. The course requires basic experience in working with clay. 36 meetings, Thurs. 9.00 – 12.00, Semester 1 and 2 Cost: 4860 IS including materials and firing -------------------------------------------------------------------------------------------------------------------------------------------------------------------- [singlepic id=540 w=140 h=120 float=left] Makers meet every two weeks Instructor: Shlomit Bauman The bi-weekly meetings will include lectures, intermediate exercises, homework and critiques. The course is suitable for people with experience in clay, beginners and artists wanting to refine different aspects of their work. 20 meetings, every second Thurs. 13.00 – 16.00, Semester 1 and 2 Cost: 2700 shekels, including materials and firing ------------------------------------------------------------------------------------------------------------------------------------- First Touch – Hand built vessels Instructor: Etel Pisareff The course will focus on making vessels using various hand building techniques: pinching, coiling, slabs and using a block of clay. We will learn different approaches to surface decorating, textures and color treatment. No experience required 18 meetings, Mon. 9.00 – 12.00, Semester 1 Cost: 2430 IS including materials and firing --------------------------------------------------------------------------------------------------------------------------------- Object for Thought Instructor: Irit Abba In the monthly meeting we will focus on the tension between the familiar and the unknown. The course will cover a series of intermediary exercises, developing and extending ones personal language of form, including ideas and materials. The course will focus on an in-depth investigation of the wheel as a form of expression, expanding the limits of the clay and the scope of the experiment: extruding, color, texture, combining materials – porcelain, stoneware and paperclay. The course requires experience in wheel throwing. 9 meetings, once a month Friday, 9.00 – 13.00 Semester 1 and 2 Cost: 1800 shekels including materials and firing, excluding porcelain --------------------------------------------------------------------------------------------------------------------------------------------------------------- Material and Spirit – Observation for Artists Lecturers: Ifat Alper, Iska Landau In this series of lectures we will discuss the development of individual creativity: growth, language, femininity and masculinity and how it affects creative processes and focus on the muse within us. We will deal with the place where the human spirit defines the creation as a container. The meetings focus on texts and artifacts from ancient civilizations, analyze the subject through the artists work including the spiritual aspect. 5 meetings, Sun. 20.00 – 22.00 Cost: 80 IS a meeting, 380 IS for the series ------------------------------------------------------------------------------------------------------------------------------------------- Writing about our art and others – workshop for artists Lecturer: Yonatan Amir A workshop for artists and writers wanting to combine reading, writing and discussing their works in depth. In the framework of the course we will read together texts on art and at the same time experiment with writing about art and examining the relationship between text and visual creativity. The readings will include instruction and discussion about the writings and the methods used. The participants will acquire tools to develop their writing skills and wording their thoughts as well as sharpening their critical thinking, becoming familiar with different writing styles and assistance in writing an artist statement. 9 meetings, Fri. 10.00 – 12.00 Cost: 900 IS --------------------------------------------------------------------------------------------------------------------------------------------- [singlepic id=543 w=160 h=100 float=left] Paperclay – fibre clay workshop Instructor: Amnon Amos Clay and paper, a combination that is as ancient as human civilization. The combination of these materials gives clay wonderful characteristics and opens new options for the maker. In this workshop we will be exposed to artists using this material, learn the qualities of the paper fiber and how we can utilize this to our benefit when using clay. Each participant will prepare a plaster slab and paper pulp. We will experiment with the material to understand its use and possibilities. The workshop is suitable for anyone interested in extending the scope of ones clay work. 1 meeting, Fri. 8.30 – 13.30 Semester 1: 21.10.11, 16.12.11, 20.1.12 Cost: 280 IS for a one day workshop including materials and plaster slab --------------------------------------------------------------------------------------------------------------------------------------------------------- [singlepic id=543 w=160 h=100 float=left] Ceramic Printing Workshop Instructor: Amnon Amos Ceramic printing is a broad and exciting field confronting the maker with one of the most challenging aspects – combining 2D with 3D – the meeting point between the graphic, visual language and clay. In the course we will learn different printing techniques and adapting these techniques to clay work. We will concentrate on printing on tissue paper and transfer to clay. We will learn to use photographic emulsions, screening, mixing clay colors, printing and making a series of prints. 2 meetings, Fri. 9.00 – 13.00 The dates will be announced during the semester (contact Beit Benyamini for details) ------------------------------------------------------------------------------------------------------------------------------------------------------------------- Technology research and development Instructor: Yehuda Koren The workshop is for people who have studied ceramic technology with experience. The meetings will take place once a month and the results of the research done by the participants between the meetings, will be analyzed and then developed further. Subjects that might be researched: transparency and opaqueness, texture, color, clay bodies, engobes, the relationship between the body and the glaze, the use of materials developed for space industries. All conclusions and results of the course will be recorded and stored in the archives of the Benyamini Center and will be available to the public. 10 meetings, Wed. 10.00 – 14.00, Semester 1 and 2 The workshop is free as a benefit to the clay community through the generosity of Yehuda Koren and under the sponsorship of the Benyamini Center. ------------------------------------------------------------------------------------------------------------------------------------------------------------- [singlepic id=540 w=140 h=120 float=left] Development of Ideas for Clay Artists Instructor: Shlomit Bauman The complicated interdisciplinary language of art and design today requires a broad understanding and multilevel and integrated view of materials, technology and ideas. The workshop is geared towards artists who work in clay and are interested in deepening the conceptual side of their work. A general idea proposed will be the basis for the work done as a group as well as the individual participants focusing on all the aspects of the project. The workshop will be based on intermediary exercises, lectures, critiques of work done and a final project. 3 meetings, 9.00 – 16.00 The dates will be announced during the semester. Cost: 950 shekels]]> 2929 2011-08-10 19:17:24 2011-08-10 16:17:24 closed open course-schedule-for-2011-2012-semester-1 trash 0 0 page 0 _edit_lock 1313224964 _edit_last 3 _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default robotsmeta index,nofollow Course schedule for 2011 - 2012 Semester 1 http://www.benyaminiceramics.org/course-schedule-for-2011-2012-semester-1-2/ Sat, 13 Aug 2011 08:38:34 +0000 http://www.benyaminiceramics.org/?page_id=2944 Basic Throwing [singlepic id=541 w=100 h=100 float=left] Instructor: Roy Mayan, Ronen Yamin First time clay students will acquire basic throwing skills and techniques on the wheel including wedging, centering, building cylinders, turning and using color on clay. No previous experience required Roy Mayan – 16 meetings, Wed. 9.00 – 12.00 Semester 1. Cost: 2160 IS including materials and firing Ronen Yamin – 20 meetings, Sun. 17.00 – 20.00 Semester 1 Cost: 2700 IS including materials and firing -------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- [singlepic id=543 w=160 h=100 float=left] Throwing – Idea/form/function Instructor: Amnon Amos We will make a set of vessels based on an idea - form relationship and focus on creating a personal style with each participant. Through a series of exercises on the wheel and analysis of the results we will examine the essence of working on the wheel; from traditional pottery of making functional dishes to the use of the wheel as a language to make a statement that is not necessarily functional. We will concentrate on refining the form, scale and relationship of the volume. We will relate to the aesthetic values in the design world and check the effect it has on each students personal style. Experience in throwing is essential. 33 meetings, Wed. 17.00 – 20.00 Semester 1 and 2 Cost: 4455 IS including materials and firing ------------------------------------------------------------------------------------------------------------------------------------------------------------------ [singlepic id=539 w=100 h=120 float=left] Large Vessels – Throwing and handbuilding Instructor: Jacaranda Kori The students will learn different building techniques for making large pots using the wheel and hand building. Through a series of exercises the students will acquire technical skill as well as an ability to analyze large volume forms. The class will include different surface techniques with engobes and glazes. Experience in throwing and hand building is essential. 20 meetings, Sun. 9.00 – 13.00 Semester 1 Cost: 3600 shekels including materials and firing ------------------------------------------------------------------------------------------------------------------------------------------------------------ 2D on 3D: Color and surface in clay Instructor: Anna Carmi In the course we will experiment with a wide range of decorating techniques and surface treatment working in layers at different temperatures. Each piece will be fired several times. We will work with relief, silk screen, colorants, commercial glazes, decals and lustres. The course is suitable for beginners, professionals and designers interested in including ceramic elements in their work. Advice and individual guidance will be possible during the course. 20 meetings, Tues. 18.00 – 21.00, Semester 1 Cost: 3500 shekels including materials and firing ----------------------------------------------------------------------------------------------------------------------------------------------------------- [singlepic id=542 w=160 h=120 float=left] Let the Clay Speak Instructors: Eti Goren and Ester Beck The workshop will focus on different techniques used in clay: hand building, sculpture and wheel throwing. The classes are designed to experience clay, enrich the imagination and extend ones creativity. *The course is for persons who are blind or with limited vision. *The course will begin on 8.11.11 12 meetings, Tues. 9.00 – 12.00, Semester 1 Cost: 750 shekels including materials and firing --------------------------------------------------------------------------------------------------------------------------------------------------------- Stepping into the Art World – Artist Coaching Instructor: Revital Ben Asher-Peretz The course is a series of individual meetings offering guidance for artists working in clay or with a clay background. The meetings will cover critiques of work, direction and curatorial advice; which museum, gallery or curator to approach and the manner in which to do this. Preparation of portfolio, refining works towards an exhibition, advice in placing work, writing text, public relations. The participants will get advice and assistance in `opening doors` and gaining access to the broader art scene. Individual meeting of one hour, once a month, coordinated in advance The meetings will take place on a regular basis or as a one time session (should there be place available). 10 meetings, Wed. 9.30 – 13.30 Semester 1 and 2 Single session: 240 shekels Course: 2200 IS ---------------------------------------------------------------------------------------------------------------------------------------------------------------- [singlepic id=538 w=160 h=100 float=left]Drawing in Clay and on Clay Instructor: Leonid Gosin The course will focus on developing skills in spatial perception as a basis for drawing: composition and arranging the work in space, using negative space that results from changing the shape of the clay. We will use different techniques for drawing on clay – etching, relief, drawing with ceramic pencils and brushes. 20 meetings, Mon. 16.00 – 19.00, Semester 1 Cost: 2700 IS including materials and firing ------------------------------------------------------------------------------------------------------------------------------------------------------------- [singlepic id=538 w=160 h=100 float=left]Fundamentals in Clay Sculpture Instructor: Leonid Gosin Students will learn various techniques that are the basis for creating in clay, figurative sculpture, copying materials, incorporating wheel thrown and hand made parts. The preliminary exercises to acquire different skills will be the basis for free expression. 39 meetings, Mon. 19.00 – 22.00, Semester 1 and 2 Cost: 5265 IS including materials and firing ----------------------------------------------------------------------------------------------------------------------------------------------------------- [singlepic id=540 w=140 h=120 float=left]Contemporary Questions in Ceramic Sculpture Instructor: Shlomit Bauman The course will deal with clarifying questions in contemporary sculpture such as: the relationship between material and idea, and interdisciplinary and intercultural thinking. During the course we will develop working techniques in accordance with the questions raised by the participants. The course requires basic experience in working with clay. 36 meetings, Thurs. 9.00 – 12.00, Semester 1 and 2 Cost: 4860 IS including materials and firing -------------------------------------------------------------------------------------------------------------------------------------------------------------------- [singlepic id=540 w=140 h=120 float=left] Makers meet every two weeks Instructor: Shlomit Bauman The bi-weekly meetings will include lectures, intermediate exercises, homework and critiques. The course is suitable for people with experience in clay, beginners and artists wanting to refine different aspects of their work. 20 meetings, every second Thurs. 13.00 – 16.00, Semester 1 and 2 Cost: 2700 shekels, including materials and firing ------------------------------------------------------------------------------------------------------------------------------------- First Touch – Hand built vessels Instructor: Etel Pisareff The course will focus on making vessels using various hand building techniques: pinching, coiling, slabs and using a block of clay. We will learn different approaches to surface decorating, textures and color treatment. No experience required 18 meetings, Mon. 9.00 – 12.00, Semester 1 Cost: 2430 IS including materials and firing --------------------------------------------------------------------------------------------------------------------------------- Object for Thought Instructor: Irit Abba In the monthly meeting we will focus on the tension between the familiar and the unknown. The course will cover a series of intermediary exercises, developing and extending ones personal language of form, including ideas and materials. The course will focus on an in-depth investigation of the wheel as a form of expression, expanding the limits of the clay and the scope of the experiment: extruding, color, texture, combining materials – porcelain, stoneware and paperclay. The course requires experience in wheel throwing. 9 meetings, once a month Friday, 9.00 – 13.00 Semester 1 and 2 Cost: 1800 shekels including materials and firing, excluding porcelain --------------------------------------------------------------------------------------------------------------------------------------------------------------- Material and Spirit – Observation for Artists Lecturers: Ifat Alper, Iska Landau In this series of lectures we will discuss the development of individual creativity: growth, language, femininity and masculinity and how it affects creative processes and focus on the muse within us. We will deal with the place where the human spirit defines the creation as a container. The meetings focus on texts and artifacts from ancient civilizations, analyze the subject through the artists work including the spiritual aspect. 5 meetings, Sun. 20.00 – 22.00 Cost: 80 IS a meeting, 380 IS for the series ------------------------------------------------------------------------------------------------------------------------------------------- Writing about our art and others – workshop for artists Lecturer: Yonatan Amir A workshop for artists and writers wanting to combine reading, writing and discussing their works in depth. In the framework of the course we will read together texts on art and at the same time experiment with writing about art and examining the relationship between text and visual creativity. The readings will include instruction and discussion about the writings and the methods used. The participants will acquire tools to develop their writing skills and wording their thoughts as well as sharpening their critical thinking, becoming familiar with different writing styles and assistance in writing an artist statement. 9 meetings, Fri. 10.00 – 12.00 Cost: 900 IS --------------------------------------------------------------------------------------------------------------------------------------------- [singlepic id=543 w=160 h=100 float=left] Paperclay – fibre clay workshop Instructor: Amnon Amos Clay and paper, a combination that is as ancient as human civilization. The combination of these materials gives clay wonderful characteristics and opens new options for the maker. In this workshop we will be exposed to artists using this material, learn the qualities of the paper fiber and how we can utilize this to our benefit when using clay. Each participant will prepare a plaster slab and paper pulp. We will experiment with the material to understand its use and possibilities. The workshop is suitable for anyone interested in extending the scope of ones clay work. 1 meeting, Fri. 8.30 – 13.30 Semester 1: 21.10.11, 16.12.11, 20.1.12 Cost: 280 IS for a one day workshop including materials and plaster slab --------------------------------------------------------------------------------------------------------------------------------------------------------- [singlepic id=543 w=160 h=100 float=left] Ceramic Printing Workshop Instructor: Amnon Amos Ceramic printing is a broad and exciting field confronting the maker with one of the most challenging aspects – combining 2D with 3D – the meeting point between the graphic, visual language and clay. In the course we will learn different printing techniques and adapting these techniques to clay work. We will concentrate on printing on tissue paper and transfer to clay. We will learn to use photographic emulsions, screening, mixing clay colors, printing and making a series of prints. 2 meetings, Fri. 9.00 – 13.00 The dates will be announced during the semester (contact Beit Benyamini for details) ------------------------------------------------------------------------------------------------------------------------------------------------------------------- Technology research and development Instructor: Yehuda Koren The workshop is for people who have studied ceramic technology with experience. The meetings will take place once a month and the results of the research done by the participants between the meetings, will be analyzed and then developed further. Subjects that might be researched: transparency and opaqueness, texture, color, clay bodies, engobes, the relationship between the body and the glaze, the use of materials developed for space industries. All conclusions and results of the course will be recorded and stored in the archives of the Benyamini Center and will be available to the public. 10 meetings, Wed. 10.00 – 14.00, Semester 1 and 2 The workshop is free as a benefit to the clay community through the generosity of Yehuda Koren and under the sponsorship of the Benyamini Center. ------------------------------------------------------------------------------------------------------------------------------------------------------------- [singlepic id=540 w=140 h=120 float=left] Development of Ideas for Clay Artists Instructor: Shlomit Bauman The complicated interdisciplinary language of art and design today requires a broad understanding and multilevel and integrated view of materials, technology and ideas. The workshop is geared towards artists who work in clay and are interested in deepening the conceptual side of their work. A general idea proposed will be the basis for the work done as a group as well as the individual participants focusing on all the aspects of the project. The workshop will be based on intermediary exercises, lectures, critiques of work done and a final project. 3 meetings, 9.00 – 16.00 The dates will be announced during the semester. Cost: 950 shekels]]> 2944 2011-08-13 11:38:34 2011-08-13 08:38:34 closed open course-schedule-for-2011-2012-semester-1-2 trash 0 0 page 0 _edit_lock 1313225097 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1313224793 Courses http://www.benyaminiceramics.org/en/ceramic-courses/ Sat, 13 Aug 2011 08:44:51 +0000 http://www.benyaminiceramics.org/course-schedule-for-20112012/ [imagebrowser id=95]

The Benyamini School of Ceramic Art is a professional center offering courses for beginners, artists and designers who want to work within the bounds of the ceramic material. The school has a team of professional teachers running a year-round program of courses in practical and theoretical aspects of ceramics as well as workshops, lectures and master classes with artists from Israel and abroad. The next semester includes a wide range of topics and classes suitable for beginners just starting out in clay, people with experience working with clay and professionals. Director of the School for Ceramic Art - Ravit Lazer The classes will begin on 20/10/13 Full program (PDF) Courses are in several categories: ]]> 2955 2011-08-13 11:44:51 2011-08-13 08:44:51 closed open ceramic-courses publish 0 1 page 0 _revision-control a:1:{i:0;s:8:"defaults";} _edit_lock 1375001556 _edit_last 3 _wp_page_template default description beginner, advanced and special ceramics courses title Courses schedule robotsmeta index,follow keywords pottery courses, ceramics courses, art courses, Benyamini Center 1003 http://ferragamooutlet.cocolog-nifty.com/blog/ 111.242.181.59 2013-07-04 15:41:18 2013-07-04 12:41:18 フェラガモ 靴... Courses schedule |...]]> 0 trackback 0 0 Courses and Workshops 2011/2012 http://www.benyaminiceramics.org/en/2011/08/courses-and-workshops-20112012/ Sat, 13 Aug 2011 08:50:47 +0000 http://www.benyaminiceramics.org/?p=2958 Courses and workshops will begin in September 2011. For a whole list please visit Courses and Workshops 2011/2012 on this website. Opening hours: Tel: 03-5182257 -You can leave a message Sun: 10:00-14:00 (gallery closed) Mon-Thu: 11:00-19:00 Fri, Sat: 11:00-14:00

Benyamini Center courses - קורסים לקרמיקה

]]> 2958 2011-08-13 11:50:47 2011-08-13 08:50:47 closed open courses-and-workshops-20112012 publish 0 0 post 0 _edit_last 2 _edit_lock 1322472032 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} tiles אריחים http://www.benyaminiceramics.org/2011/07/%d7%94%d7%9e%d7%93%d7%a4%d7%99%d7%94-2/tiles-051-1/ Wed, 17 Aug 2011 06:48:17 +0000 http://www.benyaminiceramics.org/images/2011/07/tiles-051-1.jpg 3001 2011-08-17 09:48:17 2011-08-17 06:48:17 closed open tiles-051-1 inherit 2752 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/07/tiles-051-1.jpg _wp_attached_file 2011/07/tiles-051-1.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"800";s:6:"height";s:3:"534";s:14:"hwstring_small";s:23:"height='85' width='128'";s:4:"file";s:23:"2011/07/tiles-051-1.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:23:"tiles-051-1-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:23:"tiles-051-1-300x200.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"200";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1307387463";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt tiles אריחים tiles-051-1 http://www.benyaminiceramics.org/2011/07/%d7%94%d7%9e%d7%93%d7%a4%d7%99%d7%94-2/tiles-051-1-2/ Wed, 17 Aug 2011 07:01:50 +0000 http://www.benyaminiceramics.org/wp-content/gallery/2011/07/tiles-051-11.jpg 3005 2011-08-17 10:01:50 2011-08-17 07:01:50 closed open tiles-051-1-2 inherit 2752 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/07/tiles-051-11.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"800";s:6:"height";s:3:"534";s:14:"hwstring_small";s:23:"height='85' width='128'";s:4:"file";s:24:"2011/07/tiles-051-11.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:24:"tiles-051-11-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:24:"tiles-051-11-300x200.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"200";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1307387463";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attached_file 2011/07/tiles-051-11.jpg "אריחים" – שלומית מנדלקרן http://www.benyaminiceramics.org/2011/07/%d7%94%d7%9e%d7%93%d7%a4%d7%99%d7%94-2/tiles-051-1-3/ Wed, 17 Aug 2011 10:38:52 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/07/tiles-051-1.jpg 3008 2011-08-17 13:38:52 2011-08-17 10:38:52 closed open tiles-051-1-3 inherit 2752 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/07/tiles-051-1.jpg _wp_attached_file 2011/07/tiles-051-1.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"800";s:6:"height";s:3:"534";s:14:"hwstring_small";s:23:"height='85' width='128'";s:4:"file";s:23:"2011/07/tiles-051-1.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:23:"tiles-051-1-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:23:"tiles-051-1-300x200.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"200";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1307387463";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt "אריחים" – שלומית מנדלקרן bottles1-1 http://www.benyaminiceramics.org/2011/07/%d7%94%d7%9e%d7%93%d7%a4%d7%99%d7%94-2/bottles1-1/ Wed, 17 Aug 2011 10:56:31 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/07/bottles1-1.jpg 3023 2011-08-17 13:56:31 2011-08-17 10:56:31 closed open bottles1-1 inherit 2752 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/07/bottles1-1.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"534";s:6:"height";s:3:"800";s:14:"hwstring_small";s:22:"height='96' width='64'";s:4:"file";s:22:"2011/07/bottles1-1.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:22:"bottles1-1-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:22:"bottles1-1-200x300.jpg";s:5:"width";s:3:"200";s:6:"height";s:3:"300";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1307387079";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attached_file 2011/07/bottles1-1.jpg _wp_attachment_image_alt "בקבוקים" - שלומית מנדלקרן tree http://www.benyaminiceramics.org/2011/08/%d7%91%d7%99%d7%aa-%d7%94%d7%a1%d7%a4%d7%a8-%d7%9c%d7%90%d7%9e%d7%a0%d7%95%d7%aa-%d7%94%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/tree/ Thu, 18 Aug 2011 08:03:03 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/08/tree.jpg 3073 2011-08-18 11:03:03 2011-08-18 08:03:03 closed open tree inherit 3072 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/08/tree.jpg _wp_attached_file 2011/08/tree.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"640";s:6:"height";s:3:"592";s:14:"hwstring_small";s:23:"height='96' width='103'";s:4:"file";s:16:"2011/08/tree.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:16:"tree-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:16:"tree-300x277.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"277";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1193678190";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt tree בית הספר לאמנות הקרמיקה http://www.benyaminiceramics.org/2011/08/%d7%91%d7%99%d7%aa-%d7%94%d7%a1%d7%a4%d7%a8-%d7%9c%d7%90%d7%9e%d7%a0%d7%95%d7%aa-%d7%94%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/ Thu, 18 Aug 2011 08:05:54 +0000 http://www.benyaminiceramics.org/?p=3072 בית הספר לאמנות הקרמיקה הינו מרכז מקצועי המיועד לחובבים, יוצרים בחומר, אמנים ומעצבים המבקשים לפעול בתוך גבולות החומר הקרמי. בבית הספר מתקיים מערך קורסים איכותי כולל קדרות פיסול עבודת יד עיטור רישום ופיתוח ראיוני באמצעות צוות מרצים מקצועי ומגוון. פרטים אודות הקורסים ניתן למצוא בעמוד קורסים וסדנאות ובעמודי קורסים למתחילים, קורסים למתקדמים וקורסים מיוחדים

Amnon Amos - Naila

]]> 3072 2011-08-18 11:05:54 2011-08-18 08:05:54 closed open %d7%91%d7%99%d7%aa-%d7%94%d7%a1%d7%a4%d7%a8-%d7%9c%d7%90%d7%9e%d7%a0%d7%95%d7%aa-%d7%94%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94 publish 0 0 post 0 _edit_lock 1359041777 _edit_last 3 _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1326994256 title בית הספר לאמנות הקרמיקה description בית הספר לאמנות הקרמיקה מציע מגוון קורסים וסדנאות למחילים, מתקדמים וקורסים מיוחדים keywords קורסים לקרמיקה, בית הספר לאמנות הקרמיקה, בית בנימיני, קורסים למתקדמים בקרמיקה, קורסים למתחילים בקרמיקה robotsmeta index,follow _alp_broken_links a:4:{s:85:"http://www.benyaminiceramics.org/תכנית-קורסים-וסדנאות-–-20112012/";a:0:{}s:84:"http://www.benyaminiceramics.org/קורסים-2011-12/קורסים-למתחילים/";a:0:{}s:84:"http://www.benyaminiceramics.org/קורסים-2011-12/קורסים-למתקדמים/";a:0:{}s:82:"http://www.benyaminiceramics.org/קורסים-2011-12/קורסים-מיוחדים/";a:0:{}} Ceramic Art school http://www.benyaminiceramics.org/en/2011/08/ceramic-art-school/ Thu, 18 Aug 2011 08:09:37 +0000 http://www.benyaminiceramics.org/?p=3077 Courses & Workshops page

Amnon Amos - Naila

]]> 3077 2011-08-18 11:09:37 2011-08-18 08:09:37 closed open ceramic-art-school publish 0 0 post 0 _edit_last 2 _edit_lock 1316717472 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} Michal Farago http://www.benyaminiceramics.org/2011/08/%d7%a1%d7%98%d7%95%d7%93%d7%99%d7%95-%d7%a8%d7%90%d7%a9%d7%95%d7%9f/michal-farago10/ Thu, 18 Aug 2011 10:21:15 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/08/michal-farago10.jpg 3086 2011-08-18 13:21:15 2011-08-18 10:21:15 closed open michal-farago10 inherit 2807 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/08/michal-farago10.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"536";s:6:"height";s:3:"356";s:14:"hwstring_small";s:23:"height='85' width='128'";s:4:"file";s:27:"2011/08/michal-farago10.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:27:"michal-farago10-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:27:"michal-farago10-300x199.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"199";}}s:10:"image_meta";a:10:{s:8:"aperture";s:3:"5.6";s:6:"credit";s:0:"";s:6:"camera";s:9:"NIKON D90";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1301498656";s:9:"copyright";s:0:"";s:12:"focal_length";s:2:"35";s:3:"iso";s:3:"400";s:13:"shutter_speed";s:4:"0.02";s:5:"title";s:0:"";}} _wp_attached_file 2011/08/michal-farago10.jpg _wp_attachment_image_alt Michal Farago Yulia Tsukerman http://www.benyaminiceramics.org/2011/08/%d7%a1%d7%98%d7%95%d7%93%d7%99%d7%95-%d7%a8%d7%90%d7%a9%d7%95%d7%9f/yulia-tsukerman4/ Thu, 18 Aug 2011 10:22:54 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/08/yulia-tsukerman4.jpg 3087 2011-08-18 13:22:54 2011-08-18 10:22:54 closed open yulia-tsukerman4 inherit 2807 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/08/yulia-tsukerman4.jpg _wp_attached_file 2011/08/yulia-tsukerman4.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"800";s:6:"height";s:3:"660";s:14:"hwstring_small";s:23:"height='96' width='116'";s:4:"file";s:28:"2011/08/yulia-tsukerman4.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:28:"yulia-tsukerman4-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:28:"yulia-tsukerman4-300x247.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"247";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"5";s:6:"credit";s:0:"";s:6:"camera";s:11:"NIKON D5000";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1310125171";s:9:"copyright";s:0:"";s:12:"focal_length";s:2:"36";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:15:"0.0666666666667";s:5:"title";s:0:"";}} _wp_attachment_image_alt Yulia Tsukerman סדנאות http://www.benyaminiceramics.org/%d7%a4%d7%a2%d7%99%d7%9c%d7%95%d7%99%d7%95%d7%aa/%d7%a1%d7%93%d7%a0%d7%90%d7%95%d7%aa-2/ Wed, 31 Aug 2011 11:40:32 +0000 http://www.benyaminiceramics.org/?page_id=3121 3121 2011-08-31 14:40:32 2011-08-31 11:40:32 closed open %d7%a1%d7%93%d7%a0%d7%90%d7%95%d7%aa-2 private 9 4 page 0 _edit_last 3 _edit_lock 1322233928 robotsmeta index,follow _revision-control a:1:{i:0;s:2:"10";} _wp_page_template default _alp_processed 1316717056 Workshops http://www.benyaminiceramics.org/en/activities/workshops-2/ Wed, 31 Aug 2011 11:42:55 +0000 http://www.benyaminiceramics.org/?page_id=3124 3124 2011-08-31 14:42:55 2011-08-31 11:42:55 closed open workshops-2 private 10 4 page 0 _edit_lock 1316717259 _edit_last 2 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default Yael Atzmony יעל עצמוני http://www.benyaminiceramics.org/2011/09/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%97%d7%93%d7%a9%d7%95%d7%aa-%d7%91%d7%91%d7%99%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/yael-atzmony1_opt/ Sun, 04 Sep 2011 07:52:41 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/09/yael-atzmony1_opt.jpg 3137 2011-09-04 10:52:41 2011-09-04 07:52:41 closed open yael-atzmony1_opt inherit 3136 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/09/yael-atzmony1_opt.jpg _wp_attached_file 2011/09/yael-atzmony1_opt.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"640";s:6:"height";s:3:"480";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:29:"2011/09/yael-atzmony1_opt.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:29:"yael-atzmony1_opt-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:29:"yael-atzmony1_opt-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt Yael Atzmony יעל עצמוני תערוכות חדשות בספטמבר 2011 http://www.benyaminiceramics.org/2011/09/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%97%d7%93%d7%a9%d7%95%d7%aa-%d7%91%d7%91%d7%99%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/ Sun, 04 Sep 2011 07:54:02 +0000 http://www.benyaminiceramics.org/?p=3136 "א-לה-מוד" ובה עבודות קדרות של מוד פרידלנד (1996 – 1927). בחלל המעבדה תוצג התערוכה "שבילי יער" של יעל עצמוני, מחווה למוד. עוד אודות התערוכות בעמוד גלריה פתיחה: 8/9/2011 נעילה: 14/11/2011

Yael Atzmony יעל עצמוני

]]> 3136 2011-09-04 10:54:02 2011-09-04 07:54:02 closed open %d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%97%d7%93%d7%a9%d7%95%d7%aa-%d7%91%d7%91%d7%99%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99 publish 0 0 post 0 _edit_lock 1321208152 _edit_last 2 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1321208150 New Exhibitions Sept. 2011 http://www.benyaminiceramics.org/en/2011/09/new-exhibitions-at-benyamini-center/ Sun, 04 Sep 2011 08:03:21 +0000 http://www.benyaminiceramics.org/?p=3139 A-la-Maud - wheel thrown work by the artist Maud Friedland (1927 – 1996). In the Lab space we will exhibit Forest Paths by Yael Atzmony, a video work, in tribute to Maud Friedland. Read more about the new exhibition on our Gallery page Opening: 8/9/2011 Closing: 14/11/2011

Yael Atzmony יעל עצמוני

]]> 3139 2011-09-04 11:03:21 2011-09-04 08:03:21 closed open new-exhibitions-at-benyamini-center publish 0 0 post 0 _edit_lock 1321208183 _edit_last 2 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} Amnon Amos - Naila http://www.benyaminiceramics.org/2011/08/%d7%91%d7%99%d7%aa-%d7%94%d7%a1%d7%a4%d7%a8-%d7%9c%d7%90%d7%9e%d7%a0%d7%95%d7%aa-%d7%94%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/amnon-amos-naila_opt/ Sun, 04 Sep 2011 12:13:04 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/08/amnon-amos-Naila_opt.jpg 3224 2011-09-04 15:13:04 2011-09-04 12:13:04 closed open amnon-amos-naila_opt inherit 3072 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/08/amnon-amos-Naila_opt.jpg _wp_attached_file 2011/08/amnon-amos-Naila_opt.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"640";s:6:"height";s:3:"480";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:32:"2011/08/amnon-amos-Naila_opt.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:32:"amnon-amos-Naila_opt-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:32:"amnon-amos-Naila_opt-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt Amnon Amos - Naila Workshops and courses 2011 http://www.benyaminiceramics.org/2011/08/%d7%aa%d7%9b%d7%a0%d7%99%d7%aa-%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%95%d7%a1%d7%93%d7%a0%d7%90%d7%95%d7%aa-20112012/tochnia05-2011-1/ Sun, 04 Sep 2011 12:26:07 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/08/Tochnia05-2011-1.jpg 3226 2011-09-04 15:26:07 2011-09-04 12:26:07 closed open tochnia05-2011-1 inherit 2819 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/08/Tochnia05-2011-1.jpg _wp_attached_file 2011/08/Tochnia05-2011-1.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"200";s:6:"height";s:3:"150";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:28:"2011/08/Tochnia05-2011-1.jpg";s:5:"sizes";a:1:{s:9:"thumbnail";a:3:{s:4:"file";s:28:"Tochnia05-2011-1-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt תכנית קורסים וסדנאות 2011 Tochnia05-2011-1 http://www.benyaminiceramics.org/2011/08/%d7%aa%d7%9b%d7%a0%d7%99%d7%aa-%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%95%d7%a1%d7%93%d7%a0%d7%90%d7%95%d7%aa-20112012/tochnia05-2011-1-2/ Sun, 04 Sep 2011 12:27:12 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/08/Tochnia05-2011-11.jpg 3227 2011-09-04 15:27:12 2011-09-04 12:27:12 closed open tochnia05-2011-1-2 inherit 2819 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/08/Tochnia05-2011-11.jpg _wp_attached_file 2011/08/Tochnia05-2011-11.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"200";s:6:"height";s:3:"150";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:29:"2011/08/Tochnia05-2011-11.jpg";s:5:"sizes";a:1:{s:9:"thumbnail";a:3:{s:4:"file";s:29:"Tochnia05-2011-11-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} library - ספריה http://www.benyaminiceramics.org/2011/09/%d7%97%d7%93%d7%a9%d7%95%d7%aa-%d7%a1%d7%a4%d7%a8%d7%99%d7%94-%d7%95%d7%90%d7%a8%d7%9b%d7%99%d7%95%d7%9f/library02-opt/ Sun, 04 Sep 2011 12:50:02 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/09/library02-opt.jpg 3235 2011-09-04 15:50:02 2011-09-04 12:50:02 closed open library02-opt inherit 3234 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/09/library02-opt.jpg _wp_attached_file 2011/09/library02-opt.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"200";s:6:"height";s:3:"150";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:25:"2011/09/library02-opt.jpg";s:5:"sizes";a:1:{s:9:"thumbnail";a:3:{s:4:"file";s:25:"library02-opt-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt library - ספריה חדשות ספריה וארכיון http://www.benyaminiceramics.org/2011/09/%d7%97%d7%93%d7%a9%d7%95%d7%aa-%d7%a1%d7%a4%d7%a8%d7%99%d7%94-%d7%95%d7%90%d7%a8%d7%9b%d7%99%d7%95%d7%9f/ Sun, 04 Sep 2011 12:50:59 +0000 http://www.benyaminiceramics.org/?p=3234 הספריה

[singlepic id=912 w=400 h=240 float=left] [singlepic id=911 w=400 h=240 float=right]

]]> 3234 2011-09-04 15:50:59 2011-09-04 12:50:59 closed open %d7%97%d7%93%d7%a9%d7%95%d7%aa-%d7%a1%d7%a4%d7%a8%d7%99%d7%94-%d7%95%d7%90%d7%a8%d7%9b%d7%99%d7%95%d7%9f publish 0 0 post 0 _edit_lock 1332089186 _edit_last 2 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1332089184 Library and archive news http://www.benyaminiceramics.org/en/2011/09/library-and-archive-news/ Sun, 04 Sep 2011 12:55:03 +0000 http://www.benyaminiceramics.org/?p=3237 library page

[singlepic id=912 w=400 h=240 float=left] [singlepic id=911 w=400 h=240 float=right]

]]> 3237 2011-09-04 15:55:03 2011-09-04 12:55:03 closed open library-and-archive-news publish 0 0 post 0 _edit_lock 1332099603 _edit_last 2 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} Irit Abba עירית אבא http://www.benyaminiceramics.org/2011/07/%d7%94%d7%9e%d7%93%d7%a4%d7%99%d7%94-2/01-600/ Sun, 04 Sep 2011 13:06:49 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/07/01-600.jpg 3241 2011-09-04 16:06:49 2011-09-04 13:06:49 closed open 01-600 inherit 2752 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/07/01-600.jpg _wp_attached_file 2011/07/01-600.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"223";s:6:"height";s:3:"600";s:14:"hwstring_small";s:22:"height='96' width='35'";s:4:"file";s:18:"2011/07/01-600.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:18:"01-600-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:18:"01-600-111x300.jpg";s:5:"width";s:3:"111";s:6:"height";s:3:"300";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt Irit Abba עירית אבא 01-600 http://www.benyaminiceramics.org/2011/07/%d7%94%d7%9e%d7%93%d7%a4%d7%99%d7%94-2/01-600-2/ Sun, 04 Sep 2011 13:08:01 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/07/01-6001.jpg 3242 2011-09-04 16:08:01 2011-09-04 13:08:01 closed open 01-600-2 inherit 2752 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/07/01-6001.jpg _wp_attached_file 2011/07/01-6001.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"223";s:6:"height";s:3:"600";s:14:"hwstring_small";s:22:"height='96' width='35'";s:4:"file";s:19:"2011/07/01-6001.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:19:"01-6001-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:19:"01-6001-111x300.jpg";s:5:"width";s:3:"111";s:6:"height";s:3:"300";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} Irit Abba עירית אבא http://www.benyaminiceramics.org/2011/07/%d7%94%d7%9e%d7%93%d7%a4%d7%99%d7%94-2/22-640/ Sun, 04 Sep 2011 13:12:17 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/07/22-640.jpg 3245 2011-09-04 16:12:17 2011-09-04 13:12:17 closed open 22-640 inherit 2752 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/07/22-640.jpg _wp_attached_file 2011/07/22-640.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"640";s:6:"height";s:3:"480";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:18:"2011/07/22-640.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:18:"22-640-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:18:"22-640-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt Irit Abba עירית אבא אוהבים אמנות בבית בנימיני - אירוע http://www.benyaminiceramics.org/2011/09/%d7%90%d7%99%d7%a8%d7%95%d7%a2-%d7%90%d7%95%d7%94%d7%91%d7%99%d7%9d-%d7%90%d7%9e%d7%a0%d7%95%d7%aa/ohavimomanut-opt/ Sun, 04 Sep 2011 13:44:50 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/09/ohavimOmanut-opt.jpg 3252 2011-09-04 16:44:50 2011-09-04 13:44:50 closed open ohavimomanut-opt inherit 3251 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/09/ohavimOmanut-opt.jpg _wp_attached_file 2011/09/ohavimOmanut-opt.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"200";s:6:"height";s:3:"150";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:28:"2011/09/ohavimOmanut-opt.jpg";s:5:"sizes";a:1:{s:9:"thumbnail";a:3:{s:4:"file";s:28:"ohavimOmanut-opt-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt אוהבים אמנות בבית בנימיני - אירוע אירוע "אוהבים אמנות" http://www.benyaminiceramics.org/2011/09/%d7%90%d7%99%d7%a8%d7%95%d7%a2-%d7%90%d7%95%d7%94%d7%91%d7%99%d7%9d-%d7%90%d7%9e%d7%a0%d7%95%d7%aa/ Sun, 04 Sep 2011 13:45:45 +0000 http://www.benyaminiceramics.org/?p=3251 "אוהבים אומנות" בבית בנימיני - המרכז לקרמיקה עכשווית ביום חמישי ה-8 בספטמבר אוהבים אומנות עושים אומנות – אירוע שפותח את עונת התערוכות בתל אביב. האירוע מתחיל ביום חמישי בערב עם פתיחת הגלריות ומוזיאונים עד 11 בלילה. בשישי‪-‬שבת אומנים ברחבי העיר פותחים את הסטודיו מ 11‪:‬00‪-‬18‪:‬00 בבית בנימיני: פתיחת שתי תערוכות ביום חמישי בשעה 19:00 ומופע מוסיקה חיה על הגג בשעה 20:00 הגלריות פתוחות בשעות 11:0-18:00 בימי שישי ושבת פעילות מיוחדת בסדנה - ללא תשלום יום שישי 12:00-16:00 יום שבת 11:00-14:00

אוהבים אמנות בבית בנימיני - אירוע

]]> 3251 2011-09-04 16:45:45 2011-09-04 13:45:45 closed open %d7%90%d7%99%d7%a8%d7%95%d7%a2-%d7%90%d7%95%d7%94%d7%91%d7%99%d7%9d-%d7%90%d7%9e%d7%a0%d7%95%d7%aa publish 0 0 post 0 _edit_lock 1315399851 _edit_last 2 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1315398862 Loving Art Doing Art http://www.benyaminiceramics.org/en/2011/09/ohavim-omanut-event/ Sun, 04 Sep 2011 13:50:23 +0000 http://www.benyaminiceramics.org/?p=3254 Loving Art Doing Art is an event that opens the exhibitions season in Tel Aviv. It begins with exhibition openings on Thursday, Sept. 8th evening with galleries and museums open until 11 PM. On Friday and Saturday artists open their studio to the public between 11:00 - 18:00 More information on Tel Aviv municipality web site At the Benyamini Center: On Thursday, September 8th, 2011 - Ohavim Omanut - an event at the Benyamini Center: Opening two exhibitions on Thursday at 19:00‬ Live music on the roof Thursday from 20:00 Galleries open from 11:00-18:00 Friday and Saturday Experience clay in the studio free for the public: Friday 12:00-16:00, Saturday 11:00-14:00

אוהבים אמנות בבית בנימיני - אירוע

]]> 3254 2011-09-04 16:50:23 2011-09-04 13:50:23 closed open ohavim-omanut-event publish 0 0 post 0 _edit_lock 1315399934 _edit_last 2 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} Maud Friedland at the Benyamini Center http://www.benyaminiceramics.org/2011/09/%d7%a9%d7%99%d7%97%d7%95%d7%aa-%d7%92%d7%9c%d7%a8%d7%99%d7%94-%d7%a9%d7%91%d7%99%d7%9c%d7%99-%d7%99%d7%a2%d7%a8-%d7%95-%d7%90-%d7%9c%d7%94-%d7%9e%d7%95%d7%93/dsc_2388/ Thu, 22 Sep 2011 17:46:27 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/09/DSC_2388.jpg 3281 2011-09-22 20:46:27 2011-09-22 17:46:27 closed open dsc_2388 inherit 3280 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/09/DSC_2388.jpg _wp_attached_file 2011/09/DSC_2388.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"640";s:6:"height";s:3:"480";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:20:"2011/09/DSC_2388.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:20:"DSC_2388-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:20:"DSC_2388-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt Maud Friedland at the Benyamini Center שיחות גלריה: "שבילי יער" ו- "א-לה-מוד" http://www.benyaminiceramics.org/2011/09/%d7%a9%d7%99%d7%97%d7%95%d7%aa-%d7%92%d7%9c%d7%a8%d7%99%d7%94-%d7%a9%d7%91%d7%99%d7%9c%d7%99-%d7%99%d7%a2%d7%a8-%d7%95-%d7%90-%d7%9c%d7%94-%d7%9e%d7%95%d7%93/ Thu, 22 Sep 2011 17:49:13 +0000 http://www.benyaminiceramics.org/?p=3280 "שבילי יער" ביום ב' 7/11/2011 ערב עיון בתערוכה "א-לה-מוד” לפרטים נוספים בקרו בעמוד אירועים באתר זה

Maud Friedland at the Benyamini Center

]]> 3280 2011-09-22 20:49:13 2011-09-22 17:49:13 closed open %d7%a9%d7%99%d7%97%d7%95%d7%aa-%d7%92%d7%9c%d7%a8%d7%99%d7%94-%d7%a9%d7%91%d7%99%d7%9c%d7%99-%d7%99%d7%a2%d7%a8-%d7%95-%d7%90-%d7%9c%d7%94-%d7%9e%d7%95%d7%93 publish 0 0 post 0 _edit_lock 1321896168 _edit_last 2 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1321896167 Gallery Talk events http://www.benyaminiceramics.org/en/2011/09/gallery-talk-events/ Thu, 22 Sep 2011 17:55:35 +0000 http://www.benyaminiceramics.org/?p=3283 Two Gallery Talk events: On Monday, October 3rd 2011 at 18:00 with Yael Atzmony, Forest Paths artist On Monday, November 7th 2011 a Maud Friedland symposium

For more details visit our Events page

Maud Friedland at the Benyamini Center

]]> 3283 2011-09-22 20:55:35 2011-09-22 17:55:35 closed open gallery-talk-events publish 0 0 post 0 _edit_lock 1321896220 _edit_last 2 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} workshops at the Benyamini Center סדנאות בבית בנימיני http://www.benyaminiceramics.org/2011/08/%d7%aa%d7%9b%d7%a0%d7%99%d7%aa-%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%95%d7%a1%d7%93%d7%a0%d7%90%d7%95%d7%aa-20112012/workshops_widget_hp_0869opt/ Thu, 22 Sep 2011 18:32:34 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/08/workshops_widget_HP_0869opt.jpg 3296 2011-09-22 21:32:34 2011-09-22 18:32:34 closed open workshops_widget_hp_0869opt inherit 2819 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/08/workshops_widget_HP_0869opt.jpg _wp_attached_file 2011/08/workshops_widget_HP_0869opt.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"640";s:6:"height";s:3:"480";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:39:"2011/08/workshops_widget_HP_0869opt.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:39:"workshops_widget_HP_0869opt-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:39:"workshops_widget_HP_0869opt-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} תצלומים מפתיחת "א-לה-מוד" http://www.benyaminiceramics.org/2011/09/%d7%aa%d7%a6%d7%9c%d7%95%d7%9e%d7%99%d7%9d-%d7%9e%d7%a4%d7%aa%d7%99%d7%97%d7%aa-%d7%90-%d7%9c%d7%94-%d7%9e%d7%95%d7%93/ Thu, 22 Sep 2011 20:28:37 +0000 http://www.benyaminiceramics.org/?p=3350 3350 2011-09-22 23:28:37 2011-09-22 20:28:37 closed open %d7%aa%d7%a6%d7%9c%d7%95%d7%9e%d7%99%d7%9d-%d7%9e%d7%a4%d7%aa%d7%99%d7%97%d7%aa-%d7%90-%d7%9c%d7%94-%d7%9e%d7%95%d7%93 publish 0 0 post 0 _edit_last 2 _edit_lock 1321896065 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1321896063 A-La-Maud Opening Event Images http://www.benyaminiceramics.org/en/2011/09/a-la-maud-opening-event-images/ Thu, 22 Sep 2011 20:30:05 +0000 http://www.benyaminiceramics.org/?p=3352 3352 2011-09-22 23:30:05 2011-09-22 20:30:05 closed open a-la-maud-opening-event-images publish 0 0 post 0 _edit_lock 1321896115 _edit_last 2 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} Jacaranda Kori ג'קרנדה קורי עבור ה"מדפיה" בבית בנימיני http://www.benyaminiceramics.org/2011/07/%d7%94%d7%9e%d7%93%d7%a4%d7%99%d7%94-2/jacaranda-kori1_4x3/ Fri, 23 Sep 2011 07:24:26 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/07/jacaranda-kori1_4x3.jpg 3385 2011-09-23 10:24:26 2011-09-23 07:24:26 closed open jacaranda-kori1_4x3 inherit 2752 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/07/jacaranda-kori1_4x3.jpg _wp_attached_file 2011/07/jacaranda-kori1_4x3.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"600";s:6:"height";s:3:"450";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:31:"2011/07/jacaranda-kori1_4x3.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:31:"jacaranda-kori1_4x3-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:31:"jacaranda-kori1_4x3-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt Jacaranda Kori ג'קרנדה קורי עבור ה"מדפיה" בבית בנימיני Benyamini_courses_2011-12 http://www.benyaminiceramics.org/?attachment_id=3392 Fri, 23 Sep 2011 07:46:04 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/09/Benyamini_courses_2011-12.pdf 3392 2011-09-23 10:46:04 2011-09-23 07:46:04 closed open benyamini_courses_2011-12 inherit 0 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/09/Benyamini_courses_2011-12.pdf _wp_attached_file 2011/09/Benyamini_courses_2011-12.pdf _wp_attachment_metadata a:0:{} Anna Carmi. אנה כרמי http://www.benyaminiceramics.org/%d7%90%d7%a8%d7%95%d7%a2%d7%99%d7%9d/ana_carmi_1840_opt/ Thu, 13 Oct 2011 11:14:32 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2010/07/ana_Carmi_1840_opt.jpg 3475 2011-10-13 13:14:32 2011-10-13 11:14:32 closed open ana_carmi_1840_opt inherit 1439 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2010/07/ana_Carmi_1840_opt.jpg _wp_attached_file 2010/07/ana_Carmi_1840_opt.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"640";s:6:"height";s:3:"480";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:30:"2010/07/ana_Carmi_1840_opt.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:30:"ana_Carmi_1840_opt-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:30:"ana_Carmi_1840_opt-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt מפגש עם האמנית אנה קרמי מפגש עם האמנית אנה כרמי http://www.benyaminiceramics.org/2011/10/%d7%9e%d7%a4%d7%92%d7%a9-%d7%a2%d7%9d-%d7%94%d7%90%d7%9e%d7%a0%d7%99%d7%aa-%d7%90%d7%a0%d7%94-%d7%9b%d7%a8%d7%9e%d7%99/ Thu, 13 Oct 2011 11:53:57 +0000 http://www.benyaminiceramics.org/?p=3506 דו מימד על תלת מימד: צבע ופני שטח בחומר קרמי בהנחיית האמנית אנה קרמי, יתקיים מפגש מקדים, ללא תשלום, עם האמנית בבית בנימיני ביום שלישי, 25 באוקטובר, 18:00. לפרטים נוספים בקרו בעמוד האירועים

מפגש עם האמנית אנה קרמי

]]> 3506 2011-10-13 13:53:57 2011-10-13 11:53:57 closed open %d7%9e%d7%a4%d7%92%d7%a9-%d7%a2%d7%9d-%d7%94%d7%90%d7%9e%d7%a0%d7%99%d7%aa-%d7%90%d7%a0%d7%94-%d7%9b%d7%a8%d7%9e%d7%99 publish 0 0 post 0 _edit_lock 1318515063 _edit_last 2 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1318515061 Introductory meeting with Anna Carmi http://www.benyaminiceramics.org/en/2011/10/introductory-meeting-with-anna-carmi/ Thu, 13 Oct 2011 11:57:09 +0000 http://www.benyaminiceramics.org/?p=3509 2D on 3D: Color and surface in clay, will be held at the Benyamini Center on Tuesday, October 25th, 2011, at 18:00. For more information, please visit our events page

מפגש עם האמנית אנה קרמי

]]> 3509 2011-10-13 13:57:09 2011-10-13 11:57:09 closed open introductory-meeting-with-anna-carmi publish 0 0 post 0 _edit_last 2 _edit_lock 1318511217 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} יום עיון בתערוכה "א-לה-מוד" http://www.benyaminiceramics.org/2011/10/%d7%99%d7%95%d7%9d-%d7%a2%d7%99%d7%95%d7%9f-%d7%91%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%94-%d7%90-%d7%9c%d7%94-%d7%9e%d7%95%d7%93/ Thu, 13 Oct 2011 12:40:06 +0000 http://www.benyaminiceramics.org/?p=3538 במסגרת התערוכה "א-לה-מוד" המתקיימת בימים אלו בבית בנימיני ולרגל צאתו לאור של הספר "מוד פרידלנד - ספר אמן", יתקיים יום עיון ביום שני, 7 בנובמבר 2011 בבית בנימיני בשיתוף אגודת אמני הקרמיקה בישראל. לפרטים נוספים בקרו בעמוד האירועים של בית בנימיני

Maud Friedland Symposium - יום עיון בנושא מוד פרידלנד

[nggallery id=71] ]]> 3538 2011-10-13 14:40:06 2011-10-13 12:40:06 closed open %d7%99%d7%95%d7%9d-%d7%a2%d7%99%d7%95%d7%9f-%d7%91%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%94-%d7%90-%d7%9c%d7%94-%d7%9e%d7%95%d7%93 publish 0 0 post 0 _edit_lock 1321210711 _edit_last 2 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1321210710 Maud Friedland symposium http://www.benyaminiceramics.org/en/2011/10/maud-friedland-symposium/ Thu, 13 Oct 2011 12:47:44 +0000 http://www.benyaminiceramics.org/?p=3542 Symposium in conjunction with the exhibition - A-La-Maud - the works of Maud Friedland - will be held at the Benyamini Center on Monday, November 7th, 14:30 - 20:30. For detailed information, please visit our Events page

Maud Friedland Symposium - יום עיון בנושא מוד פרידלנד

[nggallery id=71] ]]> 3542 2011-10-13 14:47:44 2011-10-13 12:47:44 closed open maud-friedland-symposium publish 0 0 post 0 _edit_lock 1321211092 _edit_last 2 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} Moshe Shek - the movie - משה שק - כרזת הסרט http://www.benyaminiceramics.org/%d7%90%d7%a8%d7%95%d7%a2%d7%99%d7%9d/moshe_shak_movie_opt/ Thu, 13 Oct 2011 13:15:10 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2010/07/moshe_shak_movie_opt.jpg 3564 2011-10-13 15:15:10 2011-10-13 13:15:10 closed open moshe_shak_movie_opt inherit 1439 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2010/07/moshe_shak_movie_opt.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"640";s:6:"height";s:3:"477";s:14:"hwstring_small";s:23:"height='95' width='128'";s:4:"file";s:32:"2010/07/moshe_shak_movie_opt.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:32:"moshe_shak_movie_opt-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:32:"moshe_shak_movie_opt-300x223.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"223";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attached_file 2010/07/moshe_shak_movie_opt.jpg _wp_attachment_image_alt Documentary about Moshe Shek - סרט דקומנטרי אודות משה שק הקרנת הסרט "אבוא במחילות" http://www.benyaminiceramics.org/2011/10/%d7%94%d7%a7%d7%a8%d7%a0%d7%aa-%d7%94%d7%a1%d7%a8%d7%98-%d7%90%d7%91%d7%95%d7%90-%d7%91%d7%9e%d7%97%d7%99%d7%9c%d7%95%d7%aa/ Thu, 13 Oct 2011 13:39:15 +0000 http://www.benyaminiceramics.org/?p=3579 "אבוא במחילות" - מסע בחבל לכיש בעקבות הפסל משה שק - יוקרן בבית בנימיני במוצאי שבת, 5 בנובמבר 2011, בשעה 18:00 לפרטים נוספים בקרו בעמוד האירועים של בית בנימיני

Documentary about Moshe Shek - סרט דקומנטרי אודות משה שק

]]> 3579 2011-10-13 15:39:15 2011-10-13 13:39:15 closed open %d7%94%d7%a7%d7%a8%d7%a0%d7%aa-%d7%94%d7%a1%d7%a8%d7%98-%d7%90%d7%91%d7%95%d7%90-%d7%91%d7%9e%d7%97%d7%99%d7%9c%d7%95%d7%aa publish 0 0 post 0 _edit_lock 1318513745 _edit_last 2 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1318513561 screening of Unto Thy Land http://www.benyaminiceramics.org/en/2011/10/screening-of-unto-thy-land/ Thu, 13 Oct 2011 13:44:05 +0000 http://www.benyaminiceramics.org/?p=3581 Unto Thy Land - A journey in the footsteps of the sculptor Moshe Shek (1936 – 2011), a documentary film by Sylvina Landsman, will be screened at the Benyamini Center on Saturday evening November 5th at 18:00. For more information, please visit our Events page

Documentary about Moshe Shek - סרט דקומנטרי אודות משה שק

]]> 3581 2011-10-13 15:44:05 2011-10-13 13:44:05 closed open screening-of-unto-thy-land publish 0 0 post 0 _edit_lock 1318513499 _edit_last 2 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} Nitzan Stern - ניצן שטרן http://www.benyaminiceramics.org/2011/07/%d7%94%d7%9e%d7%93%d7%a4%d7%99%d7%94-2/nitzanstern_opt_640/ Thu, 13 Oct 2011 13:53:48 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/07/NitzanStern_opt_640.jpg 3587 2011-10-13 15:53:48 2011-10-13 13:53:48 closed open nitzanstern_opt_640 inherit 2752 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/07/NitzanStern_opt_640.jpg _wp_attached_file 2011/07/NitzanStern_opt_640.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"640";s:6:"height";s:3:"480";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:31:"2011/07/NitzanStern_opt_640.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:31:"NitzanStern_opt_640-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:31:"NitzanStern_opt_640-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt Nitzan Stern - ניצן שטרן Maud Friedland Symposium - יום עיון בנושא מוד פרידלנד http://www.benyaminiceramics.org/2011/10/%d7%99%d7%95%d7%9d-%d7%a2%d7%99%d7%95%d7%9f-%d7%91%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%94-%d7%90-%d7%9c%d7%94-%d7%9e%d7%95%d7%93/dsc_2378/ Thu, 13 Oct 2011 14:06:09 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/10/DSC_2378.jpg 3591 2011-10-13 16:06:09 2011-10-13 14:06:09 closed open dsc_2378 inherit 3538 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/10/DSC_2378.jpg _wp_attached_file 2011/10/DSC_2378.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"640";s:6:"height";s:3:"480";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:20:"2011/10/DSC_2378.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:20:"DSC_2378-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:20:"DSC_2378-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt Maud Friedland Symposium - יום עיון בנושא מוד פרידלנד כתיבה על אמנות – סדנא ליוצרים http://www.benyaminiceramics.org/2011/10/%d7%9b%d7%aa%d7%99%d7%91%d7%94-%d7%a2%d7%9c-%d7%90%d7%9e%d7%a0%d7%95%d7%aa-%e2%80%93-%d7%a1%d7%93%d7%a0%d7%90-%d7%9c%d7%99%d7%95%d7%a6%d7%a8%d7%99%d7%9d/ Sun, 30 Oct 2011 18:47:16 +0000 http://www.benyaminiceramics.org/?p=3619 יונתן אמיר, עורך" ערב-רב", מרצה בסדנא ייחודית ליוצרים וכותבים בה נבצע קריאה משותפת של טקסטים אודות אמנות, נתנסה בכתיבה ונלמד להשתמש בכלים לחידוד חשיבה ביקורתית ולפיתוח טקסטים כגון הצהרת אמן ואחרים. לפרטים נוספים, בקרו בעמוד קורסים מיוחדים באתר זה.

art writing with Yonatan Amir - כתיבה על אמנות עם יונתן אמיר

]]> 3619 2011-10-30 20:47:16 2011-10-30 18:47:16 closed open %d7%9b%d7%aa%d7%99%d7%91%d7%94-%d7%a2%d7%9c-%d7%90%d7%9e%d7%a0%d7%95%d7%aa-%e2%80%93-%d7%a1%d7%93%d7%a0%d7%90-%d7%9c%d7%99%d7%95%d7%a6%d7%a8%d7%99%d7%9d publish 0 0 post 0 _edit_lock 1326995157 _edit_last 2 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1326993936 _alp_broken_links a:1:{s:82:"http://www.benyaminiceramics.org/קורסים-2011-12/קורסים-מיוחדים/";a:0:{}} סדנת כתיבה בבית בנימיני Writing workshop at Benyamini Center http://www.benyaminiceramics.org/2011/10/%d7%9b%d7%aa%d7%99%d7%91%d7%94-%d7%a2%d7%9c-%d7%90%d7%9e%d7%a0%d7%95%d7%aa-%e2%80%93-%d7%a1%d7%93%d7%a0%d7%90-%d7%9c%d7%99%d7%95%d7%a6%d7%a8%d7%99%d7%9d/dsc00754-2/ Sun, 30 Oct 2011 19:14:26 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/10/DSC00754.jpg 3629 2011-10-30 21:14:26 2011-10-30 19:14:26 closed open dsc00754-2 inherit 3619 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/10/DSC00754.jpg _wp_attached_file 2011/10/DSC00754.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"640";s:6:"height";s:3:"389";s:14:"hwstring_small";s:23:"height='77' width='128'";s:4:"file";s:20:"2011/10/DSC00754.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:20:"DSC00754-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:20:"DSC00754-300x182.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"182";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt סדנת כתיבה בבית בנימיני Writing workshop at Benyamini Center Art criticism writing workshop http://www.benyaminiceramics.org/en/2011/10/art-criticism-writing-workshop/ Sun, 30 Oct 2011 19:25:22 +0000 http://www.benyaminiceramics.org/?p=3633 Erev-Rav editor, is conducting an art criticism writing workshop for artists and writers. The workshop will run critical reading and writing sessions and provide students with tools for clear, sharpened thought and writing for text such as artists statements and others. For more information please visit our Courses and Workshops page

סדנת כתיבה בבית בנימיני Writing workshop at Benyamini Center

]]> 3633 2011-10-30 21:25:22 2011-10-30 19:25:22 closed open art-criticism-writing-workshop publish 0 0 post 0 _edit_last 2 _edit_lock 1321895963 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} סדנת כתיבה בבית בנימיני Writing workshop at Benyamini Center http://www.benyaminiceramics.org/2011/10/%d7%9b%d7%aa%d7%99%d7%91%d7%94-%d7%a2%d7%9c-%d7%90%d7%9e%d7%a0%d7%95%d7%aa-%e2%80%93-%d7%a1%d7%93%d7%a0%d7%90-%d7%9c%d7%99%d7%95%d7%a6%d7%a8%d7%99%d7%9d/dsc00754_300/ Sun, 30 Oct 2011 19:48:31 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/10/DSC00754_300.jpg 3656 2011-10-30 21:48:31 2011-10-30 19:48:31 closed open dsc00754_300 inherit 3619 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/10/DSC00754_300.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"300";s:6:"height";s:3:"225";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:24:"2011/10/DSC00754_300.jpg";s:5:"sizes";a:1:{s:9:"thumbnail";a:3:{s:4:"file";s:24:"DSC00754_300-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attached_file 2011/10/DSC00754_300.jpg _wp_attachment_image_alt סדנת כתיבה בבית בנימיני Writing workshop at Benyamini Center art writing with Yonatan Amir - כתיבה על אמנות עם יונתן אמיר http://www.benyaminiceramics.org/2011/10/%d7%9b%d7%aa%d7%99%d7%91%d7%94-%d7%a2%d7%9c-%d7%90%d7%9e%d7%a0%d7%95%d7%aa-%e2%80%93-%d7%a1%d7%93%d7%a0%d7%90-%d7%9c%d7%99%d7%95%d7%a6%d7%a8%d7%99%d7%9d/art_writing/ Wed, 16 Nov 2011 17:50:22 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/10/art_writing.jpg 3677 2011-11-16 19:50:22 2011-11-16 17:50:22 closed open art_writing inherit 3619 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/10/art_writing.jpg _wp_attached_file 2011/10/art_writing.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"400";s:6:"height";s:3:"299";s:14:"hwstring_small";s:23:"height='95' width='128'";s:4:"file";s:23:"2011/10/art_writing.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:23:"art_writing-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:23:"art_writing-300x224.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"224";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:12:"Yoram Yannay";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt art writing with Yonatan Amir - כתיבה על אמנות עם יונתן אמיר אמנים אורחים בבית בנימיני http://www.benyaminiceramics.org/2011/11/%d7%90%d7%9e%d7%a0%d7%99%d7%9d-%d7%90%d7%95%d7%a8%d7%97%d7%99%d7%9d-%d7%91%d7%91%d7%99%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/ Sun, 20 Nov 2011 16:05:09 +0000 http://www.benyaminiceramics.org/?p=3774 בעמוד ארועים תודה מיוחדת שלוחה לקרן AIDA ובעיקר לאביבה בן סירה מנהלת הקרן בארץ ולקרן של רות קורמן בבריטניה Designer Crafts Foundation על מאמצי התמיכה והסיוע לאורך שנים.

[caption id="attachment_3856" align="aligncenter" width="300" caption="ceramics by Akio Takamori"]ceramics by Akio Takamori[/caption] ]]> 3774 2011-11-20 18:05:09 2011-11-20 16:05:09 closed open %d7%90%d7%9e%d7%a0%d7%99%d7%9d-%d7%90%d7%95%d7%a8%d7%97%d7%99%d7%9d-%d7%91%d7%91%d7%99%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99 publish 0 0 post 0 _edit_lock 1359041825 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1321890527 599 http://natav2.com/2011/11/%d7%9e%d7%92%d7%96%d7%99%d7%9f-%d7%94%d7%a7%d7%99%d7%a9%d7%95%d7%a8%d7%99%d7%9d-%d7%94%d7%a1%d7%9e%d7%95%d7%99%d7%99%d7%9d-%d7%9e%d7%9f-%d7%94%d7%a2%d7%99%d7%9f-25-%d7%91%d7% 173.254.28.46 2012-05-26 17:09:47 2012-05-26 14:09:47 spam pingback 0 0 ceramics by Akio Takamori http://www.benyaminiceramics.org/en/2011/11/visiting-artists-2011/akio_280/ Sun, 20 Nov 2011 16:36:50 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/11/akio_280.jpg 3787 2011-11-20 18:36:50 2011-11-20 16:36:50 closed open akio_280 inherit 3830 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/11/akio_280.jpg _wp_attached_file 2011/11/akio_280.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"280";s:6:"height";s:3:"210";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:20:"2011/11/akio_280.jpg";s:5:"sizes";a:1:{s:9:"thumbnail";a:3:{s:4:"file";s:20:"akio_280-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt ceramics by Akio Takamori Meira Una Ben Hanan - מאירה אונה בן חנן http://www.benyaminiceramics.org/2011/11/3790/meira-una-ben-hanan400/ Sun, 20 Nov 2011 16:47:02 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/11/Meira-Una-Ben-Hanan400.jpg 3789 2011-11-20 18:47:02 2011-11-20 16:47:02 closed open meira-una-ben-hanan400 inherit 3790 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/11/Meira-Una-Ben-Hanan400.jpg _wp_attached_file 2011/11/Meira-Una-Ben-Hanan400.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"400";s:6:"height";s:3:"300";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:34:"2011/11/Meira-Una-Ben-Hanan400.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:34:"Meira-Una-Ben-Hanan400-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:34:"Meira-Una-Ben-Hanan400-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt Meira Una Ben Hanan - מאירה אונה בן חנן הפלגה - תערוכה בבית בנימיני http://www.benyaminiceramics.org/2011/11/3790/ Sun, 20 Nov 2011 16:54:35 +0000 http://www.benyaminiceramics.org/?p=3790 תערוכה חדשה בבית בנימיני: "הפלגה – סירה לשום מקום"

17/11/2011-14/1/2012

בתערוכה מוצגות יצירות באמצעי ביטוי מגוונים כמו עבודות בחומר, עבודת וידאו, מיצב, ציור וצילום.

אוצרת: תרצה ילון קולטון

משתתפים: נורה ונעמי, אברהם אופק, אווה אבידר, ענת בראל, רונן סימן טוב, נועה בן-נון מלמד, לאוניד גוסין, רותי ברקאי, יונתן אופק, טליה בר, מאירה אונא בן-חנן, דיוויד מוריס, בנימינה נדלר-נאור, סבטלנה פיירמן ושולמית עציון

פרטים נוספים בעמוד גלריה

Meira Una Ben Hanan - מאירה אונה בן חנן

[nggallery id=76] ]]> 3790 2011-11-20 18:54:35 2011-11-20 16:54:35 closed open 3790 publish 0 0 post 0 _edit_lock 1322142579 _edit_last 2 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1322142577 598 http://natav2.com/2011/11/%d7%9e%d7%92%d7%96%d7%99%d7%9f-%d7%94%d7%a7%d7%99%d7%a9%d7%95%d7%a8%d7%99%d7%9d-%d7%94%d7%a1%d7%9e%d7%95%d7%99%d7%99%d7%9d-%d7%9e%d7%9f-%d7%94%d7%a2%d7%99%d7%9f-25-%d7%91%d7% 173.254.28.46 2012-05-26 17:09:20 2012-05-26 14:09:20 spam pingback 0 0 741 http://natav2.com/2011/11/25/ 173.254.28.46 2013-01-08 12:07:47 2013-01-08 10:07:47 0 pingback 0 0 בעקבות אמני קרמיקה בעולם http://www.benyaminiceramics.org/2011/11/%d7%91%d7%a2%d7%a7%d7%91%d7%95%d7%aa-%d7%90%d7%9e%d7%a0%d7%99-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94-%d7%91%d7%a2%d7%95%d7%9c%d7%9d/ Sun, 20 Nov 2011 17:29:46 +0000 http://www.benyaminiceramics.org/?p=3803 רשמי מסע - בעקבות אמני קרמיקה בעולם. מוצ"ש 3 בדצמבר בשעה 18:00 ארוע ייחודי בבית בנימיני:
  • שולמית טייבלום-מילר אודות אמנים שפגשה במהלך מסע בדרום קוריאה.
  • אורן ארבל אודות קדריות שפגש בטנזניה
פרטים בעמוד ארועים tanzania - טנזניה -רשמי מסע ]]> 3803 2011-11-20 19:29:46 2011-11-20 17:29:46 closed open %d7%91%d7%a2%d7%a7%d7%91%d7%95%d7%aa-%d7%90%d7%9e%d7%a0%d7%99-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94-%d7%91%d7%a2%d7%95%d7%9c%d7%9d publish 0 0 post 0 _edit_lock 1359041833 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1321895818 451 http://erev-rav.com/archives/15819 62.219.11.42 2011-12-01 12:14:35 2011-12-01 10:14:35 1 pingback 0 0 Benyamini Center courses - קורסים לקרמיקה http://www.benyaminiceramics.org/en/2011/08/courses-and-workshops-20112012/hp_courses400/ Sun, 20 Nov 2011 17:34:35 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/11/HP_courses400.jpg 3808 2011-11-20 19:34:35 2011-11-20 17:34:35 closed open hp_courses400 inherit 2958 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/11/HP_courses400.jpg _wp_attached_file 2011/11/HP_courses400.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"400";s:6:"height";s:3:"300";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:25:"2011/11/HP_courses400.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:25:"HP_courses400-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:25:"HP_courses400-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt Benyamini Center courses - קורסים לקרמיקה South Korea pottery - קדרים בדרום קוריאה http://www.benyaminiceramics.org/%d7%90%d7%a8%d7%95%d7%a2%d7%99%d7%9d/korea400/ Sun, 20 Nov 2011 17:43:26 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/11/korea400.jpg 3812 2011-11-20 19:43:26 2011-11-20 17:43:26 closed open korea400 inherit 1439 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/11/korea400.jpg _wp_attached_file 2011/11/korea400.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"400";s:6:"height";s:3:"300";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:20:"2011/11/korea400.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:20:"korea400-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:20:"korea400-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt South Korea pottery - קדרים בדרום קוריאה tanzania - טנזניה -רשמי מסע http://www.benyaminiceramics.org/2011/11/%d7%91%d7%a2%d7%a7%d7%91%d7%95%d7%aa-%d7%90%d7%9e%d7%a0%d7%99-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94-%d7%91%d7%a2%d7%95%d7%9c%d7%9d/tanzania400/ Sun, 20 Nov 2011 17:44:37 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/11/tanzania400.jpg 3813 2011-11-20 19:44:37 2011-11-20 17:44:37 closed open tanzania400 inherit 3803 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/11/tanzania400.jpg _wp_attached_file 2011/11/tanzania400.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"400";s:6:"height";s:3:"300";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:23:"2011/11/tanzania400.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:23:"tanzania400-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:23:"tanzania400-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt tanzania - טנזניה -רשמי מסע Lidia Zavadsky http://www.benyaminiceramics.org/2011/07/%d7%94%d7%9e%d7%93%d7%a4%d7%99%d7%94-2/lidia-zavadsky-madafia/ Mon, 21 Nov 2011 09:34:56 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/11/Lidia-Zavadsky-madafia.jpg 3820 2011-11-21 11:34:56 2011-11-21 09:34:56 closed open lidia-zavadsky-madafia inherit 2752 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/11/Lidia-Zavadsky-madafia.jpg _wp_attached_file 2011/11/Lidia-Zavadsky-madafia.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"400";s:6:"height";s:3:"301";s:14:"hwstring_small";s:23:"height='96' width='127'";s:4:"file";s:34:"2011/11/Lidia-Zavadsky-madafia.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:34:"Lidia-Zavadsky-madafia-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:34:"Lidia-Zavadsky-madafia-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt Lidia Zavadsky Voyage - a boat to nowhere http://www.benyaminiceramics.org/en/2011/11/voyage-a-boat-to-nowhere-2/ Mon, 21 Nov 2011 09:52:39 +0000 http://www.benyaminiceramics.org/?p=3828 New exhibition at the Benyamini Center 17/11/2011-14/1/2012. Clay, video art, installation, drawing, photography.

Meira Una Ben Hanan - מאירה אונה בן חנן

Participating artists: Ronen Siman Tov, Noa Ben-Nun Melamed, Eva Avidar, Leonid Gosin, Jonathan Ofek, Svetlana Fireman, Anat Barel, Meira Unna, David Morris, Nora and Naomi, Shulamit Etzion, Ruti Barkai, Talia Bar, Avraham Ofek, Binyamina Nadler-Naor Details on our Gallery page [nggallery id=73] [nggallery id=76] ]]> 3828 2011-11-21 11:52:39 2011-11-21 09:52:39 closed open voyage-a-boat-to-nowhere-2 publish 0 0 post 0 _edit_lock 1322142604 _edit_last 2 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} Visiting artists 2011 http://www.benyaminiceramics.org/en/2011/11/visiting-artists-2011/ Mon, 21 Nov 2011 09:54:56 +0000 http://www.benyaminiceramics.org/?p=3830 Special thanks to Aviva Ben Sira of AIDA, Association of Israel's Decorative Arts and to Ruth Korman - Designer Crafts Foundation, whose assistance in bringing the artists to Israel is highly appreciated. Details on our Events page

[caption id="attachment_3856" align="aligncenter" width="300" caption="ceramics by Akio Takamori"]ceramics by Akio Takamori[/caption]

]]> 3830 2011-11-21 11:54:56 2011-11-21 09:54:56 closed open visiting-artists-2011 publish 0 0 post 0 _edit_lock 1321896374 _edit_last 2 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} Following the world's ceramicists http://www.benyaminiceramics.org/en/2011/11/following-the-worlds-ceramicists/ Mon, 21 Nov 2011 09:56:24 +0000 http://www.benyaminiceramics.org/?p=3832 A unique event: impressions from a journey following artists from around the world. Potters in Tanzania. Ceramic artists in South Korea.
tanzania - טנזניה -רשמי מסע
Details on our Events page
]]> 3832 2011-11-21 11:56:24 2011-11-21 09:56:24 closed open following-the-worlds-ceramicists publish 0 0 post 0 _edit_lock 1321895791 _edit_last 2 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} ceramics by Akio Takamori http://www.benyaminiceramics.org/en/2011/11/visiting-artists-2011/akio_400/ Mon, 21 Nov 2011 10:34:20 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/11/akio_400.jpg 3853 2011-11-21 12:34:20 2011-11-21 10:34:20 closed open akio_400 inherit 3830 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/11/akio_400.jpg _wp_attached_file 2011/11/akio_400.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"400";s:6:"height";s:3:"266";s:14:"hwstring_small";s:23:"height='85' width='128'";s:4:"file";s:20:"2011/11/akio_400.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:20:"akio_400-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:20:"akio_400-300x199.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"199";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt ceramics by Akio Takamori ceramics by Akio Takamori http://www.benyaminiceramics.org/2011/11/%d7%90%d7%9e%d7%a0%d7%99%d7%9d-%d7%90%d7%95%d7%a8%d7%97%d7%99%d7%9d-%d7%91%d7%91%d7%99%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/akio_400_02/ Mon, 21 Nov 2011 10:38:00 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/11/akio_400_02.jpg 3856 2011-11-21 12:38:00 2011-11-21 10:38:00 closed open akio_400_02 inherit 3774 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/11/akio_400_02.jpg _wp_attached_file 2011/11/akio_400_02.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"400";s:6:"height";s:3:"300";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:23:"2011/11/akio_400_02.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:23:"akio_400_02-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:23:"akio_400_02-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt ceramics by Akio Takamori תצלומים מהרצאת "רשמי מסע" http://www.benyaminiceramics.org/2011/12/%d7%aa%d7%a6%d7%9c%d7%95%d7%9e%d7%99%d7%9d-%d7%9e%d7%94%d7%a8%d7%a6%d7%90%d7%aa-%d7%a8%d7%a9%d7%9e%d7%99-%d7%9e%d7%a1%d7%a2/ Wed, 07 Dec 2011 06:26:02 +0000 http://www.benyaminiceramics.org/?p=4069
  • שולמית טייבלום מילר הציגה תצלומים וסיפרה אודות מסעה אל קרמיקאים בדרום קוריאה
  • אורן ארבל ריתק אותנו עם תצלומיו ורשמי המסע שלו אל קדריות בטנזניה
    • הנה תצלומים מהארוע עצמו

    [nggallery id=77]

    ]]>     4069 2011-12-07 08:26:02 2011-12-07 06:26:02 closed open %d7%aa%d7%a6%d7%9c%d7%95%d7%9e%d7%99%d7%9d-%d7%9e%d7%94%d7%a8%d7%a6%d7%90%d7%aa-%d7%a8%d7%a9%d7%9e%d7%99-%d7%9e%d7%a1%d7%a2 publish 0 0 post 0 _edit_lock 1323240874 _edit_last 2 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1323240872     World ceramicists lecture images http://www.benyaminiceramics.org/en/2011/12/world-ceramicists-lecture-images/ Wed, 07 Dec 2011 06:38:47 +0000 http://www.benyaminiceramics.org/?p=4073
  • Shulamit Tieblum Miller presented her voyage to ceramicists in South Korea, along with beautiful slides
  • Oren Arbel told us about his travels to Tanzania where he documented the happy female potters creating household ceramics
    • Here are some images from the event

    [nggallery id=77]

    ]]>     4073 2011-12-07 08:38:47 2011-12-07 06:38:47 closed open world-ceramicists-lecture-images publish 0 0 post 0 _edit_last 2 _edit_lock 1323240904 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";}     שיח גלריה - הפלגה http://www.benyaminiceramics.org/2011/12/%d7%a9%d7%99%d7%97-%d7%92%d7%9c%d7%a8%d7%99%d7%94-%d7%94%d7%a4%d7%9c%d7%92%d7%94/ Tue, 27 Dec 2011 13:08:42 +0000 http://www.benyaminiceramics.org/?p=4087 שיח גלריה בבית בנימיני gallery talk at the Benyamini Center

    ]]>     4087 2011-12-27 15:08:42 2011-12-27 13:08:42 closed open %d7%a9%d7%99%d7%97-%d7%92%d7%9c%d7%a8%d7%99%d7%94-%d7%94%d7%a4%d7%9c%d7%92%d7%94 publish 0 0 post 0 _edit_lock 1324994216 _edit_last 2 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1324994212     Gallery talk - Voyage exhibition http://www.benyaminiceramics.org/en/2011/12/gallery-talk-voyage-exhibition/ Tue, 27 Dec 2011 13:21:02 +0000 http://www.benyaminiceramics.org/?p=4090 שיח גלריה בבית בנימיני gallery talk at the Benyamini Center

    ]]>     4090 2011-12-27 15:21:02 2011-12-27 13:21:02 closed open gallery-talk-voyage-exhibition publish 0 0 post 0 _edit_lock 1324994272 _edit_last 2 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";}     Voyage exhibition gallery talk- הפלגה - שיח גלריה http://www.benyaminiceramics.org/2011/12/%d7%a9%d7%99%d7%97-%d7%92%d7%9c%d7%a8%d7%99%d7%94-%d7%94%d7%a4%d7%9c%d7%92%d7%94/dsc_2803_400x300/ Tue, 27 Dec 2011 13:55:43 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/12/DSC_2803_400x300.jpg 4097 2011-12-27 15:55:43 2011-12-27 13:55:43 closed open dsc_2803_400x300 inherit 4087 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/12/DSC_2803_400x300.jpg _wp_attached_file 2011/12/DSC_2803_400x300.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"400";s:6:"height";s:3:"300";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:28:"2011/12/DSC_2803_400x300.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:28:"DSC_2803_400x300-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:28:"DSC_2803_400x300-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt שיח גלריה בבית בנימיני gallery talk at the Benyamini Center Akio Takamori וידאו מכיתת אמן http://www.benyaminiceramics.org/2011/12/akio-takamori-%d7%95%d7%99%d7%93%d7%90%d7%95-%d7%9e%d7%9b%d7%99%d7%aa%d7%aa-%d7%90%d7%9e%d7%9f/ Wed, 28 Dec 2011 14:34:19 +0000 http://www.benyaminiceramics.org/?p=4100 Master class demonstration by Akio Takamori, at the Benyamini Center, December 25th, 2011. Tel Aviv, Israel]]> 4100 2011-12-28 16:34:19 2011-12-28 14:34:19 closed open akio-takamori-%d7%95%d7%99%d7%93%d7%90%d7%95-%d7%9e%d7%9b%d7%99%d7%aa%d7%aa-%d7%90%d7%9e%d7%9f publish 0 0 post 0 keywords Akio takamori, כיתת אמן, קרמיקה title Akio takamori master class video recording description Akio Takamori וידאו מכיתת האמן של _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1325083017 _edit_lock 1325083019 _edit_last 2 robotsmeta index,follow Akio Takamori master class video http://www.benyaminiceramics.org/en/2011/12/akio-takamori-master-class-video/ Wed, 28 Dec 2011 14:42:30 +0000 http://www.benyaminiceramics.org/?p=4104 Master class demonstration by Akio Takamori, at the Benyamini Center, December 25th, 2011. Tel Aviv, Israel]]> 4104 2011-12-28 16:42:30 2011-12-28 14:42:30 closed open akio-takamori-master-class-video publish 0 0 post 0 title Akio Takamori master class video excerpt robotsmeta index,follow _edit_lock 1325084109 _edit_last 2 description akio takamori demonstrating his workflow during a master class keywords akio takamori, master class, ceramics, benyamini center _revision-control a:1:{i:0;s:8:"defaults";} תלמידי בצלאל בביקור בבית בנימיני http://www.benyaminiceramics.org/2011/12/%d7%aa%d7%9c%d7%9e%d7%99%d7%93%d7%99-%d7%91%d7%a6%d7%9c%d7%90%d7%9c-%d7%91%d7%91%d7%99%d7%a7%d7%95%d7%a8-%d7%91%d7%91%d7%99%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/ Wed, 28 Dec 2011 15:02:25 +0000 http://www.benyaminiceramics.org/?p=4108 [nggallery id=78]

    ]]>     4108 2011-12-28 17:02:25 2011-12-28 15:02:25 closed open %d7%aa%d7%9c%d7%9e%d7%99%d7%93%d7%99-%d7%91%d7%a6%d7%9c%d7%90%d7%9c-%d7%91%d7%91%d7%99%d7%a7%d7%95%d7%a8-%d7%91%d7%91%d7%99%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99 publish 0 0 post 0 _edit_lock 1359041871 _edit_last 3 title ביקור סטודנטים מבצלאל description סטודנטים מבצלאל מבקרים בבית בנימיני _revision-control a:1:{i:0;s:8:"defaults";} keywords בצלאל, ביקור סטודנטים, קרמיקה robotsmeta index,follow     Bezalel students visit http://www.benyaminiceramics.org/en/2011/12/bezalel-students-visit/ Wed, 28 Dec 2011 15:06:01 +0000 http://www.benyaminiceramics.org/?p=4110 [nggallery id=78]

    ]]>     4110 2011-12-28 17:06:01 2011-12-28 15:06:01 closed open bezalel-students-visit publish 0 0 post 0 _edit_lock 1325085485 _edit_last 2 title Bezalel students visit description Bezalel students visiting the Benyamini Center _revision-control a:1:{i:0;s:8:"defaults";} keywords Bezalel, students, visit robotsmeta index,follow     On the Shelf exhibit פריט בתצוגה "על המדף" http://www.benyaminiceramics.org/2011/07/%d7%94%d7%9e%d7%93%d7%a4%d7%99%d7%94-2/madafiya_2916_525/ Wed, 28 Dec 2011 20:30:57 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/12/madafiya_2916_525.jpg 4125 2011-12-28 22:30:57 2011-12-28 20:30:57 closed open madafiya_2916_525 inherit 2752 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/12/madafiya_2916_525.jpg _wp_attached_file 2011/12/madafiya_2916_525.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"525";s:6:"height";s:3:"394";s:14:"hwstring_small";s:23:"height='96' width='127'";s:4:"file";s:29:"2011/12/madafiya_2916_525.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:29:"madafiya_2916_525-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:29:"madafiya_2916_525-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt On the Shelf exhibit פריט בתצוגה "על המדף" כיתת אמן עם Marcus O'Mahoney ו John Higgins http://www.benyaminiceramics.org/2011/12/%d7%9b%d7%99%d7%aa%d7%aa-%d7%90%d7%9e%d7%9f-%d7%a2%d7%9d-marcus-omahoney-%d7%95-john-higgins/ Wed, 28 Dec 2011 21:12:02 +0000 http://www.benyaminiceramics.org/?p=4136 כיתת אמן עם שני אמנים מרתקים מחו"ל John Higgins - עבודותיו מאופיינות באיכויות פיסוליות עם אזכורים ארכיטקטוניים Marcus O'Mahoney - קדר אירי. יוצר בעיקר אובייקטים שימושיים על האבניים

    Ceramics by Marcus O'Mahoney & John Higgins עבודות של

    יום ה', 5/1/2012 16:00
    • כניסה: 75 שקל לכל אירוע
    • 10% הנחה לסטודנטים בבית בנימיני
    • 50 שקל לחברי אגודת אמני הקרמיקה
    • הזמנת מקומות מראש במשרד
    • האירוע באירגון של אגודת אמני הקרמיקה בישראל
    לפרטים נוספים בקרו בעמוד אירועים

    ceramic by John Higgins עבודת קרמיקה של

    ceramic by Marcus O'Mahoney עבודת קרמיקה של

    ]]>     4136 2011-12-28 23:12:02 2011-12-28 21:12:02 closed open %d7%9b%d7%99%d7%aa%d7%aa-%d7%90%d7%9e%d7%9f-%d7%a2%d7%9d-marcus-omahoney-%d7%95-john-higgins publish 0 0 post 0 _edit_last 2 _edit_lock 1329174716 title כיתת אמן עם Marcus O'Mahoney ו John Higgins _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1325108879 description כיתת אמן עם שני אמנים מרתקים מחו"ל keywords Marcus O'Mahoney , John Higgins ,כיתת אמן, קרמיקה robotsmeta index,follow     Master class with Marcus O'Mahoney and John Higgins http://www.benyaminiceramics.org/en/2011/12/master-class-with-marcus-omahoney-and-john-higgins/ Wed, 28 Dec 2011 21:19:41 +0000 http://www.benyaminiceramics.org/?p=4138 An exciting and challenging Master Class with:

    • John Higgins - a British artist from the UK
    • Marcus O'Mahony - an Irish artist from Ireland

    Ceramics by Marcus O'Mahoney & John Higgins עבודות של

    Thursday, January 5th, 2012 @ 16:00

    • 75 NIS entrance fee for each of the events
    • 50 NIS entrance fee for members of the Ceramic Artists Association of Israel
    • 10% discount for Benyamini Center students
    • The events are organized by the Ceramic Artists Association of Israel

    For details please visit our events page

    ceramic by Marcus O'Mahoney עבודת קרמיקה של

    ceramic by John Higgins עבודת קרמיקה של

    ]]>     4138 2011-12-28 23:19:41 2011-12-28 21:19:41 closed open master-class-with-marcus-omahoney-and-john-higgins publish 0 0 post 0 robotsmeta index,follow _edit_lock 1325112363 _edit_last 2 _revision-control a:1:{i:0;s:8:"defaults";} title Marcus O'Mahoney and John Higgins Master class description An exciting and challenging Master Class with John Higgins & Marcus O'Mahoney keywords Marcus O'Mahoney , John Higgins ,master class, ceramics     Ceramics by Marcus O'Mahoney & John Higgins עבודות של http://www.benyaminiceramics.org/2011/12/%d7%9b%d7%99%d7%aa%d7%aa-%d7%90%d7%9e%d7%9f-%d7%a2%d7%9d-marcus-omahoney-%d7%95-john-higgins/higgins_omahoney/ Wed, 28 Dec 2011 21:22:56 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/12/Higgins_Omahoney.jpg 4141 2011-12-28 23:22:56 2011-12-28 21:22:56 closed open higgins_omahoney inherit 4136 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/12/Higgins_Omahoney.jpg _wp_attached_file 2011/12/Higgins_Omahoney.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"400";s:6:"height";s:3:"300";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:28:"2011/12/Higgins_Omahoney.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:28:"Higgins_Omahoney-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:28:"Higgins_Omahoney-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt Ceramics by Marcus O'Mahoney & John Higgins עבודות של ceramic by John Higgins עבודת קרמיקה של http://www.benyaminiceramics.org/2011/12/%d7%9b%d7%99%d7%aa%d7%aa-%d7%90%d7%9e%d7%9f-%d7%a2%d7%9d-marcus-omahoney-%d7%95-john-higgins/john_higgins_opt/ Wed, 28 Dec 2011 21:32:08 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/12/John_Higgins_opt.jpg 4148 2011-12-28 23:32:08 2011-12-28 21:32:08 closed open john_higgins_opt inherit 4136 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/12/John_Higgins_opt.jpg _wp_attached_file 2011/12/John_Higgins_opt.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"320";s:6:"height";s:3:"480";s:14:"hwstring_small";s:22:"height='96' width='64'";s:4:"file";s:28:"2011/12/John_Higgins_opt.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:28:"John_Higgins_opt-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:28:"John_Higgins_opt-200x300.jpg";s:5:"width";s:3:"200";s:6:"height";s:3:"300";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt ceramic by John Higgins עבודת קרמיקה של ceramic by Marcus O'Mahoney עבודת קרמיקה של http://www.benyaminiceramics.org/2011/12/%d7%9b%d7%99%d7%aa%d7%aa-%d7%90%d7%9e%d7%9f-%d7%a2%d7%9d-marcus-omahoney-%d7%95-john-higgins/marcus_omahoney_opt/ Wed, 28 Dec 2011 21:34:25 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/12/Marcus_OMahoney_opt.jpg 4150 2011-12-28 23:34:25 2011-12-28 21:34:25 closed open marcus_omahoney_opt inherit 4136 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/12/Marcus_OMahoney_opt.jpg _wp_attached_file 2011/12/Marcus_OMahoney_opt.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"360";s:6:"height";s:3:"480";s:14:"hwstring_small";s:22:"height='96' width='72'";s:4:"file";s:31:"2011/12/Marcus_OMahoney_opt.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:31:"Marcus_OMahoney_opt-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:31:"Marcus_OMahoney_opt-225x300.jpg";s:5:"width";s:3:"225";s:6:"height";s:3:"300";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt ceramic by Marcus O'Mahoney עבודת קרמיקה של כיתת אמן וסדנה עם Jason Lim http://www.benyaminiceramics.org/2011/12/%d7%9b%d7%99%d7%aa%d7%aa-%d7%90%d7%9e%d7%9f-%d7%95%d7%a1%d7%93%d7%a0%d7%94-%d7%a2%d7%9d-jason-lim/ Wed, 28 Dec 2011 22:25:13 +0000 http://www.benyaminiceramics.org/?p=4158 Jason Lim - אמן קרמיקה מסינגפור - מהמובילים בתחומו ואמן מיצג מהידועים בעולם. שילוב של אמנות מיצג וקרמיקה. כיתת אמן ביום ראשון, ה-15 בינואר 2012 בשעה 20:00

    swimming with sweaty palms by Jason Lim

    • כניסה: 75 ש"ח
    • 50 ש"ח לסטודנטים בבית בנימיני, חברי אגודת הקרמיקאיים ואומנים צעירים
    • הרשמה מראש במשרד
    סדנא ייחודית: ביום חמישי, ה-19 בינואר בשעה 16:00
    • במהלך הסדנא יתקיים מפגש חוויתי בין אמנות המיצג לחומר הקראמי
    • עלות: 350 ש"ח
    • 10% הנחה לסטודנטים בבית בנימיני חברי האגודה ולאמנים צעירים
    • הרשמה מראש במשרד
    • מספר מקומות מוגבל
    לפרטים נוספים, בקרו בעמוד אירועים

    [nggallery id=79]

    ]]>     4158 2011-12-29 00:25:13 2011-12-28 22:25:13 closed open %d7%9b%d7%99%d7%aa%d7%aa-%d7%90%d7%9e%d7%9f-%d7%95%d7%a1%d7%93%d7%a0%d7%94-%d7%a2%d7%9d-jason-lim publish 0 0 post 0 _edit_lock 1325112793 _edit_last 2 title Jason Lim - אמן קרמיקה מסינגפור description כיתת אמן וסדנה ייחודית עם Jason Lim אמן קרמיקה ומיצג מסינגפור _revision-control a:1:{i:0;s:8:"defaults";} robotsmeta index,follow _alp_processed 1325112792 keywords Jason Lim, כיתת אמן, סדנה, קרמיקה, מיצג     Jason Lim Master Class and Workshop http://www.benyaminiceramics.org/en/2011/12/jason-lim-master-class-and-workshop/ Wed, 28 Dec 2011 22:34:45 +0000 http://www.benyaminiceramics.org/?p=4160 Jason Lim - a leading ceramic artist from Singapore and an internationally acclaimed performance artist combining Performance Art and Clay

    swimming with sweaty palms by Jason Lim

    Master Class: Sunday, January 15th 2012 at 20:00

    • Entrance: 75 NIS
    • 50 NIS for Benyamini students, CAAI members and young artists
    • Advance reservations required

    Workshop: Thursday, January 19th 2012 at 16:00

    • Cost: 350 NIS
    • 10% discount for Benyamini students, young artists and members of the CAAI
    • Advance reservations required - limited places available
    For details visit our events page

    [nggallery id=79]

    ]]>     4160 2011-12-29 00:34:45 2011-12-28 22:34:45 closed open jason-lim-master-class-and-workshop publish 0 0 post 0 _edit_lock 1325112837 _edit_last 2 title Jasom Lim Master class and workshop robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} keywords Jason Lim, workshop, master class, ceramics, performance art, _alp_processed 1325112571 description Master class and workshop by Jason Lim an internationally acclaimed performance artist combining Performance Art and Clay     swimming with sweaty palms by Jason Lim http://www.benyaminiceramics.org/2011/12/%d7%9b%d7%99%d7%aa%d7%aa-%d7%90%d7%9e%d7%9f-%d7%95%d7%a1%d7%93%d7%a0%d7%94-%d7%a2%d7%9d-jason-lim/swimming-with-sweaty-palms/ Wed, 28 Dec 2011 22:52:28 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/12/swimming-with-sweaty-palms.jpg 4181 2011-12-29 00:52:28 2011-12-28 22:52:28 closed open swimming-with-sweaty-palms inherit 4158 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/12/swimming-with-sweaty-palms.jpg _wp_attached_file 2011/12/swimming-with-sweaty-palms.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"640";s:6:"height";s:3:"480";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:38:"2011/12/swimming-with-sweaty-palms.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:38:"swimming-with-sweaty-palms-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:38:"swimming-with-sweaty-palms-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt swimming with sweaty palms by Jason Lim אקיאו טקמורי מדגים http://www.benyaminiceramics.org/2012/01/%d7%90%d7%a7%d7%99%d7%90%d7%95-%d7%98%d7%a7%d7%9e%d7%95%d7%a8%d7%99-%d7%9e%d7%93%d7%92%d7%99%d7%9d/ Thu, 19 Jan 2012 08:49:06 +0000 http://www.benyaminiceramics.org/?p=4201 4201 2012-01-19 10:49:06 2012-01-19 08:49:06 closed open %d7%90%d7%a7%d7%99%d7%90%d7%95-%d7%98%d7%a7%d7%9e%d7%95%d7%a8%d7%99-%d7%9e%d7%93%d7%92%d7%99%d7%9d publish 0 0 post 0 _edit_lock 1326962973 _edit_last 2 description תצלומים מכתת האמן של אקיאו טקמורי בבית בנימיני keywords Akio Takamori, בית בנימיני, כתת אמן, קרמיקה _revision-control a:1:{i:0;s:8:"defaults";} title אקיאו טקמורי robotsmeta index,follow _alp_processed 1326962972 Akio Takamori demonstration http://www.benyaminiceramics.org/en/2012/01/akio-takamori-demonstration/ Thu, 19 Jan 2012 08:51:51 +0000 http://www.benyaminiceramics.org/?p=4204 4204 2012-01-19 10:51:51 2012-01-19 08:51:51 closed open akio-takamori-demonstration publish 0 0 post 0 title Akio Takamori demonstrates robotsmeta index,follow _edit_lock 1326963114 _edit_last 2 description Images from Akio Takamori's master class at the Benyamini Center _revision-control a:1:{i:0;s:8:"defaults";} keywords Akio Takamori, master class, ceramics, benyamini center רעיה שטרן במדפיה http://www.benyaminiceramics.org/2012/01/%d7%97%d7%93%d7%a9-%d7%91%d7%9e%d7%93%d7%a4%d7%99%d7%94-%d7%a8%d7%a2%d7%99%d7%94-%d7%a9%d7%98%d7%a8%d7%9f/ Thu, 19 Jan 2012 09:13:32 +0000 http://www.benyaminiceramics.org/?p=4212 Raya Stern

    ]]>     4212 2012-01-19 11:13:32 2012-01-19 09:13:32 closed open %d7%97%d7%93%d7%a9-%d7%91%d7%9e%d7%93%d7%a4%d7%99%d7%94-%d7%a8%d7%a2%d7%99%d7%94-%d7%a9%d7%98%d7%a8%d7%9f publish 0 0 post 0 _edit_lock 1359041931 _edit_last 3 keywords רעיה שטרן description המדפיה בבית בנימיני מציגה עשרה אמנים מתחלפים במשך עשרה שבועות. אמן בשבוע. והפעם - רעיה שטרן title רעיה שטרן במדפיה _revision-control a:1:{i:0;s:8:"defaults";} robotsmeta index,follow _alp_processed 1326965127     Raya Stern On the Shelf http://www.benyaminiceramics.org/en/2012/01/raya-stern-on-the-shelf/ Thu, 19 Jan 2012 09:21:58 +0000 http://www.benyaminiceramics.org/?p=4217 Raya Stern

    ]]>     4217 2012-01-19 11:21:58 2012-01-19 09:21:58 closed open raya-stern-on-the-shelf publish 0 0 post 0 _edit_last 2 _edit_lock 1326966438 keywords Raya Stern, on the shelf, ceramics description "On the Shelf" presents 10 artists over 10 weeks, an artist a week. This week Raya Stern. title Raya Stern on the shelf _revision-control a:1:{i:0;s:8:"defaults";} robotsmeta index,follow     Raya Stern http://www.benyaminiceramics.org/2012/01/%d7%97%d7%93%d7%a9-%d7%91%d7%9e%d7%93%d7%a4%d7%99%d7%94-%d7%a8%d7%a2%d7%99%d7%94-%d7%a9%d7%98%d7%a8%d7%9f/raya-stern-400/ Thu, 19 Jan 2012 09:23:04 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/01/Raya-Stern-400.jpg 4219 2012-01-19 11:23:04 2012-01-19 09:23:04 closed open raya-stern-400 inherit 4212 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/01/Raya-Stern-400.jpg _wp_attached_file 2012/01/Raya-Stern-400.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"400";s:6:"height";s:3:"300";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:26:"2012/01/Raya-Stern-400.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:26:"Raya-Stern-400-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:26:"Raya-Stern-400-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt Raya Stern Emily Cage אמילי קייג' http://www.benyaminiceramics.org/%d7%90%d7%a8%d7%95%d7%a2%d7%99%d7%9d/emily-cage_01/ Thu, 19 Jan 2012 09:49:13 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/01/Emily-Cage_01.jpg 4224 2012-01-19 11:49:13 2012-01-19 09:49:13 closed open emily-cage_01 inherit 1439 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/01/Emily-Cage_01.jpg _wp_attached_file 2012/01/Emily-Cage_01.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"320";s:6:"height";s:3:"480";s:14:"hwstring_small";s:22:"height='96' width='64'";s:4:"file";s:25:"2012/01/Emily-Cage_01.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:25:"Emily-Cage_01-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:25:"Emily-Cage_01-200x300.jpg";s:5:"width";s:3:"200";s:6:"height";s:3:"300";}}s:10:"image_meta";a:10:{s:8:"aperture";s:2:"13";s:6:"credit";s:0:"";s:6:"camera";s:13:"Canon EOS 20D";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1324884824";s:9:"copyright";s:0:"";s:12:"focal_length";s:2:"39";s:3:"iso";s:3:"100";s:13:"shutter_speed";s:5:"0.008";s:5:"title";s:0:"";}} _wp_attachment_image_alt Emily Cage אמילי קייג' Emily Cage אמילי קייג' http://www.benyaminiceramics.org/2012/01/%d7%a4%d7%a8%d7%a4%d7%95%d7%a8%d7%9e%d7%a0%d7%a1-%d7%91%d7%90%d7%99%d7%a8%d7%95%d7%a2-%d7%94%d7%a4%d7%aa%d7%99%d7%97%d7%94/emily-cage_01_240/ Thu, 19 Jan 2012 10:04:35 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/01/Emily-Cage_01_240.jpg 4228 2012-01-19 12:04:35 2012-01-19 10:04:35 closed open emily-cage_01_240 inherit 4229 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/01/Emily-Cage_01_240.jpg _wp_attached_file 2012/01/Emily-Cage_01_240.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"240";s:6:"height";s:3:"180";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:29:"2012/01/Emily-Cage_01_240.jpg";s:5:"sizes";a:1:{s:9:"thumbnail";a:3:{s:4:"file";s:29:"Emily-Cage_01_240-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}}s:10:"image_meta";a:10:{s:8:"aperture";s:2:"13";s:6:"credit";s:6:"tehila";s:6:"camera";s:13:"Canon EOS 20D";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1324884824";s:9:"copyright";s:0:"";s:12:"focal_length";s:2:"39";s:3:"iso";s:3:"100";s:13:"shutter_speed";s:5:"0.008";s:5:"title";s:0:"";}} _wp_attachment_image_alt Emily Cage אמילי קייג' פרפורמנס באירוע הפתיחה http://www.benyaminiceramics.org/2012/01/%d7%a4%d7%a8%d7%a4%d7%95%d7%a8%d7%9e%d7%a0%d7%a1-%d7%91%d7%90%d7%99%d7%a8%d7%95%d7%a2-%d7%94%d7%a4%d7%aa%d7%99%d7%97%d7%94/ Thu, 19 Jan 2012 10:14:42 +0000 http://www.benyaminiceramics.org/?p=4229 שני מופעים חיים במהלך הפתיחה של התערוכה ‏ÜberKitsch

    • פרפורמנס מאת ובביצוע אמילי קייג' עם וידאו של ענת כ"ץ
    • ביצוע חי של עבודת קיר על ידי יוחאי מטוס

    יום ה', 26 בינואר, 2012, 19:00

    Emily Cage אמילי קייג'

    ]]>     4229 2012-01-19 12:14:42 2012-01-19 10:14:42 closed open %d7%a4%d7%a8%d7%a4%d7%95%d7%a8%d7%9e%d7%a0%d7%a1-%d7%91%d7%90%d7%99%d7%a8%d7%95%d7%a2-%d7%94%d7%a4%d7%aa%d7%99%d7%97%d7%94 publish 0 0 post 0 _edit_lock 1327442469 _edit_last 2 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1327442462     Opening event performance http://www.benyaminiceramics.org/en/2012/01/opening-event-performance/ Thu, 19 Jan 2012 10:19:56 +0000 http://www.benyaminiceramics.org/?p=4231 On Thursday, January 26th, 2012 at 19:00, during the opening event for the exhibition ‏ÜberKitsch, two live performance:
    • Emily Cage with video by Anat Katz.
    • Live Wall Installation Performance by Yochai Matos
    Emily Cage אמילי קייג'
    ]]>     4231 2012-01-19 12:19:56 2012-01-19 10:19:56 closed open opening-event-performance publish 0 0 post 0 _edit_lock 1327442787 _edit_last 2 title Opening event performance description Live performance during the opening of ‏ÜberKitsch at the Benyamini Center _revision-control a:1:{i:0;s:8:"defaults";} robotsmeta index,follow keywords Emily Cage, Yochai Matos, Anat Katz, ‏ÜberKitsch     Ilona Romule http://www.benyaminiceramics.org/2012/01/%d7%9b%d7%aa%d7%aa-%d7%90%d7%9e%d7%9f-%d7%a2%d7%9d-ilona-romule/ilona-romule-_400/ Thu, 19 Jan 2012 10:38:49 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/01/Ilona-Romule-_400.jpg 4236 2012-01-19 12:38:49 2012-01-19 10:38:49 closed open ilona-romule-_400 inherit 4235 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/01/Ilona-Romule-_400.jpg _wp_attached_file 2012/01/Ilona-Romule-_400.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"400";s:6:"height";s:3:"300";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:29:"2012/01/Ilona-Romule-_400.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:29:"Ilona-Romule-_400-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:29:"Ilona-Romule-_400-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt Ilona Romule כתת אמן עם Ilona Romule http://www.benyaminiceramics.org/2012/01/%d7%9b%d7%aa%d7%aa-%d7%90%d7%9e%d7%9f-%d7%a2%d7%9d-ilona-romule/ Thu, 19 Jan 2012 10:41:15 +0000 http://www.benyaminiceramics.org/?p=4235 ‏Ilona Romule - אמנית מרתקת מריגה, לטביה, תקיים בבית בנימיני כיתת אמן ביום ה', 23 בפברואר, 2012 בשעה 18:00. במהלך הכיתה תרצה אילונה על עבודותיה ותציג מקבץ מצגות בנושאים שונים הקשורים לעבודתה. לפרטים נוספים אנא בקרו בעמוד אירועים

    Ilona Romule

    ]]>     4235 2012-01-19 12:41:15 2012-01-19 10:41:15 closed open %d7%9b%d7%aa%d7%aa-%d7%90%d7%9e%d7%9f-%d7%a2%d7%9d-ilona-romule publish 0 0 post 0 _edit_last 2 _edit_lock 1329165327 title Ilona Romule מתארחת בבית בנימיני description כיתת אמן וסדנה בהדרכת Ilona Romule _revision-control a:1:{i:0;s:8:"defaults";} robotsmeta index,follow _alp_processed 1329165323 _wp_old_slug %d7%90%d7%95%d7%a8%d7%97%d7%aa-%d7%91%d7%91%d7%99%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99-ilona-romule keywords Ilona Romule, כתת אמן, סדנא, קרמיקה, לטביה, ריגה     Master Class with Ilona Romule http://www.benyaminiceramics.org/en/2012/01/master-class-with-ilona-romule/ Thu, 19 Jan 2012 10:46:31 +0000 http://www.benyaminiceramics.org/?p=4238 On Thursday, February 23rd, 2012, at 18:00 Ilona will give a Master Class presentation. Please visit our Events page for details.

    Ilona Romule

    ]]>     4238 2012-01-19 12:46:31 2012-01-19 10:46:31 closed open master-class-with-ilona-romule publish 0 0 post 0 _edit_lock 1329165381 _edit_last 2 description Ilona Romule, world renowned for her contemporary slip cast porcelain objects, will be a guest at the Benyamini Center _revision-control a:1:{i:0;s:8:"defaults";} title Ilona Romule at the Benyamini Center robotsmeta index,follow _wp_old_slug ilona-romule-at-the-benyamini-center keywords Ilona Romule, riga, latvia, ceramics, master class _alp_processed 1329165380     Ilona Romule workshop http://www.benyaminiceramics.org/%d7%90%d7%a8%d7%95%d7%a2%d7%99%d7%9d/ilona-romule-31_400/ Thu, 19 Jan 2012 12:25:14 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2010/07/Ilona-Romule-31_400.jpg 4266 2012-01-19 14:25:14 2012-01-19 12:25:14 closed open ilona-romule-31_400 inherit 1439 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2010/07/Ilona-Romule-31_400.jpg _wp_attached_file 2010/07/Ilona-Romule-31_400.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"400";s:6:"height";s:3:"300";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:31:"2010/07/Ilona-Romule-31_400.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:31:"Ilona-Romule-31_400-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:31:"Ilona-Romule-31_400-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt porcelain mould workshop סדנה ייחודית עם Ilona Romule http://www.benyaminiceramics.org/2012/01/%d7%a1%d7%93%d7%a0%d7%94-%d7%99%d7%99%d7%97%d7%95%d7%93%d7%99%d7%aa-%d7%a2%d7%9d-ilona-romule/ Thu, 19 Jan 2012 12:43:42 +0000 http://www.benyaminiceramics.org/?p=4277 Ilona Romule אמנית המבקרת בבית בנימיני מהעיר ריגה שבמדינת לטביה, תעביר סדנה ייחודית בת שישה ימים ליציקת פורצלן. הטכניקה האישית והמיוחדת של אילונה היא תוצר של מחקר רב שנים והתנסות בבתי חרושת ליציקות פורצלן במזרח אירופה.

    17-23 בפברואר 2012

    לפרטים אנא בקרו בעמוד ארועים

    porcelain mould workshop

    ]]>     4277 2012-01-19 14:43:42 2012-01-19 12:43:42 closed open %d7%a1%d7%93%d7%a0%d7%94-%d7%99%d7%99%d7%97%d7%95%d7%93%d7%99%d7%aa-%d7%a2%d7%9d-ilona-romule trash 0 0 post 0 _edit_lock 1329165069 _edit_last 2 title סדנה ליציקת פורצלן עם Ilona Romule description הסדנה של Ilona Romule תתמקד בתהליכי עבודתה - החל מגרעין הרעיון וכלה באובייקט המוגמר _revision-control a:1:{i:0;s:8:"defaults";} robotsmeta index,follow _alp_processed 1329169576 keywords Ilona Romule, כתת אמן, סדנה, פורצלן, לטביה, ריגה, יציקה,     Ilona Romule porcelain workshop http://www.benyaminiceramics.org/2012/01/ilona-romule-porcelain-workshop/ Thu, 19 Jan 2012 12:48:16 +0000 http://www.benyaminiceramics.org/?p=4279 February 17 through February 23, 2012 For details please visit our Events page

    porcelain mould workshop

    ]]>     4279 2012-01-19 14:48:16 2012-01-19 12:48:16 closed open ilona-romule-porcelain-workshop trash 0 0 post 0 _edit_lock 1329165267 _edit_last 2 robotsmeta index,follow title Ilona Romule porcelain workshop _revision-control a:1:{i:0;s:8:"defaults";} description Ilona Romule will give a porcelain workshop at the Benyamini Center _alp_processed 1329169575 keywords Ilona Romule, riga, latvia, porcelain, workshop     קורס קדרות למתקדמים http://www.benyaminiceramics.org/2012/01/%d7%a7%d7%95%d7%a8%d7%a1-%d7%a7%d7%93%d7%a8%d7%95%d7%aa-%d7%9c%d7%9e%d7%aa%d7%a7%d7%93%d7%9e%d7%99%d7%9d/ Thu, 19 Jan 2012 13:36:39 +0000 http://www.benyaminiceramics.org/?p=4294

    קורס קדרות למתקדמים עם אמנון עמוס. נתמקד ביצירת מערכת כלים המקיימת קשר רעיוני-צורני וננסה לחדד ולגבש שפה אישית.
    ימי רביעי ב-16:00.
    לפרטים נוספים אנא בקרו בעמוד קורסים למתקדמים.
    Amnon Amos אמנון עמוס
    ]]>     4294 2012-01-19 15:36:39 2012-01-19 13:36:39 closed open %d7%a7%d7%95%d7%a8%d7%a1-%d7%a7%d7%93%d7%a8%d7%95%d7%aa-%d7%9c%d7%9e%d7%aa%d7%a7%d7%93%d7%9e%d7%99%d7%9d publish 0 0 post 0 _edit_lock 1359041914 _edit_last 3 title קורס קדרות למתקדמים עם אמנון עמוס description נתמקד ביצירת מערכת כלים המקיימת קשר רעיוני-צורני וננסה לחדד ולגבש שפה אישית _revision-control a:1:{i:0;s:8:"defaults";} robotsmeta index,follow _alp_processed 1359041912 _alp_broken_links a:1:{s:292:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%9E%D7%AA%D7%97%D7%99%D7%9C%D7%99%D7%9D/%D7%A7%D7%95%D7%A8%D7%A1-%D7%A7%D7%93%D7%A8%D7%95%D7%AA-%D7%99%D7%A1%D7%95%D7%93%D7%95%D7%AA/";a:0:{}} keywords אמנון עמוס, קורס קדרות, קרמיקה, קורסים לקרמיקה     Advanced throwing course http://www.benyaminiceramics.org/en/2012/01/advanced-throwing-course/ Thu, 19 Jan 2012 13:41:44 +0000 http://www.benyaminiceramics.org/?p=4297 Advanced throwing course with instructor Amnon Amos. We will make a set of vessels based on an idea-form relationship and focus on creating a personal style with each participant. For details please visit our advanced courses page. Wednesdays @ 16:00

    Amnon Amos אמנון עמוס

    ]]>     4297 2012-01-19 15:41:44 2012-01-19 13:41:44 closed open advanced-throwing-course publish 0 0 post 0 _edit_lock 1326980946 _edit_last 2 title Advanced throwing course with Amnon Amos description Advanced throwing course with Amnon Amos at the Benyamini Center keywords Amnon Amos, Advanced throwing, ceramics, courses _revision-control a:1:{i:0;s:8:"defaults";} robotsmeta index,follow     Amnon Amos אמנון עמוס http://www.benyaminiceramics.org/2012/01/%d7%a7%d7%95%d7%a8%d7%a1-%d7%a7%d7%93%d7%a8%d7%95%d7%aa-%d7%9c%d7%9e%d7%aa%d7%a7%d7%93%d7%9e%d7%99%d7%9d/amnon_03_240_hi/ Thu, 19 Jan 2012 13:46:35 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/01/Amnon_03_240_hi.jpg 4299 2012-01-19 15:46:35 2012-01-19 13:46:35 closed open amnon_03_240_hi inherit 4294 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/01/Amnon_03_240_hi.jpg _wp_attached_file 2012/01/Amnon_03_240_hi.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"240";s:6:"height";s:3:"180";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:27:"2012/01/Amnon_03_240_hi.jpg";s:5:"sizes";a:1:{s:9:"thumbnail";a:3:{s:4:"file";s:27:"Amnon_03_240_hi-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt Amnon Amos אמנון עמוס Anna Carmi אנה כרמי http://www.benyaminiceramics.org/2012/01/%d7%a7%d7%95%d7%a8%d7%a1-%d7%93%d7%95-%d7%9e%d7%99%d7%9e%d7%93-%d7%a2%d7%9c-%d7%aa%d7%9c-%d7%9e%d7%99%d7%9e%d7%93-%d7%a2%d7%9d-%d7%90%d7%a0%d7%94-%d7%9b%d7%a8%d7%9e%d7%99/anna-carmi_400/ Thu, 19 Jan 2012 13:55:55 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/01/Anna-Carmi_400.jpg 4303 2012-01-19 15:55:55 2012-01-19 13:55:55 closed open anna-carmi_400 inherit 4302 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/01/Anna-Carmi_400.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"400";s:6:"height";s:3:"300";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:26:"2012/01/Anna-Carmi_400.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:26:"Anna-Carmi_400-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:26:"Anna-Carmi_400-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attached_file 2012/01/Anna-Carmi_400.jpg _wp_attachment_image_alt Anna Carmi אנה כרמי קורס דו מימד על תל מימד עם אנה כרמי http://www.benyaminiceramics.org/2012/01/%d7%a7%d7%95%d7%a8%d7%a1-%d7%93%d7%95-%d7%9e%d7%99%d7%9e%d7%93-%d7%a2%d7%9c-%d7%aa%d7%9c-%d7%9e%d7%99%d7%9e%d7%93-%d7%a2%d7%9d-%d7%90%d7%a0%d7%94-%d7%9b%d7%a8%d7%9e%d7%99/ Thu, 19 Jan 2012 13:58:03 +0000 http://www.benyaminiceramics.org/?p=4302

    קורס דו מימד על תל מימד עם אנה כרמי. נתנסה במגוון רחב של טכניקות עיטור וחיפוי כולל תבליטים, הדפסי משי, צובענים, זיגוגים תעשייתיים, דקאלים ולסטרים.
    ימי שלישי ב18:00
    לפרטים נוספים אנא בקרו בעמוד קורסים מיוחדים
    Anna Carmi אנה כרמי
    ]]>     4302 2012-01-19 15:58:03 2012-01-19 13:58:03 closed open %d7%a7%d7%95%d7%a8%d7%a1-%d7%93%d7%95-%d7%9e%d7%99%d7%9e%d7%93-%d7%a2%d7%9c-%d7%aa%d7%9c-%d7%9e%d7%99%d7%9e%d7%93-%d7%a2%d7%9d-%d7%90%d7%a0%d7%94-%d7%9b%d7%a8%d7%9e%d7%99 publish 0 0 post 0 _edit_last 2 _edit_lock 1326993783 keywords אנה כרמי, קורס, קרמיקה description נתנסה במגוון רחב של טכניקות עיטור וחיפוי כולל תבליטים, הדפסי משי, צובענים, זיגוגים תעשייתיים, דקאלים ולסטרים. title קורס דו מימד על תל מימד עם אנה כרמי _revision-control a:1:{i:0;s:8:"defaults";} robotsmeta index,follow _alp_processed 1326993782 _alp_broken_links a:1:{s:82:"http://www.benyaminiceramics.org/קורסים-2011-12/קורסים-מיוחדים/";a:0:{}}     2D on 3D: Color and surface in clay http://www.benyaminiceramics.org/en/2012/01/2d-on-3d-color-and-surface-in-clay/ Thu, 19 Jan 2012 14:01:37 +0000 http://www.benyaminiceramics.org/?p=4305 Anna Carmi is the instructor of the course 2D on 3D: Color and surface in clay. In this course we will experiment with a wide range of decorating techniques and surface treatment. Tuesdays @ 18:00 Please visit our special courses page for more details

    Anna Carmi אנה כרמי

    ]]>     4305 2012-01-19 16:01:37 2012-01-19 14:01:37 closed open 2d-on-3d-color-and-surface-in-clay publish 0 0 post 0 _edit_lock 1326981699 _edit_last 2 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";}     לימודי קרמיקה למתחילים http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%9e%d7%aa%d7%97%d7%99%d7%9c%d7%99%d7%9d/ Thu, 19 Jan 2012 16:41:50 +0000 http://www.benyaminiceramics.org/?page_id=4320 בית הספר לאמנות הקרמיקה מציע לקהל הרחב מגוון קורסים בקרמיקה למתחילים.

    לימודי קרמיקה למתחילים מיועדים לאלו העושים את צעדיהם הראשונים בעולם הקרמיקה. בשיעורי קדרות, פיסול, עיצוב ושרפות ניתן ללמוד כיצד לעבוד בחומר, לרכוש שיטות עבודה נכונות, לפתח שפה אישית ואינטואיציה חומרית. התלמידים בשיעורים אלו ילמדו ליצור יחסים בין דו ממד ותלת ממד ויתנסו בשיטות שונות לעבודה עם צבע קרמי וגלזורות.

    בנוסף לקורסים המוצגים להלן, בית בנימיני מציע לימודי פיסול למתחילים

    ]]>     4320 2012-01-19 18:41:50 2012-01-19 16:41:50 closed open %d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%9e%d7%aa%d7%97%d7%99%d7%9c%d7%99%d7%9d publish 2825 2 page 0 _edit_lock 1376415515 _edit_last 2 _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1371464299 _thumbnail_id ngg-1288 _alp_broken_links a:1:{s:181:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%9C%D7%99%D7%9E%D7%95%D7%93%D7%99-%D7%A4%D7%99%D7%A1%D7%95%D7%9C/";a:0:{}} description מגוון קורסים למתחילים בקרמיקה מוצעים לקהל הרחב בבית בנימיני title קורסים למתחילים menu_title קורסי קרמיקה למתחילים keywords קורסים לקרמיקה, מתחילים בקרמיקה, קורסים למתחילים בקרמיקה robotsmeta index,follow     לימודי קרמיקה למתקדמים http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%9e%d7%aa%d7%a7%d7%93%d7%9e%d7%99%d7%9d/ Thu, 19 Jan 2012 16:48:04 +0000 http://www.benyaminiceramics.org/?page_id=4322 בית הספר לאמנות הקרמיקה מציע מגוון קורסים למתקדמים.

    לימודי קרמיקה למתקדמים נועדו לפתח ולשפר את המיומנויות הבסיסיות למורכבות. שיעורים אלו מיועדים לבעלי ניסיון בסיסי בעבודה בחומר על מנת לפתח שפה אישית ורמה גבוהה של שליטה בחומר הן מבחינה צורנית, צבעונית ורעיונית. לימודי קרמיקה למתקדמים מתמקדים בטכניקות ייחודיות כמו שיטות הדפס על קרמיקה, עבודה בפורצלן, הנחייה אישית מתוך הקשרים טכניים ותרבותיים.

    ]]>     4322 2012-01-19 18:48:04 2012-01-19 16:48:04 closed open %d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%9e%d7%aa%d7%a7%d7%93%d7%9e%d7%99%d7%9d publish 2825 2 page 0 _edit_lock 1367749668 _edit_last 3 _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1367749547 description מגוון קורסים למתקדמים בקרמיקה מוצעים לקהל הרחב בבית בנימיני _thumbnail_id ngg-1355 title קורסים למתקדמים robotsmeta index,follow menu_title קרמיקה למתקדמים after_children לא מצאת את מה שחיפשת? קורסים נוספים למתחילים keywords קורסים למתקדמים, קורסים לקרמיקה, קורסים למתקדמים בקרמיקה, קרמיקה     סדנאות קרמיקה http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%a1%d7%93%d7%a0%d7%90%d7%95%d7%aa/ Thu, 19 Jan 2012 16:53:39 +0000 http://www.benyaminiceramics.org/?page_id=4325 בית הספר לאמנות הקרמיקה בבית בנימיני מציע קורסים מיוחדים במגוון נושאי קרמיקה ואמנות.

    מערך הסדנאות בבית הספר מציע לאמנים ומעצבים פעילים כמו גם למתחילים סדנאות ומפגשים מרוכזים וממוקדים בנושאים שונים, מעשיים ותיאורטים כאחד.

    סדנאות קרמיקה - נושאים נוספים לעיון:

    במעמקי הקרמיקה הקוריאנית הילות שנפלו: הדפס, חומר ומה שביניהם מאמר אודות שריפות עישון קרמיות תערוכת "שבר, שבריריות" בבית בנימיני

    ]]>     4325 2012-01-19 18:53:39 2012-01-19 16:53:39 closed open %d7%a1%d7%93%d7%a0%d7%90%d7%95%d7%aa publish 2825 3 page 0 _edit_lock 1374665630 _edit_last 3 _alp_processed 1374665630 _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _thumbnail_id ngg-1310 title סדנת קרמיקה | סדנאות קרמיקה | בית בנימיני description מגוון סדנאות מיוחדות בנושאי אמנות ויצירה קרמית מוצעים לקהל בבית בנימיני. בואו להכיר ולהתמקצע בטכניקות אמנות קרמיקה, שריפות קרמיות וצביעה דרך סדנת קרמיקה מרתקת _alp_broken_links a:4:{s:239:"http://www.benyaminiceramics.org/2012/12/%d7%91%d7%9e%d7%a2%d7%9e%d7%a7%d7%99-%d7%94%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94-%d7%94%d7%a7%d7%95%d7%a8%d7%99%d7%90%d7%a0%d7%99%d7%aa-%d7%a8%d7%a9%d7%9e%d7%99-%d7%9e%d7%a1%d7%a2-%d7%a9%d7%95%d7%9c/";a:0:{}s:234:"http://www.benyaminiceramics.org/2013/01/%d7%94%d7%99%d7%9c%d7%95%d7%aa-%d7%a9%d7%a0%d7%a4%d7%9c%d7%95-%d7%94%d7%93%d7%a4%d7%a1-%d7%97%d7%95%d7%9e%d7%a8-%d7%95%d7%9e%d7%94-%d7%a9%d7%91%d7%99%d7%a0%d7%99%d7%94%d7%9d-%d7%90%d7%9e%d7%a0/";a:0:{}s:220:"http://www.benyaminiceramics.org/2012/12/%d7%9b%d7%9c%d7%99%d7%9d-%d7%a2%d7%99%d7%a8%d7%95%d7%9e%d7%99%d7%9d-%d7%a9%d7%a8%d7%99%d7%a4%d7%95%d7%aa-%d7%a2%d7%99%d7%a9%d7%95%d7%9f-%d7%91%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/";a:0:{}s:249:"http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/%d7%a9%d7%91%d7%a8-%d7%a9%d7%91%d7%a8%d7%99%d7%a8%d7%99%d7%95%d7%aa/";a:0:{}} robotsmeta index,follow keywords קורסים מיוחדים, קורסים, קורסים לאמנות, סדנת הדפס, סדנאות קרמיקה, קורסים לקרמיקה 718 http://www.benyaminiceramics.org/2012/12/%d7%91%d7%9e%d7%a2%d7%9e%d7%a7%d7%99-%d7%94%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94-%d7%94%d7%a7%d7%95%d7%a8%d7%99%d7%90%d7%a0%d7%99%d7%aa-%d7%a8%d7%a9%d7%9e%d7%99 91.193.50.70 2012-12-11 16:25:21 2012-12-11 14:25:21 1 pingback 0 0 726 http://www.benyaminiceramics.org/2012/12/%d7%9b%d7%9c%d7%99%d7%9d-%d7%a2%d7%99%d7%a8%d7%95%d7%9e%d7%99%d7%9d-%d7%a9%d7%a8%d7%99%d7%a4%d7%95%d7%aa-%d7%a2%d7%99%d7%a9%d7%95%d7%9f-%d7%91%d7%a7%d7%a8%d7%9 91.193.50.70 2012-12-24 14:12:31 2012-12-24 12:12:31 1 pingback 0 0 783 http://www.benyaminiceramics.org/2013/02/%d7%97%d7%95%d7%9e%d7%a8-%d7%90%d7%a9-%d7%90%d7%9e%d7%a0%d7%95%d7%aa-%d7%a2%d7%a8%d7%91-%d7%a9%d7%9c%d7%90-%d7%9b%d7%93%d7%90%d7%99-%d7%9c%d7%94%d7%97%d7%9e%d7 91.193.50.70 2013-02-11 14:09:16 2013-02-11 12:09:16 1 pingback 0 0 793 http://www.benyaminiceramics.org/2013/02/%d7%a4%d7%99%d7%99%d7%a1%d7%91%d7%95%d7%a7-%d7%91%d7%a7%d7%9c%d7%99%d7%a4%d7%aa-%d7%90%d7%92%d7%95%d7%96-%d7%a1%d7%93%d7%a0%d7%aa-%d7%94%d7%99%d7%9b%d7%a8%d7%9 91.193.50.70 2013-02-18 18:24:40 2013-02-18 16:24:40 1 pingback 0 0 842 http://www.benyaminiceramics.org/2012/10/%d7%9b%d7%99%d7%aa%d7%95%d7%aa-%d7%90%d7%9e%d7%9f-%d7%90%d7%9e%d7%a0%d7%99-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94-%d7%90%d7%95%d7%a8%d7%97%d7%99-%d7%94%d7%a1%d7% 91.193.50.70 2013-03-25 12:44:52 2013-03-25 10:44:52 1 pingback 0 0 847 http://www.benyaminiceramics.org/2013/01/%d7%94%d7%99%d7%9c%d7%95%d7%aa-%d7%a9%d7%a0%d7%a4%d7%9c%d7%95-%d7%94%d7%93%d7%a4%d7%a1-%d7%97%d7%95%d7%9e%d7%a8-%d7%95%d7%9e%d7%94-%d7%a9%d7%91%d7%99%d7%a0%d7% 91.193.50.70 2013-03-25 13:56:43 2013-03-25 11:56:43 1 pingback 0 0     Beginners http://www.benyaminiceramics.org/en/ceramic-courses/beginners/ Tue, 24 Jan 2012 20:00:46 +0000 http://www.benyaminiceramics.org/?page_id=4369 Beginners courses: Acquiring the Basics For people taking their first steps into the world of ceramics.  Wheel-throwing, sculpture, design and technology classes will provide instruction on how to work with clay, using appropriate work methods and at the same time encourage the participants to express their own intuitive approach to clay. In addition, Benyamini center offers sculpture courses for beginners. ]]> 4369 2012-01-24 22:00:46 2012-01-24 20:00:46 closed open beginners publish 2955 2 page 0 _edit_lock 1351747969 _edit_last 3 description Beginner level pottery, ceramics and art courses at the Benyamini Center _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default title beginners ceramic courses _thumbnail_id ngg-1288 robotsmeta index,follow keywords courses, beginners, pottery, ceramics, art, Benyamini Center Advanced http://www.benyaminiceramics.org/en/ceramic-courses/advanced/ Tue, 24 Jan 2012 20:13:39 +0000 http://www.benyaminiceramics.org/?page_id=4376 Advanced courses: Improving Skills These classes are aimed at developing basic skills in clay into complex capabilities.  Students with basic experience in clay will be encouraged to develop a personal language and will be instructed to achieve greater control in their work regarding, form, color and concept.  Specialized courses are offered as well as individual guidance to gain understanding of technical and cultural relationships. ]]> 4376 2012-01-24 22:13:39 2012-01-24 20:13:39 closed open advanced publish 2955 2 page 0 _edit_lock 1367745338 _edit_last 3 _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default description Advanced level pottery, ceramics and art courses at the Benyamini Center _thumbnail_id ngg-1355 robotsmeta index,follow title Advanced ceramic courses keywords Advanced ceramic courses, pottery, ceramics, art courses, Benyamini Center Workshops http://www.benyaminiceramics.org/en/ceramic-courses/workshops/ Tue, 24 Jan 2012 20:17:55 +0000 http://www.benyaminiceramics.org/?page_id=4379 Workshops and monthly meetings Our schedule of workshops offers artists and designers as well as beginners an opportunity to focus on particular aspects of clay and gain practical and theoretical knowledge]]> 4379 2012-01-24 22:17:55 2012-01-24 20:17:55 closed open workshops publish 2955 3 page 0 _edit_lock 1374665651 _edit_last 3 _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default description ceramics workshops - pottery, ceramics courses and workshops at the Benyamini Center _thumbnail_id ngg-1310 title ceramics workshops robotsmeta index,follow keywords ceramics workshops, pottery courses, ceramics, art, courses, Benyamini Center פתיחת התערוכה Uberkitsch http://www.benyaminiceramics.org/2012/01/%d7%a4%d7%aa%d7%99%d7%97%d7%aa-%d7%94%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%94-uberkitsch/ Tue, 24 Jan 2012 22:11:15 +0000 http://www.benyaminiceramics.org/?p=4427 Uberkitsch ביום ה' 26 בפברואר 2012 תלווה במופעי פרפורמנס. 19:00

    [singlepic id=844 w=400 h=545 float=center]

    ]]>     4427 2012-01-25 00:11:15 2012-01-24 22:11:15 closed open %d7%a4%d7%aa%d7%99%d7%97%d7%aa-%d7%94%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%94-uberkitsch publish 0 0 post 0 _edit_lock 1327443078 _edit_last 2 title Uberkitsch הפתיחה description Uberkitsch היא תערוכה חדשה בבית בנימיני לקרמיקה עכשווית החל מה 26 לפברואר 2012 keywords Uberkitsch _revision-control a:1:{i:0;s:8:"defaults";} robotsmeta index,follow     Uberkitsch opening http://www.benyaminiceramics.org/en/2012/01/uberkitsch-opening/ Tue, 24 Jan 2012 22:13:27 +0000 http://www.benyaminiceramics.org/?p=4429 Uberkitsch, the new exhibition at the Benyamini Center, will include live performances. 19:00

    [singlepic id=844 w=400 h=545 float=center]

    ]]>     4429 2012-01-25 00:13:27 2012-01-24 22:13:27 closed open uberkitsch-opening publish 0 0 post 0 _edit_lock 1327443653 _edit_last 2 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";}     וידאו מהמופע של אמילי קייג' http://www.benyaminiceramics.org/2012/02/%d7%95%d7%99%d7%93%d7%90%d7%95-%d7%9e%d7%94%d7%9e%d7%95%d7%a4%d7%a2-%d7%a9%d7%9c-%d7%90%d7%9e%d7%99%d7%9c%d7%99-%d7%a7%d7%99%d7%99%d7%92/ Mon, 13 Feb 2012 20:46:18 +0000 http://www.benyaminiceramics.org/?p=4477

    וידאו של אמילי קייג' בפרפרומנס בארוע פתיחת התערוכה Überkitch

    http://www.youtube.com/watch?v=op93AkkX5FU&feature=youtu.be [nggallery id=84]

    ]]>     4477 2012-02-13 22:46:18 2012-02-13 20:46:18 closed open %d7%95%d7%99%d7%93%d7%90%d7%95-%d7%9e%d7%94%d7%9e%d7%95%d7%a4%d7%a2-%d7%a9%d7%9c-%d7%90%d7%9e%d7%99%d7%9c%d7%99-%d7%a7%d7%99%d7%99%d7%92 publish 0 0 post 0 _edit_last 2 _edit_lock 1329316438 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1329170831 _oembed_c37906a00b80be87d6f6192857cdfc2f     Emily Cage performance video http://www.benyaminiceramics.org/en/2012/02/emily-cage-performance-video/ Mon, 13 Feb 2012 20:47:48 +0000 http://www.benyaminiceramics.org/?p=4479

    Video of Emily Cage performing at yhe opening event of ÜberKitsch, now on display at the Benyamini Center http://www.youtube.com/watch?v=op93AkkX5FU&feature=youtu.be [nggallery id=84] ]]>     4479 2012-02-13 22:47:48 2012-02-13 20:47:48 closed open emily-cage-performance-video publish 0 0 post 0 _edit_lock 1329171006 _edit_last 2 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _oembed_c37906a00b80be87d6f6192857cdfc2f     Emily Cage performance http://www.benyaminiceramics.org/2012/02/%d7%95%d7%99%d7%93%d7%90%d7%95-%d7%9e%d7%94%d7%9e%d7%95%d7%a4%d7%a2-%d7%a9%d7%9c-%d7%90%d7%9e%d7%99%d7%9c%d7%99-%d7%a7%d7%99%d7%99%d7%92/cage_performance/ Mon, 13 Feb 2012 21:09:54 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/02/cage_performance.jpg 4491 2012-02-13 23:09:54 2012-02-13 21:09:54 closed open cage_performance inherit 4477 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/02/cage_performance.jpg _wp_attached_file 2012/02/cage_performance.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"400";s:6:"height";s:3:"300";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:28:"2012/02/cage_performance.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:28:"cage_performance-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:28:"cage_performance-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} ÜberKitsch http://www.benyaminiceramics.org/2012/02/uberkitsch/ Mon, 13 Feb 2012 21:20:54 +0000 http://www.benyaminiceramics.org/?p=4494 תערוכת ÜberKitsch בבית בנימיני (26/1/2012 - 24/3/2012)

    עוד בעמוד גלריה

    [nggallery id=83]

    ]]>     4494 2012-02-13 23:20:54 2012-02-13 21:20:54 closed open uberkitsch publish 0 0 post 0 _edit_last 2 _edit_lock 1329244671 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1329244668     ÜberKitsch http://www.benyaminiceramics.org/en/2012/02/uberkitsch-2/ Mon, 13 Feb 2012 21:23:14 +0000 http://www.benyaminiceramics.org/?p=4496 Gallery page

    [nggallery id=83]

    ]]>     4496 2012-02-13 23:23:14 2012-02-13 21:23:14 closed open uberkitsch-2 publish 0 0 post 0 _edit_lock 1329170269 _edit_last 2 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";}     Emily Cage performance http://www.benyaminiceramics.org/en/2012/02/uberkitsch-2/cage_performance_126/ Mon, 13 Feb 2012 21:28:06 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/02/cage_performance_126.jpg 4499 2012-02-13 23:28:06 2012-02-13 21:28:06 closed open cage_performance_126 inherit 4496 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/02/cage_performance_126.jpg _wp_attached_file 2012/02/cage_performance_126.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"400";s:6:"height";s:3:"300";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:32:"2012/02/cage_performance_126.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:32:"cage_performance_126-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:32:"cage_performance_126-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} ÜberKitsch at the Benyamini Center http://www.benyaminiceramics.org/2012/02/uberkitsch/3682_400/ Mon, 13 Feb 2012 21:39:54 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/02/3682_400.jpg 4503 2012-02-13 23:39:54 2012-02-13 21:39:54 closed open 3682_400 inherit 4494 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/02/3682_400.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"400";s:6:"height";s:3:"300";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:20:"2012/02/3682_400.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:20:"3682_400-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:20:"3682_400-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attached_file 2012/02/3682_400.jpg Higgins and O'Mahoney תצלומים http://www.benyaminiceramics.org/2012/02/higgins-and-omahoney-%d7%aa%d7%a6%d7%9c%d7%95%d7%9e%d7%99%d7%9d/ Tue, 14 Feb 2012 07:58:14 +0000 http://www.benyaminiceramics.org/?p=4522 John Higgins and Marcus O'Mahoney ביקרו כאמנים אורחים בבית בנימיני והעבירו לאולם מלא אמני קרמיקה כתת אמן מרגשת ומרתקת

    [nggallery id=85]

    ]]>     4522 2012-02-14 09:58:14 2012-02-14 07:58:14 closed open higgins-and-omahoney-%d7%aa%d7%a6%d7%9c%d7%95%d7%9e%d7%99%d7%9d publish 0 0 post 0 _edit_last 3 _edit_lock 1339933882 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";}     John Higgins and Marcus O Mahoney master class photos http://www.benyaminiceramics.org/en/2012/02/john-higgins-and-marcus-o-mahoney-master-class-photos/ Tue, 14 Feb 2012 08:00:25 +0000 http://www.benyaminiceramics.org/?p=4524 [nggallery id=85]

    ]]>     4524 2012-02-14 10:00:25 2012-02-14 08:00:25 closed open john-higgins-and-marcus-o-mahoney-master-class-photos publish 0 0 post 0 _edit_lock 1329206427 _edit_last 2 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";}     המדפיה http://www.benyaminiceramics.org/2012/02/%d7%94%d7%9e%d7%93%d7%a4%d7%99%d7%94-3/ Tue, 14 Feb 2012 19:27:30 +0000 http://www.benyaminiceramics.org/?p=4531 [nggallery id=86]

    ]]>     4531 2012-02-14 21:27:30 2012-02-14 19:27:30 closed open %d7%94%d7%9e%d7%93%d7%a4%d7%99%d7%94-3 publish 0 0 post 0 _edit_lock 1329248192 _edit_last 2 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1329248190     On the Shelf Feb 2012 http://www.benyaminiceramics.org/en/2012/02/on-the-shelf-feb-2012/ Tue, 14 Feb 2012 19:32:13 +0000 http://www.benyaminiceramics.org/?p=4533 [nggallery id=86]

    ]]>     4533 2012-02-14 21:32:13 2012-02-14 19:32:13 closed open on-the-shelf-feb-2012 publish 0 0 post 0 _edit_lock 1329247984 _edit_last 2 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";}     פרס פרידלנד http://www.benyaminiceramics.org/2012/02/%d7%a4%d7%a8%d7%a1-%d7%a4%d7%a8%d7%99%d7%93%d7%9c%d7%a0%d7%93/ Sun, 26 Feb 2012 18:47:15 +0000 http://www.benyaminiceramics.org/?p=4540 פרס פרידלנד יוענק במהלך חודש יולי בבית בנימיני

    טופס הרשמה להורדה (קובץ Word בעברית)

    [caption id="attachment_4545" align="aligncenter" width="212" caption="Friedland award"]Friedland award[/caption]

    ]]>     4540 2012-02-26 20:47:15 2012-02-26 18:47:15 closed open %d7%a4%d7%a8%d7%a1-%d7%a4%d7%a8%d7%99%d7%93%d7%9c%d7%a0%d7%93 publish 0 0 post 0 _edit_lock 1330283029 _edit_last 2 description טופס הרשמה לפרס פרידלנד keywords פרס פרידלנד , טופס הרשמה, פרס, מלגה _revision-control a:1:{i:0;s:8:"defaults";} title פרס פרידלנד robotsmeta index,follow _alp_processed 1330283027     Friedland award http://www.benyaminiceramics.org/en/2012/02/friedland-award/ Sun, 26 Feb 2012 18:54:09 +0000 http://www.benyaminiceramics.org/?p=4542 Download application form (Word document, Hebrew)

    [caption id="attachment_4545" align="aligncenter" width="212" caption="Friedland award"]Friedland award[/caption]

    ]]>     4542 2012-02-26 20:54:09 2012-02-26 18:54:09 closed open friedland-award publish 0 0 post 0 _edit_lock 1330283105 _edit_last 2 title Friedland award application form description the Friedland award at the Benyamini Center keywords Friedland, award, Friedland award _revision-control a:1:{i:0;s:8:"defaults";} robotsmeta index,follow     Friedland award http://www.benyaminiceramics.org/2012/02/%d7%a4%d7%a8%d7%a1-%d7%a4%d7%a8%d7%99%d7%93%d7%9c%d7%a0%d7%93/friedland_award_opt/ Sun, 26 Feb 2012 18:56:30 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/02/friedland_award_opt.jpg 4545 2012-02-26 20:56:30 2012-02-26 18:56:30 closed open friedland_award_opt inherit 4540 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/02/friedland_award_opt.jpg _wp_attached_file 2012/02/friedland_award_opt.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"600";s:6:"height";s:3:"848";s:14:"hwstring_small";s:22:"height='96' width='67'";s:4:"file";s:31:"2012/02/friedland_award_opt.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:31:"friedland_award_opt-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:31:"friedland_award_opt-212x300.jpg";s:5:"width";s:3:"212";s:6:"height";s:3:"300";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt Friedland award Friedland award application http://www.benyaminiceramics.org/?attachment_id=4549 Sun, 26 Feb 2012 19:01:43 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/02/friedland_award_application.doc 4549 2012-02-26 21:01:43 2012-02-26 19:01:43 closed open friedland_award_application inherit 0 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/02/friedland_award_application.doc _wp_attachment_metadata a:0:{} _wp_attached_file 2012/02/friedland_award_application.doc ארכיון רשומות http://www.benyaminiceramics.org/%d7%91%d7%9c%d7%95%d7%92/%d7%90%d7%a8%d7%9b%d7%99%d7%95%d7%9f-%d7%a8%d7%a9%d7%95%d7%9e%d7%95%d7%aa/ Sun, 26 Feb 2012 19:22:27 +0000 http://www.benyaminiceramics.org/?page_id=4554 4554 2012-02-26 21:22:27 2012-02-26 19:22:27 closed open %d7%90%d7%a8%d7%9b%d7%99%d7%95%d7%9f-%d7%a8%d7%a9%d7%95%d7%9e%d7%95%d7%aa publish 12 0 page 0 _edit_lock 1351635277 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template archives.php _alp_processed 1330285040 Archive http://www.benyaminiceramics.org/en/blog/archive/ Sun, 26 Feb 2012 19:40:23 +0000 http://www.benyaminiceramics.org/?page_id=4557 4557 2012-02-26 21:40:23 2012-02-26 19:40:23 closed open archive publish 14 0 page 0 _edit_lock 1330286188 _edit_last 2 title archive of past posts _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template archives.php keywords archive robotsmeta index,follow הרצאות בתערוכת ÜberKitsch http://www.benyaminiceramics.org/2012/03/%d7%94%d7%a8%d7%a6%d7%90%d7%95%d7%aa-%d7%91%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%aa-u%cc%88berkitsch/ Sun, 04 Mar 2012 07:37:58 +0000 http://www.benyaminiceramics.org/?p=4562 בוקר של הרצאות במסגרת ÜberKitsch

    ראובן נרדי, טליה טוקטלי, יהונתן הופ. כניסה חופשית יום ו' 9/3/2012 11:00

    ÜberKitsch - butterflies

    ÜberKitsch lectures

    ]]>     4562 2012-03-04 09:37:58 2012-03-04 07:37:58 closed open %d7%94%d7%a8%d7%a6%d7%90%d7%95%d7%aa-%d7%91%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%aa-u%cc%88berkitsch publish 0 0 post 0 _edit_lock 1330850878 _edit_last 2 title הרצאות בנושא התערוכה ÜberKitsch description אספנות, חפצים ומזכרות - הרצאות בנושא התערוכה ÜberKitsch keywords יהונתן הופ, טליה טוקטלי, ראובן נרדי, ÜberKitsch, הרצאות _revision-control a:1:{i:0;s:8:"defaults";} robotsmeta index,follow _alp_processed 1330850650     Collecting, objects and souvenirs http://www.benyaminiceramics.org/en/2012/03/collecting-objects-and-souvenirs/ Sun, 04 Mar 2012 07:44:44 +0000 http://www.benyaminiceramics.org/?p=4564 ÜberKitsch - butterflies

    ÜberKitsch lectures

    ]]>     4564 2012-03-04 09:44:44 2012-03-04 07:44:44 closed open collecting-objects-and-souvenirs publish 0 0 post 0 _edit_lock 1330851175 _edit_last 2 robotsmeta index,follow description A morning of lectures in the framework of the exhibition ÜberKitsch: Reuven Nardy, Talia Tokatly, Johnathan Hopp title Collecting, objects and souvenirs _revision-control a:1:{i:0;s:8:"defaults";} keywords Reuven Nardy, Talia Tokatly, Johnathan Hopp, ÜberKitsch     ÜberKitsch lectures http://www.benyaminiceramics.org/2012/03/%d7%94%d7%a8%d7%a6%d7%90%d7%95%d7%aa-%d7%91%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%aa-u%cc%88berkitsch/lectures-march600/ Sun, 04 Mar 2012 07:50:57 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/03/lectures-march600.jpg 4567 2012-03-04 09:50:57 2012-03-04 07:50:57 closed open lectures-march600 inherit 4562 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/03/lectures-march600.jpg _wp_attached_file 2012/03/lectures-march600.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"600";s:6:"height";s:3:"914";s:14:"hwstring_small";s:22:"height='96' width='63'";s:4:"file";s:29:"2012/03/lectures-march600.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:29:"lectures-march600-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:29:"lectures-march600-196x300.jpg";s:5:"width";s:3:"196";s:6:"height";s:3:"300";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt ÜberKitsch lectures ÜberKitsch - butterflies http://www.benyaminiceramics.org/en/2012/03/collecting-objects-and-souvenirs/uberkitsch_butterflies_00_400/ Sun, 04 Mar 2012 08:14:22 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/03/uberKitsch_butterflies_00_400.jpg 4576 2012-03-04 10:14:22 2012-03-04 08:14:22 closed open uberkitsch_butterflies_00_400 inherit 4564 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/03/uberKitsch_butterflies_00_400.jpg _wp_attached_file 2012/03/uberKitsch_butterflies_00_400.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"400";s:6:"height";s:3:"300";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:41:"2012/03/uberKitsch_butterflies_00_400.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:41:"uberKitsch_butterflies_00_400-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:41:"uberKitsch_butterflies_00_400-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt ÜberKitsch - butterflies Artists Residencies 2012 application form http://www.benyaminiceramics.org/activities/visiting-artists/residency_2012/ Mon, 12 Mar 2012 20:25:17 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/03/residency_2012.pdf 4594 2012-03-12 22:25:17 2012-03-12 20:25:17 closed open residency_2012 inherit 272 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/03/residency_2012.pdf _wp_attached_file 2012/03/residency_2012.pdf _wp_attachment_metadata a:0:{} סטודיו ראשון 2012 טופס הרשמה http://www.benyaminiceramics.org/2012/03/%d7%a1%d7%98%d7%95%d7%93%d7%99%d7%95-%d7%a8%d7%90%d7%a9%d7%95%d7%9f-2012/first_studio_2012/ Sun, 18 Mar 2012 16:20:52 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/03/First_Studio_2012.pdf 4640 2012-03-18 18:20:52 2012-03-18 16:20:52 closed open first_studio_2012 inherit 4659 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/03/First_Studio_2012.pdf _wp_attached_file 2012/03/First_Studio_2012.pdf _wp_attachment_metadata a:0:{} סטודיו ראשון 2012 http://www.benyaminiceramics.org/2012/03/%d7%a1%d7%98%d7%95%d7%93%d7%99%d7%95-%d7%a8%d7%90%d7%a9%d7%95%d7%9f-2012/ Sun, 18 Mar 2012 16:56:25 +0000 http://www.benyaminiceramics.org/?p=4659 טופס הגשת מועמדות לפרויקט 'סטודיו ראשון' 2012 להורדה. אודות 'סטודיו ראשון'

    first_studio

    ]]>     4659 2012-03-18 18:56:25 2012-03-18 16:56:25 closed open %d7%a1%d7%98%d7%95%d7%93%d7%99%d7%95-%d7%a8%d7%90%d7%a9%d7%95%d7%9f-2012 publish 0 0 post 0 _edit_lock 1332100417 _edit_last 2 title סטודיו ראשון 2012 _revision-control a:1:{i:0;s:8:"defaults";} description פרויקט סטודיו ראשון 2012 - טופס הרשמה keywords סטודיו ראשון, 2012, מועמדות robotsmeta index,follow _alp_processed 1332100416 _alp_broken_links a:1:{s:74:"http://www.benyaminiceramics.org/פעילויות/סטודיו-ראשון/";a:0:{}}     first_studio http://www.benyaminiceramics.org/2012/03/%d7%a1%d7%98%d7%95%d7%93%d7%99%d7%95-%d7%a8%d7%90%d7%a9%d7%95%d7%9f-2012/first_studio/ Sun, 18 Mar 2012 19:45:59 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/03/first_studio.jpg 4663 2012-03-18 21:45:59 2012-03-18 19:45:59 closed open first_studio inherit 4659 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/03/first_studio.jpg _wp_attached_file 2012/03/first_studio.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"400";s:6:"height";s:3:"300";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:24:"2012/03/first_studio.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:24:"first_studio-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:24:"first_studio-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt first_studio First Studio 2012 http://www.benyaminiceramics.org/en/2012/03/first-studio-2012/ Sun, 18 Mar 2012 19:50:25 +0000 http://www.benyaminiceramics.org/?p=4666 First Studio Download application form (Hebrew)

    first_studio

    ]]>     4666 2012-03-18 21:50:25 2012-03-18 19:50:25 closed open first-studio-2012 publish 0 0 post 0 _edit_last 2 _edit_lock 1332100383 title First Studio 2012 _revision-control a:1:{i:0;s:8:"defaults";} description First Studio project encourage and support young artists keywords First Studio,2012, award, scholarship robotsmeta index,follow     קורס קדרות למתקדמים בהדרכת אמנון עמוס http://www.benyaminiceramics.org/2012/04/%d7%a7%d7%95%d7%a8%d7%a1-%d7%a7%d7%93%d7%a8%d7%95%d7%aa-%d7%9c%d7%9e%d7%aa%d7%a7%d7%93%d7%9e%d7%99%d7%9d-%d7%a2%d7%9d-%d7%90%d7%9e%d7%a0%d7%95%d7%9f-%d7%a2%d7%9e%d7%95%d7%a1/catle01_amon_amos_800/ Sun, 01 Apr 2012 13:07:10 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/04/catle01_amon_Amos_800.jpg 4698 2012-04-01 16:07:10 2012-04-01 13:07:10 closed open catle01_amon_amos_800 inherit 4702 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/04/catle01_amon_Amos_800.jpg _wp_attached_file 2012/04/catle01_amon_Amos_800.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"600";s:6:"height";s:3:"442";s:14:"hwstring_small";s:23:"height='94' width='128'";s:4:"file";s:33:"2012/04/catle01_amon_Amos_800.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:33:"catle01_amon_Amos_800-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:33:"catle01_amon_Amos_800-300x221.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"221";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt קורס קדרות למתקדמים בהדרכת אמנון עמוס Advanced throwing course with Amnon Amos קורס קדרות למתקדמים עם אמנון עמוס http://www.benyaminiceramics.org/2012/04/%d7%a7%d7%95%d7%a8%d7%a1-%d7%a7%d7%93%d7%a8%d7%95%d7%aa-%d7%9c%d7%9e%d7%aa%d7%a7%d7%93%d7%9e%d7%99%d7%9d-%d7%a2%d7%9d-%d7%90%d7%9e%d7%a0%d7%95%d7%9f-%d7%a2%d7%9e%d7%95%d7%a1/ Sun, 01 Apr 2012 13:25:44 +0000 http://www.benyaminiceramics.org/?p=4702 רעיון / צורה / שימוש - קורס קדרות למתקדמים בבית בנימיני. 8 מפגשים במהלך החודשים מאי ויוני 2012. במסגרת הקורס נתמקד ביצירת קומקומים או כל אובייקט שימושי אחר לבחירת המשתתף. מרצה: אמנון עמוס

    קורס קדרות למתקדמים בהדרכת אמנון עמוס Advanced throwing course with Amon Amos

    ]]>     4702 2012-04-01 16:25:44 2012-04-01 13:25:44 closed open %d7%a7%d7%95%d7%a8%d7%a1-%d7%a7%d7%93%d7%a8%d7%95%d7%aa-%d7%9c%d7%9e%d7%aa%d7%a7%d7%93%d7%9e%d7%99%d7%9d-%d7%a2%d7%9d-%d7%90%d7%9e%d7%a0%d7%95%d7%9f-%d7%a2%d7%9e%d7%95%d7%a1 publish 0 0 post 0 _edit_lock 1359041964 _edit_last 3 title קורס קדרות למתקדמים עם אמנון עמוס description קורס קדרות למתקדמים מתמקד ביצירת קומקום או אובייקט שימושי אחר _revision-control a:1:{i:0;s:8:"defaults";} robotsmeta index,follow _alp_processed 1359041963 _alp_broken_links a:1:{s:292:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%9E%D7%AA%D7%97%D7%99%D7%9C%D7%99%D7%9D/%D7%A7%D7%95%D7%A8%D7%A1-%D7%A7%D7%93%D7%A8%D7%95%D7%AA-%D7%99%D7%A1%D7%95%D7%93%D7%95%D7%AA/";a:0:{}} keywords קדרות, קומקום, אמנון עמוס, קדרות שימושית, קורסים למתקדמים, קרמיקה     Advanced throwing course with Amnon Amos http://www.benyaminiceramics.org/en/2012/04/advanced-throwing-course-with-amnon-amos/ Sun, 01 Apr 2012 13:29:59 +0000 http://www.benyaminiceramics.org/?p=4704 Advanced Throwing - idea / form / function is an 8 meetings advanced course in May & June focused on creating a teapot or other functional objects. Instructor: Amnon Amos
    קורס קדרות למתקדמים בהדרכת אמנון עמוס Advanced throwing course with Amnon Amos
    ]]>     4704 2012-04-01 16:29:59 2012-04-01 13:29:59 closed open advanced-throwing-course-with-amnon-amos publish 0 0 post 0 _edit_lock 1333291204 _edit_last 2 title advanced throwing course with Amnon Amos description The course is focused on creating a functional object such as a teapot keywords advanced throwing, ceramics course, amnon amos, ceramics, teapot _revision-control a:1:{i:0;s:8:"defaults";} robotsmeta index,follow     הוארכה תצוגת עבודות Uberkitsch http://www.benyaminiceramics.org/2012/04/%d7%94%d7%95%d7%90%d7%a8%d7%9b%d7%94-%d7%aa%d7%a6%d7%95%d7%92%d7%aa-%d7%a2%d7%91%d7%95%d7%93%d7%95%d7%aa-uberkitsch-%d7%91%d7%97%d7%9c%d7%9c-%d7%94%d7%9e%d7%a2%d7%91%d7%93%d7%94/ Sun, 01 Apr 2012 13:45:03 +0000 http://www.benyaminiceramics.org/?p=4707 לשמחתנו מתאפשר לנו להמשיך ולהציג את מרבית העבודות מתערוכת Uberkitsch בחלל המעבדה עד ה 14/4/12. חלל תצוגה 'המעבדה' נמצא בקומת הכניסה בבית בנימיני.

    Miri Fleisher מירי פליישר

    ]]>     4707 2012-04-01 16:45:03 2012-04-01 13:45:03 closed open %d7%94%d7%95%d7%90%d7%a8%d7%9b%d7%94-%d7%aa%d7%a6%d7%95%d7%92%d7%aa-%d7%a2%d7%91%d7%95%d7%93%d7%95%d7%aa-uberkitsch-%d7%91%d7%97%d7%9c%d7%9c-%d7%94%d7%9e%d7%a2%d7%91%d7%93%d7%94 publish 0 0 post 0 _edit_lock 1333299698 _edit_last 2 _revision-control a:1:{i:0;s:8:"defaults";} title הוארכה תצוגת עבודות Uberkitsch בחלל המעבדה description העבודות המוצגות בחלל המעבדה ישארו בתצוגה עד ה 14/4/2012 keywords Uberkitsch, קרמיקה, המעבדה, תערוכה robotsmeta index,follow _alp_processed 1333299696     Uberkitsch exhibition Lab works display continued http://www.benyaminiceramics.org/en/2012/04/uberkitsch-exhibition-lab-works-display-continued/ Sun, 01 Apr 2012 13:50:07 +0000 http://www.benyaminiceramics.org/?p=4710 exhibition works until 14/4/12 in the Lab, our gallery space on the ground floor at the Benyamini Center

    Miri Fleisher מירי פליישר

    ]]>     4710 2012-04-01 16:50:07 2012-04-01 13:50:07 closed open uberkitsch-exhibition-lab-works-display-continued publish 0 0 post 0 _edit_lock 1333292537 _edit_last 2 keywords uberkitsch, description Works displayed in the Lab space will be on until 14/4/2012 title Uberkitsch exhibition Lab works display continued _revision-control a:1:{i:0;s:8:"defaults";} robotsmeta index,follow     Miri Fleisher מירי פליישר http://www.benyaminiceramics.org/2012/04/%d7%94%d7%95%d7%90%d7%a8%d7%9b%d7%94-%d7%aa%d7%a6%d7%95%d7%92%d7%aa-%d7%a2%d7%91%d7%95%d7%93%d7%95%d7%aa-uberkitsch-%d7%91%d7%97%d7%9c%d7%9c-%d7%94%d7%9e%d7%a2%d7%91%d7%93%d7%94/miri_fleisher02/ Sun, 01 Apr 2012 13:57:34 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/04/Miri_Fleisher02.jpg 4716 2012-04-01 16:57:34 2012-04-01 13:57:34 closed open miri_fleisher02 inherit 4707 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/04/Miri_Fleisher02.jpg _wp_attachment_image_alt Miri Fleisher מירי פליישר _wp_attachment_metadata a:6:{s:5:"width";s:3:"400";s:6:"height";s:3:"300";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:27:"2012/04/Miri_Fleisher02.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:27:"Miri_Fleisher02-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:27:"Miri_Fleisher02-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attached_file 2012/04/Miri_Fleisher02.jpg קורס קרמיקה למתחילים ceramics beginner course http://www.benyaminiceramics.org/2012/04/%d7%9e%d7%a4%d7%92%d7%a9-%d7%a8%d7%90%d7%a9%d7%95%d7%a0%d7%99-%d7%a2%d7%9d-%d7%94%d7%97%d7%95%d7%9e%d7%a8-%d7%94%d7%a7%d7%a8%d7%9e%d7%99/dsc_0765_400/ Sun, 01 Apr 2012 14:18:21 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/04/DSC_0765_400.jpg 4721 2012-04-01 17:18:21 2012-04-01 14:18:21 closed open dsc_0765_400 inherit 4720 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/04/DSC_0765_400.jpg _wp_attached_file 2012/04/DSC_0765_400.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"400";s:6:"height";s:3:"300";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:24:"2012/04/DSC_0765_400.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:24:"DSC_0765_400-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:24:"DSC_0765_400-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt קורס קרמיקה למתחילים ceramics beginners course מפגש ראשוני עם החומר הקרמי http://www.benyaminiceramics.org/2012/04/%d7%9e%d7%a4%d7%92%d7%a9-%d7%a8%d7%90%d7%a9%d7%95%d7%a0%d7%99-%d7%a2%d7%9d-%d7%94%d7%97%d7%95%d7%9e%d7%a8-%d7%94%d7%a7%d7%a8%d7%9e%d7%99/ Sun, 01 Apr 2012 14:21:12 +0000 http://www.benyaminiceramics.org/?p=4720 קורס למתחילים בבית הספר לקרמיקה של בית בנימיני. מפגש ראשוני עם החומר הקרמי, הקניית מיומנויות וטכניקות בסיסיות באובניים, עבודת יד או פיסול

    קורס קרמיקה למתחילים ceramics beginners course

    ]]>     4720 2012-04-01 17:21:12 2012-04-01 14:21:12 closed open %d7%9e%d7%a4%d7%92%d7%a9-%d7%a8%d7%90%d7%a9%d7%95%d7%a0%d7%99-%d7%a2%d7%9d-%d7%94%d7%97%d7%95%d7%9e%d7%a8-%d7%94%d7%a7%d7%a8%d7%9e%d7%99 publish 0 0 post 0 _edit_lock 1364204465 _edit_last 3 title מפגש ראשוני עם החומר הקרמי description קורס קרמיקה למתחילים יכלול לימודי עבודה על אבניים, עבודת יד ופיסול _revision-control a:1:{i:0;s:8:"defaults";} robotsmeta index,follow keywords אבניים, קרמיקה, מתחילים, קורסים לקרמיקה     First encounter with clay http://www.benyaminiceramics.org/en/2012/04/first-encounter-with-clay/ Sun, 01 Apr 2012 14:26:49 +0000 http://www.benyaminiceramics.org/?p=4723 beginner level ceramics course at the Benyamini Center Ceramics School. In this course we will be learning the basic technique of wheel throwing, handwork or sculpture

    קורס קרמיקה למתחילים ceramics beginners course

    ]]>     4723 2012-04-01 17:26:49 2012-04-01 14:26:49 closed open first-encounter-with-clay publish 0 0 post 0 _edit_lock 1333290412 _edit_last 2 title First encounter with clay description A beginner level ceramics course at the Benyamini Center _revision-control a:1:{i:0;s:8:"defaults";} robotsmeta index,follow keywords wheel throwing, ceramics, ceramics courses, beginner ceramicists     Johnathan Hopp יונתן הופ http://www.benyaminiceramics.org/2012/04/%d7%97%d7%93%d7%a9-%d7%91%d7%9e%d7%93%d7%a4%d7%99%d7%94-%d7%99%d7%95%d7%a0%d7%aa%d7%9f-%d7%94%d7%95%d7%a4/johnathan-hopp_400/ Sun, 01 Apr 2012 14:29:47 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/04/Johnathan-Hopp_400.jpg 4726 2012-04-01 17:29:47 2012-04-01 14:29:47 closed open johnathan-hopp_400 inherit 4725 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/04/Johnathan-Hopp_400.jpg _wp_attached_file 2012/04/Johnathan-Hopp_400.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"400";s:6:"height";s:3:"300";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:30:"2012/04/Johnathan-Hopp_400.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:30:"Johnathan-Hopp_400-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:30:"Johnathan-Hopp_400-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt Johnathan Hopp יונתן הופ חדש במדפיה - יונתן הופ http://www.benyaminiceramics.org/2012/04/%d7%97%d7%93%d7%a9-%d7%91%d7%9e%d7%93%d7%a4%d7%99%d7%94-%d7%99%d7%95%d7%a0%d7%aa%d7%9f-%d7%94%d7%95%d7%a4/ Sun, 01 Apr 2012 14:31:39 +0000 http://www.benyaminiceramics.org/?p=4725 המדפיה בבית בנימיני מציגה על גבי עשרה מדפים את עבודותיהם של עשרה אמנים במשך עשרה שבועות. הפעם אמן הקרמיקה יונתן הופ.

    Johnathan Hopp יונתן הופ

    ]]>     4725 2012-04-01 17:31:39 2012-04-01 14:31:39 closed open %d7%97%d7%93%d7%a9-%d7%91%d7%9e%d7%93%d7%a4%d7%99%d7%94-%d7%99%d7%95%d7%a0%d7%aa%d7%9f-%d7%94%d7%95%d7%a4 publish 0 0 post 0 _edit_lock 1333290702 _edit_last 2 title יונתן הופ במדפיה description המדפיה בבית בנימיני מציגה עשרה אמנים במשך עשרה שבועות - הפעם יונתן הופ _revision-control a:1:{i:0;s:8:"defaults";} keywords מדפיה, יונתן הופ robotsmeta index,follow     Johnathan Hopp On the Shelf http://www.benyaminiceramics.org/en/2012/04/johnathan-hopp-on-the-shelf/ Sun, 01 Apr 2012 14:36:17 +0000 http://www.benyaminiceramics.org/?p=4728 Johnathan Hopp יונתן הופ

    ]]>     4728 2012-04-01 17:36:17 2012-04-01 14:36:17 closed open johnathan-hopp-on-the-shelf publish 0 0 post 0 _edit_lock 1333291043 _edit_last 2 title Johnathan Hopp On the Shelf description Ten shelves for ten artists for ten weeks - Johnathan Hopp _revision-control a:1:{i:0;s:8:"defaults";} keywords Johnathan Hopp, On the Shelf, ceramics robotsmeta index,follow     תערוכת מגדלים באוויר נפתחה http://www.benyaminiceramics.org/2012/04/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%aa-%d7%9e%d7%92%d7%93%d7%9c%d7%99%d7%9d-%d7%91%d7%90%d7%95%d7%95%d7%99%d7%a8-%d7%a0%d7%a4%d7%aa%d7%97%d7%94-%d7%91%d7%91%d7%99%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99/ Sun, 01 Apr 2012 16:40:33 +0000 http://www.benyaminiceramics.org/?p=4763 מגדלים באוויר" נפתחה בבית בנימיני ביום ה' 29/3/2012. "מגדלים באוויר" היא תערוכה קבוצתית של אמנים חברי עמותת "אמנים יוצרים בישראל - אמנויות". לפרטים נוספים אודות התערוכה בקרו בעמוד גלריה

    Towering Above מגדלים באוויר

    ]]>     4763 2012-04-01 19:40:33 2012-04-01 16:40:33 closed open %d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%aa-%d7%9e%d7%92%d7%93%d7%9c%d7%99%d7%9d-%d7%91%d7%90%d7%95%d7%95%d7%99%d7%a8-%d7%a0%d7%a4%d7%aa%d7%97%d7%94-%d7%91%d7%91%d7%99%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99 publish 0 0 post 0 _edit_lock 1333472422 _edit_last 2 _revision-control a:1:{i:0;s:8:"defaults";} title תערוכת מגדלים באוויר נפתחה בבית בנימיני description "מגדלים באוויר" היא תערוכה קבוצתית של אמנים חברי עמותת "אמנים יוצרים בישראל - אמנויות keywords מגדלים באוויר, תערוכה, בית בנימיני, אמנות robotsmeta index,follow _alp_processed 1333299381     Towering Above opening http://www.benyaminiceramics.org/en/2012/04/towering-above-opening/ Sun, 01 Apr 2012 16:46:03 +0000 http://www.benyaminiceramics.org/?p=4767 gallery page (Hebrew)

    Towering Above מגדלים באוויר

    ]]>     4767 2012-04-01 19:46:03 2012-04-01 16:46:03 closed open towering-above-opening publish 0 0 post 0 title Towering Above exhibition opening _edit_lock 1333472434 _edit_last 2 description The Exhibition "Towering Above" opened on Thursday, March 29th, 2012 at the Benyamini Center keywords Towering Above, exhibition, art, artists _revision-control a:1:{i:0;s:8:"defaults";} robotsmeta index,follow _wp_old_slug opening-of-the-exhibition-towering-above     Towering Above מגדלים באוויר http://www.benyaminiceramics.org/2012/04/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%aa-%d7%9e%d7%92%d7%93%d7%9c%d7%99%d7%9d-%d7%91%d7%90%d7%95%d7%95%d7%99%d7%a8-%d7%a0%d7%a4%d7%aa%d7%97%d7%94-%d7%91%d7%91%d7%99%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99/aiva-ruth-kamhi_400/ Sun, 01 Apr 2012 16:46:58 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/04/Aiva-Ruth-Kamhi_400.jpg 4769 2012-04-01 19:46:58 2012-04-01 16:46:58 closed open aiva-ruth-kamhi_400 inherit 4763 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/04/Aiva-Ruth-Kamhi_400.jpg _wp_attached_file 2012/04/Aiva-Ruth-Kamhi_400.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"400";s:6:"height";s:3:"300";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:31:"2012/04/Aiva-Ruth-Kamhi_400.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:31:"Aiva-Ruth-Kamhi_400-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:31:"Aiva-Ruth-Kamhi_400-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt Towering Above מגדלים באוויר פרס קרן אליכס דה רוטשילד 2012 http://www.benyaminiceramics.org/2012/04/%d7%a4%d7%a8%d7%a1-%d7%a7%d7%a8%d7%9f-%d7%90%d7%9c%d7%99%d7%9b%d7%a1-%d7%93%d7%94-%d7%a8%d7%95%d7%98%d7%a9%d7%99%d7%9c%d7%93-2012/ Sat, 21 Apr 2012 19:15:04 +0000 http://www.benyaminiceramics.org/?p=4814 אליכס דה רוטשילד המעניקה פרס דו-שנתי לאמנים. טקס הענקת הפרס יתקיים בבית בנימיני ביום ראשון 22.4.12 בשעה 19:00 בנוכחות הגברת רות קורמן והגברת פזית שלמון-ברץ. בגלריה בבית בנימיני יוצגו עבודות המועמדים שעלו לשלב הגמר בתערוכה בשם "לצאת מהמסגרת" בין התאריכים 12.5.12 - 20.4.12 פרטים נוספים אודות התערוכה בעמוד גלריה]]> 4814 2012-04-21 22:15:04 2012-04-21 19:15:04 closed open %d7%a4%d7%a8%d7%a1-%d7%a7%d7%a8%d7%9f-%d7%90%d7%9c%d7%99%d7%9b%d7%a1-%d7%93%d7%94-%d7%a8%d7%95%d7%98%d7%a9%d7%99%d7%9c%d7%93-2012 publish 0 0 post 0 _edit_lock 1335036371 _edit_last 2 title פרס קרן אליכס דה רוטשילד 2012 description בית בנימיני מארח השנה את הקרן על שם אליכס דה רוטשילד המעניקה פרס דו-שנתי לאמנים _revision-control a:1:{i:0;s:8:"defaults";} robotsmeta index,follow keywords אליכס דה רוטשילד, פרס, תערוכה, אמנים, גלריה, Alix de Rothschild Crafts Award 2012 http://www.benyaminiceramics.org/en/2012/04/alix-de-rothschild-crafts-award-2012/ Sat, 21 Apr 2012 19:30:31 +0000 http://www.benyaminiceramics.org/?p=4817 Alix de Rothschild Crafts Award this year. Winners of this year's award will be announced by Ruth Corman and lawyer Pazit Shalmon-Baratz at the Benyamini Center on Sunday, April 22nd, 2012 at 19:00 Works by the finalists of the Alix de Rothschild Crafts Award are on display at the Benyamini Center gallery in the exhibition Breaking the Mould 20/4/12 – 12/5/12 For more information please visit our gallery page]]> 4817 2012-04-21 22:30:31 2012-04-21 19:30:31 closed open alix-de-rothschild-crafts-award-2012 publish 0 0 post 0 _edit_lock 1335037426 _edit_last 2 title Alix de Rothschild Crafts Award description Winners of the Alix de Rothschild Crafts Award will be announced by Ruth at the Benyamini Center on Sunday, April 22nd, 2012 at 19:00 keywords gallery, award, Alix de Rothschild Crafts Award, _revision-control a:1:{i:0;s:8:"defaults";} robotsmeta index,follow Shlomit Bauman - Untitled http://www.benyaminiceramics.org/2012/04/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%aa-%d7%9c%d7%a6%d7%90%d7%aa-%d7%9e%d7%94%d7%9e%d7%a1%d7%92%d7%a8%d7%aa/shlomit-bauman_untitled_02_400/ Sat, 21 Apr 2012 20:00:49 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/04/Shlomit-Bauman_Untitled_02_400.jpg 4830 2012-04-21 23:00:49 2012-04-21 20:00:49 closed open shlomit-bauman_untitled_02_400 inherit 4831 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/04/Shlomit-Bauman_Untitled_02_400.jpg _wp_attached_file 2012/04/Shlomit-Bauman_Untitled_02_400.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"400";s:6:"height";s:3:"299";s:14:"hwstring_small";s:23:"height='95' width='128'";s:4:"file";s:42:"2012/04/Shlomit-Bauman_Untitled_02_400.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:42:"Shlomit-Bauman_Untitled_02_400-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:42:"Shlomit-Bauman_Untitled_02_400-300x224.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"224";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt Shlomit Bauman - Untitled תערוכת לצאת מהמסגרת http://www.benyaminiceramics.org/2012/04/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%aa-%d7%9c%d7%a6%d7%90%d7%aa-%d7%9e%d7%94%d7%9e%d7%a1%d7%92%d7%a8%d7%aa/ Sat, 21 Apr 2012 20:07:09 +0000 http://www.benyaminiceramics.org/?p=4831 התערוכה "לצאת מהמסגרת" - 12.5.12 - 20.4.12 - מציגה את עבודותיהם של אמנים שעלו לשלב הגמר בתחרות פרס קרן אליכס דה רוטשילד.

    Shlomit Bauman - Untitled
    האמנים המשתתפים בתערוכה:
    אבי בירן, אפרת אייל, רימה ארסלנוב, שלומית באומן, נורית בלטיאנסקי ותמר עקוב, אוהד בנית, אבנר בר חמא, דינה ברמן, רות ברקאי, נועם דובר ומיכל צדרבאום, ישראל הדני, רינה חייקין, איריס טוטנאואר, עינת לידר, אורית מרילי, יעל פרידמן, אסנת קובלנץ, ליאורה קאון, נאוה שגב, איתמר שגיא, אורי שפירא

    פתיחה ביום חמישי אפריל 20, 2012

    ]]>     4831 2012-04-21 23:07:09 2012-04-21 20:07:09 closed open %d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%aa-%d7%9c%d7%a6%d7%90%d7%aa-%d7%9e%d7%94%d7%9e%d7%a1%d7%92%d7%a8%d7%aa publish 0 0 post 0 _edit_lock 1335040025 _edit_last 2 keywords תערוכה, לצאת מהמסגרת, פרס תחרות קרן אליכס דה רוטשילד, description עבודותיהם של אמנים שעלו לשלב הגמר בתחרות פרס קרן אליכס דה רוטשילד _revision-control a:1:{i:0;s:8:"defaults";} title תערוכת לצאת מהמסגרת robotsmeta index,follow _alp_processed 1335040024     Breaking the Mould exhibition http://www.benyaminiceramics.org/en/2012/04/breaking-the-mould-exhibition/ Sat, 21 Apr 2012 20:11:55 +0000 http://www.benyaminiceramics.org/?p=4833 Breaking the Mould - April 20 - May 12, 2012 - displays works by finalists of the Alix de Rothschild Crafts Award.

    Shlomit Bauman - Untitled

    Participating: Avi Biran, Efrat Eyal, Rimma Arslonov, Shlomit Bauman, Nurit Baltiansky and Tamar Akov, Ohad Benit, Avner Bar Hama, Dina Berman, Ruth Barkai, Noam Dover and Michal Cederbaum, Israel Hadani, Rina Haikin, Iris Tutanauer, Einat Leader, Orit Marili, Yael Friedman, Asnat Koblenz, Liora Kowan, Nava Segev, Itamar Sagi, Uri Shapira Opening on April 20th, 2012]]>     4833 2012-04-21 23:11:55 2012-04-21 20:11:55 closed open breaking-the-mould-exhibition publish 0 0 post 0 _edit_lock 1335040320 _edit_last 2 description Breaking the Mould exhibition displays works by finalists of the Alix de Rothschild Crafts Award. keywords Breaking the Mould, Alix de Rothschild Crafts Award, exhibition _revision-control a:1:{i:0;s:8:"defaults";} title Breaking the Mould exhibition robotsmeta index,follow     Shlomit Bauman - Untitled http://www.benyaminiceramics.org/2012/04/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%aa-%d7%9c%d7%a6%d7%90%d7%aa-%d7%9e%d7%94%d7%9e%d7%a1%d7%92%d7%a8%d7%aa/shlomit-bauman_untitled_02_400_2/ Sat, 21 Apr 2012 20:24:43 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/04/Shlomit-Bauman_Untitled_02_400_2.jpg 4841 2012-04-21 23:24:43 2012-04-21 20:24:43 closed open shlomit-bauman_untitled_02_400_2 inherit 4831 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/04/Shlomit-Bauman_Untitled_02_400_2.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"400";s:6:"height";s:3:"300";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:44:"2012/04/Shlomit-Bauman_Untitled_02_400_2.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:44:"Shlomit-Bauman_Untitled_02_400_2-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:44:"Shlomit-Bauman_Untitled_02_400_2-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attached_file 2012/04/Shlomit-Bauman_Untitled_02_400_2.jpg _wp_attachment_image_alt Shlomit Bauman - Untitled Uri Shapira http://www.benyaminiceramics.org/2012/04/%d7%94%d7%96%d7%95%d7%9b%d7%99%d7%9d-%d7%91%d7%a4%d7%a8%d7%a1-%d7%a7%d7%a8%d7%9f-%d7%90%d7%9c%d7%99%d7%9b%d7%a1-%d7%93%d7%94-%d7%a8%d7%95%d7%98%d7%a9%d7%99%d7%9c%d7%93/uri_shapira/ Mon, 23 Apr 2012 17:07:08 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/04/Uri_Shapira.jpg 4845 2012-04-23 20:07:08 2012-04-23 17:07:08 closed open uri_shapira inherit 4846 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/04/Uri_Shapira.jpg _wp_attached_file 2012/04/Uri_Shapira.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"400";s:6:"height";s:3:"300";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:23:"2012/04/Uri_Shapira.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:23:"Uri_Shapira-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:23:"Uri_Shapira-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt Uri Shapira הזוכים בפרס קרן אליכס דה רוטשילד http://www.benyaminiceramics.org/2012/04/%d7%94%d7%96%d7%95%d7%9b%d7%99%d7%9d-%d7%91%d7%a4%d7%a8%d7%a1-%d7%a7%d7%a8%d7%9f-%d7%90%d7%9c%d7%99%d7%9b%d7%a1-%d7%93%d7%94-%d7%a8%d7%95%d7%98%d7%a9%d7%99%d7%9c%d7%93/ Mon, 23 Apr 2012 17:14:22 +0000 http://www.benyaminiceramics.org/?p=4846 הזוכים בפרס קרן אליכס דה רוטשילד הוכרזו בטקס שנערך בית בנימיני ביום ראשון, אפריל 22, 2012.

    הפרס שמוענק השנה הוא בסך 12,000$ ומחולק בין הזוכים על פי החלטת וועדת שיפוט מקומית. פרטים נוספים בעמוד ארועים
    שמות הזוכים:
    1. מקום ראשון: רימה ארסלנוב
    2. מקום שני משותף: שלומית באומן ואיתמר שגיא
    3. מקום שלישי משותף: אורי שפירא, אסנת קובלנץ ומיכל צדרבאום בעבודה משותפת עם נועם דובר

    Uri Shapira

    ]]>     4846 2012-04-23 20:14:22 2012-04-23 17:14:22 closed open %d7%94%d7%96%d7%95%d7%9b%d7%99%d7%9d-%d7%91%d7%a4%d7%a8%d7%a1-%d7%a7%d7%a8%d7%9f-%d7%90%d7%9c%d7%99%d7%9b%d7%a1-%d7%93%d7%94-%d7%a8%d7%95%d7%98%d7%a9%d7%99%d7%9c%d7%93 publish 0 0 post 0 _edit_lock 1359041980 _edit_last 3 description הזוכים בפרס קרן אליכס דה רוטשילד הוכרזו בבית בנימיני ביום ראשון, אפריל 22, 2012 keywords קרן אליכס דה רוטשילד, פרס קרן אליכס דה רוטשילד, זוכים _revision-control a:1:{i:0;s:8:"defaults";} robotsmeta index,follow title הזוכים בפרס קרן אליכס דה רוטשילד _alp_processed 1335202644     Alix de Rothschild Crafts Award winners http://www.benyaminiceramics.org/en/2012/04/alix-de-rothschild-crafts-award-winners/ Tue, 24 Apr 2012 19:39:28 +0000 http://www.benyaminiceramics.org/?p=4862 Uri Shapira

    • First place: Rimma Arslano
    • Second place: Shlomit Bauman and Itamar Sagi
    • Third place: Uri Shapira Asnat Koblenz Noam Dover and Michal Cederbaum

    More information on our events page

    [nggallery id=90]

    ]]>     4862 2012-04-24 22:39:28 2012-04-24 19:39:28 closed open alix-de-rothschild-crafts-award-winners publish 0 0 post 0 _edit_lock 1335297082 _edit_last 2 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} title Alix de Rothschild Crafts Award winners description Alix de Rothschild Crafts Award winners were announced on April 22nd at the Benyamini Center keywords Alix de Rothschild Crafts Award winners     כתת אמן עם קריסטה אסד http://www.benyaminiceramics.org/2012/05/%d7%9b%d7%aa%d7%aa-%d7%90%d7%9e%d7%9f-%d7%a2%d7%9d-%d7%a7%d7%a8%d7%99%d7%a1%d7%98%d7%94-%d7%90%d7%a1%d7%93/ Tue, 01 May 2012 15:03:12 +0000 http://www.benyaminiceramics.org/?p=4877 הרצאה והדגמה בבית בנימיני עם אמנית אורחת מארה"ב, Christa Assad

    Christa Assad - Fire Hydrant and Pigeons

    כריסטה יוצרת כלים שימושיים ואובייקטים פיסוליים בטכניקה ייחודית של פירוק ובנייה מחדש של הצורה העגולה שהיא תוצר של עבודת גלגל.

    יום חמישי העשירי במאי, 2012 בשעה 18:00

    כניסה: 75 ש"ח. 50 ש"ח. לסטודנטים בבית בנימיני ולחברי אגודת הקרמיקאים ואומנים צעירים

    לפרטים נוספים בקרו בעמוד ארועים

    Christa Assad invitation

    ]]>     4877 2012-05-01 18:03:12 2012-05-01 15:03:12 closed open %d7%9b%d7%aa%d7%aa-%d7%90%d7%9e%d7%9f-%d7%a2%d7%9d-%d7%a7%d7%a8%d7%99%d7%a1%d7%98%d7%94-%d7%90%d7%a1%d7%93 publish 0 0 post 0 _edit_lock 1335886785 _edit_last 2 description כתת אמן עם קריסטה אסד בבית בנימיני ביום חמישי העשירי במאי, 2012 בשעה 18:00 keywords Christa Assad, כתת אמן, הרצאה, הדגמה _revision-control a:1:{i:0;s:8:"defaults";} title כתת אמן עם קריסטה אסד robotsmeta index,follow _alp_processed 1335886773     Master class with Christa Assad http://www.benyaminiceramics.org/en/2012/05/master-class-with-christa-assad/ Tue, 01 May 2012 15:07:12 +0000 http://www.benyaminiceramics.org/?p=4879 Christa Assad - Fire Hydrant and Pigeons

    Christa makes both functional and sculptural objects that begin on the potter's wheel but move beyond the round. For more information please visit our events page

    Christa Assad invitation

    ]]>     4879 2012-05-01 18:07:12 2012-05-01 15:07:12 closed open master-class-with-christa-assad publish 0 0 post 0 _edit_lock 1335886957 _edit_last 2 description Christa Assad will be visiting the Benyamini Center for a lecture and demonstartion title Master class with Christa Assad robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} keywords Christa Assad, master class, ceramics     Christa Assad - Fire Hydrant and Pigeons http://www.benyaminiceramics.org/2012/05/%d7%9b%d7%aa%d7%aa-%d7%90%d7%9e%d7%9f-%d7%a2%d7%9d-%d7%a7%d7%a8%d7%99%d7%a1%d7%98%d7%94-%d7%90%d7%a1%d7%93/christaassad_firehydrant_pigeons400/ Tue, 01 May 2012 15:12:04 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/05/ChristaAssad_FireHydrant_Pigeons400.jpg 4881 2012-05-01 18:12:04 2012-05-01 15:12:04 closed open christaassad_firehydrant_pigeons400 inherit 4877 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/05/ChristaAssad_FireHydrant_Pigeons400.jpg _wp_attached_file 2012/05/ChristaAssad_FireHydrant_Pigeons400.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"400";s:6:"height";s:3:"300";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:47:"2012/05/ChristaAssad_FireHydrant_Pigeons400.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:47:"ChristaAssad_FireHydrant_Pigeons400-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:47:"ChristaAssad_FireHydrant_Pigeons400-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt Christa Assad - Fire Hydrant and Pigeons Christa Assad invitation http://www.benyaminiceramics.org/2012/05/%d7%9b%d7%aa%d7%aa-%d7%90%d7%9e%d7%9f-%d7%a2%d7%9d-%d7%a7%d7%a8%d7%99%d7%a1%d7%98%d7%94-%d7%90%d7%a1%d7%93/christa-assad-invitation71/ Tue, 01 May 2012 15:36:21 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/05/Christa-Assad-invitation71.jpg 4894 2012-05-01 18:36:21 2012-05-01 15:36:21 closed open christa-assad-invitation71 inherit 4877 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/05/Christa-Assad-invitation71.jpg _wp_attached_file 2012/05/Christa-Assad-invitation71.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"800";s:6:"height";s:4:"1246";s:14:"hwstring_small";s:22:"height='96' width='61'";s:4:"file";s:38:"2012/05/Christa-Assad-invitation71.jpg";s:5:"sizes";a:3:{s:9:"thumbnail";a:3:{s:4:"file";s:38:"Christa-Assad-invitation71-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:38:"Christa-Assad-invitation71-192x300.jpg";s:5:"width";s:3:"192";s:6:"height";s:3:"300";}s:5:"large";a:3:{s:4:"file";s:39:"Christa-Assad-invitation71-657x1024.jpg";s:5:"width";s:3:"657";s:6:"height";s:4:"1024";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt Christa Assad invitation כתבה בהארץ על רימה ארסלנוב http://www.benyaminiceramics.org/2012/05/%d7%9b%d7%aa%d7%91%d7%94-%d7%91%d7%94%d7%90%d7%a8%d7%a5-%d7%a2%d7%9c-%d7%a8%d7%99%d7%9e%d7%94-%d7%90%d7%a8%d7%a1%d7%9c%d7%a0%d7%95%d7%91/ Mon, 07 May 2012 09:39:42 +0000 http://www.benyaminiceramics.org/?p=4899 כתבה במדור 'גלריה' אודות רימה.]]> 4899 2012-05-07 12:39:42 2012-05-07 09:39:42 closed open %d7%9b%d7%aa%d7%91%d7%94-%d7%91%d7%94%d7%90%d7%a8%d7%a5-%d7%a2%d7%9c-%d7%a8%d7%99%d7%9e%d7%94-%d7%90%d7%a8%d7%a1%d7%9c%d7%a0%d7%95%d7%91 publish 0 0 post 0 _edit_lock 1336383952 _edit_last 2 description רימה ארסלנוב זכתה בפרס בתחרות קרן אליכס דה רוטשילד. keywords רימה ארסלנוב, קרן אליכס דה רוטשילד, עיתון הארץ _revision-control a:1:{i:0;s:8:"defaults";} title כתבה בהארץ על רימה ארסלנוב robotsmeta index,follow _alp_processed 1336383951 Rimma Arslano in Haaretz http://www.benyaminiceramics.org/en/2012/05/rimma-arslano-in-haaretz/ Mon, 07 May 2012 09:43:53 +0000 http://www.benyaminiceramics.org/?p=4901 article about Rima]]> 4901 2012-05-07 12:43:53 2012-05-07 09:43:53 closed open rimma-arslano-in-haaretz publish 0 0 post 0 _edit_lock 1336383900 _edit_last 2 title Rimma Arslano in Haaretz description Rimma Arslano won the 1st proze of the Alix de Rothschild Crafts competition. _revision-control a:1:{i:0;s:8:"defaults";} robotsmeta index,follow keywords Rimma Arslano, Haaretz, Alix de Rothschild Crafts Award, art תרבות and the city http://www.benyaminiceramics.org/2012/05/%d7%aa%d7%a8%d7%91%d7%95%d7%aa-and-the-city/ Sun, 13 May 2012 07:29:50 +0000 http://www.benyaminiceramics.org/?p=4905 4905 2012-05-13 10:29:50 2012-05-13 07:29:50 closed open %d7%aa%d7%a8%d7%91%d7%95%d7%aa-and-the-city publish 0 0 post 0 _edit_lock 1359042012 _edit_last 3 description הבלוג תרבות and the city פרסם פוסט אודות תערוכות של תמר בן שאול ודודי אלדר _revision-control a:1:{i:0;s:8:"defaults";} title תערוכות יחיד של תמר בן שאול ודודי אלדר robotsmeta index,follow _alp_processed 1359042011 keywords תמר בן שאול, דודי אלדר, תערוכות יחיד, תרבות and the city Tarbut and the city about Tamar Ben Shaul and Dudi Eldar http://www.benyaminiceramics.org/en/2012/05/tarbut-and-the-city-about-tamar-ben-shaul-and-dudi-eldar/ Sun, 13 May 2012 07:33:46 +0000 http://www.benyaminiceramics.org/?p=4907 Tarbut and the city, a blog publishing articles about culture and art in Tel Aviv, wrote about Tamar Ben Shaul and Dudi Eldar new solo exhibitions opening this week at the Benyamini Center. The article in the Hebrew Language]]> 4907 2012-05-13 10:33:46 2012-05-13 07:33:46 closed open tarbut-and-the-city-about-tamar-ben-shaul-and-dudi-eldar publish 0 0 post 0 _edit_lock 1336894740 _edit_last 2 keywords Tarbut and the city,Tamar Ben Shaul , Dudi Eldar, robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} title Solo exhibitions of Tamar Ben Shaul and Dudi Eldar description The Blog Tarbut and the city published an article about Tamar Ben Shaul and Dudi Eldar תערוכת יחיד של דודי אלדר http://www.benyaminiceramics.org/2012/05/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%aa-%d7%99%d7%97%d7%99%d7%93-%d7%a9%d7%9c-%d7%93%d7%95%d7%93%d7%99-%d7%90%d7%9c%d7%93%d7%a8/ Sun, 13 May 2012 20:45:15 +0000 http://www.benyaminiceramics.org/?p=4950 ביום חמישי, 17 במאי, 2012 תפתח בבית בנימיני תערוכת יחיד של דודי אלדר: "קו בחומר".

    בתערוכה "קו בחומר" מוצג מערך עבודות בשני מדיומים מרכזיים: החומר הקרמי ורישומי נייר מיניאטורים. (תערוכה בהפקה משותפת עם כנפיים)

    לפרטים נוספים בקרו בעמוד גלריה

    Dodi Eldar Porcelain

    ]]>     4950 2012-05-13 23:45:15 2012-05-13 20:45:15 closed open %d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%aa-%d7%99%d7%97%d7%99%d7%93-%d7%a9%d7%9c-%d7%93%d7%95%d7%93%d7%99-%d7%90%d7%9c%d7%93%d7%a8 publish 0 0 post 0 _edit_lock 1359042035 _edit_last 3 keywords דודי אלדר, תערוכת יחיד, פורצלן, רישומים, אמנות, פתיחת תערוכה description בתערוכה קו בחומר מוצג מערך עבודות בשני מדיומים מרכזיים: החומר הקרמי ורישומי נייר מיניאטורים. _revision-control a:1:{i:0;s:8:"defaults";} title תערוכת יחיד של דודי אלדר robotsmeta index,follow _alp_processed 1336943329     Dodi Eldar solo exhibition http://www.benyaminiceramics.org/en/2012/05/dodi-eldar-solo-exhibition/ Sun, 13 May 2012 20:49:03 +0000 http://www.benyaminiceramics.org/?p=4952 Kenafayim). This exhibition shows a series of works in porcelain and miniature drawings on paper For detailed information please visit our gallery page

    Dodi Eldar Porcelain

    ]]>     4952 2012-05-13 23:49:03 2012-05-13 20:49:03 closed open dodi-eldar-solo-exhibition publish 0 0 post 0 _edit_lock 1336943190 _edit_last 2 description Dodi Eldar exhibition shows a series of works in porcelain and miniature drawings on paper keywords Dodi Eldar, solo exhibition, porcelain, drawing, art, opening _revision-control a:1:{i:0;s:8:"defaults";} title Dodi Eldar new solo exhibition robotsmeta index,follow     Dodi Eldar Porcelain http://www.benyaminiceramics.org/2012/05/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%aa-%d7%99%d7%97%d7%99%d7%93-%d7%a9%d7%9c-%d7%93%d7%95%d7%93%d7%99-%d7%90%d7%9c%d7%93%d7%a8/porcelain-dodi_400/ Sun, 13 May 2012 20:50:24 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/05/Porcelain-dodi_400.jpg 4954 2012-05-13 23:50:24 2012-05-13 20:50:24 closed open porcelain-dodi_400 inherit 4950 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/05/Porcelain-dodi_400.jpg _wp_attached_file 2012/05/Porcelain-dodi_400.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"400";s:6:"height";s:3:"300";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:30:"2012/05/Porcelain-dodi_400.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:30:"Porcelain-dodi_400-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:30:"Porcelain-dodi_400-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt Dodi Eldar Porcelain Tamar Ben Shaul http://www.benyaminiceramics.org/2012/05/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%aa-%d7%99%d7%97%d7%99%d7%93-%d7%a9%d7%9c-%d7%aa%d7%9e%d7%a8-%d7%91%d7%9f-%d7%a9%d7%90%d7%95%d7%9c/image011_400/ Sun, 13 May 2012 20:51:09 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/05/image011_400.jpg 4955 2012-05-13 23:51:09 2012-05-13 20:51:09 closed open image011_400 inherit 4958 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/05/image011_400.jpg _wp_attached_file 2012/05/image011_400.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"400";s:6:"height";s:3:"300";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:24:"2012/05/image011_400.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:24:"image011_400-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:24:"image011_400-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt Tamar Ben Shaul תערוכת יחיד של תמר בן שאול http://www.benyaminiceramics.org/2012/05/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%aa-%d7%99%d7%97%d7%99%d7%93-%d7%a9%d7%9c-%d7%aa%d7%9e%d7%a8-%d7%91%d7%9f-%d7%a9%d7%90%d7%95%d7%9c/ Sun, 13 May 2012 20:57:33 +0000 http://www.benyaminiceramics.org/?p=4958 ביום חמישי, 17 במאי, 2012, תפתח בבית בנימיני תערוכת יחיד של תמר בן שאול: "שוהה".

    תמר בן שאול לוקחת אותנו למסע של תעתוע בין פנים וחוץ, של ציור – צילום, של היות רובץ ומתעופף.

    לפרטים נוספים אנא בקרו בעמוד גלריה

    Tamar Ben Shaul

    ]]>     4958 2012-05-13 23:57:33 2012-05-13 20:57:33 closed open %d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%aa-%d7%99%d7%97%d7%99%d7%93-%d7%a9%d7%9c-%d7%aa%d7%9e%d7%a8-%d7%91%d7%9f-%d7%a9%d7%90%d7%95%d7%9c publish 0 0 post 0 _edit_lock 1336942655 _edit_last 2 title תערוכת יחיד של תמר בן שאול description תמר בן שאול לוקחת אותנו למסע של תעתוע בין פנים וחוץ, של ציור – צילום, של היות רובץ ומתעופף. _revision-control a:1:{i:0;s:8:"defaults";} keywords תמר בן שאול, תערוכת יחיד, פתיחה robotsmeta index,follow     Solo exhibition by Tamar Ben Shaul http://www.benyaminiceramics.org/en/2012/05/solo-exhibition-by-tamar-ben-shaul/ Sun, 13 May 2012 21:01:46 +0000 http://www.benyaminiceramics.org/?p=4960 gallery page

    Tamar Ben Shaul

    ]]>     4960 2012-05-14 00:01:46 2012-05-13 21:01:46 closed open solo-exhibition-by-tamar-ben-shaul publish 0 0 post 0 _edit_lock 1336942908 _edit_last 2 title Solo exhibition by Tamar Ben Shaul description Tamar Ben Shaul takes us on an illusionary journey between drawing and photography. _revision-control a:1:{i:0;s:8:"defaults";} keywords Tamar Ben Shaul, solo exhibition, art, opening robotsmeta index,follow     מיקה אורסטב - Mika Orstav http://www.benyaminiceramics.org/2012/05/%d7%9e%d7%99%d7%a7%d7%94-%d7%90%d7%95%d7%a8%d7%a1%d7%98%d7%91-%d7%91%d7%9e%d7%93%d7%a4%d7%99%d7%94/p1070155_400/ Sun, 13 May 2012 21:33:14 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/05/P1070155_400.jpg 4976 2012-05-14 00:33:14 2012-05-13 21:33:14 closed open p1070155_400 inherit 4975 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/05/P1070155_400.jpg _wp_attached_file 2012/05/P1070155_400.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"400";s:6:"height";s:3:"300";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:24:"2012/05/P1070155_400.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:24:"P1070155_400-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:24:"P1070155_400-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt מיקה אורסטב - Mika Orstav מיקה אורסטב במדפיה http://www.benyaminiceramics.org/2012/05/%d7%9e%d7%99%d7%a7%d7%94-%d7%90%d7%95%d7%a8%d7%a1%d7%98%d7%91-%d7%91%d7%9e%d7%93%d7%a4%d7%99%d7%94/ Sun, 13 May 2012 21:35:15 +0000 http://www.benyaminiceramics.org/?p=4975

    המדפיה בבית בנימיני מציגה על גבי עשרה מדפים את עבודותיהם של עשרה אמנים במשך עשרה שבועות. הפעם האמנית מיקה אורסטב
    מיקה אורסטב - Mika Orstav
    ]]>     4975 2012-05-14 00:35:15 2012-05-13 21:35:15 closed open %d7%9e%d7%99%d7%a7%d7%94-%d7%90%d7%95%d7%a8%d7%a1%d7%98%d7%91-%d7%91%d7%9e%d7%93%d7%a4%d7%99%d7%94 publish 0 0 post 0 _edit_lock 1336944917 _edit_last 2 title מיקה אורסטב במדפיה description המדפיה בבית בנימיני מציגה על גבי עשרה מדפים את עבודותיהם של עשרה אמנים במשך עשרה שבועות. מיקה אורסטב _revision-control a:1:{i:0;s:8:"defaults";} keywords מיקה אורסטב, מדפיה robotsmeta index,follow     Mika Orstav on the shelf http://www.benyaminiceramics.org/en/2012/05/mika-orstav-on-the-shelf/ Sun, 13 May 2012 21:37:49 +0000 http://www.benyaminiceramics.org/?p=4978 מיקה אורסטב - Mika Orstav

    ]]>     4978 2012-05-14 00:37:49 2012-05-13 21:37:49 closed open mika-orstav-on-the-shelf publish 0 0 post 0 _edit_lock 1336945070 _edit_last 2 title Mika Orstav on the shelf description On the Shelf is a Benyamini Center ongoing display of work by ceramic artists. Ten artists display their work on ten shelves over 10 weeks. Mika Orstav _revision-control a:1:{i:0;s:8:"defaults";} keywords Mika Orstav, on the shelf robotsmeta index,follow     כתבה אודות אמנים אורחים בישראל http://www.benyaminiceramics.org/2012/05/%d7%9b%d7%aa%d7%91%d7%94-%d7%90%d7%95%d7%93%d7%95%d7%aa-%d7%90%d7%9e%d7%a0%d7%99%d7%9d-%d7%90%d7%95%d7%a8%d7%97%d7%99%d7%9d-%d7%91%d7%99%d7%a9%d7%a8%d7%90%d7%9c/ Thu, 24 May 2012 17:57:20 +0000 http://www.benyaminiceramics.org/?p=4980 כתבה שפורסמה במגזין American Craft תחת הכותרת Cross Cultivation in Israel מתארת את פעילותה של - Association of Israel’s Decorative Art הארגון שסייע בין השאר להביא למרכז בנימיני את Akio Takamori בתחילת 2012

    "זה היה ביקור נהדר, כה עמוק, מורכב ועמוס." אמר Takamori למגזין.

    american craft magazine story

    ]]>     4980 2012-05-24 20:57:20 2012-05-24 17:57:20 closed open %d7%9b%d7%aa%d7%91%d7%94-%d7%90%d7%95%d7%93%d7%95%d7%aa-%d7%90%d7%9e%d7%a0%d7%99%d7%9d-%d7%90%d7%95%d7%a8%d7%97%d7%99%d7%9d-%d7%91%d7%99%d7%a9%d7%a8%d7%90%d7%9c publish 0 0 post 0 _edit_lock 1337883531 _edit_last 2 description כתבה ב American Craft Magazine מתארת את פעילות ארגון AIDA שהביא ארצה לכתת אמן בבית בנימיני את Akio Takamori keywords Akio Takamori, AIDA, American Craft, בית בנימיני, כתבה robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} title כתבה ב American Craft אודות פעילות AIDA _alp_processed 1337883528     American Craft Magazine story about AIDA http://www.benyaminiceramics.org/en/2012/05/american-craft-magazine-story-about-aida/ Thu, 24 May 2012 18:05:36 +0000 http://www.benyaminiceramics.org/?p=4982 Cross Cultivation in Israel about activities of AIDA - Association of Israel’s Decorative Arts. AIDA is "...fostering the development of Israel's contemporary crafts field...." writes American Craft. The story quotes Akio Takamori: “It was an incredible experience, so dense and deep and complex”.

    american craft magazine story

    ]]>     4982 2012-05-24 21:05:36 2012-05-24 18:05:36 closed open american-craft-magazine-story-about-aida publish 0 0 post 0 _edit_lock 1338023423 _edit_last 2 description American Craft Magazine published a story titled Cross Cultivation in Israel about activities of AIDA which invited Akio Takamori to the Benyamini Center keywords Akio Takamori, AIDA, American Craft, press, magazine _revision-control a:1:{i:0;s:8:"defaults";} title American Craft Magazine story about AIDA robotsmeta index,follow     American Craft magazine story - Cross Cultivation in Israel http://www.benyaminiceramics.org/?attachment_id=4985 Thu, 24 May 2012 18:09:30 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/05/american-craft.pdf 4985 2012-05-24 21:09:30 2012-05-24 18:09:30 closed open american-craft inherit 0 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/05/american-craft.pdf _wp_attached_file 2012/05/american-craft.pdf _wp_attachment_metadata a:0:{} american craft magazine story http://www.benyaminiceramics.org/2012/05/%d7%9b%d7%aa%d7%91%d7%94-%d7%90%d7%95%d7%93%d7%95%d7%aa-%d7%90%d7%9e%d7%a0%d7%99%d7%9d-%d7%90%d7%95%d7%a8%d7%97%d7%99%d7%9d-%d7%91%d7%99%d7%a9%d7%a8%d7%90%d7%9c/american-craft500/ Thu, 24 May 2012 18:17:05 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/05/american-craft500.jpg 4992 2012-05-24 21:17:05 2012-05-24 18:17:05 closed open american-craft500 inherit 4980 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/05/american-craft500.jpg _wp_attachment_image_alt american craft magazine story _wp_attached_file 2012/05/american-craft500.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"363";s:6:"height";s:3:"500";s:14:"hwstring_small";s:22:"height='96' width='69'";s:4:"file";s:29:"2012/05/american-craft500.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:29:"american-craft500-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:29:"american-craft500-217x300.jpg";s:5:"width";s:3:"217";s:6:"height";s:3:"300";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} תמר בן שאול ודודי אלדר בחלל התערוכה http://www.benyaminiceramics.org/2012/05/%d7%aa%d7%9e%d7%a8-%d7%91%d7%9f-%d7%a9%d7%90%d7%95%d7%9c-%d7%95%d7%93%d7%95%d7%93%d7%99-%d7%90%d7%9c%d7%93%d7%a8-%d7%91%d7%97%d7%9c%d7%9c-%d7%94%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%94/ Mon, 28 May 2012 07:24:09 +0000 http://www.benyaminiceramics.org/?p=4997 הגלריה של בית בנימיני.

    [nggallery id=94]

    ]]>     4997 2012-05-28 10:24:09 2012-05-28 07:24:09 closed open %d7%aa%d7%9e%d7%a8-%d7%91%d7%9f-%d7%a9%d7%90%d7%95%d7%9c-%d7%95%d7%93%d7%95%d7%93%d7%99-%d7%90%d7%9c%d7%93%d7%a8-%d7%91%d7%97%d7%9c%d7%9c-%d7%94%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%94 publish 0 0 post 0 _edit_lock 1338190248 _edit_last 2 title דודי אלדר ותמר בן שאול בחללי הגלריה בבית בנימיני description שוהה של תמר בן שאול, וקו בחומר של דודי אלדר מוצגות בבית בנימיני keywords תמר בן שאול, דודי אלדר, גלריה, תערוכה. תצלומים _revision-control a:1:{i:0;s:8:"defaults";} robotsmeta index,follow _alp_processed 1338190247     Tamar Ben Shaul and Dodi Eldar works http://www.benyaminiceramics.org/en/2012/05/tamar-ben-shaul-and-dodi-eldar-works/ Mon, 28 May 2012 07:28:32 +0000 http://www.benyaminiceramics.org/?p=4999 gallery space at the Benyamini Center

    [nggallery id=94]

    ]]>     4999 2012-05-28 10:28:32 2012-05-28 07:28:32 closed open tamar-ben-shaul-and-dodi-eldar-works publish 0 0 post 0 _edit_lock 1338190191 _edit_last 2 keywords Dodi Eldar, Tamar Ben Shaul, exhibitions title Tamar Ben Shaul and Dodi Eldar works description Two exhibitions at the Benyamini Center gallery spaces - Dodi Eldar's Of Lines and Materials and Tamar Ben Shaul's "Being" _revision-control a:1:{i:0;s:8:"defaults";} robotsmeta index,follow     חוגי קרמיקה לילדים ונוער http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a0%d7%95%d7%a2%d7%a8/ Wed, 30 May 2012 16:04:39 +0000 http://www.benyaminiceramics.org/?page_id=5057 בית בנימיני מציע לקהל הרחב חוגי קרמיקה וקדרות לבני נוער ולילדים:

    ]]>     5057 2012-05-30 19:04:39 2012-05-30 16:04:39 closed open %d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a0%d7%95%d7%a2%d7%a8 publish 2825 7 page 0 _edit_lock 1367750368 _edit_last 3 _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1364463029 _thumbnail_id ngg-1387 robotsmeta index,follow after_children

    למידע אודות לימודי קרמיקה.

    למידע אודות לימודי פיסול.

         description חוגי קרמיקה וסדנאות מיוחדות לילדים ונוער מוצעים לקהל הרחב בבית בנימיני     Youth courses http://www.benyaminiceramics.org/en/ceramic-courses/teenagers-courses/ Wed, 30 May 2012 16:09:38 +0000 http://www.benyaminiceramics.org/?page_id=5060 ]]> 5060 2012-05-30 19:09:38 2012-05-30 16:09:38 closed open teenagers-courses publish 2955 7 page 0 _edit_lock 1374764524 _edit_last 3 description Pottery, ceramics and art courses for children and teenagers at the Benyamini Center _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _thumbnail_id ngg-1387 robotsmeta index,follow Rina Peleg http://www.benyaminiceramics.org/2012/05/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94-%d7%a2%d7%91%d7%95%d7%93%d7%aa-%d7%99%d7%93-%d7%9c%d7%9e%d7%aa%d7%97%d7%99%d7%9c%d7%99%d7%9d-%d7%95%d7%9c%d7%9e%d7%aa/rina-2/ Wed, 30 May 2012 20:44:44 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/05/rina-2.jpg 5177 2012-05-30 23:44:44 2012-05-30 20:44:44 closed open rina-2 inherit 5176 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/05/rina-2.jpg _wp_attached_file 2012/05/rina-2.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"600";s:6:"height";s:3:"410";s:14:"hwstring_small";s:23:"height='87' width='128'";s:4:"file";s:18:"2012/05/rina-2.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:18:"rina-2-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:18:"rina-2-300x205.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"205";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:6:"Picasa";s:6:"camera";s:28:"Nikon SUPER COOLSCAN 5000 ED";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1276444868";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt Rina Peleg קורסים לקרמיקה עבודת יד למתחילים ולמתקדמים http://www.benyaminiceramics.org/2012/05/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94-%d7%a2%d7%91%d7%95%d7%93%d7%aa-%d7%99%d7%93-%d7%9c%d7%9e%d7%aa%d7%97%d7%99%d7%9c%d7%99%d7%9d-%d7%95%d7%9c%d7%9e%d7%aa/ Wed, 30 May 2012 20:47:35 +0000 http://www.benyaminiceramics.org/?p=5176 בקיץ 2012 יתקיימו בבית בנימני מבחר קורסים איכותיים לקרמיקה למתחילים ולמתקדמים, עבודת יד, קדרות ועוד. בקרו בעמוד הקורסים שלנו לפרטים נוספים ומהרו להרשם כי מספר המקומות מוגבל

    Rina Peleg

    ]]>     5176 2012-05-30 23:47:35 2012-05-30 20:47:35 closed open %d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94-%d7%a2%d7%91%d7%95%d7%93%d7%aa-%d7%99%d7%93-%d7%9c%d7%9e%d7%aa%d7%97%d7%99%d7%9c%d7%99%d7%9d-%d7%95%d7%9c%d7%9e%d7%aa publish 0 0 post 0 _edit_lock 1338411892 _edit_last 2 title קורסים לקרמיקה עבודת יד למתחילים ולמתקדמים keywords קורסים לקרמיקה, בית הספר לאמנות הקרמיקה, בית בנימיני, קורסים למתקדמים בקרמיקה, קורסים למתחילים בקרמיקה description בבית בנימני יתקיימו בקיץ 2012 קורסים לקרמיקה ולקדרות למתחילים ולמתקדמים _revision-control a:1:{i:0;s:8:"defaults";} robotsmeta index,follow _alp_processed 1338411890 _alp_broken_links a:1:{s:61:"http://www.benyaminiceramics.org/קורסים-לקרמיקה/";a:0:{}}     Advanced and beginner level ceramic courses http://www.benyaminiceramics.org/en/2012/05/advanced-and-beginner-level-ceramic-courses/ Wed, 30 May 2012 20:51:48 +0000 http://www.benyaminiceramics.org/?p=5179 courses page for more information

    Rina Peleg

    ]]>     5179 2012-05-30 23:51:48 2012-05-30 20:51:48 closed open advanced-and-beginner-level-ceramic-courses publish 0 0 post 0 _edit_lock 1338413119 _edit_last 2 _revision-control a:1:{i:0;s:8:"defaults";} title Advanced and beginner level ceramic courses description New ceramics courses program at the Benyamini Center for summer 2012 keywords courses, ceramics courses, beginner level ceramics, advanced courses, robotsmeta index,follow     Rina Peleg http://www.benyaminiceramics.org/2012/05/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94-%d7%a2%d7%91%d7%95%d7%93%d7%aa-%d7%99%d7%93-%d7%9c%d7%9e%d7%aa%d7%97%d7%99%d7%9c%d7%99%d7%9d-%d7%95%d7%9c%d7%9e%d7%aa/rina_2_400/ Wed, 30 May 2012 21:02:47 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/05/Rina_2_400.jpg 5184 2012-05-31 00:02:47 2012-05-30 21:02:47 closed open rina_2_400 inherit 5176 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/05/Rina_2_400.jpg _wp_attached_file 2012/05/Rina_2_400.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"400";s:6:"height";s:3:"300";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:22:"2012/05/Rina_2_400.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:22:"Rina_2_400-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:22:"Rina_2_400-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt Rina Peleg קורס קדרות למתחילים בקיץ 2012 http://www.benyaminiceramics.org/2012/05/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%9e%d7%aa%d7%97%d7%99%d7%9c%d7%99%d7%9d-%d7%91%d7%a7%d7%99%d7%a5-2012/ Wed, 30 May 2012 21:09:43 +0000 http://www.benyaminiceramics.org/?p=5188 בקיץ 2012 יפתחו בבית בנימני קורסים למתחילים בקרמיקה. קורסי קדרות למתחילים וקורסי עבודת יד בקרמיקה.

    למידע נוסף על לימודי קרמיקה

    קורס קרמיקה למתחילים ceramics beginners course

    ]]>     5188 2012-05-31 00:09:43 2012-05-30 21:09:43 closed open %d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%9e%d7%aa%d7%97%d7%99%d7%9c%d7%99%d7%9d-%d7%91%d7%a7%d7%99%d7%a5-2012 publish 0 0 post 0 _edit_lock 1359042115 _edit_last 3 description קורסי קרמיקה וקדרות למתחילים _revision-control a:1:{i:0;s:8:"defaults";} title קורסים למתחילים בקיץ 2012 robotsmeta index,follow _alp_processed 1359042113 _alp_broken_links a:2:{s:292:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%9E%D7%AA%D7%97%D7%99%D7%9C%D7%99%D7%9D/%D7%A7%D7%95%D7%A8%D7%A1-%D7%A7%D7%93%D7%A8%D7%95%D7%AA-%D7%99%D7%A1%D7%95%D7%93%D7%95%D7%AA/";a:0:{}s:113:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/";a:0:{}} keywords בית הספר לאמנות הקרמיקה, בית בנימיני, קורסי קרמיקה, קורסים למתחילים בקרמיקה     wheel throwing summer courses http://www.benyaminiceramics.org/en/2012/05/beginner-ceramics-courses/ Wed, 30 May 2012 21:13:17 +0000 http://www.benyaminiceramics.org/?p=5190 courses page for details

    קורס קרמיקה למתחילים ceramics beginners course

    ]]>     5190 2012-05-31 00:13:17 2012-05-30 21:13:17 closed open beginner-ceramics-courses publish 0 0 post 0 _edit_lock 1338471677 _edit_last 2 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} title Beginner ceramics courses description summer 2012 beginner level ceramics hand made and throwing courses keywords courses, ceramics courses, beginner level ceramics     מופע מוזיקלי מיוחד UDUBASS http://www.benyaminiceramics.org/2012/05/%d7%9e%d7%95%d7%a4%d7%a2-%d7%9e%d7%95%d7%96%d7%99%d7%a7%d7%9c%d7%99-%d7%9e%d7%99%d7%95%d7%97%d7%93-udubass/ Thu, 31 May 2012 07:23:26 +0000 http://www.benyaminiceramics.org/?p=5211 מופע מוסיקלי מיוחד: UDUBASS דואט של נגינה על מיכלי תהודה מקרמיקה וגיטרה באס עם עינב לויטוב ודניאל בן חורין יתקיים על גג מרכז בנימיני ב-28 ביוני 2012, בשקיעה החל מהשעה 19:00.

    Laila Lavan Einav Levitov לילה לבן עינת לביטוב

    בנוסף: דואט על אבניים – אמני קרמיקה בונים יצירה בארבע ידיים - יתקיים בסדנא במרכז בנימיני ב 28 ביוני 2012 בשעה 20:00 ובשעה 21:00

    ]]>     5211 2012-05-31 10:23:26 2012-05-31 07:23:26 closed open %d7%9e%d7%95%d7%a4%d7%a2-%d7%9e%d7%95%d7%96%d7%99%d7%a7%d7%9c%d7%99-%d7%9e%d7%99%d7%95%d7%97%d7%93-udubass publish 0 0 post 0 _edit_last 2 _edit_lock 1338799482 description דואט של נגינה על מיכלי תהודה מקרמיקה וגיטרה באס על הגג של בית בנימיני title מופע מוזיקלי מיוחד UDUBASS _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1338799186 keywords מופע מוזיקה חיה, גיטרה באס, מיכלי תהודה מקרמיקה, עינב לויטוב, דניאל בן חורין robotsmeta index,follow     Live musical performance UDUBASS http://www.benyaminiceramics.org/en/2012/05/live-musical-performance-udubass/ Thu, 31 May 2012 07:32:28 +0000 http://www.benyaminiceramics.org/?p=5214 UDUBASS - a duet of ceramic musical instruments and bass guitar with Einav Levitov and Daniel Ben Horin at sunset on the roof of the Benyamini Center starting at 19:00

    Laila Lavan Einav Levitov לילה לבן עינת לביטוב

    In addition: Duet in the Workshop - four hands on the wheel throwing clay. June 28th, 2012 at the Benyamini Center at 20:00 and 21:00]]>     5214 2012-05-31 10:32:28 2012-05-31 07:32:28 closed open live-musical-performance-udubass publish 0 0 post 0 _edit_lock 1338799225 _edit_last 2 description a unique musical performance - UDUBASS - a duet of ceramic musical instruments and bass guitar title Live musical performance UDUBASS robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} keywords udubass, music, live music, performance, throwing     UDUBASS http://www.benyaminiceramics.org/2012/05/%d7%9e%d7%95%d7%a4%d7%a2-%d7%9e%d7%95%d7%96%d7%99%d7%a7%d7%9c%d7%99-%d7%9e%d7%99%d7%95%d7%97%d7%93-udubass/lev_400/ Thu, 31 May 2012 07:34:47 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/05/lev_400.jpg 5217 2012-05-31 10:34:47 2012-05-31 07:34:47 closed open lev_400 inherit 5211 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/05/lev_400.jpg _wp_attached_file 2012/05/lev_400.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"400";s:6:"height";s:3:"300";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:19:"2012/05/lev_400.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:19:"lev_400-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:19:"lev_400-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt UDUBASS חדש בספרית בית בנימיני http://www.benyaminiceramics.org/2012/06/%d7%97%d7%93%d7%a9-%d7%91%d7%a1%d7%a4%d7%a8%d7%99%d7%aa-%d7%91%d7%99%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/ Mon, 04 Jun 2012 06:48:44 +0000 http://www.benyaminiceramics.org/?p=5222 לספרית בית בנימיני הגיעו חוברות חדשות וספרים חדשים. להלן כמה מהם:

    • Ceramic Monthly
    • ‏Ceramics Art and Perception
    • ‏New Ceramics
    • Ceramic Review

    הספריה מכילה חומרים רבים בתחומי קרמיקה, קדרות ופיסול קרמי והיא משמשת אמנים לעיון ומחקר. לפרטים נוספים אנא בקרו בעמוד הספריה

    Hedwig Grossman החרס

    ]]>     5222 2012-06-04 09:48:44 2012-06-04 06:48:44 closed open %d7%97%d7%93%d7%a9-%d7%91%d7%a1%d7%a4%d7%a8%d7%99%d7%aa-%d7%91%d7%99%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99 publish 0 0 post 0 _edit_lock 1359042186 _edit_last 3 title חדש בספרית בית בנימיני robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1359042185 description ספרים ומגזינים חדשים בספרית בית בנימיני keywords מגזנינים לאמנות, ספרי אמנות, ספרי קרמיקה, ספריה, מחקר, עיון, ירחונים לקרמיקה _alp_broken_links a:1:{s:292:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%9E%D7%AA%D7%97%D7%99%D7%9C%D7%99%D7%9D/%D7%A7%D7%95%D7%A8%D7%A1-%D7%A7%D7%93%D7%A8%D7%95%D7%AA-%D7%99%D7%A1%D7%95%D7%93%D7%95%D7%AA/";a:0:{}}     New at the Benyamini Center library http://www.benyaminiceramics.org/en/2012/06/new-at-the-benyamini-center-library/ Mon, 04 Jun 2012 06:54:18 +0000 http://www.benyaminiceramics.org/?p=5224 library page for more information about the latest additions. Some of the newly added magazines:
    • Ceramic Monthly
    • ‏Ceramics Art and Perception
    • ‏New Ceramics
    • Ceramic Review

    Hirondelle

    ]]>     5224 2012-06-04 09:54:18 2012-06-04 06:54:18 closed open new-at-the-benyamini-center-library publish 0 0 post 0 _edit_lock 1338798019 _edit_last 2 title New at the Benyamini Center library description New items added to the Benyamini Center library keywords ceramics magazines, art books, ceramics books, library, _revision-control a:1:{i:0;s:8:"defaults";} robotsmeta index,follow     Hedwig Grossman החרס http://www.benyaminiceramics.org/2012/06/%d7%97%d7%93%d7%a9-%d7%91%d7%a1%d7%a4%d7%a8%d7%99%d7%aa-%d7%91%d7%99%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/hedwig-grossman_400/ Mon, 04 Jun 2012 07:04:19 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/06/hedwig-grossman_400.jpg 5228 2012-06-04 10:04:19 2012-06-04 07:04:19 closed open hedwig-grossman_400 inherit 5222 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/06/hedwig-grossman_400.jpg _wp_attached_file 2012/06/hedwig-grossman_400.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"400";s:6:"height";s:3:"300";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:31:"2012/06/hedwig-grossman_400.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:31:"hedwig-grossman_400-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:31:"hedwig-grossman_400-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt Hedwig Grossman החרס Hirondelle http://www.benyaminiceramics.org/en/2012/06/new-at-the-benyamini-center-library/hirondelle_400/ Mon, 04 Jun 2012 07:11:07 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/06/Hirondelle_400.jpg 5231 2012-06-04 10:11:07 2012-06-04 07:11:07 closed open hirondelle_400 inherit 5224 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/06/Hirondelle_400.jpg _wp_attached_file 2012/06/Hirondelle_400.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"400";s:6:"height";s:3:"300";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:26:"2012/06/Hirondelle_400.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:26:"Hirondelle_400-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:26:"Hirondelle_400-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt Hirondelle Laila Lavan Einav Levitov לילה לבן עינת לביטוב http://www.benyaminiceramics.org/2012/05/%d7%9e%d7%95%d7%a4%d7%a2-%d7%9e%d7%95%d7%96%d7%99%d7%a7%d7%9c%d7%99-%d7%9e%d7%99%d7%95%d7%97%d7%93-udubass/laila-lavan_einav-levitov/ Mon, 04 Jun 2012 08:38:50 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/05/laila-lavan_einav-levitov.jpg 5293 2012-06-04 11:38:50 2012-06-04 08:38:50 closed open laila-lavan_einav-levitov inherit 5211 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/05/laila-lavan_einav-levitov.jpg _wp_attached_file 2012/05/laila-lavan_einav-levitov.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"400";s:6:"height";s:3:"298";s:14:"hwstring_small";s:23:"height='95' width='128'";s:4:"file";s:37:"2012/05/laila-lavan_einav-levitov.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:37:"laila-lavan_einav-levitov-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:37:"laila-lavan_einav-levitov-300x223.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"223";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt Laila Lavan Einav Levitov לילה לבן עינת לביטוב קטלוג קורסי קיץ לקרמיקה http://www.benyaminiceramics.org/2012/06/%d7%a7%d7%98%d7%9c%d7%95%d7%92-%d7%a7%d7%95%d7%a8%d7%a1%d7%99-%d7%a7%d7%99%d7%a5-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/ Thu, 14 Jun 2012 06:15:51 +0000 http://www.benyaminiceramics.org/?p=5308 קטלוג חדש על לימודי קרמיקה לסמסטר קיץ הנוכחי:

    לימודי קדרות

    סדנאות קרמיקה

    לימודי פיסול בחימר

    סדנאות וקורסים נוספים בבית הספר לאמנות הקרמיקה.

    ceramic summer courses 2012 - קטלוג קורסי קיץ לקרמיקה

    להורדת הקטלוג לחצו כאן (1.8 MB)

    ]]>     5308 2012-06-14 09:15:51 2012-06-14 06:15:51 closed open %d7%a7%d7%98%d7%9c%d7%95%d7%92-%d7%a7%d7%95%d7%a8%d7%a1%d7%99-%d7%a7%d7%99%d7%a5-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94 publish 0 0 post 0 _edit_lock 1359042895 _edit_last 3 description כל הקורסים לקרמיקה לקיץ 2012 title קטלוג קורסי קיץ לקרמיקה 2012 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_broken_links a:3:{s:292:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%9E%D7%AA%D7%97%D7%99%D7%9C%D7%99%D7%9D/%D7%A7%D7%95%D7%A8%D7%A1-%D7%A7%D7%93%D7%A8%D7%95%D7%AA-%D7%99%D7%A1%D7%95%D7%93%D7%95%D7%AA/";a:0:{}s:150:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%A1%D7%93%D7%A0%D7%90%D7%95%D7%AA/";a:0:{}s:330:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%9C%D7%99%D7%9E%D7%95%D7%93%D7%99-%D7%A4%D7%99%D7%A1%D7%95%D7%9C/%D7%9C%D7%99%D7%9E%D7%95%D7%93%D7%99-%D7%A4%D7%99%D7%A1%D7%95%D7%9C-%D7%91%D7%97%D7%99%D7%9E%D7%A8-%D7%95%D7%91%D7%A0%D7%99%D7%99%D7%AA-%D7%99%D7%93/";a:0:{}} _alp_processed 1359042894 keywords קטלוג קורסים, קורסים לקרמיקה, בית הספר לאמנות הקרמיקה, סמסטר קיץ     Summer 2012 ceramic courses catalog http://www.benyaminiceramics.org/en/2012/06/summer-2012-ceramic-courses-catalog/ Thu, 14 Jun 2012 06:19:39 +0000 http://www.benyaminiceramics.org/?p=5310 download (1.8 MB)

    ceramic summer courses 2012

    Benyamini ceramic art school summer semester - all the courses are listed in our new catalog.

    Click here to download (1.8 MB)]]>     5310 2012-06-14 09:19:39 2012-06-14 06:19:39 closed open summer-2012-ceramic-courses-catalog publish 0 0 post 0 robotsmeta index,follow _edit_lock 1339663225 _edit_last 2 description Benyamini Center ceramic summer 2012 ceramic courses catalog keywords ceramic courses, summer 2012, courses catalog _revision-control a:1:{i:0;s:8:"defaults";} title Summer 2012 ceramic courses catalogue     ceramic summer courses 2012 - קטלוג קורסי קיץ 2012 לקרמיקה http://www.benyaminiceramics.org/?attachment_id=5313 Thu, 14 Jun 2012 06:21:29 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/06/summer-courses-2012_final.pdf 5313 2012-06-14 09:21:29 2012-06-14 06:21:29 closed open summer-courses-2012_final inherit 0 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/06/summer-courses-2012_final.pdf _wp_attached_file 2012/06/summer-courses-2012_final.pdf _wp_attachment_metadata a:0:{} summer courses 2012 catalog cover http://www.benyaminiceramics.org/2012/06/%d7%a7%d7%98%d7%9c%d7%95%d7%92-%d7%a7%d7%95%d7%a8%d7%a1%d7%99-%d7%a7%d7%99%d7%a5-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/summer-courses-2012_cover_400/ Thu, 14 Jun 2012 06:32:55 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/06/summer-courses-2012_cover_400.jpg 5321 2012-06-14 09:32:55 2012-06-14 06:32:55 closed open summer-courses-2012_cover_400 inherit 5308 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/06/summer-courses-2012_cover_400.jpg _wp_attached_file 2012/06/summer-courses-2012_cover_400.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"400";s:6:"height";s:3:"300";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:41:"2012/06/summer-courses-2012_cover_400.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:41:"summer-courses-2012_cover_400-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:41:"summer-courses-2012_cover_400-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt summer courses 2012 catalog cover ceramic summer courses 2012 - קטלוג קורסי קיץ לקרמיקה http://www.benyaminiceramics.org/en/2012/06/summer-2012-ceramic-courses-catalog/summer-courses-2012_cover_400_2/ Thu, 14 Jun 2012 08:38:34 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/06/summer-courses-2012_cover_400_2.jpg 5328 2012-06-14 11:38:34 2012-06-14 08:38:34 closed open summer-courses-2012_cover_400_2 inherit 5310 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/06/summer-courses-2012_cover_400_2.jpg _wp_attached_file 2012/06/summer-courses-2012_cover_400_2.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"400";s:6:"height";s:3:"300";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:43:"2012/06/summer-courses-2012_cover_400_2.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:43:"summer-courses-2012_cover_400_2-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:43:"summer-courses-2012_cover_400_2-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt ceramic summer courses 2012 - קטלוג קורסי קיץ לקרמיקה כתבה במגזין Ceramics Technical http://www.benyaminiceramics.org/2012/06/%d7%9b%d7%aa%d7%91%d7%94-%d7%91%d7%9e%d7%92%d7%96%d7%99%d7%9f-ceramics-technical/ Thu, 14 Jun 2012 10:58:40 +0000 http://www.benyaminiceramics.org/?p=5333 החודש התפרסמה כתבה אודות מרכז בנימיני לקרמיקה עכשווית במגזין Ceramic Technical. אסתר בק, קרמיקאית וחברת צוות בית בנימיני, מתארת בכתבה את הפעילות בבית בנימיני.

    Putting Ceramic Art on the Map picture

    לנוחותכם קובץ להורדה המכיל סריקה של הכתבה - (אנגלית. PDF 4 MB)

    ]]>     5333 2012-06-14 13:58:40 2012-06-14 10:58:40 closed open %d7%9b%d7%aa%d7%91%d7%94-%d7%91%d7%9e%d7%92%d7%96%d7%99%d7%9f-ceramics-technical publish 0 0 post 0 _edit_last 3 _edit_lock 1339947881 title כתבה במגזין Ceramics Technical _revision-control a:1:{i:0;s:8:"defaults";} robotsmeta index,follow _alp_processed 1339947880 keywords כתבה במגזין , Ceramics Technical, אסתר בק description כתבה במגזין Ceramics Technical אודות בית בנימיני התפרסמה החודש     Ceramics Technical magazine story about the Benyamini Center http://www.benyaminiceramics.org/en/2012/06/ceramics-technical-magazine-story-about-the-benyamini-center/ Thu, 14 Jun 2012 11:02:54 +0000 http://www.benyaminiceramics.org/?p=5335 Putting Ceramic Art on the Map". Esther Beck, a ceramicist and a Benyamini Center management member, describes activities at the Benyamini Center.

    Putting Ceramic Art on the Map picture

    Download a PDF scan of the printed story (4 MB)]]>     5335 2012-06-14 14:02:54 2012-06-14 11:02:54 closed open ceramics-technical-magazine-story-about-the-benyamini-center publish 0 0 post 0 _edit_lock 1339681851 _edit_last 2 title Ceramics Technical magazine story about the Benyamini Center description Technical magazine published a story about the Benyamini Center _revision-control a:1:{i:0;s:8:"defaults";} robotsmeta index,follow keywords Ceramics Technical magazine, Ceramics Technical, Esther Beck,     Putting Ceramic Art on the Map http://www.benyaminiceramics.org/?attachment_id=5343 Thu, 14 Jun 2012 11:13:22 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/06/ceramics_technical.pdf 5343 2012-06-14 14:13:22 2012-06-14 11:13:22 closed open ceramics_technical inherit 0 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/06/ceramics_technical.pdf _wp_attachment_metadata a:0:{} _wp_attached_file 2012/06/ceramics_technical.pdf Putting Ceramic Art on the Map picture http://www.benyaminiceramics.org/2012/06/%d7%9b%d7%aa%d7%91%d7%94-%d7%91%d7%9e%d7%92%d7%96%d7%99%d7%9f-ceramics-technical/putting-ceramic-art-on-the-map/ Thu, 14 Jun 2012 11:21:53 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/06/Putting-Ceramic-Art-on-the-Map.jpg 5344 2012-06-14 14:21:53 2012-06-14 11:21:53 closed open putting-ceramic-art-on-the-map inherit 5333 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/06/Putting-Ceramic-Art-on-the-Map.jpg _wp_attached_file 2012/06/Putting-Ceramic-Art-on-the-Map.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"652";s:6:"height";s:3:"324";s:14:"hwstring_small";s:23:"height='63' width='128'";s:4:"file";s:42:"2012/06/Putting-Ceramic-Art-on-the-Map.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:42:"Putting-Ceramic-Art-on-the-Map-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:42:"Putting-Ceramic-Art-on-the-Map-300x149.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"149";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt Putting Ceramic Art on the Map picture Do פתיחת תערוכה http://www.benyaminiceramics.org/2012/06/do-%d7%a4%d7%aa%d7%99%d7%97%d7%aa-%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%94/ Mon, 18 Jun 2012 20:30:03 +0000 http://www.benyaminiceramics.org/?p=5383 פתיחת התערוכה Do - דו-מימד תלת-מימדי בכלים קרמיים - בבית בנימיני ביום ה', 21.6.2012

    Ami and Dov - Do

    הקרמיקאית עירית אבא והמעצבים עמי דרך ודב גנשרוא

    לפרטים נוספים בקרו בעמוד גלריה

    ]]>     5383 2012-06-18 23:30:03 2012-06-18 20:30:03 closed open do-%d7%a4%d7%aa%d7%99%d7%97%d7%aa-%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%94 publish 0 0 post 0 _edit_lock 1340052148 _edit_last 2 _revision-control a:1:{i:0;s:8:"defaults";} title דו-מימד תלת-מימדי בכלים קרמיים description תערוכה חדשה בבית בנימיני - הקרמיקאית עירית אבא והמעצבים עמי דרך ודב גנשרוא keywords עירית אבא, עמי דרך, דב גנשרוא, דו-מימד תלת-מימדי, כלים קרמים. תערוכה, פתיחה robotsmeta index,follow _alp_processed 1340052145     Exhibition opening - Do http://www.benyaminiceramics.org/en/2012/06/exhibition-opening-do/ Mon, 18 Jun 2012 20:37:07 +0000 http://www.benyaminiceramics.org/?p=5388 Ami and Dov - Do

    Ceramicist Irit Abba abd designers Ami Drach and Dov Ganchrow for more information please visit our Gallery page]]>     5388 2012-06-18 23:37:07 2012-06-18 20:37:07 closed open exhibition-opening-do publish 0 0 post 0 _edit_last 2 _edit_lock 1340054654 title Do - new exhibition opens at the Benyamini Center description A look at almost-two-dimensional ceramic vessels in a new exhibiton at the Benyamini Center keywords Irit Abba, Ami Drach, Dov Ganchrow, New exhibition, opening, Benyamini Center, _revision-control a:1:{i:0;s:8:"defaults";} robotsmeta index,follow     Tea for Two http://www.benyaminiceramics.org/2012/06/%d7%a4%d7%aa%d7%99%d7%97%d7%aa-%d7%94%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%94-%e2%80%8ftea-for-two/_dsc7391_400/ Mon, 18 Jun 2012 20:40:45 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/06/DSC7391_400.jpg 5391 2012-06-18 23:40:45 2012-06-18 20:40:45 closed open _dsc7391_400 inherit 5395 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/06/DSC7391_400.jpg _wp_attached_file 2012/06/DSC7391_400.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"400";s:6:"height";s:3:"299";s:14:"hwstring_small";s:23:"height='95' width='128'";s:4:"file";s:23:"2012/06/DSC7391_400.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:23:"DSC7391_400-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:23:"DSC7391_400-300x224.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"224";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt Tea for Two Ami and Dov - Do http://www.benyaminiceramics.org/2012/06/do-%d7%a4%d7%aa%d7%99%d7%97%d7%aa-%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%94/ami-and-dov4_400/ Mon, 18 Jun 2012 20:41:24 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/06/Ami-and-Dov4_400.jpg 5392 2012-06-18 23:41:24 2012-06-18 20:41:24 closed open ami-and-dov4_400 inherit 5383 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/06/Ami-and-Dov4_400.jpg _wp_attached_file 2012/06/Ami-and-Dov4_400.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"399";s:6:"height";s:3:"300";s:14:"hwstring_small";s:23:"height='96' width='127'";s:4:"file";s:28:"2012/06/Ami-and-Dov4_400.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:28:"Ami-and-Dov4_400-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:28:"Ami-and-Dov4_400-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt Ami and Dov - Do פתיחת התערוכה ‏Tea For Two http://www.benyaminiceramics.org/2012/06/%d7%a4%d7%aa%d7%99%d7%97%d7%aa-%d7%94%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%94-%e2%80%8ftea-for-two/ Mon, 18 Jun 2012 20:47:58 +0000 http://www.benyaminiceramics.org/?p=5395 בבית בנימיני תפתח ביום ה' 21/6/2012 תערוכה קבוצתית של אגודת אמני הקרמיקה העוסקת באותו נושא קרמי מובהק של מערכת כלים לשתיית תה בשניים.

    Tea for Two

    לפרטים נוספים בקרו בעמוד גלריה

    ]]>     5395 2012-06-18 23:47:58 2012-06-18 20:47:58 closed open %d7%a4%d7%aa%d7%99%d7%97%d7%aa-%d7%94%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%94-%e2%80%8ftea-for-two publish 0 0 post 0 _edit_lock 1340052479 _edit_last 2 title פתיחת התערוכה ‏ Tea For Two description פתיחת תערוכה קבוצתית של אגודת אמני הקרמיקה keywords ,פתיחת תערוכה ,אגודת אמני הקרמיקה, שתיית תה, _revision-control a:1:{i:0;s:8:"defaults";} robotsmeta index,follow     ‏Tea For Two opening http://www.benyaminiceramics.org/en/2012/06/%e2%80%8ftea-for-two-opening/ Mon, 18 Jun 2012 20:52:36 +0000 http://www.benyaminiceramics.org/?p=5397 Tea for Two

    for more information please visit our Gallery page]]>     5397 2012-06-18 23:52:36 2012-06-18 20:52:36 closed open %e2%80%8ftea-for-two-opening publish 0 0 post 0 _edit_lock 1340052758 _edit_last 2 title ‏Tea For Two opening description A new exhibition presenting their interpretation of the traditional porcelain tea set. Ceramic Artists Association _revision-control a:1:{i:0;s:8:"defaults";} robotsmeta index,follow keywords Ceramic Artists Association, ‏Tea For Two, opening,     Michal Koren - מיכל קורן http://www.benyaminiceramics.org/2012/06/%d7%9e%d7%99%d7%9b%d7%9c-%d7%a7%d7%95%d7%a8%d7%9f-%d7%91%d7%9e%d7%93%d7%a4%d7%99%d7%94/_av00005_400/ Mon, 18 Jun 2012 21:05:50 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/06/AV00005_400.jpg 5399 2012-06-19 00:05:50 2012-06-18 21:05:50 closed open _av00005_400 inherit 5400 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/06/AV00005_400.jpg _wp_attached_file 2012/06/AV00005_400.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"400";s:6:"height";s:3:"300";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:23:"2012/06/AV00005_400.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:23:"AV00005_400-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:23:"AV00005_400-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:2:"18";s:6:"credit";s:0:"";s:6:"camera";s:3:"E-5";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1326012758";s:9:"copyright";s:0:"";s:12:"focal_length";s:2:"50";s:3:"iso";s:3:"100";s:13:"shutter_speed";s:15:"0.0666666666667";s:5:"title";s:0:"";}} _wp_attachment_image_alt Michal Koren - מיכל קורן מיכל קורן במדפיה http://www.benyaminiceramics.org/2012/06/%d7%9e%d7%99%d7%9b%d7%9c-%d7%a7%d7%95%d7%a8%d7%9f-%d7%91%d7%9e%d7%93%d7%a4%d7%99%d7%94/ Mon, 18 Jun 2012 21:10:31 +0000 http://www.benyaminiceramics.org/?p=5400 המדפיה מציגה עשרה אמנים שונים המתחלפים במשך עשרה שבועות. השבוע מוצגת במדפיה מיכל קורן.

    Michal Koren - מיכל קורן

    ]]>     5400 2012-06-19 00:10:31 2012-06-18 21:10:31 closed open %d7%9e%d7%99%d7%9b%d7%9c-%d7%a7%d7%95%d7%a8%d7%9f-%d7%91%d7%9e%d7%93%d7%a4%d7%99%d7%94 publish 0 0 post 0 _edit_lock 1340053833 _edit_last 2 title מיכל קורן במדפיה description עשרה אמנים במשך עשרה שבועות. השבוע - מיכל קורן. המדפיה של בית בנימיני _revision-control a:1:{i:0;s:8:"defaults";} keywords מיכל קורן, מדפיה robotsmeta index,follow     Michal Koren - on the shelf http://www.benyaminiceramics.org/en/2012/06/michal-koren-on-the-shelf/ Mon, 18 Jun 2012 21:14:10 +0000 http://www.benyaminiceramics.org/?p=5402 Michal Koren - מיכל קורן

    ]]>     5402 2012-06-19 00:14:10 2012-06-18 21:14:10 closed open michal-koren-on-the-shelf publish 0 0 post 0 _edit_lock 1340054052 _edit_last 2 title Michal Koren on the shelf description Benyamini Center's On the Self presents ten artists over ten weeks. Michal Koren _revision-control a:1:{i:0;s:8:"defaults";} keywords Michal Koren, on the shelf robotsmeta index,follow     שנה לבית בנימיני! http://www.benyaminiceramics.org/2012/06/%d7%a9%d7%a0%d7%94-%d7%9c%d7%91%d7%99%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/ Thu, 21 Jun 2012 09:57:22 +0000 http://www.benyaminiceramics.org/?p=5420 בית בנימיני חוגג יומהולדת שנה!

    first_studio

    בואו לחגוג איתנו במסיבת רחוב יחד עם שכנתנו החדשה - מסעדת ALARAMPA

    על הפטיפונים - ‏Ofer Schoolmaster (התפוחים)

    יום חמישי, 21.6.2012 בערב

    ]]>     5420 2012-06-21 12:57:22 2012-06-21 09:57:22 closed open %d7%a9%d7%a0%d7%94-%d7%9c%d7%91%d7%99%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99 publish 0 0 post 0 _edit_lock 1359042910 _edit_last 3 keywords יום הולדת, מסיבה, דיג'יי, DJ, Ofer Schoolmaster, ALARAMPA, שנה לבית בנימיני description מסיבת רחוב לכבוד יום הולדת שנה לבית בנימיני title בית בנימיני חוגג שנה _revision-control a:1:{i:0;s:8:"defaults";} robotsmeta index,follow _alp_processed 1340273074     Celebrating 1 year! http://www.benyaminiceramics.org/en/2012/06/celebrating-1-year/ Thu, 21 Jun 2012 10:02:01 +0000 http://www.benyaminiceramics.org/?p=5422 birthday!

    first_studio

    A street party with our new neighbor - ALARAMPA restaurant DJ Ofer Schoolmaster (The Apples) Thursday evening 21/6/12]]>     5422 2012-06-21 13:02:01 2012-06-21 10:02:01 closed open celebrating-1-year publish 0 0 post 0 _edit_lock 1340273112 _edit_last 2 keywords street party, birthday, DJ, description A street party celebrating the first birthday of the Benyamini Center title Celebrating 1 year! _revision-control a:1:{i:0;s:8:"defaults";} robotsmeta index,follow     timelapse של פתיחת התערוכה DO http://www.benyaminiceramics.org/2012/06/timelapse-%d7%a9%d7%9c-%d7%a4%d7%aa%d7%99%d7%97%d7%aa-%d7%94%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%94-do/ Mon, 25 Jun 2012 10:32:30 +0000 http://www.benyaminiceramics.org/?p=5426 5426 2012-06-25 13:32:30 2012-06-25 10:32:30 closed open timelapse-%d7%a9%d7%9c-%d7%a4%d7%aa%d7%99%d7%97%d7%aa-%d7%94%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%94-do publish 0 0 post 0 robotsmeta index,follow _edit_lock 1340620578 _edit_last 2 keywords timelapse, פתיחה, וידאו description וידאו קליפ timelapse מארוע הפתיחה של התערוכה DO בבית בנימיני title timelapse של פתיחת התערוכה DO _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1340620577 _oembed_365c47192c8329b0702aa10723c65ccf DO opening timelapse http://www.benyaminiceramics.org/en/2012/06/do-opening-timelapse/ Mon, 25 Jun 2012 10:34:32 +0000 http://www.benyaminiceramics.org/?p=5428 5428 2012-06-25 13:34:32 2012-06-25 10:34:32 closed open do-opening-timelapse publish 0 0 post 0 _edit_lock 1340620522 _edit_last 2 robotsmeta index,follow description A timelapse video clip from the opening evening of the exhibition DO keywords timelapse, DO, opening, exhibition _revision-control a:1:{i:0;s:8:"defaults";} title DO opening timelapse _oembed_365c47192c8329b0702aa10723c65ccf 694 http://fiverr.com/worldofseo 188.143.232.41 2012-10-09 08:30:16 2012-10-09 06:30:16 xrumer... [...]Every the moment inside a though we decide on blogs that we read. Listed below would be the latest internet sites that we choose [...]...]]> 0 trackback 0 0 857 http://www.nintenfriends.com/member.php?action=profile&uid=3789 188.143.233.39 2013-04-09 14:17:37 2013-04-09 11:17:37 Get the facts... [...]usually posts some quite fascinating stuff like this. If you are new to this site[...]...]]> 0 trackback 0 0 Ofir Zmudjak Rocking Horse http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%a1%d7%93%d7%a0%d7%90%d7%95%d7%aa/ofir_zmudjak_rocking-horse_600/ Mon, 02 Jul 2012 05:58:03 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/01/Ofir_Zmudjak_Rocking-Horse_600.jpg 5435 2012-07-02 08:58:03 2012-07-02 05:58:03 closed open ofir_zmudjak_rocking-horse_600 inherit 4325 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/01/Ofir_Zmudjak_Rocking-Horse_600.jpg _wp_attached_file 2012/01/Ofir_Zmudjak_Rocking-Horse_600.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"600";s:6:"height";s:3:"428";s:14:"hwstring_small";s:23:"height='91' width='128'";s:4:"file";s:42:"2012/01/Ofir_Zmudjak_Rocking-Horse_600.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:42:"Ofir_Zmudjak_Rocking-Horse_600-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:42:"Ofir_Zmudjak_Rocking-Horse_600-300x214.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"214";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt Ofir Zmudjak Rocking Horse בוקר של הרצאות עם אמניות אורחות מחו"ל http://www.benyaminiceramics.org/2012/07/%d7%91%d7%95%d7%a7%d7%a8-%d7%a9%d7%9c-%d7%94%d7%a8%d7%a6%d7%90%d7%95%d7%aa-%d7%a2%d7%9d-%d7%90%d7%9e%d7%a0%d7%99%d7%95%d7%aa-%d7%90%d7%95%d7%a8%d7%97%d7%95%d7%aa-%d7%9e%d7%97%d7%95%d7%9c/ Tue, 10 Jul 2012 08:11:13 +0000 http://www.benyaminiceramics.org/?p=5446 בוקר של הרצאות בבית בנימיני עם שלוש אמניות קרמיקה מארה"ב ומקנדה יתקיים ביום ו', 20.7.12 בשעה 10:00

    ‏Molly Hatch, Nan Smith, Linda Sormin הן אמניות קרמיקה בעלות שם בין-לאומי, יגיעו ארצה בהזמת קרן AIDA, יציגו וינהלו דיון על עבודותיהן.

    לפרטים נוספים בקרו בעמוד אירועים

    מחיר השתתפות: 50 שח
    רישום מראש בטלפון 03-5182257

    ]]>     5446 2012-07-10 11:11:13 2012-07-10 08:11:13 closed open %d7%91%d7%95%d7%a7%d7%a8-%d7%a9%d7%9c-%d7%94%d7%a8%d7%a6%d7%90%d7%95%d7%aa-%d7%a2%d7%9d-%d7%90%d7%9e%d7%a0%d7%99%d7%95%d7%aa-%d7%90%d7%95%d7%a8%d7%97%d7%95%d7%aa-%d7%9e%d7%97%d7%95%d7%9c publish 0 0 post 0 _edit_lock 1359042968 _edit_last 3 title בוקר של הרצאות עם אמניות אורחות מחו"ל robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1359042967 description ‏Molly Hatch, Nan Smith, Linda Sormin הן אמניות קרמיקה בעלות שם בין-לאומי, יגיעו ארצה בהזמת קרן AIDA, יציגו וינהלו דיון על עבודותיהן. keywords Molly Hatch, Nan Smith, Linda Sormin, הרצאות, אמנים אורחים, קרמיקה, אמנות, לימודי אמנות, לימודי קרמיקה, פיסול     Lectures by visiting artists http://www.benyaminiceramics.org/en/2012/07/lectures-by-visiting-artists/ Tue, 10 Jul 2012 08:17:16 +0000 http://www.benyaminiceramics.org/?p=5448 AIDA, will discuss their work and present a slide lecture.

    Linda Sormin - invited by AIDA Foundation to the Benyamini Center

    For more information please visit our events page Advance reservations: 03-5182257

    Invitation to AIDA foundation event at the Benyamini Center

    ]]>     5448 2012-07-10 11:17:16 2012-07-10 08:17:16 closed open lectures-by-visiting-artists publish 0 0 post 0 _edit_lock 1341910759 _edit_last 2 keywords Nan Smith, Molly Hatch, Linda Sormin, lectures, art courses, sculpture, ceramics courses description A morning of lectures by visiting artists Nan Smith, Molly Hatch, Linda Sormin _revision-control a:1:{i:0;s:8:"defaults";} title Lectures by visiting artists robotsmeta index,follow     Nan Smith - invited by AIDA Foundation to the Benyamini Center http://www.benyaminiceramics.org/2012/07/%d7%91%d7%95%d7%a7%d7%a8-%d7%a9%d7%9c-%d7%94%d7%a8%d7%a6%d7%90%d7%95%d7%aa-%d7%a2%d7%9d-%d7%90%d7%9e%d7%a0%d7%99%d7%95%d7%aa-%d7%90%d7%95%d7%a8%d7%97%d7%95%d7%aa-%d7%9e%d7%97%d7%95%d7%9c/aida_nan-smith/ Tue, 10 Jul 2012 08:19:07 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/07/AIDA_nan-smith.jpg 5451 2012-07-10 11:19:07 2012-07-10 08:19:07 closed open aida_nan-smith inherit 5446 0 attachment 0 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_wp_attachment_image_alt Linda Sormin - invited by AIDA Foundation to the Benyamini Center Linda Sormin - invited by AIDA Foundation to the Benyamini Center http://www.benyaminiceramics.org/2012/07/%d7%91%d7%95%d7%a7%d7%a8-%d7%a9%d7%9c-%d7%94%d7%a8%d7%a6%d7%90%d7%95%d7%aa-%d7%a2%d7%9d-%d7%90%d7%9e%d7%a0%d7%99%d7%95%d7%aa-%d7%90%d7%95%d7%a8%d7%97%d7%95%d7%aa-%d7%9e%d7%97%d7%95%d7%9c/aida_linda-sormin_400/ Tue, 10 Jul 2012 08:35:57 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/07/AIDA_LINDA-SORMIN_400.jpg 5459 2012-07-10 11:35:57 2012-07-10 08:35:57 closed open aida_linda-sormin_400 inherit 5446 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/07/AIDA_LINDA-SORMIN_400.jpg _wp_attached_file 2012/07/AIDA_LINDA-SORMIN_400.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"400";s:6:"height";s:3:"300";s:14:"hwstring_small";s:23:"height='96' 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    תאריכים ומידע מפורט יפורסמו בהמשך.

    צפו בסרטון אודות חוג קדרות לנוער וקורסים נוספים בתחום הקרמיקה בבית בנימיני:
    ]]>     5549 2012-07-18 09:30:43 2012-07-18 06:30:43 closed open %d7%a7%d7%95%d7%a8%d7%a1-%d7%93%d7%95%d7%92%d7%9e%d7%94-%d7%9c%d7%a0%d7%95%d7%a2%d7%a8 publish 5057 1 page 0 _edit_lock 1367750374 _edit_last 3 _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1366883904 title חוג קדרות לנוער | בית בנימיני | המרכז לקרמיקה עכשווית _thumbnail_id ngg-1131 description חוג קדרות לבני נוער מציע חוויה ייחודית לנערים בעלי נטייה אמנותית ופותח בפניהם צוהר ראשון לעולם הקדרות והקרמיקה. קורס עשיר וחוויתי בבית בנימיני בתל אביב. robotsmeta index,follow keywords חוג קדרות     p570794 http://www.benyaminiceramics.org/?attachment_id=5551 Wed, 18 Jul 2012 06:32:24 +0000 http://benyaminiceramics.daze.co.il/wp-content/uploads/2010/07/p570794.jpg 5551 2012-07-18 09:32:24 2012-07-18 06:32:24 closed open p570794 inherit 1450 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2010/07/p570794.jpg _wp_attached_file 2010/07/p570794.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"444";s:6:"height";s:3:"249";s:14:"hwstring_small";s:23:"height='71' width='128'";s:4:"file";s:19:"2010/07/p570794.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:19:"p570794-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:19:"p570794-300x168.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"168";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} לימודי פיסול http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%9c%d7%99%d7%9e%d7%95%d7%93%d7%99-%d7%a4%d7%99%d7%a1%d7%95%d7%9c/ Wed, 18 Jul 2012 09:34:23 +0000 http://benyaminiceramics.daze.co.il/?page_id=5571 בית הספר לאמנות הקרמיקה בבית בנימיני מציע לימודי פיסול קרמי.

    לימודי פיסול קרמי מאפשרים הבנה בסיסית של עבודה בחומר, כמו גם התמחות בחומר קרמי ומשמעותה בשדה האמנות הפלסטית. הפיסול בחומר אשר החל לפני כ-10,000 שנה באזורינו, יונק את מקורותיו הן מתרבויות עתיקות והן מגישות עכשוויות המחברות בין עולמות תוכן לעולמות חומר. הפיסול בחומר, שהתקיים משחר האנושות, ממשיך להוות זירה מעניינת ומתחדשת של פעילות ענפה ורבת משמעויות. לימודי פיסול בבית בנימני כוללים שיטות עבודה עתיקות לצד גישות עכשוויות לעבודה בחומר, אשר באמצעותן יפתחו התלמידים שפה אישית ומקורית. תהליך העבודה מציע התבוננות ובחינה עצמית של תכנים ורעיונות של כל משתתף ודיון בסוגיות שונות הקשורות לעולם הפיסול בחומר. מגוון הנושאים ושיטות העבודה הנלמדים במסגרת לימודי פיסול במרכז הינו רחב ביותר וכולל בין היתר:
    • · פיסול בחימר - בגוש מלא (גריעת חומר)
    • · פיסול במשטחי חומר ובחוליות (הוספת חומר)
    • · פיסול פיגורטיבי
    • · פיסול חלקי גוף ומודל
    • · חיקוי חומרים
    • · טיפול צבעוני בפני השטח ועוד

    פיסול קרמי עכשווי הוא אחד מתחומי הפיסול המגוונים ביותר שקיימים, אולי דווקא בשל העובדה שהחומר הקרמי משמש מזה אלפי שנים ליצירת אובייקטים אמנותיים (דוגמת פסלי אלות פריון שהיו נפוצים בתרבויות שונות). השימוש במונח "פיסול קרמי" כמובחן מהמונח הכללי "פיסול", נובע משימת דגש על החומר ממנו עשוי הפסל. אם נצא מנקודת הנחה שלחומר יש שפה משלו ("שפה" משמע -  מאפיינים צורניים, טכנולוגיים והיסטוריים) וכי שפה זו גם נבדלת ועשירה וגם משיקה לפיסול שאיננו קרמי – נוכל להבין ש"פיסול קרמי" הינו תחום מרתק בתוך העשייה הקרמית. שכן, הוא פועל בשדה שיש לו השקה עם שני גופי ידע מרכזיים: עולם הקרמיקה מצד אחד ופיסול עכשווי מצד שני. המפגש בין שני תחומים אלו הוא מרתק ומרגש ליוצרים בתחום וללומדים לימודי פיסול.

    הגישות והנושאים השונים המאפיינים פיסול קרמי עכשווי הינם רבים, כמו גם מגוון הצורות וקנה המידה של האובייקטים: מינימליזם, נטורליזם, ריאליזם ואבסטרקט, אובייקט בודד לעומת מיצב, נרטיבים תרבותיים, ביקורתיים, הומוריסטים ועוד. אין כמעט צורה, נושא, סגנון וגודל ששדה הפיסול הקרמי העכשווי אינו כולל. שכן, הפוטנציאל העצום הטמון בחומר פותח ליוצרים מקצועיים ולחובבים הלומדים לימודי פיסול, עולם שלם, מגוון ומרתק של עשייה. גם מגעו הייחודי של החומר – הפלסטיות והרכות שלו המייחדים אותו מחומרי פיסול קלאסיים אחרים כגון אבן או מתכות שונות, מהווה מקור משיכה ליוצרים בו, ולא אחת הוא הסיבה המרכזית ליוצרים חובבים להירשם ללימודי פיסול.

    לימודי פיסול - נושאים נוספים לעיון:

    פיסול קרמי: בין קראפט לאמנות עכשווית מאמר אודות שריפות עצים בקרמיקה מאמר אודות הקרמיקה של ז'ואן מירו תערוכת "חמור" בבית בנימיני - תערוכה קבוצתית

    בנוסף לקורסים המוצגים להלן, בית בנימיני מציע  לימודי קרמיקה למתחילים.

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    פיסול קרמי - קורס בשנת הלימודים 2013/14

    בהנחיית שלי שביט.

    הקורס מציע הכרות עם טכניקות פיסול שונות, הקניית ידע בסיסי בעבודה נכונה בחומר תוך התנסות בבנייה ובתרגום דימוי לנפח חומרי תלת מימדי. לאורך הסמסטר, יתוודעו המשתתפים לטכניקות ודרכי פיסול שונות דרך פועלם של אומנים קרמים שונים וטכניקות עבודה עתיקות.

    קורס פיסול קרמי מפגיש גישות עכשוויות לעבודה בחומר עם שיטות עבודה עתיקות וכולל:

    • הכרות עם החומר הקרמי
    • שימוש בצבעוניות קרמית
    • תרגום מדו מימד לתלת מימד בחומר
    • מידול תוך התבוננות
    • הגדלה או הקטנה של חפצים
    • עבודה בסדרות ועוד

    במסגרת קורס פיסול קרמי, תתאפשר במהלך השנה התנסות בטכניקות הנלמדות באמצעות תרגילים מובנים כהכנה לעבודה אישית של כל משתתף.

    אין צורך בידע קודם.

    הקורס בהנחיית שלי שביט

    מועדי הקורס: ימי שלישי, 15:30-18:30. הקורס הינו סמסטריאלי (16 מפגשים)

    עלות הקורס: 2160 ₪, כולל חומרים ושריפות .

    מדוע פיסול קרמי?

      משחר ההיסטוריה בני אדם פיסלו. מטרת הפיסול הייתה לצרכים טקסיים, סיפוק צרכי האלים או אליטות שונות. עדויות לפיסול קרמי מהתקופה הפרהיסטוריות ניתן למצוא כיום במוזיאונים רבים ברחבי העולם המציגים פסלוני ונוס (אלות פריון) עתיקים. מדובר בפסלוני נשים  עשויים לרוב מחומר קרמי בהם מודגשים איברי גוף נשיים כגון חזה, בטן וישבן, דבר המרמז על תפיסת ייעודה העיקרי של האישה בתקופה הפרהיסטורית – העמדת צאצאים. מקיומם של פסלונים אלה עולה כי כבר אז מצאו בני האדם דרך לחבר בין עולמות תוכן לעולמות חומר. כיום, פיסול קרמי עכשווי מהווה זירה מעניינת ומתחדשת של פעילות ענפה ורבת משמעויות המשלבת תכנים אישים ותרבותיים ביצירה בחומר.

      צפו בסרטון אודות קורס פיסול קרמי וקורסים נוספים בתחום הקרמיקה בבית בנימיני:

      למידע נוסף על לימודי פיסול בבית בנימיני למידע נוסף על קורס פיסול בחימר בבית בנימיני

      פיסול קרמי - נושאים נוספים לעיון:

      פיסול קרמי - בין קראפט לאמנות עכשווית אדמונד דה-ואל ("הארנבת עם עיני הענבר"): מסע בעקבות חפצים ראיון עם מיסטי גימבל - אמנית פיסול קרמי מובילה מארה"ב קומקומים כאמירה: עבודותיה של סטלה להב משה שק ז"ל: טוטמים עכשוויים תערוכת "של מי האדמה הזאת?" בבית בנימיני

      ]]>       5573 2012-07-18 12:37:22 2012-07-18 09:37:22 closed open %d7%a7%d7%95%d7%a8%d7%a1-%d7%a4%d7%99%d7%a1%d7%95%d7%9c-%d7%a7%d7%a8%d7%9e%d7%99-%d7%99%d7%a1%d7%95%d7%93%d7%95%d7%aa publish 5571 0 page 0 _edit_lock 1374668587 _edit_last 3 _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1374668586 _thumbnail_id ngg-1648 menu_title פיסול קרמי title קורס פיסול קרמי | לימודי פיסול קרמי | פיסול קרמיקה | בית בנימיני description קורס פיסול קרמי בבית בנימיני כולל למידת טכניקות עבודת יד ופיסול קרמי שיהוו בסיס ליצירה אישית בחומר. קורס פיסול קרמי מציע חוויה אמנותית מעשירה בתל אביב. _alp_broken_links 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http://www.benyaminiceramics.org/2013/02/%d7%a9%d7%a8%d7%a4%d7%95%d7%aa-%d7%a2%d7%a6%d7%99%d7%9d-%d7%90%d7%aa%d7%99-%d7%92%d7%95%d7%a8%d7%9f/ 91.193.50.70 2013-02-21 09:30:36 2013-02-21 07:30:36 1 pingback 0 0 821 http://www.benyaminiceramics.org/2013/03/%d7%a1%d7%a0%d7%93%d7%9c%d7%a8%d7%99%d7%aa-%d7%aa%d7%95%d7%a4%d7%a8%d7%aa-%d7%a1%d7%a4%d7%a8%d7%99%d7%aa-%d7%a8%d7%90%d7%99%d7%95%d7%9f-%d7%a2%d7%9d-%d7%9e%d7% 91.193.50.70 2013-03-17 17:34:45 2013-03-17 15:34:45 1 pingback 0 0 827 http://www.benyaminiceramics.org/2013/03/%d7%a4%d7%99%d7%a1%d7%95%d7%9c-%d7%a7%d7%a8%d7%9e%d7%99-%d7%91%d7%99%d7%9f-%d7%a7%d7%a8%d7%90%d7%a4%d7%98-%d7%9c%d7%90%d7%9e%d7%a0%d7%95%d7%aa-%d7%a2%d7%9b%d7% 91.193.50.70 2013-03-19 11:14:43 2013-03-19 09:14:43 1 pingback 0 0 890 http://www.benyaminiceramics.org/2013/05/%d7%a7%d7%95%d7%9e%d7%a7%d7%95%d7%9e%d7%99%d7%9d-%d7%9b%d7%90%d7%9e%d7%99%d7%a8%d7%94-%d7%a2%d7%91%d7%95%d7%93%d7%95%d7%aa%d7%99%d7%94-%d7%a9%d7%9c-%d7%a1%d7%9 91.193.50.70 2013-05-02 14:07:38 2013-05-02 11:07:38 1 pingback 0 0 937 http://www.benyaminiceramics.org/2013/06/%d7%9e%d7%a9%d7%94-%d7%a9%d7%a7-%d7%96%d7%9c-%d7%98%d7%95%d7%98%d7%9e%d7%99%d7%9d-%d7%a2%d7%9b%d7%a9%d7%95%d7%95%d7%99%d7%99%d7%9d/ 91.193.50.70 2013-06-02 17:36:52 2013-06-02 14:36:52 1 pingback 0 0 967 http://www.benyaminiceramics.org/2013/06/%d7%a0%d7%a7%d7%95%d7%93%d7%aa-%d7%9e%d7%a4%d7%92%d7%a9-%d7%94%d7%90%d7%9e%d7%9f-%d7%9e%d7%99%d7%99%d7%a7%d7%9c-%d7%92%d7%99%d7%a8%d7%98%d7%a1%d7%9f/ 91.193.50.70 2013-06-17 16:15:47 2013-06-17 13:15:47 1 pingback 0 0 1074 http://www.benyaminiceramics.org/2013/08/%d7%a2%d7%9c-%d7%a7%d7%95-%d7%94%d7%aa%d7%a4%d7%a8-%d7%94%d7%90%d7%9e%d7%a0%d7%99%d7%aa-%d7%91%d7%98%d7%99-%d7%95%d7%95%d7%93%d7%9e%d7%9f/ 91.193.50.70 2013-08-13 21:37:04 2013-08-13 18:37:04 1 pingback 0 0       לימודי פיסול בחימר ובניית יד http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%9c%d7%99%d7%9e%d7%95%d7%93%d7%99-%d7%a4%d7%99%d7%a1%d7%95%d7%9c/%d7%9c%d7%99%d7%9e%d7%95%d7%93%d7%99-%d7%a4%d7%99%d7%a1%d7%95%d7%9c-%d7%91%d7%97%d7%99%d7%9e%d7%a8-%d7%95%d7%91%d7%a0%d7%99%d7%99%d7%aa-%d7%99%d7%93/ Wed, 18 Jul 2012 09:40:15 +0000 http://benyaminiceramics.daze.co.il/?page_id=5575 [imagebrowser id=133]

      בהנחיית רוית לצר.

      קורס לימודי פיסול בחימר ובניית יד הוא קורס מקיף הכולל תרגילים מתקדמים בפיסול. תהליך העבודה מציע התבוננות ובחינה עצמית של תכנים ורעיונות של כל משתתף תוך כדי הכרות, תרגול ושימוש בטכניקות עבודת יד ופיסול קרמי. קורס פיסול בחימר כולל שיטות עבודה עתיקות לצד גישות עכשוויות לעבודה בחומר, שיהוו בסיס ליצירה אישית בחומר.

      הקורס מציע מפגש עם טכניקות פיסול מוכרות:
      • פינצ'ינג
      • חוליות
      • משטחים
      • תבניות חומר (ביסק)

      כל טכניקה תוסבר, תודגם ותמתח עד לקצה יכולותיה. נבחן בקבוצה את הטעויות, ההגזמות, ההתמוטטויות ומשמעותן בגוף העבודות שייווצרו. נבדוק את התכנות השימוש בתוצאות בכדי ליצור שפה ויזואלית אישית חדשה.כל משתתף ייצור סדרת אובייקטים שימושיים או פיסוליים, לסיכום כל פרק בקורס לימודי פיסול בחימר ובניית יד.

      מקביל לעבודה בחומר, יוקדש בכל פגישה זמן למחקר עצמאי בצבע:
      • אנגובים
      • תחמוצות
      • גלזורות
      • שילוב חומרים נוספים אל תוך החומר
      כל זאת, בניסיון לחבר בין העבודה בתלת מימד לדיוק החומרי/צבעוני.

      הקורס יכלול דיון קבוצתי וביקורת עבודות כמו גם חומר עיוני או ויזואלי ותרגילי בית.

      נדרש ידע קודם בבניית יד.

      מועדי הקורס: ימי שני, 9:00-12:00.

      עלות הקורס: 4185 ₪, כולל חומרים ושריפות.

      למה פיסול בחימר?

      לימודי פיסול בחימר מאפשרים הבנה בסיסית של עבודה בחומר, כמו גם התמחות בחומר קרמי ומשמעותה בשדה האמנות הפלסטית. הפוטנציאל העצום הטמון בחומר פותח ליוצרים מקצועיים ולחובבים עולם שלם, מגוון ומרתק של עשייה. החומר הוא נקודת המוצא והוא למעשה המהות. מגעו הייחודי והפלסטיות שלו מייחדים אותו מחומרי פיסול קלאסיים אחרים כגון אבן או מתכות שונות והופכים אותו לנפלא ביותר עבור פיסול. הוא נעים למגע, "סלחן" – קל לתקן טעויות, חקיין של טקסטורות וזול יחסית.

      תהליך העבודה עם החומר מגוון ביותר, רב שלבים ומאתגר. החומר עובר גלגולים שונים בתהליך היצירה הן בצורתו, בצבעוניותו והן במרקמו. כל שלב דורש הכרות, הבנת החומר והתייחסות טכנית ורעיונית מתאימה, דבר ההופך פיסול בחימר לחוויה מרתקת. כאשר באובייקט הפיסולי החומריות, הצורניות והרעיון משתלבים יחד, חוויה זו היא אחת ושלמה.

      צפו בסרטון אודות לימודי פיסול בחימר וקורסים נוספים בתחום הקרמיקה בבית בנימיני:

      למידע נוסף על לימודי פיסול בבית בנימיני למידע נוסף על קורס פיסול קרמי

      פיסול בחימר - נושאים נוספים לעיון:

      חומר, אדמה, נוף הדפס, חומר ומה שביניהם תערוכת "קו בחומר" בבית בנימיני פורצלן - זהב לבן

      ]]>       5575 2012-07-18 12:40:15 2012-07-18 09:40:15 closed open %d7%9c%d7%99%d7%9e%d7%95%d7%93%d7%99-%d7%a4%d7%99%d7%a1%d7%95%d7%9c-%d7%91%d7%97%d7%99%d7%9e%d7%a8-%d7%95%d7%91%d7%a0%d7%99%d7%99%d7%aa-%d7%99%d7%93 publish 5571 1 page 0 _edit_lock 1374668766 _edit_last 3 _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1374668643 _thumbnail_id ngg-1649 _alp_broken_links a:6:{s:181:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%9C%D7%99%D7%9E%D7%95%D7%93%D7%99-%D7%A4%D7%99%D7%A1%D7%95%D7%9C/";a:0:{}s:299:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%9C%D7%99%D7%9E%D7%95%D7%93%D7%99-%D7%A4%D7%99%D7%A1%D7%95%D7%9C/%D7%A7%D7%95%D7%A8%D7%A1-%D7%A4%D7%99%D7%A1%D7%95%D7%9C-%D7%A7%D7%A8%D7%9E%D7%99-%D7%99%D7%A1%D7%95%D7%93%D7%95%D7%AA/";a:0:{}s:160:"http://www.benyaminiceramics.org/2012/11/%d7%97%d7%95%d7%9e%d7%a8-%d7%90%d7%93%d7%9e%d7%94-%d7%a0%d7%95%d7%a3-%d7%90%d7%95%d7%a8%d7%9c%d7%99-%d7%a0%d7%96%d7%a8/";a:0:{}s:234:"http://www.benyaminiceramics.org/2013/01/%d7%94%d7%99%d7%9c%d7%95%d7%aa-%d7%a9%d7%a0%d7%a4%d7%9c%d7%95-%d7%94%d7%93%d7%a4%d7%a1-%d7%97%d7%95%d7%9e%d7%a8-%d7%95%d7%9e%d7%94-%d7%a9%d7%91%d7%99%d7%a0%d7%99%d7%94%d7%9d-%d7%90%d7%9e%d7%a0/";a:0:{}s:225:"http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/%d7%a7%d7%95-%d7%91%d7%97%d7%95%d7%9e%d7%a8/";a:0:{}s:116:"http://www.benyaminiceramics.org/2013/01/%d7%96%d7%94%d7%91-%d7%9c%d7%91%d7%9f-%d7%a4%d7%95%d7%a8%d7%a6%d7%9c%d7%9f/";a:0:{}} menu_title פיסול בחימר description לימודי פיסול בחימר בבית בנימיני מעניקים חוויית אמנות מעשירה ומקיפה למעוניינים ליצור פסלים מחימר. קורס פיסול בחימר כולל תרגילים בסיסיים ומתקדמים בפיסול. keywords פיסול בחימר, פסלים מחימר title לימודי פיסול בחימר | קורס פסלים מחימר | בית בנימיני robotsmeta index,follow 761 http://www.benyaminiceramics.org/2012/10/%d7%9b%d7%99%d7%aa%d7%95%d7%aa-%d7%90%d7%9e%d7%9f-%d7%90%d7%9e%d7%a0%d7%99-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94-%d7%90%d7%95%d7%a8%d7%97%d7%99-%d7%94%d7%a1%d7% 91.193.50.70 2013-01-24 18:05:12 2013-01-24 16:05:12 1 pingback 0 0 762 http://www.benyaminiceramics.org/2012/11/%d7%97%d7%95%d7%9e%d7%a8-%d7%90%d7%93%d7%9e%d7%94-%d7%a0%d7%95%d7%a3-%d7%90%d7%95%d7%a8%d7%9c%d7%99-%d7%a0%d7%96%d7%a8/ 91.193.50.70 2013-01-24 18:06:24 2013-01-24 16:06:24 1 pingback 0 0 774 http://www.benyaminiceramics.org/2013/01/%d7%96%d7%94%d7%91-%d7%9c%d7%91%d7%9f-%d7%a4%d7%95%d7%a8%d7%a6%d7%9c%d7%9f/ 91.193.50.70 2013-01-29 12:12:35 2013-01-29 10:12:35 1 pingback 0 0 838 http://www.benyaminiceramics.org/2013/02/%d7%97%d7%95%d7%9e%d7%a8-%d7%90%d7%a9-%d7%90%d7%9e%d7%a0%d7%95%d7%aa-%d7%a2%d7%a8%d7%91-%d7%a9%d7%9c%d7%90-%d7%9b%d7%93%d7%90%d7%99-%d7%9c%d7%94%d7%97%d7%9e%d7 91.193.50.70 2013-03-25 12:36:24 2013-03-25 10:36:24 1 pingback 0 0 894 http://www.benyaminiceramics.org/2012/11/%d7%91%d7%99%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99-%d7%91%d7%a7%d7%94%d7%99%d7%9c%d7%94-%d7%90%d7%9e%d7%a0%d7%99%d7%9d-%d7%99%d7%a9%d7%a8%d7%90%d7%9 91.193.50.70 2013-05-05 13:46:06 2013-05-05 10:46:06 1 pingback 0 0       חוג פיסול קרמי http://www.benyaminiceramics.org/?page_id=5579 Wed, 18 Jul 2012 09:51:09 +0000 http://benyaminiceramics.daze.co.il/?page_id=5579 חסר]]> 5579 2012-07-18 12:51:09 2012-07-18 09:51:09 closed open %d7%97%d7%95%d7%92-%d7%a4%d7%99%d7%a1%d7%95%d7%9c-%d7%a7%d7%a8%d7%9e%d7%99 draft 5057 0 page 0 _edit_lock 1343630712 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default title חוג פיסול קרמי _alp_processed 1343630711 _thumbnail_id 2573 description חוג פיסול קרמי המיועד לבני נוער - צעדים ראשונים בפיסול לבני נוער יצירתיים keywords חוג פיסול, חוג קרמיקה קורס קדרות - יסודות http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%9e%d7%aa%d7%97%d7%99%d7%9c%d7%99%d7%9d/%d7%a7%d7%95%d7%a8%d7%a1-%d7%a7%d7%93%d7%a8%d7%95%d7%aa-%d7%99%d7%a1%d7%95%d7%93%d7%95%d7%aa/ Wed, 18 Jul 2012 10:00:02 +0000 http://benyaminiceramics.daze.co.il/?page_id=5582 [imagebrowser id=119]

      למידע על קורסי קדרות במהלך סמסטר הקיץ 2013

      קורס קדרות למתחילים:

      קורס קדרות למתחילים בהנחיית נועה אלמגור בן-דור ובהנחיית אמנון עמוס.

      הקורס מהווה מפגש ראשוני עם עולם הקדרות והחומר הקרמי, הקניית מיומנויות וטכניקות בסיסיות באובניים: לישה, מרכוז, בניית צילינדר, צד שני וטיפול צבעוני תוך הקניית הרגלי עבודה נכונים וסביבת עבודה איכותית. במהלך הקורס נחפש דיוק צורני ונעמיק את ההיכרות עם החומר והאפשרויות הגלומות בו, נתוודע לשיטות עיטור וצבע קרמיות ונבחן את הקשר בין הגוף הקרמי לפני השטח שלו.

      קורס קדרות מיועד למשתתפים ללא ידע קודם כמו גם לבעלי נסיון בסיסי בקדרות.

      מתלבטים בנוגע לקורס קדרות? אנו מזמינים אתכם לשיעור התנסות חינם

      מועדי הקורס:

      ימי ראשון, 18:00-21:00, בהנחיית נועה אלמגור בן-דור. ימי שלישי,  09:00-12:00, בהנחיית אמנון עמוס.

      עלות הקורס: 4185 ₪ (כולל חומרים ושריפות).

      קורס קדרות לתלמידים ממשיכים:

      למידע נוסף לתלמידים ממשיכים - קורס קרמיקה בהנחיית רועי מעיין ורונן ימין.

      צפו בסרטון אודות קורס קדרות ולימודי קרמיקה בבית בנימיני:

      קורס קדרות - נושאים נבחרים לעיון: אדמונד דה-ואל ("הארנבת עם עיני הענבר"): מסע בעקבות חפצים מאמר אודות שריפות עצים מאמר על קדרות קוריאנית על קצה המזלג]]>       5582 2012-07-18 13:00:02 2012-07-18 10:00:02 closed open %d7%a7%d7%95%d7%a8%d7%a1-%d7%a7%d7%93%d7%a8%d7%95%d7%aa-%d7%99%d7%a1%d7%95%d7%93%d7%95%d7%aa publish 4320 0 page 0 _edit_lock 1374670651 _edit_last 3 _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1374669064 _thumbnail_id ngg-1650 description קורס קדרות בבית בנימיני בתל אביב מעניק מפגש ראשוני עם החומר הקרמי ועם טכניקות קדרות שונות. קורס עשיר בתכנים וחוויה אמנותית, הירשמו עכשיו. robotsmeta index,follow keywords קורס קדרות, סדנת קדרות title קורס קדרות | סדנת קדרות למתחילים | בית בנימיני _alp_broken_links a:7:{s:286:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%9E%D7%AA%D7%97%D7%99%D7%9C%D7%99%D7%9D/%D7%A7%D7%95%D7%A8%D7%A1%D7%99-%D7%A7%D7%93%D7%A8%D7%95%D7%AA-%D7%91%D7%A7%D7%99%D7%A5/";a:0:{}s:225:"http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%a6%d7%95%d7%95%d7%aa-%d7%94%d7%9e%d7%95%d7%a8%d7%99%d7%9d/%d7%a0%d7%95%d7%a2%d7%94-%d7%90%d7%9c%d7%9e%d7%92%d7%95%d7%a8/";a:0:{}s:219:"http://www.benyaminiceramics.org/%D7%9E%D7%A8%D7%9B%D7%96-%D7%91%D7%A0%D7%99%D7%9E%D7%99%D7%A0%D7%99/%D7%A6%D7%95%D7%95%D7%AA-%D7%94%D7%9E%D7%95%D7%A8%D7%99%D7%9D/%D7%90%D7%9E%D7%A0%D7%95%D7%9F-%D7%A2%D7%9E%D7%95%D7%A1/";a:0:{}s:304:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%9E%D7%AA%D7%97%D7%99%D7%9C%D7%99%D7%9D/%D7%A7%D7%95%D7%A8%D7%A1-%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94-%D7%A9%D7%99%D7%9E%D7%95%D7%A9%D7%99%D7%AA/";a:0:{}s:216:"http://www.benyaminiceramics.org/2012/11/%D7%90%D7%93%D7%9E%D7%95%D7%A0%D7%93-%D7%93%D7%94-%D7%95%D7%90%D7%9C-%D7%94%D7%90%D7%A8%D7%A0%D7%91%D7%AA-%D7%A2%D7%9D-%D7%A2%D7%99%D7%A0%D7%99-%D7%94%D7%A2%D7%A0%D7%91%D7%A8/";a:0:{}s:141:"http://www.benyaminiceramics.org/2013/02/%D7%A9%D7%A8%D7%A4%D7%95%D7%AA-%D7%A2%D7%A6%D7%99%D7%9D-%D7%90%D7%AA%D7%99-%D7%92%D7%95%D7%A8%D7%9F/";a:0:{}s:184:"http://www.benyaminiceramics.org/2012/08/%D7%A7%D7%93%D7%A8%D7%95%D7%AA-%D7%A7%D7%95%D7%A8%D7%99%D7%90%D7%A0%D7%99%D7%AA-%D7%A2%D7%9C-%D7%A7%D7%A6%D7%94-%D7%94%D7%9E%D7%96%D7%9C%D7%92/";a:0:{}} 645 http://www.benyaminiceramics.org/2012/08/%d7%a7%d7%93%d7%a8%d7%95%d7%aa-%d7%a7%d7%95%d7%a8%d7%99%d7%90%d7%a0%d7%99%d7%aa-%d7%a2%d7%9c-%d7%a7%d7%a6%d7%94-%d7%94%d7%9e%d7%96%d7%9c%d7%92/ 91.193.50.70 2012-08-22 11:48:45 2012-08-22 08:48:45 1 pingback 0 0 696 http://www.publish-articles.co.il/home-garden/%d7%a8%d7%99%d7%a6%d7%95%d7%a3-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94-%d7%98%d7%99%d7%a4%d7%99%d7%9d-%d7%9c%d7%91%d7%97%d7%99%d7%a8%d7%94/ 82.80.221.158 2012-10-10 18:43:26 2012-10-10 16:43:26 0 pingback 0 0 745 http://www.benyaminiceramics.org/2013/01/%d7%94%d7%99%d7%9c%d7%95%d7%aa-%d7%a9%d7%a0%d7%a4%d7%9c%d7%95-%d7%94%d7%93%d7%a4%d7%a1-%d7%97%d7%95%d7%9e%d7%a8-%d7%95%d7%9e%d7%94-%d7%a9%d7%91%d7%99%d7%a0%d7% 91.193.50.70 2013-01-17 13:16:02 2013-01-17 11:16:02 1 pingback 0 0 753 http://www.benyaminiceramics.org/2012/08/%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94-%d7%99%d7%a9%d7%a8%d7%90%d7%9c%d7%99%d7%aa-%d7%9e%d7%95%d7%93-%d7%a4%d7%a8%d7%99%d7%93%d7%9c%d7%a0%d7%93/ 91.193.50.70 2013-01-24 17:35:07 2013-01-24 15:35:07 1 pingback 0 0 754 http://www.benyaminiceramics.org/2012/01/%d7%a7%d7%95%d7%a8%d7%a1-%d7%a7%d7%93%d7%a8%d7%95%d7%aa-%d7%9c%d7%9e%d7%aa%d7%a7%d7%93%d7%9e%d7%99%d7%9d/ 91.193.50.70 2013-01-24 17:38:36 2013-01-24 15:38:36 1 pingback 0 0 755 http://www.benyaminiceramics.org/2012/05/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%9e%d7%aa%d7%97%d7%99%d7%9c%d7%99%d7%9d-%d7%91%d7%a7%d7%99%d7%a5-2012/ 91.193.50.70 2013-01-24 17:41:57 2013-01-24 15:41:57 1 pingback 0 0 756 http://www.benyaminiceramics.org/2012/06/%d7%97%d7%93%d7%a9-%d7%91%d7%a1%d7%a4%d7%a8%d7%99%d7%aa-%d7%91%d7%99%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/ 91.193.50.70 2013-01-24 17:44:13 2013-01-24 15:44:13 1 pingback 0 0 757 http://www.benyaminiceramics.org/2012/06/%d7%a7%d7%98%d7%9c%d7%95%d7%92-%d7%a7%d7%95%d7%a8%d7%a1%d7%99-%d7%a7%d7%99%d7%a5-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/ 91.193.50.70 2013-01-24 17:54:58 2013-01-24 15:54:58 1 pingback 0 0 776 http://www.benyaminiceramics.org/2013/01/%d7%96%d7%94%d7%91-%d7%9c%d7%91%d7%9f-%d7%a4%d7%95%d7%a8%d7%a6%d7%9c%d7%9f/ 91.193.50.70 2013-01-30 11:17:09 2013-01-30 09:17:09 1 pingback 0 0 798 http://www.benyaminiceramics.org/2013/02/%d7%a9%d7%a8%d7%a4%d7%95%d7%aa-%d7%a2%d7%a6%d7%99%d7%9d-%d7%90%d7%aa%d7%99-%d7%92%d7%95%d7%a8%d7%9f/ 91.193.50.70 2013-02-21 09:29:18 2013-02-21 07:29:18 1 pingback 0 0 840 http://www.benyaminiceramics.org/2012/11/%d7%97%d7%95%d7%9e%d7%a8-%d7%90%d7%93%d7%9e%d7%94-%d7%a0%d7%95%d7%a3-%d7%90%d7%95%d7%a8%d7%9c%d7%99-%d7%a0%d7%96%d7%a8/ 91.193.50.70 2013-03-25 12:40:13 2013-03-25 10:40:13 1 pingback 0 0 841 http://www.benyaminiceramics.org/2012/11/%d7%90%d7%93%d7%9e%d7%95%d7%a0%d7%93-%d7%93%d7%94-%d7%95%d7%90%d7%9c-%d7%94%d7%90%d7%a8%d7%a0%d7%91%d7%aa-%d7%a2%d7%9d-%d7%a2%d7%99%d7%a0%d7%99-%d7%94%d7%a2%d7 91.193.50.70 2013-03-25 12:42:25 2013-03-25 10:42:25 1 pingback 0 0 969 http://www.benyaminiceramics.org/2013/06/%d7%a2%d7%91%d7%95%d7%93%d7%aa-%d7%94%d7%90%d7%91%d7%a0%d7%99%d7%99%d7%9d-%d7%9b%d7%a7%d7%a1%d7%9d-%d7%91%d7%97%d7%95%d7%9e%d7%a8/ 91.193.50.70 2013-06-17 16:48:00 2013-06-17 13:48:00 1 pingback 0 0 1075 http://www.benyaminiceramics.org/2013/08/%d7%a2%d7%9c-%d7%a7%d7%95-%d7%94%d7%aa%d7%a4%d7%a8-%d7%94%d7%90%d7%9e%d7%a0%d7%99%d7%aa-%d7%91%d7%98%d7%99-%d7%95%d7%95%d7%93%d7%9e%d7%9f/ 91.193.50.70 2013-08-13 21:39:15 2013-08-13 18:39:15 1 pingback 0 0 1076 http://www.benyaminiceramics.org/2013/08/%d7%a9%d7%99%d7%97-%d7%92%d7%9c%d7%a8%d7%99%d7%94-%d7%9e%d7%a9%d7%95%d7%aa%d7%a3/ 91.193.50.70 2013-08-13 22:09:12 2013-08-13 19:09:12 1 pingback 0 0       קורס קרמיקה וקדרות - המשך http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%9e%d7%aa%d7%97%d7%99%d7%9c%d7%99%d7%9d/%d7%a7%d7%95%d7%a8%d7%a1-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94-%d7%a9%d7%99%d7%9e%d7%95%d7%a9%d7%99%d7%aa/ Wed, 18 Jul 2012 10:45:26 +0000 http://benyaminiceramics.daze.co.il/?page_id=5586 [imagebrowser id=171]

      קורס קרמיקה וקדרות - המשך מיועד לבעלי נסיון בסיסי בקדרות וקרמיקה. קורס זה מיועד לחיזוק והעמקת מיומנויות עבודת הקדרות באובניים: לישה, מרכוז, בניית נפחים שונים (גליל, קערה ועוד), צד שני וטיפול בפני השטח בטקסטורות, אנגובים וגלזורות קרמיות.

      לבחירתכם שני קורסים במועדים שונים:

      קורס קרמיקה וקדרות - המשך: בהנחיית רועי מעין

      השנה יתמקד הקורס בשני נושאים מרכזיים: בסמסטר א'-  קומקום; כלי שפיכה מורכב השומר על איזון בין ארבעת חלקי הגוף. סמסטר ב'- צלחת, הקנווס הקרמי. בניית מערכת אכילה שלמה לשישה סועדים.

      במקביל יושם דגש על שכלול טכניקות צביעה קרמיות.

      מועדי הקורס: ימי רביעי, 9:00-13:00

      עלות הקורס: 5580 ₪, כולל חומרים ושריפות.

      קורס קרמיקה וקדרות - המשך: בהנחיית רונן ימין

      במהלך הלימודים יושם דגש על מעבר מצורה לכלי תוך הקפדה על מתח צורני, עבודה על סדרות כלים, חיפוש פרופורציות וצורות, רגל מול גוף מול שפה מול ידית וחיפוש הפונקציונאלי והקונספטואלי בכלי.

      מועדי הקורס: יום רביעי, 19:00-22:00.

      עלות הקורס: 4185 ₪, כולל חומרים ושריפות.

      לקורסים ומידע נוסף על לימודי קרמיקה בבית בנימיני.

      צפו בסרטון אודות קורס קרמיקה וקדרות וקורסים נוספים בבית בנימיני:

      קורס קרמיקה - נושאים נוספים לעיון:

      במעמקי הקרמיקה הקוריאנית פורצלן - זהב לבן ג'ים המלין – "צלחות הרבעים" (2012) ו"מחברים" (2010) קרמיקה ישראלית - אודות מוד פרידלנד

      ]]>       5586 2012-07-18 13:45:26 2012-07-18 10:45:26 closed open %d7%a7%d7%95%d7%a8%d7%a1-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94-%d7%a9%d7%99%d7%9e%d7%95%d7%a9%d7%99%d7%aa publish 4320 0 page 0 _edit_lock 1374668449 _edit_last 3 _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _thumbnail_id ngg-1646 _alp_processed 1374668449 _alp_broken_links a:5:{s:113:"http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/";a:0:{}s:239:"http://www.benyaminiceramics.org/2012/12/%d7%91%d7%9e%d7%a2%d7%9e%d7%a7%d7%99-%d7%94%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94-%d7%94%d7%a7%d7%95%d7%a8%d7%99%d7%90%d7%a0%d7%99%d7%aa-%d7%a8%d7%a9%d7%9e%d7%99-%d7%9e%d7%a1%d7%a2-%d7%a9%d7%95%d7%9c/";a:0:{}s:116:"http://www.benyaminiceramics.org/2013/01/%d7%96%d7%94%d7%91-%d7%9c%d7%91%d7%9f-%d7%a4%d7%95%d7%a8%d7%a6%d7%9c%d7%9f/";a:0:{}s:194:"http://www.benyaminiceramics.org/2013/01/%d7%92%d7%99%d7%9d-%d7%94%d7%9e%d7%9c%d7%99%d7%9f-%d7%a6%d7%9c%d7%97%d7%95%d7%aa-%d7%a8%d7%91%d7%a2-2012-%d7%95%d7%9e%d7%97%d7%91%d7%a8%d7%99%d7%9d-2010/";a:0:{}s:183:"http://www.benyaminiceramics.org/2012/08/%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94-%d7%99%d7%a9%d7%a8%d7%90%d7%9c%d7%99%d7%aa-%d7%9e%d7%95%d7%93-%d7%a4%d7%a8%d7%99%d7%93%d7%9c%d7%a0%d7%93/";a:0:{}} title קורס קרמיקה | קרמיקה וקדרות | בית בנימיני robotsmeta index,follow description קורס קרמיקה וקדרות בבית בנימיני בתל אביב מעניק הזדמנות לתלמידים בבניית כלים מקרמיקה. בואו להיחשף ולהתנסות בקרמיקה וקדרות, הירשמו עכשיו. keywords קורס קרמיקה, קרמיקה וקדרות 792 http://www.benyaminiceramics.org/2013/02/%d7%a4%d7%99%d7%99%d7%a1%d7%91%d7%95%d7%a7-%d7%91%d7%a7%d7%9c%d7%99%d7%a4%d7%aa-%d7%90%d7%92%d7%95%d7%96-%d7%a1%d7%93%d7%a0%d7%aa-%d7%94%d7%99%d7%9b%d7%a8%d7%9 91.193.50.70 2013-02-18 18:15:19 2013-02-18 16:15:19 1 pingback 0 0 839 http://www.benyaminiceramics.org/2013/01/%d7%96%d7%94%d7%91-%d7%9c%d7%91%d7%9f-%d7%a4%d7%95%d7%a8%d7%a6%d7%9c%d7%9f/ 91.193.50.70 2013-03-25 12:39:14 2013-03-25 10:39:14 1 pingback 0 0 843 http://www.benyaminiceramics.org/2012/12/%d7%91%d7%9e%d7%a2%d7%9e%d7%a7%d7%99-%d7%94%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94-%d7%94%d7%a7%d7%95%d7%a8%d7%99%d7%90%d7%a0%d7%99%d7%aa-%d7%a8%d7%a9%d7%9e%d7%99 91.193.50.70 2013-03-25 12:47:06 2013-03-25 10:47:06 1 pingback 0 0 844 http://www.benyaminiceramics.org/2012/08/%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94-%d7%99%d7%a9%d7%a8%d7%90%d7%9c%d7%99%d7%aa-%d7%9e%d7%95%d7%93-%d7%a4%d7%a8%d7%99%d7%93%d7%9c%d7%a0%d7%93/ 91.193.50.70 2013-03-25 12:50:13 2013-03-25 10:50:13 1 pingback 0 0 845 http://www.benyaminiceramics.org/2013/01/%d7%92%d7%99%d7%9d-%d7%94%d7%9e%d7%9c%d7%99%d7%9f-%d7%a6%d7%9c%d7%97%d7%95%d7%aa-%d7%a8%d7%91%d7%a2-2012-%d7%95%d7%9e%d7%97%d7%91%d7%a8%d7%99%d7%9d-2010/ 91.193.50.70 2013-03-25 12:51:13 2013-03-25 10:51:13 1 pingback 0 0       קורס טכנולוגיה קרמית - יסודות http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%9e%d7%aa%d7%97%d7%99%d7%9c%d7%99%d7%9d/%d7%a7%d7%95%d7%a8%d7%a1-%d7%98%d7%9b%d7%a0%d7%95%d7%9c%d7%95%d7%92%d7%99%d7%94-%d7%a7%d7%a8%d7%9e%d7%99%d7%aa-%d7%90/ Thu, 19 Jul 2012 07:04:39 +0000 http://benyaminiceramics.daze.co.il/?page_id=5589 [imagebrowser id=121]

      קורס שנתי רחב יריעה הכולל בחובו מפגש מעמיק עם עולם הטכנולוגיה הקרמית, מימוש ויישום החומר התיאורטי בנסיונות מעשיים ובתרגומם לטכניקות עיטור וצבע בחומר הקרמי. המשתתפים יתוודעו לתכונות חומרי הגלם הקרמיים, יתנסו בהרכבי גלזורות, תערובות חומר, צובענים וזיגוגים. במקביל לכל אלה ילמדו שיטות עיטור וטיפול בפני השטח בצובענים, חומרים מגוונים וזיגוגים בשלבים שונים של העשייה. קורס חובה לכל יוצר שפניו לעבודה בחומר.

      סילבוס מפורט ישלח בתחילת השנה לכל המשתתפים.

      דרישות לקורס טכנולוגיה קרמית - יסודות': אין צורך בידע מוקדם.

      בהנחיית אתי גורן.

      מועדי הקורס: ימי שני, 19:00-22:00. עלות הקורס: 4,185 ₪ כולל חומרים ושריפות.

      צפו בסרטון אודות קורס טכנולוגיה קרמית וקורסים נוספים בתחום הקרמיקה בבית בנימיני:

      ]]>       5589 2012-07-19 10:04:39 2012-07-19 07:04:39 closed open %d7%a7%d7%95%d7%a8%d7%a1-%d7%98%d7%9b%d7%a0%d7%95%d7%9c%d7%95%d7%92%d7%99%d7%94-%d7%a7%d7%a8%d7%9e%d7%99%d7%aa-%d7%90 publish 4320 2 page 0 _edit_lock 1375001968 _edit_last 3 _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1374671117 _alp_broken_links a:1:{s:207:"http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%a6%d7%95%d7%95%d7%aa-%d7%94%d7%9e%d7%95%d7%a8%d7%99%d7%9d/%d7%90%d7%aa%d7%99-%d7%92%d7%95%d7%a8%d7%9f/";a:0:{}} _thumbnail_id ngg-1105 title קורס טכנולוגיה קרמית | בית בנימיני description קורס טכנולוגיה קרמית למתחילים - מפגש ראשוני ומרתק עם עולם הטכנולוגיה הקרמית בבית בנימיני בתל אביב. keywords טכנולוגיה קרמית robotsmeta index,follow       סדנת גלזורה וצבע בחומר http://www.benyaminiceramics.org/?page_id=5591 Thu, 19 Jul 2012 07:05:27 +0000 http://benyaminiceramics.daze.co.il/?page_id=5591 [imagebrowser id=122]

      דו מימד על תלת מימד: צבע ופני שטח בחומר קרמי

      במהלך סמסטר הקיץ של בית בנימיני, ייפתח קורס מיוחד העוסק בגלזורה: דו מימד על תלת מימד: צבע ופני שטח בחומר קרמי בהנחיית אנה כרמי.

      הכרות עם מגוון רחב של טכניקות עיטור וחיפוי, עבודה בשכבות צבע וטמפרטורות שונות. כל עבודה תעבור כמה וכמה שרפות קרמיות שישנו את פניה. נעסוק, בין השאר בתבליטים, הדפסי משי, צובענים, זיגוגים תעשייתיים, דקאלים ולסטרים. הקורס מיועד לקרמיקאים ולחובבים וכמו כן לכל אדם העוסק בעיצוב ומעוניין לשלב בעבודתו אלמנטים קרמיים.

      מועד הקורס: יום שני, 18:00-21:00.
      משך הקורס: 4 מפגשים.
      פתיחת הקורס בסמסטר הקיץ: 8 ביולי 2013.

      עלות הקורס: 700 ₪ (כולל חומרים ושריפות)

      קורס גלזורה וצבע בחומר שנתי, בהנחיית אתי גורן, ייפתח בשנת הלימודים הבאה. קורס גלזורה מהווה היכרות ראשונית ומעמיקה עם טכניקות העיטור והצבע בחומר הקרמי. המשתתפים יתייחסו לפני השטח הקרמיים בצובענים, סוגי חומר שונים וזיגוגים בשלבים השונים של העשייה הקרמית (לפני שריפה ולאחריה). בד בבד עם התנסות בטכניקות השונות של שיטות העיטור, יינתן דגש מיוחד לקשר שבין פני השטח לגופים הקרמיים ותיבדק מידת התועלת לאפקט הכולל של העבודה.

      דרישות לקורס גלזורה וצבע בחומר: אין צורך בידע מוקדם.

      מועד הקורס: פרטים יפורסמו לקראת שנת הלימודים הבאה.

      צפו בסרטון אודות קורס גלזורה וקורסים נוספים בתחום הקרמיקה בבית בנימיני:
      ]]>       5591 2012-07-19 10:05:27 2012-07-19 07:05:27 closed open %d7%a7%d7%95%d7%a8%d7%a1-%d7%92%d7%9c%d7%96%d7%95%d7%a8%d7%94-%d7%95%d7%a6%d7%91%d7%a2-%d7%91%d7%97%d7%95%d7%9e%d7%a8 draft 4325 3 page 0 _edit_lock 1374665346 _edit_last 3 _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _thumbnail_id ngg-1620 _alp_processed 1374665346 _alp_broken_links a:1:{s:207:"http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%a6%d7%95%d7%95%d7%aa-%d7%94%d7%9e%d7%95%d7%a8%d7%99%d7%9d/%d7%90%d7%aa%d7%99-%d7%92%d7%95%d7%a8%d7%9f/";a:0:{}} description היכרות ראשונית ומעמיקה עם גלזורה ועם טכניקות העיטור והצבע במסגרת קורס חוויתי ומעשיר. הכירו את עולם הצבע בחומר הקרמי בעזרת גלזורה בקורס מיוחד בבית בנימיני. keywords גלזורה title גלזורה | קורס גלזורה וצבע בחומר | בית בנימיני robotsmeta index,follow       לימודי קדרות למתקדמים http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%9e%d7%aa%d7%a7%d7%93%d7%9e%d7%99%d7%9d/%d7%9c%d7%99%d7%9e%d7%95%d7%93%d7%99-%d7%a7%d7%93%d7%a8%d7%95%d7%aa-%d7%9c%d7%9e%d7%aa%d7%a7%d7%93%d7%9e%d7%99%d7%9d/ Thu, 19 Jul 2012 07:06:46 +0000 http://benyaminiceramics.daze.co.il/?page_id=5593 [imagebrowser id=123]

      קדרות וכלי מכסה

      במהלך סמסטר הקיץ יינתן קורס מיוחד במסגרת לימודי קדרות למתקדמים - "קדרות: כלי ומכסה", בהנחיית אתי גורן.

      הקורס יתמקד ביצירה ובהתאמת כלים ומכסים תוך בחינה צורנית, אסטתית ופונקציונלית של הנפחים שיווצרו על ידי המשתתפים.
      הקורס מיועד לבעלי מיומנות בעבודת אבניים, המעונינים לשפר אותה מבחינה טכנית ועיצובית. אין צורך בידע מוקדם.
      מועד הקורס: יום ראשון, 18:00-21:00.
      משך הקורס: 5 מפגשים.
      פתיחת הקורס בסמסטר הקיץ: 7 ביולי 2013.

      עלות הקורס: 675 ₪ (כולל חומרים ושריפות)

      קורס לימודי קדרות למתקדמים שנתי ייפתח בשנת הלימודים הבאה.

      במסגרת הקורס "לימודי קדרות למתקדמים" נתמקד ביצירת מערכת כלים המקיימת קשר רעיוני-צורני וננסה לחדד ולגבש שפה אישית וכתב יד אופייני אצל כל אחד מהמשתתפים. נתמודד עם שיפור מיומנויות ובעיות טכניות בעבודת הקדרות ונקדיש חלק מהמפגשים לטיפול בפני השטח והקשר שבין צורה, צבע ופני שטח.

      מועד קורס לימודי קדרות למתקדמים: יפורסם לקראת שנת הלימודים הבאה.

      צפו בסרטון אודות לימודי קדרות למתקדמים וקורסים נוספים בתחום הקרמיקה בבית בנימיני:
      ]]>       5593 2012-07-19 10:06:46 2012-07-19 07:06:46 closed open %d7%9c%d7%99%d7%9e%d7%95%d7%93%d7%99-%d7%a7%d7%93%d7%a8%d7%95%d7%aa-%d7%9c%d7%9e%d7%aa%d7%a7%d7%93%d7%9e%d7%99%d7%9d publish 4322 0 page 0 _edit_lock 1376416386 _edit_last 2 _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1371469775 _alp_broken_links a:1:{s:207:"http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%a6%d7%95%d7%95%d7%aa-%d7%94%d7%9e%d7%95%d7%a8%d7%99%d7%9d/%d7%90%d7%aa%d7%99-%d7%92%d7%95%d7%a8%d7%9f/";a:0:{}} description לימודי קדרות בבית בנימיני בתל אביב מסייעים בהעמקת הידע של תלמידים בקדרות. לימוד הקדרות כולל שיפור מיומניות והתמודדות עם בעיות טכניות בעבודת הקדרות. הירשמו עכשיו title לימודי קדרות | לימוד קדרות | בית בנימיני _thumbnail_id ngg-1617 robotsmeta index,follow menu_title לימודי קדרות למתקדמים keywords לימודי קדרות, לימוד קדרות 707 http://www.benyaminiceramics.org/2012/11/%d7%90%d7%93%d7%9e%d7%95%d7%a0%d7%93-%d7%93%d7%94-%d7%95%d7%90%d7%9c-%d7%94%d7%90%d7%a8%d7%a0%d7%91%d7%aa-%d7%a2%d7%9d-%d7%a2%d7%99%d7%a0%d7%99-%d7%94%d7%a2%d7 91.193.50.70 2012-11-26 16:26:23 2012-11-26 14:26:23 1 pingback 0 0 971 http://www.benyaminiceramics.org/2013/06/%d7%a2%d7%91%d7%95%d7%93%d7%aa-%d7%94%d7%90%d7%91%d7%a0%d7%99%d7%99%d7%9d-%d7%9b%d7%a7%d7%a1%d7%9d-%d7%91%d7%97%d7%95%d7%9e%d7%a8/ 91.193.50.70 2013-06-17 19:17:27 2013-06-17 16:17:27 1 pingback 0 0       קורס אבניים ובניית יד http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%9e%d7%aa%d7%a7%d7%93%d7%9e%d7%99%d7%9d/%d7%a7%d7%95%d7%a8%d7%a1-%d7%90%d7%91%d7%a0%d7%99%d7%99%d7%9d-%d7%95%d7%91%d7%a0%d7%99%d7%99%d7%aa-%d7%99%d7%93-%d7%9b%d7%9c%d7%99%d7%9d-%d7%92%d7%93%d7%95%d7%9c%d7%99%d7%9d/ Thu, 19 Jul 2012 07:08:02 +0000 http://benyaminiceramics.daze.co.il/?page_id=5595 [imagebrowser id=124]

      קורס אבניים ובניית יד - כלים גדולים

      הקורס בהנחיית ג'קרנדה קורי

      הכרות עם טכניקות ואופני בנייה שונים של כלים גדולים בבניית יד ובאובניים, מחלק אחד ועד מספר חלקים.

      במהלך הקורס יתמודדו הסטודנטים עם תרגילים שונים דרכם ירכשו מיומנות טכנית, הבנה ויכולת ניתוח צורני של נפחים גדולים לצד רכישת מיומנות בטיפול צבעוני בפני השטח. במהלך השנה יינתן דגש לפיתוח רעיוני, צורני ולפתרונות עיטור, צבע וזיגוג בשאיפה לזקק את השפה האישית של כל אחד מהמשתתפים.

      נדרש ידע מוקדם הן על האובניים והן בבניית יד.

      מועדי הקורס: ימי ראשון, 13:00-9:00.

      עלות הקורס: 5580 ₪, כולל חומרים ושריפות.

      צפו בסרטון אודות קורס אבניים ובניית יד וקורסים נוספים בתחום הקרמיקה בבית בנימיני:
      ]]>       5595 2012-07-19 10:08:02 2012-07-19 07:08:02 closed open %d7%a7%d7%95%d7%a8%d7%a1-%d7%90%d7%91%d7%a0%d7%99%d7%99%d7%9d-%d7%95%d7%91%d7%a0%d7%99%d7%99%d7%aa-%d7%99%d7%93-%d7%9b%d7%9c%d7%99%d7%9d-%d7%92%d7%93%d7%95%d7%9c%d7%99%d7%9d publish 4322 1 page 0 _edit_lock 1374696348 _edit_last 3 _revision-control defaults _wp_page_template default _alp_processed 1374696347 _thumbnail_id ngg-1297 menu_title קורס אובניים description קורס אבניים בבית בנימיני מעניק לתלמידיו היכרות עם טכניקות קדרות ואופני בנייה שונים של כלים גדולים על אובניים. חוויה אמנותית ועשירה בתכנים, הירשמו עכשיו. _alp_broken_links a:1:{s:219:"http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%a6%d7%95%d7%95%d7%aa-%d7%94%d7%9e%d7%95%d7%a8%d7%99%d7%9d/%d7%92%d7%a7%d7%a8%d7%a0%d7%93%d7%94-%d7%a7%d7%a8%d7%99/";a:0:{}} title קורס אבניים | קדרות | אובניים | בית בנימיני robotsmeta index,follow keywords קדרות אבניים, קורס אבניים, קורס אובניים       קורס פורצלן, קדרות ומשטחים http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%9e%d7%aa%d7%a7%d7%93%d7%9e%d7%99%d7%9d/%d7%a7%d7%95%d7%a8%d7%a1-%d7%a4%d7%95%d7%a8%d7%a6%d7%9c%d7%9f-%d7%a7%d7%93%d7%a8%d7%95%d7%aa-%d7%95%d7%9e%d7%a9%d7%98%d7%97%d7%99%d7%9d/ Thu, 19 Jul 2012 07:09:14 +0000 http://benyaminiceramics.daze.co.il/?page_id=5597 [imagebrowser id=127]

      סודות הפורצלן נתגלו למערב רק במאה ה- 18, ומאז, האציל שבחומר, ממשיך לרתק בשל קלותו, שקיפותו ולובן גופו. הקורס מציע הכרות מעמיקה עם הפורצלן דרך טכניקות עבודה שונות באובניים ובעבודת יד. הקורס משלב פרקטיקה לצד לימוד תיאורטי: נלמד על מקורות הפורצלן, תכונותיו וייחודו. נסקור את כל סוגי הפורצלן המיובאים לארץ, נלמד שיטות עבודה באבניים ונתרגל בנייה במשטחים דקים. ניישם שיטות עיטור של אנגובים, אנדרגלייז, מלחים  וחריטות ונכיר את סוגי השריפה המתאימים לפורצלן.

      המשתתפים יקבלו הנחיה בפרוייקטים אישיים שילוו את מהלך הקורס.

      בהנחיית רני גילת.

      דרישות לקורס פורצלן, קדרות ומשטחים: נדרש ידע קודם בקדרות.

      מועד הקורס: ימי חמישי, 9:00-12:00. הקורס הינו שנתי.

      עלות הקורס: 4185 ₪, כולל שריפות וגלזורות, אך אינו כולל פורצלן. כל משתתף ירכוש פורצלן על פי צרכיו מבית בנימיני.

      צפו בסרטון אודות קורס פורצלן וקורסים נוספים בתחום הקרמיקה בבית בנימיני:
      ]]>       5597 2012-07-19 10:09:14 2012-07-19 07:09:14 closed open %d7%a7%d7%95%d7%a8%d7%a1-%d7%a4%d7%95%d7%a8%d7%a6%d7%9c%d7%9f-%d7%a7%d7%93%d7%a8%d7%95%d7%aa-%d7%95%d7%9e%d7%a9%d7%98%d7%97%d7%99%d7%9d publish 4322 3 page 0 _edit_lock 1376490391 _edit_last 3 _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1376490391 _alp_broken_links a:1:{s:207:"http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%a6%d7%95%d7%95%d7%aa-%d7%94%d7%9e%d7%95%d7%a8%d7%99%d7%9d/%d7%a8%d7%a0%d7%99-%d7%92%d7%99%d7%9c%d7%aa/";a:0:{}} _thumbnail_id ngg-1167 menu_title קורס פורצלן title קורס פורצלן | לימודי פורצלן | סדנת פורצלן בבית בנימיני keywords קורס פורצלן, לימודי פורצלן, סדנת פורצלן description קורס פורצלן בבית בנימיני מציע לתלמידיו הכשרה בתחום הפורצלן, הקדרות והמשטחים במסגרת סדנה מקיפה ומרתקת. לימודי פורצלן אידיאליים לבעלי נטייה אמנותית. robotsmeta index,follow 775 http://www.benyaminiceramics.org/2013/01/%d7%96%d7%94%d7%91-%d7%9c%d7%91%d7%9f-%d7%a4%d7%95%d7%a8%d7%a6%d7%9c%d7%9f/ 91.193.50.70 2013-01-29 12:13:52 2013-01-29 10:13:52 1 pingback 0 0       אמנות קרמיקה- הדרכה אישית http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%9e%d7%aa%d7%a7%d7%93%d7%9e%d7%99%d7%9d/%d7%90%d7%9e%d7%a0%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94-%d7%91%d7%94%d7%93%d7%a8%d7%9b%d7%94-%d7%90%d7%99%d7%a9%d7%99%d7%aa/ Thu, 19 Jul 2012 07:10:38 +0000 http://benyaminiceramics.daze.co.il/?page_id=5599 [imagebrowser id=125]

      הקורסים המבוססים על הנחייה אישית מאפשרים ליוצרים מקצועיים לחדד צדדים ניסיוניים, מחקריים ורעיוניים של עבודתם. במפגשי הנחייה אישית יבחנו עבודות היוצרים בהקשרים תרבותיים רחבים, שדות ידע מגוונים, קשר עם שיח האמנות והעיצוב והבנה מעמיקה וחווייתית של החומר הקרמי. הפגישות יאפשרו ליווי בתהליך אישי בעבודה בסטודיו,  ביקורת עבודות ועבודה אישית בהדרכת בכירי היוצרים בתחום.

      במסגרת ההדרכה האישית, יועברו בשנת הלימודים הקרובה שלושה קורסים נפרדים:

      על אבניים / על כלים / על מחשבות - בהנחיית עירית אבא

      כלי קרמיקה ממסורות העבר עסקו בפולחן, בפונקציונליות ועוצבו בפשטות. כלים אלה הם "טביעות אצבע" שהותיר האדם בכל מקום בו הוא חי, עמידותם בפני פגעי הטבע והזמן מאפשרת מידע היסטורי ותרבותי יקר ערך.ההתמקדות במושג "הכלי" השימושי, מסורתי והרחבת המחשבה על גבולות ההיסטוריה והצורה של הכלילאורך דורות, מדגיש את המתח שנוצר בין המוכר ללא ידוע ואת התפתחותו "הדמיונית" של הכלי והמצאתו מחדש.

      במפגשים נתמקד בהתבוננות ו"דיבור" על העבודות ממבט נוסף סביב הנושאים של "כלי שולחן". נעסוק בחידוד המחשבה, התפתחות הצורה והפונקציה,שילוב חומרים, צבע ופירוש עכשווי של הכלי.

      הקורס מבוסס על עבודה עצמית  ותרגילי בית, ביקורת עבודות והדגמות.

      הקורס מיועד ליוצרים באובניים.

      שבעה מפגשים בימי שישי, 10:00-14:00. תאריכים מדויקים יפורסמו בהמשך.

      עלות: 1400 ₪ לשבע מפגשים.

      הנחייה וליווי לאמנים יוצרים / בהנחיית רויטל בן אשר פרץ

      אמנים רבים סובלים מ"בדידות היצירה"; מחוסר תקשורת בנוגע לתהליכי פיתוח, מחוסר חשיפה ומהסתגרות בסטודיו הפרטי.הקורס מציע סדרת פגישות אישיות וליווי מתמשך לאמנים יוצרים בעלי זיקה לחומר, הכוונה וסיוע ב"פתיחת דלתות" לזירת האמנות המקומית הרחבה.ייעוץ אוצרותי; ביקורת עבודות, הכנת ועריכת תיק עבודות, פניה למוזיאונים/גלריות/אוצרים מתאימים, גיבוש גוף עבודות לקראת תערוכה, הצבה בחלל, הגשות לפרסים ותערוכות, כתיבת טקסטים ויחסי ציבור.

      מפגש אישי בן שעה, פעם בחודש, על פי רישום מראש על בסיס קבוע או חד פעמי (במידה ויש מקום פנוי).

      עשרה מפגשים בימי רביעי 9:30-13:30. מועדים מדויקים יפורסמו בהמשך.

      עלות מפגש חד פעמי: 240 ₪.

      עלות הקורס: 2200 ₪.

      הקשר_נושא_שיטה / בהנחיית שלומית באומן

      סדנה רעיונית זו מיועדת ליוצרים בקרמיקה בעלי ניסיון מקצועי המעוניינים להעלות לדיון שאלות המעסיקות אותם. הסדנה תתקיים אחת לחודש במתכונת של קבוצת דיון ומטרתה לחדד כלים רעיוניים ולחשוב על תחום הקרמיקה כשדה עשיר של פעילות בהקשר הרחב של תרבות חומרית בכלל ויצירה בקרמיקה בפרט. נדון בהקשרים היסטוריים ועכשוויים, בנושאים השונים בהם עוסקים חברי הקבוצה ובאסטרטגיות הפעולה שלהם. נערוך דיון על עבודות נבחרות של חברי הקבוצה וננסה לפתח שפה היוצרת תובנות ואפיונים של המדיום כשדה עצמאי (ולא כחלק מעיצוב או מאמנות)

      מפגש חודשי בימי חמישי, 9:00-16:00. מידע מפורט לגבי תאריכי המפגשים יפורסם בהמשך.

      עלות הקורס: 3000 ₪ לתשע מפגשים

      צפו בסרטון אודות קורס אמנות קרמיקה בהדרכה אישית וקורסים נוספים בתחום הקרמיקה בבית בנימיני:

      ]]>       5599 2012-07-19 10:10:38 2012-07-19 07:10:38 closed open %d7%90%d7%9e%d7%a0%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94-%d7%91%d7%94%d7%93%d7%a8%d7%9b%d7%94-%d7%90%d7%99%d7%a9%d7%99%d7%aa publish 4322 4 page 0 _edit_lock 1375000008 _edit_last 3 _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1375000008 _thumbnail_id ngg-1107 _alp_broken_links a:1:{s:213:"http://www.benyaminiceramics.org/%D7%9E%D7%A8%D7%9B%D7%96-%D7%91%D7%A0%D7%99%D7%9E%D7%99%D7%A0%D7%99/%D7%A6%D7%95%D7%95%D7%AA-%D7%94%D7%9E%D7%95%D7%A8%D7%99%D7%9D/%D7%A2%D7%99%D7%A8%D7%99%D7%AA-%D7%90%D7%91%D7%90/";a:0:{}} menu_title אמנות קרמיקה - הדרכה title אמנות קרמיקה | אומנות קרמיקה בבית בנימיני robotsmeta index,follow description בואו לקבל השראה בסדנאות אמנות קרמיקה בהדרכה אישית מאומנים מובילים בתחום. לימודי אומנות קרמיקה עם מיטב אמני הקרמיקה בישראל בבית בנימיני בתל אביב keywords אמנות קרמיקה, אומנות קרמיקה 703 http://www.benyaminiceramics.org/2012/11/%d7%97%d7%95%d7%9e%d7%a8-%d7%90%d7%93%d7%9e%d7%94-%d7%a0%d7%95%d7%a3-%d7%90%d7%95%d7%a8%d7%9c%d7%99-%d7%a0%d7%96%d7%a8/ 91.193.50.70 2012-11-15 18:24:34 2012-11-15 16:24:34 1 pingback 0 0 758 http://www.benyaminiceramics.org/2012/08/%d7%a7%d7%93%d7%a8%d7%95%d7%aa-%d7%a7%d7%95%d7%a8%d7%99%d7%90%d7%a0%d7%99%d7%aa-%d7%a2%d7%9c-%d7%a7%d7%a6%d7%94-%d7%94%d7%9e%d7%96%d7%9c%d7%92/ 91.193.50.70 2013-01-24 17:58:15 2013-01-24 15:58:15 1 pingback 0 0       קורס טכנולוגיה קרמית למתקדמים http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%9e%d7%aa%d7%a7%d7%93%d7%9e%d7%99%d7%9d/%d7%a7%d7%95%d7%a8%d7%a1-%d7%98%d7%9b%d7%a0%d7%95%d7%9c%d7%95%d7%92%d7%99%d7%94-%d7%a7%d7%a8%d7%9e%d7%99%d7%aa-%d7%91/ Thu, 19 Jul 2012 07:13:36 +0000 http://benyaminiceramics.daze.co.il/?page_id=5601 [imagebrowser id=138]

      קורס טכנולוגיה קרמית למתקדמים מיועד לבוגרי קורסים לטכנולוגיה קרמית ולבעלי ניסיון רב בנושא. המפגשים יתקיימו פעם בחודש, עבודה עצמאית תתבצע על יד המשתתפים בין הפגישות. במפגשים ננתח את התוצאות, נסיק מסקנות ונתכנן המשך מחקר. הנושאים המוצעים למחקר: זיגוג לטמפרטורות שונות,  (בעיקר קון 6 ו 04), מצב זכוכיתי ומצב מוצק, שקיפות ואטימות, טקסטורה, צבע, גוף קרמי, אנגוב, קשר בין גוף לזיגוג ושימוש בחומרים אשר פותחו לתעשיית החלל. כל מסקנות המחקר ותוצאות הקורס יתועדו וישמרו בארכיון בית בנימיני ויהיו פתוחות לקהל הרחב.

      בהנחיית יהודה ומיכל קורן.

      ימי רביעי: 10:00 - 14:00 פעם בחודש

      עלות: 1100 שקל ל10 מפגשים

      תאריכים יפורסמו בהמשך.

      צפו בסרטון אודות קורס טכנולוגיה קרמית למתקדמים וקורסים נוספים בתחום הקרמיקה בבית בנימיני:
      ]]>       5601 2012-07-19 10:13:36 2012-07-19 07:13:36 closed open %d7%a7%d7%95%d7%a8%d7%a1-%d7%98%d7%9b%d7%a0%d7%95%d7%9c%d7%95%d7%92%d7%99%d7%94-%d7%a7%d7%a8%d7%9e%d7%99%d7%aa-%d7%91 publish 4322 5 page 0 _edit_lock 1373779409 _edit_last 3 _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1373741772 _thumbnail_id ngg-1365 _alp_broken_links a:1:{s:250:"http://www.benyaminiceramics.org/%D7%9E%D7%A8%D7%9B%D7%96-%D7%91%D7%A0%D7%99%D7%9E%D7%99%D7%A0%D7%99/%D7%A6%D7%95%D7%95%D7%AA-%D7%94%D7%9E%D7%95%D7%A8%D7%99%D7%9D/%D7%99%D7%94%D7%95%D7%93%D7%94-%D7%95%D7%9E%D7%99%D7%9B%D7%9C-%D7%A7%D7%95%D7%A8%D7%9F/";a:0:{}} title טכנולוגיה קרמית למתקדמים | קורס טכנולוגיה קרמית בבית בנימיני robotsmeta index,follow description טכנולוגיה קרמית למתקדמים - קורס טכנולוגיה קרמית בבית בנימיני בתל אביב לבעלי ניסיון רב בנושא. הקורס יעסוק בטכניקות שונות ובמחקר.       סדנת הדפס קרמי http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%a1%d7%93%d7%a0%d7%90%d7%95%d7%aa/%d7%a1%d7%93%d7%a0%d7%aa-%d7%94%d7%93%d7%a4%d7%a1-%d7%a7%d7%a8%d7%9e%d7%99/ Thu, 19 Jul 2012 07:24:26 +0000 http://benyaminiceramics.daze.co.il/?page_id=5605 [imagebrowser id=128]

      הדפס קרמי הינו תחום רחב ומרתק המפגיש את היוצר עם אחד האתגרים הקשים מכל – המפגש בין דו מימד לתלת מימד – המקום בו השפה הגרפית-ויזואלית פוגשת את החומר. במסגרת הסדנה נלמד טכניקות הדפס שונות והתאמה בין שיטת העבודה בחומר לטכניקת ההדפס, נתמקד בהדפס על ניירות משי והעברתם לגוף החומר.נלמד להשתמש באמולסיה צילומית, להקרין רשת ,לערבב צבעים קרמים, להדפיס ולהכין סדרת הדפסים.

      מועד הסדנה:

      מועדים סדנת ההדפס הקרמי לשנת הלימודים 2013/14 יפורסמו בהמשך.

      בהנחיית אמנון עמוס.

      עלות הסדנה: 1550 ₪, עבור 4 מפגשים של שלוש שעות. המחיר כולל רשת ומגב אישי

      צפו בסרטון אודות סדנת הדפס קרמי וקורסים נוספים בתחום הקרמיקה בבית בנימיני:
      ]]>       5605 2012-07-19 10:24:26 2012-07-19 07:24:26 closed open %d7%a1%d7%93%d7%a0%d7%aa-%d7%94%d7%93%d7%a4%d7%a1-%d7%a7%d7%a8%d7%9e%d7%99 publish 4325 0 page 0 _edit_lock 1373711633 _edit_last 3 _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1373711633 _alp_broken_links a:1:{s:219:"http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%a6%d7%95%d7%95%d7%aa-%d7%94%d7%9e%d7%95%d7%a8%d7%99%d7%9d/%d7%90%d7%9e%d7%a0%d7%95%d7%9f-%d7%a2%d7%9e%d7%95%d7%a1/";a:0:{}} _thumbnail_id ngg-1179 description טכניקות הדפס קרמי שונות והתאמה בין שיטת העבודה בחומר לטכניקת ההדפס title הדפס קרמי | סדנת הדפס קרמי בבית בנימיני robotsmeta index,follow keywords הדפס קרמי 746 http://www.benyaminiceramics.org/2013/01/%d7%94%d7%99%d7%9c%d7%95%d7%aa-%d7%a9%d7%a0%d7%a4%d7%9c%d7%95-%d7%94%d7%93%d7%a4%d7%a1-%d7%97%d7%95%d7%9e%d7%a8-%d7%95%d7%9e%d7%94-%d7%a9%d7%91%d7%99%d7%a0%d7% 91.193.50.70 2013-01-17 13:22:32 2013-01-17 11:22:32 1 pingback 0 0       סדנת פייפר קליי - Paper clay http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%a1%d7%93%d7%a0%d7%90%d7%95%d7%aa/%d7%a1%d7%93%d7%a0%d7%aa-paper-clay-%d7%a4%d7%99%d7%99%d7%a4%d7%a8-%d7%a7%d7%9c%d7%99%d7%99/ Thu, 19 Jul 2012 07:28:44 +0000 http://benyaminiceramics.daze.co.il/?page_id=5616 [imagebrowser id=129]

      חומר ונייר, שילוב קדום שהולך אחורה בזמן משחר התרבות האנושית. החיבור של השניים, פייפר קליי (Paper Clay) מעניק לחומר תכונות מופלאות ופותח בפני היוצר קשת חדשה של אפשרויות. במסגרת הסדנא נכיר אמנים שונים המתמחים בתחום. נלמד להכיר את תכונותיו של הסיב וכיצד נוכל לרתום אותן לטובתנו, אמני החומר. נכין יחד לוח גבס אישי ותערובת של חומר סיבי ונערוך התנסויות ראשונות כדי להבין את סגולותיו של החומר הסיבי.

      סדנת פייפר קליי בהנחיית אמנון עמוס.

      מועד הסדנה: יפורסם במהלך השנה

      עלות הסדנה: 440 ₪ לשני המפגשים של 4 שעות (כולל חומרים)

      צפו בסרטון אודות סדנת פייפר קליי וקורסים נוספים בתחום הקרמיקה בבית בנימיני:

      ]]>       5616 2012-07-19 10:28:44 2012-07-19 07:28:44 closed open %d7%a1%d7%93%d7%a0%d7%aa-paper-clay-%d7%a4%d7%99%d7%99%d7%a4%d7%a8-%d7%a7%d7%9c%d7%99%d7%99 publish 4325 5 page 0 _edit_lock 1373974846 _edit_last 3 _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1373971002 _thumbnail_id ngg-1359 _alp_broken_links a:1:{s:219:"http://www.benyaminiceramics.org/%D7%9E%D7%A8%D7%9B%D7%96-%D7%91%D7%A0%D7%99%D7%9E%D7%99%D7%A0%D7%99/%D7%A6%D7%95%D7%95%D7%AA-%D7%94%D7%9E%D7%95%D7%A8%D7%99%D7%9D/%D7%90%D7%9E%D7%A0%D7%95%D7%9F-%D7%A2%D7%9E%D7%95%D7%A1/";a:0:{}} robotsmeta index,follow title סדנת פייפר קליי | Paper Clay | קרמיקה בבית בנימיני keywords Paper clay, פייפר קליי description סדנת פייפר קליי - Paper Clay מציעה לתלמידים המתעניינים בקרמיקה להכיר את הפייפר קליי, המעניק לחומר תכונות מופלאות ופותח בפני היוצר קשת חדשה של אפשרויות.       שריפות קרמיות מיוחדות http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%a1%d7%93%d7%a0%d7%90%d7%95%d7%aa/%d7%a9%d7%a8%d7%99%d7%a4%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%95%d7%aa-%d7%9e%d7%99%d7%95%d7%97%d7%93%d7%95%d7%aa/ Thu, 19 Jul 2012 07:31:01 +0000 http://benyaminiceramics.daze.co.il/?page_id=5621 [imagebrowser id=131]

      מפגש חד פעמי למעוניינים להכיר ולחוות שריפת עישון.בתחילת המפגש יתוודעו המשתתפים דרך דימויי עבודות אמנים שוניםלטכניקות עישון שונות כמו שריפת סאגר, ראקו, ראקו עירום, עישון במערום ועוד.לאחר מכן נפנה לתהליך השריפה בו כל אחד מהמשתתפים יתבקש להביא עבודות שישרפו בעישון עיתונים בטכניקת חלב.

      מפגש אחד בן ארבע שעות, אין צורך בידע מוקדם.

      בהנחיית שמאי גיבש.

      עלות הסדנה: 280 ₪.

      מועד הסדנה יפורסם בהמשך.

      צפו בסרטון אודות סדנת שריפות קרמיות וקורסים נוספים בתחום הקרמיקה בבית בנימיני:
      ]]>       5621 2012-07-19 10:31:01 2012-07-19 07:31:01 closed open %d7%a9%d7%a8%d7%99%d7%a4%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%95%d7%aa-%d7%9e%d7%99%d7%95%d7%97%d7%93%d7%95%d7%aa publish 4325 6 page 0 _edit_lock 1372669634 _edit_last 3 _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_broken_links a:1:{s:213:"http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%a6%d7%95%d7%95%d7%aa-%d7%94%d7%9e%d7%95%d7%a8%d7%99%d7%9d/%d7%a9%d7%9e%d7%90%d7%99-%d7%92%d7%99%d7%91%d7%a9/";a:0:{}} _alp_processed 1372669633 _thumbnail_id ngg-1349 title שריפות קרמיות מיוחדות | בית בנימיני description שריפות קרמיות מיוחדות - סדנת קרמיקה ייחודית בבית בנימיני בתל אביב, המציעה מפגש ראשוני, חד פעמי למעוניינים להכיר ולחוות שריפת עישון קרמיות. keywords שריפות קרמיות robotsmeta index,follow 728 http://www.benyaminiceramics.org/2012/12/%d7%9b%d7%9c%d7%99%d7%9d-%d7%a2%d7%99%d7%a8%d7%95%d7%9e%d7%99%d7%9d-%d7%a9%d7%a8%d7%99%d7%a4%d7%95%d7%aa-%d7%a2%d7%99%d7%a9%d7%95%d7%9f-%d7%91%d7%a7%d7%a8%d7%9 91.193.50.70 2012-12-25 09:08:20 2012-12-25 07:08:20 1 pingback 0 0       סדנת ראקו - Raku http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%a1%d7%93%d7%a0%d7%90%d7%95%d7%aa/%d7%a1%d7%93%d7%a0%d7%aa-%d7%a8%d7%90%d7%a7%d7%95-raku-%d7%95%d7%a2%d7%99%d7%a9%d7%95%d7%9f/ Thu, 19 Jul 2012 07:32:09 +0000 http://benyaminiceramics.daze.co.il/?page_id=5623 [imagebrowser id=130]

      סדנת ראקו (Raku) - עישון למתקדמים היא סדנה בת שישה מפגשים המיועדת ליוצרים בעלי ניסיון עבודה בחומר הקרמי המבקשים להכיר ולהתנסות בטכניקות שריפות עישון מגוונות.

      מפגש ראשון: מפגש עיוני/ויזואלי עם טכניקות שריפות העישון השונות דרך עבודותיהם של אמני קרמיקה בארץ ובעולם. המשתתפים יכינו עבודות להמשך הסדנה ויקבלו חוברת עם מרשמי הסדנא והוראות עבודה.

      מפגש שני: הכנת טרה סיגילטה מחומרים שונים, סליפים  וגלזורות שישמשו לשריפות ראקווראקו עירום. חיפוי כלים ומירוקם, ציור בטרה סיגילטה, שימוש בטייפים והכנה לשריפת ראשונה.

      מפגש שלישי: טבילת הכלים השרופים בסליפים השונים, חיפוי בגלזורה, שריפת עישון ושימוש בטכניקת חלב.

      מפגש רביעי: שריפות ראקווראקו ערום.

      מפגש חמישי: שרפת אובוארה, סיום שרפות אחרות ועבודה על הכלים השרופים,

      מפגש שישי: סיכום: ביקורת ודיון בתוצאות הסדנה ובפיתוחים אפשריים,צילום מקצועי של העבודות ופרסומם בפייסבוק.

      סדנת רקו בהנחיית שמאי גיבש.

      הסדנה בת שישה מפגשים, בני חמש שעות כל אחד. תאריכים מדויקים יפורסמו בהמשך.

      עלות הסדנה: 1950 ₪, כולל חומרים ושריפות.

      צפו בסרטון אודות סדנת רקו וקורסים נוספים בתחום הקרמיקה בבית בנימיני:
      ]]>       5623 2012-07-19 10:32:09 2012-07-19 07:32:09 closed open %d7%a1%d7%93%d7%a0%d7%aa-%d7%a8%d7%90%d7%a7%d7%95-raku-%d7%95%d7%a2%d7%99%d7%a9%d7%95%d7%9f publish 4325 7 page 0 _edit_lock 1373712745 _edit_last 3 _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1373712745 _alp_broken_links a:1:{s:213:"http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%a6%d7%95%d7%95%d7%aa-%d7%94%d7%9e%d7%95%d7%a8%d7%99%d7%9d/%d7%a9%d7%9e%d7%90%d7%99-%d7%92%d7%99%d7%91%d7%a9/";a:0:{}} _thumbnail_id ngg-1171 description דנת ראקו מיועדת לתלמידים המעוניינים להכיר ולהתנסות בטכניקות שריפות עישון מגוונות, כולל רקו - Raku. למידת רקו דרך עבודותיהם של אמני קרמיקה בארץ ובעולם. title סדנת ראקו | רקו | Raku | קרמיקה בבית בנימיני robotsmeta index,follow keywords רקו, ראקו, Raku 759 http://www.benyaminiceramics.org/2012/08/%d7%a7%d7%93%d7%a8%d7%95%d7%aa-%d7%a7%d7%95%d7%a8%d7%99%d7%90%d7%a0%d7%99%d7%aa-%d7%a2%d7%9c-%d7%a7%d7%a6%d7%94-%d7%94%d7%9e%d7%96%d7%9c%d7%92/ 91.193.50.70 2013-01-24 18:00:58 2013-01-24 16:00:58 1 pingback 0 0       צוות המורים http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%a6%d7%95%d7%95%d7%aa-%d7%94%d7%9e%d7%95%d7%a8%d7%99%d7%9d/ Thu, 19 Jul 2012 09:00:17 +0000 http://benyaminiceramics.daze.co.il/%d7%a6%d7%95%d7%95%d7%aa-%d7%94%d7%9e%d7%95%d7%a8%d7%99%d7%9d/ 5634 2012-07-19 12:00:17 2012-07-19 09:00:17 closed open %d7%a6%d7%95%d7%95%d7%aa-%d7%94%d7%9e%d7%95%d7%a8%d7%99%d7%9d publish 5 5 page 0 _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default robotsmeta index,follow _edit_lock 1343717252 _edit_last 3 _alp_processed 1343717252 _thumbnail_id 6556 1005 http://www.kfsmtv.net/oakleysunglass/ 186.93.145.78 2013-07-05 01:04:08 2013-07-04 22:04:08 オークリー サングラス... צוות המורים |...]]> 0 trackback 0 0 אתי גורן http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%a6%d7%95%d7%95%d7%aa-%d7%94%d7%9e%d7%95%d7%a8%d7%99%d7%9d/%d7%90%d7%aa%d7%99-%d7%92%d7%95%d7%a8%d7%9f/ Thu, 19 Jul 2012 09:09:53 +0000 http://benyaminiceramics.daze.co.il/?page_id=5635

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      קורסים וסדנאות:

      קורס גלזורה וצבע בחומר. קורס טכנולוגיה קרמית א.

      תעודת זהות:

      בוגרת תואר ראשון בתולדות האמנות ותעודת הוראה לבתי ספר על יסודיים, האוניברסיטה העברית בירושלים.
      לימודי קרמיקה בלונדון ב-Sir John Cass school of art, City of London Polytechnic.
      תעסוקה:
      1979: עבודה במרכז תרבות עמים לנוער כמדריכה לאמנות.
      1981-1984: ארבע שנות עבודה במרכז קהילתי "בית אדלשטיין" בקרית שמונה בהוראת קרמיקה לפעוטים, ילדים, נוער,מבוגרים וקשישים.
      1982-1984: הוראת קרמיקה בתיכון ע"ש דנציגר בקרית שמונה.
      נובמבר 1984: תחילת עבודה במוזיאון תל אביב לאמנות. הקמת מחלקת קדרות. מאז מלמדת קדרות מורים ומבוגרים בכלל.
      משנת 1982 מחזיקה סטודיו לקרמיקה, מכינה את רוב החומרים לבד ושורפת בתנור גז.
      השתתפות בתערוכות:
      "קדרים עורכים שולחן"- 1999, תל חי ובית כהנא.
      "ספלים"- 1999, מכללת חנקין, חולון.
      "כלי חורף" – 2001 , הגלריה לעיצוב קרמי, תל אביב.
      "קומקומים שימושיים" – 2004, מכללת חנקין, חולון.
      "הקדרות הפלסטינית המסורתית בחברון – תערוכת מחווה" – 2005, המשכן לאמנות, עין חרוד.
      "אדום" – 2005, מכללת חנקין, חולון.
      "גביע" – 2006, הגלריה בשואבה.
      ]]>       5635 2012-07-19 12:09:53 2012-07-19 09:09:53 closed open %d7%90%d7%aa%d7%99-%d7%92%d7%95%d7%a8%d7%9f publish 5634 0 page 0 _edit_lock 1343715167 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1343715166 _thumbnail_id ngg-1105 _alp_broken_links a:2:{s:317:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%9E%D7%AA%D7%97%D7%99%D7%9C%D7%99%D7%9D/%D7%A7%D7%95%D7%A8%D7%A1-%D7%92%D7%9C%D7%96%D7%95%D7%A8%D7%94-%D7%95%D7%A6%D7%91%D7%A2-%D7%91%D7%97%D7%95%D7%9E%D7%A8/";a:0:{}s:317:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%9E%D7%AA%D7%97%D7%99%D7%9C%D7%99%D7%9D/%D7%A7%D7%95%D7%A8%D7%A1-%D7%98%D7%9B%D7%A0%D7%95%D7%9C%D7%95%D7%92%D7%99%D7%94-%D7%A7%D7%A8%D7%9E%D7%99%D7%AA-%D7%90/";a:0:{}} 791 http://www.benyaminiceramics.org/2013/02/%d7%a9%d7%a8%d7%a4%d7%95%d7%aa-%d7%a2%d7%a6%d7%99%d7%9d-%d7%90%d7%aa%d7%99-%d7%92%d7%95%d7%a8%d7%9f/ 91.193.50.70 2013-02-17 17:05:11 2013-02-17 15:05:11 1 pingback 0 0 1028 http://www.rayban123.com 58.47.115.236 2013-07-24 08:46:18 2013-07-24 05:46:18 レイバン... אתי גורן |...]]> 0 trackback 0 0       רונן ימין http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%a6%d7%95%d7%95%d7%aa-%d7%94%d7%9e%d7%95%d7%a8%d7%99%d7%9d/%d7%a8%d7%95%d7%a0%d7%9f-%d7%99%d7%9e%d7%99%d7%9f/ Thu, 19 Jul 2012 09:53:16 +0000 http://benyaminiceramics.daze.co.il/?page_id=5645

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      מלמד בקורסים: קורס קדרות - יסודות

      תעודת זהות:

      קדר, יוצר בסטודיו עצמאי בתל אביב. בוגר "בצלאל" ירושלים, המחלקה לעיצוב קרמי וזכוכית, מסלול קדרות

      פרסים ומלגות 2008- פרס הצטיינות על השיגים בלימודים, המחלקה לעיצוב קרמי בצלאל. 2009- פרס ע"ש ליז ניסבט- בצלאל. 2009- פרס ומלגה שנתית מטעם בנק לאומי, בצלאל

      תערוכות
      2009- בצלאל "לאט לאה, לאט"- פרוייקט גמר.
      2010- בית האומנים, ת"א "אגרטל עכשיו", תערוכה קבוצתית.
      2011- בניין קיבוץ גלויות 45 תל אביב, "בניין הפעיל", תערוכה קבוצתית.
      2012- גלריה בצלאל, ירושלים "והחמר היה להם לחומר", תערוכה קבוצתית.
      ]]>       5645 2012-07-19 12:53:16 2012-07-19 09:53:16 closed open %d7%a8%d7%95%d7%a0%d7%9f-%d7%99%d7%9e%d7%99%d7%9f publish 5634 0 page 0 _edit_lock 1343715621 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1343715621 _thumbnail_id 5647 _alp_broken_links a:1:{s:292:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%9E%D7%AA%D7%97%D7%99%D7%9C%D7%99%D7%9D/%D7%A7%D7%95%D7%A8%D7%A1-%D7%A7%D7%93%D7%A8%D7%95%D7%AA-%D7%99%D7%A1%D7%95%D7%93%D7%95%D7%AA/";a:0:{}}       ronen new http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%a6%d7%95%d7%95%d7%aa-%d7%94%d7%9e%d7%95%d7%a8%d7%99%d7%9d/%d7%a8%d7%95%d7%a0%d7%9f-%d7%99%d7%9e%d7%99%d7%9f/ronen-new/ Thu, 19 Jul 2012 09:53:40 +0000 http://benyaminiceramics.daze.co.il/wp-content/uploads/2012/07/ronen-new.jpg 5647 2012-07-19 12:53:40 2012-07-19 09:53:40 closed open ronen-new inherit 5645 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/07/ronen-new.jpg _wp_attached_file 2012/07/ronen-new.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"640";s:6:"height";s:3:"478";s:14:"hwstring_small";s:23:"height='95' width='128'";s:4:"file";s:21:"2012/07/ronen-new.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:21:"ronen-new-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:21:"ronen-new-300x224.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"224";}}s:10:"image_meta";a:10:{s:8:"aperture";s:3:"2.8";s:6:"credit";s:0:"";s:6:"camera";s:8:"iPhone 4";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1338390933";s:9:"copyright";s:0:"";s:12:"focal_length";s:4:"3.85";s:3:"iso";s:3:"250";s:13:"shutter_speed";s:15:"0.0588235294118";s:5:"title";s:0:"";}} רני גילת http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%a6%d7%95%d7%95%d7%aa-%d7%94%d7%9e%d7%95%d7%a8%d7%99%d7%9d/%d7%a8%d7%a0%d7%99-%d7%92%d7%99%d7%9c%d7%aa/ Thu, 19 Jul 2012 10:03:39 +0000 http://benyaminiceramics.daze.co.il/?page_id=5651 [imagebrowser id=116]

      מלמד בקורסים

      קורס פורצלן, קדרות ומשטחים

      תעודת זהות

      בעל תואר שני באמנות בינתחומית, MA,  אוניברסיטת תל אביב. בעל תואר ראשון בעיצוב קרמי וזכוכית, BFA, אקדמיה לאמנות, בצלאל, ירושלים. התמחות בקדרות ופיסול זוכה בפרס קרן מנדל לאמנות. יוזם ומנחה "פרויקט גילת" – קבוצה של 7 נשאי HIV, יוצרים אמנות. מציג בגלריית "שלוש שלושים", נוה צדק, תל אביב. שותף, בגלריית "רוח כדים", קואופרטיב קרמיקאים. מעביר סדנאות צילום לאמנים.

      ]]>       5651 2012-07-19 13:03:39 2012-07-19 10:03:39 closed open %d7%a8%d7%a0%d7%99-%d7%92%d7%99%d7%9c%d7%aa publish 5634 0 page 0 _edit_lock 1343715752 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1343715752 _alp_broken_links a:1:{s:335:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%9E%D7%AA%D7%A7%D7%93%D7%9E%D7%99%D7%9D/%D7%A7%D7%95%D7%A8%D7%A1-%D7%A4%D7%95%D7%A8%D7%A6%D7%9C%D7%9F-%D7%A7%D7%93%D7%A8%D7%95%D7%AA-%D7%95%D7%9E%D7%A9%D7%98%D7%97%D7%99%D7%9D/";a:0:{}} _thumbnail_id ngg-1166       ג'קרנדה קורי http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%a6%d7%95%d7%95%d7%aa-%d7%94%d7%9e%d7%95%d7%a8%d7%99%d7%9d/%d7%92%d7%a7%d7%a8%d7%a0%d7%93%d7%94-%d7%a7%d7%a8%d7%99/ Thu, 19 Jul 2012 10:24:38 +0000 http://benyaminiceramics.daze.co.il/?page_id=5667 [imagebrowser id=107]
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      מלמדת בקורסים:
      קורס אבניים ובניית יד – כלים גדולים

      תעודת זהות:
      מרצה במחלקה לעיצוב קרמי, האקדמיה לאמנות ועיצוב בצלאל
      בעלת סטודיו עצמאי בתל אביב
      מציגה בתערוכות בארץ ובח"ל
      בוגרת בהצטיינות של המחלקה לעיצוב קרמי, האקדמיה לאמנות ועיצוב בצלאל, ירושלים.

      ]]>       5667 2012-07-19 13:24:38 2012-07-19 10:24:38 closed open %d7%92%d7%a7%d7%a8%d7%a0%d7%93%d7%94-%d7%a7%d7%a8%d7%99 publish 5634 0 page 0 _edit_lock 1359286894 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1343715305 _alp_broken_links a:1:{s:373:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%9E%D7%AA%D7%A7%D7%93%D7%9E%D7%99%D7%9D/%D7%A7%D7%95%D7%A8%D7%A1-%D7%90%D7%91%D7%A0%D7%99%D7%99%D7%9D-%D7%95%D7%91%D7%A0%D7%99%D7%99%D7%AA-%D7%99%D7%93-%D7%9B%D7%9C%D7%99%D7%9D-%D7%92%D7%93%D7%95%D7%9C%D7%99%D7%9D/";a:0:{}} _thumbnail_id ngg-1117       רועי מעין http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%a6%d7%95%d7%95%d7%aa-%d7%94%d7%9e%d7%95%d7%a8%d7%99%d7%9d/%d7%a8%d7%95%d7%a2%d7%99-%d7%9e%d7%a2%d7%99%d7%9f/ Thu, 19 Jul 2012 10:26:20 +0000 http://benyaminiceramics.daze.co.il/?page_id=5669 [imagebrowser id=113]
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      מלמד בקורס:

      תעודת זהות:

      מרצה ומציג בתערוכות, פסטיבלים ואירועי קרמיקה באירופה ובמזרח הרחוק. עוסק בעבודתו בהרחבת גבולות המדיום הקרמי, הן החומרי והן המושגי. בעל סטודיו עצמאי בסביון. אוצר סימפוזיון הקרמיקה הבינלאומי והתערוכה "בלאטה" בגלריה לאמנות אום אל-פחם.

      לימודים: 2004-2007 – תואר שני בתכנית הבינתחומית באמניות באוניברסיטת תל אביב. 2002 – השתתפות בתכנית הבינלאומית לאמנים IWCAT בטוקונמה, יפן. 1998-2002 – תואר ראשון (BFA) בהצטיינות במחלקה לעיצוב קרמי באקדמיה לאמנות ועיצוב "בצלאל", ירושלים.

      אוצרות והרצאות:

      2012- אומן מוזמן יחד עם הכוריאוגרפית ענת כ"ץ, מופע וכיתות אומן Biennale de la Céramique d'Andenne, בלגיה. 2012- אוצר התערוכה, ÜberKitsch, בית בנימיני, תל אביב. 2012- אוצר תערוכת יחיד של האומנית הגר מיטלפונקט, פרוייקט במרחבים פתוחים. 2010 – אוצר ומפיק סימפוזיון קרמיקה בינלאומי ב-Um El Fahem Art Gallery. מספר חודשים לאחר הסימפוזיון תתקיים תערוכה רחבת היקף מלווה בקטלוג וסרט ווידאו, אשר תמשיך לנדוד באירופה ובאמריקה. 2009 – כיתת אומן ב-ceramic jamboree, הביאנאלה הבינלאומית לקרמיקה, adventures of the fire, קוריאה.

      תערוכות נבחרות ופרסים:

      2011- Gyeonggi International CeraMIX Biennale International Competition, Icheon, קוריאה. Special Prize.
      2011- עיצוב קרמי: כלים טכנו.לוגיים- הביאנלה השישית לקרמיקה ישראלית, מוזיאון ארץ ישראל, תל-אביב.
      2011 – "תערוכת יחיד", תערוכת יחיד, פריסקופ, גלריה לעיצוב עכשווי, תל אביב, ישראל.
      2010 – "up the wall" – פסטיבל פרפורמנס בצ'סטר, "פול ואמילי", שיתוף פעולה עם הכוריאוגרפית ענת כץ.
      2010 – פסטיבל עכו לתיאטרון אחר, "פול ואמילי".
      2009 – הביאנלה העולמית החמישית לקרמיקה"Adventures Of The Fire" , אומן מוזמן ל- Ceramic Jamboree ול-International Performance Show – Ceramic Passion, קוריאה.
      2008 – הביאנאלה החמישית לקרמיקה ישראלית "חומר רגש", מוזיאון ארץ ישראל, תל אביב.
      2008 – הפסטיבל הבינלאומי החמישי לסרטי חומר וזכוכית, מנופליה, צרפת.
      2007 – התערוכה הבינלאומית הראשונה לקרמיקה – Jingzhe, שנחאי, סין.
      2007 – Zagreb award – world exhibition of small and miniature ceramics, Zagreb, Croatia.
      2006 – "יהודה לבנה מנוקדת"– מיצג ועבודת וידאו, טריטוריה וזהות, הביאנאלה הרביעית לקרמיקה ישראלית, מוזיאון א"י.
      2006 – "חותם בחומר", הגלריה לאמנות, אום אל פחם.
      2005 – תערוכת יחיד בגלריה "On Stage", ביאנאלה בינלאומית לאמנות הקרמיקה, ג'נבה, שוויץ.
      2002 – פרס בלומנטל על הצטיינות בפרויקט הגמר.
      2000 – פרס איזקסון על הצטיינות בתחום העיצוב הקרמי.

      פרסומים נבחרים:

      2011- Representations of a Singular Space, , Ceramics TECHNICAL USA.
      2007- פרק על מחקר שלי על חומרים בספר- Coloring Clay by Jo Connell A&C BLACK London
      2003 – "of shells and covers", המגזין האוסטרלי Ceramic Technical.

      אוספים נבחרים:

      2011- paul & Emily, KOSEF, Korea Ceramic Foundation.
      2007 – כלובים – מוזיאון לאומנות ויסון, שנחאי, סין.
      2008 – פול ואמילי – Ateliers D'Art de France.

      ]]>       5669 2012-07-19 13:26:20 2012-07-19 10:26:20 closed open %d7%a8%d7%95%d7%a2%d7%99-%d7%9e%d7%a2%d7%99%d7%9f publish 5634 0 page 0 _edit_lock 1343727658 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1343727658 _alp_broken_links a:1:{s:292:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%9E%D7%AA%D7%97%D7%99%D7%9C%D7%99%D7%9D/%D7%A7%D7%95%D7%A8%D7%A1-%D7%A7%D7%93%D7%A8%D7%95%D7%AA-%D7%99%D7%A1%D7%95%D7%93%D7%95%D7%AA/";a:0:{}} _thumbnail_id ngg-1145       רויטל בן אשר פרץ http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%a6%d7%95%d7%95%d7%aa-%d7%94%d7%9e%d7%95%d7%a8%d7%99%d7%9d/%d7%a8%d7%95%d7%99%d7%98%d7%9c-%d7%91%d7%9f-%d7%90%d7%a9%d7%a8-%d7%a4%d7%a8%d7%a5/ Thu, 19 Jul 2012 10:44:21 +0000 http://benyaminiceramics.daze.co.il/?page_id=5677 [imagebrowser id=114]
      -
      מלמדת בקורסים:
      אמנות קרמיקה - הדרכה אישית
      יציאה לעולם האמנות - הדרכת אמנים: זוהי סדרת פגישות אישיות וליווי מתמשך לאמנים יוצרים בעלי זיקה לחומר או בעלי רקע לימודי בתחום הקרמי. מתן ביקורת עבודות, הכוונה וייעוץ אוצרותי; לאיזה מוזיאון, גלריה או אוצר נכון לפנות ובאיזה אופן. הכנת תיק עבודות, גיבוש עבודות לקראת תערוכה, ייעוץ בהצבה, כתיבת טקסטים ויחסי ציבור. הכוונה וסיוע ב"פתיחת דלתות" לזירת האמנות המקומית הרחבה.

      תעודת זהות:

      2011: אוצרת את התערוכה "אוצרים בע"מ" במוזיאון פתח-תקווה לאמנות. במסגרתו סמינר אוצרות חודשי עם קבוצת האוצרים והאמנים המשתתפים. יו"ר ועדת הפרסים במשרד התרבות. מרצה אורחת במכללת אורנים. אוצרת את התערוכה "הליכה על שתיים" של הילה בן ארי ואוריאל מירון בגלריה 39. 2010: אוצרת את תערוכתה של נועה צדקה בגלריית דולינגר, ת"א, "המעבר בתעלות הדמע תקין". הקמת בית ספר פרטי ללימודי אמנות למבוגרים בבית האמנים בת"א. אוצרת תערוכת סטודיו לתלמידה אסנת בינה, "גבולית". תערוכת סוף שנה לתלמידי הסטודיו של רויטל בן-אשר פרץ בבית האמנים, ת"א. 2008-9: אוצרת את "מוזיאון הטבע" במוזיאון פתח-תקווה לאמנות. אוצרת תערוכת סוף שנה של סדנת אמני הקיבוץ. "נעלי עקב בחול" נודדת בפורום המוזיאונים האירופי. מרצה אורחת במכללת ספיר ובמדרשה לאמנות. מרצה בסדנת אמני הקיבוץ אוצרת את הפרויקט האתיופי ותערוכה "גדגדה" (קיר) בסדנה לאמנות, רמת אליהו. 2007: מרצה בסדנת אמני הקיבוץ. "נעלי עקב בחול" מציגה ב-varldskultur museet , גטבורג, שבדיה. מרצה אורחת באונ' בר-אילן, המדרשה לאמנות, בצלאל. 2005-06: אוצרת במוזיאון פתח-תקווה לאמנות את: "נעלי עקב בחול"- סחר בנשים בישראל- פרויקט חברתי המשלב עבודה עם אמנים ועם נשים קורבנות סחר. אוצרת בסדנא לאמנות רמת אליהו. תערוכה: "גופן עירוני". מרצה לאמנות במקלט לנשים קורבנות סחר. 2003: מנחה פרויקט גמר –שנקר מרצה במכללה לאמנות יפו אוצרת גלריית הסדנא לאמנות רמת אליהו. תערוכות – "אוטוביוגרפיה מטופלת", "פרא אציל", "אוטומטה", "נקודות צבירה". 2002: מרצה בויטל-שנקר. 2000-2001: מרצה בשנקר במגמה לעיצוב טקסטיל ופנים. ‏ 2001: מרכזת את המכללה לאמנות יפו. 2000-1996: מייסדת מגמת האמנות בתיכון רנה קסין בירושלים. 1998: אוצרת תערוכות ראשית של משרד החינוך במוזיאון ת"א.
      ]]>       5677 2012-07-19 13:44:21 2012-07-19 10:44:21 closed open %d7%a8%d7%95%d7%99%d7%98%d7%9c-%d7%91%d7%9f-%d7%90%d7%a9%d7%a8-%d7%a4%d7%a8%d7%a5 publish 5634 0 page 0 _edit_lock 1343715592 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1343715592 _alp_broken_links a:1:{s:335:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%9E%D7%AA%D7%A7%D7%93%D7%9E%D7%99%D7%9D/%D7%90%D7%9E%D7%A0%D7%95%D7%AA-%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94-%D7%91%D7%94%D7%93%D7%A8%D7%9B%D7%94-%D7%90%D7%99%D7%A9%D7%99%D7%AA/";a:0:{}} _thumbnail_id ngg-1149       נועה אלמגור http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%a6%d7%95%d7%95%d7%aa-%d7%94%d7%9e%d7%95%d7%a8%d7%99%d7%9d/%d7%a0%d7%95%d7%a2%d7%94-%d7%90%d7%9c%d7%9e%d7%92%d7%95%d7%a8/ Thu, 19 Jul 2012 10:55:02 +0000 http://benyaminiceramics.daze.co.il/?page_id=5679 [imagebrowser id=109] מלמדת בקורסים: קורס קדרות - יסודות במהלך הקורס, דרך עבודותיהם של אמני קרמיקה שונים, נבחן את מקומו של האובייקט היחיד אל מול הייצור הסדרתי, ניתן דגש לדיוק צורני, לקנה מידה אנושי וליחסים בין נפחים שונים בסדרות. במהלך העבודה נתוודע לשיטות עיטור וצבע מגוונות: אנגוב, זיגוג, דפוס, טקסטורות, שעווה, חותמות, חריטה ועוד ובעזרתן נבחן את הקשר המורכב בין תלת מימד לדו מימד, בין הגוף הקרמי לפני השטח. תעודת זהות בוגרת תואר B.F.A באומנות, בצלאל, המחלקה לעיצוב קרמי וזכוכית.התמחות בקדרות ופיסול 2012-2012: מורה לקרמיקה בבית בנימיני, המרכז לקרמיקה עכשוית, תל אביב 2011-2012: אסיסטנטית קורס פרויקט גמר בקדרות,המחלקה לעיצוב קרמי, בצלאל 2009-2012: יוצרת בסטודיו שלי בתל אביב 2009-2012: מורה לקרמיקה בסטודיו לקרמיקה בתל אביב: לימוד קדרות ובניית יד בקבוצות. 2006-2012: מדריכת אומנות בסדנאות יצירה לילדים ומבוגרים- חברת "הגר" 2009-2011: יעוץ ושירות לקוחות, חנות ומכללה לאומנות גילרפאל בע"מ 2008-2009: מדריכה בפרויקט חונכות- חונכות לסטודנטים מתקשים (לקויי למידה, עולים חדשים) בבצלאל 2008-2009: מדריכה בפרויקט "חברות- בצלאל- הדסה"- עבודה משותפת עם ילדים ומבוגרים חולים בתחומי האומנות והיצירה 2009- 2007: מדריכה בפרויקט "פרח"י בצלאל", חוגי קרמיקה לילדים בבי"ס יסודי 2008- 2008: מדריכה בקייטנת וראייטי, ירושלים 2008- 2008: פרויקט קיץ- הקמת ספסל ופינת משחק בשיתוף עם ילדי הקהילה בכפר עיסוויה במסגרת קורס "אמנות ואקטיביזם" תערוכות קבוצתיות: 2006: "בצלאל 100", תערוכת בוגרים, טרמינל 1, נתב"ג 2008: גלריית המחלקה לעיצוב קרמי וזכוכית, בצלאל 2009: תערוכת בוגרי בצלאל, ירושלים 2010: Hometex fiera, אביב 2010 2010: "חיבור, נגיעה" - המשכן לאומנויות הבמה, תל אביב 2012: "כלי על במה"- גלריה פריסקופ, תל אביב 2012: "קולות האדמה"- מוזיאון וילפריד, קיבוץ הזורע ]]> 5679 2012-07-19 13:55:02 2012-07-19 10:55:02 closed open %d7%a0%d7%95%d7%a2%d7%94-%d7%90%d7%9c%d7%9e%d7%92%d7%95%d7%a8 publish 5634 0 page 0 _edit_lock 1359360275 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1344437922 _alp_broken_links a:1:{s:292:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%9E%D7%AA%D7%97%D7%99%D7%9C%D7%99%D7%9D/%D7%A7%D7%95%D7%A8%D7%A1-%D7%A7%D7%93%D7%A8%D7%95%D7%AA-%D7%99%D7%A1%D7%95%D7%93%D7%95%D7%AA/";a:0:{}} _thumbnail_id ngg-1129 רינה פלג http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%a6%d7%95%d7%95%d7%aa-%d7%94%d7%9e%d7%95%d7%a8%d7%99%d7%9d/%d7%a8%d7%99%d7%a0%d7%94-%d7%a4%d7%9c%d7%92/ Thu, 19 Jul 2012 11:01:11 +0000 http://benyaminiceramics.daze.co.il/?page_id=5687 [imagebrowser id=115]
      מלמדת בקורסים:
      סדנאות בהנחייתה יתפרסמו במהלך השנה.

      תעודת זהות:

      EDUCATION 1980                       M.F.A. - Alfred University, Alfred, NY 1958 - 60               B.F.A. - Bezalel Academy of Arts, Jerusalem Israel TEACHING EXPERIENCE 1980                       Alfred University, Alfred, NY 1977-79                 Teacher, College for Kibbutz Movement, Israel 1977 - 78               Haifa University, Haifa, Israel SOLO EXHIBITIONS 2011                    hunter college ,  new york new york 2007                       Dust to Dust: The Clay Remains, Rhonda Schaller Studio, New York, NY 2006                       Studios 39, New York, NY 2004                       Jane Hartsook Gallery, New York, NY 2004                       65 Hope Street Gallery, Brooklyn, NY 2001                       65 Hope Street Gallery, Brooklyn, NY 1988                       The Queens Museum, New York, NY 1985                       Everson Museum of Arts, Syracuse, NY Robert Kidd Gallery, Detroit, MI 1983                       Heller Gallery, New York, NY Mabat Gallery, Tel Aviv, Israel Robert Kidd Gallery, Detroit, MI 1982                       Form & Function, Atlanta, GE 1981                       Theo Portnoy Gallery, New York, NY Branch Gallery, Washington DC Nina Freudenheim Gallery, Buffalo, NY 1979                       Ceramic Museum, Tel Aviv, Israel From clay to tradition, Haifa, Israel 1976                       Incorporated Gallery, New York, NY 1972                       American-Israeli Cultural Foundation, New York, NY GROUP EXHIBITIONS 2005                       54th Concorso Internazionale Della Ceramica D’Arte Contemporanea, Faenza, Italy 2003                       2nd World Ceramics Biennial, South Korea 2003                       Bronx River Art Center, NY 2002                       Franklin Parrasch Gallery, NY 2001                       Nordjyllands Kuntsmuseum, Denmark Torder Museum, Denmark 1990                       International Ceramic Exhibition, Mino, Japan 1989                       Linda Carson Gallery, Denver, CO 1988                       Klutznick Museum, Washington DC 1987                       Museum of Art and Design, New York, NY Graham Modern Gallery, New York, NY 1986                       Snung Harbor Gallery, Staten Island, NY 1985                       New York State Museum, Albany, NY 1984                       Brainerd Art Gallery, NY 1982                       40th Concorso Internazionale Della Ceramica D’Arte Contemporanea, Faenza, Italy Cooper-Hewitt Museum, New York, NY Robertson Center for the Arts, Albany, NY 1981                       Tel Hai Contemporary Art Festival, Israel Artifacts Gallery, Indianapolis, IN Institute of Contemporary Art, Boston, MA Renwick Gallery, National Museum of American Art, Smithsonian American Art Museum, Washington DC John Mitchell Kohler Art Center, Sheboygan, WI Greenville County Museum of Art, SC Tweed Museum of Art, Duluth, MI Downy Museum, Los Angeles, CA Thrope Intermedia Gallery, Sparkill, NY 1980                       Memorial Art Gallery, Rochester, NY Albright-Knox Gallery, Buffalo, NY Parsons School of Art and Design, New York, NY Appalachian Craft Center, TN Otis Gallery, Los Angeles, CA AWARDS AND GRANTS 2003                       New York Foundation for the Arts Individual Grant, New York, NY 2003                       Gottlieb Foundation: Individual Grant, New York, NY 2003                       2nd World Ceramics Biennial, Juror’s Choice Award, South Korea 1987                       Honorable mention, International Ceramic, Mino, Japan Pollack - Krasner Foundation, New York, NY 1984                       Nettie Marie Fellowship in the Visual Arts, Lake Placid, NY 1982                       40th Concorso Internazionale Della Ceramica D’Arte Contemporanea, Silver Plaque, Faenza, Italy Artist and Resident, Art Park, Lewiston, NY 1981                       National Endowment for the Arts, Craftsman Fellowship, Washington D.C. COLLECTIONS Burchfield-Penny Art Center, Buffalo, NY Davis and Brody Architects, New York, NY Everson Museum of Art, Syracuse, NY Greenville Art Museum, SC Haharetz Museum, Tel Aviv, Israel Israeli Embassy, Washington D.C. Lanon Foundation, Palm Beach, FL Museum of Art and Design, New York, NY Robertson Center for the Arts, Albany, NY Schein-Joseph International Museum of Ceramic Art, Alfred University, Alfred, NY Tajimi Cultural Hall, Tajimi City, Japan BIBLIOGRAPHY 1980 Interlacing: The Element of Fabric, Jack Lenor Larson 1981 Ceramics Monthly, Plaited Clay 1982 Rina Peleg, American Ceramics, fall 1985 Kunst+Handwerk, pg 6-9, January/February 1985 Rina Peleg, Ceramic Structures, Everson Museum of Art, Syracuse, NY, June 7 - August 8 1982 American Ceramics, Volume 1 Number 2 Spring 1995 The Art of Crafts, The Sun, New York, NY, February 19th 2005 Revista International Ceramica, pg. 81-83, No. 99 2003 New Ceramic/Neue Keramik, pg. 24, May/June]]>       5687 2012-07-19 14:01:11 2012-07-19 11:01:11 closed open %d7%a8%d7%99%d7%a0%d7%94-%d7%a4%d7%9c%d7%92 publish 5634 0 page 0 _edit_lock 1366636845 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1366636845 _thumbnail_id ngg-1151 1055 http://erev-rav.com/archives/25244 192.115.31.27 2013-07-29 13:45:28 2013-07-29 10:45:28 0 pingback 0 0       Rina Peleg http://www.benyaminiceramics.org/en/?page_id=5689 Thu, 19 Jul 2012 11:02:11 +0000 http://benyaminiceramics.daze.co.il/?page_id=5689 EDUCATION 1980                       M.F.A. - Alfred University, Alfred, NY 1958 - 60               B.F.A. - Bezalel Academy of Arts, Jerusalem Israel TEACHING EXPERIENCE 1980                       Alfred University, Alfred, NY 1977-79                 Teacher, College for Kibbutz Movement, Israel 1977 - 78               Haifa University, Haifa, Israel SOLO EXHIBITIONS 2011                    hunter college ,  new york new york 2007                       Dust to Dust: The Clay Remains, Rhonda Schaller Studio, New York, NY 2006                       Studios 39, New York, NY 2004                       Jane Hartsook Gallery, New York, NY 2004                       65 Hope Street Gallery, Brooklyn, NY 2001                       65 Hope Street Gallery, Brooklyn, NY 1988                       The Queens Museum, New York, NY 1985                       Everson Museum of Arts, Syracuse, NY Robert Kidd Gallery, Detroit, MI 1983                       Heller Gallery, New York, NY Mabat Gallery, Tel Aviv, Israel Robert Kidd Gallery, Detroit, MI 1982                       Form & Function, Atlanta, GE 1981                       Theo Portnoy Gallery, New York, NY Branch Gallery, Washington DC Nina Freudenheim Gallery, Buffalo, NY 1979                       Ceramic Museum, Tel Aviv, Israel From clay to tradition, Haifa, Israel 1976                       Incorporated Gallery, New York, NY 1972                       American-Israeli Cultural Foundation, New York, NY GROUP EXHIBITIONS 2005                       54th Concorso Internazionale Della Ceramica D’Arte Contemporanea, Faenza, Italy 2003                       2nd World Ceramics Biennial, South Korea 2003                       Bronx River Art Center, NY 2002                       Franklin Parrasch Gallery, NY 2001                       Nordjyllands Kuntsmuseum, Denmark Torder Museum, Denmark 1990                       International Ceramic Exhibition, Mino, Japan 1989                       Linda Carson Gallery, Denver, CO 1988                       Klutznick Museum, Washington DC 1987                       Museum of Art and Design, New York, NY Graham Modern Gallery, New York, NY 1986                       Snung Harbor Gallery, Staten Island, NY 1985                       New York State Museum, Albany, NY 1984                       Brainerd Art Gallery, NY 1982                       40th Concorso Internazionale Della Ceramica D’Arte Contemporanea, Faenza, Italy Cooper-Hewitt Museum, New York, NY Robertson Center for the Arts, Albany, NY 1981                       Tel Hai Contemporary Art Festival, Israel Artifacts Gallery, Indianapolis, IN Institute of Contemporary Art, Boston, MA Renwick Gallery, National Museum of American Art, Smithsonian American Art Museum, Washington DC John Mitchell Kohler Art Center, Sheboygan, WI Greenville County Museum of Art, SC Tweed Museum of Art, Duluth, MI Downy Museum, Los Angeles, CA Thrope Intermedia Gallery, Sparkill, NY 1980                       Memorial Art Gallery, Rochester, NY Albright-Knox Gallery, Buffalo, NY Parsons School of Art and Design, New York, NY Appalachian Craft Center, TN Otis Gallery, Los Angeles, CA AWARDS AND GRANTS 2003                       New York Foundation for the Arts Individual Grant, New York, NY 2003                       Gottlieb Foundation: Individual Grant, New York, NY 2003                       2nd World Ceramics Biennial, Juror’s Choice Award, South Korea 1987                       Honorable mention, International Ceramic, Mino, Japan Pollack - Krasner Foundation, New York, NY 1984                       Nettie Marie Fellowship in the Visual Arts, Lake Placid, NY 1982                       40th Concorso Internazionale Della Ceramica D’Arte Contemporanea, Silver Plaque, Faenza, Italy Artist and Resident, Art Park, Lewiston, NY 1981                       National Endowment for the Arts, Craftsman Fellowship, Washington D.C. COLLECTIONS Burchfield-Penny Art Center, Buffalo, NY Davis and Brody Architects, New York, NY Everson Museum of Art, Syracuse, NY Greenville Art Museum, SC Haharetz Museum, Tel Aviv, Israel Israeli Embassy, Washington D.C. Lanon Foundation, Palm Beach, FL Museum of Art and Design, New York, NY Robertson Center for the Arts, Albany, NY Schein-Joseph International Museum of Ceramic Art, Alfred University, Alfred, NY Tajimi Cultural Hall, Tajimi City, Japan BIBLIOGRAPHY 1980 Interlacing: The Element of Fabric, Jack Lenor Larson 1981 Ceramics Monthly, Plaited Clay 1982 Rina Peleg, American Ceramics, fall 1985 Kunst+Handwerk, pg 6-9, January/February 1985 Rina Peleg, Ceramic Structures, Everson Museum of Art, Syracuse, NY, June 7 - August 8 1982 American Ceramics, Volume 1 Number 2 Spring 1995 The Art of Crafts, The Sun, New York, NY, February 19th 2005 Revista International Ceramica, pg. 81-83, No. 99 2003 New Ceramic/Neue Keramik, pg. 24, May/June]]> 5689 2012-07-19 14:02:11 2012-07-19 11:02:11 closed open rina-peleg draft 1906 0 page 0 _edit_lock 1343630854 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default לאוניד גיסין http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%a6%d7%95%d7%95%d7%aa-%d7%94%d7%9e%d7%95%d7%a8%d7%99%d7%9d/%d7%9c%d7%90%d7%95%d7%a0%d7%99%d7%93-%d7%92%d7%99%d7%a1%d7%99%d7%9f/ Thu, 19 Jul 2012 11:07:14 +0000 http://benyaminiceramics.daze.co.il/?page_id=5692 מלמד בקורסים: קורס פיסול קרמי - יסודות תעודת זהות מלמד במדרשה לאמנות, המכללה האקדמית בית ברל בעל סטודיו עצמאי בירושלים משתתף בפרויקטים קבוצתיים ובתערוכות יחיד בוגר המחלקה לעיצוב קרמי, האקדמיה לאמנות ועיצוב בצלאל, ירושלים]]> 5692 2012-07-19 14:07:14 2012-07-19 11:07:14 closed open %d7%9c%d7%90%d7%95%d7%a0%d7%99%d7%93-%d7%92%d7%99%d7%a1%d7%99%d7%9f publish 5634 0 page 0 _edit_lock 1344327393 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1343715454 _alp_broken_links a:1:{s:299:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%9C%D7%99%D7%9E%D7%95%D7%93%D7%99-%D7%A4%D7%99%D7%A1%D7%95%D7%9C/%D7%A7%D7%95%D7%A8%D7%A1-%D7%A4%D7%99%D7%A1%D7%95%D7%9C-%D7%A7%D7%A8%D7%9E%D7%99-%D7%99%D7%A1%D7%95%D7%93%D7%95%D7%AA/";a:0:{}} _thumbnail_id ngg-1124 1043 http://www.kfsmtv.net/Airmax/nike_airmax_95.html 60.160.46.59 2013-07-25 00:50:42 2013-07-24 21:50:42 エアマックス 95... לאוניד גיסין |...]]> 0 trackback 0 0 אתל פיסרף http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%a6%d7%95%d7%95%d7%aa-%d7%94%d7%9e%d7%95%d7%a8%d7%99%d7%9d/%d7%90%d7%aa%d7%9c-%d7%a4%d7%99%d7%a1%d7%a8%d7%a3/ Thu, 19 Jul 2012 11:29:24 +0000 http://benyaminiceramics.daze.co.il/?page_id=5698 [imagebrowser id=106]

      מלמדת בקורסים

      תעודת זהות

      לימודים
      1986-7: לימודי קרמיקה, האקדמיה הגבוהה לאמנות ,אנטוורפן, בלגיה.
      1982-6: לימודי B.A בסוציולוגיה, אנתרופולוגיה ואמנות-יצירה, אוניברסיטת חיפה.
      הוראה
      1990-2009 – שיעורים בסטודיו הפרטי.
      1999-2000 – מוזיאון תל-אביב
      2012- היום – בית בנימיני.
      סדנאות והדגמות
      2012 – סדנה ,בית קיי, באר-שבע
      2007 – סדנה , מכללת ספיר
      2006 – הדגמה,סימפוזיון תל-חי
      2006 – הדגמה , בית ברל
      תערוכות נבחרות
      2012: "Ceramic International Contemporain" הביאנלה ה-3 לקרמיקה עכשוית,סוור,צרפת
      2010-2012: "From the Melting Pot Into the Fire " תערוכה נודדת (מוזיאון מינט, שרלוט, צפון קרוליינה, ארה"ב; מוזיאון גרדינר, טורונטו, קנדה; מרכז אומנויות בלגר, ארה"ב; מוזיאון ווטקום, בלינגהם, וושינגטון, ארה"ב).
      2011: "moove" בית האופרה ,תל-אביב.
      2009: "חומר רגש" ,הביאנלה ה-5 לקרמיקה,מוזיאון א"י,רמת-אביב
      2008: מוזיאון פילדלפיה לאמנות,ארה"ב
      2007: "טריטוריה וזהות", הביאנלה ה-4 לקרמיקה, מוזיאון א"י
      2005: "עיצוב,אמנות,עיצוב", הביאנלה ה-3 לקרמיקה, מוזיאון א"י
      2000: הביאנלה ה-1 לקרמיקה, מוזיאון א"י.
      1998: "דרך בחומר,5 עשורים לקרמיקה הישראלית", בית כהנא, ר"ג.
      1995: "אמנות- תעשיה על קו התפר", מוזיאון ערד ומוזיאון בת-ים
      1994: גלריה ג' החדשה, ירושלים.
      1993: "הביאנלה לקרמיקה" תחנת הרכבת התורכית, באר-שבע.
      1993: "כלי קיבול", בית אהרון כהנא, רמת-גן.
      1992: "קרמיקה קדומה ועכשוית", הגלריה לאמנות, אוניברסיטת חיפה
      1992: "קרמיקה ישראל 92", בית כהנא, ר"ג והאקדמיה הבינלאומית לקרמיקה, איסטנבול, תורכיה.
      1990: "צעירים מעצבים", מינכן, גרמניה.
      1990: "עשיה בתעשיה", גלרית תחנת הרכבת התורכית, באר-שבע.
      1989-91: "קרמיקה מישראל", תערוכה נודדת: גרמניה, בלגיה, צרפת, פורטוגל, פולין, פינלנד.
      1989: תערוכת יחיד, גלרית "רוח כדים", ירושלים.
      תצוגה קבועה
      2003-היום גלריה לקרמיקה "שלוש שלושים",נוווה צדק,תל-אביב.
      1991-היום גלריה לקרמיקה "שמונה ביחד" ,ירושלים.
      מציגה בחנויות המוזיאונים של: מוזיאון תל-אביב לאומנות; מוזיאון הארץ, רמת-אביב; מוזיאון ישראל, ירושלים.
      אירועים וסימפוזיונים בינלאומיים
      1993: ביאנלה בינלאומית לקרמיקה, באר-שבע.
      1993: סילקבורג, דנמרק.
      1994: אתונה, יוון.
      2005: ווטרשד,מיין,ארה"ב.
      2008: Philadelphia Museum Art and Craft Show
      מלגות
      2008: מלגה מטעם AIDA להשתתפות בתצוגה של מוזיאון פילדלפיה לאומנות ואמנות.
      2005: מלגה מטעם AIDA לשהיה בווטרשד, מיין, ארה"ב.
      1986: מלגה מטעם מחלקת החינוך במשרד החוץ ללימודי קרמיקה באקדמיה לאמנות, אנטוורפן, בלגיה.
      ]]>       5698 2012-07-19 14:29:24 2012-07-19 11:29:24 closed open %d7%90%d7%aa%d7%9c-%d7%a4%d7%99%d7%a1%d7%a8%d7%a3 publish 5634 0 page 0 _edit_lock 1343715263 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1343715201 _alp_broken_links a:1:{s:304:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%9E%D7%AA%D7%97%D7%99%D7%9C%D7%99%D7%9D/%D7%A7%D7%95%D7%A8%D7%A1-%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94-%D7%A9%D7%99%D7%9E%D7%95%D7%A9%D7%99%D7%AA/";a:0:{}} _thumbnail_id ngg-1113       ענת בראל http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%a6%d7%95%d7%95%d7%aa-%d7%94%d7%9e%d7%95%d7%a8%d7%99%d7%9d/%d7%a2%d7%a0%d7%aa-%d7%91%d7%a8%d7%90%d7%9c/ Thu, 19 Jul 2012 11:35:10 +0000 http://benyaminiceramics.daze.co.il/?page_id=5703 [imagebrowser id=110]
      -
      מלמדת בקורסים:
      קורס פיסול בחימר ובניית יד

      תעודת זהות

      BFA באמנות
      1977-1976 לימודי פיסול מכון אבני, תל אביב.
      1982-1978 לימודים במחלקה לעצוב קרמי, בצלאל, ירושלים.
      1991 פיסול ארכיטקטוני אוניברסיטת חיפה.
      2001-2002 תעודת הוראה מכון כרם ירושלים.
      תערוכות קבוצתיות
      2011 "הפלגה" בית בנימיני תל אביב.
      2011 "לראות מוסיקה" מוזיאון אשדוד.
      2010 "הביאנאלה השישית לקרמיקה ישראלית" מוזיאון ארץ ישראל, תל אביב.
      2010 "בלטה" תערוכת משתתפי סימפוזיון הקרמיקה בגלריה לאמנות אום אל פאחם.
      2010 " From the Melting Pot into the Fire: Contemporary Ceramics in Israel"
      מוזיאון גרדינר טורונו קנדה.
      2010 "פשר החלונות" מוזיאון ישראל' ירושלים.
      2010 "אגרטל עכשיו" בית האמנים תל אביב
      2009 "ציטוט" בית אהרון כהנא, רמת-גן.
      2009 "From the Melting Pot into the Fire: Contemporary Ceramics in Israel"
      מוזיאון מינט צפון קרולינה, ארה''ב
      2009 "גלויות מעזה, גלויות לעזה", גלריה"זוכרות" תל אביב.
      2008 "ירושלים שברי פנים". בית האמנים, ירושלים.
      2008 "חמר, רגש. הביאנאלה החמישית לקרמיקה ישראלית" מוזיאון ארץ ישראל, תל אביב.
      2007-2008 "יופי" גלריה flow, לונדון בריטניה. מנצ'סטר בריטניה. אירלנד.
      2007 "דור המדבר, 40 שנה לכיבוש "1967-2007 בית האמנים, ירושלים.
      2006 "הביאנאלה הרביעית לקרמיקה ישראלית" מוזיאון ארץ ישראל, תל אביב.
      2006 "זהויות" בשיתוף עם חנה בן חיים, גלריה קונסטנט רמת גן.
      2006 "גביע" הגלריה, שואבה
      2006 "הערת שוליים 10" בשיתוף עם יובל יאירי, מוזיאון המדע, ירושלים.
      2005 "דיאלוג" אמנים ישראלים אמריקאים, גלריית טובי רוזנברג, פורטלנד מיין, ארה''ב.
      2005 "טבילות" בשיתוף עם חנה בן חיים, גלריית מכללת דוד ילין, ירושלים
      2004 "על זהות וזהות נשית אמניות מורות" הגלריה של משרד החינוך, תל אביב
      2003 "אירוע אנטי ארט פוקוס" בשיתוף עם חנה בן חיים, חצר סרגיי, ירושלים.
      2003 "20X20X13" תערוכת קופסא, הגלריה, שואבה.
      2003 "הערת שולים 5 " בשיתוף עם חנה בן חיים, חצר סרגיי החברה להגנת הטבע, ירושלים .
      2002 "הערת שוליים 4" בשיתוף עם חנה בן חיים, מוזיאון המחתרות, ירושלים.
      2002 "הביאנלה השנייה לקרמיקה ישראלית" מוזיאון ארץ ישראל, תל אביב.
      2001 "תבניות בניה" אלמנטים ארכיטקטוניים בקרמיקה עכשווית בית האמנים, ירושלים.
      2001 "33X33" תמונת מצב. בית האמנים, ירושלים.
      1999 "על דעת המקום" אמנות ומציאות בירושלים, בית האמנים, ירושלים.
      1998 "דרך בחומר" 5 עשורים לקרמיקה בישראל בית אהרון כהנא, רמת-גן.
      1998 " הביתה" מחלום הבית הלאומי ל"בית החלומות" 1948-1998 מוזיאון ישראל, ירושלים.
      1997 "פתחים ואור בירושלים" בית האמנים, ירושלים.
      1996 "הד של עבר דימוי של הווה" בית אהרון כהנא, רמת-גן.
      1995 "ציור רישום אובייקטים" גלריה פוזנר, לוס אנג’לס, ארה"ב. במסגרת "לוס אנג’לס ביאנלה"
      1995 "בעקבות רישום II" גלריה גימל, ירושלים.
      1995 "קרמיקה מישראל" תערוכה נודדת בארה"ב.
      1994 "קרמיקה ישראל" מוזיאון הנגב, באר שבע.
      1993 "חברים חדשים 93" בית האמנים, ירושלים.
      1993 "כלי קיבול" בית אהרון כהנא, רמת-גן.
      1992 "ישראל- איסטנבול" איסטנבול, תורכיה.
      במסגרת הביאנלה הבין לאומית לקרמיקה.(התערוכה נדדה באירופה)
      1992 "ישראל- איסטנבול" בית אהרון כהנא, רמת-גן.
      1992 "קרמיקה קדומה ועכשווית" גלריית אוניברסיטת חיפה.
      1989 "פיסול בחומר" אמרספורט, הולנד.
      1988 "אובייקטים" כנסיית מיכאל הקדוש, אוסטרלנד, הולנד.
      1985 "בשטח פתוח" מוזיאון לאמנות ישראלית, פארק לאומי, רמת גן.
      1985 "מבט ראשון" גלריית הקיבוץ, תל אביב.
      1984 "אגודת אמני הקיבוץ" מוזיאון יד לבנים, פתח תקווה.
      1982 "עבודות נבחרות בצלאל" תיאטרון ירושלים, ירושלים.
      1981 "המשותף באר שבע" המרכז לאמנות חזותית, באר שבע.
      תערוכות יחיד
      2009 "קופסה שחורה" מרכז אמנות ירושלים, מוסררה, ירושלים.
      2004 "גזה" בשיתוף עם חנה בן חיים. בית האמנים, ירושלים.
      1996 "חתכי אור" בית אהרון כהנא, רמת-גן.
      1993 "ענת בראל פיסול" בית האמנים, ירושלים.
      1992 "ענת בראל" גלריהK&W דן בוס, הולנד.
      1989 "אובייקטים מחימר" גלריה ווסט אינדה האג, הולנד.
      1989 "אובייקטים מחימר" EKWC הוסדן, הולנד.
      1988 "אובייקטים" כנסיית מיכאל הקדוש, אוסטרלנד, הולנד
      מלגות
      1987 EKWC מרכז לקרמיקה, הולנד.
      1988 EKWC מרכז לקרמיקה, הולנד.
      אמן אורח ןסימפוזיונים
      2010 סימפוזיון הקרמיקה הבינלאומי בגלריה לאמנות אום אל פאחם.
      2010 סמפוזיון גבעת חביבה אמנים ישראלים אמריקאים
      2005 watershed מרכז לקרמיקה, מיין ארה''ב. (בחסות ארגון AIDA)
      1995 המחלקה לעיצוב קרמי בצלאל, ירושלים.
      קטלוגים
      2011 " הפלגה" בית בנימיני תל אביב.
      2011 "לראות מוסיקה" מוזיאון אשדוד
      2010 הביאנאלה השישית לקרמיקה ישראלית מוזיאון ארץ ישראל, תל אביב.
      2010 "בלטה" תערוכת משתתפי סימפוזיון הקרמיקה בגלריה לאמנות אום אל פאחם.
      2010 " From the Melting Pot into the Fire: Contemporary Ceramics in Israel"
      מוזיאון גרדינר טורונו קנדה.
      2010 "אגרטל עכשיו" בית האמנית תל אביב
      2009 "From the Melting Pot into the Fire: Contemporary Ceramics in Israel"
      מוזיאון מינט צפון קרולינה, ארה''ב
      2009 "ציטוט" בית אהרון כהנא, רמת-גן.
      2009 "גלויות מעזה, גלויות לעזה", גלריה"זוכרות" תל אביב
      2008 "ירושלים שברי פנים". בית האמנים, ירושלים.
      2008 "חמר, רגש. הביאנאלה החמישית לקרמיקה ישראלית" מוזיאון ארץ ישראל, תל אביב.
      2007 "יופי" גלריה Flow, לונדון בריטניה.
      2006 "הביאנלה הרביעית לקרמיקה ישראלית" מוזיאון ארץ ישראל, תל אביב.
      2006 "זהויות" גלריה קונסטנט רמת גן.
      2006 "גביע" הגלריה, שואבה.
      2002 "הביאנלה השניה לקרמיקה ישראלית" מוזיאון ארץ ישראל, תל אביב.
      2001 "תבניות בניה" אלמנטים ארכיטקטוניים בקרמיקה עכשווית, בית האמנים, ירושלים.
      2000 "33X33" תמונת מצב. בית האמנים, ירושלים.
      1999 "על דעת המקום" אמנות ומציאות בירושלים, בית האמנים, ירושלים.
      1997 "פתחים ואור בירושלים" בית האמנים, ירושלים.
      1996 "הד של עבר דימוי של הווה" בית אהרון כהנא, רמת-גן.
      1996 "חתכי אור" בית אהרון כהנא, רמת-גן.
      1995 "קרמיקה ישראל" סטודיו לחימר, פילדלפיה, ארה"ב. בשילוב אגודת הקרמיקאים ישראל.
      1994 "קרמיקה ישראל" מוזיאון הנגב, באר שבע.
      1992 "ישראל- איסטנבול" איסטנבול, תורכיה.
      במסגרת הביאנלה הבין לאומית לקרמיקה. בשיתוף בית אהרון כהנא, רמת-גן.
      1992 "קרמיקה קדומה ועכשווית" גלריית אוניברסיטת חיפה.
      1985 "בשטח פתוח" מוזיאון לאמנות ישראלית, פארק לאומי, רמת גן.
      1984 "אגודת אמני הקיבוץ" מוזיאון יד לבנים, פתח תקווה.
      אוצרות
      2007 "הבד הגוף והשיער" יונת עופר, בית האמנים תל אביב
      2004 "על זהות וזהות נשית אמניות מורות" הגלריה של משרד החינוך, תל אביב
      2000 "משיכות ראשונות" בוגרי מגמות אמנות. הגלריה החדשה-סדנאות האמנים, אצטדיון טדי ירושלים.
      פרסומים
      2002 "הרהורים בעקבות התערוכה משיכות ראשונות". קשר אמנותי, גיליון 3 ינואר 2002.
      2001 "התבגרות ונשיות בראי האמנות". עלמה גיליון מס’ 8 משרד החינוך.
      1997 "חתכי אור" משקפים. גיליון מס’ 31 בנושא אדמה מוזיאון ישראל, ירושלים.
      הוראת אמנות
      מ 1990 אגף הנוער, מוזיאון ישראל, ירושלים.
      מ 1995-2001 גימנסיה העברית רחביה, ירושלים.
      ב 2001 תיכון קשת בירושלים.
      מ 1996 תיכון ע"ש מיי בויאר, ירושלים.
      מ 2008 תיכון הכפר הירוק, רמת השרון.
      במסגרת ההוראה במוזיאון ישראל עבודה עם ילדים ומבוגרים בכל הגילים.
      התמקדות בהוראת רישום ציור ופיסול במסלול נ.ש.א. (נוער שוחר אמנות) שפיתחנו במיוחד עבור ילדים מכיתות ה' – ט'.
      מרכזת תוכנית נוער שוחר אמנות באגף הנוער במוזיאון ישראל.
      הוראת אמנות במסלול לבגרות בכיתות י' – יב'.
      הוראת פיסול ורישום למבוגרים.
      בגימנסיה העברית הוראת רישום ופיסול במסלול לבגרות בכיתות י' – יב'.
      בתיכון ע"ש בויאר ובכפר הירוק הוראת רישום ופיסול וידאו צילום בכיתות יא' – יב'.
      הוראת אמנות למורי אמנות במסגרת מילי (מרכז יעוץ למורים ) באגף הנוער במוזיאון ישראל.
      הנחיית סדנאות למורי אמנות לחטיבה העליונה במסגרת השתלמויות של משרד החינוך.

      מ 1994 בוחנת מטעם משרד החינוך, פרויקטים לבגרות של בוגרי מגמות אמנות, בבתי ספר תיכונים בירושלים.

      ב 2000 אוצרת ביחד עם חנה בן חיים תערוכה: "משיכות ראשונות" עבודות נבחרות של בוגרי מגמות אמנות בבתי ספר תיכונים,בירושלים.

      ב 2000 -2001 לימודי תעודת הוראה במכון "כרם" להכשרת מורים, ירושלים.
      ב 2004 אוצרת ביחד עם חנה בן חיים תערוכה: "על זהות וזהות נשית אמניות מורות" הגלריה של משרד החינוך, תל אביב
      ב 2007 אוצרת את תערוכת "הבד הגוף והשיער" יונת עופר, בית האמנים תל אביב
      הרצאות בכנסים לחינוך ואמנות
      2004 אוניברסיטת תל אביב כנסים של חינוך ואמנות
      2005 על "משיכות ראשונות זהות ומקום" עבודות אמנות של תלמידי תיכון .
      ]]>       5703 2012-07-19 14:35:10 2012-07-19 11:35:10 closed open %d7%a2%d7%a0%d7%aa-%d7%91%d7%a8%d7%90%d7%9c publish 5634 0 page 0 _edit_lock 1344407776 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1343715565 _thumbnail_id ngg-1139 _alp_broken_links a:1:{s:330:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%9C%D7%99%D7%9E%D7%95%D7%93%D7%99-%D7%A4%D7%99%D7%A1%D7%95%D7%9C/%D7%9C%D7%99%D7%9E%D7%95%D7%93%D7%99-%D7%A4%D7%99%D7%A1%D7%95%D7%9C-%D7%91%D7%97%D7%99%D7%9E%D7%A8-%D7%95%D7%91%D7%A0%D7%99%D7%99%D7%AA-%D7%99%D7%93/";a:0:{}}       תערוכות קרמיקה http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/ Thu, 19 Jul 2012 11:54:30 +0000 http://benyaminiceramics.daze.co.il/?page_id=5716 בית בנימיני מציג בגלריות שונות תערוכות מתחלפות בתחומי הקרמיקה.

      ]]>       5716 2012-07-19 14:54:30 2012-07-19 11:54:30 closed open %d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94 publish 0 1 page 0 _edit_lock 1376292378 _edit_last 3 keywords קרמיקה עבודת יד _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1367749514 robotsmeta index,follow title תערוכות קרמיקה 644 http://www.benyaminiceramics.org/2012/08/%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94-%d7%99%d7%a9%d7%a8%d7%90%d7%9c%d7%99%d7%aa-%d7%9e%d7%95%d7%93-%d7%a4%d7%a8%d7%99%d7%93%d7%9c%d7%a0%d7%93/ 91.193.50.70 2012-08-22 11:33:31 2012-08-22 08:33:31 1 pingback 0 0       תערוכות מציגות http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%9e%d7%a6%d7%99%d7%92%d7%95%d7%aa/ Thu, 19 Jul 2012 11:56:15 +0000 http://benyaminiceramics.daze.co.il/?page_id=5718 ]]> 5718 2012-07-19 14:56:15 2012-07-19 11:56:15 closed open %d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%9e%d7%a6%d7%99%d7%92%d7%95%d7%aa publish 5716 0 page 0 _edit_lock 1376414584 _edit_last 2 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1367750592 _thumbnail_id ngg-1634 שותפים http://www.benyaminiceramics.org/?page_id=5724 Thu, 19 Jul 2012 11:58:37 +0000 http://benyaminiceramics.daze.co.il/?page_id=5724 5724 2012-07-19 14:58:37 2012-07-19 11:58:37 closed open %d7%a9%d7%95%d7%aa%d7%a4%d7%99%d7%9d draft 0 4 page 0 _edit_lock 1343737051 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1343737050 ימי כיף וגיבוש http://www.benyaminiceramics.org/?page_id=5726 Thu, 19 Jul 2012 11:58:58 +0000 http://benyaminiceramics.daze.co.il/?page_id=5726 5726 2012-07-19 14:58:58 2012-07-19 11:58:58 closed open %d7%99%d7%9e%d7%99-%d7%9b%d7%99%d7%a3-%d7%95%d7%92%d7%99%d7%91%d7%95%d7%a9 draft 0 5 page 0 _edit_lock 1343737020 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1343737019 תערוכות עתידיות http://www.benyaminiceramics.org/?page_id=5728 Thu, 19 Jul 2012 12:02:13 +0000 http://benyaminiceramics.daze.co.il/?page_id=5728 5728 2012-07-19 15:02:13 2012-07-19 12:02:13 closed open %d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a2%d7%aa%d7%99%d7%93%d7%99%d7%95%d7%aa draft 5716 0 page 0 _edit_lock 1343630773 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1343630773 תרומה לקהילה http://www.benyaminiceramics.org/?page_id=5738 Thu, 19 Jul 2012 12:47:10 +0000 http://benyaminiceramics.daze.co.il/?page_id=5738 5738 2012-07-19 15:47:10 2012-07-19 12:47:10 closed open %d7%aa%d7%a8%d7%95%d7%9e%d7%94-%d7%9c%d7%a7%d7%94%d7%99%d7%9c%d7%94 draft 5 9 page 0 _edit_lock 1343719417 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1343717316 מהתקשורת http://www.benyaminiceramics.org/?page_id=5740 Thu, 19 Jul 2012 13:00:06 +0000 http://benyaminiceramics.daze.co.il/?page_id=5740 5740 2012-07-19 16:00:06 2012-07-19 13:00:06 closed open %d7%9e%d7%94%d7%aa%d7%a7%d7%a9%d7%95%d7%a8%d7%aa draft 5 11 page 0 _alp_processed 1343716508 _edit_lock 1348150793 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default אמנון עמוס http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%a6%d7%95%d7%95%d7%aa-%d7%94%d7%9e%d7%95%d7%a8%d7%99%d7%9d/%d7%90%d7%9e%d7%a0%d7%95%d7%9f-%d7%a2%d7%9e%d7%95%d7%a1/ Thu, 19 Jul 2012 13:04:50 +0000 http://benyaminiceramics.daze.co.il/?page_id=5742 [imagebrowser id=118]

      מלמד בקורסים:

      לימודי קדרות למתקדמים סדנת Paper Clay - פייפר קליי סדנת הדפס קרמי

      תעודת זהות:

      מורה בתחום הקדרות וההדפס הקרמי במוזיאון ישראל (אגף הנוער) ובבית בנימיני. כותב וחבר במערכת המגזין לתרבות החומר בישראל, "1280". ראש ועדת הצעירים וחבר מועצת אגודת אמני הקרמיקה בישראל. בעל תואר B.A מהמחלקה לעיצוב קרמי וזכוכית באקדמיה לאמנות ועיצוב "בצלאל", ירושלים.

      ]]>       5742 2012-07-19 16:04:50 2012-07-19 13:04:50 closed open %d7%90%d7%9e%d7%a0%d7%95%d7%9f-%d7%a2%d7%9e%d7%95%d7%a1 publish 5634 0 page 0 _edit_lock 1358785950 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1343816559 _alp_broken_links a:3:{s:316:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%9E%D7%AA%D7%A7%D7%93%D7%9E%D7%99%D7%9D/%D7%9C%D7%99%D7%9E%D7%95%D7%93%D7%99-%D7%A7%D7%93%D7%A8%D7%95%D7%AA-%D7%9C%D7%9E%D7%AA%D7%A7%D7%93%D7%9E%D7%99%D7%9D/";a:0:{}s:242:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%A1%D7%93%D7%A0%D7%90%D7%95%D7%AA/%D7%A1%D7%93%D7%A0%D7%AA-paper-clay-%D7%A4%D7%99%D7%99%D7%A4%D7%A8-%D7%A7%D7%9C%D7%99%D7%99/";a:0:{}s:225:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%A1%D7%93%D7%A0%D7%90%D7%95%D7%AA/%D7%A1%D7%93%D7%A0%D7%AA-%D7%94%D7%93%D7%A4%D7%A1-%D7%A7%D7%A8%D7%9E%D7%99/";a:0:{}} _thumbnail_id ngg-1177       שלומית באומן http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%a6%d7%95%d7%95%d7%aa-%d7%94%d7%9e%d7%95%d7%a8%d7%99%d7%9d/%d7%a9%d7%9c%d7%95%d7%9e%d7%99%d7%aa-%d7%91%d7%90%d7%95%d7%9e%d7%9f/ Thu, 19 Jul 2012 13:05:03 +0000 http://benyaminiceramics.daze.co.il/?page_id=5744 [imagebrowser id=105]

      מלמדת בקורסים: אמנות קרמיקה - הדרכה אישית במסגרת ההדרכה האישית, המפגשים מיועדים ליוצרים פעילים בחומר המעוניינים להעמיק את הצד הרעיוני של עבודתם ולפתח מתודות חדשות. במסגרת מפגשים אלו תערך הנחייה אישית, ביקורת עבודות ודיון קבוצתי על עבודות המשתתפים ועל נושאים שיעלו במסגרת הרצאות שונות. נחדד שאלות הקשורות לעבודה בחומר קרמי בכלל, עבודות המשתתפים בפרט והקשריהן השונים. הקורס מבוסס על עבודה אישית של המשתתפים בסטודיו ומפגש ביקורת שיחה ודיון אחת לחודש

      תעודת זהות:

      השכלה 2010 – מגיסטר למדעים בעיצוב תעשייתי ((MSc, המסלול לעיצוב תעשייתי, הפקולטה לארכיטקטורה ובינוי ערים | 2000 – 1996 – המכון להיסטוריה ופילוסופיה של המדעים והרעיונות, אונ' תל-אביב | 1988 – בוגרת המחלקה לעיצוב קרמי, אקדמיה בצלאל B.F.A.)), ירושלים הוראה: 1996 ועד היום – HIT – מכון טכנולוגי חולון | 2008 - 2011 – בית הספר לאמנות וחברה, מכללת ספיר פרסים 2012 - פרס קרן אליכס דה רוטשילד (מקום שני) |  1997– פרס האמן הצעיר לעיצוב קרמי, משרד החינוך והתרבות | 1988 – מלגת קרן תרבות אמריקה ישראל | 1988 – פרס בלומנטל, אקדמיה בצלאל תערוכות יחיד אחרונות 2006 – "ערוץ אלדווארה", גלריה זוכרות, אוצרת: נורמה מוסי | 2004 – “TwistedVision”, הגלריה בשואבה, ישראל. אוצרת: תרצה ילון קולטון (פרוייקט משותף עם אריאל מיודוסר) | 1998 - "כלים חד פעמיים", מוזאון בית אהרון כהנא, רמת גן, ישראל. אוצרת: אינה ארואטי מידע נוסף
      • הציגה בתערוכות קבוצתיות רבות בישראל ובחו"ל
      • שותפה ביצירת 3 סרטים (וידיאו ארט עם אריאל מיודוסר): Flood, ערוץ אלדווארה, TV12
      אשר הוצגו בבמות שונות בארץ ובעולם
      • אוצרת עצמאית: הביאנלה השישית לקרמיקה ישראלית, עיצוב קרמי: כלים טכנו.לוגיים, מוזיאון ארץ ישראל תל אביב | 29 ק"מ, גלריה לאמנות אום אלפחם | תערוכות יחידת לאמני קרמיקה במוזיאון רמת גן לאמנות ישראלית, מוזיאון האיסלאם ועוד.
      • תפקידים ציבוריים: מנהלת אגודת אמני הקרמיקה בישראל | חברה במדור לאמנות פלסטית - מנהל התרבות, משרד המדע התרבות והספורט | נאמנה בהקדש וחברת הנהלה בית בנימיני
      • פירסמה טקסטים בבמות מקצועיות כמו אתר ספריית החומרים, "פרוטוקולים" כתב עת מקוון אקדמיה בצלאלc 1280⁰ – כתב עת לתרבות חומרית ועוד
      • השתתפה בכנסים מקצועיים כמרצה וכחלק מתהליך למידה אישי
      ]]>       5744 2012-07-19 16:05:03 2012-07-19 13:05:03 closed open %d7%a9%d7%9c%d7%95%d7%9e%d7%99%d7%aa-%d7%91%d7%90%d7%95%d7%9e%d7%9f publish 5634 0 page 0 _edit_lock 1359041625 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1343715784 _alp_broken_links a:1:{s:335:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%9E%D7%AA%D7%A7%D7%93%D7%9E%D7%99%D7%9D/%D7%90%D7%9E%D7%A0%D7%95%D7%AA-%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94-%D7%91%D7%94%D7%93%D7%A8%D7%9B%D7%94-%D7%90%D7%99%D7%A9%D7%99%D7%AA/";a:0:{}} _thumbnail_id ngg-1107       שמאי גיבש http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%a6%d7%95%d7%95%d7%aa-%d7%94%d7%9e%d7%95%d7%a8%d7%99%d7%9d/%d7%a9%d7%9e%d7%90%d7%99-%d7%92%d7%99%d7%91%d7%a9/ Thu, 19 Jul 2012 13:05:25 +0000 http://benyaminiceramics.daze.co.il/%d7%a9%d7%9e%d7%90%d7%99-%d7%92%d7%99%d7%91%d7%a9/ [imagebrowser id=117]

      מלמד בקורסים: שריפות קרמיות מיוחדות סדנת ראקו (Raku) ועישון

      תעודת זהות:

      יליד ישראל 1954, בעל סטודיו לקרמיקה ביפו, שהפעילות בו כוללת עבודת אובניים, פיסול, בניית יד ושריפות שונות.

      השכלה:

      Cal Poly University, פומונה, קליפורניה, ארה"ב. BSME, בהצטיינות (1980). אוניברסיטת ת"א, ביה"ס למנהל עסקים. תוכנית מסטר במינהל עסקים (1987-9).

      לימודי קרמיקה ואומנות: BCAE Ceramic Studio, בוסטון ארה"ב (1995). גבעת חביבה (2000-6). Harvard University, בוסטון ארה"ב, סמסטר קיץ (2002-10). שותף בקואופרטיב "8 ביחד", נחלת שבעה, ירושלים. עבודות מוצגות בגלריות בארה"ב ובלונדון, וכן בחנויות מוזיאון הארץ בת"א ובמוזיאון ישראל בירושלים, ובאוספים במוזיאונים בקוריאה, סין,ישראל, אירופה ובאוספים פרטיים.

      הרצאות והוראת קרמיקה: אמן ומרצה אורח, אוניברסיטת הרוורד בוסטון (2008-10) מרצה אורח, MungYeong, דרום קוריאה (2011-12).

      תערוכות יחיד

      2011 - בית כהנא, מוזיאון רמת גן

      2005 - חלון אומנות נגה, יפו

      2003 - McClure Gallery, בוסטון, מסצ'וסטס, ארצות הברית.

      מיצג קבוע

      2008 -  מסע ביפו, קיר קרמיקה אומנותית, הוזמן ע"י עיריית ת"א לרחוב יפת

      תערוכות קבוצתיות

      2012 -  International Triennale Unicum, מריבור סלובניה.

      2012 -  מוזאון וילפריד ישראל, קיבוץ הזורע, ישראל.

      2011 -   גלריית Paint Brush Factory, קלוז רומניה.

      2011 -   מוזיאון Jingdezhen, סין (פרס הצטיינות).

      2011    מוזיאון MungYeong, דרום קוריאה.

      2011    מרחב אומנות "תירוש" יפו העתיקה.

      2011  International de Ceramica Museum, אל'קורה, ספרד.

      2010  Gangjin Museum, גנג'ין, קוראה הדרומית.

      2010    Biennale – Art Museum, שנגחאי, סין.

      2010    בית טיטן, תל אביב.

      2007-9 גלרית חנקין, חולון, שלוש שלושים, תל-אביב, גלרינה, בת שלמה.

      2006    ביאנלה הרביעית לקרמיקה, מוזאון הארץ, תל אביב.

      2004-5  מוזיאון מטולה, גלריית הקיבוץ, תל אביב.

      2002    Harvard Pottery Studio, בוסטון, מסצ'וסטס, ארצות הברית.

      ]]>       5746 2012-07-19 16:05:25 2012-07-19 13:05:25 closed open %d7%a9%d7%9e%d7%90%d7%99-%d7%92%d7%99%d7%91%d7%a9 publish 5634 0 page 0 _wp_page_template default robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _edit_lock 1351527717 _edit_last 3 _alp_processed 1351527717 _alp_broken_links a:2:{s:267:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%A1%D7%93%D7%A0%D7%90%D7%95%D7%AA/%D7%A9%D7%A8%D7%99%D7%A4%D7%95%D7%AA-%D7%A7%D7%A8%D7%9E%D7%99%D7%95%D7%AA-%D7%9E%D7%99%D7%95%D7%97%D7%93%D7%95%D7%AA/";a:0:{}s:242:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%A1%D7%93%D7%A0%D7%90%D7%95%D7%AA/%D7%A1%D7%93%D7%A0%D7%AA-%D7%A8%D7%90%D7%A7%D7%95-raku-%D7%95%D7%A2%D7%99%D7%A9%D7%95%D7%9F/";a:0:{}} _thumbnail_id ngg-1171       Ethel-Pisareff http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%9e%d7%aa%d7%97%d7%99%d7%9c%d7%99%d7%9d/%d7%a7%d7%95%d7%a8%d7%a1-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94-%d7%a9%d7%99%d7%9e%d7%95%d7%a9%d7%99%d7%aa/ethel-pisareff/ Tue, 24 Jul 2012 15:11:46 +0000 http://benyaminiceramics.daze.co.il/wp-content/uploads/2012/07/Ethel-Pisareff.jpg 5756 2012-07-24 18:11:46 2012-07-24 15:11:46 closed open ethel-pisareff inherit 5586 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/07/Ethel-Pisareff.jpg _wp_attached_file 2012/07/Ethel-Pisareff.jpg _wp_attachment_metadata a:6:{s:5:"width";s:4:"2048";s:6:"height";s:4:"1536";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:26:"2012/07/Ethel-Pisareff.jpg";s:5:"sizes";a:3:{s:9:"thumbnail";a:3:{s:4:"file";s:26:"Ethel-Pisareff-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:26:"Ethel-Pisareff-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}s:5:"large";a:3:{s:4:"file";s:27:"Ethel-Pisareff-1024x768.jpg";s:5:"width";s:4:"1024";s:6:"height";s:3:"768";}}s:10:"image_meta";a:10:{s:8:"aperture";s:3:"3.5";s:6:"credit";s:0:"";s:6:"camera";s:21:"Canon PowerShot S1 IS";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1194290838";s:9:"copyright";s:0:"";s:12:"focal_length";s:6:"24.834";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:15:"0.0166666666667";s:5:"title";s:0:"";}} ראשי http://www.benyaminiceramics.org Wed, 25 Jul 2012 08:31:42 +0000 http://benyaminiceramics.daze.co.il/?page_id=5833 בית בנימיני – המרכז לקרמיקה עכשווית ע"ש יששכר ויהודית בנימיני בית בנימיני הוקם על מנת לקדם את האמנות והעיצוב הקרמי ולהוות בית פעיל ותוסס לקהילה המקצועית ולקהל הרחב. בית בנימיני מעצב את השיח בהיבטים השונים של תחום הקרמיקה והרחבת גבולותיו,בהקשר הרחב של התרבות החומרית.

      בית בנימיני מציע שורה של קורסים וסדנאות בתחום הקרמיקה, הקדרות והפיסול, מציג תערוכות קרמיקה ייחודיות ומהווה את הבית של הקרמיקה הישראלית, בלב אזור האמנות העכשווית בתל אביב. בואו ללמוד קרמיקה במקום היחיד שמשלב ידע מעשי ותיאורטי בתחום הקרמיקה ולקבל השראה מהאווירה המיוחדת של מרכז המוקדש כולו לקרמיקה.

      [/mainblock]

      [teaser caption="לימודי קרמיקה למתחילים" url="http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%9E%D7%AA%D7%97%D7%99%D7%9C%D7%99%D7%9D/" image="wp-content/gallery/teens/noa_021.jpg" alt="לימודי קרמיקה למתחילים"] [teaser caption="סמסטר קיץ 2013" url="http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%A1%D7%9E%D7%A1%D7%98%D7%A8-%D7%94%D7%A7%D7%99%D7%A5-%D7%91%D7%91%D7%99%D7%AA-%D7%91%D7%A0%D7%99%D7%9E%D7%99%D7%A0%D7%99/" image="/wp-content/gallery/beforeandafter/anna-carmi-baa.jpg" alt="סמסטר קיץ בבית בנימיני"] [teaser caption="לימודי קרמיקה למתקדמים" url="http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%9E%D7%AA%D7%A7%D7%93%D7%9E%D7%99%D7%9D/" image="wp-content/gallery/omanut/h1.jpg" alt="לימודי קרמיקה למתקדמים"] [teaser caption="סדנאות קרמיקה" url="http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%A1%D7%93%D7%A0%D7%90%D7%95%D7%AA/" image="wp-content/uploads/2012/07/ANNA1.jpg" alt="סדנאות קרמיקה"] [teaser caption="תערוכות" url="http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%9e%d7%a6%d7%99%d7%92%d7%95%d7%aa/" image="/wp-content/gallery/berlintelaviv/einat-cohen1.jpg" alt="תערוכות"] [teaser caption="אירועים קרובים" url="http://www.benyaminiceramics.org/%d7%90%d7%a8%d7%95%d7%a2%d7%99%d7%9d/" image="/wp-content/uploads/2013/06/sharyboyle.jpg" alt="אירועים קרובים"] ]]>       5833 2012-07-25 11:31:42 2012-07-25 08:31:42 closed open %d7%a8%d7%90%d7%a9%d7%99 publish 0 0 page 0 _edit_lock 1376291103 _edit_last 3 _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template template.special_home.php _alp_processed 1372332586 description בית בנימיני, המרכז לקרמיקה עכשווית על שם יששכר ויהודית בנימיני, מציע לימודי קרמיקה ומגוון קורסים, סדנאות ותערוכות בתחום אמנות הקרמיקה בישראל. keywords לימודי קרמיקה title בית בנימיני | Benyamini Center | לימודי קרמיקה robotsmeta index,follow       Main Page http://www.benyaminiceramics.org/en/main-page/ Wed, 25 Jul 2012 08:33:40 +0000 http://benyaminiceramics.daze.co.il/main-page/ Benyamini Contemporary Ceramics Center promotes ceramic art and design in a vibrant atmosphere of creativity for professional artists as well as the general public. Through the on-going activities we wish to create a dialogue between the various aspects of ceramics and extend its scope in the broad spectrum of material culture. Activities include: School for Ceramic Art: workshops in throwing, design and sculpture for adults, youth and children; Galleries: changing exhibitions, gallery talks and guided visits; Reference Library, special events and more. [/mainblock] [teaser caption="Beginners Courses" url="http://www.benyaminiceramics.org/en/ceramic-courses/beginners/" image="http://www.benyaminiceramics.org/wp-content/gallery/teens/noa_021.jpg" alt="Beginners Courses"] [teaser caption="Advanced Courses" url="http://www.benyaminiceramics.org/en/ceramic-courses/advanced/" image="http://www.benyaminiceramics.org/wp-content/gallery/omanut/h1.jpg" alt="Advanced Courses"] [teaser caption="Workshops" url="http://www.benyaminiceramics.org/en/ceramic-courses/workshops/" image="http://www.benyaminiceramics.org/wp-content/uploads/2012/07/ANNA1.jpg" alt="Workshops"] [teaser caption="Current Exhibitions" url="http://www.benyaminiceramics.org/en/ceramic-galleries/current-exhibitions/" image="http://www.benyaminiceramics.org/wp-content/gallery/berlintelaviv/einat-cohen1.jpg" alt="Current Exhibitions"] [teaser caption="Youth Courses" url="http://www.benyaminiceramics.org/en/ceramic-courses/teenagers-courses/" image="http://www.benyaminiceramics.org/wp-content/gallery/kids/img_5964.jpg" alt="Youth Courses"] [teaser caption="Upcoming Events" url="http://www.benyaminiceramics.org/en/events/" image="http://www.benyaminiceramics.org/wp-content/uploads/2013/05/craftcontemporary.jpg" alt="Upcoming Events"] ]]> 5835 2012-07-25 11:33:40 2012-07-25 08:33:40 closed open main-page publish 0 0 page 0 _wp_page_template template.special_home.php _revision-control a:1:{i:0;s:8:"defaults";} _edit_lock 1376291174 _edit_last 3 title Benyamini | Contemporary Ceramics Center robotsmeta index,follow תפריט Footer http://www.benyaminiceramics.org/%d7%aa%d7%a4%d7%a8%d7%99%d7%98-footer/ Wed, 25 Jul 2012 08:58:51 +0000 http://benyaminiceramics.daze.co.il/%d7%aa%d7%a4%d7%a8%d7%99%d7%98-footer/ 5863 2012-07-25 11:58:51 2012-07-25 08:58:51 closed open %d7%aa%d7%a4%d7%a8%d7%99%d7%98-footer publish 0 0 page 0 _wp_page_template default robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _edit_lock 1344332304 _edit_last 3 Footer Menu http://www.benyaminiceramics.org/en/footer-menu/ Wed, 25 Jul 2012 08:59:21 +0000 http://benyaminiceramics.daze.co.il/footer-menu/ 5864 2012-07-25 11:59:21 2012-07-25 08:59:21 closed open footer-menu publish 0 0 page 0 _wp_page_template default robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _edit_lock 1343206770 _edit_last 3 יהודה ומיכל קורן http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%a6%d7%95%d7%95%d7%aa-%d7%94%d7%9e%d7%95%d7%a8%d7%99%d7%9d/%d7%99%d7%94%d7%95%d7%93%d7%94-%d7%95%d7%9e%d7%99%d7%9b%d7%9c-%d7%a7%d7%95%d7%a8%d7%9f/ Wed, 25 Jul 2012 13:49:43 +0000 http://benyaminiceramics.daze.co.il/?page_id=5997

      [imagebrowser id=148]

      מלמדים בקורס: קורס טכנולוגיה קרמית ב'.

      תעודת זהות - מיכל קורן:

      השכלה

      2003 – 2007: לימודים לתואר ראשון באקדמיה לאומנות ועיצוב "בצלאל" -  לימודי עיצוב קרמי וזכוכית. 2000 – 2002: האוניברסיטה הפתוחה – לימודים לתואר ראשון בפסיכולוגיה וניהול.

      הוראה וכתיבה

      2012 – ואילך: שותפה בגלריית "ארטישוק", קואופרטיב קרמיקאים. 2011 – ואילך: המרכז לקרמיקה עכשווית, בית בנימיני - מרצה לטכנולוגיה קרמית . 2008 – ואילך: בעלת סטודיו עצמאי לקרמיקה סטודיו עצמאי בו אני יוצרת ומלמדת. 2010 – ואילך: כותב וחבר במערכת המגזין לתרבות החומר בישראל, "1280". 2008 – 2011 : אקדמיה לאומנות ועיצוב "בצלאל", המחלקה לעצוב קרמי וזכוכית – מרצה לטכנולוגיה קרמית. 2007 – 2008 : אקדמיה לאומנות "שיר ארט" – מורה לקדרות ופיסול. 2007 – 2006: אחראית מעבדה וטכנולוגיה "בצלאל": ניהול מעבדה, ניהול מלאי ,סדר וארגון. ניהול מכירה וחלוקת חומרים לצריכת הסטודנטים, בדיקת איכות חומרים. 2007 – 2005: חונכות אישית במסגרת פר"ח עמותת "לשם”. הפרויקט מלווה מקצועית ומוערך על ידי צוות העמותה ומנוהל על ידי פר"ח: ליווי והדרכה אישית של סטודנטים לקויי למידה  על ידי מתן מענה למגוון הצרכים שלהם ופיתוח אסטרטגיות מפצות הנשענות על היכרות עם דפוסי הלמידה שלהם.

      תערוכות קבוצתיות

      2007: גלריית המחלקה לעיצוב קרמי וזכוכית, בצלאל – תערוכת בוגרים 2012: "כלי על במה"- גלריה פריסקופ, תל אביב 2012: "המדפייה"  - בית בנימיני, המרכז לקרמיקה עכשווית.

      פרסים ומלגות

      פרס ע"ש סילביה ניסבט ז"ל - פרס הצטיינות במחלקה לעיצוב קרמי וזכוכית, במסלול קדרות.

      ]]>       5997 2012-07-25 16:49:43 2012-07-25 13:49:43 closed open %d7%99%d7%94%d7%95%d7%93%d7%94-%d7%95%d7%9e%d7%99%d7%9b%d7%9c-%d7%a7%d7%95%d7%a8%d7%9f publish 5634 0 page 0 _edit_lock 1351001670 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1351000768 _alp_broken_links a:1:{s:317:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%9E%D7%AA%D7%A7%D7%93%D7%9E%D7%99%D7%9D/%D7%A7%D7%95%D7%A8%D7%A1-%D7%98%D7%9B%D7%A0%D7%95%D7%9C%D7%95%D7%92%D7%99%D7%94-%D7%A7%D7%A8%D7%9E%D7%99%D7%AA-%D7%91/";a:0:{}}       1223 http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%9e%d7%aa%d7%a7%d7%93%d7%9e%d7%99%d7%9d/attachment/1223/ Wed, 25 Jul 2012 14:41:40 +0000 http://benyaminiceramics.daze.co.il/wp-content/uploads/2012/01/1223.jpg 6036 2012-07-25 17:41:40 2012-07-25 14:41:40 closed open 1223 inherit 4322 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/01/1223.jpg _wp_attached_file 2012/01/1223.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"640";s:6:"height";s:3:"480";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:16:"2012/01/1223.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:16:"1223-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:16:"1223-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} DSC_3293 http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%a1%d7%93%d7%a0%d7%90%d7%95%d7%aa/dsc_3293/ Wed, 25 Jul 2012 15:09:44 +0000 http://benyaminiceramics.daze.co.il/wp-content/uploads/2012/01/DSC_3293.jpg 6063 2012-07-25 18:09:44 2012-07-25 15:09:44 closed open dsc_3293 inherit 4325 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/01/DSC_3293.jpg _wp_attached_file 2012/01/DSC_3293.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"640";s:6:"height";s:3:"425";s:14:"hwstring_small";s:23:"height='85' width='128'";s:4:"file";s:20:"2012/01/DSC_3293.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:20:"DSC_3293-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:20:"DSC_3293-300x199.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"199";}}s:10:"image_meta";a:10:{s:8:"aperture";s:3:"4.5";s:6:"credit";s:0:"";s:6:"camera";s:11:"NIKON D5000";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1325785457";s:9:"copyright";s:0:"";s:12:"focal_length";s:2:"29";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:15:"0.0769230769231";s:5:"title";s:0:"";}} עירית אבא http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%a6%d7%95%d7%95%d7%aa-%d7%94%d7%9e%d7%95%d7%a8%d7%99%d7%9d/%d7%a2%d7%99%d7%a8%d7%99%d7%aa-%d7%90%d7%91%d7%90/ Wed, 25 Jul 2012 16:22:22 +0000 http://benyaminiceramics.daze.co.il/?page_id=6093 [imagebrowser id=134]

      מלמדת בקורסים: אומנות קרמיקה בהדרכה אישית "כלי למחשבה" - מפגש חודשי סביב נושא המדגיש את המתח בין המוכר ללא ידוע. הקורס מלווה בסדרת תרגילי ביניים המאפשרים תהליך, העמקה ופיתוח מחקר אישי לשפה צורנית, חומרית ורעיונית. הקורס יתמקד במחקר מעבדתי של שפת האבניים, בדיקת גבולות החומר  והרחבת טווח ההתנסויות: טכניקות שונות על האבניים, זילוף, צבע וטקסטורה, שילוב חומרים - פורצלן, Stoneware ,Paper Clay.

      תעודת זהות:

      השכלה 2000-1997     חינוך וולדורף, המכללה לחינוך ע"ש דוד ילין, ירושלים. 1971-1975     מחלקה לעיצוב קרמי, האקדמיה לאמנות ועיצוב, בצלאל, ירושלים. פעילות 2012            מרצה אורחת, מעבירה סדנא פורצלן  במכון לאומנויות תל חי. 2011/12        אוצרת תערוכה קבוצתית. "כלי על במה", גלריה פריסקופ, תל אביב. 2011/12        מעבירה סדנא שנתית בבית בינימיני, תל אביב. 2010            מעבירה סדנת פורצלן, במחלקה לקרמיקה, גבעת חביבה. 2010             מרצה אורחת, מכללת ספיר, המחלקה לקרמיקה, שדרות. 2009            "פרס אנדי, לאמנות עכשווית לשנת 2009, על שם אנדראה ברונפמן 2007            אומנית אורחת,  ב -  SUNY New Paltz, NY , ארצות הברית. 2006             אמנית אורחת,  ב- Watershed, Main, ארצות הברית. (AIDA) 1984- ואילך    מרצה בדרגת מורה בכיר, במחלקה לעיצוב קרמי וזכוכית, האקדמיה לאמנות ולעיצוב בצלאל, ירושלים. 2006/2007      ראש מסלול קדרות במחלקה לעיצוב קרמי וזכוכית, בצלאל. 2004              קיום סדנת פורצלן,  אגודת הקרמיקאים, ת"א. 2003              משתתפת סימפוזיון ב- Wales  , אנגליה. 2003              קיום סדנת פורצלן, אגודת הקרמיקאים, ת"א. 2002               קיום סדנת פורצלן, סימפוזיון ישראלי לקדרות, תל- חי. 2000-2002       מלמדת קרמיקה בבית ספר יסודי "אדם" חינוך וולדורף, ירושלים. 1994-2006      קיום השתלמויות בקדרות ובחומר פורצלן למתקדמים. 1991              סימפוזיון ב – Aberystwyth Wales , אנגליה. 1980-1989      מלמדת במרכז לאמנות חזותית, באר שבע. 1989- ואילך    קיום קורסי קדרות לציבור הרחב  בסטודיו, ירושלים. 1989                          שותפה להקמת התאגדויות לקידום העיצוב בחומר (" 8 ביחד" , "רוח כדים" ) אוספים : מריון נגר,  גדעון עפרת,  ג'ורג'  סקס,  צ'רלס ברונפמן,  יורם היזנהיימר, הללה טל,  מרג' גולדווטר, לין שוסטרמן. מוזיאון ארץ ישראל, תל אביב. מוזיאון  ישראל, ירושלים. מוזיאון תל אביב לאמנות, תל אביב. פורסמה עבודה בספר: Contemporary Studio Porcelain" second edition, by Peter Lane" 2003. " תערוכות יחיד 2011/12       "פריחה “ Flora  , גלריה פריסקופ, תל אביב. 2010            בית פוגנפול, הרצליה פיתוח. 2009           "גלגל . נקודה " ,  מוזיאון לאמנות, תל אביב. 2004            "גבול דק", הגלריה, שואבה. 2001            "כלי קטן -Porcelain ",  פריסקופ,  גלריה  לעיצוב עכשווי, תל אביב. תערוכות קבוצתיות (נבחרות) 2012         "דו"  תערוכה משותפת בבית בנימיני, תל אביב. 2012          "כלי מעוטר"  גלריה המחלקה לעיצוב קרמי, בצלאל. 2011/12        אוצרת תערוכה קבוצתית. "כלי על במה", גלריה פריסקופ, תל אביב. 2011            "שחור ולבן" גלריה הבית האדום, תל אביב. 2011            "תנועה"  בית האופרה, תל אביב. 2011            עשור לגלרית פריסקופ בית האמנים, ת"א. 2011            HENDLE WITH CARE” " דזיין ספייס , תל אביב. 2011           "עיצוב קרמי: כלים טכנו.לוגיים"- הביאנלה השישית לקרמיקה, מוזיאון ארץ ישראל, ת"א. 2008            "חומר – רגש "- ביאנלה  הישראלית החמישית לקרמיקה מוזיאון ארץ ישראל, ת"א. 2008            ""YOFI – מרכז עיצוב, מנצ'סטר, אנגליה. 2007          ""YOFI – גלריה Flow , לונדון, אנגליה. 2006           "גביע" – הגלריה,  מושב שואבה . 2006           "מיומנו של צייר" – עבודה משותפת עם אסף בן צבי, - גלריה גורדון, תל אביב. 2005            "פיתול טיפות" -  עבודה משותפת עם אסף בן צבי, הקיבוץ – גלריה לאמנות ישראלית, תל אביב. 2005            "מחווה לאמן" -  עבודה משותפת עם אסף בן צבי, בית האומנים, ירושלי 2005            "COLLECT" -  ויקטוריה  ואלברט  מוזיאון, לונדון  אנגליה.  (AIDA) 2004/5         "עיצוב, אמנות, עיצוב" -  הביאנאלה השלישית לקרמיקה ישראלית, מוזיאון ארץ ישראל ת"א. 2004         SOFA"    2004" - שיקגו, ארה"ב. (AIDA) 2003            "13 X 20 X  20 "- הגלריה, שואבה. 2002            "הביאנאלה השנייה לקרמיקה ישראלית" -  מוזיאון ארץ ישראל  תל- אביב. 2001            "צלחת גדולה" -  הגלריה לעיצוב, מכללת חנקין, חולון. 2000            "לאן זזה הוזה" – הגלריה לעיצוב, מכללת חנקין, חולון. 2000            "חרס אלפיים" – הביאנאלה הישראלית לקרמיקה, מוזיאון ארץ ישראל תל אביב. 1999            "14 ביחד קדרות ופיסול קרמי" -  היכל התרבות ראשון לציון. 1999            "קדרים עורכים שולחן" – מוזיאון בית אהרון כהנא, רמת גן. 1998            "דרך בחומר 5 עשורים לקרמיקה בישראל" – מוזיאון בי ת אהרון כהנא, רמת גן. 1993            "תה" -  גלריה רוח כדים, ירושלים. (פרס ראשון) 1992            "קרמיקה קדומה ועכשווית" – אוניברסיטת חיפה. 1989            "בוגר בצלאל" – מוזיאון ישראל, ירושלים 1987            "קרמיקה מישראל" – קאסל, גרמניה. 1985            "קדרות קדרות" – הגלריה העירונית, ירושלים. 1975            "בצלאל 70+" – ביתן הלנה רובינשטיין, תל אביב.]]>       6093 2012-07-25 19:22:22 2012-07-25 16:22:22 closed open %d7%a2%d7%99%d7%a8%d7%99%d7%aa-%d7%90%d7%91%d7%90 publish 5634 0 page 0 _alp_broken_links a:1:{s:335:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%9E%D7%AA%D7%A7%D7%93%D7%9E%D7%99%D7%9D/%D7%90%D7%9E%D7%A0%D7%95%D7%AA-%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94-%D7%91%D7%94%D7%93%D7%A8%D7%9B%D7%94-%D7%90%D7%99%D7%A9%D7%99%D7%AA/";a:0:{}} _thumbnail_id ngg-1197 _edit_lock 1343715514 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1343715514       "דו" - דו-מימד תלת-מימדי בכלים קרמים http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/%d7%93%d7%95-%d7%93%d7%95-%d7%9e%d7%99%d7%9e%d7%93-%d7%aa%d7%9c%d7%aa-%d7%9e%d7%99%d7%9e%d7%93%d7%99-%d7%91%d7%9b%d7%9c%d7%99%d7%9d-%d7%a7%d7%a8%d7%9e%d7%99%d7%9d/ Wed, 25 Jul 2012 16:30:38 +0000 http://benyaminiceramics.daze.co.il/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%9e%d7%a6%d7%99%d7%92%d7%95%d7%aa/%d7%93%d7%95-%d7%93%d7%95-%d7%9e%d7%99%d7%9e%d7%93-%d7%aa%d [nggallery id=98]

      "דו"

      דו-מימד תלת-מימדי בכלים קרמים

      עירית אבא, עמי דרך, דב גנשרוא

      21.6.2012 - 4.8.2012

      תערוכה זו מהווה מפגש בין הקדרית עירית אבא והמעצבים עמי דרך ודב גנשרוא. מפגש דיסיפלינות, מפגש בחומר וסביב נושא הכלים הקרמיים אך ובהעדר המאפיין המהותי והמגדיר של אותו כלי קרמיים - היכולת להכיל. עירית רושמת בחופשיות וואזות. הרישומים נעשים בחומר, כך שהרישום הדו-מימדי מקבל קיום פיזי, משקל, ומבניות ובכך מתעלה מעל מחסומי הדו-מימד. לעתים, עירית מזככת כלי על עיטוריו, לישות תבליטית אחת ולעיתים לוכדת את אופייה של הוואזה בקו. העדר נפח הכלי, אותו גוף שמחויב במבחן הפונקציונליזם, מאפשר למתבונן לבחון את זרימתה וקלילותה של הצורה המאפיינת כלים מסוג זה.

      עמי ודב חתכו והסירו חלקים מכלים קרמים קיימים והותירו רק את עמוד השדרה של אותם כלים. פעולה זו מגלה מידע תכני מתכנון ויצור הכלים: עוביי דופן משתנים, צלעות חיזוק, פגמי ניקוב חורים והתאמה בין חלקים. החתך הינו, עבור מעצב המוצרים, מה שהתוכנית לאדריכל - מבט נקי ובהיר אל מהות העיצוב. כאן, חתכים מכלים שונים נערכו למקבצים על גבי "שולחנות", וכך נוסף מימד נרטיבי בעת ההצבה.

      כלל הכלים המוצגים בתערוכה מבטאים זיכוך וצמצום לסוג של מהות בסיסית- ה-די-אן-איי של הכלי - תמצית זו מהווה חומר גלם פוטנציאלי למימוש כלים שלמים

      ]]>       6099 2012-07-25 19:30:38 2012-07-25 16:30:38 closed open %d7%93%d7%95-%d7%93%d7%95-%d7%9e%d7%99%d7%9e%d7%93-%d7%aa%d7%9c%d7%aa-%d7%9e%d7%99%d7%9e%d7%93%d7%99-%d7%91%d7%9b%d7%9c%d7%99%d7%9d-%d7%a7%d7%a8%d7%9e%d7%99%d7%9d publish 276 60 page 0 _wp_page_template default robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _edit_lock 1371485390 _edit_last 3 _thumbnail_id ngg-1055 _alp_processed 1371485390       Tea For Two - תערוכה קבוצתית http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/tea-for-two-%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%94-%d7%a7%d7%91%d7%95%d7%a6%d7%aa%d7%99%d7%aa/ Wed, 25 Jul 2012 16:34:23 +0000 http://benyaminiceramics.daze.co.il/?page_id=6100 [nggallery id=99]

      Tea For Two

      תערוכה קבוצתית של אגודת אמני הקרמיקה

      21.6.2012 - 4.8.2012

      ‏Tea For Two - תערוכה קבוצתית של אגודת אמני הקרמיקה העוסקת באותו נושא קרמי מובהק של מערכת כלים לשתיית תה בשניים.

      בתערוכה מוצגות פרשנויות חדשות ומרתקות של 25 אמנים היוצרים במדיה הקרמית. יש בין העבודות התייחסות לעיצובים מסורתיים ממקורות שונים בעולם, יש המייצגות גישה אירונית - הומוריסטית לנושא ולצידן עבודות המעלות אמירות קונספטואליות לגביו.

      אמנים משתתפים: אהובה ליבנה, איב ענן, אירית אורפז, אמונה סירקין, אנה כרמי, אסתר בק, אתי גורן, אתי קציר, דליה בן-מיור, דרורה קוזלובסקי, זהרה הראל, זיו פלג, חנה נייגר, יעל רול, ליה בורס, מאיר מוהבן, מוטי סיקרון, מרגה פיישטיין, מרתה ריגר, סטלה להב, עדי טורצקי, פנינה ברקאי, קלסובסקי מיכל, רונית זהר, שולה מילר

      ]]>       6100 2012-07-25 19:34:23 2012-07-25 16:34:23 closed open tea-for-two-%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%94-%d7%a7%d7%91%d7%95%d7%a6%d7%aa%d7%99%d7%aa publish 276 70 page 0 _edit_lock 1371485422 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1371485421 _thumbnail_id ngg-1077       Ceramic Scultpure for teenagers http://www.benyaminiceramics.org/en/?page_id=6108 Sun, 29 Jul 2012 05:59:06 +0000 http://benyaminiceramics.daze.co.il/?page_id=6108 6108 2012-07-29 08:59:06 2012-07-29 05:59:06 closed open wheel-throwing draft 5060 0 page 0 _edit_lock 1343630729 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default Wheel Throwing http://www.benyaminiceramics.org/en/ceramic-courses/beginners/wheel-throwing/ Sun, 29 Jul 2012 06:05:30 +0000 http://benyaminiceramics.daze.co.il/ceramic-courses/beginners/6116/ Beginners / Noa Almagor Ben Dor or Amnon Amos First time clay students will acquire basic throwing skills and techniques on the wheel including wedging, centering, building cylinders, turning and using color on clay while considering work habits and the environment.  Students will learn to evaluate form and experiment to gain an understanding of the potential of the material including various decorating techniques. No previous experience required Cost  4185 shekels including clay and firings Sundays: 18:00 – 21:00 instructed by Noa Almagor Tuesday: 9:00 - 12:00 instructed by Amnon Amos]]> 6116 2012-07-29 09:05:30 2012-07-29 06:05:30 closed open wheel-throwing publish 4369 0 page 0 _wp_page_template default robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _edit_lock 1374698016 _edit_last 3 _thumbnail_id ngg-1286 Throwing - Advanced http://www.benyaminiceramics.org/en/ceramic-courses/beginners/functional-ceramics-hand-built-vessels/ Sun, 29 Jul 2012 06:09:03 +0000 http://benyaminiceramics.daze.co.il/?page_id=6117

      [imagebrowser id=171]

      Throwing / Roy Maayan

      A continuation of the beginners throwing class to broaden basic throwing skills and techniques on the wheel including wedging, centering, building cylinders and other vessels, turning and using texture and color on clay.  The course will focus mainly on two objects – the teapot as a complex vessel and the plate as the ceramic canvas. This will culminate in a dinner set for six.

      Basic throwing skills required

      Cost: 5580 shekels including clay and firings

      Wednesdays: 09:00 – 13:00

      Throwing / Ronen Yamin

      A continuation of the beginners throwing class to broaden basic throwing skills and techniques on the wheel including wedging, centering, building cylinders and other vessels, turning and using texture and color on clay. The course will focus on the transition from a shape to a vessel focusing on form design, working on series of vessels, exploring proportions and examining the various parts of a pot: foot – body – rim – handle. Concurrently we will look at functional and conceptual aspects of the work.

      Basic throwing skills required

      Cost: 4185 shekels including clay and firings

      Wednesdays 19:00 – 22:00 including materials and firing

      ]]>       6117 2012-07-29 09:09:03 2012-07-29 06:09:03 closed open functional-ceramics-hand-built-vessels publish 4369 0 page 0 _edit_lock 1375001619 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _thumbnail_id ngg-1646       Ceramic technology - Beginners http://www.benyaminiceramics.org/en/ceramic-courses/beginners/ceramic-technology-beginners/ Sun, 29 Jul 2012 06:10:45 +0000 http://benyaminiceramics.daze.co.il/?page_id=6120 Instructor: Eti Goren A full year course covering ceramic technology and the application of the theory experimenting with ceramic decorating techniques. As an introduction to the fascinating world of ceramic technology.  Participants will learn the characteristics of clay, raw materials and ceramic colors through experiments.  The course will focus on mixing colorants and glazes and learn decorating methods and techniques at various stages.  Fundamental course for anyone interested in working with clay. A detailed syllabus will be provided. No experience required Cost: 4185 shekels including materials and firings Mondays: 19:00 – 22:00 ]]> 6120 2012-07-29 09:10:45 2012-07-29 06:10:45 closed open ceramic-technology-beginners publish 4369 2 page 0 _edit_lock 1375010320 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _thumbnail_id ngg-1294 Glazes and color in clay http://www.benyaminiceramics.org/en/ceramic-courses/workshops/glazes-and-color-in-clay/ Sun, 29 Jul 2012 06:13:43 +0000 http://benyaminiceramics.daze.co.il/?page_id=6125 2D on 3D: Color and Surface in Clay/Anna Carmi We will experiment with a wide range of decorating techniques and surface treatment working in layers at different temperatures. Each piece will be fired several times.  We will work with relief, silk screen, colorants, commercial glazes, decals and lusters. The course is suitable for beginners, professionals and designers interested in including ceramic elements in their work. Cost: 700 shekels for 4 meetings including materials and firings Monday: 18:00 – 21:00 Dates: 8/7/13 – 29/7/13 The course "Glazes and color in clay" with Eti Goren will open next year. A course to gain in depth understanding of various decorating techniques and the use of color on clay.  The participants will relate to the surface using colorants, different clays, glazing at different stages of the ceramic process (before and after firing). Time will be taken to examine decorating techniques, focusing on the connection between the ceramic form and the effect gained in the work. ]]> 6125 2012-07-29 09:13:43 2012-07-29 06:13:43 closed open glazes-and-color-in-clay publish 4379 3 page 0 _edit_lock 1367852102 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _thumbnail_id ngg-1293 Advanced Throwing http://www.benyaminiceramics.org/en/ceramic-courses/advanced/advanced-throwing/ Sun, 29 Jul 2012 06:15:44 +0000 http://benyaminiceramics.daze.co.il/?page_id=6128 Wheel-Throwing – Lidded Vessels/ Eti Goren The course will focus on making various lids and fitting them to vessels. We will examine form, aesthetics and functionality of the objects. The course is for students with throwing experience wanting to improve their technical abilities and broaden their design skills Cost: 675 shekels for 5 meetings including clay and firings Sundays :18:00 – 21:00 Dates:7/7/13 – 4/8/13 ----------------------------------------------------- The full Advanced Throwing course will open next year. In the course we will focus on creating a set of vessels with a visual connection and clarify a personal style for each participant.  We will work on improving throwing skills and devote time to painting techniques as well as the relationship between form, color and surface. ]]> 6128 2012-07-29 09:15:44 2012-07-29 06:15:44 closed open advanced-throwing publish 4376 0 page 0 _edit_lock 1367938590 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _thumbnail_id ngg-1617 1042 http://www.kfsmtv.net/pradatotebag.html 118.96.134.35 2013-07-24 19:17:12 2013-07-24 16:17:12 プラダ トート... Advanced Throwing |...]]> 0 trackback 0 0 Throwing & Hand Building- Large Vessels http://www.benyaminiceramics.org/en/ceramic-courses/advanced/throwing-and-hand-building-large-vessels/ Sun, 29 Jul 2012 06:18:47 +0000 http://benyaminiceramics.daze.co.il/?page_id=6132 Throwing & Hand Building- Large Vessels Instructor: Jacaranda Kori A course of hand building and wheel throwing techniques for large pots constructed from one or several parts.  Students will acquire technical skills as well as an understanding and ability to analyze the shape of large volume vessels. Attention will be given to surface treatment and the conceptual issues of the work  with the purpose that each participant develop a personal style and language. Throwing and hand building experience necessary Cost: 5580 including clay and firings Sunday 9:00 – 13:00 including clay and firings]]> 6132 2012-07-29 09:18:47 2012-07-29 06:18:47 closed open throwing-and-hand-building-large-vessels publish 4376 1 page 0 _edit_lock 1375001698 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _thumbnail_id ngg-1297 Porcelain, wheel throwing and slabs http://www.benyaminiceramics.org/en/ceramic-courses/advanced/porcelain-wheel-throwing-and-slabs/ Sun, 29 Jul 2012 06:20:24 +0000 http://benyaminiceramics.daze.co.il/?page_id=6135 6135 2012-07-29 09:20:24 2012-07-29 06:20:24 closed open porcelain-wheel-throwing-and-slabs publish 4376 3 page 0 _edit_lock 1376490394 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _thumbnail_id ngg-1306 1029 http://www.kfsmtv.net/Airmax/airmax2013.html 222.142.97.242 2013-07-24 09:46:47 2013-07-24 06:46:47 エアマックス 2013... Porcelain, wheel throwing and slabs |...]]> 0 trackback 0 0 Ceramic Art http://www.benyaminiceramics.org/en/ceramic-courses/advanced/ceramic-art/ Sun, 29 Jul 2012 06:29:32 +0000 http://benyaminiceramics.daze.co.il/?page_id=6139 Conceptual Aspects working with Clay Instructor: Shlomit Bauman

      The complicated interdisciplinary language of art and design today requires a broad understanding of materials, technology and ideas.  The workshop is for clay artists who   wish to extend the conceptual side of their work.  .  An idea will be developed based on intermediary exercises, lectures, critiques and a final project. Cost: 950 shekels for 3 days Tuesday, Wednesday, Thursday   9:00 – 16:00 Dates: 30/7/13 – 1/8/13 Courses based on individual guidance with Revital Ben Asher-Peretz, Shlomit Bauman and Irit Abba will take place next year. These courses enable professionals to expand the experimental and conceptual aspects of their work.  In these sessions artists will examine their work in relationship to culture, art and design and deepen their understanding of clay as a medium.  These meetings will facilitate a personal process guided by leading artists and will cover critiques and assistance to show their work. Wheel, pots and thoughts / Irit Abba Traditional ceramic pots were functional and ritualistic and were simply designed. Their resilience provides valuable historical and cultural information and traces are found wherever man lived.   Focusing on the functional pot through time emphasizes the tension between the familiar and its ``reinvention``. In the meetings we will observe closely and discuss tableware including the conceptual, form and function, materials, color and contemporary meaning of the vessel.  The course covers individual work, exercises, critiques and demos. Wheel throwing experience required Fridays 10:00 – 14:00 (7 meetings) Cost: 1400 shekels Stepping Out – Guidance for Artists and Makers/Revital Ben Asher Peretz Many artists suffer from ``creative isolation``, lack of communication regarding work development and insufficient exposure.  The course offers a series of meetings for artists working in clay or with other materials.  The meetings will cover critiques of work and curatorial advice; where to show; preparation of portfolio, refining works towards an exhibition, writing texts, public relations.  The participants will get advice in `opening doors` and gaining access to the broader art scene. Individual meeting of one hour, once a month, coordinated in advance or as a onetime session. Wednesdays between. 9.30 – 13.30 Cost: Course 2200 shekels   Single session: 240 shekels Connection – subject – method/Shlomit Bauman A workshop for professional ceramic artists to develop ideas and raise issues that concern them.  The monthly meetings will take the format of a discussion group covering aspects of the ceramic medium and its rich cultural spectrum as part of the diverse material culture. We will discuss historical and contemporary issues and strategies for implementation as well as work of the participants and try and develop the language and understanding of ceramics as an independent medium (not as part of art or design). Monthly meeting from 9:00 – 16:00 (9 meetings) Cost: 3000 shekels]]>       6139 2012-07-29 09:29:32 2012-07-29 06:29:32 closed open ceramic-art publish 4376 4 page 0 _edit_lock 1375000013 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _thumbnail_id ngg-1107       Ceramic technology - Research and development http://www.benyaminiceramics.org/en/ceramic-courses/advanced/ceramic-technology-research-and-development/ Sun, 29 Jul 2012 06:31:04 +0000 http://benyaminiceramics.daze.co.il/?page_id=6141 6141 2012-07-29 09:31:04 2012-07-29 06:31:04 closed open ceramic-technology-research-and-development publish 4376 5 page 0 _edit_lock 1373741734 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _thumbnail_id ngg-1365 1036 http://www.kfsmtv.net/Visvim/ 36.82.212.136 2013-07-24 15:02:42 2013-07-24 12:02:42 VISVIM 通販... Ceramic technology – Research and development |...]]> 0 trackback 0 0 Ceramic Printing http://www.benyaminiceramics.org/en/ceramic-courses/workshops/ceramic-printing/ Sun, 29 Jul 2012 06:33:42 +0000 http://benyaminiceramics.daze.co.il/?page_id=6143 6143 2012-07-29 09:33:42 2012-07-29 06:33:42 closed open ceramic-printing publish 4379 0 page 0 _edit_lock 1373713621 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _thumbnail_id ngg-1358 1002 http://www.kfsmtv.net/ferragamo/ 111.242.180.43 2013-07-04 14:52:18 2013-07-04 11:52:18 フェラガモ バッグ... Ceramic Printing |...]]> 0 trackback 0 0 Paperclay - fibre clay workshop http://www.benyaminiceramics.org/en/ceramic-courses/workshops/paperclay-fibre-clay-workshop/ Sun, 29 Jul 2012 06:35:47 +0000 http://benyaminiceramics.daze.co.il/?page_id=6145 Paperclay Instructor: Amnon Amos Clay and paper, a combination that gives clay special characteristics and opens new options.  We will survey artists using this material, learn the qualities of the paper fiber and how we can utilize this to our benefit.  Each participant will prepare a plaster slab and paper pulp.  We will do basic experiments with the material to understand its use including various techniques of slabs, joins (especially dry to wet surfaces), textures and surface. We will experiment using press moulds and very thin layers of clay. The workshop is suitable for anyone. Cost: 440 shekels for two meetings of four hours including materials Dates to be advertised during the year.]]> 6145 2012-07-29 09:35:47 2012-07-29 06:35:47 open open paperclay-fibre-clay-workshop publish 4379 5 page 0 _edit_lock 1373970966 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _thumbnail_id ngg-1359 Smoke Firing - Introduction http://www.benyaminiceramics.org/en/ceramic-courses/workshops/smoke-firing-introduction/ Sun, 29 Jul 2012 06:37:11 +0000 http://benyaminiceramics.daze.co.il/?page_id=6148 ]]> 6148 2012-07-29 09:37:11 2012-07-29 06:37:11 closed open smoke-firing-introduction publish 4379 6 page 0 _edit_lock 1372669679 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _thumbnail_id ngg-1349 1037 http://www.kfsmtv.net/Prada/ 190.38.112.127 2013-07-24 15:56:49 2013-07-24 12:56:49 プラダ アウトレット... Smoke Firing – Introduction |...]]> 0 trackback 0 0 Raku and Smoke Firing - Advanced http://www.benyaminiceramics.org/en/ceramic-courses/workshops/raku-and-smoke-firing-advanced/ Sun, 29 Jul 2012 06:42:00 +0000 http://benyaminiceramics.daze.co.il/?page_id=6151 6151 2012-07-29 09:42:00 2012-07-29 06:42:00 closed open raku-and-smoke-firing-advanced publish 4379 7 page 0 _edit_lock 1374677309 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _thumbnail_id ngg-1337 Sculpture Courses http://www.benyaminiceramics.org/en/ceramic-courses/sculpture-courses/ Sun, 29 Jul 2012 06:43:24 +0000 http://benyaminiceramics.daze.co.il/?page_id=6154 6154 2012-07-29 09:43:24 2012-07-29 06:43:24 closed open sculpture-courses publish 2955 5 page 0 _edit_lock 1367743032 _edit_last 3 _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _thumbnail_id ngg-1316 description Various sculpture courses at Benyamini Center robotsmeta index,follow Fundamentals in Clay Sculpture http://www.benyaminiceramics.org/en/ceramic-courses/sculpture-courses/fundamentals-in-clay-sculpture/ Sun, 29 Jul 2012 06:45:26 +0000 http://benyaminiceramics.daze.co.il/?page_id=6156 6156 2012-07-29 09:45:26 2012-07-29 06:45:26 closed open fundamentals-in-clay-sculpture publish 6154 0 page 0 _edit_lock 1375001922 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _thumbnail_id ngg-1648 1027 http://www.rayban123.com 46.72.155.68 2013-07-24 08:33:32 2013-07-24 05:33:32 レイバン ウェイファーラー... Fundamentals in Clay Sculpture |...]]> 0 trackback 0 0 Ceramic Sculpture http://www.benyaminiceramics.org/en/ceramic-courses/sculpture-courses/observing-through-clay-sculpture-and-handbuilding/ Sun, 29 Jul 2012 06:47:54 +0000 http://benyaminiceramics.daze.co.il/?page_id=6159 6159 2012-07-29 09:47:54 2012-07-29 06:47:54 closed open observing-through-clay-sculpture-and-handbuilding publish 6154 1 page 0 _thumbnail_id ngg-1649 _edit_lock 1375001798 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default 1000 http://www.RKTzuAQ0.org 178.33.173.189 2013-07-03 09:04:31 2013-07-03 06:04:31 ... [Trackback]... [...] There you will find 66551 more Infos: benyaminiceramics.org/en/ceramic-courses/sculpture-courses/observing-through-clay-sculpture-and-handbuilding/ [...]...]]> 0 trackback 0 0 1030 http://www.kfsmtv.net/oakleysunglass/ 190.39.165.184 2013-07-24 09:59:14 2013-07-24 06:59:14 オークリー... Observing through Clay sculpture and handbuilding |...]]> 0 trackback 0 0 Gallery http://www.benyaminiceramics.org/en/ceramic-galleries/ Sun, 29 Jul 2012 06:58:42 +0000 http://benyaminiceramics.daze.co.il/?page_id=6167 ]]> 6167 2012-07-29 09:58:42 2012-07-29 06:58:42 closed open ceramic-galleries publish 0 1 page 0 _wp_page_template default robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _edit_lock 1351750740 _edit_last 3 Do http://www.benyaminiceramics.org/en/ceramic-galleries/past-exhibitions/do/ Sun, 29 Jul 2012 07:11:03 +0000 http://benyaminiceramics.daze.co.il/?page_id=6173 [nggallery id=98]
      -
      A look at almost-two-dimensional ceramic vessels
      Irit Abba, Ami Drach and Dov Ganchrow
      16/6/2012 – 4/8/2012
      This exhibit acts as the meeting ground between the ceramicist Irit Abba and designers Ami Drach and Dov Ganchrow. It is a meeting of disciplines through the common ceramic material and common object resulting in a vessel devoid of its most basic physical characteristic; the ability to contain. Irit has freely sketched vases using ceramic material as her medium, escaping, just barely, the two-dimensionality of drawing. At times her works reduce three-dimensional objects and their two-dimensional graphics to a singular relief-dimension. Irit captures the flow and character of a vast array of vessels, with a lightness and sensitivity possible only when the burdensome body has been shed.
      Ami and Dov have cut away all but the very center portion of existing ceramic table wear. This act exposes the very technical aspects of object making; wall thickness, interfacing of parts, structural ribs etc. A traditional design discipline backbone, the section is to the product designer what the plan is to the architect, a chance to see with clarity the essence of the design.
      Sectioned products have been assembled into table settings, allowing for a contextual look at the assorted vessels. Vessels in the show are both reduced to their essence–to their DNA– and at the same time are suggestive and charged with the desire to grow and manifest as complete ceramic bodies.
      ]]>       6173 2012-07-29 10:11:03 2012-07-29 07:11:03 closed open do publish 279 60 page 0 _edit_last 3 _edit_lock 1343563887 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _thumbnail_id ngg-1055       Tea For Two http://www.benyaminiceramics.org/en/ceramic-galleries/past-exhibitions/tea-for-two/ Sun, 29 Jul 2012 07:11:41 +0000 http://benyaminiceramics.daze.co.il/?page_id=6165 [nggallery id=99]
      25 artists from the Ceramic Artists Association
      16/6/2012 – 4/8/2012
      A group exhibition of 25 artists from the Ceramic Artists Association presenting their interpretation of the traditional porcelain tea set. Some the artists have focused on the design influence from around the world, others have given their work an ironic or humorous twist and some of the works are conceptual.
      ]]>       6165 2012-07-29 10:11:41 2012-07-29 07:11:41 closed open tea-for-two publish 279 70 page 0 _edit_lock 1343564173 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _thumbnail_id ngg-1077       Current Exhibitions http://www.benyaminiceramics.org/en/ceramic-galleries/current-exhibitions/ Sun, 29 Jul 2012 07:13:51 +0000 http://benyaminiceramics.daze.co.il/?page_id=6176 ]]> 6176 2012-07-29 10:13:51 2012-07-29 07:13:51 closed open current-exhibitions publish 6167 0 page 0 _wp_page_template default robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _edit_lock 1376414134 _edit_last 2 _thumbnail_id ngg-1634 Upcoming Exhibitions http://www.benyaminiceramics.org/en/?page_id=6180 Sun, 29 Jul 2012 07:15:44 +0000 http://benyaminiceramics.daze.co.il/?page_id=6180 6180 2012-07-29 10:15:44 2012-07-29 07:15:44 closed open upcoming-exhibitions draft 6167 0 page 0 _wp_page_template default robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _edit_lock 1343630798 _edit_last 3 Partners http://www.benyaminiceramics.org/en/?page_id=6182 Sun, 29 Jul 2012 07:16:04 +0000 http://benyaminiceramics.daze.co.il/partners/ 6182 2012-07-29 10:16:04 2012-07-29 07:16:04 closed open partners draft 0 4 page 0 _wp_page_template default robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _edit_lock 1343882232 _edit_last 3 Business http://www.benyaminiceramics.org/en/?page_id=6185 Sun, 29 Jul 2012 07:19:56 +0000 http://benyaminiceramics.daze.co.il/business/ 6185 2012-07-29 10:19:56 2012-07-29 07:19:56 closed open business draft 0 5 page 0 _wp_page_template default robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _edit_lock 1343891701 _edit_last 3 חוג קרמיקה לילדים http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a0%d7%95%d7%a2%d7%a8/%d7%a7%d7%93%d7%a8%d7%95%d7%aa-%d7%9c%d7%99%d7%9c%d7%93%d7%99%d7%9d/ Sun, 29 Jul 2012 07:48:30 +0000 http://benyaminiceramics.daze.co.il/?page_id=6202 [imagebrowser id=136]

      סדנה חוויתית לילדים בשבת בבוקר. התנסות בעבודה בחומר עם הדרכה - מתאים לילדים מגיל 4

      ימי שבת בין השעות 10:00 – 11:30, החל מנובמבר.

      עלות: 40 שקל למפגש למשתתף כולל הדרכה וחומר

      הרשמה מראש במשרד.

      צפו בסרטון אודות חוג קרמיקה לילדים וקורסים נוספים בתחום הקרמיקה בבית בנימיני:
      ]]>       6202 2012-07-29 10:48:30 2012-07-29 07:48:30 closed open %d7%a7%d7%93%d7%a8%d7%95%d7%aa-%d7%9c%d7%99%d7%9c%d7%93%d7%99%d7%9d publish 5057 3 page 0 _edit_lock 1367750389 _edit_last 3 _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1367750388 _thumbnail_id ngg-1386 description חוג קרמיקה חוויתי לילדים בשבת בבוקר, גם עבור ההורים. חגיגת אמנות מהנה שהילדים לא ישכחו. title חוג קרמיקה לילדים | בית בנימיני robotsmeta index,follow       Hands on Clay for Children http://www.benyaminiceramics.org/en/ceramic-courses/teenagers-courses/hands-on-clay-for-children/ Sun, 29 Jul 2012 07:55:09 +0000 http://benyaminiceramics.daze.co.il/ceramic-courses/teenagers-courses/hands-on-clay-for-children/ ]]> 6208 2012-07-29 10:55:09 2012-07-29 07:55:09 closed open hands-on-clay-for-children publish 5060 3 page 0 _wp_page_template default robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _edit_lock 1351750333 _edit_last 3 _thumbnail_id ngg-1386 Pottery for Teenagers http://www.benyaminiceramics.org/en/ceramic-courses/teenagers-courses/pottery-for-teenagers/ Sun, 29 Jul 2012 07:56:41 +0000 http://benyaminiceramics.daze.co.il/?page_id=6209 ]]> 6209 2012-07-29 10:56:41 2012-07-29 07:56:41 closed open pottery-for-teenagers publish 5060 1 page 0 _edit_lock 1351750286 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _thumbnail_id ngg-1380 פנייתך התקבלה בהצלחה. http://www.benyaminiceramics.org/%d7%a4%d7%a0%d7%99%d7%99%d7%aa%d7%9a-%d7%94%d7%aa%d7%a7%d7%91%d7%9c%d7%94-%d7%91%d7%94%d7%a6%d7%9c%d7%97%d7%94/ Sun, 29 Jul 2012 08:14:42 +0000 http://benyaminiceramics.daze.co.il/?page_id=6213 תודה על פנייתך לבית בנימיני. ניצור עמך קישור בהקדם האפשרי.]]> 6213 2012-07-29 11:14:42 2012-07-29 08:14:42 closed open %d7%a4%d7%a0%d7%99%d7%99%d7%aa%d7%9a-%d7%94%d7%aa%d7%a7%d7%91%d7%9c%d7%94-%d7%91%d7%94%d7%a6%d7%9c%d7%97%d7%94 publish 0 0 page 0 _edit_lock 1367493587 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1343893102 Your request has been received http://www.benyaminiceramics.org/en/your-request-has-been-received/ Sun, 29 Jul 2012 08:18:32 +0000 http://benyaminiceramics.daze.co.il/?page_id=6215 Thank you for contacting Benyamini Center. Your message has been received and we will reply as soon as possible.]]> 6215 2012-07-29 11:18:32 2012-07-29 08:18:32 closed open your-request-has-been-received publish 0 0 page 0 _edit_lock 1367494132 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default סדנת אקסטרודר http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%a1%d7%93%d7%a0%d7%90%d7%95%d7%aa/%d7%a7%d7%95%d7%a8%d7%a1-%d7%90%d7%a7%d7%a1%d7%98%d7%a8%d7%95%d7%93%d7%a8/ Sun, 29 Jul 2012 08:43:54 +0000 http://benyaminiceramics.daze.co.il/?page_id=6224 [imagebrowser id=139]
      -
      לאחר קריירה מרשימה בת כ-35 שנה בניו יורק, ארה"ב, חוזרת לישראל רינה פלג – אמנית קרמיקה ייחודית. פלג פיתחה שפה אישית באמצעות שימוש בחוליית חומר הנוצרת באמצעות אקסטרודר. באמצעות שפה זו נוצרו בתחילה כלים שימושיים אשר התפתחו לאובייקטים פיסוליים גדולים, מיצבים ועבודות רב תחומיות. לאורך השנים היא שמרה על קו רענן ועכשווי. פלג הציגה את עבודותיה בגלריות חשובות בניו יורק, ברחבי ארה"ב ובתערוכות בין לאומיות חשובות בינהן הביאנלה הבין לאומית ה-2 לקרמיקה בקוריאה, תערוכה בין לאומית בפאנצה איטליה וכדומה.
      במהלך שנת הלימודים 2013/14 תינתן סדנת אקסטרודר נוספת ע"י רינה פלג, בת שלושה מפגשים. פרטים נוספים על מועדים מדויקים ועלות יפורסמו בהמשך.

      סדנת אקסטרודר, כלים ומבנים בחומר - בסמסטר הקיץ של בית בנימיני

      האקסטרודר, כאמצעי עזר לאמני הקרמיקה מאפשר מגוון פעולה ויצירה רחב. הקורס מציע היכרות והבנה רחבה של תהליכי העבודה והאפשרויות הגלומות במכשיר עבור היוצרים בחומר. בעזרת האקסטרודר וטכניקות אריגה וקליעה נלמד ליצור מבנים, נפחים וסלים קרמים. אין צורך בידע מוקדם. עלות: 800 שקל ל-5 מפגשים כולל חומרים ושריפות. אקסטרודר מתקדמים בסדנה זו נמשיך ונעמיק את העיסוק בגופים הקרמיים הקלועים ונבדוק את אפשרוית הביטוי בעבודה ללא תבניות. ניצור גופים חלולים באקסטרודר ונתנסה בהם, נקשר את האובייקטים הפיסוליים לסביבה ארכיטקטונית, לצעצועים ומשחקים. במהלך הסדנה יתקיים דיון אישי וקבוצתי בהצעות הסטודנטים הנוגעות לטכניקות העבודה והכלים שנרכשו בסדנאות ותינתן תמיכה וליווי לפרוייקטים אלו. פרטים על הסדנה יפורסמו במהלך השנה.
      למידע נוסף על קורסי קדרות
      למידע נוסף על סדנאות קרמיקה
      ]]>       6224 2012-07-29 11:43:54 2012-07-29 08:43:54 closed open %d7%a7%d7%95%d7%a8%d7%a1-%d7%90%d7%a7%d7%a1%d7%98%d7%a8%d7%95%d7%93%d7%a8 publish 4325 9 page 0 _edit_lock 1373970131 _edit_last 3 _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1373970130 _alp_broken_links a:3:{s:207:"http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%a6%d7%95%d7%95%d7%aa-%d7%94%d7%9e%d7%95%d7%a8%d7%99%d7%9d/%d7%a8%d7%99%d7%a0%d7%94-%d7%a4%d7%9c%d7%92/";a:0:{}s:292:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%9E%D7%AA%D7%97%D7%99%D7%9C%D7%99%D7%9D/%D7%A7%D7%95%D7%A8%D7%A1-%D7%A7%D7%93%D7%A8%D7%95%D7%AA-%D7%99%D7%A1%D7%95%D7%93%D7%95%D7%AA/";a:0:{}s:150:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%A1%D7%93%D7%A0%D7%90%D7%95%D7%AA/";a:0:{}} _thumbnail_id ngg-1316 title אקסטרודר | קורס פיסול באקסטרודר | בית בנימיני description היכרות והבנה רחבה של תהליכי העבודה על אקסטרודר, המאפשר מגוון יצירה רחב robotsmeta index,follow       DSC_0765_400-300x225 http://www.benyaminiceramics.org/ceramic-courses/beginners/dsc_0765_400-300x225/ Sun, 29 Jul 2012 09:33:02 +0000 http://benyaminiceramics.daze.co.il/wp-content/uploads/2012/01/DSC_0765_400-300x225.jpg 6257 2012-07-29 12:33:02 2012-07-29 09:33:02 closed open dsc_0765_400-300x225 inherit 4369 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/01/DSC_0765_400-300x225.jpg _wp_attached_file 2012/01/DSC_0765_400-300x225.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"300";s:6:"height";s:3:"225";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:32:"2012/01/DSC_0765_400-300x225.jpg";s:5:"sizes";a:1:{s:9:"thumbnail";a:3:{s:4:"file";s:32:"DSC_0765_400-300x225-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} שוהה http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/%d7%a9%d7%95%d7%94%d7%94/ Sun, 29 Jul 2012 11:45:04 +0000 http://benyaminiceramics.daze.co.il/?page_id=6316 6316 2012-07-29 14:45:04 2012-07-29 11:45:04 closed open %d7%a9%d7%95%d7%94%d7%94 publish 276 80 page 0 _edit_lock 1371485442 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1371485441 _thumbnail_id ngg-989 קו בחומר http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/%d7%a7%d7%95-%d7%91%d7%97%d7%95%d7%9e%d7%a8/ Sun, 29 Jul 2012 11:46:15 +0000 http://benyaminiceramics.daze.co.il/?page_id=6318 פיסול בחימר]]> 6318 2012-07-29 14:46:15 2012-07-29 11:46:15 closed open %d7%a7%d7%95-%d7%91%d7%97%d7%95%d7%9e%d7%a8 publish 276 90 page 0 _edit_lock 1371485496 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1371485496 _thumbnail_id ngg-1016 _alp_broken_links a:1:{s:330:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%9C%D7%99%D7%9E%D7%95%D7%93%D7%99-%D7%A4%D7%99%D7%A1%D7%95%D7%9C/%D7%9C%D7%99%D7%9E%D7%95%D7%93%D7%99-%D7%A4%D7%99%D7%A1%D7%95%D7%9C-%D7%91%D7%97%D7%99%D7%9E%D7%A8-%D7%95%D7%91%D7%A0%D7%99%D7%99%D7%AA-%D7%99%D7%93/";a:0:{}} לצאת מהמסגרת http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/%d7%9c%d7%a6%d7%90%d7%aa-%d7%9e%d7%94%d7%9e%d7%a1%d7%92%d7%a8%d7%aa/ Sun, 29 Jul 2012 11:47:26 +0000 http://benyaminiceramics.daze.co.il/?page_id=6320 לצאת מהמסגרת 12.5.12 - 20.4.12 [singlepic id=955 w=320 h=240 float=center] פתיחה: יום חמישי 20.4.12 בשעה 19:30 בית בנימיני שמח לארח את עבודות המועמדים שעלו לשלב הגמר בתחרות פרס קרן אליכס דה רוטשילד 2012 בתערוכה לצאת מהמסגרת. הקרן על שם אליכס דה רוטשילד הוקמה לזכר הברונית רוטשילד – אשה מיוחדת ורבת פעלים שחיה בין השנים 1982 – 1911 והייתה ידועה באהבתה ובתמיכתה באומנות בכלל ובאומנות ישראלית בפרט בתחומי היצירה השונים. [singlepic id=936 w=320 h=240 float=center] הקרן המנוהלת על ידי עו"ד פזית שלמון-ברץ פועלת כיום בשני ערוצים: הענקת מלגות מדי שנה לסטודנטים בשיתוף עם אוניברסיטת תל אביב וניהול תחרות אחת לשנתיים בנושא נבחר, המיועדת לאומנים החיים ופועלים בישראל ומצטיינים בתחום האומניות השימושיות. את התחרות ע"ש אליכס דה רוטשילד מארגנת ומפיקה רות קורמן - יועצת אומנות, אוצרת ובעלת גלריה בלונדון. התחרות השנה היא בנושא לצאת מהמסגרת ומטרתה לעודד אומנים לחשיבה יצירתית וחדשנית בתהליכי עבודתם, לאפשר מתן ביטוי לנסיונות הנסמכים על דרכם אך בודקים כיוונים ורעיונות חדשים, מקוריים ובאיכות גבוהה. שלב השיפוט הראשוני התבצע בלונדון ע"י וועדה שהורכבה מאנשי אמנות מקומיים אשר בחרה ב 21 יוצרים מתוך כלל המועמדים שניגשו לתחרות. [singlepic id=956 w=320 h=240 float=center] בבית בנימיני יוצגו בתערוכה לצאת מהמסגרת עבודות המועמדים שעלו לשלב הגמר. הפרס שיוענק השנה יהיה בסך 12,000$ ויחולק בין הזוכים על פי החלטת וועדת שיפוט מקומית. שמות הזוכים יוכרזו בטקס הענקת הפרס שיתקיים ביום ראשון ה 22.4.12 בשעה 19:00 בבית בנימיני בנוכחות הגברת רות קורמן והגברת פזית שלמון-ברץ.
      האמנים המשתתפים בתערוכה:
      אבי בירן, אפרת אייל, רימה ארסלנוב, שלומית באומן, נורית בלטיאנסקי ותמר עקוב, אוהד בנית, אבנר בר חמא, דינה ברמן, רות ברקאי, נועם דובר ומיכל צדרבאום, ישראל הדני, רינה חייקין, איריס טוטנאואר, עינת לידר, אורית מרילי, יעל פרידמן, אסנת קובלנץ, ליאורה קאון, נאוה שגב, איתמר שגיא, אורי שפירא]]>       6320 2012-07-29 14:47:26 2012-07-29 11:47:26 closed open %d7%9c%d7%a6%d7%90%d7%aa-%d7%9e%d7%94%d7%9e%d7%a1%d7%92%d7%a8%d7%aa publish 276 100 page 0 _edit_lock 1371485576 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1371485514 _thumbnail_id ngg-949       מגדלים באוויר http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/%d7%9e%d7%92%d7%93%d7%9c%d7%99%d7%9d-%d7%91%d7%90%d7%95%d7%95%d7%99%d7%a8/ Sun, 29 Jul 2012 11:48:05 +0000 http://benyaminiceramics.daze.co.il/?page_id=6322 6322 2012-07-29 14:48:05 2012-07-29 11:48:05 closed open %d7%9e%d7%92%d7%93%d7%9c%d7%99%d7%9d-%d7%91%d7%90%d7%95%d7%95%d7%99%d7%a8 publish 276 110 page 0 _edit_lock 1371485594 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1371485593 _thumbnail_id ngg-926 ÜberKitsch http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/uberkitsch/ Sun, 29 Jul 2012 11:49:09 +0000 http://benyaminiceramics.daze.co.il/?page_id=6324 ÜberKitsch 26.1.12 - 24.3.12 [singlepic id=844 w=320 h=240 float=center] אוצר: רועי מעין פתיחה: יום חמישי 26.1.12 בשעה 19:00 הקיטש נתפס באופן מסורתי כיצירה של טעם רע, בעלת מראה זול ומנייריסטי. ברמה הצורנית מתאפיין הקיטש בחזרתיות, עודפות, גלאם, וצבעוניות עזה ובוהקת, וברמה התמטית ברגשנות יתרה, פתיינות, וייצוג של הצדדים הנעימים והיפים של החיים תוך הדרה מובהקת של הצדדים האפלים והכואבים. אלמנטים אלו מייצרים שפה, שאינה נושאת עמה את הגיבנת המודרניסטית של אידיאת דלות החומר והמסר, אלא להיפך – חוגגת את העודפות וההכברה. המוצגים בתערוכה ÜberKitsch משתמשים באסתטיקה זאת אשר לרוב נלעגת על ידי קובעי טעם ואיכות, ומנצלים אותה כפלטפורמה להעלאת נושאים ביקורתיים, חתרניים או אירוניים. נושאים אלו יכולים להיות רעיוניים כמו גם צורניים. משתתפים: אליאונורה אורלי אדלביץ', שאולי ארזי, גיא ג'אנה, אנה כרמי, יוחאי מטוס, ורד ניסים, אמנון עמוס, מירי פליישר, אמילי קייג' אסנת ריצ'מן. בתערוכה מוצגים פריטים מאוסף ראובן נרדי.]]> 6324 2012-07-29 14:49:09 2012-07-29 11:49:09 closed open uberkitsch publish 276 120 page 0 _edit_lock 1371485610 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1371485610 _thumbnail_id ngg-845 הפלגה - סירה לשום מקום http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/%d7%94%d7%a4%d7%9c%d7%92%d7%94-%d7%a1%d7%99%d7%a8%d7%94-%d7%9c%d7%a9%d7%95%d7%9d-%d7%9e%d7%a7%d7%95%d7%9d/ Sun, 29 Jul 2012 11:50:33 +0000 http://benyaminiceramics.daze.co.il/?page_id=6328 בתערוכה הפלגה אובייקט הסירה מהווה נקודת משען חזותית, ממנה אנו יכולים להסיט את המבט לעבר הנרמז והמובל ממנו. הסירה היא מעין בית קיבול, המכיל בו זמנית מגוון משמעויות אישיות כגון מסע, בריחה, הרפתקה. בדימוי של הסירה אפשר לראות רובדי משמעות רבים, החל מיעדים אופטימיים בסיפורי הרפתקאות וכלה בגוון פסימי של הסירה שנושאת את גופת המת במסעה האחרון. בכל אחת מהעבודות המוצגות בתערוכה נחשף תהליך הקשור במצב רגשי או קיומי ואנו נחשפים למסעות של שחזור ועיבוד זיכרונות. בחלק מהעבודות נחווה מעין מצב סטטי של חידלון או היתקעות אשר עצם המודעות אליו היא בבחינת נקודת פתיחה למסע עתידי. יש עבודות המציגות סוג של קונפליקט כך שהיצירה היא מיזוג של מצבים ותהליכים הסותרים זה את זה, המטעינים אותה בכפל משמעות, וזו חושפת סערת רגשות המטלטלת את הסירה על פני מים לא שלווים. בין העבודות יש המתארות הפלגות ובהן מצבים של חלום, תהייה או כמיהה המבוטאים באופן לירי. בתערוכה מוצגות יצירות באמצעי ביטוי מגוונים כמו עבודות בחומר, עבודת וידאו, מיצב, ציור וצילום. אוצרת: תרצה ילון קולטון משתתפים: נורה ונעמי, אברהם אופק, אווה אבידר, ענת בראל, רונן סימן טוב, נועה בן-נון מלמד, לאוניד גוסין, רותי ברקאי, יונתן אופק, טליה בר, מאירה אונא בן-חנן, דיוויד מוריס, בנימינה נדלר-נאור, סבטלנה פיירמן ושולמית עציון. [nggallery id=76] ]]> 6328 2012-07-29 14:50:33 2012-07-29 11:50:33 closed open %d7%94%d7%a4%d7%9c%d7%92%d7%94-%d7%a1%d7%99%d7%a8%d7%94-%d7%9c%d7%a9%d7%95%d7%9d-%d7%9e%d7%a7%d7%95%d7%9d publish 276 130 page 0 _edit_lock 1371485644 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1371485643 _thumbnail_id ngg-682 א-לה מוד http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/%d7%90-%d7%9c%d7%94-%d7%9e%d7%95%d7%93/ Sun, 29 Jul 2012 11:51:47 +0000 http://benyaminiceramics.daze.co.il/?page_id=6331 [nggallery id=65]
      בחלל המעבדה תוצג התערוכה "שבילי יער" של יעל עצמוני, מחווה למוד.
      [nggallery id=66]
      פתיחה: 8/9/2011 נעילה: 14/11/2011
      מוד פרידלנד עלתה ארצה ב 1950 לאחר סיום לימודי אמנות באקדמיה בבוקרשט, השלימה לימודי אמנות בבית הספר הגבוה בוזארט בפריס והשתלמה בלימודי קרמיקה בווינה.
      התערוכה המוצגת מלווה השקת ספר אמן של מוד פרידלנד - אמנית קרמיקה טוטאלית שאמנותה היתה אותנטית, פראית, ובעלת איכויות מדהימות וייחודיות בנוף הישראלי.
      מוד פרידלנד היתה אמנית משמעותית ביותר בתולדות הקרמיקה הישראלית, באישיותה הסוחפת כאדם-אמן-מורה ובהתנערותה מהדקורטיביות הים-תיכונית שקסמה באותה תקופה לאמני קרמיקה רבים. החופש החובר לפרפקציוניזם, המקוריות הנשענת על מסורת ועל ניסויים מעמיקים, המאפיינים את עבודתה של מוד פרידלנד, כל אלה נמצאים גם ביצירתה של יעל עצמוני, ומכאן הזמנתה להציג תערוכת לווין לתערוכתה של מוד פרידלנד. בדיעבד התברר כי חברות עמוקה התקיימה בין השתיים. התערוכה שבילי יער של יעל עצמוני תוצג בו זמניתבבריכת הקשתות ברמלה ובבית בנימיני. עצמוני יצרה גופים קרמיים מעין וקטורים מסולסלים אוצרי זיכרון אישי ואוניברסאלי והשקיעה אותם בבריכת הקשתות ברמלה. עבודת ווידאו שעצמוני צילמה במקום תוקרן בחלל המעבדה. המרחבים השונים - הבריכה והגלריה, העיר רמלה והעיר תל-אביב יהיו קשורים כאשר לכל אחד ישנה הנוכחות והאוטונומיה שלו. העבודה נוגעת בנושאים בעלי משקעים מרובדים של חוויות משפחתיות של ילדה שגדלה בעיר רמלה בצל תרבות אירופאית מפוארת אך גם כואבת.]]>       6331 2012-07-29 14:51:47 2012-07-29 11:51:47 closed open %d7%90-%d7%9c%d7%94-%d7%9e%d7%95%d7%93 publish 276 140 page 0 _edit_lock 1371485665 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1371485665 _thumbnail_id ngg-578 760 http://www.benyaminiceramics.org/2012/08/%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94-%d7%99%d7%a9%d7%a8%d7%90%d7%9c%d7%99%d7%aa-%d7%9e%d7%95%d7%93-%d7%a4%d7%a8%d7%99%d7%93%d7%9c%d7%a0%d7%93/ 91.193.50.70 2013-01-24 18:03:46 2013-01-24 16:03:46 1 pingback 0 0       של מי האדמה הזאת? http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/%d7%a9%d7%9c-%d7%9e%d7%99-%d7%94%d7%90%d7%93%d7%9e%d7%94-%d7%94%d7%96%d7%90%d7%aa/ Sun, 29 Jul 2012 11:52:24 +0000 http://benyaminiceramics.daze.co.il/?page_id=6333 [nggallery id=57]
      "של מי האדמה הזאת?"
      אוצר: ערן ארליך
      פתיחה: 16/6/2011 נעילה: 27/8/2011 הפתיחה הרשמית של בית בנימיני המרכז לקרמיקה עכשווית תערך ב 16 בחודש מאי 2011 בשעה 19:00 עם פתיחת התערוכה הראשונה שתוצג במרכז: "של מי האדמה הזאת". בתערוכה משתתפים: יואב אדמוני, מיכה אולמן, ציפי איתי, פינה באוש, רותי ביגר, תמרה בן-ארצי, הגר בן-מאיר, אסתר בק, מאיה סלומון, קלאודי קזנובס, גלעד רטמן, שלי שביט, קלוד שמפי, יגאל תומרקין
      "של מי האדמה הזאת" היא שאלה לכאורה פרובוקטיבית ובוודאי קונטרברסיאלית, אך למעשה מתחת להדי המאבק ארוך השנים הזה "בינינו לבינם" המבוטא בשאלה הזו, טמונה הסכמה כי האדמה שייכת למישהו. "הם" ו"אנחנו" חולקים הסכמה משותפת על כך שהיחס של האדם לאדמה הוא יחס של בעלות. האומנם אין בנמצא יחס אחר בין אדם לאדמה, בין אדם לעולמו? התערוכה מבקשת להראות כי היחס בין האדם לעולמו אינו חייב לעבור רק דרך המודל של הבעלות וכי קיימת אלטרנטיבה אחרת לחשוב על הקשר לעולם. המודל הנחשף בתערוכה דרך הנגיעות הספציפיות והייחודיות של כל אחת ואחד מהאמנים המשתתפים בה הוא זה שנבקש לכנותו בשם המודל של האמן. במודל זה מתקיים יחס המבוסס על הקשבה של האמן לאפשרויות הגלומות בחומר, יחס שבו האפשרויות של החומר הן שמגדירות את פעולת היוצר ומאידך פעולת היוצר היא ניסיון לחשוף את אותן אפשרויות עצמן ולהעניק להן ערך מטפורי. בתערוכה בחרנו בחומר ובאדמה כנקודת מוצא שהיא סמלית וקונקרטית כאחד, שהרי האדמה אולי יותר מכל חומר אחר טעונה במשמעויות סימבוליות. תחושת השייכות מומרת בתערוכה זו ממקום של בעלות למקום של חוויה והיא הזדמנות והזמנה פתוחה לכל.
      ערן ארליך, אוצר התערוכה למידע נוסף על קורס פיסול קרמי בבית בנימיני]]>       6333 2012-07-29 14:52:24 2012-07-29 11:52:24 closed open %d7%a9%d7%9c-%d7%9e%d7%99-%d7%94%d7%90%d7%93%d7%9e%d7%94-%d7%94%d7%96%d7%90%d7%aa publish 276 150 page 0 _edit_lock 1371485683 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1371485682 _thumbnail_id ngg-557 _alp_broken_links a:1:{s:299:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%9C%D7%99%D7%9E%D7%95%D7%93%D7%99-%D7%A4%D7%99%D7%A1%D7%95%D7%9C/%D7%A7%D7%95%D7%A8%D7%A1-%D7%A4%D7%99%D7%A1%D7%95%D7%9C-%D7%A7%D7%A8%D7%9E%D7%99-%D7%99%D7%A1%D7%95%D7%93%D7%95%D7%AA/";a:0:{}}       Being http://www.benyaminiceramics.org/en/ceramic-galleries/past-exhibitions/being/ Sun, 29 Jul 2012 11:57:59 +0000 http://benyaminiceramics.daze.co.il/?page_id=6337 [nggallery id=92]
      -
      Being
      Tamar Ben Shaul
      17/5/2012 - 16/6/2012
      Curator: Ronit Zor
      Opening on May 17th, 2012 at 20:00 at the Benyamini Center
      -
      [singlepic id=994 w=320 h=240 float=center]
      -
      Tamar Ben Shaul takes us on an illusionary journey between drawing and photography.
      The portraits she paints are taken from photographs and she captures the essence of the time they were taken and the stance of the subject. Her works focus on the pose and the ceremony of photographs taken in the past as opposed to the instant and readily available photographic communication of the present. The video works in the show document common scenes from the house and the garden.
      The almost still video moves the exterior to the interior. The images illustrate the meaning of being; the common and familiar are exposed from a passive viewpoint. The painted stones on the gallery floor link contemporary based on the past and create a mosaic of time.
      ]]>       6337 2012-07-29 14:57:59 2012-07-29 11:57:59 closed open being publish 279 80 page 0 _edit_lock 1343565803 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _thumbnail_id ngg-989       Of Lines and Materials http://www.benyaminiceramics.org/en/ceramic-galleries/past-exhibitions/of-lines-and-materials/ Sun, 29 Jul 2012 11:59:08 +0000 http://benyaminiceramics.daze.co.il/ceramic-galleries/past-exhibitions/of-lines-and-materials/ Dodi Eldar 17/5/2012 - 16/6/2012
      Curators; Ronit Zor and Dalit Sharon (exhibition is a joint project with Kenafayim organization)
      Opening on May 17th, 2012 at 20:00 at the Benyamini Center
      -
      [singlepic id=996 w=320 h=240 float=center]
      -
      Of Lines and Materials: This exhibition shows a series of works in porcelain and miniature drawings on paper.
      Dodi Eldar is proficient in both these media and navigates between 2D and 3 D, between his desire to express himself in the sensuous clay or the controlled and delicate line drawings. The tension and emotion of the line is evident in all his work and the delicate sketches are like embroidery on the material, a technique that could be called action patterning – engraving, folding, sticking and puncturing the paper and clay. The exhibition has a catalog
      ]]>       6339 2012-07-29 14:59:08 2012-07-29 11:59:08 closed open of-lines-and-materials publish 279 90 page 0 _wp_page_template default robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _edit_lock 1343565988 _edit_last 3 _thumbnail_id ngg-1001       Breaking the Mould http://www.benyaminiceramics.org/en/ceramic-galleries/past-exhibitions/breaking-the-mould/ Sun, 29 Jul 2012 12:00:16 +0000 http://benyaminiceramics.daze.co.il/ceramic-galleries/past-exhibitions/breaking-the-mould/ [nggallery id=88]
      -
      Breaking the Mould
      29/5/2012-12/5/2012
      [singlepic id=955 w=320 h=240 float=center]
      Opening: Thursday 20/4/12
      This competition is an exciting project that encourages artists to think outside their comfort zone and to find new and original ways of expressing their creativity.
      The Alix de Rothschild Crafts Awards Scheme began in 1998 to commemorate the life of a very special woman, Alix de Rothschild (1911 – 1982). During her lifetime Alix had a passion for both Israel and craft work of all kinds and it is fitting that this competition continues in memory of such a unique personality. Throughout her life she supported artists of all media.
      The fund is managed by the lawyer Pazit Shalmon-Baratz and the competition has been administered voluntarily since 1998 by Ruth Corman, art consultant, curator and gallerist based in London and Israel.
      [singlepic id=936 w=320 h=240 float=center]
      The competition, which occurs every two years, awards prize money of $12,000 to Israeli artists who excel in the field of contemporary applied art. The objective is to encourage artists to think in new directions, to explore new ideas and produce work that is original but always of the highest standard. This year the topic is “Breaking the Mould“.
      A specially selected panel of judges does the initial selection in London, producing a short list, this year comprising 21 artists. The second stage is for a second panel of judges in Israel to see the work and decide how the prize money should be awarded. This year the event will take place at The Benyamini Contemporary Ceramics Center in Tel Aviv where an exhibition of the finalists’ work will be on display from April 20 – May 12, 2012.
      The winners will be announced at the prize giving ceremony on Sunday 22 April at 19:00.
      [singlepic id=956 w=320 h=240 float=center]
      Finalists: Avi Biran, Efrat Eyal, Rimma Arslonov, Shlomit Bauman, Nurit Baltiansky and Tamar Akov, Ohad Benit, Avner Bar Hama, Dina Berman, Ruth Barkai, Noam Dover and Michal Cederbaum, Israel Hadani, Rina Haikin, Iris Tutanauer, Einat Leader, Orit Marili, Yael Friedman, Asnat Koblenz, Liora Kowan, Nava Segev, Itamar Sagi, Uri Shapira
      ]]>       6340 2012-07-29 15:00:16 2012-07-29 12:00:16 closed open breaking-the-mould publish 279 100 page 0 _wp_page_template default robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _edit_lock 1343566141 _edit_last 3 _thumbnail_id ngg-949       Uberkitsch http://www.benyaminiceramics.org/en/ceramic-galleries/past-exhibitions/uberkitsch/ Sun, 29 Jul 2012 12:07:30 +0000 http://benyaminiceramics.daze.co.il/?page_id=6341
      Opening: Thursday 26/1/12 at 19:00 Curator: Roy Mayan
      Kitsch is characterized by repetition, redundancy, glam, bold and bright colors and on the thematic level it exemplifies over-sentimentally, seduction, and representation of the pleasant and beautiful sides of life while clearly excluding the dark and painful aspects.
      The works in the exhibition ÜberKitsch use the very aesthetics that are usually ridiculed by trend-setters and connoisseurs, and raise critical, subversive or ironic issues - which can be ideological or form related.

It is no coincidence that kitsch is considered typical of ceramics.
      Kitsch, as stated, is intended for mass production - and ceramics is clearly a field of mass production. The fact that the ceramic work is duplicated by its very nature makes the debate on originality and reproduction redundant. Each object is simultaneously an original and a copy. Kitsch ceramic works designed for the masses are perceived as beautiful and pleasant – works that will suit every home.
      The works in the exhibition ÜberKitsch leach like parasites onto the back of well-known ceramic and aesthetic traditions and exploit the delineated shapes to emphasize new themes. The familiar forms - plates, figurines, fertility icons, Faberge eggs - all serve as a platform with historical ties on which a new contemporary statement can be created.
      Participants: Amnon Amos, Miri Fleisher, Eleanora Orly Edlavitch, Yochai Matos, Vered Nissim, Shaul Arazi, Guy Jana, Anna Carmi, Emily Cage, Osnat Raichman.
      The exhibition will also include the Reuven Nardy collection.
      At the opening: Performance by Emily Cage - Artistic advisor and video Anat Katz Live Wall Installation Performance by Yochai Matos
      The exhibition is accompanied by a catalog
      [nggallery id=82]
      ‏Details of images:
      • Miri Fleisher: May She Rest in Peace, 2011 Height 25 cm, porcelain, glaze, gold luster
      • Amnon Amos: Make me a princess, 2011 Height 30 cm, cast clay, altered, screen print, gold luster, chocolate
      • Yochai Matos: Makombe#1 from the White Magic series , 2011-12, Height 17cm, mixed media
      • Eleanora Orly Edlavitch: Legacy, 2011, Height 50cm, cast clay, altered, glaze, decals, gold luster, STL printing,
      Photographs: Hagar Zigler
      ]]>       6341 2012-07-29 15:07:30 2012-07-29 12:07:30 closed open uberkitsch publish 279 120 page 0 _edit_lock 1343564347 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _thumbnail_id ngg-845       Voyage - A boat to nowhere http://www.benyaminiceramics.org/en/ceramic-galleries/past-exhibitions/voyage-a-boat-to-nowhere/ Sun, 29 Jul 2012 12:08:18 +0000 http://benyaminiceramics.daze.co.il/ceramic-galleries/past-exhibitions/voyage-a-boat-to-nowhere/ Voyage - A boat to nowhere 17/11/2011-14/1/2012
      [nggallery id=73]
      Boats and ships have a prominent presence in the mythologies of many nations and peoples. Such was, for example, the heavenly boat belonging to the Egyptian Sun God Ra, who sailed daily across the sky; and such were the boats that transported mythological peoples like the Tuatha Dé Danann ("peoples of the goddess Danu") - the ancestors of the ancient Irish. One of these mythical vessels was Fryer the Norwegian's magical ship, which, while it held on board an entire army, complete with its arms and horses, it could also fit into his pocket. According to Greek mythology, the ship Argo that boarded seekers of the Golden Fleece of Kolchis, possessed the gift of prophecy and guidance, balancing the spirit of spontaneity and adventurousness that characterized the warriors on board.
      The early Canaanite culture believed that in the evening, the Sun Goddess Shapash would descend into the underworld, the underground dwelling of Mot the Death God, and with the rise of dawn she would resurrect and restart her journey by boat across the sky. Boats also symbolize an independent universe that harbors the seeds of renewal and survival, and is closely bound to Flood Myths in various cultures (including Noah's Ark). The boat may also symbolize change and transition, or the crossing of a barrier. In some cases, like that of the members of the Tanka people in China, the boat is the place in which they are born, live and die, and it represents not only a home but a way of life.
      The boat thus acts as a type of receptacle, simultaneously harboring a variety of subjective meanings such as travel, escape and adventure, in addition to the deeper symbolic weight of the general, mythological and religious meanings.
      The image of the boat can depict many layers of significance, from the optimistic destinies perceived by the young and adventurous as drifting toward the unknown, to the pessimistic tones signifying the end of the road, on a personal level, as well as crossing of the Styx River (the river of hate) after death. The boat may be the tiny vessel that carried baby Moses to his destiny across the Nile River, a boat carrying war-mongering and adventurers warriors to battle, or it could be a Funeral boat, like those belonging to the Vikings and the ancient Egyptians, upon which the body of the deceased made its final voyage.
      Every one of the works displayed in the exhibition reveals a process in which an emotional or existential condition leads to insight, thus we are exposed to journeys of recovering and processing memories. In relation to some of the works, we may experience a static mode of destruction or immobilization, a seemingly pessimistic situation, in which the mere awareness, understanding and expression of it form a point from which future journeys may depart. In other works one may get the impression of a "snapshot" that freezes the voyage There are works that raise conflicts, merging or synthesizing contradicting states and processes; these situations load the boat displayed with ambiguities that reveal emotional turmoil that rocks the boat as it moves on the tumultuous waters.
      Even when the journeys described seem ridden with pain and obstacles, it is clear that all energy and resources are recruited to push forward and continue. Other works depict journeys in which dreams, wishes and desires are lyrically expressed.
      A Memory of the Voyage
      When I was little ...
      I knew how to fold paper boats and I took them for a walk in the yard, in the aluminum wash tub.
      Folded newspaper boats
      Submitting, absorbing
      And immediately sinking
      And what about me? I stand firm
      In a rocking boat
      I carefully inspect and try to understand.
      And I do not know whether to believe in the boats, that disappeared in the tub,
      If there was something
      I would know
      Not any more.
      Thoughts about the exhibition evolved from a distant journey into myself.
      The memory of a pain that is no longer clear or tangible.
      Journeys I could have taken, or maybe did in another time and place.
      The exhibition features works created in various mediums: clay, video art, installation, drawing and photography by a group of artists , whose works I choose to display over and again. This is not an official group, and members are not necessarily aware of each other's creations, though they are acquainted with one another. They share characteristics such as style, aesthetics (which in Greek means 'I perceive"), and similar handwriting.
      The exhibition extends beyond the concept of a "boat" as an object and engages with the idea of a "journey." The boats serve as an object on which the eye can halt, while the goal is to shift the observation from the material objects to the intangible insinuated aspects loaded in their physicality.
      Ronen Siman Tov, The Branch Boat
      "Into the night sails the boat of melancholy, in search of hidden worlds. The journey raises questions about man's place in the world, the perception of reality, where man comes from, to what he is heading (sailing), and what is place? Will the boat ever reach a destination?
      The mental representation of the boat is no more than a shell that encompasses within it the individual wandering in the dark in search of his destiny.
      The reflections on the water duplicate the world and extend the riddle of existence in the universe, placing man in nature on the border between heaven and earth, temporality and eternity. This is the yearning of the individual, from his solitude, for sublime infinity ... "
      Noa Ben-Nun Melamed, Mimuzia
      A paper boat (made from a post-it) and a photograph of a tree in all its natural splendor, so perfect that it looks detached from nature: "A seductive aesthetic experience." The boat is ready to set sail; on the road, under a tree, a shady and protected spot. The work illustrates "the visual experience as an act of the imagination. Concrete reality is perceived as an internal experience, recalling a familiar feeling that feels out of place." This work is part of a series of works that were based on childhood memories and deal with the mechanism of memory. The boats "sail between the sea and the mountain, between the actual and the imagined, between the innocent and the tempting, and between the amusing and the threatening".
      Eva Avidar, Untitled
      A fragile boat, filled with rocks, hovers lightly in emptiness towards the unknown, despite its heavy load that is supposed to affix it in place. There is nothing around it, and the wondering gaze fixes on the boat, struggling to decide where it was heading beyond the here and now.
      "Dreaming, yearning ... your mind, your soul, your forehead, your eyes, your hands, the warmth of your body.
      Reaching out into nothingness. Stones in my body. I continue.
      Like Charon, forever- sealed CH
      His heart cracked.
      Sinful and lost souls on board his boat, screaming pleading, hurting and terrified.
      he cannot take it anymore. He abandons ship."
      Leonid Gosin, Fata Morgana
      Leonid Gosin's boats have completed their missions. They are, in fact, after-fragments and still they get a place of honor on the windowsill. Buildings posing as boats are reflected on the windowpane behind them. Gusin provides momentary insight into the nature of dreams and life. "The boat's remains are like his broken soul."
      "I'm sitting on the side
      And from the side I see
      People walking past me,
      And I am not moving
      I am not moving
      The shadow beside me
      Moves slowly
      Where oh where are you going
      Perhaps I
      Will arise and go
      But I do not know where and how
      I light another cigarette
      Play with the smoke
      Admiring the vanishing
      Cloud
      Slowly a minute passes
      Tagging the minute that passed before
      From the clock's hand "
      Jonathan Ofek, Boat
      "Is that a coffin carrying the dead moving on into a new life? Or a crate for the many varieties of fish who are actually dead,
      The boat is either dragged or it drags, is pulled or pulls
      In the space between the work of art and the spectator, everything is possible and everything is true.
      The tension between the sea and the land, the seashore is the tension between life and death - the unity of opposites.
      It is easier to understand the fact that we are entrusted in the hands of fate when sailing on a boat"
      Svetlana Fireman, Gazing / Boats
      Svetlana creates her boats in bowls that amplify the sense of depth.
      The bowl represents an autonomous and intimate space, and since the vessel is open, it allows us to peep into the story hidden inside. A body is contained within another body. The sea is the bowl that contains the boat within it, which contains the boats and their stories.
      Anat Barel, Phoenix
      Parts of boats, walls, free of functional constraints and architectural elements - all of these come together to form a new image. "Fragments from a broken and bruised world, that underwent traumas and disasters, a testimony of the world that might have been and is no longer; fragments that once had the capacity to contain and today contain nothing, as though belonging to a destroyed world. But perhaps it is possible to hold on to them and survive. The smoke leaves a trace in the material, making a drawing like veins in the earth, inside the body, like cracks that were created in me - within us, over the years. "
      Meira Unna, The Eye of the Storm
      Two ceramic vessels are the creative field for Meira Unna.
      The vessel is the quiet center (the eye of the storm in a hurricane), and the storm spirals around it.
      "I look to the horizon, and it is a line between water and sky. Sometimes it is stormy and buzzing with excitement, and sometimes it is sharp and clean. In any event, it stretches to the end of the world, which is a lot, and I want to hold on to something in face of this infinity".
      David Morris, Ship of Fools
      David Morris often displays the grotesque side of life in his works, and in this work we encounter once again his familiar figures who set out on an endless journey.
      Ship of Fools is a satirical poem written by the German writer Sebastian Brant in 1494. It is an allegory depicting mankind's weakness, and ever since, the expression "Ship of Fools" has become a common phrase. The painter Hieronymus Bosch drew his idea of the concept in 1490_-1500. Michel Foucault also used the story as part of his book Madness and Civilization: A History of Insanity in the Age of Reason, in which he attested that the identities of the "Fools "vary as a function of historical processes, from lepers, to fools to the madmen whom society choses to exclude due to the threat they pose in their digression.
      Nora and Naomi, from "The freight voyage"
      Boats in the exhibition "Escape" were the starting point for the exhibition "The Freight Journey," from which two works are exhibited. Images of boats reappear in Nora and Naomi's works, and emphasizes their claim that the present is a reflection of the past. The boats do not sail, but rather symbolize the constant turmoil of life.
      "We relied on research of myths of nations, near and far. The element of a chair – as the seat for the body, and the element of the boat - a place for the moving body, mobility and stability, migration and escape ...".
      Shulamit Etzion, Personal
      "The hands with the boat came from a very vulnerable place. The pose is quiet, personal, a position in which a circular motion exists, debating whether to submit or to save.
      The boat for me is a personal territory - in all senses, not just physical. The reality of an inner space.. What the boat can mean to someone who is at sea."
      The little leather boat, stitched with pink thread, which is normally used for transportation, is now transported and protected by hands made of fragile white porcelain. If you touch it- it will break.
      Ruti Barkai, Longing Sails
      The sails that are supposed to be the driving force of the boat are separated from it. The detachment of the sails from the boat places them out of their functional context and defines a new role for them.
      The installation, a set of sails, appears as a flotilla of boats or leaves on the water's surface. The sails are made of porcelain, and the fragility of the material as opposed to their original function, creates an absurd dissonance.
      Talia Bar, Voyage End
      A journey ends. The boat may rest on the side. Dented, worn out, loved.
      Thank you boat. Thank you Sea.
      At the edge of choppy, churning water, it rests.
      Voyage end"
      Avraham Ofek, Thanks to Jerusalem, I will tear their sea
      Avraham Ofek painted this piece two months before his death. For many years the boat in his work symbolized freedom and movement, and his arrival to Israel. Despite the promise that arises from the work's optimistic title the boat is stuck in the ground and cannot move.
      Binyamina Nadler – Naor (Bini), Pendulum
      "The hand holds on to the boat to protect the near reality, but also to prevent or delay the departure from the past, from childhood, from the ship of memories. Pulling the boat and the hand in opposite directions creates a power struggle. I choose to use material that is strong and durable and will last for generations to come, through which the sensation of the vulnerable and light paper is conveyed."
      [nggallery id=76] [nggallery id=73]The image of the boat can depict many layers of significance, from the optimistic destinies perceived by the young and adventurous as drifting toward the unknown, to the pessimistic tones signifying the end of the road, on a personal level, as well as crossing of the Styx River (the river of hate) after death. The boat may be the tiny vessel that carried baby Moses to his destiny across the Nile River, a boat carrying war-mongering and adventurers warriors to battle, or it could be a Funeral boat, like those belonging to the Vikings and the ancient Egyptians, upon which the body of the deceased made its final voyage.Even when the journeys described seem ridden with pain and obstacles, it is clear that all energy and resources are recruited to push forward and continue. Other works depict journeys in which dreams, wishes and desires are lyrically expressed.A Memory of the VoyageWhen I was little ...I knew how to fold paper boats and I took them for a walk in the yard, in the aluminum wash tub.Folded newspaper boatsSubmitting, absorbingAnd immediately sinkingAnd what about me? I stand firmI carefully inspect and try to understand.And I do not know whether to believe in the boats, that disappeared in the tub,If there was somethingI would knowNot any more.The memory of a pain that is no longer clear or tangible.Journeys I could have taken, or maybe did in another time and place.The exhibition extends beyond the concept of a "boat" as an object and engages with the idea of a "journey." The boats serve as an object on which the eye can halt, while the goal is to shift the observation from the material objects to the intangible insinuated aspects loaded in their physicality."Into the night sails the boat of melancholy, in search of hidden worlds. The journey raises questions about man's place in the world, the perception of reality, where man comes from, to what he is heading (sailing), and what is place? Will the boat ever reach a destination?The mental representation of the boat is no more than a shell that encompasses within it the individual wandering in the dark in search of his destiny.The reflections on the water duplicate the world and extend the riddle of existence in the universe, placing man in nature on the border between heaven and earth, temporality and eternity. This is the yearning of the individual, from his solitude, for sublime infinity ... "A paper boat (made from a post-it) and a photograph of a tree in all its natural splendor, so perfect that it looks detached from nature: "A seductive aesthetic experience." The boat is ready to set sail; on the road, under a tree, a shady and protected spot. The work illustrates "the visual experience as an act of the imagination. Concrete reality is perceived as an internal experience, recalling a familiar feeling that feels out of place." This work is part of a series of works that were based on childhood memories and deal with the mechanism of memory. The boats "sail between the sea and the mountain, between the actual and the imagined, between the innocent and the tempting, and between the amusing and the threatening".A fragile boat, filled with rocks, hovers lightly in emptiness towards the unknown, despite its heavy load that is supposed to affix it in place. There is nothing around it, and the wondering gaze fixes on the boat, struggling to decide where it was heading beyond the here and now."Dreaming, yearning ... your mind, your soul, your forehead, your eyes, your hands, the warmth of your body.Reaching out into nothingness. Stones in my body. I continue.Like Charon, forever- sealed CHHis heart cracked.Sinful and lost souls on board his boat, screaming pleading, hurting and terrified.he cannot take it anymore. He abandons ship."Leonid Gosin's boats have completed their missions. They are, in fact, after-fragments and still they get a place of honor on the windowsill. Buildings posing as boats are reflected on the windowpane behind them. Gusin provides momentary insight into the nature of dreams and life. "The boat's remains are like his broken soul.""I'm sitting on the sideAnd from the side I seePeople walking past me,And I am not movingI am not movingThe shadow beside meMoves slowlyWhere oh where are you goingPerhaps IWill arise and goBut I do not know where and howI light another cigarettePlay with the smokeAdmiring the vanishingCloudSlowly a minute passesTagging the minute that passed beforeFrom the clock's hand ""Is that a coffin carrying the dead moving on into a new life? Or a crate for the many varieties of fish who are actually dead,The boat is either dragged or it drags, is pulled or pullsIn the space between the work of art and the spectator, everything is possible and everything is true.The tension between the sea and the land, the seashore is the tension between life and death - the unity of opposites.It is easier to understand the fact that we are entrusted in the hands of fate when sailing on a boat"Svetlana creates her boats in bowls that amplify the sense of depth.The bowl represents an autonomous and intimate space, and since the vessel is open, it allows us to peep into the story hidden inside. A body is contained within another body. The sea is the bowl that contains the boat within it, which contains the boats and their stories.Parts of boats, walls, free of functional constraints and architectural elements - all of these come together to form a new image. "Fragments from a broken and bruised world, that underwent traumas and disasters, a testimony of the world that might have been and is no longer; fragments that once had the capacity to contain and today contain nothing, as though belonging to a destroyed world. But perhaps it is possible to hold on to them and survive. The smoke leaves a trace in the material, making a drawing like veins in the earth, inside the body, like cracks that were created in me - within us, over the years. "Two ceramic vessels are the creative field for Meira Unna.The vessel is the quiet center (the eye of the storm in a hurricane), and the storm spirals around it."I look to the horizon, and it is a line between water and sky. Sometimes it is stormy and buzzing with excitement, and sometimes it is sharp and clean. In any event, it stretches to the end of the world, which is a lot, and I want to hold on to something in face of this infinity".David Morris often displays the grotesque side of life in his works, and in this work we encounter once again his familiar figures who set out on an endless journey.Ship of Fools is a satirical poem written by the German writer Sebastian Brant in 1494. It is an allegory depicting mankind's weakness, and ever since, the expression "Ship of Fools" has become a common phrase. The painter Hieronymus Bosch drew his idea of the concept in 1490_-1500. Michel Foucault also used the story as part of his book Madness and Civilization: A History of Insanity in the Age of Reason, in which he attested that the identities of the "Fools "vary as a function of historical processes, from lepers, to fools to the madmen whom society choses to exclude due to the threat they pose in their digression.Boats in the exhibition "Escape" were the starting point for the exhibition "The Freight Journey," from which two works are exhibited. Images of boats reappear in Nora and Naomi's works, and emphasizes their claim that the present is a reflection of the past. The boats do not sail, but rather symbolize the constant turmoil of life."We relied on research of myths of nations, near and far. The element of a chair – as the seat for the body, and the element of the boat - a place for the moving body, mobility and stability, migration and escape ..."."The hands with the boat came from a very vulnerable place. The pose is quiet, personal, a position in which a circular motion exists, debating whether to submit or to save.The boat for me is a personal territory - in all senses, not just physical. The reality of an inner space.. What the boat can mean to someone who is at sea."The little leather boat, stitched with pink thread, which is normally used for transportation, is now transported and protected by hands made of fragile white porcelain. If you touch it- it will break.The sails that are supposed to be the driving force of the boat are separated from it. The detachment of the sails from the boat places them out of their functional context and defines a new role for them.The installation, a set of sails, appears as a flotilla of boats or leaves on the water's surface. The sails are made of porcelain, and the fragility of the material as opposed to their original function, creates an absurd dissonance.Talia Bar, Voyage EndA journey ends. The boat may rest on the side. Dented, worn out, loved.Thank you boat. Thank you Sea.At the edge of choppy, churning water, it rests.Voyage end"Avraham Ofek painted this piece two months before his death. For many years the boat in his work symbolized freedom and movement, and his arrival to Israel. Despite the promise that arises from the work's optimistic title the boat is stuck in the ground and cannot move.Binyamina Nadler – Naor (Bini), Pendulum"The hand holds on to the boat to protect the near reality, but also to prevent or delay the departure from the past, from childhood, from the ship of memories. Pulling the boat and the hand in opposite directions creates a power struggle. I choose to use material that is strong and durable and will last for generations to come, through which the sensation of the vulnerable and light paper is conveyed."]]>       6343 2012-07-29 15:08:18 2012-07-29 12:08:18 closed open voyage-a-boat-to-nowhere publish 279 130 page 0 _wp_page_template default robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _edit_lock 1343564553 _edit_last 3 _thumbnail_id ngg-682       A-la-Maud http://www.benyaminiceramics.org/en/ceramic-galleries/past-exhibitions/a-la-maud/ Sun, 29 Jul 2012 12:09:04 +0000 http://benyaminiceramics.daze.co.il/ceramic-galleries/past-exhibitions/a-la-maud/ 6344 2012-07-29 15:09:04 2012-07-29 12:09:04 closed open a-la-maud publish 279 140 page 0 _wp_page_template default robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _edit_lock 1343566032 _edit_last 3 _thumbnail_id ngg-578 "Whose Earth is it Anyway?" http://www.benyaminiceramics.org/en/ceramic-galleries/past-exhibitions/whose-earth-is-it-anyway/ Sun, 29 Jul 2012 12:09:40 +0000 http://benyaminiceramics.daze.co.il/?page_id=6345 "Whose Earth is it Anyway?" Curator: Eran Ehrlich Participants: Yoav Admoni, Micha Ulman, Tsipi Itai, Pina Bausch, Ruth Bigger, Tamara Ben-Artzi, Hagar Ben-Meir, Ester Beck, Maya Salomon, Cluadi Casanovas, Gilad Ratman, Shelly Shavit, Claude Champy, Yigal Tomarkin Opening: 16/6/2011 Closing: 27/8/2011 “Whose earth is it” is a somewhat provocative and very controversial question, but what underlies the long-standing struggle between “us and them” is the shared notion that the earth in fact belongs to somebody and that man's connection to earth is one of ownership. Without the common consensus that land is meant to and should be owned, there would be no cause for this conflict and the uncompromising struggle between us and them. Is this paradigm of ownership really the only possible connection between man and earth? The current exhibition proposes that this connection does not necessarily need to pass through the prism of the ownership and that there is another option. The idea presented, through the specific and unique style each of the participating artists, is what I would like to term the “Artist’s Model”. The model of the connection between the artist and his material is not one of control and ownership, but rather one based on the artist’s attention to the material’s inherent possibilities which define the creative activity, while the result is an attempt to expose these qualities by giving them a metaphoric value. The sense of belonging is transformed from a place of ownership to one of experience and constitutes an opportunity and invitation that is open to all. Eran Ehrlich, Curator [nggallery id=57] ]]> 6345 2012-07-29 15:09:40 2012-07-29 12:09:40 closed open whose-earth-is-it-anyway publish 279 150 page 0 _edit_lock 1343565139 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _thumbnail_id ngg-557 Towering Above http://www.benyaminiceramics.org/en/ceramic-galleries/past-exhibitions/towering-above/ Sun, 29 Jul 2012 12:52:35 +0000 http://benyaminiceramics.daze.co.il/?page_id=6375 [nggallery id=87]
      -
      Towering Above
      29/5/2012-12/5/2012
      [singlepic id=932 w=320 h=240 float=center]
      Opening: Thursday 29/3/12 at 19:30
      Curator: Nurit Zilberberg
      ]]>       6375 2012-07-29 15:52:35 2012-07-29 12:52:35 closed open towering-above publish 279 110 page 0 _edit_lock 1343566356 _edit_last 3 _thumbnail_id ngg-926 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default       סדנת עיצוב קרמי http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%a1%d7%93%d7%a0%d7%90%d7%95%d7%aa/%d7%9e%d7%91%d7%95%d7%90-%d7%9c%d7%99%d7%a6%d7%99%d7%a7%d7%94-%d7%a7%d7%a8%d7%9e%d7%99%d7%aa/ Sun, 29 Jul 2012 13:04:21 +0000 http://benyaminiceramics.daze.co.il/?page_id=6385 [imagebrowser id=140]

      הייצור התעשייתי הקרמי מאפשר לעובדים בחומר לעצב מודל מחומרים שונים, לייצר עבורו תבנית גבס ולשכפל סדרות מוצרים קרמים למטרות שונות, שימושי, פיסולי ועוד. סדנה מרוכזת המאפשרת הכרות עם תהליכי עבודה תעשייתים קרמים במהלך כולל של ייצור מודל ובניית תבנית גבס, יציקות קרמיות ומניפולציות בחומר.

      הסדנה בהנחיית אופיר זמודזיאק.

      מועד הסדנה:

      הסדנה כוללת 3 מפגשים, שיתקיימו בתאריכים 11-13 באוגוסט ו-18 באוגוסט 2013. שעות הסדנה: 9:00-14:00. (ב-18 באוגוסט עד 12:00).

      עלות הסדנה: 1250 ₪, כולל חומרים.

      ]]>       6385 2012-07-29 16:04:21 2012-07-29 13:04:21 closed open %d7%9e%d7%91%d7%95%d7%90-%d7%9c%d7%99%d7%a6%d7%99%d7%a7%d7%94-%d7%a7%d7%a8%d7%9e%d7%99%d7%aa publish 4325 9 page 0 _edit_lock 1367846481 _edit_last 3 _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1367846481 _thumbnail_id ngg-1245 robotsmeta index,follow description היכרות עם טכניקת יצור והקניית לים ליצירת תבנית ליציקה קרמית       Ceramic Design – Casting and Repetition http://www.benyaminiceramics.org/en/ceramic-courses/workshops/plaster-mould-workshop/ Sun, 29 Jul 2012 13:11:11 +0000 http://benyaminiceramics.daze.co.il/?page_id=6387 Ofir Zmudjak An introduction to a  ceramic production method and how to prepare a plaster casting mould. The course will focus on the technique used to repeat production of a ceramic object.  We will learn to make a model from plaster and how to convert the form into clay as well as the basic steps in making moulds.   The course will start with a presentation on how to build a model, followed by a demo on how to build a mould.  We will then learn to slip cast using the moulds we prepared.  In addition we will learn to prepare casting slip. Cost: 1250 shekels including materials Dates: Sun, Mon, Tues 11 - 12 -  13.8.13 from 9:00 - 14:00 Sun. 18.8.13 from 9:00 to 12:00]]> 6387 2012-07-29 16:11:11 2012-07-29 13:11:11 closed open plaster-mould-workshop publish 4379 9 page 0 _edit_lock 1373817611 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _thumbnail_id ngg-1245 img_1779 http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%a6%d7%95%d7%95%d7%aa-%d7%94%d7%9e%d7%95%d7%a8%d7%99%d7%9d/img_1779/ Tue, 31 Jul 2012 06:47:16 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/07/img_1779.jpg 6556 2012-07-31 09:47:16 2012-07-31 06:47:16 closed open img_1779 inherit 5634 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/07/img_1779.jpg _wp_attached_file 2012/07/img_1779.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"448";s:6:"height";s:3:"336";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:20:"2012/07/img_1779.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:20:"img_1779-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:20:"img_1779-300x224.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"224";}}s:10:"image_meta";a:10:{s:8:"aperture";s:3:"3.2";s:6:"credit";s:0:"";s:6:"camera";s:24:"Canon PowerShot SD850 IS";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1311155195";s:9:"copyright";s:0:"";s:12:"focal_length";s:5:"7.466";s:3:"iso";s:3:"200";s:13:"shutter_speed";s:4:"0.02";s:5:"title";s:0:"";}} הגלרייה הקטנה http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%9e%d7%a6%d7%99%d7%92%d7%95%d7%aa/%d7%94%d7%9e%d7%93%d7%a4%d7%99%d7%94/ Tue, 31 Jul 2012 07:06:44 +0000 http://www.benyaminiceramics.org/?page_id=6561 אוצרת: תרצה ילון קולטון

      בכניסה לבית בנימיני ממוקמת "הגלריה הקטנה". בגלריה: מדפיי תצוגה למכירה המייצגת את מיטב אמני הקרמיקה בארץ. התערוכה מתחלפת כל מספר שבועות. עבודות יד של אמנים היוצרים בשפה אישית מיוחדת לכל אחד ואחד. המטרה להחשף לקהל הרחב וליצור "חלוןראווה" של הנעשה בתחום.

      [nggallery id=174]

      האמנים המציגים כעת גאיה מאירה אונא עדי ניסני אפרת קרן ושי פרי לכל אמן הפרשנות שלו לנושא ושפתו האישית ניכרת בתוצאה. הזדמנות נפלאה לבקר בבית בנימיני לרכוש עבודה ייחודית ולהנות מפעילות שהמקום מציע.

      ]]>       6561 2012-07-31 10:06:44 2012-07-31 07:06:44 closed open %d7%94%d7%9e%d7%93%d7%a4%d7%99%d7%94 publish 5718 3 page 0 _edit_lock 1375221289 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1375221289 _thumbnail_id ngg-1574       The Small Gallery http://www.benyaminiceramics.org/en/ceramic-galleries/current-exhibitions/benyaminis-shelves/ Tue, 31 Jul 2012 07:09:40 +0000 http://www.benyaminiceramics.org/?page_id=6565 Curator: Tirza Yalon Kolton

      Ceramic artists display their work on ten shelves over 10 weeks.  These artists are selected to create a window into the work done in clay in Israel

      [nggallery id=174] The Small Gallery at the Benyamini Center – a great place to visit and buy unique gifts. The shelves display handmade objects that bear the fingerprints of a dedicated maker, carefully crafted and hold the spirit of an Israeli artist. The works displayed currently are made by Gaia, Meira Una, Adi Nissani.  All the works use a similar technique of firing and yet the results are so different, each artist making a definitive statement and expressing a very personal design language. In addition to these bold works we are selling finely cast porcelain cups made by Efrat Keren and Shai Pery. ]]>       6565 2012-07-31 10:09:40 2012-07-31 07:09:40 closed open benyaminis-shelves publish 6176 3 page 0 _edit_lock 1375221487 _edit_last 3 robotsmeta index,follow _revision-control defaults _wp_page_template default _thumbnail_id ngg-1574       ANNA1 http://www.benyaminiceramics.org/?attachment_id=6658 Tue, 31 Jul 2012 12:02:15 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/07/ANNA1.jpg 6658 2012-07-31 15:02:15 2012-07-31 12:02:15 closed open anna1 inherit 0 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/07/ANNA1.jpg _wp_attached_file 2012/07/ANNA1.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"439";s:6:"height";s:3:"336";s:14:"hwstring_small";s:23:"height='96' width='125'";s:4:"file";s:17:"2012/07/ANNA1.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:17:"ANNA1-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:17:"ANNA1-300x229.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"229";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:9:"NIKON D70";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1163682289";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:15:"0.0166666666667";s:5:"title";s:0:"";}} lindasormin http://www.benyaminiceramics.org/%d7%90%d7%a8%d7%95%d7%a2%d7%99%d7%9d/lindasormin/ Tue, 31 Jul 2012 13:05:30 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2010/07/lindasormin.jpg 6685 2012-07-31 16:05:30 2012-07-31 13:05:30 closed open lindasormin inherit 1439 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2010/07/lindasormin.jpg _wp_attached_file 2010/07/lindasormin.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"397";s:6:"height";s:3:"336";s:14:"hwstring_small";s:23:"height='96' width='113'";s:4:"file";s:23:"2010/07/lindasormin.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:23:"lindasormin-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:23:"lindasormin-300x253.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"253";}}s:10:"image_meta";a:10:{s:8:"aperture";s:3:"3.2";s:6:"credit";s:0:"";s:6:"camera";s:8:"DSC-W120";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1280309591";s:9:"copyright";s:0:"";s:12:"focal_length";s:4:"6.38";s:3:"iso";s:3:"125";s:13:"shutter_speed";s:15:"0.0166666666667";s:5:"title";s:0:"";}} nansmith http://www.benyaminiceramics.org/%d7%90%d7%a8%d7%95%d7%a2%d7%99%d7%9d/nansmith/ Tue, 31 Jul 2012 13:06:13 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2010/07/nansmith.jpg 6686 2012-07-31 16:06:13 2012-07-31 13:06:13 closed open nansmith inherit 1439 0 attachment 0 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http://www.benyaminiceramics.org/wp-content/uploads/2010/07/mollyhatch.jpg 6688 2012-07-31 16:06:55 2012-07-31 13:06:55 closed open mollyhatch inherit 1439 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2010/07/mollyhatch.jpg _wp_attached_file 2010/07/mollyhatch.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"467";s:6:"height";s:3:"500";s:14:"hwstring_small";s:22:"height='96' width='89'";s:4:"file";s:22:"2010/07/mollyhatch.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:22:"mollyhatch-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:22:"mollyhatch-280x300.jpg";s:5:"width";s:3:"280";s:6:"height";s:3:"300";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} קדרות קוריאנית על קצה המזלג http://www.benyaminiceramics.org/2012/08/%d7%a7%d7%93%d7%a8%d7%95%d7%aa-%d7%a7%d7%95%d7%a8%d7%99%d7%90%d7%a0%d7%99%d7%aa-%d7%a2%d7%9c-%d7%a7%d7%a6%d7%94-%d7%94%d7%9e%d7%96%d7%9c%d7%92/ Sun, 12 Aug 2012 08:48:42 +0000 http://www.benyaminiceramics.org/?p=6850 אמנות קרמיקה נשענת על מסורות קדרות ארוכות שנים שמקורן באזורים שונים ברחבי תבל, ואשר בהן פותחו בחלוף השנים טכניקות וחומרים גלם ייחודים. כל קורס קדרות נשען על מסורות שונות אשר לעיתים קרובות משולבות לשם יצירת פיסול קרמי בעל אופי ייחודי לאמן היוצר. אחת המסורות המעניינות והמשפיעות ביותר על עולם הקדרות לאורך ההיסטוריה היא הקדרות הקוריאנית. מדובר בענף קדרות בעל מאפיינים וייחוד משלו, אשר אומץ עלי ידי התרבות היפנית וממנה עבר לעולם המערבי, וגם כיום ממשיך להשפיע ולעצב את תחום הקרמיקה המודרנית. לכן, תערוכות קרמיקה רבות בארץ ובעולם מציגות עבודות המושפעות מהיבטים של אמנות קרמיקה קוריאנית.

      טכניקת הראקו ומאפייניה

      מקורה של טכניקת השריפה ראקו, שהתבססה ביפן החל מהמאה השש עשרה, היא בשיטה קוריאנית אשר ייצרה כלים קרמיים המאופיינים במראה צנוע, טבעי, ארצי, פשוט ואורגני. תצורות אלו התאימו לתפיסת אסתטיקת הזן שהחלה להתבסס באותה תקופה ביפן. הכלים הכילו כמות גבוהה יחסית של חול ונשרפו בחום נמוך שיצר בגופן נקבוביות. צבעם הינו לרוב שחור, אדום או לבן, ועקב יצירתם באופן ידני וללא אובניים הם מאופיינים במראה בלתי מהוקצע, עם שפה א-סימטרית ולא אחידה. הכלים נעימים למגע, שומרים על חום הנוזלים למשך זמן רב וגם עבים במיוחד, מה שמאפשר להחזיק בתוכם בנוחות תה ונוזלים רותחים. בסביבות מחצית המאה העשרים הגיעה טכניקת הראקו לעולם המערבי, וידועה במיוחד השפעתו של הקדר האמריקאי פול סולדנר, אשר כלל את השיטה בהוסיפו לה קירור בתוך תא עישון, גורם הוביל ליצירת גוונים וזיגוג ספונטני וייחודי.

      טכניקת "תנור מטפס" ומאפייניה

      טכניקת השריפה בעזרת תנור מטפס קיימת במזרח הרחוק ובקוריאה כבר למעלה משלושת אלפים שנה, כאשר בעבר נבנו התנורים בתוך תעלות על גדות נהרות. התנור עצמו הינו גדול ממדים ומורכב משרשרת תאים המחוברים אחד לשני. האש עוברת בדרך מפותלת וארוכה בין התאים ובין הכלים הנשרפים בתוכם, עד ליציאתה מהארובה שבתא העליון. תא הבעירה נבנה לצד התנור ואילו הארובה מצידו השני ובסמוך לרצפה, כך שנוצר חום גבוה עם חיסכון בחומרי הבעירה. האפר הנוצר בזמן הבעירה מתמקם באופן אקראי על הכלים הנשרפים, וכך מתקבל זיגוג מקורי, מקרי ומעניין המעטר את הכלים. בטכניקה זו נעשה שימוש עד היום, אך היא דורשת ידע רב ועבודה בתנאי שטח פתוחים. המעוניינים יוכלו למצוא סדנת קדרות המתמחה בשיטה זו בעיקר מחוץ לערים.

      למידע נוסף על קורס קדרות בבית בנימיני

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      אוצרת: רויטל בן-אשר פרץ

      אמנים: לידיה זבצקי, הילה עמרם, איתמר לוי, אורי שפירא, רועי מעין

      פתיחה: יום חמישי, 30.8.2012, בשעה 20:00

      השקת קטלוג ויום עיון: יום שישי, 12.10.2012, בשעה 10:30

      רוחו של אחד, פלוני, חמור בשם אפרים – הבלחה מן העבר, רוח רפאים, הבהוב קלוש –סיפקה מסד רעיוני ותשתית חומרית לתערוכה "חמור". אין זו תערוכת נושא קבוצתית, התרה אחר דימויי חמורים באמנות הישראלית. עניינה במצב החמוּר והחמוֹרי של הקרמיקה כמדיום בשדה האמנות הישראלי. היא מבקשת לעסוק בחיים ובמוות, בסכנות הגוף והנפש הכרוכות אלה באלה עבור העוסקים במלאכת האמנות בכלל ובתחום הקרמי בפרט.

      התערוכה חולשת על פני שלוש קומותיו של בית בנימיני ובונה תחביר, ששותפים לו אמנים מתחומים שונים, בעלי "תיוגים ביוגרפיים" נבדלים, היוצרים עבודות קרמיקה ומיצבים בחומרים מגוונים.

      עמי דרך ז"ל

      האמנים

      רויטל בן אשר פרץ, אוצרת התערוכה "חמור", בונה תחביר, ששותפים לו אמנים מתחומים שונים, בעלי "תיוגים ביוגרפיים" נבדלים. פרץ עצמה אוצרת לאמנות עכשווית, תלמידתה לשעבר של לידיה זבצקי ובוגרת המחלקה לעיצוב קרמי בבצלאל, 1995. כאוצרת, היא מתמקדת בגיבוש קבוצות פעולה אמנותיות המשלבות אמנים ונון-אמנים מדיסציפלינות שונות, החוות תהליך משותף לאורך זמן.

      לידיה זבצקי, (2001-1937), מאושיות עולם הקרמיקה המקומי. החמור פרי יצירתה, אפרים... אפרים (2000, מוזיאון ארץ ישראל, תל אביב), משמש כנקודת מוצא לתערוכה כולה.

      הילה עמרם, אמנית רב-תחומית עכשווית. בוגרת המחלקה לעיצוב גרפי בבצלאל, 2002. בעבודתה מחברת עמרם חלקיקי רדי-מייד תוך התערבות מינימלית, מפיחה חיים בדומם.

      איתמר לוי, פסיכואנליטיקן, סופר, מרצה, מבקר אמנות ואוצר, לוהק לתפקיד ה"קרמיקאי" של התערוכה. לוי פוקד בקביעות חוג קרמיקה ושומר על המעמד המחייב בהכרח של "חובבן". בתערוכה זו הוא חושף לראשונה כורים אטומיים מעשה ידיו, עשויים משאריות חומר.

      אורי שפירא, בוגר המחלקה לעיצוב קרמי ועיצוב זכוכית בבצלאל, 2008. שפירא שואב את המתודיקה האמנותית שלו ממעבדת המחקר הטכנולוגית של המחלקה.

      רועי מעין, בוגר המחלקה לקרמיקה בבצלאל, 2002. קרמיקאי החי ונושם את המדיום, משתתף בתערוכות קרמיקה בישראל ובעולם, אוצר ומלמד קרמיקה. מעיין מייצר המוני חמורים ירוקים, צבא טרה-קוטה מיניאטורי פולש ומסמן דרך. בנוסף, עוסק מעיין בשאלה "מה בין חנות לאמנות"? שאלה רלוונטית במיוחד לאמני קרמיקה.

      להגדלה לחצו כאן

      תמונות מערב הפתיחה

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      למידע נוסף על לימודי פיסול בבית בנימיני]]>       6807 2012-08-13 10:56:52 2012-08-13 07:56:52 closed open %d7%97%d7%9e%d7%95%d7%a8-%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%94-%d7%a7%d7%91%d7%95%d7%a6%d7%aa%d7%99%d7%aa publish 276 50 page 0 robotsmeta index,follow title חמור | תערוכת קרמיקה בבית בנימיני _edit_lock 1371485367 _edit_last 3 _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1371485366 _thumbnail_id ngg-1389 _alp_broken_links a:2:{s:92:"http://www.benyaminiceramics.org/2012/09/%D7%A2%D7%9E%D7%99-%D7%93%D7%A8%D7%9A-%D7%96%D7%9C/";a:0:{}s:181:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%9C%D7%99%D7%9E%D7%95%D7%93%D7%99-%D7%A4%D7%99%D7%A1%D7%95%D7%9C/";a:0:{}} 673 http://www.benyaminiceramics.org/2012/09/%d7%a2%d7%9e%d7%99-%d7%93%d7%a8%d7%9a-%d7%96%d7%9c/ 91.193.50.70 2012-09-12 16:52:23 2012-09-12 13:52:23 1 pingback 0 0 682 http://www.benyaminiceramics.org/2012/09/%d7%94%d7%a9%d7%a7%d7%aa-%d7%94%d7%a7%d7%98%d7%9c%d7%95%d7%92-%d7%97%d7%9e%d7%95%d7%a8/ 91.193.50.70 2012-09-24 10:52:11 2012-09-24 08:52:11 1 pingback 0 0       חמור - תערוכת קרמיקה קבוצתית http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/%d7%97%d7%9e%d7%95%d7%a8-%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%94-%d7%a7%d7%91%d7%95%d7%a6%d7%aa%d7%99%d7%aa/hamorinfo/ Mon, 13 Aug 2012 08:14:50 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/08/hamorinfo.jpg 6814 2012-08-13 11:14:50 2012-08-13 08:14:50 closed open hamorinfo inherit 6807 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/08/hamorinfo.jpg _wp_attached_file 2012/08/hamorinfo.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"750";s:6:"height";s:4:"1055";s:14:"hwstring_small";s:22:"height='96' width='68'";s:4:"file";s:21:"2012/08/hamorinfo.jpg";s:5:"sizes";a:3:{s:9:"thumbnail";a:3:{s:4:"file";s:21:"hamorinfo-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:21:"hamorinfo-213x300.jpg";s:5:"width";s:3:"213";s:6:"height";s:3:"300";}s:5:"large";a:3:{s:4:"file";s:22:"hamorinfo-727x1024.jpg";s:5:"width";s:3:"727";s:6:"height";s:4:"1024";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt להגדלה לחצו כאן Donkey http://www.benyaminiceramics.org/en/ceramic-galleries/past-exhibitions/donkey/ Mon, 13 Aug 2012 08:20:34 +0000 http://www.benyaminiceramics.org/?page_id=6818 Curator: Revital Ben-Asher Peretz Artists: Lidia Zavadsky, Hila Amram, Itamar Levy, Uri Shapira, Roy Maayan Opening: Thursday, 30 August 2012, 8 p.m. Symposium and catalogue launching: Friday, 12 October 2012, 10.30 a.m. The spirit of one unknown donkey named Ephraim—an apparition from the past, a specter, a faint flicker—furnished the conceptual and material foundation for the exhibition "Donkey." It is not a thematic group exhibition which pursues donkey images in Israeli art. Instead, it focuses on the grave   situation of ceramics as a medium in the field of Israeli art. It strives to touch upon life and death, upon the intertwined physical and mental dangers threatening practitioners of art in general, and ceramics in particular. The exhibition dominates all three floors of the Benyamini Center, as if striving to conquer the Temple's interior, to appropriate it in full.  "Donkey" outlines a syntax shared by artists from various fields and varying backgrounds, who create ceramic works and installations in diverse materials. Ami Drach made this tiny donkey and gave it to Revital Ben Asher Peretz on the night of the opening of the exhibition - Donkey. For more about Ami Drach, who tragically passed away, read here (in Hebrew).

      The Artists:

      Revital Ben-Asher Peretz | A curator of contemporary art, former student of Lidia Zavadsky, graduate of the Department of Ceramic Design at Bezalel Academy of Arts and Design, Jerusalem (1995). Her curatorial work focuses on consolidation of artistic action groups combining artists and non-artists from various disciplines, who experience a common process over time. Lidia Zavadsky (1937-2001) | One of the kingpins of the Israeli ceramics world. Her donkey, Ephraim… Ephraim (2000, Eretz-Israel Museum, Tel Aviv), served as a point of departure for the entire exhibition and the installation that evolved around it. At the same time, it anchors a historical view which spawns a chronological continuum of practitioners, a view which projects on Israeli artists in the mainstream and margins alike. Hila Amram | An interdisciplinary contemporary artist, graduate of the Department of Graphic Design, Bezalel Academy of Arts and Design, Jerusalem, 2002 (a field which, like ceramics, is located in the margins of the art world). Amram's work brings readymade fragments together, with minimal intervention, breathing life into the inanimate, creating and planting fine hints for evolution and existence. Itamar Levy | A psychoanalyst, writer, lecturer, art critic and curator, Levy was cast for the role of the exhibition's "ceramicist." He regularly attends an afternoon pottery class, maintaining the inevitably binding status of "amateur." His works do not rely on developed technical and technological knowhow. They elicit thoughts about the stigma associated with ceramic activity as hobbyist, as a type of occupational therapy, a craft devoid of the glamour ostensibly attached to contemporary art. Uri Shapira | Graduate of the Department of Ceramic and Glass Design at Bezalel Academy of Arts and Design, Jerusalem (2008), Shapira draws his artistic method from the department's technological research lab. Roy Maayan | Graduate of the Department of Ceramic Design at Bezalel Academy of Arts and Design, Jerusalem, 2002. Maayan is a ceramicist who lives and breathes the medium, participates in ceramics exhibitions throughout the world, curates, and teaches ceramics. As part of the preliminary work process on the exhibition, group meetings were held to tighten the collaboration among the participants. Every floor features a dialogue between two artists, which extends into a multi-participant conversation among works on the building's various levels. ]]>       6818 2012-08-13 11:20:34 2012-08-13 08:20:34 closed open donkey publish 279 50 page 0 _edit_lock 1351750877 _edit_last 3 title Donkey | Benyamini Benyamini Contemporary Ceramics Center _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _thumbnail_id ngg-1389 robotsmeta index,follow       קרמיקה ישראלית: מוד פרידלנד http://www.benyaminiceramics.org/2012/08/%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94-%d7%99%d7%a9%d7%a8%d7%90%d7%9c%d7%99%d7%aa-%d7%9e%d7%95%d7%93-%d7%a4%d7%a8%d7%99%d7%93%d7%9c%d7%a0%d7%93/ Wed, 22 Aug 2012 08:33:27 +0000 http://www.benyaminiceramics.org/?p=6847 הגלריות בבית בנימיני מציגות תערוכות קרמיקה שונות ומגוונות. במהלך השנה שעברה, הוצגה התערוכה "א-לה מוד", שכללה את עבודתיה של האמנית מוד פרידלנד -  אחת מאמניות הקרמיקה החשובות שפעלו בישראל. סימן ההיכר הבולט שמאפיין את יצירותיה הינן דמויות פיסול קרמי בצורת גלילים מאורכים וצבעוניים, שעליהם איורי פנים מינימליסטיים. יצירות האמנות של פרידלנד מהוות שיקוף מלא לאישיותה המרתקת בהיותן אותנטיות, פראיות, ישירות ומלאות תעוזה, לצד שליטה עצמית רבה וצניעות. עבודותיה הוסיפו נופך איכותי ומקורי ליצירה המקומית בארץ.

      קורות חייה ומקורות השפעתה

      מוד פרידלנד נולדה בוינה בסוף שנות העשרים של המאה הקודמת למשפחה בורגנית אמידה. לאחר מלחמת העולם השנייה החלה ללמוד אמנות בבוקרשט, ובשנות החמישים עלתה לארץ והתיישבה עם משפחתה בחדרה. שנה לאחר מכן נסעה מוד לפריז בעזרת מלגה שקיבלה מארגון הג'וינט, ושם למדה ציור ופיסול באקדמיית בואז'ר, עם התמקדות בענף הפיסול הקרמי. היא הושפעה רבות מתפיסת האמנות המופשטת הפריזאית, אשר היוותה סמן דרך בכל יצירותיה  העתידיות. בסיום לימודיה המשיכה מוד פרידלנד לווינה על מנת להתמחות בתחום הקרמיקה, ועם חזרתה לישראל היא התקבלה כמורה בבצלאל שבירושלים והתגוררה בשכונת עין כרם. בבצלאל לימדה בין היתר קורס קדרות אשר תרם רבות לעיצוב הענף בארץ. בשנות התשעים עברה מוד ליפו ושם התגוררה במשך שמונה שנים, בהן התמקדה ביצירות פיסול קרמי עד יום מותה. במשך חייה הציגה מוד פרידלנד עשרות תערוכות קרמיקה ואומנות בארץ ובעולם.

      מאפייני עבודות הקרמיקה של מוד פרידלנד

      במשך ארבעים שנות פעילות בישראל יצרה מוד פרידלנד אמנות קרמיקה, אשר כללה עבודות קדרות רבות. על עבודותיה נמנים כדים, קערות ואגרטלים שאופיינו ברגישות ובתפיסה אומנותית גבוהה וטהורה. הן יצירותיה המוקדמות והן המאוחרות ניחנות בגלזורות יפהפיות, כאשר לכל עבודה ייחוד איכותי וגוון וצבע חדשים ומפתיעים.

      עיקר פרסומה של מוד פרידלנד נבע מעבודות פיסול קרמי מרתקות, אשר נעשו בעיקר בשנותיה האחרונות. בעזרתן היא גישרה בין עולם הפיסול ובין עולם הקרמיקה, וגרמה לצופה בעבודות גליליות אלו לתהות על הקשר והחיבור שבין שני תחומים אלו. עבודותיה תיארו דמויות נשיות בתוך צורת כד-אגרטלי, אשר שילבו גסות וחספוס עם רוך ועדינות בשינויים קלים ועדינים. יצירות אלו אופיינו בחוסר סימטריה ובחוסר שלמות, כשיקוף לדמותה של פרידלנד ולנשיות פגיעה, אנושית ובלתי מושלמת.

      על המופשט והגלזורה בעבודותיה של מוד פרידלנד

      מוד פרידלנד היא מהבולטות בתחום אמנות הקרמיקה בישראל, והדבר מתבטא באיכותיות הגלזורה והאיור של עבודותיה, שהינן בעלות נופח מופשט- לירי ויוצרות תחושה חזקה של רוך,  עדינות, כאב ואובדן. הקווים היחידים בעבודותיה של האמנית מתבטאים בגלזורה בעלת פיצוצים דקיקים, ההופכים למארג קסום וצפוף של קורים ושברים סמי- גיאולוגיים. מלבדם, שאר מאפייני עבודת הגלזורה של פרידלנד הינם כיתמיים, ויוצרים מפגשים מנוגדים, רכים ומתמזגים של כהה ובהיר. היבטים אלו מעניקים נופך נשי, מקרי, אינטימי וזורם לעבודותיה. ניתן להשוותן לעבודות הראקו הזניות שהתפתחו ביפן, המהללות יקום אנושי שגורלו כליה.

      [nggallery id=65]

      למידע נוסף על קורס קרמיקה בבית בנימיני

      למידע נוסף על תערוכת "א-לה מוד" שהוצגה בבית בנימיני.
      אם הנכם מעוניינים בקטלוג התערוכה, פנו אלינו באמצעות טופס "צור קשר".
      ]]>       6847 2012-08-22 11:33:27 2012-08-22 08:33:27 closed open %d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94-%d7%99%d7%a9%d7%a8%d7%90%d7%9c%d7%99%d7%aa-%d7%9e%d7%95%d7%93-%d7%a4%d7%a8%d7%99%d7%93%d7%9c%d7%a0%d7%93 publish 0 0 post 0 _edit_lock 1364208584 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1364208583 _alp_broken_links a:5:{s:113:"http://www.benyaminiceramics.org/%D7%AA%D7%A2%D7%A8%D7%95%D7%9B%D7%95%D7%AA-%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/";a:0:{}s:113:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/";a:0:{}s:292:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%9E%D7%AA%D7%97%D7%99%D7%9C%D7%99%D7%9D/%D7%A7%D7%95%D7%A8%D7%A1-%D7%A7%D7%93%D7%A8%D7%95%D7%AA-%D7%99%D7%A1%D7%95%D7%93%D7%95%D7%AA/";a:0:{}s:304:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%9E%D7%AA%D7%97%D7%99%D7%9C%D7%99%D7%9D/%D7%A7%D7%95%D7%A8%D7%A1-%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94-%D7%A9%D7%99%D7%9E%D7%95%D7%A9%D7%99%D7%AA/";a:0:{}s:220:"http://www.benyaminiceramics.org/%D7%AA%D7%A2%D7%A8%D7%95%D7%9B%D7%95%D7%AA-%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%AA%D7%A2%D7%A8%D7%95%D7%9B%D7%95%D7%AA-%D7%94%D7%A2%D7%91%D7%A8/%D7%90-%D7%9C%D7%94-%D7%9E%D7%95%D7%93/";a:0:{}} title עבודותיה של מוד פרידלנד | קרמיקה ישראלית בבית בנימיני keywords מוד פרידלנד       2012: יוליה צוקרמן http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%a1%d7%98%d7%95%d7%93%d7%99%d7%95-%d7%a8%d7%90%d7%a9%d7%95%d7%9f/2012-%d7%99%d7%95%d7%9c%d7%99%d7%94-%d7%a6%d7%95%d7%a7%d7%a8%d7%9e%d7%9f/ Sun, 26 Aug 2012 07:49:03 +0000 http://www.benyaminiceramics.org/?page_id=6862 6862 2012-08-26 10:49:03 2012-08-26 07:49:03 closed open 2012-%d7%99%d7%95%d7%9c%d7%99%d7%94-%d7%a6%d7%95%d7%a7%d7%a8%d7%9e%d7%9f publish 284 2 page 0 _edit_lock 1345969436 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1345969435 _thumbnail_id ngg-544 2012: מיכל פרגו http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%a1%d7%98%d7%95%d7%93%d7%99%d7%95-%d7%a8%d7%90%d7%a9%d7%95%d7%9f/2012-%d7%9e%d7%99%d7%9b%d7%9c-%d7%a4%d7%a8%d7%92%d7%95/ Sun, 26 Aug 2012 07:49:59 +0000 http://www.benyaminiceramics.org/?page_id=6864 6864 2012-08-26 10:49:59 2012-08-26 07:49:59 closed open 2012-%d7%9e%d7%99%d7%9b%d7%9c-%d7%a4%d7%a8%d7%92%d7%95 publish 284 3 page 0 _edit_lock 1345969582 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1345969543 _thumbnail_id ngg-532 2007: איילת גבריאל http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%a1%d7%98%d7%95%d7%93%d7%99%d7%95-%d7%a8%d7%90%d7%a9%d7%95%d7%9f/2007-%d7%90%d7%99%d7%99%d7%9c%d7%aa-%d7%92%d7%91%d7%a8%d7%99%d7%90%d7%9c/ Sun, 26 Aug 2012 07:51:21 +0000 http://www.benyaminiceramics.org/?page_id=6866 עם סיום לימודי במדרשה לאמנות בשנת 2007, זכיתי במלגת "סטודיו ראשון" של המרכז לקרמיקה עכשווית ע"ש ישכר ויהודית בנימיני. מלגת "סטודיו ראשון" מעניקה סטודיו מצויד במלואו ומגורים למשך שנה שלמה לבוגרי מגמת קרמיקה בבתי ספר לאמנות בישראל.

      תקופה זו תרמה לי רבות בקידום עבודותיי ובהתפתחותי האישית כאמנית. קיבלתי אפשרות להבין איך אמן יוצר כאשר הסטודיו שלו ממוקם בביתו, וזו הייתה אחת החווית המדהימות בחיי. זכיתי לראות ולבדוק את האפשרות לעבוד כרצוני, בזמני החופשי, לבחון את יכולותיי בתנאים אלו ולהחליט האם זהו המודל שאני מעוניינת ליישם בחיי. אכן ההחלטה שצמחה מתוך תקופה זו היא בעלת חשיבות רבה עבורי בהמשך חיי. מלגת "סטודיו ראשון" מאוד עזרה ותמכה בי גם בנושא המגורים. מלגה זו באה בדיוק בתקופה שהייתי זקוקה לה יותר מכל, וכסטודנטית המתחילה את חייה בעולם האמנות ובכלל, הייתה זו נחיתה רכה עבורי. כמו כן, תהליך הקליטה והקשר שנוצר במהלך תקופה זו עם המקום, הצוות של מרכז בנימיני ועם מרסל קליין עזר ותרם רבות. בעקבות "סטודיו ראשון" זו והמענק שקיבלתי, נאצרה תערוכה שקידמה אותי ופתחה עבורי דרך לתוך עולם האמנות ועל כך אני מודה לכל מי שבחר בי למלגה. איילת גבריאל

      [nggallery id=7] ]]>       6866 2012-08-26 10:51:21 2012-08-26 07:51:21 closed open 2007-%d7%90%d7%99%d7%99%d7%9c%d7%aa-%d7%92%d7%91%d7%a8%d7%99%d7%90%d7%9c publish 284 6 page 0 _edit_lock 1345969838 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1345969838 _thumbnail_id ngg-30       2005: קסם יהב http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%a1%d7%98%d7%95%d7%93%d7%99%d7%95-%d7%a8%d7%90%d7%a9%d7%95%d7%9f/2005-%d7%a7%d7%a1%d7%9d-%d7%99%d7%94%d7%91/ Sun, 26 Aug 2012 07:52:36 +0000 http://www.benyaminiceramics.org/?page_id=6874 [nggallery id=9]
      בשנת 2005 עם סיום לימודי בבצלאל במחלקה לעיצוב קרמי קיבלתי ממרכז בנימיני מלגה לסטודיו לשנה.
      כבוגרת טרייה שסיימה לימודים של ארבע שנים, מלגה זו אפשרה לי להתחיל מיד ולעסוק בעיצוב קרמי בכך שנתנה לי חלל מאובזר בכל הציוד הדרוש לעשייה הקרמית, חלל בו יכולתי ליצור ולעבוד. הפרויקט אפשר לי להתמקד אך ורק בעיצוב קרמי בכך שסיפק לי פינה נעימה ושקטה להתפתחות היצירתית שלי. כמו כן זו הייתה הכנה טובה להתנהלות עצמאית בסטודיו.]]>       6874 2012-08-26 10:52:36 2012-08-26 07:52:36 closed open 2005-%d7%a7%d7%a1%d7%9d-%d7%99%d7%94%d7%91 publish 284 8 page 0 _edit_lock 1345970382 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1345970081 _thumbnail_id ngg-265       2006: גיא ג'אנה http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%a1%d7%98%d7%95%d7%93%d7%99%d7%95-%d7%a8%d7%90%d7%a9%d7%95%d7%9f/2006-%d7%92%d7%99%d7%90-%d7%92%d7%90%d7%a0%d7%94/ Sun, 26 Aug 2012 07:53:58 +0000 http://www.benyaminiceramics.org/?page_id=6872 שמי גיא ג'אנה. בשנת 2006 זכיתי במלגת "סטודיו ראשון" של מרכז בנימיני שכללה את הזכות לקיים סטודיו לקרמיקה לצד מגורים למשך שנה תמימה ללא עלות. את חשיבותה הרבה של זכות זו אני מתחיל לאמוד מספר שנים מאוחר יותר, כבעליו הגאה של סטודיו לקרמיקה עצמאי ופעיל בתל-אביב. כבוגר המחלקה לקרמיקה בבצלאל, הזכייה בחלל עבודה רחב ומאובזר ובמגורים, ובתוך כך מתן חופש ליצירה ולהתפתחות, הייתה מבחינתי חלום שהתגשם. הכלים שרכשתי בתקופה זו, נקי מחובות העולם החומרי, הם אלה אשר נתנו בידי את היכולת לקיים סטודיו. העמקת והרחבת הידע הקרמי שלי כאמן מן השורה, הרחק מהחממה האקדמאית, לצד הידע המנהלתי וכל מה שכרוך בתפעולו של סטודיו, החל מרכש חומרים, דרך קיום חוגים וכלה במכירות כלים, יצרו עבורי בסיס רחב ומוצק להמשך דרכי. העבודה בסטודיו הייתה טובה ופורייה. השהות הבלתי מוגבלת בו אפשרה את הבשלתם ופיתוחם של רעיונות באופן הכי שלם שהיה ניתן. ניסוי וטעייה כתהליך עבודה, ובמיוחד עבור אמן צעיר בתחילת דרכו הם בבחינת ערך נשגב. ערך נוסף הנו ההפריה ההדדית שהייתה ביני ובין שותפתי לסטודיו, קסם, אשר שעות ההקשבה והיצירה האחד לצד השני לא איחרו לתת פרות. בכך עוצבה זהותי כאמן והשפה הקרמית שלי התחדדה והתעשרה רבות.
      משנסתיימה תקופת המלגה, הקמתי כאמור סטודיו לקרמיקה, בו אני חי ופועל. מתקיימים בו חוגים לצד חלל גלרי בו מוצגות עבודותי.
      ברצוני לחזור ולהודות למרכז בנימיני שיצר עבורי קרקע דשנה להתפתחותי המקצועית וסיפק לי חוויה מעצבת ויוצאת דופן. אני שמח על קיומה של מלגה זו ועל כך שהיא מייצרת הזדמנות חד-פעמית עבור קרמיקאים מתחילים להתנסות פרקטית ראשונית בעולמם. בברכה, גיא ג'אנה]]>       6872 2012-08-26 10:53:58 2012-08-26 07:53:58 closed open 2006-%d7%92%d7%99%d7%90-%d7%92%d7%90%d7%a0%d7%94 publish 284 7 page 0 _edit_lock 1345970071 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1345969998 _thumbnail_id ngg-42       2004: לנה דובינסקי http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%a1%d7%98%d7%95%d7%93%d7%99%d7%95-%d7%a8%d7%90%d7%a9%d7%95%d7%9f/%d7%9c%d7%a0%d7%94-%d7%93%d7%95%d7%91%d7%99%d7%a0%d7%a1%d7%a7%d7%99/ Sun, 26 Aug 2012 07:57:25 +0000 http://www.benyaminiceramics.org/?page_id=6870 ההזדמנות שניתנה לי לעבוד במשך תקופה של שנה בסטודיו שבחסות מרכז בנימיני, העניקה לי את האפשרות להמשיך באופן רציף את התהליך היצירתי בו התחלתי בתקופת לימודי. הסטודיו שימש אותי כמעבדת מחקר ופיתוח ואפשר לי לצבור את הניסיון הדרוש במעבר שבין הלימודים האקדמיים אל העשייה העצמאית. הסביבה התומכת סייעה לי בהיכרות עם הפעילות המקצועית של אגודת אמני הקרמיקה ועם הדמויות הפועלות בתחומי האמנות והעיצוב בארץ. בסטודיו ניתנה לי ההזדמנות לפתח ולייצר פרויקטים ששאפתי לממש ואשר לא היו מתאפשרים ללא התמיכה הנדיבה שהעניקו לי מרכז בנימיני והאנשים העומדים בראשה.
      הסטודיו היה עבורי לא רק מקום עבודה, אלא גם, ולא פחות חשוב, מרחב שחיזק בי את האמונה בנטיית לבי באשר לעיסוק בחומר הקרמי ואת הביטחון בבחירתי לקשור בו את עשייתי בעתיד.
      לנה דובינסקי]]>       6870 2012-08-26 10:57:25 2012-08-26 07:57:25 closed open %d7%9c%d7%a0%d7%94-%d7%93%d7%95%d7%91%d7%99%d7%a0%d7%a1%d7%a7%d7%99 publish 284 9 page 0 _edit_lock 1345980638 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1345980637 _thumbnail_id ngg-34       2003: כוכבית בן עזרא גולדנברג http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%a1%d7%98%d7%95%d7%93%d7%99%d7%95-%d7%a8%d7%90%d7%a9%d7%95%d7%9f/2009-%d7%9b%d7%95%d7%9b%d7%91%d7%99%d7%aa-%d7%91%d7%9f-%d7%a2%d7%96%d7%a8%d7%90-%d7%92%d7%95%d7%9c%d7%93%d7%a0%d7%91%d7%a8%d7%92/ Sun, 26 Aug 2012 08:01:08 +0000 http://www.benyaminiceramics.org/?page_id=6868 [nggallery id=6]
      הגעתי לבית שהיה שרוי בו עדיין ניחוח יוצריו גם אחרי חלוף השנים הרבות. כלי השקילה, התנור הבלוי והחזק, שאריי גלזורה על עמוד – כאילו חיכו להמשך הפעילות ונתנו לי הרצון לבוא ולהחיות את המשך היצירה הדינמיות שכמעט היה אפשר לדמיינה.
      כבר לקראת סוף ארבעת שנות לימודי הסטודנטיאליים בבצלאל עלו התהיות – מה לעשות ואיך להתארגן איפה ומתי. קיבלתי את הזכות למלגת הסטודיו הראשון מטעם בית בנימיני, שנה בה יכולתי להתרכז בעשייה וביצירה ובהתארגנות לסטודיו פרטי שבא אחר כך. פגשתי אנשים מרתקים בעשייתם ובאנושיותם שהראו שהדרך מפתיעה בזרימתה. שנה בה יכולתי לצבור ניסיון בניהול עצמי, להתמקד בחיבור ובגילוי מקורות העצמי שלי, להמשיך במחקר האישי-יצירתי ולקיים חופש העשייה שממשיכים עד היום בסטודיו הפרטי. גם אחרי הפרידה מהבית, ההרגשה שיש שם מישהו בשבילך כאדם, כיוצר, לעצה טובה ולחיזוק, וזה מבחינתי סוג המלגה שחוזקה עדיין בעינה.]]>       6868 2012-08-26 11:01:08 2012-08-26 08:01:08 closed open 2009-%d7%9b%d7%95%d7%9b%d7%91%d7%99%d7%aa-%d7%91%d7%9f-%d7%a2%d7%96%d7%a8%d7%90-%d7%92%d7%95%d7%9c%d7%93%d7%a0%d7%91%d7%a8%d7%92 publish 284 10 page 0 _edit_lock 1345980663 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1345980663 _thumbnail_id ngg-35       2013: אפרת קרן http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%a1%d7%98%d7%95%d7%93%d7%99%d7%95-%d7%a8%d7%90%d7%a9%d7%95%d7%9f/2013-%d7%90%d7%a4%d7%a8%d7%aa-%d7%a7%d7%a8%d7%9f/ Sun, 26 Aug 2012 08:09:28 +0000 http://www.benyaminiceramics.org/?page_id=6860

      [imagebrowser id=144]

      אני מתבוננת בסביבה אורגנית, בטבע שסובב אותי. במצבים פשוטים, יומיומיים, התרחשויות מינוריות של דיס-הרמוניה, חריגות, סטיות קטנות מהרגיל. לאותם אובייקטים ומצבים, עליהם אני מתבוננת, אני יוצרת פרשנות משלי. תהליך של הפשטה, תרגום לצורה שמכילה מהות, תחושה, חוויה. אני מנסה ליצור חוויה מקבילה לאותם מצבים שמעניינים אותי, אני מנסה לזהות את התחושה שהמצבים הללו מעוררים בי ולהעביר אותה בדרך אחרת, דרך המסננת שלי. מעניין אותי ליצור מרחבים,סביבות בהן הצופה חווה משהו מהתחושות שמעסיקות אותי. יש בי רצון להכניס את הצופה לתוך מרחב היצירה ומתוך כך לעורר את ההתבוננות באותן התרחשויות מינוריות. קבלת מלגת "סטודיו ראשון" בבית בנימיני, היא זכות לחופש להיות מחוייבת בראש ובראשונה ליצירה שלי, תוך דיאלוג והרחבת הקשר עם שדות הקרמיקה והאמנות. היא מאפשרת לי להמשיך ולפתח את העיסוק בנושאים שמעניינים אותי, לשכלל את השפה שלי, מבחינה רעיונית, חומרית וצורנית. זוהי תחנה בדרך שבין חממת הלימודים לבין העולם העצמאי, להבנת דרך הפעולה שלי כיוצרת, מרחב להתנסות, לגילויים חדשים ולטעויות.

      אפרת קרן

      ]]>       6860 2012-08-26 11:09:28 2012-08-26 08:09:28 closed open 2013-%d7%90%d7%a4%d7%a8%d7%aa-%d7%a7%d7%a8%d7%9f publish 284 1 page 0 _edit_lock 1345970501 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1345969202 _thumbnail_id ngg-1394       2013: גל גורן http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%a1%d7%98%d7%95%d7%93%d7%99%d7%95-%d7%a8%d7%90%d7%a9%d7%95%d7%9f/2013-%d7%92%d7%9c-%d7%92%d7%95%d7%a8%d7%9f/ Sun, 26 Aug 2012 08:18:01 +0000 http://www.benyaminiceramics.org/?page_id=6858 [imagebrowser id=145]

      המלגה של בית בנימיני היא מבחינתי מקום מעין חממה להתפתחות, אני מקווה שבבית בנימיני אני אוכל להמשיך ולפתח את סוג העבודה שלי באופן עצמאי, בוגר יותר ולחקור את הכיוונים שמעניינים אותי, ובנוסף ולהיות מושפעת ונתמכת על ידי אמנים שפועלים במקום.

      רוב העשייה שלי בזמן האחרון היית בנושא של שקיפות וצבעוניות בפורצלן. אני משתמשת בטכניקה הנקראת “נריקומי” וביציקה לתבנית, תוך חיקוי והתבוננות בדוגמאות שקייימות בטבע ותוך משחק עם התכונות של החומר. אני אוהבת לייצר אובייקטים “חצי שימושיים”, יותר מהשימושיות חשוב לי הרגש. העבודות שלי הן בדרך כלל רגשיות מאוד

      ]]>       6858 2012-08-26 11:18:01 2012-08-26 08:18:01 closed open 2013-%d7%92%d7%9c-%d7%92%d7%95%d7%a8%d7%9f publish 284 0 page 0 _edit_lock 1345970463 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1345969141 _thumbnail_id ngg-1399       confront-ceramics http://www.benyaminiceramics.org/%d7%a1%d7%a4%d7%a8%d7%99%d7%94/confront-ceramics/ Sun, 26 Aug 2012 09:03:46 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/06/confront-ceramics.jpg 6927 2012-08-26 12:03:46 2012-08-26 09:03:46 closed open confront-ceramics inherit 1946 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/06/confront-ceramics.jpg _wp_attached_file 2011/06/confront-ceramics.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"448";s:6:"height";s:3:"333";s:14:"hwstring_small";s:23:"height='95' width='128'";s:4:"file";s:29:"2011/06/confront-ceramics.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:29:"confront-ceramics-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:29:"confront-ceramics-300x222.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"222";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1345738299";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} A_EsterBeck_2 http://www.benyaminiceramics.org/?attachment_id=6940 Sun, 26 Aug 2012 11:47:30 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/08/A_EsterBeck_2.pdf 6940 2012-08-26 14:47:30 2012-08-26 11:47:30 closed open a_esterbeck_2 inherit 0 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/08/A_EsterBeck_2.pdf _wp_attached_file 2012/08/A_EsterBeck_2.pdf _wp_attachment_metadata a:0:{} Interview with Judith Schwartz http://www.benyaminiceramics.org/en/2012/08/interview-with-judith-schwartz/ Sun, 26 Aug 2012 11:54:32 +0000 http://www.benyaminiceramics.org/?p=6946 By: Ester Beck, October 2011, Beit-Benyamini. In October, Judith Schwartz visited Israel and gave an interview while paying a visit to Bet Benyamini. Judith is a professor in the department of Art and Art Professions at New-York University, head of the Crafts Media Department. She is also known as a curator, critic, and author: her most recent book is "Confrontational Ceramics". Judith is the president of the soon to be established Museum of Ceramic Art in Long Island City. Q: Judy, You are about to establish the Museum of Ceramic Art in N.Y.: why this, in addition to the MAD, the Museum of Art and Design? A: They are not only about Clay, they have a broader base, they cannot go into the depths we'd like to see. My idea is to start a consortium of travelling exhibitions around the world that would enable for instance Biennales from Korea, Japan etc. to be seen in other parts of the world and not only at one event; this for instance would be shown in this museum in N.Y. There aren't other museums that would show ceramics. Q: a museum like you will create has to relate to its medium n a very special way. A: my inspiration is Aileen Webb, who founded in the 60ies the first little crafts museum in a brownstone, this was the precursor of the MAD which then evolved to where it is today. A museum has to have a mission, educate the public; it has to have a psychological mission that's strong so that the public understands what you are showing. There are 21 Ceramics Museums in Europe, three wonderful ones in Korea, fantastic ones in Japan, new ones in China, and I'd like to see one in N.Y. and develop a consortium of ceramics museums so the exhibitions would travel between them. Example: instead of me trying to figure out what's going on here in Israel in a few short days, I could work out a travelling exhibition with the organizers like for instance the Israel Ceramics Association which could travel to N.Y., China etc. You want to see objects in the flesh. Q: Why Clay today? A: it's a relevant material, it depends on who's handling it and what's fresh, and there are young new people who work in new provocative ways. I don't, despite my book, only look at cutting-edge new work, I also look at the broad base of what's expressed in clay, I love functional art if it is done well, by hands of good artists. The clay base is such a broad gamut of expression. Clay has its relevance in work if the artist who chooses it finds it expresses best his idea. One of the most provocative things for me that keep me vibrant and alive is when an artist uses clay to its most salient vibrant feature, for instance Robert Arneson and his piece about the nuclear holocaust: a burnt head you could only achieve in a kiln. Same for a cup: I will only drink from a handmade porcelain or stoneware cup, feeling an artist's expression relating to everyday life. Q: Much of what you see today in terms of ceramics sculpture seems to imitate other materials: what's the justification then to execute it in clay? A: I would have to see the object: I cannot separate the content of the work from the way the artist uses the material, the use of the material must support the ideas. I don’t mind sequence, mixed material, glue, in my own department I just bought sawing machines for the ceramic department, for the mixed media department. Anything you do with your hands can make the experience more vibrant. If the end-result is a meaningful work of art, that pulls the different uses of the materials together, so be it! Q: about your department at N.Y.U., what's your philosophy? A: It's a unique department, located in the heart of the N.Y. art world in the East Village. I don’t insist that my students learn clay in terms of all its technology. Today with the range of expression you can’t expect the kind of depth in an institution like that (from undergraduate to p.h.d.). An example: I work with doctoral students who write about craft and clay, but I also teach dentists, lawyers, sociologists etc. who'd never touched the material and I have an obligation to them: I am very proud of my introductory courses. For the Art Major we accept 12 M.F.A. students per years, so we have 24 graduate students, and the program can go for a third year, during which the student works with an artist. Students move freely between disciplines. We might get an artist who never touched clay and I have to give him a crash course on what clay can do and find out what he wants to achieve. This work is very gratifying, since such a person comes with new interesting ideas. Our Arts department has everything from photography to arts administration and art therapy, costumes studies, contemporary theory and criticism, except art history. Q: so you encourage a student to broaden his spectrum, he can but doesn't have to be a ceramist. You are in some ways very with the times, like artists today: if his project will demand a certain medium he's not familiar with, he'll outsource it, a bit controversial for us craftspeople, the fact that there is no rapport between artist and material. A: there are different tastes for everybody. Example: Kevin Thomas, a professor who teaches mould making and does work in clay for others; Ahn Chu, who really likes clay, will have him build the base object to stand in the wet state, and then Ahn works on it, and when finished, he fires it and she exhibits in Art Galleries and not Ceramics Galleries. This is one example of cross-over, vibrant for our field: if we only talk to ourselves, it will never move. Q: we have a tendency to talk to ourselves. A: Why do so many ceramists work in installation, video site-specific? Exciting things are happening in clay because of these new materials. That's my philosophy in my department. I also run a glass, metal, fiber program, and mixed media, that;s why the department is called "SCULPTURE IN CRAFT MEDIA": it's a way of keeping the word CRAFT, together with SCULPTURE which in my view includes tableware. Q: are you a foirerunner in this respect versus other academies? A: most don't have the students move out of their department; they come to clay and stay there. An artist should stay in clay if it best expresses his way of thinking. Example: Nicole Cherubini manages not to be in one category as a maker, she's accepted in the art world: she is not  "cubbyholed". Q: where are ceramics moving today, what do you see happening? Second question: which were the most exciting times in clay for you? A: I can oh and ah about Sung dynasty or Korean ceramics, I marvel at the archaeological artifacts at the Jerusalem Museum (fabulously displayed). This is still vibrant and speaking to me. But then, that this Museum mixed as well Micha Ullmann's work as close to clay as can be possible, with this red Tel-Aviv sand…..Clay today is "mixing the metaphors". If I was ever to make a ceramics biennale in Isral, I would send him 500 pounds of clay and let him explore it, he would probably be fantastic. I'd love to see a number of Israeli artists explore clay for a concept, a biennale. Biennales are important: they should not only show what's being made now, but with the right concept they can guide the future. I look a lot at museums since I will create one, to see how it should work: I was so impressed with the Israel Museum's flow. Q: tell me your impression of Bet Benyamini. A: I love the gallery; it's like a white cube. The centre will evolve and be a Mecca within other galleries in the area, a gathering place. Similar places in the U.S.A. struggle for a good combination of public support and infrastructure for the artists; with good running and with taste and direction there is a great future here. The fact that you have classes here, a gallery, a library, an artist-in-residence program, a little store, this makes it a miniature museum. It serves like a museum, a community centre for the public and for professionals, I see intelligence behind it, the building is beautiful. It all boils down to one person's energy, like here Marcelle Klein. I have a board for my museum and I have a very full professional life, teaching, writing, now on a long Fullbright, but finally it comes down to one person to carry something like this off, and then people come along. I see an enormous change in Ceramics in Israel: the ideas are stronger, people are better trained. 15 years ago Israeli ceramics looked very tired, brown mainly, steeped in archaeology; it seemed old when it was new. Now there is more worldliness. I develop a philosophy when I teach my students, based on the question of how does an artist develop a global career- the same as a country has to: you have to create a "narrative" of who it is you are, how do you present yourself to the world, is it professional enough, is it on target in terms if mission and goals. You need very good quality photographs of what you do, good information and images, like with this place here (Bet Benyamini), so it's not second-rate. You have to have contacts: I tell my students "don't make friends with other artists, make friends with critics, writers, people in PR, administration, not only to promote you, but to give you "perspective"; this is the same for institutions, for a country. Maybe hire people whose perspective is different, to grow look outside yourself. Successful artists hire people to promote them and archive their work. You can't be an institution by yourself, it's hard. Being a "global artist" is having a sense of the world, presenting oneself in various ways, joining organizations, having a sense of community. It isn't just the work or what you do here, it's what you tell the world that you do here. Q: Last question resulting from the points you just made: in our world of ceramics we meet each other at these wonderful national and international ceramics conferences…… A: it's like a diaspora… Q: exactly. We live in this big cult, it's cozy, loving…. A: it's a family… Q: a global community, and I feel lucky, I couldn't have joined a better one. A: …a womb. Q: but a womb also has drawbacks. A: people have to move out and not get stuck in fear. Q: want to ask you about NCECA OR IAC: are they too insular? A: Every institution can get heavy. NCECA  is trying to push out in other directions, example through awareness of the importance of working with clay in the school system where it has been taken off the curriculum. NCECA sponsors artists to China, raises money for projects. You want to have a Lobby, cross-fertilization. An afterthought: AIDA should not only bring artists who show how they work. What's not talked about enough in workshops are philosophical ideas and understandings; we need more exchanges like the one we now have in this interview, thinking about issues.]]> 6946 2012-08-26 14:54:32 2012-08-26 11:54:32 closed open interview-with-judith-schwartz publish 0 0 post 0 _edit_lock 1345982073 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} Extruder, vessels and clay structures http://www.benyaminiceramics.org/en/ceramic-courses/workshops/workshop-lecture-rina-peleg-extruder/ Mon, 27 Aug 2012 07:49:10 +0000 http://www.benyaminiceramics.org/?page_id=7010 Introduction to Extruder
      The extruder as a tool that enables variety and a broad spectrum of options in ceramics.  The course offers an introduction to work practices and possibilities using an extruder including techniques such as weaving, basketry and building clay structures.
      Experience in clay is not required.
      The extruder as a tool that enables variety and a broad spectrum of options in ceramics.  The course offers an introduction to work practices and possibilities using an extruder including techniques such as weaving, basketry and building clay structures.Experience in clay is not required. Cost: 800 Shekels for 5 meetings including clay and firing. Advanced Extruder Workshop We will continue exploring woven ceramic objects not using moulds..  We will experiment using hollow extrusions to create sculptural objects and discuss the various techniques.  Students will receive guidance in developing their own projects using this technique: Details of this course will be advertised during the year. ]]>       7010 2012-08-27 10:49:10 2012-08-27 07:49:10 closed open workshop-lecture-rina-peleg-extruder publish 4379 9 page 0 _thumbnail_id ngg-1316 _edit_lock 1373974886 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default       save-the-date http://www.benyaminiceramics.org/%d7%90%d7%a8%d7%95%d7%a2%d7%99%d7%9d/save-the-date/ Tue, 04 Sep 2012 05:12:58 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2010/07/save-the-date.jpg 7134 2012-09-04 08:12:58 2012-09-04 05:12:58 closed open save-the-date inherit 1439 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2010/07/save-the-date.jpg _wp_attached_file 2010/07/save-the-date.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"800";s:6:"height";s:4:"1075";s:14:"hwstring_small";s:22:"height='96' width='71'";s:4:"file";s:25:"2010/07/save-the-date.jpg";s:5:"sizes";a:3:{s:9:"thumbnail";a:3:{s:4:"file";s:25:"save-the-date-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:25:"save-the-date-223x300.jpg";s:5:"width";s:3:"223";s:6:"height";s:3:"300";}s:5:"large";a:3:{s:4:"file";s:26:"save-the-date-762x1024.jpg";s:5:"width";s:3:"762";s:6:"height";s:4:"1024";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt אוהבים אמנות. עושים אמנות amidrachhand http://www.benyaminiceramics.org/2012/09/%d7%a2%d7%9e%d7%99-%d7%93%d7%a8%d7%9a-%d7%96%d7%9c/amidrachhand/ Wed, 12 Sep 2012 13:49:31 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/09/amidrachhand.jpg 7162 2012-09-12 16:49:31 2012-09-12 13:49:31 closed open amidrachhand inherit 7161 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/09/amidrachhand.jpg _wp_attached_file 2012/09/amidrachhand.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"335";s:6:"height";s:3:"448";s:14:"hwstring_small";s:22:"height='96' width='71'";s:4:"file";s:24:"2012/09/amidrachhand.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:24:"amidrachhand-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:24:"amidrachhand-224x300.jpg";s:5:"width";s:3:"224";s:6:"height";s:3:"300";}}s:10:"image_meta";a:10:{s:8:"aperture";s:3:"2.8";s:6:"credit";s:0:"";s:6:"camera";s:8:"iPhone 4";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1347007607";s:9:"copyright";s:0:"";s:12:"focal_length";s:4:"3.85";s:3:"iso";s:3:"125";s:13:"shutter_speed";s:16:"0.00833333333333";s:5:"title";s:0:"";}} עמי דרך ז"ל http://www.benyaminiceramics.org/2012/09/%d7%a2%d7%9e%d7%99-%d7%93%d7%a8%d7%9a-%d7%96%d7%9c/ Wed, 12 Sep 2012 13:50:26 +0000 http://www.benyaminiceramics.org/?p=7161 מאת: רויטל בן אשר פרץ, אוצרת התערוכה "חמור"

      ביום חמישי, 30 לאוגוסט, נפתחה התערוכה "חמור" בבית בנימיני.

      עמי הגיע לערב הפתיחה כשבאמתחתו מנחה צנועה. חמור.

      חמור מתכת מעשה ידיו, גודלו כגודל ציפורן.

      המחווה ריגשה אותי, מאחר והיכרותנו לאורך השנים קלה הייתה.

      למרות גודלו המזערי, לא נבצרו מאותו חמור כל מאפייניו הגרמיים והחמוריים, לא נחסכו פרטי פניו, אוזניו ועיניו.

      זנבו המעודן מתנוסס לרוחב חצי מילימטר, שערות עורפו, שזכו לטיפול פרטני, מסתמרות לגובה רבע מילימטר.

      כה עניו חמורו של עמי; יפה כתכשיט, חושני, עשיר, מוקפד, מרגש, חכם, קטן, אך גדול מהחיים.

      ניכר בו בחמור כי עבר כברת דרך.

      (בתמונה: החמור של עמי דרך ז"ל בידה של רויטל).

      יהי זכרו ברוך.

      ]]>       7161 2012-09-12 16:50:26 2012-09-12 13:50:26 closed open %d7%a2%d7%9e%d7%99-%d7%93%d7%a8%d7%9a-%d7%96%d7%9c publish 0 0 post 0 _edit_lock 1347457863 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1347457863 _alp_broken_links a:1:{s:298:"http://www.benyaminiceramics.org/%D7%AA%D7%A2%D7%A8%D7%95%D7%9B%D7%95%D7%AA-%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%AA%D7%A2%D7%A8%D7%95%D7%9B%D7%95%D7%AA-%D7%9E%D7%A6%D7%99%D7%92%D7%95%D7%AA/%D7%97%D7%9E%D7%95%D7%A8-%D7%AA%D7%A2%D7%A8%D7%95%D7%9B%D7%94-%D7%A7%D7%91%D7%95%D7%A6%D7%AA%D7%99%D7%AA/";a:0:{}}       amidrachdonkey http://www.benyaminiceramics.org/?attachment_id=7169 Wed, 12 Sep 2012 13:55:22 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/09/amidrachdonkey.jpg 7169 2012-09-12 16:55:22 2012-09-12 13:55:22 closed open amidrachdonkey inherit 0 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/09/amidrachdonkey.jpg _wp_attached_file 2012/09/amidrachdonkey.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"448";s:6:"height";s:3:"335";s:14:"hwstring_small";s:23:"height='95' width='128'";s:4:"file";s:26:"2012/09/amidrachdonkey.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:26:"amidrachdonkey-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:26:"amidrachdonkey-300x224.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"224";}}s:10:"image_meta";a:10:{s:8:"aperture";s:3:"2.8";s:6:"credit";s:0:"";s:6:"camera";s:8:"iPhone 4";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1347007727";s:9:"copyright";s:0:"";s:12:"focal_length";s:4:"3.85";s:3:"iso";s:3:"100";s:13:"shutter_speed";s:16:"0.00833333333333";s:5:"title";s:0:"";}} סדנה פתוחה http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%a1%d7%93%d7%a0%d7%94-%d7%a4%d7%aa%d7%95%d7%97%d7%94/ Mon, 24 Sep 2012 07:55:06 +0000 http://www.benyaminiceramics.org/?page_id=7182 [imagebrowser id=147]

      "הסדנה הפתוחה" בבית בנימיני מאפשרת זמן עבודה אישי וחופשי (ללא הדרכה), בסטודיו רחב ידיים מאובזר ומקצועי.

      בסטודיו ניתן ליצור במקביל במגוון של טכניקות: קדרות / בנייה ידנית / עבודה באקסטרודר / הדפס על קרמיקה / יציקה בתבניות.

      שעות הפעילות של "סדנה פתוחה":

      ימי רביעי:  13:30 – 16:30

      ימי שבת:   11:00 – 14:00

      (במשך השנה יתכנו שינויים בשעות הסדנה הפתוחה)

      מחירים:

      לתלמידי בית בנימיני הרשומים לסמסטר:

      • למפגש - 65 ₪ (שלוש שעות)
      • כרטיסיה הכוללת עשר כניסות - 600 ₪ (ההרשמה מראש)

      לתלמידים מן החוץ / אמנים:

      • (למפגש 110 ₪  (שלוש שעות
      • כרטיסיה הכוללת עשר כניסות - 1000 ₪
      • חומר ושריפות בתשלום נפרד
      • ליווי מקצועי בתיאום מראש ובתשלום נפרד  - המחיר יקבע לפי הפרויקט

      להרשמה, ניתן לפנות באמצעות טופס צור קשר, באמצעות הדואר האלקטרוני או בטלפון 03-5182257.

      למידע אודות לימודי קרמיקה.

      צפו בסרטון אודות הסדנה הפתוחה וקורסים נוספים בתחום הקרמיקה בבית בנימיני:

      ]]>       7182 2012-09-24 09:55:06 2012-09-24 07:55:06 closed open %d7%a1%d7%93%d7%a0%d7%94-%d7%a4%d7%aa%d7%95%d7%97%d7%94 publish 2825 7 page 0 _edit_lock 1375646099 _edit_last 3 _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1374677916 _alp_broken_links a:2:{s:71:"http://www.benyaminiceramics.org/%D7%A6%D7%95%D7%A8-%D7%A7%D7%A9%D7%A8/";a:0:{}s:113:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/";a:0:{}} _thumbnail_id ngg-1450 description זמן עבודה אישי וחופשי בסטודיו קרמיקה רחב ידיים מאובזר ומקצועי robotsmeta index,follow       Open Studio http://www.benyaminiceramics.org/en/ceramic-courses/open-studio/ Mon, 24 Sep 2012 08:11:20 +0000 http://www.benyaminiceramics.org/?page_id=7201 Working hours: Wednesdays: 13:30 – 16:30 Saturdays: 11:00 – 14:00 *prices and times may change during the year Prices For Benyamini Students registered for a semester:
      • Visit:  65 shekels for 3 hours
      • Card with 10 visits: 600 shekels
      For artists and outside students:
      • Visit: 110 shekels for 3 hours
      • Card with 10 visits: 1000 shekels
      • Materials and firings will be calculated separately
      • Professional advice available, arranged in advance. The cost depends on the project.
      Registration for the Benyamini ``open studio`` via our contact form, E-mail or Telephone: 03-5182257. ]]>       7201 2012-09-24 10:11:20 2012-09-24 08:11:20 closed open open-studio publish 2955 7 page 0 _edit_lock 1374680300 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _thumbnail_id ngg-1450       hamorcatalog http://www.benyaminiceramics.org/2012/09/%d7%94%d7%a9%d7%a7%d7%aa-%d7%94%d7%a7%d7%98%d7%9c%d7%95%d7%92-%d7%97%d7%9e%d7%95%d7%a8/hamorcatalog/ Mon, 24 Sep 2012 08:28:45 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/09/hamorcatalog.jpg 7206 2012-09-24 10:28:45 2012-09-24 08:28:45 closed open hamorcatalog inherit 7205 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/09/hamorcatalog.jpg _wp_attached_file 2012/09/hamorcatalog.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"448";s:6:"height";s:3:"299";s:14:"hwstring_small";s:23:"height='85' width='128'";s:4:"file";s:24:"2012/09/hamorcatalog.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:24:"hamorcatalog-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:24:"hamorcatalog-300x200.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"200";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1346326367";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} השקת הקטלוג "חמור" http://www.benyaminiceramics.org/2012/09/%d7%94%d7%a9%d7%a7%d7%aa-%d7%94%d7%a7%d7%98%d7%9c%d7%95%d7%92-%d7%97%d7%9e%d7%95%d7%a8/ Mon, 24 Sep 2012 08:41:33 +0000 http://www.benyaminiceramics.org/?p=7205 השקת הקטלוג "חמור" ושיח עם האוצרת רויטל בן-אשר פרץ ועם איתמר לוי, יתקיימו ביום שישי, 12 באוקטובר 2012, בשעה 10:30.

      לוח זמנים לאירוע ההשקה:

      10:30 רויטל בן-אשר פרץ אוצרת לאמנות עכשווית, בוגרת המחלקה לעיצוב קרמי בבצלאל, 1995. התנהלותה האוצרותית מתמקדת בגיבוש קבוצות פעולה אמנותיות המשלבות אמנים ונון-אמנים מדיסציפלינות שונות, החוות תהליך משותף לאורך זמן.

      חמור בבית בנימיני - הרעיון והמניעים שהולידו את התערוכה "חמור".

      11:15 איתמר לוי פסיכואנליטיקן, סופר, מרצה, מבקר אמנות ואוצר. לוי פוקד בקביעות חוג קרמיקה ולוהק לתפקיד ה"קרמיקאי החובב" של התערוכה.

      בין קדרות, אמנות ופסיכואנליזה

      11:45 הפסקה

      12:00 זמן חמור - הקרנת סרטו של הבמאי יכין הירש ז"ל.

      דימוי החמור בתרבות הארץ ישראלית. דרך נקודות מבט לא שגרתיות, מספר הסרט את סיפורו של החמור שדבקו בו תדמיות אלו ואחרות. דרך החמור והפיזיולוגיה שלו אנו לומדים על המקום שהוא ממלא בהיסטוריה, בספרות ובתרבות   (2002, 35 דק', הפקה: שירות הסרטים הישראלי).

      הכניסה חופשית. נדרשת הרשמה מראש - ניתן לפנות באמצעות טופס צור קשר, באמצעות הדואר האלקטרוני או בטלפון 03-5182257.

      נשמח לראותכם.

      ]]>       7205 2012-09-24 10:41:33 2012-09-24 08:41:33 closed open %d7%94%d7%a9%d7%a7%d7%aa-%d7%94%d7%a7%d7%98%d7%9c%d7%95%d7%92-%d7%97%d7%9e%d7%95%d7%a8 publish 0 0 post 0 _edit_lock 1348477547 _edit_last 3 _thumbnail_id 7206 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1348476705 _alp_broken_links a:2:{s:298:"http://www.benyaminiceramics.org/%D7%AA%D7%A2%D7%A8%D7%95%D7%9B%D7%95%D7%AA-%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%AA%D7%A2%D7%A8%D7%95%D7%9B%D7%95%D7%AA-%D7%9E%D7%A6%D7%99%D7%92%D7%95%D7%AA/%D7%97%D7%9E%D7%95%D7%A8-%D7%AA%D7%A2%D7%A8%D7%95%D7%9B%D7%94-%D7%A7%D7%91%D7%95%D7%A6%D7%AA%D7%99%D7%AA/";a:0:{}s:71:"http://www.benyaminiceramics.org/%D7%A6%D7%95%D7%A8-%D7%A7%D7%A9%D7%A8/";a:0:{}}       "Donkey" Catalogue Launch http://www.benyaminiceramics.org/en/2012/09/donkey-catalogue-launch/ Mon, 24 Sep 2012 08:51:00 +0000 http://www.benyaminiceramics.org/?p=7213 Full scheduele: 10:30   Donkey at the Benyamini Center – the idea and motives behind the exhibition Revital Ben-Asher Peretz | A curator of contemporary art, former student of Lidia Zavadsky, graduate of the Department of Ceramic Design at Bezalel Academy of Arts and Design, Jerusalem (1995). Her curatorial work focuses on consolidation of artistic action groups combining artists and non-artists from various disciplines, who experience a common process over time. 11:15   Between Pottery, Art and Psychoanalysis Itamar Levy | A psychoanalyst, writer, lecturer, art critic and curator, Levy was cast for the role of the exhibition's "ceramicist." He regularly attends an afternoon pottery class, maintaining the inevitably binding status of "amateur." 11:45 Break 12:00 Donkey Time – Screening of the film by the director Yahin Hirsch An unusual view of the image of the donkey in Israeli society.  Through the donkey and its physiology we gain insight into the place it fills in history, literature and culture. (2002, 35 min. Production: Israel Film Society)]]> 7213 2012-09-24 10:51:00 2012-09-24 08:51:00 closed open donkey-catalogue-launch publish 0 0 post 0 _edit_lock 1348476662 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} Mg_cover http://www.benyaminiceramics.org/%d7%a1%d7%a4%d7%a8%d7%99%d7%94/mg_cover/ Mon, 24 Sep 2012 09:46:50 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/06/Mg_cover.jpg 7225 2012-09-24 11:46:50 2012-09-24 09:46:50 closed open mg_cover inherit 1946 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/06/Mg_cover.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"653";s:6:"height";s:3:"765";s:14:"hwstring_small";s:22:"height='96' width='81'";s:4:"file";s:20:"2011/06/Mg_cover.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:20:"Mg_cover-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:20:"Mg_cover-256x300.jpg";s:5:"width";s:3:"256";s:6:"height";s:3:"300";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attached_file 2011/06/Mg_cover.jpg itamar-levie http://www.benyaminiceramics.org/?attachment_id=7232 Mon, 24 Sep 2012 09:50:53 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/09/itamar-levie.pdf 7232 2012-09-24 11:50:53 2012-09-24 09:50:53 closed open itamar-levie inherit 0 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/09/itamar-levie.pdf _wp_attached_file 2012/09/itamar-levie.pdf _wp_attachment_metadata a:0:{} Master class with three internationally acclaimed ceramic artists http://www.benyaminiceramics.org/en/2012/10/masterclasses-with-international-ceramic-artists-in-tel-hai/ Thu, 25 Oct 2012 15:32:59 +0000 http://www.benyaminiceramics.org/?p=7326 caai@bezeqint.net or tel: 03-6874150

      The Artists:

      Tip Toland Tip Toland is a leading American artist with international acclaim.  Her `larger than life` sculptures deal with the human form as a metaphor for the fragility of life.  Humor, love and compassion are inherent in her sculptures and express day to day life, banality, loneliness, innocence and the deterioration of the body and mind. The artist will come to Israel with the generous support of AIDA. Katherine Morling & Jonathan Garrett The sculptures of the English artist Katherine Morling glorify the functional and useful object.  The objects she creates are life size three dimensional black and white  sketches of familiar things. The sculptures express the artists inner world of fantasy, nostalgia and imagination and blur the materiality of the object. The installation of the objects create a narrative with a personal meaning. The English potter Jonathan Garrett makes large vessels for the house and garden.  He uses local clay that is wood fired to express his closeness to nature.  The pots are designed to suit each plant to emphasize the organic and create a direct dialogue with the environment. The English artists will be in Israel with the support of Ruth Corman and the Designer Craft Foundation.]]>       7326 2012-10-25 17:32:59 2012-10-25 15:32:59 closed open masterclasses-with-international-ceramic-artists-in-tel-hai publish 0 0 post 0 _edit_lock 1351609329 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";}       Ceramic Sculpture http://www.benyaminiceramics.org/en/2012/10/ceramic-sculpture-3/ Fri, 26 Oct 2012 06:46:19 +0000 http://www.benyaminiceramics.org/2012/10/ceramic-sculpture-3/ click here ]]> 7351 2012-10-26 08:46:19 2012-10-26 06:46:19 closed open ceramic-sculpture-3 publish 0 0 post 0 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _edit_lock 1351598183 _edit_last 3 Israeli Artists Support the Library in the Levinsky Park http://www.benyaminiceramics.org/en/2012/10/israeli-artists-support-the-library-in-the-levinsky-park/ Sat, 27 Oct 2012 11:34:36 +0000 http://www.benyaminiceramics.org/?p=7317 Leading artists will participate and all the works on display will be sold for the same price: 1000 shekels. The Benyamini Center supports the library during the year by having a clay workshop once a week at the library. The library and cultural center serves the residents of Neve Shaanan and the foreign workers from the area.  The lending library has books in 16 languages and runs activities for children and free cultural events for the general public. The library is expanding to the adjacent shelter, approved by the Tel Aviv municipality, and will offer subsidized courses and lectures for children and adults which will run through the winter. In light of this, support of the event is even more important this year. ]]> 7317 2012-10-27 13:34:36 2012-10-27 11:34:36 closed open israeli-artists-support-the-library-in-the-levinsky-park publish 0 0 post 0 _edit_last 3 robotsmeta index,follow _edit_lock 1353929473 _revision-control a:1:{i:0;s:8:"defaults";} Guided tour of "Donkey" exhibition http://www.benyaminiceramics.org/en/2012/10/gallery-talk-lidia-zavadsky-1937-2001/ Sun, 28 Oct 2012 09:49:06 +0000 http://www.benyaminiceramics.org/?p=7307 Guided tour of the exhibition with the curator Revital Ben Asher Peretz and the artists Itamar Levy, Uri Shapira, Roy Maayan, Hila Amram on Saturday 17/11/12 at 11 a.m. The exhibition closes on 24/11/12 img_8662]]> 7307 2012-10-28 11:49:06 2012-10-28 09:49:06 closed open gallery-talk-lidia-zavadsky-1937-2001 publish 0 0 post 0 _edit_lock 1351753354 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} סיור מודרך בתערוכה "חמור" http://www.benyaminiceramics.org/2012/10/%d7%a9%d7%99%d7%97-%d7%92%d7%9c%d7%a8%d7%99%d7%94-%d7%9c%d7%99%d7%93%d7%99%d7%94-%d7%96%d7%91%d7%a6%d7%a7%d7%99-1937-2001/ Mon, 29 Oct 2012 09:42:20 +0000 http://www.benyaminiceramics.org/?p=7303 לידיה זבצקי ז"ל - אמנית קרמיקה וירטואוזית, מרצה בבצלאל, יוצרת אשר השפיעה רבות על התחום בארץ - היוותה מקור השראה ונקודת מוצא לתערוכה "חמור" המוצגת בבית בנימיני. "הכלי הקרמי על מורשתו ההיסטורית, משמש כאן להתנסות ברעיונות ובצורות, מתוך הרגשת המשחק ההדדי בין הכוחות שמגדירים את נפחו, את איכות הקרום שעוטף אותו ואת משמעות צלליתו. הכד המקומי משמש בסיס פיזי ורוחני לבנייתו של פסל תלת ממדי. הקשרים סימבוליים ופרשנות אישית משמשים תחליף לפונקציה הפרקטית של הכד". זהו ציטוט מדברי אמנית הקרמיקה לידיה זבצקי, לרגל פתיחת תערוכתה בבית האמנים, ירושלים, 1988 (מתוך ⁰c 1280 - כתב עת לאמנות הקרמיקה", גיליון מס' 7, הוקדש ללידיה זבצקי ז"ל, עורכת: שרה הקרט). [nggallery id=149] - סיור מודרך בתערוכה "חמור", עם האוצרת רויטל בן אשר פרץ והאמנים איתמר לוי, אורי שפירא, רועי מעין והילה עמרם, יתקיים ביום שבת,      17 בנובמבר 2012, בשעה  11:00 בבית בנימיני. הציבור מוזמן! תערוכת "חמור" תינעל ב-24 בנובמבר. img_8662 ]]> 7303 2012-10-29 11:42:20 2012-10-29 09:42:20 closed open %d7%a9%d7%99%d7%97-%d7%92%d7%9c%d7%a8%d7%99%d7%94-%d7%9c%d7%99%d7%93%d7%99%d7%94-%d7%96%d7%91%d7%a6%d7%a7%d7%99-1937-2001 publish 0 0 post 0 _edit_lock 1351669419 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1351669418 image_4 (2) http://www.benyaminiceramics.org/2012/11/%d7%91%d7%99%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99-%d7%91%d7%a7%d7%94%d7%99%d7%9c%d7%94-%d7%90%d7%9e%d7%a0%d7%99%d7%9d-%d7%99%d7%a9%d7%a8%d7%90%d7%9c%d7%99%d7%9d-%d7%9c%d7%9e%d7%a2%d7%9f/image_4-2/ Mon, 29 Oct 2012 11:23:55 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/10/image_4-2.jpeg 7312 2012-10-29 13:23:55 2012-10-29 11:23:55 closed open image_4-2 inherit 7309 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/10/image_4-2.jpeg _wp_attached_file 2012/10/image_4-2.jpeg _wp_attachment_metadata a:6:{s:5:"width";s:3:"335";s:6:"height";s:3:"448";s:14:"hwstring_small";s:22:"height='96' width='71'";s:4:"file";s:22:"2012/10/image_4-2.jpeg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:21:"image_4-2-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:21:"image_4-2-224x300.jpg";s:5:"width";s:3:"224";s:6:"height";s:3:"300";}}s:10:"image_meta";a:10:{s:8:"aperture";s:3:"2.8";s:6:"credit";s:0:"";s:6:"camera";s:8:"iPhone 4";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1341757889";s:9:"copyright";s:0:"";s:12:"focal_length";s:4:"3.85";s:3:"iso";s:2:"80";s:13:"shutter_speed";s:16:"0.00684931506849";s:5:"title";s:0:"";}} morling http://www.benyaminiceramics.org/2012/10/%d7%9b%d7%99%d7%aa%d7%95%d7%aa-%d7%90%d7%9e%d7%9f-%d7%90%d7%9e%d7%a0%d7%99-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94-%d7%90%d7%95%d7%a8%d7%97%d7%99-%d7%94%d7%a1%d7%99%d7%9e%d7%a4%d7%95%d7%96%d7%99%d7%95/morling/ Mon, 29 Oct 2012 13:32:25 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/10/morling.jpg 7322 2012-10-29 15:32:25 2012-10-29 13:32:25 closed open morling inherit 7320 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/10/morling.jpg _wp_attached_file 2012/10/morling.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"655";s:6:"height";s:3:"433";s:14:"hwstring_small";s:23:"height='84' width='128'";s:4:"file";s:19:"2012/10/morling.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:19:"morling-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:19:"morling-300x198.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"198";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} tiptoland http://www.benyaminiceramics.org/2012/10/%d7%9b%d7%99%d7%aa%d7%95%d7%aa-%d7%90%d7%9e%d7%9f-%d7%90%d7%9e%d7%a0%d7%99-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94-%d7%90%d7%95%d7%a8%d7%97%d7%99-%d7%94%d7%a1%d7%99%d7%9e%d7%a4%d7%95%d7%96%d7%99%d7%95/tiptoland/ Mon, 29 Oct 2012 13:32:27 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/10/tiptoland.jpg 7323 2012-10-29 15:32:27 2012-10-29 13:32:27 closed open tiptoland inherit 7320 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/10/tiptoland.jpg _wp_attached_file 2012/10/tiptoland.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"654";s:6:"height";s:3:"371";s:14:"hwstring_small";s:23:"height='72' width='128'";s:4:"file";s:21:"2012/10/tiptoland.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:21:"tiptoland-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:21:"tiptoland-300x170.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"170";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} כיתות אמן - אמני קרמיקה בינלאומיים בבית בנימיני http://www.benyaminiceramics.org/2012/10/%d7%9b%d7%99%d7%aa%d7%95%d7%aa-%d7%90%d7%9e%d7%9f-%d7%90%d7%9e%d7%a0%d7%99-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94-%d7%90%d7%95%d7%a8%d7%97%d7%99-%d7%94%d7%a1%d7%99%d7%9e%d7%a4%d7%95%d7%96%d7%99%d7%95/ Mon, 29 Oct 2012 13:33:56 +0000 http://www.benyaminiceramics.org/?p=7320 בקרוב: אגודת אמני הקרמיקה בישראל מארחת בבית בנימיני שלושה אמני קרמיקה בינלאומיים לכיתות אמן. מחיר כניסה: 75 ש"ח. מחיר לחברי אגודת האמני הקרמיקה בישראל ותלמידי בית בנימיני: 50 ש"ח. להרשמה מוקדמת, ניתן לשלוח דוא"ל לכתובת caai@bezeqint.net או להתקשר לטלפון 03-6874150.

      האמנים

      טיפ טולנד - Tip Toland 9 בדצמבר, 17:00. אמנית אמריקאית נפלאה, יוצרת פסלים מחימר עטורת פרסים ובעלת מוניטין בינלאומי. פסליה – 'גדולים מהחיים' - מוצגים במיטב המוזיאונים ומצויים באוספים חשובים ברחבי העולם. עבודתה הפיסולית מתמקדת בדמות האנושית כמטאפורה לשבריריות הקיום האנושי. בהומור ושעשוע  מהולים באהבה וחמלה רבה, היא בוראת נרטיבות אמוציונאליות נוקבות ונוגעות ללב. הסיפור האנושי, היומיומי, הבנאלי והגשמי קורם עור וגידים במיומנות ורגישות - קשת רחבה של דמויות, לעיתים מפחידות ומשונות – שהן רישומים ורשמים על בדידות ותמימות, חיים בשוליים, תהליכי התפוררות הגוף האנושי ומצבים נפשיים מורכבים ופגיעים.
      האמנית מגיע לארץ בתמיכת AIDA
      קת'רין מורלינג וג'ונתן גארט - Katherine Morling & Jonathan Garrett 19 בדצמבר, 16:00. עבודותיה של האמנית האנגלייה קת'רין מורלינג משמשות במה להאדרת החפץ השימושי היומיומי. הפסלים והמיצבים שהיא יוצרת הם רישומים תלת ממדיים בגודל טבעי ובשחור לבן של אובייקטים מהשגרה היומיומית ומעולמה הפנימי עשיר הזיכרונות, הנוסטאלגיה, הפנטזיה והאגדה. צעצועים, קופסאות, רהיטים, כלי עבודה, תיבות מסע, סולמות, שרשראות ועוד שכאלה, מגובבים לתמונות סוריאליסטיות עתירות דמיון, ביזאריות וחריגות. תעתועי העין המתקשה להבחין מאיזה חומרים עשויים החפצים – נייר, בד או חומר -  מזמנים לצופה חוויה חושית יוצאת דופן כמו גם השיטוט בין האובייקטים הפיסוליים השואפים ליצור 'סיפור'. הנרטיב מתרחש בעין הצופה המחבר את החפצים הבודדים בתהליך אסוציאטיבי לסיפור בעל משמעות אישית. ג'ונתן גארט הוא קדר אנגלי, יוצר אובייקטים פיסוליים ומיכלים גדולי מימדים לבית ולגן. מוביל בתחומו ובעל מוניטין רב שנים בבריטניה. משתמש בעיקר בחומר מקומי צרוף בתנור עצים בניסיון לשדר חומריות, מקומיות וקירבה לטבע  ולנוף. המיכלים מעוצבים בשימת לב מרבית להתאמה צורנית בין הכלי והצמח. האובייקטים הפיסוליים 'ארוגים' בינות לצמחים לקבלת אפקט טבעי ואורגאני וליצירת דיאלוג ישיר ובלתי אמצעי עם הטבע והסביבה. האמנים מאנגליה מגיעים בתמיכת רות קורמן - Designer Crafts Foundation. למידע נוסף על סדנאות קרמיקה בבית בנימיני
      ]]>       7320 2012-10-29 15:33:56 2012-10-29 13:33:56 closed open %d7%9b%d7%99%d7%aa%d7%95%d7%aa-%d7%90%d7%9e%d7%9f-%d7%90%d7%9e%d7%a0%d7%99-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94-%d7%90%d7%95%d7%a8%d7%97%d7%99-%d7%94%d7%a1%d7%99%d7%9e%d7%a4%d7%95%d7%96%d7%99%d7%95 publish 0 0 post 0 _alp_broken_links a:2:{s:330:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%9C%D7%99%D7%9E%D7%95%D7%93%D7%99-%D7%A4%D7%99%D7%A1%D7%95%D7%9C/%D7%9C%D7%99%D7%9E%D7%95%D7%93%D7%99-%D7%A4%D7%99%D7%A1%D7%95%D7%9C-%D7%91%D7%97%D7%99%D7%9E%D7%A8-%D7%95%D7%91%D7%A0%D7%99%D7%99%D7%AA-%D7%99%D7%93/";a:0:{}s:150:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%A1%D7%93%D7%A0%D7%90%D7%95%D7%AA/";a:0:{}} _edit_lock 1367750698 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1367750696 712 http://hamearbev.com/?p=2030 212.235.66.34 2012-12-06 02:26:55 2012-12-06 00:26:55 0 pingback 0 0       Ceramic Sculpture http://www.benyaminiceramics.org/?p=7342 Tue, 30 Oct 2012 06:43:46 +0000 http://www.benyaminiceramics.org/?p=7342 7342 2012-10-30 08:43:46 2012-10-30 06:43:46 closed open ceramic-sculpture draft 0 0 post 0 _edit_lock 1351579604 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1351579603 lidia2 http://www.benyaminiceramics.org/%d7%90%d7%a8%d7%95%d7%a2%d7%99%d7%9d/lidia2/ Tue, 30 Oct 2012 14:45:55 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2010/07/lidia2.jpg 7379 2012-10-30 16:45:55 2012-10-30 14:45:55 closed open lidia2 inherit 1439 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2010/07/lidia2.jpg _wp_attached_file 2010/07/lidia2.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"320";s:6:"height";s:3:"348";s:14:"hwstring_small";s:22:"height='96' 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+0000 http://www.benyaminiceramics.org/?p=7593 אלפי שנים דימויים מן הטבע שימשו השראה לקדרים. בניגוד להתייחסות המסורתית של עולם הקרמיקה אל הנוף, אשר התמקדה בעונג החזותי, עבודות קרמיקה עכשוויות חושפות גישה חדשה של אמני קרמיקה - גישה ששואלת שאלות בנוגע למהותו של הנוף ומעלה סוגיות בעלות אופי פוליטי וחברתי. עבודותיהם של אמנים אלה מעוררות שאלות מטרידות בנוגע לנוף ומטילות ספק בקלישאות ובסטראוטיפים הקשורים בו.
      אורלי נזר סוקרת במאמר זה דרכי ביטוי שונות לטיפול העכשווי של אמני קרמיקה בנוף.
      המאמר לקוח מ-"1280 - כתב עת לתרבות חומרית", גיליון 20, חורף 2009. בעריכת טליה טוקטלי. כתב העת בהוצאת אגודת אמני קרמיקה בישראל, בשיתוף עמותת אמנים יוצרים בישראל ובתמיכת משרד התרבות והספורט - מנהל התרבות.

      התמונה: יואב אדמוני, Deserting one-self, 2009, טכניקה מעורבת – עבודה עם שלד ברזל ורשת ולאחר מכן עבודה עם בטון וחומרי אדמה, 300/240/260 ס"מ. מתןך פרויקט סיום במחלקה לעיצוב קרמי וזכוכית, בצלאל. צילום: שי הלוי.

      --

      לצורה האורגנית ולחומר היסטוריה משותפת ארוכה, שכן אלפי שנים דימויים מן הטבע שימשו השראה לקדרים. בניגוד להתייחסות המסורתית של עולם הקרמיקה אל הנוף, אשר התמקדה בעונג החזותי, כמה עבודות קרמיקה עכשוויות חושפות גישה חדשה של אמני קרמיקה - גישה ששואלת שאלות בנוגע למהותו של הנוף ומעלה סוגיות בעלות אופי פוליטי וחברתי.

      המושג "נוף" מתייחס לסביבה. הנוף הוא "שם" בניגוד ל"פה". הוא מורכב מפני שטח וקשור קשר בל יינתק לנושא של שדה הראייה. מכיוון שהנוף מורכב מפריטים רבים אשר יחד יוצרים "תפאורה", ותוצריה של הקרמיקה הם בדרך כלל אובייקטים בודדים, עולה השאלה אם פרט אחד בודד (כד, קערה או אובייקט) יכול לדבר על נוף. תשובתי היא שלעתים כן. כמו שנראה בהמשך הדברים, הקריאה שלנו את העבודה כמדברת על נוף תלויה לעתים לא רק ברכיבים החזותיים שלה אשר גורמים לנו לחשוב על נוף, אלא גם בהקשר שמייצר בשבילנו האמן או בהקשר של האוצרות, כלומר ה"עריכה" של העבודה עם עוד עבודות בתערוכה.

      עולם האמנות העכשווי מקיים יחסים מורכבים עם הנוף כנושא לעבודה. היחסים בין האמן הישראלי לנוף כמושא של ציור, פיסול (כולל פיסול בחימר) וצילום עברו שינויים ותהפוכות במשך השנים, אבל נראה כי אי אפשר להתייחס אל התחומים הללו כאל מקשה אחת, ובכל הנוגע לייצוג הנוף התפתחו בהם כמה גישות.

      תקופת ההתפעמות מהנוף המקומי של אמני ישראל בציור ובפיסול ארכה זמן קצר בלבד. בשנות ה-20 עשו האמנים לנופים את שעשו החלוצים במחרשתם: הם גילו, התפעמו, יישבו, בנו. אבל כבר בשנות ה-50, בעקבות מגמת ההפשטה בציור הישראלי, באה פרידה מהנוף ואף דחייה של נושאים "ארץ ישראליים". שנות ה-60 וה-70 המשיכו להרחיק את הצייר הישראלי מהנוף לכיוון עירוני, פרגמטי, מסחרי וחברתי יותר. ציור הנוף נזנח לטובת פיסול נוף. נופים נותרו עתה כזיכרון עירוני, כדימוי הכרתי של איש העיר שקולט משהו במבט מהיר בעודו יושב במכוניתו הנוסעת העירה (חבילות הקש שסידר יהושע נוישטיין ב-1970 על רצפת ביתן הלנה רובינשטיין בתל אביב, או מטעי העצים שהעתיק בני אפרת לתוך המוזאון ברמת גן, מעשה שהביא לידי התייבשותם של העצים.)

      ירידת קרנו של ציור הנוף בשנות ה-70 התרחשה במקביל לעלייתו של פיסול הנוף. בהשראת אמנים מערביים (ריצ'רד לונג, רוברט סמיתסון), הרבו אמני ישראל בתקופה זו ליצור יצירות סביבתיות שקשורות באדמה. אמני האדמה נהפכו ליוצרי נוף, פעולה שונה מהציירים אשר מגלים נוף. אין מדובר כאן בהתפעמות רומנטית מהנוף, רצון להתמזג בו בשקיקה רגשית, אלא השתלטות עליו, ארגונו מחדש, חברות הטבע. פיסול הנוף החדש שלל את ההרמוניה האורגנית בין אמן לנוף.

      שנות ה-80 העמידו את האמנים בפני מצב פרדוקסלי, שבו התפיסה הפוסט-מודרנית כללה לגיטימציה חדשה למקומיות, אבל בישראל המקומיות עדיין נתפסה כרומנטיקה פתטית, שוביניסטית. הציירים של מרכז הארץ, ירושלים ותל אביב, העדיפו להתייחס לנוף זר, להמציא נוף או להציג עמדה אירונית כלפי ציור נוף מקומי מסורתי, ורובם סירבו להגיב במישרין לסביבתם. הטבע הלא ידוע, המיסטי, הפך למפוענח על ידי המדע, וכתוצאה מכך גם מושג ה"נשגב" שהיה כרוך בטבע, חייב הגדרה חדשה ונשא אופי של זוועה: ים הטביעה, עמק התהום, שדה האש, פסגת העיט. הטבע עוין, והצייר של ה"נשגב החדש" אינו יוצא עוד אל הטבע, אלא נשאר בסטודיו, מצייר מושג של טבע מוסכם, טבע הכרתי, טבע "חברתי".

      אסון בממדי ענק ותחושה של סוף העולם היו מוטיב מרכזי בתערוכתה של סיגלית לנדאו The Country משנת 2002. התערוכה הייתה מעין חזון אפוקליפטי, סוף העולם על גג תל אביבי. המיצב הטוטלי הכניס את הצופה מיד עם רדתו אל החלל (גלריה אלון שגב) לתוך עולם מסויט, תמונת מראה מעוותת לאידיליות של תחילת הציונות - הפרדסים של נחום גוטמן או החלוצים של ראובן רובין הנושאים פֵּרות בשלים ובריאים כהבטחה לעתיד. לנדאו הציגה את הניגוד המושלם - "פֵרות" רעל המוות ספוגים דם - חזון רב-עוצמה וכלל אנושי, שבו ניצולי האנושות כולה אוספים את שאריותיה.

      עוד גישה אופיינית לתקופתנו היא הצגת הקלישאות המלוות את הנוף והשטחה של המטען שהוא נושא עמו. עבודתו של גל וינשטיין "עמק החולה", שהוצגה ב-2006 בבית הלנה רובינשטיין, מטרידה בכך שהיא מהווה כפיל למציאות. בקומת הכניסה של המוזאון הוצבה רצפה שלרגע נדמה שהיא אדמת חרסית מבוקעת, ואולם ככל שפוסעים על פני האדמה החרוכה הזאת גוברת תחושת הסינתטיות של החומר התעשייתי שממנו היא מפוסלת – לוחות MDF, שעשויים אבקת עץ שכמעט איבדה את זהותה העצית. הממדים והתעתוע יוצרים נשגבות מצד אחד, אבל מן הצד האחר החומרים צורמים (לוח MDF), זייפניים. העבודות של וינשטיין, כמו ציורי השמן של אלי שמיר שמצייר בעמק יזרעאל, כבר אינם קושרים את נושא הנוף עם נושא הטריטוריה, אלא משתמשים בנוף כדי לשאול שאלות על החברה הישראלית, קלישאותיה ואכזבותיה.

      גישה נוספת באמנות העכשווית המשפיעה על הטיפול בנושא הנוף מאופיינת בעיסוק מופחת בשאלות תאורטיות ויותר בעיסוק באמנות כמובילה אל עולמות פרטיים, לעתים פנטסטיים, ואף נאו-רומנטיים; "אמנים שבים להאמין באפשרות של התעלות רוחנית באמצעים חזותיים, בלי לחשוש מהתדרדרות ל'אמנות רטינלית' בלבד. פיגורטיביות, נרטיביות וערכי יופי - שהותקפו בידי אמנים ותאורטיקנים - חזרו לקדמת הבמה" (מנדלסון 2008). האמנית טליה קינן תלתה על קיר רישום גדול של נוף – אבנים, עצים, פלג מים – ועליו הקרינה במחזוריות אור מלווה בקולה של מכונית מתקרבת. המכונית לכאורה פגמה ב"טבעיות" של הנוף, אבל בעצם הפיחה חיים בציור. את המעשה הרומנטי של יציאה לטבע עם כן ציור או מצלמה מחליף האמן הילל רומן בישיבה מול מסך המחשב. הגלישה במרחבים הווירטואליים מחליפה את השיטוט ברגל ובמהלכה נעצר האמן על יד (דימויים מצולמים של) נופים ומתפעל מהם. מקיומם האלמוני הם עוברים הגבהה ונהפכים חלק מעולם האמנות.

      בתחום הקרמיקה, כאמור, לצורה האורגנית ולחומר היסטוריה משותפת ארוכה. החומר מעתיק בקלות שטח פנים וצורות של עולם הטבע, וקדרים ניצלו תכונה זו כאלפי שנים. ובהקשר של הנוף לקדרות זיקה מיתית לאדמה, ועל כן עד סוף שנות ה-60 התחברה הקרמיקה הישראלית לגישה הרומנטית של סוף המאה ה-19, מתוך הבניה של שפה צורנית שנשענת על הארכאולוגיה ועל הטופוגרפיה המקומית. עבודותיה של הדויג גרוסמן וכן אלה של ממשיכי דרכה שיקפו את החיפוש אחר חומרים מקומיים, ואופיינו בהותרת הכלי בגוני האדמה וב"יובשו" ובהסתפקות בסימנים מעגליים של תנועת האבניים. מהנוף ומהאקלים היבש צמחה גם תערובת חומר הגלם הגס המיוחד של גרוסמן (עפרת, 1985). על הקשר שבין עבודת החומר לאתוס הציוני כתבה שרה הקרט: "חומרים מן הטבע, כמו אבנים וחלקי צמחים (זרדים, נצרים, קש וכו') השכיחים באסמבלאז' הקרמי, התחברו טבעית עם העבודה המסורתית באדמה, וגם השתלבו היטב באתוס הציוני" (הקרט 2000).

      כמו שכבר למדנו, הטיפול האמנותי העכשווי בנוף כבר איננו יכול להיות חף מהקשרים, לא כל שכן כשמדובר בנוף הישראלי, הטעון מיתוסים ומאבקים. עם זאת, התמורות והתהפוכות ביחס לתיאור הנוף שחלו באמנות הישראלית לא תמיד נגעו בקרמיקה אשר "צמחה כענף של החיפושים ה'כנעניים' אחר שורשיות ארכאית מקומית, מקומיותה של האדמה ומקומיותו של המיתוס" (יגיד-יחימוביץ, 2009). ההתפתחויות בשנות ה-60 וה-70 הן אשר הרחיקו סופית את הקרמיקה הישראלית מעולם האמנות, והקרמיקה הלכה והתפתחה ככלי לביטוי חזותי של תחושות והיסטוריה אישית, מתוך ויתור על דיון בנושאים ציבוריים, חברתיים או פוליטיים. כך ניכר גם בעבודות הקרמיקה אשר הוצגו בביאנלה החמישית לקרמיקה תחת הכותרת "חומרי טבע" (יוני 2009, אוצר: חגי שגב). עבודות אלה ממחישות כי בתחום הקרמיקה גם היום העיסוק בנוף ובטבע מתקשר לעתים קרובות לעיסוק בנושא היופי, במובן של נועם חזותי, משוחרר מעומס תאורטי.

      עם זאת, למרות היותה של הקרמיקה כלי התחבורה של היופי, בכך שהנועם האסתטי מובנה בתוך החומר עצמו בין שנרצה בכך ובין שלא, עולה כי יש גם עבודות אשר מצליחות להציג יחסים מורכבים יותר עם הנוף. עבודות אשר מעוררות שאלות מטרידות בנוגע לנוף ומטילות ספק בקלישאות ובסטראוטיפים הקשורים בו.

      אחד הביטויים לכך הוא המעבר מ"אמן מגלה", אשר נותן ביטוי חזותי לנוף הקיים ומבקש להתפעל ממנו, לאמן אשר ממציא טבע ובכך מביע עמדה כלפיו, מעבר שמומחש בעבודותיה של האמנית דניאלה יניב-ריכטר. בביאנלה החמישית לקרמיקה הציגה האמנית אובייקטים ראליסטיים שהם שכפול של הטבע, כדוגמת ענפים ואבנים. טקטיקה זו הציגה מעין עמדה של "מצביעה", לכאורה ללא הצגת עמדה, אבל מובלע בתוכה ניסיון להעביר את הנשגבות של הטבע על ידי הפגנת יכולת טכנית של האמנית. יניב-ריכטר מציגה ריבוי של אובייקטים, ובכך מבקשת להסב את תשומת לבנו אל הסביבה שלנו. בעבודותיה האחרונות, שהוצגו בספטמבר 2009 בתערוכה קבוצתית בשם "טבע ביניים" (אוצרים: אירנה גורדון ובועז נוי, אמנים: נועה תבורי, אסף בן צבי, אורי דרוקמן ודניאלה יניב-ריכטר) ניכר השינוי בגישה. בהקשר של התערוכה עבודותיה מייצגות גישה דו-משמעית לטבע ולנוף. האמנית חורגת מהפרקטיקה של העתקת אובייקטים יום-יומיים שנמצאים בכל מקום, ועתה ממציאה אובייקטים כשהיא ניזונה מדימויים בתוך ראשה. במסווה של קישוט קרמי תמים מתגלה לנו שעתוק מקולקל, עיוות או המצאה של טבע. דרך פעולה זו מרמזת על כלל האפשרויות שהמונח "טבע" מגלם בתוכו, שכן בעולם שאנו חיים בו, האם אפשרי בכלל לחשוב על טבע פיוטי, פסטורלי, נשגב? האם מבטנו השגור אל הנוף, הטבע, אינו מבט שניזון מסטראוטיפים שיש לנו בנוגע למהות הנוף ומה עליו להכיל?

      עוד ביטוי לטיפול העכשווי של אמני קרמיקה בנוף הוא החיבור בין נוף לאסונות ותחושת "סוף העולם", שהוזכרה למעלה, כמו שעולה מעבודתו של האמן כרמל שפע (מירב) "האדם הלבן לאן" (2007). על משטח חומר גס הוא מציב דמויות של אנשים קטנים מפורצלן, אשר לעומתם הנוף נראה עצום ומאיים, צחיח ואפוקליפטי. הפיגורינות הפולקלוריסטיות המוכרות לנו מההיסטוריה של הקרמיקה מוחלפות בפיגורינות זערוריות, אנשי פורצלן חסרי פולקלור או זהות, מביטים למעלה כמצפים לישועה. עבודה זו עוסקת במלחמה, בהרס ובחזיונות אפוקליפטיים, והיא מתקשרת היטב עם האסון בממדי ענק ותחושת סוף העולם בתערוכתה של סיגלית לנדאו The Country, שהזכרתי קודם.
      עוד דרך ביטוי מעניינת ביחסן של עבודות קרמיקה לנוף מתאפיינת בשאיפה ליצור התעלות רוחנית באמצעים חזותיים, ולעיסוק בערכי יופי, אך הפעם בקנה מידה שמרחיק את העבודה ממחשבה על קישוט. יואב אדמוני, בוגר המחלקה לעיצוב קרמיקה וזכוכית בבצלאל, נוקט בעבודתו Deserting one-self טקטיקה מוכרת באמנות העכשווית כשהוא מכוון את יצירתו, מעבר למורכבות הרעיונית, אל חוויה חזותית טוטלית. חוויה זו מושגת באמצעות גודל העבודה, טכנולוגיית העשייה, התאטרליות שלה ואף השימוש המובהק ברגש ובפתוס דתיים. אדמוני מנפח לממדים עצומים רגב אדמה יחיד, נפיל שהגיח מדרומה של הארץ ועומד במרכזו של חלל התצוגה, כחלום פנטסטי או סיוט שקרם עור וגידים ומאיים על "התרבות", במקרה זה בית הספר לאמנות בצלאל. קנה המידה בעבודתו של אדמוני (גובה: 2.6 מטרים, רוחב: 3 מטרים) לא רק מתעמת עם קנה המידה השגור של הקרמיקה, אלא אף מקיים דיאלוג עם הזיקה של הקרמיקה לאדמה, זיקה שבאה לידי ביטוי ברגב אחד ענק. קנה המידה העצום מחזק עוד תובנה בנוגע לנוף: החוויה של נוף, תחושת הנשגבות שמהולה בה, מקורה בעיקר בנוכחותו של הצופה.

      כוחן של העבודות שהזכרתי הוא בכך שנוסף על טקטיקות הטיפול בנושא הנוף, הן מגייסות או מעמתות, על פי צורך, את ההיסטוריה ואת המאפיינים הייחודיים של הקרמיקה לצורך העצמת הרעיון אשר עומד מאחוריהן: מקומה המסורתי של הקרמיקה בתחום הקישוט, אזכור של הפיגורינות הפולקלוריסטיות ההיסטוריות, עימות עם זיקתה של הקרמיקה הישראלית לאדמה והתמודדות עם קנה המידה. בתוך העבודות שתולים מרכיבים מלאכותיים שמציעים שלושה כיווני פעולה: האחד הוא יצירת עבודה אשר אינה מכוונת להתפעמות ממה ש"יש שם בחוץ", אלא יוצרת טבע בדוי שמערער את ההתבוננות הסטראוטיפית שלנו על הנוף. כיוון אחר הוא יצירה של מערך אובייקטים שגורם לנו לחשוב על נוף, מתוך שימוש בשדה ראייה מוגבל ואפוקליפטי. כיוון שלישי הוא התמקדות באובייקט אשר איננו דווקא ה"ייצוגי" או ה"יפה" בראייתנו השגורה את הנוף. במקרה זה האמן יוצר אצל הצופה את תחושת הנשגבות המלווה את הנוף בעזרת מניפולציה, משחק בקנה המידה של האובייקט לעומת המקור. כל הכיוונים הללו לטיפול בנוף מונעים מהצופה מלחשוב על הנוף את חשיבתו השגורה. מטרתם לומר משהו באמצעות הנוף, לאו דווקא על הנוף עצמו.

      למידע נוסף על קורס פיסול בחימר.

      ביבליוגרפיה:

      הקרט, שרה (2000). בקטלוג התערוכה פגישה לא מקרית: קרמיקה עכשווית.

      יגיד-חיימוביץ, מאירה (2009). "קדרות ישראלית: הערת שוליים", בתוך ספר אמן עירית אבא, גלגל. נקודה, מוזיאון תל אביב לאמנות, עמ' 65-71.

      מנדלסון, אמיתי (2008). "חזיונות אחרית וראשית: הרהורים על אמנות בישראל 1998‑2007", קטלוג התערוכה זמן אמת: 60 שנות אמנות בישראל – העשור השישי: 1998-2008, מוזיאון ישראל ירושלים, עמוד 67.

      עפרת, גדעון (1985). טקסט בקטלוג התערוכה ראשית הקרמיקה הישראלית 1932-1962, מוזאון הרצליה ואגודת אמני הקרמיקה.

      עפרת, גדעון (2002). קטלוג התערוכה שיבת-ציון: מעבר לעקרון-המקום, הוצאת זמן אמנות.

      עפרת, גדעון (2004). "מה שאירע לנוף", בתוך בהקשר מקומי, הקיבוץ המאוחד, תל אביב, עמ' 26‑34.

      רז, גיא (2005). "רק מה שספגה עינו: הערות על צילום הנוף המקומי", בתוך קטלוג התערוכה תבנית נוף: הערות על צילום הנוף המקומי, אוניברסיטת חיפה, עמ' 5.

      ]]>       7593 2012-11-15 18:23:37 2012-11-15 16:23:37 closed open %d7%97%d7%95%d7%9e%d7%a8-%d7%90%d7%93%d7%9e%d7%94-%d7%a0%d7%95%d7%a3-%d7%90%d7%95%d7%a8%d7%9c%d7%99-%d7%a0%d7%96%d7%a8 publish 0 0 post 0 _edit_lock 1364207981 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1364207980 _alp_broken_links a:2:{s:330:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%9C%D7%99%D7%9E%D7%95%D7%93%D7%99-%D7%A4%D7%99%D7%A1%D7%95%D7%9C/%D7%9C%D7%99%D7%9E%D7%95%D7%93%D7%99-%D7%A4%D7%99%D7%A1%D7%95%D7%9C-%D7%91%D7%97%D7%99%D7%9E%D7%A8-%D7%95%D7%91%D7%A0%D7%99%D7%99%D7%AA-%D7%99%D7%93/";a:0:{}s:292:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%9E%D7%AA%D7%97%D7%99%D7%9C%D7%99%D7%9D/%D7%A7%D7%95%D7%A8%D7%A1-%D7%A7%D7%93%D7%A8%D7%95%D7%AA-%D7%99%D7%A1%D7%95%D7%93%D7%95%D7%AA/";a:0:{}}       בית בנימיני בקהילה: אמנים ישראלים למען ספריית גן לוינסקי http://www.benyaminiceramics.org/2012/11/%d7%91%d7%99%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99-%d7%91%d7%a7%d7%94%d7%99%d7%9c%d7%94-%d7%90%d7%9e%d7%a0%d7%99%d7%9d-%d7%99%d7%a9%d7%a8%d7%90%d7%9c%d7%99%d7%9d-%d7%9c%d7%9e%d7%a2%d7%9f/ Wed, 21 Nov 2012 11:24:23 +0000 http://www.benyaminiceramics.org/?p=7309 התערוכה השנתית למען הספרייה ומרכז התרבות בגן לוינסקי תתקיים השנה בבית בנימיני.

      פתיחת התערוכה: יום חמישי, 29.11.12, בשעה 18:00. בתערוכה ישתתפו מיטב האמנים והעבודות ימכרו במחיר אחיד של 1,000 ש"ח.

      שעות המכירה בימים ו'-ש': יום שישי, 30 בנובמבר 2012, 11:00-14:00. יום שבת, 1 בדצמבר 2012, 12:00-22:00.

      (לחץ להגדלה)

      בית בנימיני, המשתף פעולה עם הספריה בגן לוינסקי גם במהלך השנה, מארח את התערוכה השנתית למען ספרייה בגן לוינסקי.

      ספריית גן לוינסקי הא ספרייה ומרכז תרבות המשרתים את תושבי שכונת נווה שאנן והקהילות הזרות בדרום תל אביב. במקום פועלת ספריית השאלה ב-16 שפות שונות, מרכז אחר הצהריים לילדים ואירועי תרבות חינמיים לקהל הרחב. השנה, ישנה סיבה כפולה לתמוך בספריה – היא מרחיבה את פעילותה למקלט הצמוד אליה. באישור עיריית תל אביב, נפתח במקום מרכז תרבות שכבר התחיל לפעול. המרכז החדש מציע חוגים, הרצאות, קורסים ואירועים שונים למבוגרים ולילדים, החל מקורסים באמנות ובמחול ועד קורסים ללימוד עברית. המרכז החדש יאפשר לספרייה לפעול גם בימי החורף הגשומים.

      בתערוכה יוצגו וימכרו גם עבודות הקרמיקה וכן פסלים מחימר בצורת חיות שנעשו על ידי אורחי הפיקניק שערכנו בגינת לוינסקי בחג השבועות.

      (לחץ להגדלה)

      ]]>       7309 2012-11-21 13:24:23 2012-11-21 11:24:23 closed open %d7%91%d7%99%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99-%d7%91%d7%a7%d7%94%d7%99%d7%9c%d7%94-%d7%90%d7%9e%d7%a0%d7%99%d7%9d-%d7%99%d7%a9%d7%a8%d7%90%d7%9c%d7%99%d7%9d-%d7%9c%d7%9e%d7%a2%d7%9f publish 0 0 post 0 _edit_lock 1367798397 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1367750752 _alp_broken_links a:1:{s:330:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%9C%D7%99%D7%9E%D7%95%D7%93%D7%99-%D7%A4%D7%99%D7%A1%D7%95%D7%9C/%D7%9C%D7%99%D7%9E%D7%95%D7%93%D7%99-%D7%A4%D7%99%D7%A1%D7%95%D7%9C-%D7%91%D7%97%D7%99%D7%9E%D7%A8-%D7%95%D7%91%D7%A0%D7%99%D7%99%D7%AA-%D7%99%D7%93/";a:0:{}}       שבר שבריריות http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/%d7%a9%d7%91%d7%a8-%d7%a9%d7%91%d7%a8%d7%99%d7%a8%d7%99%d7%95%d7%aa/smashing-invitation/ Mon, 26 Nov 2012 07:37:53 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/11/smashing-invitation.jpg 7609 2012-11-26 09:37:53 2012-11-26 07:37:53 closed open smashing-invitation inherit 7607 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/11/smashing-invitation.jpg _wp_attached_file 2012/11/smashing-invitation.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"448";s:6:"height";s:3:"298";s:14:"hwstring_small";s:23:"height='85' width='128'";s:4:"file";s:31:"2012/11/smashing-invitation.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:31:"smashing-invitation-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:31:"smashing-invitation-300x199.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"199";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} "שבר, שבריריות" http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/%d7%a9%d7%91%d7%a8-%d7%a9%d7%91%d7%a8%d7%99%d7%a8%d7%99%d7%95%d7%aa/ Mon, 26 Nov 2012 07:41:07 +0000 http://www.benyaminiceramics.org/?page_id=7607

      פתיחת התערוכה: יום חמישי, 6 בדצמבר 2012, בשעה 19:00.

      אוצרת התערוכה: אילת זהר.

      האמנים המשתתפים: אתי אברג'יל, אוצרות המדינה, גדעון גכטמן, נאויה האטאקיאמה, ג'ים המלין, טמסין ואן אסן, אילת זהר, קארין זינגר, מגדלנה חפץ, ארז ישראלי, סיימון פוג'יווארה, מירי פליישר, ניל קאמינגס ומארסיה לבנדווסקה, מרטין קלימס, אלישבע קמייסקי, תמר שוער.

      שבר, שבריריות: דקונסטרוקציה ושברים באמנות [קרמיקה] עכשווית הוא פרוייקט הבוחן את תהליך יצירת הקרמיקה מן המקום הטעון של התפרקות ושבירה. בדרך כלל, מקובל לחשוב שקרמיקה שבורה הגיעה אל סופה, ועל כן מקומה בפח. יחד עם זאת, השבריריות והעדינות של החומר הקרמי הם חלק מן החיבה היתרה שרבים חשים כלפי אובייקטים אלו. תערוכה זו בוחנת מחדש  את המומנטום הטעון במוות ולידה מחדש, חילול והקדשה, פרוק ושבירה, רפוי ובניה מחדש של החומר הקרמי, כפי שהוא מופיע בעבודותיהם של אמנים חזותיים, כאלו שאינם פועלים בתחום החומר דווקא, ולצידם מספר אמני קרמיקה. על כן, התערוכת מציעה מבחר עבודות אשר חוקרות לעמקו את הרגע הבלתי-מקודש של הניפוץ והפיזור של האובייקט הקרמי, לצד נסיונות להבנות וליצור הקשר חדש לשברים אשר חזרו להיות חומר ראשוני, לידה של שלב קיום וצורות חיים חדשות. אילת זהר, אוצרת התערוכה, הזמינה מגוון של אמנים העוסקים בצילום, וידאו ועבודות סאונד לקחת חלק בתצוגה זו, אליה גם נוספו עבודות קרמיקה אשר בוחנות את אפשרויותיו של האובייקט המובנה מחדש בהקשר זה.

      התערוכה מבקשת לקשור בין המושג דקונסטרוקציה, והקשריו הפילוסופים בהגותו של ז'ק דרידה, והקשריו החומריים ביותר - ההתנפצות, השבר והבנייה מחדש. אל הקריאה הדקונסטרוקטיבית אשר חוצה את קווי התהליך הקרמי לטובת חשיבה מהופכת, מן השבר אל הכלי, עשייה אשר עוסקת ב"חיים שאחרי", נוסף גם דיון במהלך התאורטי הנוגע בכימרה, כמודל הופכי למושג ההיברידיות: בניגוד להיבריד אשר בו הוטמעו מקורות זרים זה לזה לכדי ישות חדשה, הכימרה היא מודל לצורת חיים המכילה בתוכה את זכרון העבר והצורות היסודיות מתוכן נבנה היצור החדש. הכימרה במובן זה היא היפוכו של כור ההיתוך, מכיוון שהיא מאפשרת שמירת זהות העבר תוך חיבור מובנה ומודע לצורות ההווה.

      בתוך מרחב הדימויים בהם מתקיימת התערוכה נוצרים שיחים שונים ביחס להתנפצות, לשבר ולבניה: מחד, אמנים אשר מנפצים בכל הכח והאלימות אובייקטים יקרי ערך, עתיקים ומעשה אמן יחודיים, לעומת מי שחש חמלה אל כל כוס שבורה וצלחת סדוקה; ישנם אלו המרכיבים שלמים חדשים מתוך שברים שנחתכו בדייקנות יתירה, לבין אלו המעיזים לברוא סדור עולמות חדשים מול רסיסיו של עולם ישן. גם המיצב המועלה על הגג עוסק ביחס שבין עולם של התפרקות ושברים, לבין זכרון ההיסטוריה והטראומות של החיים במקום הזה.

      למידע על סדנאות קרמיקה בבית בנימיני

      [nggallery id=153]

      [nggallery id=150]

      ]]>       7607 2012-11-26 09:41:07 2012-11-26 07:41:07 closed open %d7%a9%d7%91%d7%a8-%d7%a9%d7%91%d7%a8%d7%99%d7%a8%d7%99%d7%95%d7%aa publish 276 40 page 0 _edit_lock 1371485346 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1371485345 _thumbnail_id 7609 _alp_broken_links a:1:{s:150:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%A1%D7%93%D7%A0%D7%90%D7%95%D7%AA/";a:0:{}}       Edmund de Waal http://www.benyaminiceramics.org/en/2012/11/edmund-de-waal/ Mon, 26 Nov 2012 09:35:59 +0000 http://www.benyaminiceramics.org/?p=7619 world and one of the most important  writers in the field.  De Waal is known for his large installations of minimalist porcelain vessels that have been exhibited all over the world in important museums such as the Victoria & Albert Museum in London and the Tate Modern.
      Victoria and Albert Museum, London
      In 2010 he published a book `The Hare with the Amber Eyes` - a family biography – which was highly acclaimed and became an international bestseller.  The book tells the story of a collection of 264 Netsuke (handmade Japanese miniatures) which he inherited from his uncle and through this he takes the reader on a journey from the 19th Century to the present.  In his highly descriptive language he describes the cultural background when the Netsuke were collected, the art milieu of the time, the relationship between east and west, the passion for objects and the relationship between objects and identity. Edmund de Waal lives and works as a ceramic artist in London and is a professor from the University of Westminster in London.
      Sign & Wonders; Victoria and Albert Museum, London
      ]]>       7619 2012-11-26 11:35:59 2012-11-26 09:35:59 closed open edmund-de-waal publish 0 0 post 0 _edit_lock 1354032972 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";}       האמנים המשתתפים http://www.benyaminiceramics.org/2012/11/%d7%91%d7%99%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99-%d7%91%d7%a7%d7%94%d7%99%d7%9c%d7%94-%d7%90%d7%9e%d7%a0%d7%99%d7%9d-%d7%99%d7%a9%d7%a8%d7%90%d7%9c%d7%99%d7%9d-%d7%9c%d7%9e%d7%a2%d7%9f/lewinsky22222/ Mon, 26 Nov 2012 10:13:19 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/10/lewinsky22222.jpg 7623 2012-11-26 12:13:19 2012-11-26 10:13:19 closed open lewinsky22222 inherit 7309 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/10/lewinsky22222.jpg _wp_attached_file 2012/10/lewinsky22222.jpg _wp_attachment_metadata a:6:{s:5:"width";s:4:"1772";s:6:"height";s:4:"1181";s:14:"hwstring_small";s:23:"height='85' width='127'";s:4:"file";s:25:"2012/10/lewinsky22222.jpg";s:5:"sizes";a:3:{s:9:"thumbnail";a:3:{s:4:"file";s:25:"lewinsky22222-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:25:"lewinsky22222-300x199.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"199";}s:5:"large";a:3:{s:4:"file";s:26:"lewinsky22222-1023x682.jpg";s:5:"width";s:4:"1023";s:6:"height";s:3:"682";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} אמנים למען ספריית גן לוינסקי http://www.benyaminiceramics.org/2012/11/%d7%91%d7%99%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99-%d7%91%d7%a7%d7%94%d7%99%d7%9c%d7%94-%d7%90%d7%9e%d7%a0%d7%99%d7%9d-%d7%99%d7%a9%d7%a8%d7%90%d7%9c%d7%99%d7%9d-%d7%9c%d7%9e%d7%a2%d7%9f/fundraisersidea_2/ Mon, 26 Nov 2012 11:08:08 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/10/fundraiserSideA_2.jpg 7631 2012-11-26 13:08:08 2012-11-26 11:08:08 closed open fundraisersidea_2 inherit 7309 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/10/fundraiserSideA_2.jpg _wp_attached_file 2012/10/fundraiserSideA_2.jpg _wp_attachment_metadata a:6:{s:5:"width";s:4:"1772";s:6:"height";s:4:"1181";s:14:"hwstring_small";s:23:"height='85' width='127'";s:4:"file";s:29:"2012/10/fundraiserSideA_2.jpg";s:5:"sizes";a:3:{s:9:"thumbnail";a:3:{s:4:"file";s:29:"fundraiserSideA_2-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:29:"fundraiserSideA_2-300x199.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"199";}s:5:"large";a:3:{s:4:"file";s:30:"fundraiserSideA_2-1023x682.jpg";s:5:"width";s:4:"1023";s:6:"height";s:3:"682";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} גד צ'רני http://www.benyaminiceramics.org/en/2012/11/ceramic-design/gadchernybottles/ Mon, 26 Nov 2012 11:50:00 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/11/gadchernybottles.jpg 7644 2012-11-26 13:50:00 2012-11-26 11:50:00 closed open gadchernybottles inherit 7643 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/11/gadchernybottles.jpg _wp_attached_file 2012/11/gadchernybottles.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"322";s:6:"height";s:3:"448";s:14:"hwstring_small";s:22:"height='96' width='69'";s:4:"file";s:28:"2012/11/gadchernybottles.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:28:"gadchernybottles-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:28:"gadchernybottles-215x300.jpg";s:5:"width";s:3:"215";s:6:"height";s:3:"300";}}s:10:"image_meta";a:10:{s:8:"aperture";s:2:"25";s:6:"credit";s:0:"";s:6:"camera";s:10:"NIKON D200";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1291288195";s:9:"copyright";s:0:"";s:12:"focal_length";s:3:"105";s:3:"iso";s:3:"100";s:13:"shutter_speed";s:4:"0.25";s:5:"title";s:0:"";}} Ceramic Design http://www.benyaminiceramics.org/en/2012/11/ceramic-design/ Mon, 26 Nov 2012 11:50:27 +0000 http://www.benyaminiceramics.org/?p=7643 Plaster mould workshop ]]> 7643 2012-11-26 13:50:27 2012-11-26 11:50:27 closed open ceramic-design publish 0 0 post 0 _edit_lock 1353931469 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} Smashing! http://www.benyaminiceramics.org/en/ceramic-galleries/past-exhibitions/smashing/ Mon, 26 Nov 2012 12:14:11 +0000 http://www.benyaminiceramics.org/?page_id=7647 Exhibition opening: Thursday, December 6th, 19:00. Curator: Ayelet Zohar Participants: Etti Abergel, Neil Cummings and Marysia Lewamdowska, Miri Fleisher, Simon Fujiwara, Gideon Gechtman, Jim Hamlyn, Naoya Hatakeyama, Magdalena Hefetz, Erez Israeli, Elisheva Kamaisky, Martin Klimas, National Treasures of Israel, Tamar Schoer, Karen Singer, Tamsin Van Essen, Ayelet Zohar Smashing!: Fragility, Deconstruction and Fragments in Contemporary [Ceramic] Arts is a project that considers the process of ceramic-making from the charged position of its deconstruction and the fragment. It is commonly accepted that broken ceramics have reached its dead end, usually ending up in the rubbish bin. Nonetheless, the fragility and delicacy of the ceramic material is part of its charm, and the shared love for pottery, ceramics and porcelain objects. This exhibition project is set to examine the stimulating momentum of death and rebirth, desecration and re-sanctification, deconstruction and restoration of the ceramic matter as it is represented in the work of visual, non-material artists, as well as ceramic artists. Therefore, Smashing! offers a collection of artworks that scrutinize the [un]holy moment of smash, blast and crash of the pottery object, along with attempts to reconstruct and re-contextualize the fragments that return to the substance stage to create a new phase and forms of life.  Ayelet Zohar, the curator, invited a range of artists working in photography, video and sound to take part in this show, and added several ceramics projects that examine the possibilities of the reconstructed object in this context. The exhibition is set to link between the concept of Deconstruction and its philosophical context within Jacques Derrida's philosophy , and the materialistic context - the blast, the fragment and reconstruction. To this reading of deconstruction that crosses the lines of the ceramic process for the sake of converted thinking, from the fragment to the object, making that  reflect on "the afterlife", the theoretical move concerning the Chimaera, as an opposite model of hybribity is added; In contrary to the hybrid where varying sources are assimilated into a new entity, the Chimaera is a living model that contains past memory and the fundamental shapes of which the new form is created. The Chimaera, in the sense, is the opposite of the "melting pot", since it permits the preservation of old identity together with  reconstructing new shapes, aware of present formations. Among the varying images among which the exhibition is present, different discourses on blasting, fragments and reconstruction develop. On one hand, artists that smash and crash with all their might dear and rare objects, antique and unique, versus those who feel great compassion towards every single broken glass or cracked plate. There are those of reconstruct new objects out of precisely cut fragments, and those who dare to build new order out of the debris of the old world. Even the installation of the rooftop of the gallery reconsiders the relationship between the world of deconstruction and fragments, and the memory, history and traumas of life in this place. [nggallery id=150] ]]> 7647 2012-11-26 14:14:11 2012-11-26 12:14:11 closed open smashing publish 279 40 page 0 _edit_lock 1354033141 _edit_last 3 _thumbnail_id 7609 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default אדמונד דה ואל - מסע בעקבות חפצים http://www.benyaminiceramics.org/2012/11/%d7%90%d7%93%d7%9e%d7%95%d7%a0%d7%93-%d7%93%d7%94-%d7%95%d7%90%d7%9c-%d7%94%d7%90%d7%a8%d7%a0%d7%91%d7%aa-%d7%a2%d7%9d-%d7%a2%d7%99%d7%a0%d7%99-%d7%94%d7%a2%d7%a0%d7%91%d7%a8/ Mon, 26 Nov 2012 14:26:18 +0000 http://www.benyaminiceramics.org/?p=7616 מאת: שירה סילברסטון.

      ..."כקדר, קצת מוזר בעיני שאנשים שיש להם כלים שלי מדברים עליהם כאילו היו חיים: אני לא בטוח שאני מסוגל להתמודד עם חיי הנצח של מה שיצרתי. אבל דומה שחפצים מסוימים אכן משמרים את הדופק של מעשה היצירה. הדופק הזה מגרה את סקרנותי".... (אדמונד דה ואל מתוך הארנבת עם עיני הענבר)

      אדמונד דה ואל הוא אחד מאמני הקרמיקה המובילים בעולם ומהכותבים החשובים בתחום הקרמיקה כיום. דה ואל ידוע בעיקר בעבודות המיצב הגדולות שלו, המורכבות מקבוצות של כלי פורצלן מינימליסטים, שהוצגו במקומות רבים ברחבי העולם, בהם מוזיאון ויקטוריה ואלברט בלונדון והטייט מודרן. בשנת 2010 הוציא לאור את הספר "הארנבת עם עיני הענבר", ביוגרפיה משפחתית, שקיבלה ביקורות אוהדות, זכתה בפרסי קוסטה וגלקסי היוקרתיים והפכה לרב מכר בינלאומי. דה ואל חי ויוצר כיום בלונדון ובעל תואר פרופסור לקרמיקה מאוניברסיטת ווסטמינסטר בלונדון.

      "כשהייתי ילד הפצרתי באבי שייקח אותי לחוג ערב, ומאז אני מכייר. הכלי הראשון שלי היה קערית שהכנתי על האובניים. ציפיתי אותה בזיגוג לבן חלבי עם נתזים של כחול-קובלט".... (אדמונד דה ואל מתוך הארנבת עם עיני הענבר)

      דה ואל נולד בשנת 1964 בנוטינגהאם שבאנגליה ובגיל 5 היה מפגשו הראשון עם החומר במסגרת לימודי קדרות בקורס ערב לקרמיקה. בגיל 17 עזב את לימודיו בבית הספר לטובת הקרמיקה  והפך לשוליה של הקדר ג'פרי וויטינג.

      וויטנג , מורו של דה ואל, היה מממשיכי דרכו של הקדר האנגלי המפורסם ברנרד ליץ', שהפיץ את בשורת הקרמיקה היפנית והשפיע רבות על שינוי הגישה לקרמיקה במערב. במהלך תקופת החניכה שלו,  למד דה ואל מוויטינג לכבד את החומר ולכוונן את עצמו למטרה: יצירת מאות קעריות מרק וצנצנות דבש כמיטב מסורת הקדרות האנגלית.

      בתום תקופת ההתלמדות שלו, למד ספרות אנגלית בקיימברידג', ובשנת 1986 פתח סטודיו לקדרות בפאתי ווילס בו יצר כלים שימושיים מאבנית (stoneware).

      בתחילת שנות התשעים קיבל דה ואל מלגה לשנתיים מטעם קרן יפנית במסגרתה שהה שנה ביפן, שם, במקביל ללימודי השפה היפנית שהחל באוניברסיטת שפילד, יצר כלים מפורצלן ועבד על ספר שעסק בקדר ברנרד ליץ'.

      ב-1993 שב לאנגליה, התמקם בלונדון ובשנת 1995 הציג את תערוכת היחיד הראשונה שלו בלונדון. מאז הציג עשרות תערוכות יחיד ברחבי העולם והשתתף בתערוכות קבוצתיות רבות. בנוסף, פרסם ספרים ומאמרים תיאורטיים והיסטוריים בתחום האמנות והקרמיקה בדגש על קדרות ועל פיסול קרמי. בעקבות פרסומיו זכה בפרסים רבים בתחומי האמנות והספרות.

      מתוך אתר מוזיאון ויקטוריה ואלברט (V&A Museum), לונדון.

      "That is my practice - I make things for places." (אדמונד דה ואל, מתוך סרטון שצולם במסגרת עבודות על המיצב Signs and Wonders במוזיאון ויקטוריה ואלברט בלונדון)

      במהלך השנה בה שהה דה ואל ביפן  והחל לעבוד על האבניים עם פורצלן, חומר שכלל אינו קל לעבודה, הוא חש לדבריו כי שב להתחלה ושהיתה זו עבורו הזדמנות לגלות את החומר מחדש וליהנות מחדש מתהליך היצירה. השילוב שעשה ביפן בין עבודת המחקר על ברנרד ליץ' לבין היצירה עם הפורצלן, גרם לו להבין שהוא אינו צריך להיות ממשיך דרכו של ליץ', כפי שהיה מורו ג'פרי וויטינג, ותובנה זו הובילה אותו לדרך חדשה ביצירתו. הוא החל להתייחס לסימבוליות של הפורצלן, למטענו ההיסטורי ולאפשרות הגלומה בו במפגש שבין מזרח למערב, ובמקום ליצור כלי בודד שימושי ולמקד בו את כל התייחסותו, הוא החל ליצור קבוצות של כלים מפורצלן, סדרות שלמות החוזרות על עצמן ונושאות מטען רב תרבותי - כלים מערביים בעלי זיקה לכלי פורצלן מהמזרח. את קבוצות עבודות אלה המורכבות מכלי פורצלן בגוונים שונים של גלזורה סלדון כינה דה ואל  "Cargos" (מטען/משא). הוא החל להציגן בחללים שונים ומקם אותן בין אם על הרצפה, בתוך ארונות, על גבי שורות וטורי מדפים מקבילים במעין תהליך של ניסוי ותהייה, תוך שהוא בוחן כיצד קבוצות הכלים משנות את החלל בו הן מוצגות – מארגנות אותו מחדש,  ואיך גילוין במקומות שונים משפיע על הצופה ועל יחסו לחפצים אחרים שכבר מצויים בחלל. עבודותיו נובעות מדיאלוג בין מינימליזם, מקצב וחלל, ובשנים האחרונות מתייחסות יותר ויותר לנושא אוספים ואספנות.

      "There are ghosts and memories of ceramics in this building too." (אדמונד דה ואל, מתוך קטלוג התערוכה Signs and Wonders, מוזיאון ויקטוריה ואלברט, לונדון, 2009)

      אחת מעבודותיו המפורסמות של דה ואל הינה המיצב שיצר בשנת 2009 עבור גלריית הקרמיקה המשופצת במוזיאון ויקטוריה ואלברט בלונדון. העבודה "Signs and Wonders" מורכבת מ-425 כלי פורצלן המאורגנים בקבוצות ובערמות על פי מקצב שקבע דה ואל, בדומה למקצב מוזיקלי, על גבי מדף טבעתי עשוי מאלומיניום צבוע אדום. המדף תלוי בארבע שרשראות בתוך כיפה בקוטר שנים עשר מטרים הנמצאת בתקרת הגלריה. העבודה מתייחסת לחלל הגלריה תוך העצמת האדריכלות המרשימה של המבנה, ומקיימת דיאלוג עם אוספי הקרמיקה ההיסטוריים שנמצאים בגלריה, להם נחשף דה ואל עוד בילדותו, וגורמת לייצוגם מחדש.

      מתוך אתר מוזיאון ויקטוריה ואלברט (V&A Museum), לונדון.

      בתהליך בניית המיצב התמקד דה ואל בהתבוננות בשלושה מאוספי המוזיאון שהיו בעלי משמעות עבורו – אוסף כלי הפורצלן הסינים, אוסף כלי הפורצלן האירופאים מהמאה ה-18 ואוספים של העידן המודרני מוינה, באוהאוס וקונסטרוקטיביזם, ויצר אותם מחדש מתוך הזיכרון. דה ואל מספר כי צורות רבות של כלים שיצר עבור המיצב לא עשה בעבר והן תולדה של אותה התבוננות מעמיקה וממושכת בכלים מתוך האוספים ויצירת זיכרון הכלי כפי שנחרט בראשו. בקטלוג המתלווה לתערוכה כותב דה ואל  שצבעי הכלים המקוריים מתפוגגים, קווי המתאר מיטשטשים ובזיכרון נצרבת הילת הכלי ובמין תהליך זיקוק נחקקת בזיכרונו מהות של כלי, ליבה המולידה יצירת כלי חדש, שהוא מעיין בבואה של פריט מקורי מתוך האוסף ההיסטורי. הצופה המתבונן במיצב התלוי גבוה מעל ראשו רואה אפוא דימוי מרוחק ומטושטש של כלי פורצלן. מבט מרוחק זה משחזר את פעולת האמן, והכלים נחווים כצללית של דימוי הנצרב ברשתית העין לאחר התבוננות ממושכת. הצופה לפיכך יכול רק לשער את שעיניו רואות.

      בשלוש השנים האחרונות עוסק דה ואל ביצירתו בשאלה כיצד להציג את כליו בחלל באופן המשמר את תנועתם, מתייחס לחלל בו הם מוצגים ולא מוציאם מהקשרם ומקפיאם, ממסגר אותם ככלים בציורי הטבע דומם של הצייר האיטלקי ג'ורג'יו מורנדי.

      הוא החל להשתמש בויטרינות כחלק משפתו הפיסולית ותוך כדי עבודה חילחלה בו ההבנה שהויטרינות, ארונות התצוגה הכולאים את הכלים ומנכסים אותם מסביבתם, למעשה, כולאים גם חלק מחלל החדר או הגלריה בו הם נמצאים. השלב הבא בעבודתו היה להפוך גלריה למעין ויטרינה גדולה בה האוויר העוטף את כלי הפורצלן נטען בהם ובעדינות ושבריריות שהם מקרינים.

      באוקטובר האחרון הציג דה ואל תערוכת יחיד בגלריית אלן כריסטי המפורסמת בלונדון תחת השם "אלף שעות", עבורה יצר אחת עשרה עבודות חדשות, בהן עבודת המיצב הגדולה ביותר שיצר עד כה ומורכבת מ-1000 כלי פורצלן קטנים שנעשו על האבניים ומוצגים בתוך שתי ויטרינות גדולות. הכלים כמעט זהים בצורתם והעבודה שהיתה כרוכה ביצירת 1000 כלים כאלה הפכה את התהליך למדיטטבי וכזה הדורש זמן, מוטיב שהאמן ניסה להעביר בדרך התצוגה – לתרגם את זמן היצירה המדיטטבי לזמן שלוקח לצופה להתבונן בכל הפריטים. וכך, אפוא, ברגע אחד של שקט מצליח דה ואל לעצור את הזמן עבור הצופה.

      ..."אתה מוציא מהכיס חפץ ומניח אותו לפניך, ואתה מתחיל. אתה מתחיל לספר סיפור"... (אדמונד דה ואל מתוך הארנבת עם עיני הענבר)

      בשנת 2010 יצא לאור ספרו "הארנבת עם עיני ענבר", תולדה של מסע אליו יצא בעקבות ירושה שקיבל מדודו – 264 פסלוני נצוקה, מיניאטורות יפניות עשויות עבודת יד. אוסף המיניאטורות עבר במשפחתו כמה דורות ודה ואל החליט לחקור מי האדם הראשון במשפחתו שהחזיק באוסף, כיצד ולהיכן הוא התגלגל, איפה נשמר, מי זכה לגעת בו ומה היה טיב מערכת היחסים בין פרטי האוסף לבעליהם ולמקומות בהם היו.

      מסעו של אמן הקרמיקה בעקבות החפצים הקטנים הללו, שגודלם אינו עולה על גודלה של קופסת גפרורים, הפך למסע ארוך ומרגש העוקב אחר שורשי משפחתו – משפחת אפרוסי, שושלת יהודית רבת עוצמה של בנקאים עשירים, ששגשגה באירופה של המאה התשע עשרה. בני המשפחה יצאו מאודסה לפריז ולווינה, שם הטביעו חותמם על חיי החברה, הכלכלה והאמנות, אולם, בשנת 1938 הנאצים החרימו כמעט את כל רכושם ולאחר מלחמת העולם השנייה, הדבר היחיד כמעט שנותר מהשושלת המפוארת היה אוסף פסלוני הנצוקה.

      סיפורו של דה ואל, דור חמישי למשפחה זו,  מתחיל ב-1871 ומסתיים ב-2009. במהלך מסעו, שנמשך כמה שנים, זמן רב משהתכוון לו בתחילה, ביקר בבתים בהם גרו בני משפחתו בפריז, וינה ויפן. שם,  מישש את קירות החדרים בהם הוצג האוסף, התחקה אחר יצירות האמנות שהיו תלויות בבתים אלה וכיום מצויות במוזיאונים, עקב אחרי חליפת מכתבים מהמאה הקודמת ובד בבד טווה את סיפור משפחתו, כשהשאלה שהנחתה אותו לאורך כל הדרך היתה – כיצד חפצים מגלמים זיכרון או ליתר דיוק, האם הם יכולים לשמר זיכרונות.

      "הארנבת עם עיני הענבר", שיצא לאור בישראל בשנת 2012 בהוצאת ידיעות ספרים (בתרגומו של אביעד שטיר,) הוא סיפור על עלייתה ונפילתה של שושלת יהודית, על אובדן זהות וגילויה, על זיכרון ותקווה, על חפצים ועל היסטוריה של מגע.

      ..."השאלה איך מטפלים בחפצים, איך משתמשים בהם, ואיך מעבירים אותם הלאה אינה סתמית עבורי. זאת השאלה שלי"... (אדמונד דה ואל, מתוך הארנבת עם עיני הענבר)

      למידע נוסף על קורס קדרות למידע נוסף על קורס פיסול קרמי

      ספרות:

      דה ואל, אדמונד (2012). הארנבת עם עיני הענבר (מאנגלית: אביעד שטיר), תל אביב: ידיעות ספרים. נזר, אורלי (2011). "אמנות פוגשת תיאטרון", 1280 כתב עת לתרבות חומרית, 23, עמ' 54-58 De Waal, Edmund (1999). New Ceramic Design, Madison, WI, U.S.A: Guild publishing. De Waal, Edmund (2009). Signs and Wonders: Edmund De Waal and the V&A Ceramics Galleries, London: V & A Publishing

      ]]>       7616 2012-11-26 16:26:18 2012-11-26 14:26:18 closed open %d7%90%d7%93%d7%9e%d7%95%d7%a0%d7%93-%d7%93%d7%94-%d7%95%d7%90%d7%9c-%d7%94%d7%90%d7%a8%d7%a0%d7%91%d7%aa-%d7%a2%d7%9d-%d7%a2%d7%99%d7%a0%d7%99-%d7%94%d7%a2%d7%a0%d7%91%d7%a8 publish 0 0 post 0 _edit_lock 1364208143 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1364208141 _alp_broken_links a:3:{s:316:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%9E%D7%AA%D7%A7%D7%93%D7%9E%D7%99%D7%9D/%D7%9C%D7%99%D7%9E%D7%95%D7%93%D7%99-%D7%A7%D7%93%D7%A8%D7%95%D7%AA-%D7%9C%D7%9E%D7%AA%D7%A7%D7%93%D7%9E%D7%99%D7%9D/";a:0:{}s:299:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%9C%D7%99%D7%9E%D7%95%D7%93%D7%99-%D7%A4%D7%99%D7%A1%D7%95%D7%9C/%D7%A7%D7%95%D7%A8%D7%A1-%D7%A4%D7%99%D7%A1%D7%95%D7%9C-%D7%A7%D7%A8%D7%9E%D7%99-%D7%99%D7%A1%D7%95%D7%93%D7%95%D7%AA/";a:0:{}s:292:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%9E%D7%AA%D7%97%D7%99%D7%9C%D7%99%D7%9D/%D7%A7%D7%95%D7%A8%D7%A1-%D7%A7%D7%93%D7%A8%D7%95%D7%AA-%D7%99%D7%A1%D7%95%D7%93%D7%95%D7%AA/";a:0:{}} 778 http://dp-heart.com/?p=3415 74.220.219.53 2013-02-05 00:58:47 2013-02-04 22:58:47 0 pingback 0 0 911 http://www.benyaminiceramics.org/2013/05/%d7%a4%d7%90%d7%a0%d7%9c-%d7%a7%d7%a8%d7%99%d7%90%d7%94-%d7%94%d7%90%d7%a8%d7%a0%d7%91%d7%aa-%d7%a2%d7%9d-%d7%a2%d7%99%d7%a0%d7%99-%d7%94%d7%a2%d7%a0%d7%91%d7% 91.193.50.70 2013-05-20 18:31:22 2013-05-20 15:31:22 1 pingback 0 0       Martin Klimas 2 http://www.benyaminiceramics.org/?attachment_id=7657 Mon, 26 Nov 2012 15:05:08 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/11/Martin-Klimas-2.jpg 7657 2012-11-26 17:05:08 2012-11-26 15:05:08 closed open martin-klimas-2 inherit 0 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/11/Martin-Klimas-2.jpg _wp_attached_file 2012/11/Martin-Klimas-2.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"480";s:6:"height";s:3:"341";s:14:"hwstring_small";s:23:"height='90' width='128'";s:4:"file";s:27:"2012/11/Martin-Klimas-2.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:27:"Martin-Klimas-2-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:27:"Martin-Klimas-2-300x213.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"213";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} Sign & Wonders; Victoria and Albert Museum, London http://www.benyaminiceramics.org/2012/11/%d7%90%d7%93%d7%9e%d7%95%d7%a0%d7%93-%d7%93%d7%94-%d7%95%d7%90%d7%9c-%d7%94%d7%90%d7%a8%d7%a0%d7%91%d7%aa-%d7%a2%d7%9d-%d7%a2%d7%99%d7%a0%d7%99-%d7%94%d7%a2%d7%a0%d7%91%d7%a8/va2/ Tue, 27 Nov 2012 14:07:55 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/11/va2.jpg 7665 2012-11-27 16:07:55 2012-11-27 14:07:55 closed open va2 inherit 7616 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/11/va2.jpg _wp_attached_file 2012/11/va2.jpg _wp_attachment_metadata a:6:{s:5:"width";s:4:"1034";s:6:"height";s:3:"689";s:14:"hwstring_small";s:23:"height='85' width='128'";s:4:"file";s:15:"2012/11/va2.jpg";s:5:"sizes";a:3:{s:9:"thumbnail";a:3:{s:4:"file";s:15:"va2-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:15:"va2-300x199.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"199";}s:5:"large";a:3:{s:4:"file";s:16:"va2-1024x682.jpg";s:5:"width";s:4:"1024";s:6:"height";s:3:"682";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} Edmund de Waal; Victoria and Albert Museum, London http://www.benyaminiceramics.org/2012/11/%d7%90%d7%93%d7%9e%d7%95%d7%a0%d7%93-%d7%93%d7%94-%d7%95%d7%90%d7%9c-%d7%94%d7%90%d7%a8%d7%a0%d7%91%d7%aa-%d7%a2%d7%9d-%d7%a2%d7%99%d7%a0%d7%99-%d7%94%d7%a2%d7%a0%d7%91%d7%a8/va1/ Tue, 27 Nov 2012 14:09:50 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/11/va1.jpg 7667 2012-11-27 16:09:50 2012-11-27 14:09:50 closed open va1 inherit 7616 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/11/va1.jpg _wp_attached_file 2012/11/va1.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"689";s:6:"height";s:4:"1034";s:14:"hwstring_small";s:22:"height='96' width='63'";s:4:"file";s:15:"2012/11/va1.jpg";s:5:"sizes";a:3:{s:9:"thumbnail";a:3:{s:4:"file";s:15:"va1-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:15:"va1-199x300.jpg";s:5:"width";s:3:"199";s:6:"height";s:3:"300";}s:5:"large";a:3:{s:4:"file";s:16:"va1-682x1024.jpg";s:5:"width";s:3:"682";s:6:"height";s:4:"1024";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} artist residency http://www.benyaminiceramics.org/benyamini-center/artist-in-residency-program/residency/ Sun, 02 Dec 2012 08:43:54 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/12/residency.jpg 7694 2012-12-02 10:43:54 2012-12-02 08:43:54 closed open residency inherit 7693 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/12/residency.jpg _wp_attached_file 2012/12/residency.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"639";s:6:"height";s:3:"424";s:14:"hwstring_small";s:23:"height='84' width='128'";s:4:"file";s:21:"2012/12/residency.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:21:"residency-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:21:"residency-300x199.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"199";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} Artist in residency program http://www.benyaminiceramics.org/en/benyamini-center/artist-in-residency-program/ Sun, 02 Dec 2012 08:45:13 +0000 http://www.benyaminiceramics.org/?page_id=7693 For details and application forms

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      View Larger Map]]>       7693 2012-12-02 10:45:13 2012-12-02 08:45:13 closed open artist-in-residency-program publish 7 9 page 0 _edit_lock 1354607297 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default       Residency application form http://www.benyaminiceramics.org/?attachment_id=7697 Sun, 02 Dec 2012 08:46:12 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/12/Residency-application-form.pdf 7697 2012-12-02 10:46:12 2012-12-02 08:46:12 closed open residency-application-form inherit 0 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/12/Residency-application-form.pdf _wp_attached_file 2012/12/Residency-application-form.pdf _wp_attachment_metadata a:0:{} Korea_Ongi http://www.benyaminiceramics.org/2012/12/%d7%91%d7%9e%d7%a2%d7%9e%d7%a7%d7%99-%d7%94%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94-%d7%94%d7%a7%d7%95%d7%a8%d7%99%d7%90%d7%a0%d7%99%d7%aa-%d7%a8%d7%a9%d7%9e%d7%99-%d7%9e%d7%a1%d7%a2-%d7%a9%d7%95%d7%9c/korea_ongi/ Tue, 11 Dec 2012 14:13:46 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/12/Korea_Ongi.jpg 7723 2012-12-11 16:13:46 2012-12-11 14:13:46 closed open korea_ongi inherit 7722 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/12/Korea_Ongi.jpg _wp_attached_file 2012/12/Korea_Ongi.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"361";s:6:"height";s:3:"336";s:14:"hwstring_small";s:23:"height='96' width='103'";s:4:"file";s:22:"2012/12/Korea_Ongi.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:22:"Korea_Ongi-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:22:"Korea_Ongi-300x279.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"279";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"4";s:6:"credit";s:0:"";s:6:"camera";s:19:"Canon PowerShot A95";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1281489990";s:9:"copyright";s:0:"";s:12:"focal_length";s:5:"9.625";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:15:"0.0166666666667";s:5:"title";s:0:"";}} _wp_attachment_image_alt קרמיקה קוריאנית - 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אונגי http://www.benyaminiceramics.org/2012/12/%d7%91%d7%9e%d7%a2%d7%9e%d7%a7%d7%99-%d7%94%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94-%d7%94%d7%a7%d7%95%d7%a8%d7%99%d7%90%d7%a0%d7%99%d7%aa-%d7%a8%d7%a9%d7%9e%d7%99-%d7%9e%d7%a1%d7%a2-%d7%a9%d7%95%d7%9c/korea_ongidemo/ Tue, 11 Dec 2012 14:21:48 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/12/Korea_OngiDemo.jpg 7726 2012-12-11 16:21:48 2012-12-11 14:21:48 closed open korea_ongidemo inherit 7722 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/12/Korea_OngiDemo.jpg _wp_attached_file 2012/12/Korea_OngiDemo.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"315";s:6:"height";s:3:"448";s:14:"hwstring_small";s:22:"height='96' width='67'";s:4:"file";s:26:"2012/12/Korea_OngiDemo.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:26:"Korea_OngiDemo-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:26:"Korea_OngiDemo-210x300.jpg";s:5:"width";s:3:"210";s:6:"height";s:3:"300";}}s:10:"image_meta";a:10:{s:8:"aperture";s:3:"2.8";s:6:"credit";s:0:"";s:6:"camera";s:19:"Canon PowerShot A95";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1281334104";s:9:"copyright";s:0:"";s:12:"focal_length";s:6:"7.8125";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:15:"0.0166666666667";s:5:"title";s:0:"";}} שריפה קרמית קוריאנית http://www.benyaminiceramics.org/2012/12/%d7%91%d7%9e%d7%a2%d7%9e%d7%a7%d7%99-%d7%94%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94-%d7%94%d7%a7%d7%95%d7%a8%d7%99%d7%90%d7%a0%d7%99%d7%aa-%d7%a8%d7%a9%d7%9e%d7%99-%d7%9e%d7%a1%d7%a2-%d7%a9%d7%95%d7%9c/korea_oven2/ Tue, 11 Dec 2012 14:23:14 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/12/Korea_Oven2.jpg 7727 2012-12-11 16:23:14 2012-12-11 14:23:14 closed open korea_oven2 inherit 7722 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/12/Korea_Oven2.jpg _wp_attached_file 2012/12/Korea_Oven2.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"336";s:6:"height";s:3:"336";s:14:"hwstring_small";s:22:"height='96' width='96'";s:4:"file";s:23:"2012/12/Korea_Oven2.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:23:"Korea_Oven2-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:23:"Korea_Oven2-300x300.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"300";}}s:10:"image_meta";a:10:{s:8:"aperture";s:3:"2.8";s:6:"credit";s:0:"";s:6:"camera";s:19:"Canon PowerShot A95";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1281692051";s:9:"copyright";s:0:"";s:12:"focal_length";s:6:"7.8125";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:15:"0.0166666666667";s:5:"title";s:0:"";}} במעמקי הקרמיקה הקוריאנית- רשמי מסע / שולמית טייבלום מילר http://www.benyaminiceramics.org/2012/12/%d7%91%d7%9e%d7%a2%d7%9e%d7%a7%d7%99-%d7%94%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94-%d7%94%d7%a7%d7%95%d7%a8%d7%99%d7%90%d7%a0%d7%99%d7%aa-%d7%a8%d7%a9%d7%9e%d7%99-%d7%9e%d7%a1%d7%a2-%d7%a9%d7%95%d7%9c/ Tue, 11 Dec 2012 14:25:15 +0000 http://www.benyaminiceramics.org/?p=7722 בימי הפריחה של הסלדון הקוריאני, שימשו כלי הקרמיקה המזוגגים בזיגוג זה בעיקר את האצולה במרחב של קוריאה-סין. כיום, הקוריאנים יוצרים כלים אלה לעתים מתוך שימור המסורת העתיקה ולעתים מתוך נתינת פירוש חדש. שולמית טייבלום מילר הוזמנה להשתתף בפסטיבל הסלדון ה-38 שנערך בגנג'ין, עיר קטנה בדרום חצי האי של קוריאה, ולטייל ברחבי המדינה בעקבות הקרמיקה הקוריאנית.

      המאמר לקוח מ-"1280 – כתב עת לתרבות חומרית", גיליון 22, חורף 2010. בעריכת טליה טוקטלי. כתב העת בהוצאת אגודת אמני הקרמיקה בישראל, בשיתוף עמותת אמנים יוצרים בישראל ובתמיכת משרד התרבות והספורט – מנהל התרבות.

      צילומים: שולמית טייבלום-מילר.

      קרמיקה קוריאנית - אונגי

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      פסטיבל הסלדון נערך מדי קיץ בגנג'ין, עיר קטנה בדרום חצי האי של קוריאה. עד המאה ה-14 הייתה גנג'ין מרכז חשוב לייצור כלי סלדון, ומשם יוצאו הכלים לרחבי מזרח אסיה, ואולם הכיבוש המונגולי במאה ה-13, החלפת שושלת המלוכה והשינוי הסגנוני שבא בעקבותיהם הרסו והשכיחו את אמנות העשייה של כלים אלה. במחצית הראשונה של המאה ה-20 החלו בגנג'ין להתחקות אחר הטכניקה לייצור כלי הסלדון, והאזור שב והיה מרכז חשוב בתעשייה זו. זה 38 שנים נחגג שם פסטיבל שנתי המארח תחרות ארצית של יוצרי סלדון, ובשנים האחרונות התווספה גם תערוכת קרמיקה בינלאומית. במתחם הפסטיבל יש מוזיאון לתולדות הסלדון, מוזיאון לתערוכות עכשוויות, מפעל סלדון, סדנאות קרמיקה וגלריות, ובמסגרת הפסטיבל מתקיימים אירועי תרבות, תצוגה מרהיבה של קרמיקאים קוריאניים, כיתות אמן והדגמות.

      לתוך קלחת זו הוזמנה קבוצת אמנים מאוסטרליה, מארצות הברית, מיפן ומישראל שעבודותיהם נבחרו להשתתף, כחלק מהפסטיבל, בתערוכה בינלאומית במוזיאון גנג'ין. במהלך ששת ימי הפסטיבל השתתפנו בכיתות אמן של מיטב הקרמיקאים הקוריאנים, וגם הדגמנו שיטות עבודה לקהל הרחב. כיתות האמן התמקדו בדרך כלל בטכניקות עבודה מסורתיות, מקצתן מרתקות ולא מוכרות במחוזותינו. את כיתות האמן העבירו אומנים שיצרו כלי סלדון ואונגי, אומנים שהתמקדו בתרבות קערות התה וכאלה שעבדו בקו עכשווי יותר.

      בפסטיבל התוודענו לטכניקת עשיית כלי הסלדון - כלים בעלי זיגוג ירקרק המזכיר את אבן הירקן, שבמזרח נחשבת קמע מזל. לייצור כלי הסלדון משתמשים בחומר שנכרה בשדות האורז ומכיל כמות קטנה של ברזל. עיטור הכלים נעשה בטכניקת שיבוץ (inlay) של סליפ לבן או שחור ועליו זיגוג שקוף, ואת הכלים שורפים בשרפת רדוקציה בתנור נובוריגמה (תנור עץ מרובה חדרים) לטמפרטורה של C˚1200. הצבע הירקרק מתקבל מהרדוקציה של הברזל המצוי בחומר עצמו.

      בימי הפריחה של הסלדון הקוריאני שימשו הכלים בעיקר את האצולה במרחב של קוריאה-סין. כיום הקוריאנים יוצרים כלים אלה לעתים מתוך שימור המסורת העתיקה ולעתים מתוך נתינת פירוש חדש.

      אחת הטכניקות שהודגמו לנו היא בניית האונגי - מכל ענק המיועד לאכסון קימצ'י (ירקות מוחמצים חריפים, שיחד עם האורז הם ליבת החוויה הקולינרית בקוריאה, שממנה נמלטנו בערבים לקפה דה פריז - המנומנם והיחיד בעירו - כדי למצוא נוחם בקרואסון וקפה מן המניין). את האונגי יוצרים על אובני רגל אטיות במיוחד בעבודה יבשה. תחילה מכינים משטחים על ידי חבטת גוש חומר ברצפה עד שמתקבל משטח ארוך וצר, ואת המשטחים מניחים בשלבים זה על גבי זה. לאחר הדבקת המשטח מעצבים אותו על ידי סיבוב גלגל אטי מאוד ובעזרת כלי עץ מיוחדים המיועדים למטרה זו. לאחר שהמשטח נופח ועוצב מניחים עליו משטח נוסף וחוזרים על התהליך, עד שמתקבל הכד שגובהו יכול להגיע למטר עד שניים.

      האונגי הוא אלמנט חשוב בתרבות המגורים, האוכל והקדרות בקוריאה כולה. לכל בית בכפר יש בחצר מזווה עם כמה כדי אונגי מסורתיים, ובשנים האחרונות התגלה ששימור בכדי האונגי המסורתיים איכותי יותר משימור בכלים העשויים חומרים תעשייתיים, וגם מפעלי המזון החלו להשתמש בהם במקום במכלי הפלסטיק. תעשיית האונגי אפוא פורחת. הפריחה הומחשה לנו היטב כשהגענו לכפר העוסק כולו בעשיית אונגי: יש בו סדנאות גדולות, מוזיאון לתולדות האונגי ואקדמיה לאונגי.

      לאחר ששת ימי הפסטיבל יצאנו לטיול מאורגן של שמונה ימים ברחבי קוריאה ולביקורים אצל קרמיקאים שחלקם נשאו את התואר "אוצר לאומי" או "משמר מורשת" (ICA- Intangible cultural asset) - תואר הניתן לאומנים שבעבודתם משמרים מסורות עתיקות. קצרה היריעה מלספר על כל הקרמיקאים שביקרנו - רובם חיים בבתים נאים בכפרים ולכל אחד מהם תנור נובוריגמה (או שניים). את עבודותיהם פגשנו מאוחר יותר בגלריות של סיאול. ארחיב על אחדים מהם.

      הנא ג'ון (Hanna Jun) הוא אחרון בוני הרעפים. הוא חי על ראש הר במונגיונג (Mungyeong), כפר קרמיקאים ידוע במרכז קוריאה. הוא כבן שמונים, וכל חייו עשה רעפים בטכניקה ידנית מסורתית, אטית ויקרה. במשך השנים תועשה הכנת הרעפים והעלויות הוזלו, והעשייה המסורתית הלכה וגוועה. לפני כעשר שנים נשרף בסיאול מבנה שער, שריד מחומת העיר מהמאה ה-14, וכשרצו לשחזרו התברר שנותר רק בונה רעפים אחד שביכולתו לייצר את הרעפים בשיטה המסורתית. מיד הוענק לו התואר ICA, והרשויות הזמינו ממנו 30 אלף רעפים (על כל צרה שלא תבוא), ובזאת הובטחה פרנסתו. בסיור לבית המלאכה שלו ראינו את תהליך הייצור האטי והמפרך, אך נראה שבריאותו איתנה והוא יעמוד בהזמנה.

      פארק ג'ונג איל (Park Jong Il), החי גם הוא בכפר מונגיונג (Mungyeong), הוא אחד הקרמיקאים המגדירים עצמם "אומני קערות תה". בכפר קדרים רבים העוסקים בתחום זה, ובכל שנה הם עורכים פסטיבל קערות תה השואב אליו אספנים רבים מקוריאה ומיפן. ג'ונג איל הוא אחד האומנים שאירחו אותנו, וכמו אצל האחרים גם אצלו המקום הוא חלק מהסיפור: היער מלפנים, הנהר מאחור ולצד המבנה שני תנורי נובוריגמה מפוארים.

      ככל שנענו צפונה פגשנו יותר ויותר אומנים העובדים בפורצלן. הקוריאנים ידועים באיכות הפורצלן שלהם, ובשנות הכיבוש היפני (1910‑1945) הועבר רובו של הפורצלן שנכרה בקוריאה ליפן. לאחר תום הכיבוש נותר זיכיון הכרייה בידי היפנים, ורק בשנות ה-80 הצליחו הקוריאנים להשתחרר ממנו ולהחזיר את זכות הכרייה לעצמם. גם כיום ניתן למצוא בקוריאה פורצלן פחות מאבנית.

      ג'ון סונג קון (Jeon Seong-Keun) הוא עוד קדר מעניין - אומן המגלף את כלי הפורצלן שהוא יוצר. קון למד את אמנות הגילוף אצל פסל עץ בודהיסטי (פארק צ'אן סו, Park Chan-Soo) ויישם את רוח גילוף העץ בפורצלן. בביקור בסטודיו יצר הגילוף המסיבי של הכלים רושם כבד מעט, אבל כשפגשנו בכלים האלה בגלריות של סיאול הם היו מרהיבים ביופיים.

      ביקרנו במוזאונים רבים: מקצתם מוזיאונים ייחודיים, כמו מוזיאון Maritime, המוקדש כולו למטען כלי הסלדון של ספינות טרופות מהמאות ה-11‑14 , או מוזיאון Clayarch, המתמחה בקרמיקה אדריכלית ובשילוב אמנות בתעשייה - שם ראינו תערוכה גדולה של נינו קארוזו מאיטליה ותערוכה נוספת - "לבנה" (Brick) - שהציגה לבנים מרחבי העולם. במוזיאון Clayarch יש מתחם שלם המשמש כסטודיו מאובזר גדול מאוד, ובכל שנה מתארחים בו חמישה קרמיקאים מהעולם לביצוע  עבודה בסדר גודל מרשים.

      בקוריאה אוצרים את התערוכות באופן ההופך את היומיומי למרהיב עין. את הקסם הזה פגשנו בכל המוזיאונים שביקרנו בהם: כל התערוכות מוצגות בהרבה כבוד ויופי, ולא פעם האמנות הפלסטית מוצגת יחד עם הקרמיקה. ככלל הקרמיקה היא חלק טבעי מעולם האמנות. בכל מוזיאון יש התכוונות לחינוך וליצירה, ואפשר למצוא שם סדנאות מפותחות ומתוחזקות היטב, וניכר שיש בהן פריחה יצירתית ועשייה מרובה.

      את המסע סיימנו בסיאול. עיר מרתקת, מודרנית מאוד ובה רובע שלם המוקדש לאמנות: בניינים שלמים שהם גלריות. בכל יום רביעי נפתחות התערוכות החדשות ברחבי הרובע, והסימן לפתיחה הוא זרי סחלבים ענקיים בכניסות לבניינים ולגלריות. כל אחד מוזמן להיכנס, ובפנים – חגיגה.

      חזרנו מקוריאה הלומי קרמיקה ואמנות, והמטען שקיבלנו בא לידי ביטוי בתערוכה קבוצתית שהצגנו כעבור כמה חודשים בארץ ומלווה אותנו גם היום.

      למידע נוסף על קורס קרמיקה בבית בנימיני

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      הקרמיקאים הישראלים שהשתתפו בתערוכה ובסיור: זהרה הראל, רותי ברקאי, שמאי גיבש, מרתה ריגר, שירה סילברסטון אדית רוזנפלד ושולמית מילר.

      ]]>       7722 2012-12-11 16:25:15 2012-12-11 14:25:15 closed open %d7%91%d7%9e%d7%a2%d7%9e%d7%a7%d7%99-%d7%94%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94-%d7%94%d7%a7%d7%95%d7%a8%d7%99%d7%90%d7%a0%d7%99%d7%aa-%d7%a8%d7%a9%d7%9e%d7%99-%d7%9e%d7%a1%d7%a2-%d7%a9%d7%95%d7%9c publish 0 0 post 0 _edit_lock 1364208385 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1364208384 _alp_broken_links a:2:{s:150:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%A1%D7%93%D7%A0%D7%90%D7%95%D7%AA/";a:0:{}s:304:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%9E%D7%AA%D7%97%D7%99%D7%9C%D7%99%D7%9D/%D7%A7%D7%95%D7%A8%D7%A1-%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94-%D7%A9%D7%99%D7%9E%D7%95%D7%A9%D7%99%D7%AA/";a:0:{}}       כלים עירומים: שריפות עישון בקרמיקה http://www.benyaminiceramics.org/2012/12/%d7%9b%d7%9c%d7%99%d7%9d-%d7%a2%d7%99%d7%a8%d7%95%d7%9e%d7%99%d7%9d-%d7%a9%d7%a8%d7%99%d7%a4%d7%95%d7%aa-%d7%a2%d7%99%d7%a9%d7%95%d7%9f-%d7%91%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/ Fri, 21 Dec 2012 11:05:59 +0000 http://www.benyaminiceramics.org/?p=7735 בעבר, בהעדר כלים טכנולוגיים מתאימים, יצרו קדרים כלי חומר ללא חיפוי ושרפו אותם באש חיה באוויר הפתוח. גווני האפור-שחור שהופיעו על פניהם הפכו לחלק בלתי נפרד מהחומר ונוצרה אחידות בין הצורה לפני השטח. בחברה המערבית של המאה ה-21 בה מאפשרת הטכנולוגיה שליטה מרבית על טמפרטורת וסביבת השריפה, כמעט ואין בנמצא עבודות קרמיקה שימושיות שאינן מכוסות בזיגוג. יחד עם זאת, ישנם אמני קרמיקה שלא זנחו את טכניקות השריפה המסורתיות, והם משתמשים בהן בתהליך יצירת אובייקטים קרמיים בעלי מאפיינים ואיכויות שניתן להשיג רק באמצעות טכניקות אלה. יתרה מכך, מחלקות לימודי קרמיקה רבות מלמדות מגוון שיטות שריפה מסורתיות ובמקומות רבים ניתן להתנסות בשריפות שונות במסגרת סדנאות קרמיקה חווייתיות.

      ...."היחס בין גופנו לבגדים זהה ליחס המתקיים בין כלים לזיגוגים... עם שפע הביגוד המקיף אותנו, הפכנו לאנשים מתוחכמים שמסתירים את גופם. באופן דומה אנו משתמשים בזיגוגים על-מנת לכסות ולהסתיר את הכלים שאנו יוצרים".... (ברנרד ליץ' מתוך A Potter's Book)

      השימוש בחומר התפתח באופן בלתי תלוי על-ידי אנשים ממקומות שונים בעולם. שרידים ארכיאולוגים של תרבויות שונות מצביעים על דמיון לא מבוטל בין כלי חרס מאזורים שונים. כך, למשל, כלי חרס עתיקים מסין או מאזור המזרח התיכון דומים בצורתם ובעיטורים שעל פניהם לכלי חרס עתיקים שיצרו הילידים באמריקה או באפריקה.

      במהלך התקופה הניאוליתית (3000-7000 לפנה"ס בקירוב) החלו כלי חומר להחליף את כלי האבן. כלי החומר נוצרו מחרסיות מקומיות שנשרפו באמצעות אש חיה באוויר הפתוח והיו קלים לייצור, קלים לנשיאה, שימושיים לצורכי בישול ואחסון מזון וגם לצרכים טקסיים.

      בהעדר כלים טכנולוגיים, יצרו קדרים כלי חומר ללא חיפוי והשתמשו לרוב בטכניקה של מירוק פני השטח (שפשוף פני השטח עם חפץ קשה וחלק כמו חלוק נחל) בעיקר על-מנת לאטום חלקית את פני השטח הנקבוביים לפני שריפתם.

      ..."ללא זיגוג אתה נותר עם הבסיס -  אש וחומר והאינטראקציה ביניהם"... (דיויד רוברטס מתוך הספר Naked Clay)

      שריפת הכלים באמצעות שימוש באש חיה הותירה סימנים על פניהם. החומר "ספג" לתוכו את העשן והגוונים שהופיעו על הכלים לא התווספו אליו כחלק משכבה נוספת שהונחה על פניו אלא נטמעו בו, הפכו לחלק בלתי נפרד מהחומר ונוצרה אחידות הרמונית בין הצורה לפני השטח. כך, לצד הפן השימושי של כלי הקרמיקה, התפתח פן יצירתי שבא לידי ביטוי בטיפול בצורה ובפני השטח של החפצים.

      דוגמה לשימוש קדום בשריפת עישון לצורכי עיטור כלי קרמיקה ניתן למצוא בעבודות משנת 2500 לפנה"ס בקירוב, שמקורן באזור קפריסין, בהן שולטים צבעי האדום והשחור בשילובים שונים. מקורו של הצבע האדום בצביעת שכבה אדומה על פני הכלים ומירוקה, ואילו מקורו של הצבע השחור בשריפה עצמה. כאשר קיים מחסור בחמצן (הדלק) במהלך השריפה, על-מנת להמשיך לבעור "משתמשת" האש בתחמוצות המצויות בחומר, תהליך המותיר את פני השטח שחורים (שריפת חיזור).

      גם כיום במקומות שונים בעולם דוגמת אפריקה, אינדונזיה, הודו ודרום אמריקה יוצרים קדרים כלי קרמיקה שימושיים באותה טכנולוגיה מסורתית בה השתמשו אבות אבותיהם ושורפים אותם לטמפרטורות נמוכות ללא חיפוי. כלים אלה, המגלמים בתוכם ידע מעשי של דורות כה רבים של אנשי אומנות (craft) בעלי מיומנות גבוהה, מקרינים הרמוניה שלמה בין כמה מרכיבים: צורה, מראה ותחושת פני השטח והתפקיד השימושי לו נועדו.

      ...."כשהחומר עירום אפשר לראות את התהליך. כשזיגוג מכסה את החומר אתה מסתיר את המתרחש"....(פיליפ ברד מתוך הספר Naked Clay)

      במהלך הזמן ועם ההתפתחות הטכנולוגית, תנורים לשריפת קרמיקה החליפו את תפקידן של שריפות העישון הנמוכות באוויר הפתוח. השליטה הטובה יותר על טמפרטורת וסביבת השריפה בתנורים (חמצון או חיזור) פתחה צוהר להתפתחות מואצת של שיטות עיטור חדשות ובהן בעיקר השימוש בזיגוג, שלו גם ערך שימושי רב.

      בחברה המערבית של המאה ה-21 כמעט ואין בנמצא עבודות קרמיקה שימושיות שאינן מזוגגות. רוב כלי הקרמיקה השימושיים שנמצאים בסביבתנו ומהווים חלק בלתי נפרד משגרת חיינו, עשויים חומר קרמי המכוסה בשכבה זכוכיתית מבריקה, בלתי חדירה לנוזל, שמחזירה אור וקרה למגע. כלים אלה, על-פי רוב, נשרפים לטמפרטורה גבוהה (1100 מעלות צלסיוס לכל הפחות) כחלק מתהליך ייצורם והפיכתם לכלים שימושיים.

      יחד עם זאת, ישנם לא מעט אמני קרמיקה מערביים שלא זנחו את אותן טכניקות שריפה מסורתיות, והם משתמשים בהן ליצירת אובייקטים קרמיים בעלי מאפיינים ואיכויות שניתן להשיג רק באמצעות טכניקות אלה. יתרה מכך, במרבית בתי הספר לקרמיקה כיום, נלמד מגוון שיטות שריפה מסורתיות. גם סדנאות קרמיקה חווייתיות לקהל הרחב, כוללות בדרך כלל התנסות בשריפות עישון, סאגר, ראקו ועוד.

      בין שליטה לחוסר שליטה

      אחת מטכניקות השריפה המסורתיות הנפוצות כיום בעולם המערבי הינה שריפת ראקו, שמקורה ביפן של המאה ה-16, והיא קשורה קשר הדוק לטקס התה היפני המסורתי. המילה ראקו מתורגמת לתענוג, שמחה , נוחות, קלות/קלילות ומקורה בשמו של המקדש Jurakudai  שבקיוטו, שנבנה במאה ה-16 על-ידי Toyotomi Hideyoshi, לוחם ומדינאי מפורסם באותה התקופה. כלי הקרמיקה אותם מכנים היפנים כלי ראקו, הינם לרוב קעריות תה שנוצרו במקור על-ידי שושלת קדרים שנהגו לחתום את המילה ראקו על עבודותיהם.

      בתהליך השריפה היפני מסורתי של כלי הראקו, נהוג היה להוציא את הכלים מהתנור החם ולתת להם להתקרר במהירות באוויר הפתוח או בתוך מיכלים מלאים בחומרי בעירה אורגניים, דבר שיצר סביבה דלילה בחמצן וגרם ליצירת אפקטים ייחודיים על הכלים. במאה ה-20, עם פרסום הספר A Potters Book של הקדר האנגלי ברנרד ליץ', ששהה תקופה ארוכה ביפן לצד קדרים מקומיים, נפוצה בשורת כלי הראקו במערב, אך טכניקת השריפה עצמה עברה שינויים רבים בעולם המערבי. למעשה, ישנו הבדל גדול בין מה שמיוצר ומכונה בעולם המערבי כלי ראקו לבין המקור היפני. העיקרון הכללי שנשמר הוא חימום מהיר של הכלים בתנור וקירור מהיר מחוץ לתנור, תוך שימוש באלמנטים חומריים שונים ליצירת אפקטים עיטוריים על פני השטח של הכלים.  במערב התפתחו סוגים שונים של שריפות ראקו, ביניהם ראקו עירום בו הכלים עוברים מירוק לפני השריפה ונעשה שימוש בחומרים כמו סוכר ושערות סוס או בחומרים אוטמים שונים כדי ליצור דוגמאות של צבע שחור על-פני הכלים. כמו כן, התפתחה שריפת ראקו במהלכה נשרפים כלים מכוסים בזיגוגים צבעוניים שונים, כאשר תהליך קירורם המהיר וחשיפתם לעשן, יוצרים אפקט ייחודי של סדקים שחורים על פני השטח.

      מגוון התוצאות האפשריות בשריפות אלה הינו אינסופי, וחלק בלתי נפרד מהקסם שבטכניקות שריפה אלו הוא הריגוש שמלווה את המשחק העדין בין שליטה לבין חוסר שליטה בתוצאה הסופית.

      למידע על סדנת שריפות קרמיות מיוחדות, בהנחיית שמאי גיבש. למידע נוסף על סדנאות קרמיקה בבית בנימיני

      מקורות ביבליוגרפיים:
      Jones, David (1999). Raku – Investigations into fire, Ramsbury Marlborough: The Crowood Press
      Leach, Bernard (1965). A Potters Book, London: Faber and Faber
      Perryman, Jane (2004). Naked Clay – ceramics without glaze, London: A&C Black, Pennsylvania: University of Pennsylvania Press
      Perryman, Jane (1995). Smoke – Fired Pottery, London: A&C Black
      ]]>       7735 2012-12-21 13:05:59 2012-12-21 11:05:59 closed open %d7%9b%d7%9c%d7%99%d7%9d-%d7%a2%d7%99%d7%a8%d7%95%d7%9e%d7%99%d7%9d-%d7%a9%d7%a8%d7%99%d7%a4%d7%95%d7%aa-%d7%a2%d7%99%d7%a9%d7%95%d7%9f-%d7%91%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94 publish 0 0 post 0 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _edit_lock 1364208473 _edit_last 3 _alp_processed 1364208472 _alp_broken_links a:3:{s:113:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/";a:0:{}s:150:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%A1%D7%93%D7%A0%D7%90%D7%95%D7%AA/";a:0:{}s:267:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%A1%D7%93%D7%A0%D7%90%D7%95%D7%AA/%D7%A9%D7%A8%D7%99%D7%A4%D7%95%D7%AA-%D7%A7%D7%A8%D7%9E%D7%99%D7%95%D7%AA-%D7%9E%D7%99%D7%95%D7%97%D7%93%D7%95%D7%AA/";a:0:{}}       Shever12 http://www.benyaminiceramics.org/en/2012/12/smashing-exhibition-gallery-talk/still-1shavririut-huge/ Mon, 24 Dec 2012 11:02:58 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/12/still-1shavririut-huge.jpg 7744 2012-12-24 13:02:58 2012-12-24 11:02:58 closed open still-1shavririut-huge inherit 7743 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/12/still-1shavririut-huge.jpg _wp_attached_file 2012/12/still-1shavririut-huge.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"448";s:6:"height";s:3:"336";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:34:"2012/12/still-1shavririut-huge.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:34:"still-1shavririut-huge-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:34:"still-1shavririut-huge-300x224.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"224";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} Smashing! Exhibition: Gallery talk http://www.benyaminiceramics.org/en/2012/12/smashing-exhibition-gallery-talk/ Mon, 24 Dec 2012 11:03:40 +0000 http://www.benyaminiceramics.org/?p=7743 Smashing!
      Curator: Dr Ayelet Zohar
      Gallery talk with the curator on Friday 11/1/13 at 11:00.
      Entrance free
      An extract from the exhibition catalogue:The Big Bang of the smashing object, or alternatively, the deliberate act of dropping or smashing a ceramic object,is experienced as highly violent and intimidating. Yet, the shattering of a unified, complete and singular existence into a plethora of nonequivalent shards of varying sizes and weight is an opportunity for new dimensionality. While the creation of the ceramic object was articulated by Lao Zi as the insertion of space or void into matter, transforming it from a lump into a three-dimensional object, the smash of the vessel is its conversion from three-dimensionality into flat matter. The effort to release space from within, to enable the object to return to two-dimensionality involves a great amount of power and energy, which is released onto the object’s surface to penetrate and deconstruct it. ]]>       7743 2012-12-24 13:03:40 2012-12-24 11:03:40 closed open smashing-exhibition-gallery-talk publish 0 0 post 0 _edit_lock 1356368431 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";}       אמני קרמיקה למען פליטים - Ceramic artists for refugees http://www.benyaminiceramics.org/2012/12/%d7%90%d7%9e%d7%a0%d7%99-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94-%d7%9c%d7%9e%d7%a2%d7%9f-%d7%a4%d7%9c%d7%99%d7%98%d7%99%d7%9d/plitimfundrasier/ Mon, 24 Dec 2012 11:20:29 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/12/plitimfundrasier.jpg 7752 2012-12-24 13:20:29 2012-12-24 11:20:29 closed open plitimfundrasier inherit 7750 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/12/plitimfundrasier.jpg _wp_attached_file 2012/12/plitimfundrasier.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"800";s:6:"height";s:4:"1246";s:14:"hwstring_small";s:22:"height='96' width='61'";s:4:"file";s:28:"2012/12/plitimfundrasier.jpg";s:5:"sizes";a:3:{s:9:"thumbnail";a:3:{s:4:"file";s:28:"plitimfundrasier-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:28:"plitimfundrasier-192x300.jpg";s:5:"width";s:3:"192";s:6:"height";s:3:"300";}s:5:"large";a:3:{s:4:"file";s:29:"plitimfundrasier-657x1024.jpg";s:5:"width";s:3:"657";s:6:"height";s:4:"1024";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} פיסול: שמאי גיבש http://www.benyaminiceramics.org/2012/12/%d7%9b%d7%9c%d7%99%d7%9d-%d7%a2%d7%99%d7%a8%d7%95%d7%9e%d7%99%d7%9d-%d7%a9%d7%a8%d7%99%d7%a4%d7%95%d7%aa-%d7%a2%d7%99%d7%a9%d7%95%d7%9f-%d7%91%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/shamai/ Mon, 24 Dec 2012 12:10:45 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/12/SHAMAI..jpg 7760 2012-12-24 14:10:45 2012-12-24 12:10:45 closed open shamai inherit 7735 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/12/SHAMAI..jpg _wp_attached_file 2012/12/SHAMAI..jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"336";s:6:"height";s:3:"448";s:14:"hwstring_small";s:22:"height='96' width='72'";s:4:"file";s:19:"2012/12/SHAMAI..jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:19:"SHAMAI.-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:19:"SHAMAI.-224x300.jpg";s:5:"width";s:3:"224";s:6:"height";s:3:"300";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"3";s:6:"credit";s:0:"";s:6:"camera";s:13:"FinePix S7000";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1178779575";s:9:"copyright";s:0:"";s:12:"focal_length";s:2:"17";s:3:"iso";s:3:"200";s:13:"shutter_speed";s:15:"0.0384615384615";s:5:"title";s:0:"";}} פיסול: שמאי גיבש http://www.benyaminiceramics.org/2012/12/%d7%9b%d7%9c%d7%99%d7%9d-%d7%a2%d7%99%d7%a8%d7%95%d7%9e%d7%99%d7%9d-%d7%a9%d7%a8%d7%99%d7%a4%d7%95%d7%aa-%d7%a2%d7%99%d7%a9%d7%95%d7%9f-%d7%91%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/shamai5/ Mon, 24 Dec 2012 12:10:47 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/12/shamai5.jpg 7761 2012-12-24 14:10:47 2012-12-24 12:10:47 closed open shamai5 inherit 7735 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/12/shamai5.jpg _wp_attached_file 2012/12/shamai5.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"448";s:6:"height";s:3:"336";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:19:"2012/12/shamai5.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:19:"shamai5-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:19:"shamai5-300x224.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"224";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} Workshop of Special Firings by Shamai Gibsh http://www.benyaminiceramics.org/en/2012/12/workshop-of-special-firings-by-shamai-gibsh/ Mon, 24 Dec 2012 12:27:26 +0000 http://www.benyaminiceramics.org/?p=7766 We are opening a series of workshops which will focus on various firing methods and offer the opportunity to experiment with smoke firing, saggars, raku and naked raku.  The participants will experience the excitement of the alchemy of ceramics  and  with the magic of the fire will create unique surfaces to their work - submitting to the power of the ceramic process. ]]> 7766 2012-12-24 14:27:26 2012-12-24 12:27:26 closed open workshop-of-special-firings-by-shamai-gibsh publish 0 0 post 0 _edit_lock 1356369544 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} רשמי מסע: בוסניה וגיאורגיה http://www.benyaminiceramics.org/2012/12/%d7%a8%d7%a9%d7%9e%d7%99-%d7%9e%d7%a1%d7%a2-%d7%91%d7%a2%d7%a7%d7%91%d7%95%d7%aa-%d7%90%d7%9e%d7%a0%d7%99-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94-%d7%91%d7%91%d7%95%d7%a1%d7%a0%d7%99%d7%94-%d7%95%d7%92/rashni-masa2/ Mon, 24 Dec 2012 12:43:28 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/12/rashni-masa2.jpg 7770 2012-12-24 14:43:28 2012-12-24 12:43:28 closed open rashni-masa2 inherit 7769 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/12/rashni-masa2.jpg _wp_attached_file 2012/12/rashni-masa2.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"448";s:6:"height";s:3:"336";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:24:"2012/12/rashni-masa2.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:24:"rashni-masa2-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:24:"rashni-masa2-300x224.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"224";}}s:10:"image_meta";a:10:{s:8:"aperture";s:3:"8.7";s:6:"credit";s:0:"";s:6:"camera";s:16:"X200,D560Z,C350Z";s:7:"caption";s:0:"";s:17:"created_timestamp";s:12:"-62169992440";s:9:"copyright";s:0:"";s:12:"focal_length";s:3:"5.8";s:3:"iso";s:2:"64";s:13:"shutter_speed";s:4:"0.01";s:5:"title";s:0:"";}} רשמי מסע: בעקבות אמני קרמיקה בבוסניה וגיאורגיה http://www.benyaminiceramics.org/2012/12/%d7%a8%d7%a9%d7%9e%d7%99-%d7%9e%d7%a1%d7%a2-%d7%91%d7%a2%d7%a7%d7%91%d7%95%d7%aa-%d7%90%d7%9e%d7%a0%d7%99-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94-%d7%91%d7%91%d7%95%d7%a1%d7%a0%d7%99%d7%94-%d7%95%d7%92/ Mon, 24 Dec 2012 12:44:10 +0000 http://www.benyaminiceramics.org/?p=7769 אורן ארבל, מדריך טיולים וסטודנט במחלקה לעיצוב קרמי וזכוכית בבצלאל, בילה קיץ שלם בקרב קדרים מקומיים במזרח אירופה. לאחר שבשנה שעברה הרצה בפנינו על מסעותיו באפריקה, ב-19 בינואר יעניק אורן ארבל הרצאה מיוחדת בבית בנימיני על רשמיו מאמני הקרמיקה בבוסניה וגיאורגיה.

      "ימים קסומים העברנו במחיצת 'משפחתנו' הבוסנית, משתלבים בשגרת יומם החקלאית והקדרית".

      את ג'וואד ומשפחתו המתגוררים בכפר הבוסני Maleshichi, הפתיעו אורן ובת זוגו ביום קיצי בהיר, כשהתייצבו בפתח ביתם וביקשו לשהות אצלם ולסייע לג'וואד בעבודתו. ג'וואד הוא חקלאי במקצועו וסודות הקדרות עברו במשפחתו בירושה. כאשר ידיו פנויות מעבודת האדמה הוא מתיישב על הגלגל. תושבי הסביבה מופיעים באורח פלא רגעים ספורים לאחר ששוקטות להבות התנור האחרונות וקונים ממנו את תוצרתו.

      בכפר הגרוזיני Shrosha פגש אורן את בדריס, קדר המייצר את כליו בטכניקה המשלבת חוליות ועבודת גלגל יד עשוי עץ. במהלך כחודש בו התארח בביתו, נחשף לסודות מקצועו של האומן ולאורחות חייו הייחודיים.

      ההרצאה בהשתתפות אורן ארבל, ייערך במוצאי שבת, 19 בינואר 2013, בשעה 18:00. דמי כניסה: 30 ש"ח כולל כיבוד קל. הרשמה מראש בטלפון 03-5182257 או בכתובת הדוא"ל benyaminiccc@gmail.com.

      אירועים נוספים בבית בנימיני.

      ]]>       7769 2012-12-24 14:44:10 2012-12-24 12:44:10 closed open %d7%a8%d7%a9%d7%9e%d7%99-%d7%9e%d7%a1%d7%a2-%d7%91%d7%a2%d7%a7%d7%91%d7%95%d7%aa-%d7%90%d7%9e%d7%a0%d7%99-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94-%d7%91%d7%91%d7%95%d7%a1%d7%a0%d7%99%d7%94-%d7%95%d7%92 publish 0 0 post 0 _edit_lock 1359044226 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1356428645       Travelogue: In the footsteps of ceramic artists in Bosnia and Georgia http://www.benyaminiceramics.org/en/2012/12/travelogue-in-the-footsteps-of-ceramic-artists-in-bosnia-and-georgia/ Mon, 24 Dec 2012 12:47:02 +0000 http://www.benyaminiceramics.org/?p=7773 19 January 2013, at 18:00. Entrance: 30 shekels including light refreshments. Advance registration - tel: 03-5182257 or e-mail: benyaminiccc@gmail.com ]]> 7773 2012-12-24 14:47:02 2012-12-24 12:47:02 closed open travelogue-in-the-footsteps-of-ceramic-artists-in-bosnia-and-georgia publish 0 0 post 0 _edit_lock 1356429012 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} bowls http://www.benyaminiceramics.org/?attachment_id=7776 Mon, 24 Dec 2012 14:04:47 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/12/bowls.jpg 7776 2012-12-24 16:04:47 2012-12-24 14:04:47 closed open bowls inherit 0 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/12/bowls.jpg _wp_attached_file 2012/12/bowls.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"448";s:6:"height";s:3:"298";s:14:"hwstring_small";s:23:"height='85' width='128'";s:4:"file";s:17:"2012/12/bowls.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:17:"bowls-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:17:"bowls-300x199.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"199";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"8";s:6:"credit";s:0:"";s:6:"camera";s:11:"NIKON D5000";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1355222966";s:9:"copyright";s:0:"";s:12:"focal_length";s:2:"36";s:3:"iso";s:4:"1250";s:13:"shutter_speed";s:5:"0.004";s:5:"title";s:0:"";}} Ceramic artists raise funds to support the needs of refugees http://www.benyaminiceramics.org/en/2012/12/ceramic-artists-raise-funds-to-support-the-needs-of-refugees/ Tue, 25 Dec 2012 05:29:32 +0000 http://www.benyaminiceramics.org/?p=7754 ]]> 7754 2012-12-25 07:29:32 2012-12-25 05:29:32 closed open ceramic-artists-raise-funds-to-support-the-needs-of-refugees publish 0 0 post 0 _edit_lock 1356418392 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} אמני קרמיקה למען פליטים http://www.benyaminiceramics.org/2012/12/%d7%90%d7%9e%d7%a0%d7%99-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94-%d7%9c%d7%9e%d7%a2%d7%9f-%d7%a4%d7%9c%d7%99%d7%98%d7%99%d7%9d/ Tue, 25 Dec 2012 06:21:18 +0000 http://www.benyaminiceramics.org/?p=7750 כחלק מהמעורבות החברתית שלנו כיוצרים, יזמנו מכירת קערות שנוצרו במיוחד על ידי אמני קרמיקה מובילים -  שכל הכנסותיה יועברו לקניית מזון לפליטים. אנו מזמינים אתכם להצטרף אלינו לאירוע התרמה חשוב זה, ביוזמת בית בנימיני ואגודת אמני הקרמיקה בישראל, ובשיתוף בר "ג'וז ולוז".

      כיבוד: מרק חם.

      המכירה תתקיים ביום שבת, 29 בדצמבר 2012, בין השעות 16:00-19:00, בחצר המשותפת של "ג'וז ולוז" ורחל א. הכניסה מרחוב יהודה הלוי 51, תל אביב

      לפרטים: אתי גורן  03-6825876 ג'וז ולוז  03-5606385

      אירועים נוספים בבית בנימיני

      ]]>       7750 2012-12-25 08:21:18 2012-12-25 06:21:18 closed open %d7%90%d7%9e%d7%a0%d7%99-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94-%d7%9c%d7%9e%d7%a2%d7%9f-%d7%a4%d7%9c%d7%99%d7%98%d7%99%d7%9d publish 0 0 post 0 _edit_last 3 _edit_lock 1356426766 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1356419419       Dovetails_MacLoop http://www.benyaminiceramics.org/?attachment_id=7868 Mon, 14 Jan 2013 16:13:38 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/01/Dovetails_MacLoop.swf 7868 2013-01-14 18:13:38 2013-01-14 16:13:38 closed open dovetails_macloop inherit 0 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/01/Dovetails_MacLoop.swf _wp_attached_file 2013/01/Dovetails_MacLoop.swf _wp_attachment_metadata a:0:{} הילות שנפלו: הדפס, חומר ומה שביניהם / אמנון עמוס http://www.benyaminiceramics.org/2013/01/%d7%94%d7%99%d7%9c%d7%95%d7%aa-%d7%a9%d7%a0%d7%a4%d7%9c%d7%95-%d7%94%d7%93%d7%a4%d7%a1-%d7%97%d7%95%d7%9e%d7%a8-%d7%95%d7%9e%d7%94-%d7%a9%d7%91%d7%99%d7%a0%d7%99%d7%94%d7%9d-%d7%90%d7%9e%d7%a0/ Thu, 17 Jan 2013 11:15:57 +0000 http://www.benyaminiceramics.org/?p=7869 החיבור בין קדרות להדפס היה קיים משחר ההיסטוריה, והוא הולך יד ביד עם יכולתו של החומר להעתיק מרקמים שאליהם הוא נצמד. הדפס קרמי הוא נגזרת נקודתית של תחום ההדפס הכללי, וככזה חלים עליו רוב הנחות היסוד וכללי העבודה החלים על כל הדפס רגיל בתוספת ידע והתאמות לחומרי הגלם הקרמיים. כיום, אפשר לנהל בסטודיו הפרטי מעבדת הדפס קטנה בהוצאה כספית סבירה וללא צורך באמצעים רבים.

      את המאמר המלא ניתן לקרוא ב- "1280 - כתב עת לתרבות חומרית", גיליון 23, קיץ 2011, בעריכת טליה טוקטלי. כתב העת בהוצאת אגודת אמני קרמיקה בישראל, בשיתוף עמותת אמנים יוצרים בישראל ובתמיכת משרד התרבות והספורט מנהל התרבות.

      העולם הסובב אותנו עמוס דימויים, מרקמים ודגמים המרכיבים את חיי היומיום שלנו ומשקפים את התרבות הסובבת אותנו. גירויים רבים עומדים לפני היוצר, אחדים מהם הוא בוחר להעביר אל הרשת. נוסף על ההתגברות על התהליך הטכני הכרוך ביצירת ההדפס, האתגר הגדול העומד בפני מי שבחר לעסוק בתחום הוא כיצד לצלוח את המעבר מהדו-ממד (הדימוי) לתלת-ממד (האובייקט הקרמי).

      החיבור בין הקדר להדפס היה קיים משחר ההיסטוריה, והוא הולך יד ביד עם יכולתו של החומר להעתיק מרקמים שאליהם הוא נצמד. כבר ביצירות חומר קדומות אפשר למצוא כלים עם מרקם של חבלים שנוצר מהטבעה ומלחיצה של החומר לתוך סל נצרים או חותמות גליליות מעשה ידי אדם שהוטבעו על פני השטח. אלו בוודאי ההדפסים הראשונים. בסין אנו מכירים את קעריות התה שזכו לכינוי "טמוקו עלים" (Leaf Tenmoku) ונוצרו על ידי הדבקה של עלים טבעיים על פני החומר לפני הזיגוג. הכלי נטבל בזיגוג עתיר ברזל והוכנס לתנור, והעלה הנשרף הותיר אחריו לפרטיו דגם חומר צהבהב על רקע זיגוג חום או שחור עמוק. המהפכה התעשייתית, עם שכלול שיטות הדפוס ופיתוחן של מכונות לדפוס המוני, הביאה לידי שיפור גם בתחום ההדפס הקרמי. המעבר מציור ידני של מאסטרים, שהיה ארוך ויקר ודרש מיומנות רבה, להדפסה מכנית של דימויים באופן מהיר וזול היה טבעי וברור. עם זאת עד היום לא נעדר מקומם של אלה הראשונים, ובכמה מדינות באירופה (צרפת, גרמניה, איטליה ,דנמרק ועוד) ובמזרח הרחוק (סין, יפן, תאילנד ועוד) אפשר להתמחות בבתי ספר מיוחדים  וללמוד את רזי הציור הידני על פני החומר.

      הדפס קרמי הוא נגזרת נקודתית של תחום ההדפס הכללי, וככזה חלים עליו רוב הנחות היסוד וכללי העבודה החלים על כל הדפס רגיל בתוספת ידע והתאמות לחומרי הגלם הקרמיים. את סוג ההדפס שניצור נתאים ישירות לטכניקת העבודה בסטודיו ולמטרתנו הסופית.

      אחת משיטות העבודה הנפוצות ביותר היא הדפס רשת וניתן לחלקה לשני סוגים:

      הדפס ישיר: הדפסה ישירה מהרשת אל האובייקט הקרמי - משטח חומר לח או אריח שרוף. שיטה זו מחייבת שהגוף שאנו מדפיסים עליו יהיה שטוח וייצמד במלואו לרשת.

      הדפס עקיף (דקאל, Decal): שימוש בנייר מתווך שעליו מדפיסים את הצבע ואותו מעבירים לגוף החומר. טכניקה זאת מאפשרת להדפיס על גופים בעלי נפח.

      יש שיטות נוספות להעברה של הדפס לכלי או למשטח חומר כמו למשל ציור על משטח גבס והעברה לחומר, נייר דקאל מיוחד למדפסת לייזר, המאפשר הדפסה ישירה מהמחשב ללא צורך ברשת וערבוב צבעים בסטודיו או העברת הדימוי לדף מלוח מתכת שהדגם חרוט בו  במקום מרשת משי. זהו תחום מגוון ורחב הפתוח להתנסויות ולפיתוחים אישיים שעדיין לא נחשפו. חשוב לציין שאף שההדפסים עשויים להרתיע מעט את מי שטרם התנסה בהדפס מימיו, עם רצון ותושיה אפשר לנהל בסטודיו הפרטי מעבדת הדפס קטנה בהוצאה כספית סבירה וללא צורך באמצעים רבים.

      המדפייה

      למידע נוסף על סדנאות קרמיקה בבית בנימיני למידע נוסף על קורס פיסול בחימר בבית בנימיני.

      אמנון עמוס, בוגר המחלקה לעיצוב קרמי וזכוכית, בצלאל. קדר המתעמק בחקר של מסורות קרמיות והשתקפותן בתרבות

      ]]>       7869 2013-01-17 13:15:57 2013-01-17 11:15:57 closed open %d7%94%d7%99%d7%9c%d7%95%d7%aa-%d7%a9%d7%a0%d7%a4%d7%9c%d7%95-%d7%94%d7%93%d7%a4%d7%a1-%d7%97%d7%95%d7%9e%d7%a8-%d7%95%d7%9e%d7%94-%d7%a9%d7%91%d7%99%d7%a0%d7%99%d7%94%d7%9d-%d7%90%d7%9e%d7%a0 publish 0 0 post 0 _edit_lock 1364214223 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1364212599 _alp_broken_links a:4:{s:292:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%9E%D7%AA%D7%97%D7%99%D7%9C%D7%99%D7%9D/%D7%A7%D7%95%D7%A8%D7%A1-%D7%A7%D7%93%D7%A8%D7%95%D7%AA-%D7%99%D7%A1%D7%95%D7%93%D7%95%D7%AA/";a:0:{}s:225:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%A1%D7%93%D7%A0%D7%90%D7%95%D7%AA/%D7%A1%D7%93%D7%A0%D7%AA-%D7%94%D7%93%D7%A4%D7%A1-%D7%A7%D7%A8%D7%9E%D7%99/";a:0:{}s:150:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%A1%D7%93%D7%A0%D7%90%D7%95%D7%AA/";a:0:{}s:330:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%9C%D7%99%D7%9E%D7%95%D7%93%D7%99-%D7%A4%D7%99%D7%A1%D7%95%D7%9C/%D7%9C%D7%99%D7%9E%D7%95%D7%93%D7%99-%D7%A4%D7%99%D7%A1%D7%95%D7%9C-%D7%91%D7%97%D7%99%D7%9E%D7%A8-%D7%95%D7%91%D7%A0%D7%99%D7%99%D7%AA-%D7%99%D7%93/";a:0:{}}       amnonKatavaamos http://www.benyaminiceramics.org/2013/01/%d7%94%d7%99%d7%9c%d7%95%d7%aa-%d7%a9%d7%a0%d7%a4%d7%9c%d7%95-%d7%94%d7%93%d7%a4%d7%a1-%d7%97%d7%95%d7%9e%d7%a8-%d7%95%d7%9e%d7%94-%d7%a9%d7%91%d7%99%d7%a0%d7%99%d7%94%d7%9d-%d7%90%d7%9e%d7%a0/amnonkatavaamos/ Mon, 21 Jan 2013 12:57:30 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/01/amnonKatavaamos.jpg 7876 2013-01-21 14:57:30 2013-01-21 12:57:30 closed open amnonkatavaamos inherit 7869 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/01/amnonKatavaamos.jpg _wp_attached_file 2013/01/amnonKatavaamos.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"448";s:6:"height";s:3:"298";s:14:"hwstring_small";s:23:"height='85' width='128'";s:4:"file";s:27:"2013/01/amnonKatavaamos.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:27:"amnonKatavaamos-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:27:"amnonKatavaamos-300x199.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"199";}}s:10:"image_meta";a:10:{s:8:"aperture";s:3:"4.8";s:6:"credit";s:0:"";s:6:"camera";s:11:"NIKON D5000";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1312380637";s:9:"copyright";s:0:"";s:12:"focal_length";s:2:"32";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:15:"0.0333333333333";s:5:"title";s:0:"";}} Seeing through potsherds - Ha'aretz http://www.benyaminiceramics.org/en/2013/01/smashing-review-in-haaretz-guide/seeingthroughpotsherds/ Mon, 21 Jan 2013 13:37:55 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/01/seeingthroughpotsherds.jpg 7880 2013-01-21 15:37:55 2013-01-21 13:37:55 closed open seeingthroughpotsherds inherit 7881 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/01/seeingthroughpotsherds.jpg _wp_attached_file 2013/01/seeingthroughpotsherds.jpg _wp_attachment_metadata a:6:{s:5:"width";s:4:"1100";s:6:"height";s:4:"1585";s:14:"hwstring_small";s:22:"height='96' width='66'";s:4:"file";s:34:"2013/01/seeingthroughpotsherds.jpg";s:5:"sizes";a:3:{s:9:"thumbnail";a:3:{s:4:"file";s:34:"seeingthroughpotsherds-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:34:"seeingthroughpotsherds-208x300.jpg";s:5:"width";s:3:"208";s:6:"height";s:3:"300";}s:5:"large";a:3:{s:4:"file";s:35:"seeingthroughpotsherds-710x1024.jpg";s:5:"width";s:3:"710";s:6:"height";s:4:"1024";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt Click to enlarge Smashing! review in Ha'aretz Guide http://www.benyaminiceramics.org/en/2013/01/smashing-review-in-haaretz-guide/ Mon, 21 Jan 2013 13:51:13 +0000 http://www.benyaminiceramics.org/?p=7881 Smashing! exhibition at the Benyamini Center. Written by Galia Lahav, published in Ha'aretz guide, 29 December 2012. Click to enlarge (Click to enlarge)]]> 7881 2013-01-21 15:51:13 2013-01-21 13:51:13 closed open smashing-review-in-haaretz-guide publish 0 0 post 0 _edit_lock 1358776275 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} ספריית בית בנימיני http://www.benyaminiceramics.org/%d7%a1%d7%a4%d7%a8%d7%99%d7%94/sifria/ Sun, 27 Jan 2013 11:31:33 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/06/sifria.jpg 7937 2013-01-27 13:31:33 2013-01-27 11:31:33 closed open sifria inherit 1946 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/06/sifria.jpg _wp_attached_file 2011/06/sifria.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"576";s:6:"height";s:3:"324";s:14:"hwstring_small";s:23:"height='72' width='128'";s:4:"file";s:18:"2011/06/sifria.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:18:"sifria-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:18:"sifria-300x168.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"168";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} sifriamaagar http://www.benyaminiceramics.org/%d7%a1%d7%a4%d7%a8%d7%99%d7%94/%d7%a7%d7%98%d7%9c%d7%95%d7%92-%d7%a1%d7%a4%d7%a8%d7%99%d7%99%d7%aa-%d7%91%d7%99%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/sifriamaagar/ Sun, 27 Jan 2013 11:45:58 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/01/sifriamaagar.jpg 7943 2013-01-27 13:45:58 2013-01-27 11:45:58 closed open sifriamaagar inherit 7883 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/01/sifriamaagar.jpg _wp_attached_file 2013/01/sifriamaagar.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"448";s:6:"height";s:3:"252";s:14:"hwstring_small";s:23:"height='72' width='128'";s:4:"file";s:24:"2013/01/sifriamaagar.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:24:"sifriamaagar-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:24:"sifriamaagar-300x168.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"168";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} קטלוג ספריית בית בנימיני http://www.benyaminiceramics.org/%d7%a1%d7%a4%d7%a8%d7%99%d7%94/%d7%a7%d7%98%d7%9c%d7%95%d7%92-%d7%a1%d7%a4%d7%a8%d7%99%d7%99%d7%aa-%d7%91%d7%99%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/ Sun, 27 Jan 2013 11:46:26 +0000 http://www.benyaminiceramics.org/?page_id=7883

      הוראות שימוש בקטלוג ספריית בית בנימיני

      המסך הנוכחי מציג רשימה של מאגר המדיה המלא הנמצא בספריה.

      ישנן מספר אפשריות לסנן את הרשימה על מנת לשלוף רק את המידע הרצוי:

      1.  לחיצה על החץ המופנה מטה על יד המילה Filters, מציג רשימה של:

      • Keywords - מילות מפתח
      • Categories -  קטגוריות
      • Media Type - סוג המדיה
      • האם רוצים לבחור קרמיקה ישראלית Israeli Ceramics כן או לא?

      יש לגלול למטה כדי לראות את כל האפשרויות.

      • עבור Keywords, Categories and Media Type, ניתן לבחור יותר ממילה אחת.
      • אחרי כל בחירה, המערכת תבקש  ("Please Wait")ותציג את המידע לאחר סינון בהתאם למילה או מילים שסומנו.
      • על-מנת לצמצם עוד יותר את המידע המוצג, יש לבחור מילות מפתח, קטגוריה או סוגי מדיה נוספים.
      • כדי להציג רק קרמיקה ישראלית, יש לגלול למטה ולהקיש "Yes" בתחתית הרשימה.
      • לאחר שבוחרים מילה,המערכת כותבת אותה מתחת לחלון החיפוש כך שאנו יכולים לראות על-פי איזה סינון המערכת מציגה את המידע.
      • כדי לבטל בחירה מסוימת, יש ללחוץ על ה-x שליד המילה שבחרת.  המערכת תציג את המידע בהתאם.

      2. לחיצה על המילה Search, פותחת טבלה בעלת שתי שורות מתחת לחלון החיפוש.

      • באמצעות טבלה זו ניתן לבצע חיפוש ספציפי. למשל, ניתן לחפש על-פי שם הספר (Name of Book),
        על-פי הסופר (Author), על-פי תאריך ההוצאה (Publishing Date), קטגוריות (Categories), מילות מפתח (Keywords) וכו'.
      • יש לכתוב את המילה במשבצת המתאימה בשורה השנייה, מתחת לעמודה הרלוונטי.
      • בשורה הראשונה ניתן לבחור מספר אפשריות להצגת החומר: Starts With (שמתחיל ב), Ends With (שנגמר ב), Contains (שמכיל) וכו'.
      • יש ללחוץ על החץ המופנה מטה מתחת לכל עמודה כדי שיפתח תפריט עם האפשריות האלו.
      • דוגמא לחיפוש: אם רוצים למצוא ספרששמו מכיל את המילה "Raku", יש לכתוב "Raku" במשבצת הריקה בעמודה של שם הספר. לאחר מכן לבחור את המילה "Contains" והקש Search.
        כל המידע בו מופיעה המילה "Raku" בשם הספר יוצג על המסך.

      כדי לחזור למידע הקודם, יש להקיש "Cancel".

      • ניתן לבצע חיפוש על-פי מספר אפשרויות בו-זמנית. למשל: Category ו-Keywords.

      3.  המערכת מציגה 30 שורות בכל דף. כדי להציג יותר מ-30 שורות, לחץ על החץ הבודד בצד הימיני העליון  של המסך.

      ]]>       7883 2013-01-27 13:46:26 2013-01-27 11:46:26 closed open %d7%a7%d7%98%d7%9c%d7%95%d7%92-%d7%a1%d7%a4%d7%a8%d7%99%d7%99%d7%aa-%d7%91%d7%99%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99 publish 1946 1 page 0 _edit_lock 1361085777 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template template.nosidebar.php _alp_processed 1360655676 _thumbnail_id 7943       israeliceramicsarchives http://www.benyaminiceramics.org/?attachment_id=7965 Sun, 27 Jan 2013 12:31:29 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/01/israeliceramicsarchives.xlsx 7965 2013-01-27 14:31:29 2013-01-27 12:31:29 closed open israeliceramicsarchives inherit 0 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/01/israeliceramicsarchives.xlsx _wp_attached_file 2013/01/israeliceramicsarchives.xlsx _wp_attachment_metadata a:0:{} Jim Hamlyn crop http://www.benyaminiceramics.org/2013/01/%d7%92%d7%99%d7%9d-%d7%94%d7%9e%d7%9c%d7%99%d7%9f-%d7%a6%d7%9c%d7%97%d7%95%d7%aa-%d7%a8%d7%91%d7%a2-2012-%d7%95%d7%9e%d7%97%d7%91%d7%a8%d7%99%d7%9d-2010/jim-hamlyn-crop/ Sun, 27 Jan 2013 15:59:45 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/01/Jim-Hamlyn-crop.jpg 7972 2013-01-27 17:59:45 2013-01-27 15:59:45 closed open jim-hamlyn-crop inherit 7971 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/01/Jim-Hamlyn-crop.jpg _wp_attached_file 2013/01/Jim-Hamlyn-crop.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"313";s:6:"height";s:3:"369";s:14:"hwstring_small";s:22:"height='96' width='81'";s:4:"file";s:27:"2013/01/Jim-Hamlyn-crop.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:27:"Jim-Hamlyn-crop-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:27:"Jim-Hamlyn-crop-254x300.jpg";s:5:"width";s:3:"254";s:6:"height";s:3:"300";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} ג'ים המלין - "צלחות הרבעים" (2012) ו"מחברים" (2010) http://www.benyaminiceramics.org/2013/01/%d7%92%d7%99%d7%9d-%d7%94%d7%9e%d7%9c%d7%99%d7%9f-%d7%a6%d7%9c%d7%97%d7%95%d7%aa-%d7%a8%d7%91%d7%a2-2012-%d7%95%d7%9e%d7%97%d7%91%d7%a8%d7%99%d7%9d-2010/ Sun, 27 Jan 2013 16:00:50 +0000 http://www.benyaminiceramics.org/?p=7971 מאת: ד"ר אילת זהר, אוצרת התערוכה "שבר, שבריריות".

      ג'ים המלין מיוצג בתערוכת "שבר, שבריריות" בפרויקט "צלחות הרבעים" (2012)  ואילו באתר התערוכה מופיעה עבודת וידאו שלון תחת הכותרת "מִחְבָּרִים" (Dovetails).

      שתי העבודות משלימות זו את זו מתוך טיפול בשאלות של גרסאות ווריאציות, חיבור בין חלקים לשלם, חזרתיות ושוני, על העובדה שגם דברים שנראים דומים, לעיתם זהים, מכילים בינהם שוני דק ועדין אשר קורא לתשומת ליבו של הצופה. במחברים, המלין חיבר יחדיו ארבע גרסאות שונות של "סיפור דגם הערבה" (Willow Pattern Story), תוך שהוא מעניק איכות רשומונית לנוסחים השונים, כאשר החלקים המחוברים יחדיו יוצרים שלם, בעוד שהשלם שומר על אופיו הפרגמנטארי, ומחצין את תהליך האיחוי. המלין משתעשע עם פני השטח החלקלקים של האמת, הסיפור, ההקשר התרבותי, חיקוי והיטמעות. בעוד שדגם הערבה (המופיע על רבעי הצלחות ובסרטון האנימציה) עוצב במקור בידי תומס מילטון בבריטניה  בשנת 1790, חוברה לו מאוחר יותר אגדה רומנטית, אשר מביאה כמה וריאציות אפשריות אשר מעוררות את הדימויים שבתמונה – אנשים, ציפורים, עצים ופאביליון – לחיים.

      הנקודה החשובה ביותר היא כי הסיפור מסופר על אודות אובייקט חרסינה – הדיגום, הצבעוניות ואלמנטים אחרים באובייקט, כולם נוגעים באופני הייצור והעיטור של החומר שהובא מסין -- וכל גם הסיפור מבקש להבנות "אגדה סינית" אך כזו המבוססת על הדמיון המערבי והאופן בו סין נתפסה באירופה של המאה ה18. המלין משחק באלמנטים אלו תוך שהוא מחלק ארבע צלחות בוריאציות שונות של דגם הערבה כשהוא משתמש בכל רבע צלחת ביחד עם שלושה רבעים מצלחות שונות. בכך הוא יצר אפקט מפורק, רשומוני באופיו, בו כל אחד מן הגיבורים והגיבורות, דמויות משניות והשחקנים הראשיים אובדים בתוך הסיפור המאוחה, הכימראי באופיו.

      גם בעבודת האנימציה, המלין שומר על האוטונומיות של כל חלק, תוך שהוא מייצר את אחדותם של החלקים בתוך המסך האחיד והלופ המוקרן. בדומה לרשומון (1951), הסרט שזיכה את  אקירה קורוסאווה בהצלחתו הבינלאומית הראשונה, האמת אינה נמצאת, והסיפור הליניארי, המובן, אובד בסבך הפרטים. ארבעת הגרסאות השונות של סיפור "דגם הערבה" נותרים זה ליד זה, משלימים ונוגדים זה את זה באותו זמן. המלין משתמש באופן מיומן ביותר בדרך הסיפור הייחודית הזו בשילוב עם יכולתו לאחות סיפור וצורה, חומר ומושג, ויוצר עבודה יוצאת דופן באיכויותיה ומשמעותה הטרנס-תרבותית.

      למידע נוסף על קורס קרמיקה בבית בנימיני

      ]]>       7971 2013-01-27 18:00:50 2013-01-27 16:00:50 closed open %d7%92%d7%99%d7%9d-%d7%94%d7%9e%d7%9c%d7%99%d7%9f-%d7%a6%d7%9c%d7%97%d7%95%d7%aa-%d7%a8%d7%91%d7%a2-2012-%d7%95%d7%9e%d7%97%d7%91%d7%a8%d7%99%d7%9d-2010 publish 0 0 post 0 _edit_lock 1364208638 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1364208638 _alp_broken_links a:1:{s:304:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%9E%D7%AA%D7%97%D7%99%D7%9C%D7%99%D7%9D/%D7%A7%D7%95%D7%A8%D7%A1-%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94-%D7%A9%D7%99%D7%9E%D7%95%D7%A9%D7%99%D7%AA/";a:0:{}}       Jim Hamlyn - Quartered Plates (2012) and Dovetails (2010) http://www.benyaminiceramics.org/en/2013/01/jim-hamlyn-quarter-plates-2012-and-dovetails-2010/ Sun, 27 Jan 2013 16:02:41 +0000 http://www.benyaminiceramics.org/?p=7974 - Quartered plates (2012) is displayed in the exhibition space, while Dovetails (2010) is played on the exhibition website. The two projects complement by reconsidering issues of version and variation, composite of parts into a whole, repetition and difference, and the fact that sometimes objects seemingly resembling, at times identical, do contain subtle differences which is calling the spectator's attention. In Dovetails, Hamlyn present four versions of the Willow Pattern Story attached together to create a complete screening -- an interesting case of working with fragments while emphasizing the qualities of fragmentary realities, and the externalization of the fusing process.  Hamlyn’s project, following the initial narrative of the Willow Pattern story toys with the slippery surface of truth, narrative, cultural context, mimicry and assimilation. While the Willow pattern was originally designed by Thomas Milton in 1790, hence being created within a British context, it has a romantic legend attached to it, telling several possible stories that animate the people, birds, trees and pavilion seen in the pattern. Most importantly, the story is about China (porcelain) -- as is the design, the colour scheme and other elements in the project, all touch upon the means of production and decoration of the material imported from China -- hence, the story provokes a seemingly "Chinese legend", but in fact is a tale based on Western imagination at the way in which China was conceived in 18th c. Europe. Hamlyn cleverly plays with these elements: he fragmented four different variations of the Willow Pattern plates, and using each quarter of the four with a quarter of the other plates, creates a Rashomon-esque, fragmented vision, in which hero and heroine, minor characters and main actors are all lost in the story and its welded, Chimeraesque nature.  In the Dovetails animation, Hamlyn reserves the autonomy of each part while recreating the unity of the fragments within the single screen and the projected loop. Much like Rashomon (1951), Kurosawa’s first cinematic, international success, truth is not to be found and a comprehensive, linear narrative is lost in the entangled details. The four versions recounting the same legend of the Willow Pattern remain one next to the other, simultaneously mutually complementing and negating each other. Hamlyn, therefore, skillfully employs Kurosawa’s masterly storytelling abilities into his own ability to weld narrative and shape, material and concept, creating a unique and outstanding piece of transcultural references. ]]> 7974 2013-01-27 18:02:41 2013-01-27 16:02:41 closed open jim-hamlyn-quarter-plates-2012-and-dovetails-2010 publish 0 0 post 0 _edit_lock 1359367177 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} כתיבה על אמנות, אצלנו ואצל אחרים - סדנה ליוצרים http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%a1%d7%93%d7%a0%d7%90%d7%95%d7%aa/%d7%9b%d7%aa%d7%99%d7%91%d7%94-%d7%a2%d7%9c-%d7%90%d7%9e%d7%a0%d7%95%d7%aa-%d7%90%d7%a6%d7%9c%d7%a0%d7%95-%d7%95%d7%90%d7%a6%d7%9c-%d7%90%d7%97%d7%a8%d7%99%d7%9d-%d7%a1%d7%93%d7%a0%d7%90-%d7%9c/ Mon, 28 Jan 2013 07:51:43 +0000 http://www.benyaminiceramics.org/?page_id=7977 [imagebrowser id=157]
      בתמונה: רעיה רדליך, מטהתזה, הספר עשוי מטרה קוטה והכד מנייר. מתוך התערוכה "דרך בחומר, 5 עשורים לקרמיקה בישראל", אוצרים: אינה ארואטי, אילן ויזגן ויואב דגון 1998, מוזיאון בית אהרון כהנא, רמת גן, צילום: רפי מגנס
      מרצה הסדנה: יונתן אמיר, מבקר אמנות ועורך שותף של כתב העת המקוון לאמנות "ערב רב". סדנה ליוצרים ולכותבים המעוניינים לשלב קריאה, כתיבה ושיחה על תהליכי עבודתם, ברוח מעמיקה וקשובה אך לא פורמאלית. במסגרת הלימודים תיערך קריאה משותפת של טקסטים שונים על אמנות, לצד התנסות בצורות כתיבה על אמנות ובחינת הקשרים בין הטקסט ליצירה החזותית. הקריאות ישולבו במפגשי הנחייה ודיון בעבודות התלמידים/ות ובתהליכי עבודתם/ן. במפגשים אלו יקבלו המשתתפים/ות כלים לפיתוח כתיבה ומחשבה מנוסחת על עבודתם/ן, לצד חידוד החשיבה הביקורתית, היכרות עם סוגות כתיבה שונות ועזרה בכתיבת הצהרות אמן. הסדנה תיפתח בשנת הלימודים הבאה.]]>       7977 2013-01-28 09:51:43 2013-01-28 07:51:43 closed open %d7%9b%d7%aa%d7%99%d7%91%d7%94-%d7%a2%d7%9c-%d7%90%d7%9e%d7%a0%d7%95%d7%aa-%d7%90%d7%a6%d7%9c%d7%a0%d7%95-%d7%95%d7%90%d7%a6%d7%9c-%d7%90%d7%97%d7%a8%d7%99%d7%9d-%d7%a1%d7%93%d7%a0%d7%90-%d7%9c publish 4325 10 page 0 _edit_lock 1374698438 _edit_last 3 title כתיבה על אמנות, אצלנו ואצל אחרים - סדנה ליוצרים _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1367503368 _thumbnail_id ngg-1568 menu_title סדנת כתיבה ליוצרים description סדנא ליוצרים ולכותבים המעוניינים לשלב קריאה, כתיבה ושיחה על תהליכי עבודתם robotsmeta index,follow       Writing about art – workshop for artists http://www.benyaminiceramics.org/en/ceramic-courses/workshops/writing-about-art-%e2%80%93-workshop-for-artists/ Mon, 28 Jan 2013 08:13:15 +0000 http://www.benyaminiceramics.org/?page_id=7991 Yonatan Amir – art critic and co-editor of Erev Rav – the digital art magazine A workshop for artists and writers interested in reading texts and discussing their writing in an informed framework. We will read a variety of texts on art and experiment writing in different styles examining the connection between visual art and text. We will discuss the writings of the participants and the students will develop skills for expressing their ideas about their work as well as sharpen their critical understanding and ability to convey their thoughts This course will be offered next year. Cost: 800 shekels for 8 meetings ]]> 7991 2013-01-28 10:13:15 2013-01-28 08:13:15 closed open writing-about-art-%e2%80%93-workshop-for-artists publish 4379 10 page 0 _edit_lock 1367789911 _edit_last 3 _thumbnail_id ngg-1568 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default Benyamini Library Catalogue http://www.benyaminiceramics.org/en/library/benyamini-library-catalogue/ Mon, 28 Jan 2013 08:58:27 +0000 http://www.benyaminiceramics.org/library/benyamini-library-catalogue/ Instructions to use the data base This page displays the data base of the library. The information can be sorted in order to retrieve specific information in several ways: 1. Press the arrow on FILTERS – the following options will appear: Keywords Categories Media type Israeli Ceramics – yes or no Scroll down to see all the options For Keywords, Categories and Media type – more than one word may be selected. Once the option is selected the computer will indicate `please wait` and then display the sorted information.   The is information can be further sorted if required. To display Israeli Ceramics only – select YES The system will display the keyword used for the selection. To cancel the selection press the X next to the selected word 2. Press the word SEARCH and two columns will appear below the search window. A specific search can now be made for example: the name of a book, author, publishing date, categories and keywords. Write the appropriate word in the second line below the relevant column. In the first line it is possible to select several options to present the data: Start with Ends with Contains Press the arrow on each column in order to open the menu options. For example: To find a book with RAKU in its title type RAKU in the open space in the column of the title column.  After this press CONTAINS and SEARCH and the all the book titles with this word will appear on the screen. To return to the previous data press Cancel. It is possible to do a simultaneous search for example: Keyworkds and Category 3. The system shows 30 lines per page.  To show more than 30 lines press on the single arrow on the upper right side of the screen.]]> 8006 2013-01-28 10:58:27 2013-01-28 08:58:27 closed open benyamini-library-catalogue publish 1948 1 page 0 _wp_page_template template.nosidebar.php robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _edit_lock 1359448685 _edit_last 3 _thumbnail_id 7943 ספרים חדשים http://www.benyaminiceramics.org/%d7%a1%d7%a4%d7%a8%d7%99%d7%94/%d7%a1%d7%a4%d7%a8%d7%99%d7%9d-%d7%97%d7%93%d7%a9%d7%99%d7%9d/ Tue, 29 Jan 2013 08:02:24 +0000 http://www.benyaminiceramics.org/?page_id=7946 אפריל 2013: ספרים חדשים בספריית בית בנימיני

      Jun Kaneko הינו ספר יפהפה על אחד מאמני הקרמיקה האמריקאים (ממוצא יפני) המפורסמים ביותר, מרחיב עד מאד את תפיסתנו לגבי השימוש במדיום: לגבי מימדים, מבנה פיסולי, תפיסת האובייקט כפני שטח לציור. פסלי ה"דנגוז" הענקיים של קנקו, המעוטרים בציורים צבעוניים, גרפיים לרוב, משדרים כוח היפנוטי. הספר חושף את הקוראים לסטודיו של קנאקו ולטכניקת העבודה שלו ומאתגר אותם לחשוב במושגים חדשים.

      ספר חדש נוסף, של קרולין ג'נדרס, מציג שיטות מגוונות לעיטור וצביעה של כלים. ג'נדרס ביקרה בארץ בחורף שעבר והעבירה סדנא במושב נאות הכיכר, אשר היוותה הצלחה גדולה.

      [nggallery id=162]

      לאחרונה, הגיעו לספריית בית בנימיני ספרים חדשים ואיכותיים שיצאו לאור לא מכבר. אחד הספרים המרשימים ביותר שיצאו לאחרונה וניתן לעיין בו בספריה הוא הספר: Shifting Paradigms In Contemporary Ceramica: The Garth Clark And Marc Del Vecchio Collection הספר יצא בעקבות תערוכה שהוצגה ב-2012 תחת אותו שם במוזיאון יוסטון לאמנות. המחברים, קלארק ודל-ווקיו, היו עד לא מזמן בעלי גלריה בניו-יורק והם ידועים בין הגלריסטים החשובים ביותר בעולם הקרמיקה כיום. השפעתם על שדה הקרמיקה העכשווית היתה ועודנה נרחבת ומרכזית ביותר. לשניים אוסף מרשים המייצג את מיטב הקרמיקה הקיימת היום בעולם, ובשנה שעברה הוצג האוסף לראשונה בפני הקהל הרחב. קלארק הוא גם אחד הכותבים הפעילים ביותר בתחום הכתיבה הביקורתית על אומנות הקרמיקה, והוא עוסק רבות בחשיבות שבפיתוח תחום הביקורת בשדה הקרמיקה העכשווית. את ספריו של קלארק ניתן למצוא בספרייה, ביניהם גם ספרו החשוב "Shards: Garth Clark On Ceramics"' שיצא לאור ב2003 כאסופת מאמרים.

      ביקורת

      אנו מקפידים לטפח את תחום הכתיבה הביקורתית על קרמיקה ורוכשים לאוסף הספרייה את הספרים הטובים ביותר בתחום. שדה האומנות הקרמית הגיע היום לדרגות תחכום ועושר כה גבוהות, שלא ניתן לקיים שיח אומנותי בתחום מבלי לפתח שפה ביקורתית מתאימה וייחודית. זוהי כיום אחת הסוגיות החמות בשיח הקרמי העולמי. אחד מהספרים המעניינים ביותר שיצאו לאור בנושא זה הוא הספר: Utopic Impulses: Contemporary Ceramic Practice הספר מכיל קובץ מאמרים, תמונות וסיקור פרויקטים של אמנים עכשוויים העוסקים בהיבטים שונים וחדשניים של נושא תרומתה של קרמיקת סטודיו בימינו לשיפור מארג החיים הסוציאלי והפוליטי.

      ספרי אומן

      Ken Price: Sculpture - A Retrospective – ספר יוצא דופן באיכותו, שהגיע לאחרונה למדפי הספרייה. הספר הופק במסגרת תערוכת רטרוספקטיבה לאומן המנוח קן פרייס, מן האומנים החשובים בתחום אומנות הקרמיקה העכשווית, שהתקיימה במוזיאון לאומנות של מחוז לוס אנג'לס. פרייס היה מאמני הקרמיקה המשפיעים והמקוריים ביותר בארצות הברית של  מחצית המאה העשרים, יחד עם דמויות בולטות אחרות כמו פיטר וולקום, רודי אאוטיו ואחרים, שיצרו מהפכה בהבנת תחום הקרמיקה כפי שהוא כיום. פרייס ושותפיו למהפכה, חתרו תחת מוסכמות הקרמיקה המסורתית ושילבו בתפיסתם ובעבודותיהם השפעות משדה האמנות של תקופתם, דוגמת  אקספרסיוניזם אבסטרקטי. האובייקטים הקרמים שיצרו היו תולדה של חקר צורני, תוכני וטיפול בפני השטח של האובייקט באמצעים לא מסורתיים. לאחרונה קיבלנו עוד ספר אומן חדש ומרתק: The Intriguing Vision Of Sylvia Hyman: Trompe L'Oeil Ceramic Artist הספר שוטח בפנינו את הקריירה הארוכה והמפוארת של האמנית בת ה-90 מאמריקה. היימן מתמחה ברה-אינטרפרטציה של אובייקטים יום-יומיים בצורה ריאליסטית להפליא. היא יוצרת מאובייקטים אלה מעין טבע דומם עם פרשנות פואטית חברתית ותרבותית, שמקנה לעבודותיה מימד שמעבר לחיקוי הפשוט. לספר מצורף תקליטור ובו סרטון דוקומנטרי באורך 23 דק'.

      טכנולוגיה

      בהתחשב בעובדה שבבית בנימיני בית ספר ללימוד תחום הקרמיקה על כל גווניה, הדגש המרכזי בספריה הוא על ספרות העוסקת בהיבט הטכנולוגי של העשייה הקרמית. הספר החדש: Single Firing: The Pros And Cons הוא רק דוגמה אחת מהמגוון הרחב של ספרי הטכנולוגיה הקיימים בספריה ומכילים אין ספור טכניקות קרמיות בתחומי קדרות, פיסול ועיצוב. [nggallery id=155] ]]>       7946 2013-01-29 10:02:24 2013-01-29 08:02:24 closed open %d7%a1%d7%a4%d7%a8%d7%99%d7%9d-%d7%97%d7%93%d7%a9%d7%99%d7%9d publish 1946 2 page 0 _edit_lock 1366713288 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1366713287 _thumbnail_id 8040 _alp_broken_links a:1:{s:292:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%9E%D7%AA%D7%97%D7%99%D7%9C%D7%99%D7%9D/%D7%A7%D7%95%D7%A8%D7%A1-%D7%A7%D7%93%D7%A8%D7%95%D7%AA-%D7%99%D7%A1%D7%95%D7%93%D7%95%D7%AA/";a:0:{}}       New Books http://www.benyaminiceramics.org/en/library/new-books/ Tue, 29 Jan 2013 08:08:06 +0000 http://www.benyaminiceramics.org/?page_id=8008 April 2013: New books have arrived to our library! Jun Kaneko: The book on one of the most famous american (japanese) ceramic artists today is a tremendous eye-opener on how far clay can be taken as a sculptural and painterly medium in one; Kaneko's huge Dango sculptures with their exciting colorful graphic surfaces have a hypnotic power, and learning about his studio and working technique challenges us to a new dimension. Another book, by Carolyn Genders, shows us interesting ways of bringing color into vessels. Carolyn visited Israel this winter and gave a workshop at Neot Hakikar, producing much enthusiasm among the participants who found her technique fascinating and useful. [nggallery id=162]
      The Benyamini Library has recently received some of the most recently released and state-of-the-arts books. One example is the  fabulous book "Shifting Paradigms in Contemporary Ceramics: the Garth Clark and Marc Del Vecchio Collection", following the exhibition by the same name in 2012 at the Houston Museum of Fine Arts (and received from the curator of the museum, Cindi Strauss who visited the Benyamini Center). Clark and Del Vecchio have been for a long time one of the most world-renowned Ceramic  Art Gallerists, based in the U.S., and their influence was and still is far-reaching in the field. They have built up a world-class collection which now found its first exposure to the general public, representing the best and finest of  World Ceramic Art. Garth Clark has as well been one of the most prolific writers of critical articles on Ceramics and a big advocate of an art criticism applied to this specific field. His writings can also be found in the book "Shards: Garth Clark on Ceramics", published in 2003, a compilation of his articles (also on our library shelves).

      Critical writing

      We are very conscious to add to the library books that deal with this subject and get our hands on anything written in this line. Today the ceramic medium has reached such heights of sophistication and richness that it cannot exist outside of the art discourse practice, and find its particular conceptual and critical language and expression fit for this medium. It has become one of the hottest issues in todays international ceramics discourse. Along these lines, we received the book  entitled "Utopic impulses: contemporary ceramics practice": it is an anthology of essays, artist projects and images which envision new and stimulating conceptions of how studio ceramic practices contribute to improving the social and political fabric of our time.

      Artist Monographs

      We received the extraordianry book-catalog of "Ken Price: sculpture- a retrospective", accompanying the posthumous exhibition of this uniquely original and influential american ceramic artist, held at the Los Angeles County Museum of Art in 2012. It shows the development of one of that strong Westcoast movement of ceramists, like Peter Voulkos and others, who revolutionized the understanding of ceramics from the 1960ies on, starting to break with tradition and accepted rules from the pottery tradition, introducing influences from the current art movements of the period and reinterpreting the ceramic object, whether through treatment of approach to clay, shape, meaning, or surface.

      How to

      Having an active school for studying the different ceramic methods at The Benyamini Center, we focus on books on  ceramic technique. The latest addition is "Single Firing: The pros and cons". This is just one of the many HOW-TO books in the Library of the many techniques through which to create a wide array of ceramic styles, from the different pottery techniques and styles to sculptural and design methods. Enjoy this ceramic treasuretrove! [nggallery id=155] ]]>       8008 2013-01-29 10:08:06 2013-01-29 08:08:06 closed open new-books publish 1948 2 page 0 _edit_lock 1366713419 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _thumbnail_id 8040       shiftingparadigms_nletter http://www.benyaminiceramics.org/%d7%a1%d7%a4%d7%a8%d7%99%d7%94/%d7%a1%d7%a4%d7%a8%d7%99%d7%9d-%d7%97%d7%93%d7%a9%d7%99%d7%9d/shiftingparadigms_nletter/ Tue, 29 Jan 2013 08:43:32 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/01/shiftingparadigms_nletter.jpg 8040 2013-01-29 10:43:32 2013-01-29 08:43:32 closed open shiftingparadigms_nletter inherit 7946 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/01/shiftingparadigms_nletter.jpg _wp_attached_file 2013/01/shiftingparadigms_nletter.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"400";s:6:"height";s:3:"400";s:14:"hwstring_small";s:22:"height='96' width='96'";s:4:"file";s:37:"2013/01/shiftingparadigms_nletter.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:37:"shiftingparadigms_nletter-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:37:"shiftingparadigms_nletter-300x300.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"300";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} כתבי עת בקרמיקה http://www.benyaminiceramics.org/%d7%a1%d7%a4%d7%a8%d7%99%d7%94/%d7%9b%d7%aa%d7%91%d7%99-%d7%a2%d7%aa-%d7%91%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/ Tue, 29 Jan 2013 08:53:02 +0000 http://www.benyaminiceramics.org/?page_id=7954 מבחר מכתבי העת שהגיעו לאחרונה לספריית בית בנימיני:

      [nggallery id=163]

      אנו מנויים לכתבי העת הבינלאומיים החשובים ביותר בתחום הקרמיקה כיום. כתבי העת מספקים מבט רחב ומעמיק על כל היבטיו של שדה הקרמיקה העולמי דרך מאמרים על אמנים, תערוכות וביאנלות, קדרות, שיטות עבודה, ודרך מסות תיאורטיות ומאמרי ביקורת.

      לאחרונה הגיעו למדפנו הגיליונות האחרונים של כתב העת הבריטי Ceramic Review, כתב העת האירופאי New Ceramics וכתב העת האמריקני הוותיק – Ceramic Monthly. בנוסף, הצטרף באחרונה לרשימת כתבי העת שלנו גם כתב העת האמריקני המוערך Potter Studio שעניינו בעיקר במאמרי ביקורת ומאמרים תיאורטיים.

      רשימת כתבי העת בספרית בית בנימיני כיום:

      Ceramic Art and Perception (אמריקני)

      Ceramic Technical  (אמריקני)

      Ceramic Review (בריטי)

      Ceramic Monthly (אמריקני)

      New Ceramics (אירופאי)

      Studio Potter  (אמריקני)

      Crafts (בריטי)

      La Revue de la Ceramique et du Verre  (צרפתי)

      1280 – כתב עת לתרבות חומרית בהוצאת אגודת אמני קרמיקה בישראל

      קריאה נעימה!

      [nggallery id=156]

      ]]>       7954 2013-01-29 10:53:02 2013-01-29 08:53:02 closed open %d7%9b%d7%aa%d7%91%d7%99-%d7%a2%d7%aa-%d7%91%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94 publish 1946 3 page 0 _edit_lock 1366713431 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1366713253 _thumbnail_id ngg-1566 _alp_broken_links a:1:{s:292:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%9E%D7%AA%D7%97%D7%99%D7%9C%D7%99%D7%9D/%D7%A7%D7%95%D7%A8%D7%A1-%D7%A7%D7%93%D7%A8%D7%95%D7%AA-%D7%99%D7%A1%D7%95%D7%93%D7%95%D7%AA/";a:0:{}}       Ceramic Magazines http://www.benyaminiceramics.org/en/library/ceramic-magazines/ Tue, 29 Jan 2013 08:57:29 +0000 http://www.benyaminiceramics.org/?page_id=8010 April 2013: The Magazines we subscribe to, from England, France, America, Germany, Ireland, keep coming non-stop with the newest updates of what is happening on the world ceramic scene. Here are but a few: [nggallery id=163]
      We carry the most important international ceramics magazines. The magazines give a wide overview of the state of all aspects of the ceramic field in the world, whether articles about individual artists, exhibitions and biennales, methods of working, cultural aspects in ceramics and more. We have a new prestigious magazine, THE STUDIO POTTER, a well-established American magazine oriented more towards theoretical and critical articles on the field of ceramics. These are the periodicals we have currently in the library: Ceramic Art and Perception (USA) Ceramic Technical (USA) Ceramic Review (Britain) Ceramic Monthly (USA) New Ceramics (Germany/Europe) Studio Potter (USA) Crafts (Britain) La Revue de la Ceramique et du Verre (France) 1280 (Israel) We have just received the latest editions of the British magazine Ceramic Review, the German-European magazine New Ceramics, and the American Ceramic Monthly. [nggallery id=156] ]]>       8010 2013-01-29 10:57:29 2013-01-29 08:57:29 closed open ceramic-magazines publish 1948 3 page 0 _edit_lock 1366713557 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _thumbnail_id ngg-1566       Nerdi_Clowns http://www.benyaminiceramics.org/2013/01/%d7%96%d7%94%d7%91-%d7%9c%d7%91%d7%9f-%d7%a4%d7%95%d7%a8%d7%a6%d7%9c%d7%9f/nerdi_clowns/ Tue, 29 Jan 2013 10:07:47 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/01/Nerdi_Clowns.jpg 8054 2013-01-29 12:07:47 2013-01-29 10:07:47 closed open nerdi_clowns inherit 8053 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/01/Nerdi_Clowns.jpg _wp_attached_file 2013/01/Nerdi_Clowns.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"448";s:6:"height";s:3:"299";s:14:"hwstring_small";s:23:"height='85' width='128'";s:4:"file";s:24:"2013/01/Nerdi_Clowns.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:24:"Nerdi_Clowns-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:24:"Nerdi_Clowns-300x200.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"200";}}s:10:"image_meta";a:10:{s:8:"aperture";s:2:"13";s:6:"credit";s:0:"";s:6:"camera";s:13:"Canon EOS 20D";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1323943351";s:9:"copyright";s:0:"";s:12:"focal_length";s:2:"28";s:3:"iso";s:3:"100";s:13:"shutter_speed";s:5:"0.008";s:5:"title";s:0:"";}} RaniGilatPorcelain http://www.benyaminiceramics.org/2013/01/%d7%96%d7%94%d7%91-%d7%9c%d7%91%d7%9f-%d7%a4%d7%95%d7%a8%d7%a6%d7%9c%d7%9f/ranigilatporcelain/ Tue, 29 Jan 2013 10:07:48 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/01/RaniGilatPorcelain.jpg 8055 2013-01-29 12:07:48 2013-01-29 10:07:48 closed open ranigilatporcelain inherit 8053 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/01/RaniGilatPorcelain.jpg _wp_attached_file 2013/01/RaniGilatPorcelain.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"381";s:6:"height";s:3:"336";s:14:"hwstring_small";s:23:"height='96' width='108'";s:4:"file";s:30:"2013/01/RaniGilatPorcelain.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:30:"RaniGilatPorcelain-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:30:"RaniGilatPorcelain-300x264.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"264";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} פורצלן: זהב לבן http://www.benyaminiceramics.org/2013/01/%d7%96%d7%94%d7%91-%d7%9c%d7%91%d7%9f-%d7%a4%d7%95%d7%a8%d7%a6%d7%9c%d7%9f/ Tue, 29 Jan 2013 10:12:29 +0000 http://www.benyaminiceramics.org/?p=8053 כשאנו עורכים שולחן לארוחה חגיגית, מניחים צלחות, ממקמים קעריות מרק במרכזן ומוציאים ספלים מהארון למשקה החם שבתום הארוחה, סביר להניח שאיננו נותנים את הדעת לכך שהכלים ברובם עשויים פורצלן, אותו חומר שבעבר ערכו לא נפל מזה של זהב. אותו חומר לבן ובוהק, יקר וקסום, שרבים כל-כך חשקו בו והקדישו חיים שלמים בניסיונות לפצח את סוד ייצרו. תוצריו נגישים לכל וגם החומר הגולמי עצמו זמין לכל קדר ופסל המעוניינים לעבוד עימו. אולם שלא כמו פיסול בחימר או עבודת אבניים עם חומר, הפורצלן פחות ידידותי למשתמש; אחוז ההתכווצות שלו גבוה יחסית, הוא אינו פלסטי ונוטה להיסדק בכל שלבי העבודה עימו. עם זאת, אין כמעט בנמצא תחליף ללובן הבוהק של הפורצלן, לשקיפותו, לדקיקות אליה אפשר להגיע בעבודה איתו ולצליל המיוחד הנשמע כשנוקשים עליו.

      Meissen - מאוסף ראובן נרדי שהוצג בתערוכה "אוברקיטש"

      Made In China

      הסינים היו הראשונים ליצור כלי פורצלן. בתקופת שושלת האן (Han), כמאתיים שנה לפני הספירה, התגלו תכונותיה של החרסית קאולין (china-clay), המרכיב העיקרי בפורצלן. חלקיקי הקאולין גסים, הוא אינו פלסטי, דבר המקשה על העבודה עם פורצלן על האבניים, הוא נדיר בהשוואה לשאר סוגי החרסיות  ואין לו תחליף בכל הקשור להכנת גוף פורצלן לבן וטהור.

      בתקופת שושלת טאנג (Tang), בשנים 618-906 לספירה, גילו הסינים חומר חיוני נוסף בהרכבת גוף פורצלן. החומר, הקרוי  פטונטס, הינו סלע מותך המורכב משילוב של המינרלים פצלת השדה (פלדספר) ונציץ (מיקה). שילוב הקאולין והפטונטס הביאו ליצירת פורצלן שנשרף  לטמפרטורות גבוהות (1250-1350 מעלות צלסיוס) והגיע לאיכויות של לובן בוהק, קשיות ושקיפות למחצה. בזמנה של שושלת סונג (Sung), בשנים 960-1279, המשיכו הסינים לפתח את גוף הפורצלן, למדו את יכולותיו המיוחדות וייצאו כלי פורצלן תוך שמירה קנאית על סודות ייצורו. שושלת מינג (Ming), שמשלה בסין בשנים 1368-1644, שלטה ביד רמה על המסחר בפורצלן וייצאה כלים במסלול דרך המשי לאסיה, אירופה, ואפריקה. כלי הפורצלן הסינים המאופיינים בעיטורי קובלט כחולים על רקע לבן הפכו לפופולאריים ונחשקים מאוד באירופה. בשנת 1517 הפורטוגזים החלו לייבא כלי פורצלן דרך הים ובעקבותיהם, בשנת 1598, גם הגרמנים נשבו בקסמי הפורצלן הסיני.

      קוריאה היתה המדינה השנייה שייצרה פורצלן. במאות ה-3 וה-4 יובאו כלי פורצלן סיניים לקוריאה ששימשו כמודל לכלים שיצרו הקדרים הקוריאנים, אם כי הם לא נחלו הצלחה בפיצוח הרכב הפורצלן. רק במאה ה-15 בקירוב הצליחו הקוריאנים לייצר פורצלן לבן בוהק משלהם. בשנת 1592 פלשה יפן לקוריאה, הרסה כמעט כליל את תעשיית הפורצלן וכ-400 קדרים קוריאנים נשבו ונלקחו מארצם. בתחילת המאה ה-17 החלו היפנים לייצר פורצלן. הכלים הראשונים שיצרו הושפעו בצורתם ובעיטוריהם מאלה הסיניים והקוריאנים, אך עד מהרה התפתח סגנון יפני ייחודי והכלים יוצאו לכל רחבי העולם.

      המצוד הגדול

      כשכלי הפורצלן הראשונים הגיעו באוניותיהם של סוחרים פורטוגלים מהמזרח לאירופה, מלכים, שליטים ועשירים אניני טעם הופנטו מהלובן הבוהק והעשיר, מהייחוד שבאפקט השקיפות למחצה ומהזוהר שעלה מהם. הפורצלן נראה בעיניהם כחומר קסום שאין דומה לו באירופה, ובמהרה הפך לסמל של יוקרה, כוח וטעם משובח, ומעמדו לא נפל מזה של כסף וזהב. בד בבד החלו יזמים שאפתניים שהבינו את הפוטנציאל הכלכלי הטמון בחפצי פורצלן, להתחקות אחר הרכב החומר, על-מנת לייצרו באירופה ובכך, להעשיר את קופתם בכסף שבינתיים הוזרם למזרח. "מרגלים" נשלחו לסין כדי להשיג את נוסחת הפלא, אינספור דוגמאות של חומרים נאספו ועברו אנליזה שבעקבותיה נערכו ניסיונות רבים להרכיב פורצלן; חרסיות עורבבו עם אבקות זכוכית, חול, צדפים ועצמות תוך ניסיון ליצור חומר לבן בעל שקיפות, אולם הניסיונות העלו חרס ולא פורצלן.

      אחד הניסיונות הבודדים המוצלחים ליצור פורצלן באירופה של המאה ה-16 היה בפירנצה שבאיטליה. הפטרון פרנסיסקו מדיצ'י (Francesco I de Medici) מימן ניסיונות שהולידו מעין פורצלן משחתי שהורכב ככל הנראה מאבקות זכוכית, חול וחרסיות מקומיות, אך ייצור החומר היה מוגבל ומעט מאוד דוגמאות בדמות כלים שרדו.

      האלכימאי שחיפש זהב ומצא פורצלן

      בוטגר (Johann Friedrich Bottger), 1682-1719, היה אלכימאי גרמני שטען כי ביכולתו לייצר זהב ממתכות פשוטות. השמועה בדבר ניסיונותיו הגיעה לאוזניו של אוגוסטוס השני "החזק" מסקסוניה, מלך פולין, שדרש מבוטגר לייצר עבורו זהב. כישלונו של האלכימאי השאפתן לייצר זהב הוביל לאיומים על חייו וכדי להציל את עורו, הכריז בפני המלך שהוא יכול לייצר פורצלן והלה הסכים לממן את ניסיונותיו. ב-1707 החל בוטגר לשתף פעולה עם המדען והפילוסוף הגרמני הנפריד וולטר וון צ'ירנהאוזן (Ehenfried Walther von Tschirnhausen) שעבד עבור המלך. במהלך ניסיונותיהם לפצח את סוד ייצור הפורצלן, הבינו השניים שלא רק הרכב המינרלים בחומר חשוב, אלא גם הטכנולוגיה שתאפשר לשרוף אותו כדי להגיע לתוצאות הרצויות – פורצלן לבן בוהק ושקוף למחצה. לפיכך עבדו השניים בשני אפיקים: סדרת בדיקות שיטתית של חומרי גלם רבים ועיצוב ובניית תשתית שתאפשר שריפה לטמפרטורות גבוהות החיוניות בתהליך ייצור כלי פורצלן.

      תחת עבודה בתנאים קשים הצליחו בוטגר וצ'ירנהאוזן לייצר חומר אבנית (stoneware) אדום, חלק ובוהק לשריפה גבוהה אותו כינו בשם "פורצלן אדום", וב-1708 עם גילויה של חרסית לבנה מקולדיץ (Colditz), הפאזל הושלם והשניים הצליחו לייצר פורצלן לבן.

      רני גילת

      Made in Europe

      ב-1910, בהוראתו של אוגוסטוס השני "החזק", הוקם בטירת אלברכט המפעל מייסן -המפעל הראשון באירופה לייצור פורצלן. בוטגר מונה למנהל המקום וצ'ירנהאוזן שלרוע מזלו מת ב-1708, בשנה בו פיצח עם בוטגר את סוד ייצור הפורצלן, לא זכה לקטוף את פירות הצלחתו וגם הקרדיט עבור עבודתו נלקח ממנו.

      העיטורים שאפיינו את כלי הפורצלן של מפעל מייסן בתחילת דרכו היו בעיקר עיטורי לאסטר זהב וסגול ומעט מאוד צבעים באיכות ירודה למדי. ב-1719 מת בוטגר, בגיל 37, והמפעל היה שרוי בחובות. ב-1720 הגיע למפעל צייר אוסטרי מוכשר בשם יוהאן גרגור הרולד (Johann Gregor Herold) שהיה גם מומחה בתחום הצבעים. הרולד פיתח אינספור שיטות עיטור בצבע על גבי פורצלן שבחלקן משתמשים במייסן עד היום. כעשר שנים לאחר מכן, הצטרף למפעל הפסל הצעיר והמחונן  יוהאן יהויכים קנדלר (Johann Joachim Kandler), שהיה הראשון ליצור במקום פסלי פורצלן שחלקם נמצאים באוספים שונים של מוזיאונים, בתי מלוכה ועוד. גם כיום, פורצלן מייסן נחשב לאחד הפורצלנים האיכותיים ביותר בתעשיית הפורצלן האירופאי, והכלים הדקורטיביים, כמו גם הפיגורינות תוצרת מייסן, נחשבים למבוקשים ביותר בעולם האספנות.

      פורצלן בסטודיו

      במהלך המאה ה-18 התפשט באירופה סוד המרכיבים הנחוצים לייצור פורצלן ומפעלים רבים קמו בעקבותיו של המפעל הגרמני מייסן. כמאה ושלושים שנים מאוחר יותר, החלו קדרים וקרמיקאים במערב להשתמש בפורצלן בעקבות הקדר האנגלי ברנרד ליץ' (Bernard Leach), שהיה חלוץ קדרות הסטודיו. ליץ' לא גילה עניין בדקות ובשקיפות החומר, אלא כמו הסינים, באיכויותיו האחרות כגון הצליל שהפיקה נקישה בו ועבודותיו נשאו אופי בסיסי ופשוט. שלא כמו פיסול בחימר ועבודת אבניים בחומר, הפיסול בפורצלן והעבודה עימו על אבניים אינה פשוטה כלל וכלל. לפורצלן אחוז התכווצות גבוה המקשה לעיתים על תכנון האובייקטים, בעל פלסטיות נמוכה יחסית וכן הוא נוטה להיסדק בכל שלבי ייצורו, הן במהלך העבודה בחומר הרך, הן במהלך הייבוש והן במהלך השריפה. דיויד ליץ', בנו של ברנרד ליץ' ניסה במשך זמן רב להפיק פורצלן לבן ופלסטי לעבודת אבניים, שיהיה אפשר להגיע בעבודה בו לדקות ולשקיפות. יחד עם הכימאי בורק (Burk) בדק נוסחאות רבות, ובסופו של דבר הגיעו השניים לנוסחה פשוטה ומוצלחת. בעקבות גוף החומר שהרכיבו, הוחל להפיק את חומר הפורצלן באופן מסחרי, דבר שפתח צוהר לאינספור אפשרויות עבודה עם החומר עבור קדרים מקצועיים וסטודנטים. כיום, אין כמעט סטודיו לקרמיקה שאין בו לפחות חבילת פורצלן אחת, וכמעט בכל בית יש לפחות כלי שימושי אחד עשוי מפורצלן.

      למידע נוסף על קורס קרמיקה

      מקורות ביבליוגרפיים:
      גורן, אתי (2005). "חומרי גלם לגופי חומר", 1280 כתב עת לתרבות חומרית, 12, עמ' 03-06 Cushion, John (1973). Porcelain, London: Orbis Publishing Doherty, Jack (2002). Porcelaine, London: A&C Black, Philadelphia: University of Pennsylvania Press Gleeson, Janet (1998). The Arcanum: The Extraordinary True Story of the Invention of European Porcelain, Bantam Press Wardell, Sasha (2004). Porcelain and Bone China, The Crowood Press
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      • הוספת תמונות וקטעי וידאו לעמוד שלך
      • פרסום עדכוני סטטוס בעמוד
      • תיוגים: תמונות / וידאו / אודיו / סטטוס
      • שינוי קטגוריות בעמוד הפייסבוק

      ניהול עמוד הפייסבוק

      • הזמנת חברים
      • קידום העמוד שלך
      • חבילות פייסבוק עיסקיות
      • עדכוני יוני ונובמבר 2012
      • תובנות נוספות

      יום חמישי 28.2.13 בשעה 16:00 עד 18:30

      עלות: 70 ש"ח.

      למידע על קורס קרמיקה למידע על סדנת קרמיקה למידע על קורס פיסול

      ]]>       8197 2013-02-10 18:13:59 2013-02-10 16:13:59 closed open %d7%a4%d7%99%d7%99%d7%a1%d7%91%d7%95%d7%a7-%d7%91%d7%a7%d7%9c%d7%99%d7%a4%d7%aa-%d7%90%d7%92%d7%95%d7%96-%d7%a1%d7%93%d7%a0%d7%aa-%d7%94%d7%99%d7%9b%d7%a8%d7%95%d7%aa-%d7%9c%d7%a1%d7%98%d7%95%d7%93 publish 0 0 post 0 _edit_lock 1361262171 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1361204676 _alp_broken_links a:3:{s:304:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%9E%D7%AA%D7%97%D7%99%D7%9C%D7%99%D7%9D/%D7%A7%D7%95%D7%A8%D7%A1-%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94-%D7%A9%D7%99%D7%9E%D7%95%D7%A9%D7%99%D7%AA/";a:0:{}s:150:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%A1%D7%93%D7%A0%D7%90%D7%95%D7%AA/";a:0:{}s:299:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%9C%D7%99%D7%9E%D7%95%D7%93%D7%99-%D7%A4%D7%99%D7%A1%D7%95%D7%9C/%D7%A7%D7%95%D7%A8%D7%A1-%D7%A4%D7%99%D7%A1%D7%95%D7%9C-%D7%A7%D7%A8%D7%9E%D7%99-%D7%99%D7%A1%D7%95%D7%93%D7%95%D7%AA/";a:0:{}}       חומר, אש, אמנות: ערב שלא כדאי להחמיץ http://www.benyaminiceramics.org/2013/02/%d7%97%d7%95%d7%9e%d7%a8-%d7%90%d7%a9-%d7%90%d7%9e%d7%a0%d7%95%d7%aa-%d7%a2%d7%a8%d7%91-%d7%a9%d7%9c%d7%90-%d7%9b%d7%93%d7%90%d7%99-%d7%9c%d7%94%d7%97%d7%9e%d7%99%d7%a5/ Mon, 11 Feb 2013 12:09:11 +0000 http://www.benyaminiceramics.org/?p=8110 כבר לפני אלפי שנים הציתה האש את דמיונם של בני אדם ואינספור מיתוסים נבנו סביבה. במיתולוגיה היוונית, פרומתאוס לוקח את מתנת האש שקיבל מזאוס ומעניקה לאדם. האש, שעד אז הייתה בחזקתם הבלעדית של האלים, עברה לידי האדם הפשוט, ונגזר עליו לנצח להתמודד עם הפרדוקס שבה – המתח שבין הפן החיוני וההכרחי של האש והיכולת לביית אותה לצרכים שונים, לבין הפן ההרסני והמכלה שלה כיסוד בלתי נשלט.

      החיבור בין יסודות האש והאדמה (החומר) לאדם הינו בלתי נפרד. לאש תפקיד מהותי בתהליך הפיכת גוש חומר גולמי לחומר קרמי, ובעבר, כלי חומר שנוצרו מחרסיות מקומיות נשרפו באמצעות אש חיה באוויר הפתוח. בד בבד נחשף תפקיד נוסף של האש בתהליך היצירה הקרמית והוא האפקטים שנוצרים על פני האובייקטים במהלך השריפה. תפקיד האש בטיפול בפני השטח של אובייקטים קרמיים הלך והשתכלל עם הזמן, וגם כיום, על אף האמצעים הטכנולוגים המאפשרים שריפה "נקייה" ללא שימוש באש חיה, קרמיקאים רבים מגייסים אותה לתהליך יצירתם ומשחקים בגבול הדק שבין שליטה לחוסר שליטה ובריגוש המלווה לתהליך. בדרך זו לעולם לא יהיה אובייקט קרמי אחד זהה למשנהו, ובכך, סוד קסמם.

      ביום ראשון 24 בפברואר בשעה 17:00 יתקיים בבית בנימיני ערב ייחודי שיעסוק בשני אלמנטים שהם מאבני היסוד של האנושות, האש והחומר, ובמפגש ביניהם שמאפשר את יצירת האמנות הקרמית. הערב יפתח בהרצאה שתעסוק בזכותה של האש באמנות ובכלל שיעביר דר' גדעון עפרת – חוקר, כותב ומבקר אמנות, אוצר של עשרות תערוכות וידוע בחיבתו  לתחום אמנות הקרמיקה.

      בהמשך יעביר ז'אן פרנסואה בורלה, אמן קרמיקה החי ויוצר ליד בורדו שבצרפת, מצגת על יצירתו ואופן השימוש הווירטואוזי שלו באש פתוחה להשגת האפקטים המעניינים אותו.

      בסיום החלק התאורטי תפתח בגלריה של בית בנימיני מכירה של קופסאות הפתעה, מעין משלוח מנות לפורים. ביוזמת אגודת אמני הקרמיקה אספו כ - 50 אמנים מהסטודיו שלהם עבודות קרמיקה שונות ל"מכירה עיוורת".

      מכירת הקופסאות תתקיים בין התאריכים 24.2.13 – 2.3.13

      תוכנית הערב המלאה:

      17:00-17:45  אי אלה דברים בזכות האש באמנות ובכלל

      דר' גדעון עפרת
      מסע בין תרבותי אל כוחה היוצר של האש, החל במיתולוגיות עתיקות וכלה
      בפילוסופיות מודרניות. על האש כאידיאה פיוטית ומטאפיזית וכאתגרה של האמנות הקראמית העכשווית.

      18:00-18:45 פאנק ראקו

      ז'אן פרנסואה בורלה/ Jean François Bourlard

      בורלה מתמקד ביצירתו בחקר החומר הקרמי תוך ניסיונות חוזרים ונשנים למתוח ולפרוץ את גבולותיו. האמן רותם את האש למשחקיו הוירטואוזים בחומר ויוצר מפגשים בלתי צפויים בינה לבין חומרים שונים בתהליכי שריפה. תוצרי עבודתו הם אובייקטים פיסוליים המתאפיינים בסידוקים מרתקים, התנתקות חלקי חומר וזיגוג, התפרצויות של זכוכית מותכת וחיבורי חומרים מפתיעים.

      בורלה הוא אמן קרמיקה החי ויוצר ליד בורדו שבצרפת. לאחרונה זכה בפרס ליצירת אמנות מטעםfondation Ateliers d'Art de France , במסגרתו השלים בדצמבר האחרון בנית מיצב גדול בצרפת.

      מחיר השתתפות: 25 ש"ח.

      הרשמה מראש: בטלפון 03-5182257, בדוא"ל benyaminiccc@gmail.com או באמצעות טופס צור קשר.

      למידע נוסף על סדנאות קרמיקה למידע נוסף על קורס פיסול בחימר

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אתי גורן http://www.benyaminiceramics.org/2013/02/%d7%a9%d7%a8%d7%a4%d7%95%d7%aa-%d7%a2%d7%a6%d7%99%d7%9d-%d7%90%d7%aa%d7%99-%d7%92%d7%95%d7%a8%d7%9f/srefoteti1/ Sun, 17 Feb 2013 14:55:36 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/02/srefoteti1.jpg 8144 2013-02-17 16:55:36 2013-02-17 14:55:36 closed open srefoteti1 inherit 8135 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/02/srefoteti1.jpg _wp_attached_file 2013/02/srefoteti1.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"448";s:6:"height";s:3:"336";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:22:"2013/02/srefoteti1.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:22:"srefoteti1-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:22:"srefoteti1-300x224.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"224";}}s:10:"image_meta";a:10:{s:8:"aperture";s:3:"2.8";s:6:"credit";s:0:"";s:6:"camera";s:19:"Canon PowerShot S60";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1268671701";s:9:"copyright";s:0:"";s:12:"focal_length";s:6:"5.8125";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:15:"0.0166666666667";s:5:"title";s:0:"";}} שרפות עצים / אתי גורן http://www.benyaminiceramics.org/2013/02/%d7%a9%d7%a8%d7%a4%d7%95%d7%aa-%d7%a2%d7%a6%d7%99%d7%9d-%d7%90%d7%aa%d7%99-%d7%92%d7%95%d7%a8%d7%9f/srefoteti2/ Sun, 17 Feb 2013 14:55:37 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/02/srefoteti2.jpg 8145 2013-02-17 16:55:37 2013-02-17 14:55:37 closed open srefoteti2 inherit 8135 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/02/srefoteti2.jpg _wp_attached_file 2013/02/srefoteti2.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"448";s:6:"height";s:3:"336";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:22:"2013/02/srefoteti2.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:22:"srefoteti2-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:22:"srefoteti2-300x224.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"224";}}s:10:"image_meta";a:10:{s:8:"aperture";s:3:"4.7";s:6:"credit";s:0:"";s:6:"camera";s:10:"COOLPIX L1";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1280408708";s:9:"copyright";s:0:"";s:12:"focal_length";s:4:"25.3";s:3:"iso";s:3:"178";s:13:"shutter_speed";s:15:"0.0124069478908";s:5:"title";s:0:"";}} שרפות עצים / אתי גורן http://www.benyaminiceramics.org/2013/02/%d7%a9%d7%a8%d7%a4%d7%95%d7%aa-%d7%a2%d7%a6%d7%99%d7%9d-%d7%90%d7%aa%d7%99-%d7%92%d7%95%d7%a8%d7%9f/ Sun, 17 Feb 2013 15:05:05 +0000 http://www.benyaminiceramics.org/?p=8135 למן המאה ה-13 מתקיימת פעילות קדרים בלה בורן (La Borne) כפר קטן בצרפת. האזור מוקף ביערות עבותים ומשופע בחומר אבנית מקומי, המגיב נפלא לשרפות העץ הארוכות. אתי גורן התארחה במקום ושרפה עם האומנים המקומיים.

      את המאמר המלא ניתן לקרוא ב- "1280 - כתב עת לתרבות חומרית", גיליון 22, חורף 2011, בעריכת טליה טוקטלי. כתב העת בהוצאת אגודת אמני קרמיקה בישראל, בשיתוף עמותת אמנים יוצרים בישראל ובתמיכת משרד התרבות והספורט מנהל התרבות.

      ביולי 2010 נסעתי לשלושה חודשים לצרפת כדי להתנסות ולחוות שרפות עצים. גרתי בבית ועבדתי בסטודיו של מאיה מיצנמכר וניקולא רוסו, קרמיקאים החיים ועובדים בכפר הקטן לה בּורן (La Borne), יישוב שבכניסה אליו מוצב שלט ובו כתוב "כפר הקדרים - לה בורן" (village des potiers- La Borne). יישובים אלה נמצאים במרכז צרפת, כשעתיים וחצי נסיעה מפריז, לא רחוק מהעיר בּורז' (Bourge). האזור מוקף יערות עבותים ומשופע בחומר אבנית מקומי, המגיב נפלא לשרפות העץ הארוכות.

      תיעוד מהמאה ה-13 מצביע על פעילות קדרים באזור, וממנו עולה שבאותה תקופה השתמשו בשרפה בטמפרטורה נמוכה של C˚900. שרפות בטמפרטורה גבוהה החלו אך ורק במאה ה-16, אז החלו הקדרים להגיע לרמת הסנטור הנכונה לחומר. התנורים ששימשו אז היו "תנורים מטפסים" - תנור בצורת לווייתן שאורכו 25 עד 75 מטרים(!), והוא בנוי בשיפוע כך שתא הבעירה נמצא בחלק הנמוך והארובה בחלק הגבוה. תנורים אלו שימשו לשרפת כלים שימושיים כגון ארובות, כדי מלח או קנקנים. לפעמים שרף התנור ללא הפסקה – נפרק ונטען ללא הפוגה - ולא פעם שירת כמה בתי מלאכה.

      מלחמת העולם השנייה שמה קץ לייצור המקומי. הכיבוש והשנים שלאחריו ואחר כך החידושים וההתפתחויות הטכנולוגיות והתעשייתיות – כל אלה הביאו לידי צמיחתו של דור חדש של קרמיקאים ששאפו להתאים את התנורים לכמות קטנה יותר של עבודות ולעבוד בייצור בקנה מידה מסחרי פחות. התנורים קטנו אפוא וצורתם השתנתה, וכיום הם נקראים תנורי סוור (Sévres) או תנורי בורי בוקס (Bourry –box ) מסוג down draft.

      בשנות ה-60 של המאה ה-20 הופיע התנור הראשון מהמזרח הרחוק - תנור שלו כמה חדרים שנקרא ביפן נובוריגמה (Noborigama) ובסוף שנות ה-70 החלו לבנות תנורי אנגמה (Anagama) יפניים, שהם אותם תנורים מטפסים של העבר, אבל שאינם בנויים בהכרח בשיפוע. יש בהם חדר אחד ארוך ופתחי טעינת עצים בצדדים.

      היום חיים בכפר קרמיקאים רבים הבונים את התנורים לפי צורכיהם ויכולותיהם, משתמשים בצורות המסורתיות שלהם אבל מחדשים ומשנים לפי הצורך ותנאי השטח. יש בעלי תנור השורף במשך 28 או 48 שעות שאליו מכניסים עבודות מעוטרות או מזוגגות; אחרים שורפים שרפות ארוכות, שבעה עד עשרה ימים. שרפות אלו מאפשרות להעשיר את העבודות במרבצי הגחלים הנאספים במהלך השרפה, שאותם משליכים פנימה דרך הפתחים הצדדיים. התוצאה היא נזילות של אפר, כתמי להבות מעניינים ואפקטים וולקניים.

      בשלושת השבועות האחרונים לשהותי התקיים בלה בורן סימפוזיון ושמו "מאוהבים באש" שאליו הוזמנו 19 קרמיקאים מקוריאה, מיפן, מאנגליה, מגרמניה, מאוסטרליה, מארצות הברית, מספרד, מניו זילנד וכמובן מצרפת – כולם שורפים בתנורי עץ. במשך 12 ימים שרפו המשתתפים את העבודות שלהם ושלנו בתנור הכפר הישן, שהיה בשימושה של משפחת טלבו עד לפני עשרים שנה, ומאז העלה אבק מחוסר שימוש. היה מרגש לראות את הלווייתן הזקן שואג ובוער כבעבר, ואף שהשרפה בו אינה מאפשרת הרפתקאות ומשחקים )אין בו פתחים צדדיים), כל המשתתפים כיבדו וחגגו את שובו לחיים!

      נוסף על שני הרכיבים העיקריים המצויים בשפע באזור ומאפשרים שרפות בעץ (עצים וחומר מתאים), לקרמיקאים הסברים נוספים להעדפתם שרפת עץ: רובם ככולם לוקים בפירומניה ברוכה, הבאה לידי ביטוי בצירופי לשון כמו "אש היא סיכון, התנסות, מזל, חיים", "האש מפיחה בחומר נשמת חיים", "שרפת תנור עץ גדול נותנת קצב מיוחד לחיי הקרמיקאים", "בשרפת עצים עובדים יחד הטבע והאדם, כל האלמנטים מתחברים והשרפה היא מסע ביניהם", "שרפת עצים מלמדת אותנו סבלנות, סיבולת, עבודת צוות וקבלת התוצאות בהפתעה ובענווה", "השרפה היא לשרת את האש, כמו בטקס  הרמוני, לקבל נשיקות רכות של אפר על הכלים ולרצות תמיד עוד", "העץ זורם בעורקינו", "הקולות, הריח, האור...".

      למידע נוסף על קורס קדרות למידע על לימודי פיסול

      ]]>       8135 2013-02-17 17:05:05 2013-02-17 15:05:05 closed open %d7%a9%d7%a8%d7%a4%d7%95%d7%aa-%d7%a2%d7%a6%d7%99%d7%9d-%d7%90%d7%aa%d7%99-%d7%92%d7%95%d7%a8%d7%9f publish 0 0 post 0 _edit_lock 1364209262 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1364209261 _alp_broken_links a:3:{s:207:"http://www.benyaminiceramics.org/%D7%9E%D7%A8%D7%9B%D7%96-%D7%91%D7%A0%D7%99%D7%9E%D7%99%D7%A0%D7%99/%D7%A6%D7%95%D7%95%D7%AA-%D7%94%D7%9E%D7%95%D7%A8%D7%99%D7%9D/%D7%90%D7%AA%D7%99-%D7%92%D7%95%D7%A8%D7%9F/";a:0:{}s:292:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%9E%D7%AA%D7%97%D7%99%D7%9C%D7%99%D7%9D/%D7%A7%D7%95%D7%A8%D7%A1-%D7%A7%D7%93%D7%A8%D7%95%D7%AA-%D7%99%D7%A1%D7%95%D7%93%D7%95%D7%AA/";a:0:{}s:181:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%9C%D7%99%D7%9E%D7%95%D7%93%D7%99-%D7%A4%D7%99%D7%A1%D7%95%D7%9C/";a:0:{}}       Clay, Fire, Art: An evening not to be missed! http://www.benyaminiceramics.org/en/2013/02/clay-fire-art-an-evening-not-to-be-missed/ Sun, 17 Feb 2013 15:14:23 +0000 http://www.benyaminiceramics.org/?p=8148 Program: 17:00 – 17:45 Fire in Art and in General – Dr Gideon Ofrat A cultural journey on the power of fire starting from ancient mythology through modern philosophy; fire as a metaphysical and poetic force and the challenge it presents to contemporary ceramics. 18:00 – 18:45 Punk Raku – Jean Francois Bourlard Bourlard explores the ceramic medium, repeatedly experimenting to extend the boundaries. He focuses on using fire to create spectacular effects of various materials.  The results are sculptural objects with fascinating fissures and fractures and erupting melted glass creating surprising effects.   He lives near Bordeaux and recently won a prestigious prize from The Fondation Ateliers d`Art de France which allowed him to create a large installation. Entrance: 25 shekels Prior registration 03-5182257 or benyaminiccc@gmail.com]]> 8148 2013-02-17 17:14:23 2013-02-17 15:14:23 closed open clay-fire-art-an-evening-not-to-be-missed publish 0 0 post 0 _edit_lock 1361175455 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} murataatsumi http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/%d7%a6%d7%95%d7%a8%d7%95%d7%aa-%d7%95%d7%a6%d7%9c%d7%9c%d7%99%d7%9d-murata-atsumi/murataatsumi/ Mon, 18 Feb 2013 08:25:11 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/02/murataatsumi.jpg 8152 2013-02-18 10:25:11 2013-02-18 08:25:11 closed open murataatsumi inherit 8151 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/02/murataatsumi.jpg _wp_attached_file 2013/02/murataatsumi.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"444";s:6:"height";s:3:"246";s:14:"hwstring_small";s:23:"height='70' width='128'";s:4:"file";s:24:"2013/02/murataatsumi.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:24:"murataatsumi-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:24:"murataatsumi-300x166.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"166";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"8";s:6:"credit";s:0:"";s:6:"camera";s:24:"Canon IXY DIGITAL 810 IS";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1360490761";s:9:"copyright";s:0:"";s:12:"focal_length";s:3:"5.8";s:3:"iso";s:2:"80";s:13:"shutter_speed";s:6:"0.0025";s:5:"title";s:0:"";}} מורתה אטסומי: צורות וצללים http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/%d7%a6%d7%95%d7%a8%d7%95%d7%aa-%d7%95%d7%a6%d7%9c%d7%9c%d7%99%d7%9d-murata-atsumi/ Mon, 18 Feb 2013 08:26:44 +0000 http://www.benyaminiceramics.org/?page_id=8151 תערוכת עבודות מיוחדת במסגרת אירועי 60 שנה לקשרי ידידות ישראל יפן, באדיבות קרן יפן.

      פתיחת התערוכה: 28 בפברואר 2013, בשעה 20:00.

      נעילת התערוכה: 9 במרץ 2013.

      מורתה אטסומי ,קליגרפית ואמנית נייר מיפן תציג בבית בנימני תערוכת עבודות המשלבת נייר שהיא יוצרת מסיבים וצמחים ובזמן הכנתו כותבת-מציירת קליגרפיה, עבודות של קו וכתם קורמות עור וגידים ויוצרות חיים משלהם בתוך הסיבים, יצירותיה של מורתה חצו את גבול הכתיבה המסורתית ואפשר לקטרג אותן כאומנות מודרנית. האמנית הינה נציגה מטעם קרן יפן ומגיעה כאורחת של בית הספר שודו לקליגרפיה ואומניות יפן ובית בנימיני.

      מורתה ילידת טוקיו כתבה קליגרפיה עוד בצעירותה והתמחתה בכתיבת  Kana - הכתב היפני הפונטי שניחן באיכויות רכות ונשיות והשימוש בו הוא בעיקר לכתיבת שירה. עם הזמן גילתה מורתה את ה-Manyo – כתמי דיו שמתפשטים על הנייר כמו טיפות של מים ויוצרים צורות אמורפיות מעניינות. בנוסף, החלה להתעניין בייצור הנייר הנעשה מסיבים וצמחים בתהליכי עבודה ידניים. כיום משלבת האמנית בעבודותיה נייר שהיא יוצרת מסיבים וצמחים ובזמן הכנתו כותבת-מציירת קליגרפיה.

      ]]>       8151 2013-02-18 10:26:44 2013-02-18 08:26:44 closed open %d7%a6%d7%95%d7%a8%d7%95%d7%aa-%d7%95%d7%a6%d7%9c%d7%9c%d7%99%d7%9d-murata-atsumi publish 276 30 page 0 _edit_lock 1371485326 _edit_last 3 _alp_processed 1371485326 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _thumbnail_id 8152 809 http://ctlv.org.il/?p=1287 62.219.19.60 2013-03-04 12:16:55 2013-03-04 10:16:55 0 pingback 0 0       Murata Atsumi: Shapes Of Sumi http://www.benyaminiceramics.org/en/ceramic-galleries/past-exhibitions/murata-atsumi-shapes-of-sumi/ Mon, 18 Feb 2013 08:34:38 +0000 http://www.benyaminiceramics.org/?page_id=8156 Exhibition open from February 28th to March 9th. Murata Atsumi was born in Tokyo. While pursuing her activity as a calligrapher to explore the traditional beauty of “Kana,” the Japanese phonetic letters, Atsumi discovered the “Monyo,” abstract watermark that Sumi (Japanese ink) creates on paper, as her method of artistic expression. Her calligraphy-based art applied to different media such as ceramics, lacquer ware, and fabrics which makes a distinct combination, has been featured in a number of exhibitions mainly in Tokyo.  More recently, Atsumi rediscovered the significant texture of “Washi” or Japanese paper, the traditional medium for Japanese calligraphy, and eventually became involved in the art of Washi-paper making.  Atsumi’s creative method to incorporate patterns made by Sumi in the process of paper-making resulted with her signature Shapes of Sumi, the unique forms of Sumi that are created spontaneously.  From 2006, Atsumi has held solo exhibitions in New York City annually. Also in 2009, she has shown her works in collaboration with a Japanese photographer in Paris for the first time. Although the exhibition is centered on Sumi ink it is also about paper. What would be faults in commercially produced paper with handmade paper are merits. Irregular bumps, creases, tears and shifts in tone are interesting components, which, in the hands of a sensitive artists, can be tapped for their expressive potential. Atsumi’s work has been moving away from traditional oriental calligraphy towards pure abstraction.  However, calligraphy is still apparent, in that black ink is distributed around the paper in ways that range from the dramatic to the poetic. The artist has exchanged the emphatic sharp edges of calligraphy for a soft-edged, diffuse use of ink that implies depth.]]> 8156 2013-02-18 10:34:38 2013-02-18 08:34:38 closed open murata-atsumi-shapes-of-sumi publish 279 30 page 0 _edit_lock 1361178317 _edit_last 3 _thumbnail_id 8152 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default homerhiuvi http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/%d7%97%d7%95%d7%9e%d7%a8-%d7%97%d7%99%d7%95%d7%91%d7%99/homerhiuvi/ Mon, 18 Feb 2013 09:11:42 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/02/homerhiuvi.jpg 8162 2013-02-18 11:11:42 2013-02-18 09:11:42 closed open homerhiuvi inherit 8161 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/02/homerhiuvi.jpg _wp_attached_file 2013/02/homerhiuvi.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"367";s:6:"height";s:3:"336";s:14:"hwstring_small";s:23:"height='96' width='104'";s:4:"file";s:22:"2013/02/homerhiuvi.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:22:"homerhiuvi-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:22:"homerhiuvi-300x274.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"274";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"9";s:6:"credit";s:0:"";s:6:"camera";s:9:"NIKON D80";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1359629468";s:9:"copyright";s:0:"";s:12:"focal_length";s:2:"18";s:3:"iso";s:3:"100";s:13:"shutter_speed";s:15:"0.0166666666667";s:5:"title";s:0:"";}} חומר חיובי http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/%d7%97%d7%95%d7%9e%d7%a8-%d7%97%d7%99%d7%95%d7%91%d7%99/ Mon, 18 Feb 2013 09:12:01 +0000 http://www.benyaminiceramics.org/?page_id=8161 פתיחה: 3 במרץ 2013, בשעה 19:00

      נעילה: 11 במרץ 2013.

      אוצרת התערוכה, רונית צור:

      "בית בנימיני מתכבד לארח בין כתליו את פירותיה של דרך פתלתלה ומרתקת שראשיתה לפני כשנה. בסטודיו במרכזה של תל אביב, בימי סוף השבוע, התכנסו ביוזמת רני גילת, אמן ומנחה לימודי קרמיקה, וביוזמת הוועד למלחמה באיידס, שבעה בחורים והתנסו לראשונה בחווייה משמעותית של העבודה עם החומר הקרמי. הוזמנתי לפגוש אותם ואת העבודות שיצרו בתקופה זו, כדי לגבש יחד את תוצאות הפרויקט לכדי תערוכה בבית בנימיני המרכז לקרמיקה עכשווית.

      בבואנו לבחור את התערוכות שברצוננו להפיק ולהציג בבית בנימיני הקריטריונים המשמשים אותנו מורכבים מתמהיל נכון של נושא התערוכה, איכות העבודות, מהודקות, רלוונטיות תרבותית-חברתית-פוליטית, כל זאת תוך שימת דגש על מיקום מרכזי  של העשייה הקרמית בתערוכה. בהצהרת הכוונות של בית בנימיני תופס מקום חשוב הרצון לתמוך בקבוצות שונות בחברה הדורשות התייחסות ייחודית ולכוון אליהן את תשומת הלב של המבקרים במרכז.

      מכאן שכבר במפגש הראשון שלי עם הקבוצה רציתי למצוא את הדרך המתאימה להבאת העבודות לתצוגה במרכז, לצד החששות מפני היותה קבוצה של חובבים "טריים".

      החבורה הודרכה על ידי רני גילת לעבוד ולבטא באמצעות החומר את אותן משמעויות ורגשות כבדים הנלווים להיותם נשאי HIV. מפתיע ומרגש עד מאוד היה להיווכח בכוחן ובאיכותן של העבודות ובנכונות חברי הקבוצה להתגייס, בחודשיים שנותרו עד להעלאת התערוכה, לעבודה אינטנסיבית ומאומצת כדי ליצור מכלול שלם וייצוגי, אמין, ייחודי וישיר.

      בטקסט המרשים והחשוב, שכתב בכנות רבה כל אחד מחברי הקבוצה ומופיע בעמודו האישי בקטלוג, ניתן לעקוב אחר התהליך שעבר ולקבל מושג על נושאי עבודותיו ועל אופי הביטוי שהתאים לו.

      כוחה של התערוכה וחיוניותה הם בין היתר בכך שאין פה דיבור חיצוני על נושא אלא עשייה מתוך ההוויה של היות בתוכו, של ייצוג אמנותי לחיים שצבועים בצבע ה'נשאות'".

      הגלריה תהיה פתוחה גם ביום ראשון, 10 במרץ 2013, בין השעות 11:00-19:00.

      ]]>       8161 2013-02-18 11:12:01 2013-02-18 09:12:01 closed open %d7%97%d7%95%d7%9e%d7%a8-%d7%97%d7%99%d7%95%d7%91%d7%99 publish 276 20 page 0 _edit_lock 1371485278 _edit_last 3 _alp_processed 1371485277 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _thumbnail_id 8162       Positive Mass http://www.benyaminiceramics.org/en/ceramic-galleries/past-exhibitions/positive-mass/ Mon, 18 Feb 2013 09:15:50 +0000 http://www.benyaminiceramics.org/?page_id=8165 Exhibition opens: March 3rd 2013, at 19:00. Exhibition closes: March 11th 2013. The Benyamini Center will host the fruits of a project initiated by the Israel Aids Task Force and Rani Gilat, an artist and lecturer in ceramics.  Seven men were invited to experience and try their hand at expressing themselves in clay. ``For over a year we have worked together `doing ceramics`.  Despite the wide range in our ages we have many similarities: more than half are involved in art and design, most of us are bachelors,  most of us live in Tel Aviv.  Being in the studio was a kind of shelter for us where we could forget about the fact that we are `carriers` of a social stigma and be freed from the necessity to create daily defense mechanisms. This project allowed us to deal with our illness by creating art loaded with personal or biographical elements.  We did not want to express the virus but rather explore our personal identity in a new and changing world.  Through this creative experience we wanted to express questions of self image, identity, happiness, loneliness and longing.`` Note: The gallery will be open on Sunday March 10th 2013 as well, from 11:00-19:00.]]> 8165 2013-02-18 11:15:50 2013-02-18 09:15:50 closed open positive-mass publish 279 20 page 0 _edit_lock 1371485057 _edit_last 3 _thumbnail_id 8162 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default iritabbagvuldak http://www.benyaminiceramics.org/en/2013/02/porcelain-white-gold/iritabbagvuldak/ Mon, 18 Feb 2013 09:32:26 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/02/iritabbagvuldak.jpg 8168 2013-02-18 11:32:26 2013-02-18 09:32:26 closed open iritabbagvuldak inherit 8167 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/02/iritabbagvuldak.jpg _wp_attached_file 2013/02/iritabbagvuldak.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"448";s:6:"height";s:3:"336";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:27:"2013/02/iritabbagvuldak.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:27:"iritabbagvuldak-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:27:"iritabbagvuldak-300x224.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"224";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} Porcelain: White Gold http://www.benyaminiceramics.org/en/2013/02/porcelain-white-gold/ Mon, 18 Feb 2013 09:32:44 +0000 http://www.benyaminiceramics.org/?p=8167 porcelain workshop ]]> 8167 2013-02-18 11:32:44 2013-02-18 09:32:44 closed open porcelain-white-gold publish 0 0 post 0 _edit_lock 1361185017 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} Shift – קרמיקה באקדמיות ובמכללות לעיצוב ואמנות http://www.benyaminiceramics.org/shift-3/ Sun, 03 Mar 2013 14:01:26 +0000 http://www.benyaminiceramics.org/?page_id=8283 אוצרות התערוכה: רוית לצר ושלומית באומן פתיחה: יום חמישי, 14 במרץ, 2013, 19:00 | תאריך סיום: 28 לאפריל, 2013 הפתיחה כוללת חווית אכילה: פלציבו קולינרי קרמי / "סטודיו אפטיט" משתתפים בתערוכה: אדווה טל, אילה סול פרידמן, אלעד קאשי, אפרת קרן, ברק דאלי, דבורה שטראוס, חן שויצקי, יוליה צוקרמן, יערה לנדאו-כץ, מיכל פרגו, מקס צ'פרק, סיון חפץ, ערן גל-אור, רחל בוקסנבוים, שי פרי סרטים: אוהד חיא ואופיר זנדאני, אורנית צור אריה, גבריאל מרטין רקובר, דניאל עוזרי, לביא בר, עינב צדוק. בשנים האחרונות הפך העיצוב הקרמי לזירה תוססת ורבת עניין. אמנים, יוצרים בחומר ומעצבים תעשייתיים מפתחים בחומר קרמי סדרות קטנות של עבודות המתכתבות עם שדות ידע מרובדים: מצד אחד מסורת רבת שנים ומצד שני חדשנות ופריצת גבולות. הקלות בה ניתן ליצור אובייקט קרמי איכותי, באמצעי ייצור פשוטים יחסית, תוך מגע ישיר ויכולת התערבות והשפעה על תהליך הייצור הפכו את העיצוב הקרמי לזירה מרתקת ונחשקת המאפשרת ביטוי אישי למבקשים לייצר סדרות מיוחדות המכילות רעיונות מסוגים שונים ומגוונים. השינויים שהתרחשו בעקבות המהפכות הטכנולוגיות (התעשייתית והדיגטלית) אתגרו את תחום הקרמיקה להגדיר את עצמו מחדש. טלטלה זו השתקפה באקדמיות השונות בעולם בסגירת מחלקות לקרמיקה או בהתמזגותן עם המחלקות לעיצוב תעשייתי. לאחרונה ניתן לראות בעולם שינוי במגמה זו: המחלקות לעיצוב קרמי פורחות וגדלה המודעות לשימור גוף הידע הקיים. מגמה זו, בשילוב עם התפתחויות טכנולוגיות חדשות יצרו שדה פעולה מרתק המגשר בין Low Tech ו- High Tech, תיאוריה ופרקטיקה, המאפשר את מתיחת הגבולות המתודיים של התחום. נקודת המוצא של התערוכה Shift מתבססת על ההנחה כי שינויים משמעותיים בתוכניות לימוד הנטמעות בבתי הספר להשכלה גבוהה לעיצוב ואמנות מבשרים שינויים כלליים בתרבות וכי התרחבות הפעילות בתחום הקרמיקה בהם מצביע על הטמעת המגמה הגוברת של העניין בתחום. בבתי הספר הגבוהים לאמנות תהליך זה מתבטא בשימור סדנאות הקרמיקה הנותנות מענה ליצירת אמנות וביטוי אישי באמצעות החומר. בבתי הספר הגבוהים לעיצוב תעשייתי השתרש העיצוב הקרמי והפך לכלי חשוב ואפקטיבי להבנת מתודות עיצוביות (“Learning by Doing”) המאפשרות פיתוח וביצוע של מוצר ממשי. כך, עבודות הגמר של סטודנטים היוצרים בתוך החממות האקדמיות השונות מאפשרות לנו לבחון כיווני מחשבה חדשים בקרמיקה, שיטות עבודה פורצות דרך, ופיתוח תובנות חדשות ועכשוויות ביחס לתחום. מכיוון שתהליך זה נמצא בראשיתו, עדיין לא ניתן לבחון את הקשר בין המחלקה בה למד הסטודנט ותחום התמחותה, לבין הפרויקטים הקרמים הנעשים בה. אולם, נראה שתהליך זה פותח דיון מחודש ביחס למהותו של גוף הידע הקרמי, שיטות העבודה עימו והוראתו בהקשרים השונים. למרות שעדיין לא ניתן להבין ולנסח את משמעויותיו של שינוי זה, העבודות בתערוכה Shift, מסמנות את התזוזה המתרחשת בשנים האחרונות בשדה עיצוב הקרמי ובודקות את כיוון הלכי הרוח החדשים המנשבים בו.

      על פלציבו קולינרי קרמי

      חווית אכילה חדשה מבית סטודיו אפטיט במסגרת התערוכה Shift בבית בנימיני. הפלציבו הינה תרופת דמה שנועדה לרצות את החולה ולתת לו תחושה מזוייפת של ריפוי על מנת לבחון האם די בריצוי פסיכולוגי על מנת לשפר את מצבו. הריצוי הזה קיים לא פחות בעולמות הקולינריה והעיצוב. כאשר אנו יוצרים טעם או ויזואליות שמטרתם לספק לצופה תחושה של "טעים" או "יפה". פרוייקט "פלציבו קולינרי קרמי" הינו ניסוי שייערך בערב הפתיחה של התערוכה ויציע סדרה של פרשנויות לעיקרון הפלציבו. במהלך הפרוייקט, שיעבוד כמיצג אכיל, יוזמנו המשתתפים לבדוק האם די בריצוי צורני על מנת לאפיין טעם? האם שינוי חומרי ופונקציונלי משנה את מהותו של אובייקט? וכיצד מתרגמים תרופת דמה באמצעות עיצוב קרמי וקולינרי לחוויה מרפאת? ]]>       8283 2013-03-03 16:01:26 2013-03-03 14:01:26 closed open shift-3 trash 0 1 page 0 _edit_lock 1362319287 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1362319286       Shift http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/shift/ Sun, 03 Mar 2013 14:05:21 +0000 http://www.benyaminiceramics.org/?page_id=8289 אוצרות התערוכה: רוית לצר ושלומית באומן פתיחה: יום חמישי, 14 במרץ 2013, 19:00 | תאריך סיום: 28 לאפריל 2013 הפתיחה כוללת חווית אכילה: פלציבו קולינרי קרמי / "סטודיו אפטיט" משתתפים בתערוכה: אדווה טל, אילה סול פרידמן, אלעד קאשי, אפרת קרן, ברק דאלי, דבורה שטראוס, חן שויצקי, יוליה צוקרמן, יערה לנדאו-כץ, מיכל פרגו, מקס צ'פרק, סיון חפץ, ערן גל-אור, רחל בוקסנבוים, שי פרי סרטים: אוהד חיא ואופיר זנדאני, אורנית צור אריה, גבריאל מרטין רקובר, דניאל עוזרי, לביא בר, עינב צדוק.

      Shift

      בשנים האחרונות הפך העיצוב הקרמי לזירה תוססת ורבת עניין. אמנים, יוצרים בחומר ומעצבים תעשייתיים מפתחים בחומר קרמי סדרות קטנות של עבודות המתכתבות עם שדות ידע מרובדים: מצד אחד מסורת רבת שנים ומצד שני חדשנות ופריצת גבולות. הקלות בה ניתן ליצור אובייקט קרמי איכותי, באמצעי ייצור פשוטים יחסית, תוך מגע ישיר ויכולת התערבות והשפעה על תהליך הייצור הפכו את העיצוב הקרמי לזירה מרתקת ונחשקת המאפשרת ביטוי אישי למבקשים לייצר סדרות מיוחדות המכילות רעיונות מסוגים שונים ומגוונים. השינויים שהתרחשו בעקבות המהפכות הטכנולוגיות (התעשייתית והדיגטלית) אתגרו את תחום הקרמיקה להגדיר את עצמו מחדש. טלטלה זו השתקפה באקדמיות השונות בעולם בסגירת מחלקות לקרמיקה או בהתמזגותן עם המחלקות לעיצוב תעשייתי. לאחרונה ניתן לראות בעולם שינוי במגמה זו: המחלקות לעיצוב קרמי פורחות וגדלה המודעות לשימור גוף הידע הקיים. מגמה זו, בשילוב עם התפתחויות טכנולוגיות חדשות יצרו שדה פעולה מרתק המגשר בין Low Tech ו- High Tech, תיאוריה ופרקטיקה, המאפשר את מתיחת הגבולות המתודיים של התחום. נקודת המוצא של התערוכה Shift מתבססת על ההנחה כי שינויים משמעותיים בתוכניות לימוד הנטמעות בבתי הספר להשכלה גבוהה לעיצוב ואמנות מבשרים שינויים כלליים בתרבות וכי התרחבות הפעילות בתחום הקרמיקה בהם מצביע על הטמעת המגמה הגוברת של העניין בתחום. בבתי הספר הגבוהים לאמנות תהליך זה מתבטא בשימור סדנאות הקרמיקה הנותנות מענה ליצירת אמנות וביטוי אישי באמצעות החומר. בבתי הספר הגבוהים לעיצוב תעשייתי השתרש העיצוב הקרמי והפך לכלי חשוב ואפקטיבי להבנת מתודות עיצוביות (“Learning by Doing”) המאפשרות פיתוח וביצוע של מוצר ממשי. כך, עבודות הגמר של סטודנטים היוצרים בתוך החממות האקדמיות השונות מאפשרות לנו לבחון כיווני מחשבה חדשים בקרמיקה, שיטות עבודה פורצות דרך, ופיתוח תובנות חדשות ועכשוויות ביחס לתחום. מכיוון שתהליך זה נמצא בראשיתו, עדיין לא ניתן לבחון את הקשר בין המחלקה בה למד הסטודנט ותחום התמחותה, לבין הפרויקטים הקרמים הנעשים בה. אולם, נראה שתהליך זה פותח דיון מחודש ביחס למהותו של גוף הידע הקרמי, שיטות העבודה עימו והוראתו בהקשרים השונים. למרות שעדיין לא ניתן להבין ולנסח את משמעויותיו של שינוי זה, העבודות בתערוכה Shift, מסמנות את התזוזה המתרחשת בשנים האחרונות בשדה עיצוב הקרמי ובודקות את כיוון הלכי הרוח החדשים המנשבים בו.

      על פלציבו קולינרי קרמי

      חווית אכילה חדשה מבית סטודיו אפטיט במסגרת התערוכה Shift בבית בנימיני. הפלציבו הינה תרופת דמה שנועדה לרצות את החולה ולתת לו תחושה מזוייפת של ריפוי על מנת לבחון האם די בריצוי פסיכולוגי על מנת לשפר את מצבו. הריצוי הזה קיים לא פחות בעולמות הקולינריה והעיצוב. כאשר אנו יוצרים טעם או ויזואליות שמטרתם לספק לצופה תחושה של "טעים" או "יפה". פרוייקט "פלציבו קולינרי קרמי" הינו ניסוי שייערך בערב הפתיחה של התערוכה ויציע סדרה של פרשנויות לעיקרון הפלציבו. במהלך הפרוייקט, שיעבוד כמיצג אכיל, יוזמנו המשתתפים לבדוק האם די בריצוי צורני על מנת לאפיין טעם? האם שינוי חומרי ופונקציונלי משנה את מהותו של אובייקט? וכיצד מתרגמים תרופת דמה באמצעות עיצוב קרמי וקולינרי לחוויה מרפאת?

      האמנים ועבודותיהם:

      ]]>       8289 2013-03-03 16:05:21 2013-03-03 14:05:21 closed open shift publish 276 10 page 0 robotsmeta index,follow _wp_page_template default _revision-control a:1:{i:0;s:8:"defaults";} _edit_lock 1373869130 _edit_last 3 _alp_processed 1371485250 _thumbnail_id 8295 825 http://www.benyaminiceramics.org/2013/03/shift-%d7%a8%d7%a9%d7%9e%d7%99%d7%9d-%d7%9e%d7%a2%d7%a8%d7%91-%d7%a4%d7%aa%d7%99%d7%97%d7%aa-%d7%94%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%94/ 91.193.50.70 2013-03-18 19:06:49 2013-03-18 17:06:49 1 pingback 0 0       Shift - תערוכה בבית בנימיני http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/shift/shift_exhibition/ Sun, 03 Mar 2013 14:11:32 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/03/shift_exhibition.jpg 8295 2013-03-03 16:11:32 2013-03-03 14:11:32 closed open shift_exhibition inherit 8289 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/03/shift_exhibition.jpg _wp_attached_file 2013/03/shift_exhibition.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"448";s:6:"height";s:3:"286";s:14:"hwstring_small";s:23:"height='81' width='128'";s:4:"file";s:28:"2013/03/shift_exhibition.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:28:"shift_exhibition-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:28:"shift_exhibition-300x191.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"191";}}s:10:"image_meta";a:10:{s:8:"aperture";s:3:"7.1";s:6:"credit";s:0:"";s:6:"camera";s:20:"Canon EOS 5D Mark II";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1331732457";s:9:"copyright";s:0:"";s:12:"focal_length";s:3:"105";s:3:"iso";s:3:"100";s:13:"shutter_speed";s:5:"0.005";s:5:"title";s:0:"";}} Wealden Garden http://www.benyaminiceramics.org/2013/03/%d7%9b%d7%99%d7%aa%d7%aa-%d7%90%d7%9e%d7%9f-%d7%a2%d7%9d-%d7%a7%d7%a8%d7%95%d7%9c%d7%99%d7%9f-%d7%92%d7%a0%d7%93%d7%a8%d7%a1/wealden-garden/ Wed, 06 Mar 2013 14:58:58 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/03/Wealden-Garden.jpg 8303 2013-03-06 16:58:58 2013-03-06 14:58:58 closed open wealden-garden inherit 8302 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/03/Wealden-Garden.jpg _wp_attached_file 2013/03/Wealden-Garden.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"292";s:6:"height";s:3:"448";s:14:"hwstring_small";s:22:"height='96' width='62'";s:4:"file";s:26:"2013/03/Wealden-Garden.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:26:"Wealden-Garden-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:26:"Wealden-Garden-195x300.jpg";s:5:"width";s:3:"195";s:6:"height";s:3:"300";}}s:10:"image_meta";a:10:{s:8:"aperture";s:2:"13";s:6:"credit";s:0:"";s:6:"camera";s:9:"NIKON D80";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1293880327";s:9:"copyright";s:0:"";s:12:"focal_length";s:3:"135";s:3:"iso";s:3:"100";s:13:"shutter_speed";s:5:"0.625";s:5:"title";s:0:"";}} כיתת אמן עם קרולין ג'נדרס http://www.benyaminiceramics.org/2013/03/%d7%9b%d7%99%d7%aa%d7%aa-%d7%90%d7%9e%d7%9f-%d7%a2%d7%9d-%d7%a7%d7%a8%d7%95%d7%9c%d7%99%d7%9f-%d7%92%d7%a0%d7%93%d7%a8%d7%a1/ Wed, 06 Mar 2013 14:59:31 +0000 http://www.benyaminiceramics.org/?p=8302 כיתת אמן עם קרולין ג'נדרס (Carolyn Genders) תתקיים בבית בנימיני ביום ראשון, 10 במרץ 2013, בשעה 18:00.

      מיכלים גדולי מימדים ואובייקטים פיסוליים משמשים לאמנית כקנבס תלת מימדי לביטוי רשמים אישיים ולהתנסות בטכניקות מגוונות של חיפוי פני שטח ממורק למראה ומשיי למגע.

      האמנית קרולין ג'נדרס מתמקדת בעיקר בדימויים שאולים מן הטבע והנוף. עטור צבע, צורות, מקצבים, משחקי אור וצל, מרקמים והלכי רוח – הטבע מייצר קומפוזיציות אבסטרקטיות אין סופיות. רישומים ורשמים מן הטבע, מעובדים בידה האמונה של האמנית לעבודה המאופיינת בספונטאניות ואינטואיטיביות לצד תכנון, בנייה וגימור מוקפד ומדוקדק. כלים מתרבויות עתיקות מהווים לה מילון צורני. הצבעוניות, משיכות המכחול והאקספרסיביות המיוחדת של אמנים כ-Gustav Klimt, Paul Klee ו-Georges Rouault, משמשים מקורות השראה נוספים לעבודותיה.

      כיתת האמן תתקיים ביום ראשון, 10 במרץ בשעה 18:00

      עלות ההשתתפות: 60 ש"ח לסטודנטים בבית בנימיני. יש להירשם מראש בטלפון - 03-5182257.

      האירוע יתקיים בשיתוף אגודת אמני הקרמיקה בישראל.

      ]]>       8302 2013-03-06 16:59:31 2013-03-06 14:59:31 closed open %d7%9b%d7%99%d7%aa%d7%aa-%d7%90%d7%9e%d7%9f-%d7%a2%d7%9d-%d7%a7%d7%a8%d7%95%d7%9c%d7%99%d7%9f-%d7%92%d7%a0%d7%93%d7%a8%d7%a1 publish 0 0 post 0 _edit_lock 1362908864 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1362588590       Master Class: Carolyn Genders http://www.benyaminiceramics.org/en/2013/03/master-class-carolyn-genders/ Wed, 06 Mar 2013 15:02:00 +0000 http://www.benyaminiceramics.org/?p=8306 Carolyn Genders will be held at Benyamini Center on March 10, 2013, at 18:00. Admission: 60 shekels Prior registration: 03-5182257 Carolyn Genders is a British, innovative and engaging ceramist, author and teacher. Her work is found in many collections and museums. Sculptural pieces and vessel forms provide a three dimensional canvas for the artist to record her personal vision and direct response to the rhythm and movement, surface and pattern of landscape and natural forms. Landscape in all its forms continues to be Carolyn’s principle source of inspiration.  With expressive brushstrokes Carolyn weaves continually changing abstracted imagery around the form to convey nuance of shape, balance and mass creating mood and atmosphere in the process. Although spontaneous and intuitive, the pieces are meticulously executed – form and balance are carefully considered. Ancient archaeological vessels offer an endless source of inspiration for her shapes and forms, surface treatment is enriched and inspired by contemporary artists such as Gustav Klimt, Paul Klee and Georges Rouault. ]]> 8306 2013-03-06 17:02:00 2013-03-06 15:02:00 closed open master-class-carolyn-genders publish 0 0 post 0 _edit_lock 1362591889 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} Shift – Ceramics in Academies of Art and Design http://www.benyaminiceramics.org/en/ceramic-galleries/past-exhibitions/shift-%e2%80%93-ceramics-in-academies-of-art-and-design/ Wed, 06 Mar 2013 16:51:51 +0000 http://www.benyaminiceramics.org/?page_id=8311 Curator: Ravit Lazer and Shlomit Bauman Opening: Thursday, March 14, 2013, 19:00 Dining Experience: Culinary ceramic placebo / Studio Appetit Closing date: April 28, 2013 Participants: Advah Tal, Ayala Sol-Friedman, Elad Kashi, Efrat Keren, Barak Dali, Dvora Strauss, Chen Sviezki, Yulia Tsukerman, Yaara Landau-Katz, Michal Fargo, Max Cheprack, Sivan Hefetz, Eran Gal-Or, Rachel Bokxboim, Shay Pery Films: Ohad Chiya and Ophir Zandani, Ornit Zur-Arie, Gabriel Martin Rakower, Danielle Ozary, Lavi Bar Einav Tzadok Shift – Ceramics in Academies of Art and Design In recent years ceramic design has become a vibrant and interesting scene. Artists, makers and industrial designers develop small series of ceramic works that reference many fields of knowledge. On the one hand, ceramics has a long standing tradition; while on the other hand, it is innovative and continuously breaks boundaries. Furthermore, the ease with which one can create a high-quality ceramic object with relatively simple production methods, through direct contact and the ability to intervene and influence the production process, has made ceramic design a desirable field that enables many to express themselves by creating works that manifest a diverse range of ideas. The changes that occurred due to technological revolutions (namely the industrial and digitized revolutions) challenged the field of ceramics to redefine itself. This upheaval manifested in the closing of ceramics departments in various art academies around the world, or merging them into industrial design departments. Recently, a change in this trend has become apparent: Ceramic departments are flourishing alongside a growing awareness for preserving a body of knowledge. Combining the old tradition with new technological developments, has created a fascinating new field that bridges the gap between Low Tech and High Tech, theory and practice, and enables a methodical stretching of the boundaries of this fascinating practice. The exhibition "Shift" is based on the assumption that significant changes in curriculums at design and art academies signify a broad culture shift, and the expansion of ceramics programs in these academies, serves as an indication of the developing interest in the field. The ceramics workshops offered at art academies respond to a desire to create and express oneself in clay. The study of ceramics has also been widely incorporated into industrial design academies, where the field has become an important and effective tool by which they teach design methods (such as "Learning by Doing"), that enable the development and execution of an actual product. Student's graduation projects that were developed in various academic frameworks, now allow us to explore new approaches in the field of ceramics, as well as groundbreaking practices and new contemporary insights about the field. Therefore, the works in the exhibition "Shift" mark the recent turn in the field of ceramic design and point at which way the wind of change is blowing. Ceramic Culinary Placebo As part of the exhibition, Studio Appetit brings you a new dining experience. A placebo is a fake medicine designed to please the patient and to give him a false sense of healing. These treatments are usually administered in order to examine whether psychological will is enough to improve one's condition. This type of appeasement exists to some degree in the culinary and design worlds as well; notably, when we create a taste or a visual image as a means to provide the viewer with a sense of "delicious" or "beautiful." The project "Ceramic Culinary Placebo" is an experiment to be conducted on the exhibition's opening night that will offer a series of interpretations of the placebo effect. During the project - an edible performance - participants will be invited to examine whether a satisfying form is enough to characterize taste? Whether material and functional changes alter the nature of the object? And how does one translate the placebo effect, using ceramic and culinary design, into a healing experience.

      About the works:

      ]]>       8311 2013-03-06 18:51:51 2013-03-06 16:51:51 closed open shift-%e2%80%93-ceramics-in-academies-of-art-and-design publish 279 10 page 0 _edit_last 3 _edit_lock 1363276115 _thumbnail_id 8295 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default       פיסול פיגורטיבי קרמי - עבודה מהטבע http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%9c%d7%99%d7%9e%d7%95%d7%93%d7%99-%d7%a4%d7%99%d7%a1%d7%95%d7%9c/%d7%a4%d7%99%d7%a1%d7%95%d7%9c-%d7%a4%d7%99%d7%92%d7%95%d7%a8%d7%98%d7%99%d7%91%d7%99/ Thu, 07 Mar 2013 13:50:03 +0000 http://www.benyaminiceramics.org/?page_id=8274 [imagebrowser id=158]

      קורס פיסול פיגורטיבי קרמי יתרכז בעבודה ממודל, טכניקות רישום ופיסול בפורמט קטן. נשלב בין סקיצות מהירות לבין תנוחה ארוכה בה נתחיל ברישום, נעבור לתבליט ונסיים בפסל. במהלך הקורס ננסה לחבר בין תפיסת הגוף לבין תפיסת הנוף, כאשר הדגש יהיה על המבנה הפלסטי והאור ולא על האנטומיה. הטכניקה תשלב בין עבודה בחומר מלא ובחומר חלול (מעטפת).

      רשימת הפסלים איתם נהיה בדיאלוג :
      • דונטלו-מיכלאנג'לו - Donatello- Michelangelo
      • קרפו-רודן - Carpeaux- Rodin
      • מאיול - Maioll
      • מור-לורנס - Moore- Laurens
      • ברנקוזי - Brancusi
      • ג'יאקומטי - Giacometti
      • ארכיפנקו-ליפשיץ - Archipenko- Lipchitz
      • ספונטה - Spaventa
      • נקיין - Nakian

      מרצה הקורס: צביקה לחמן

      הקורס מיועד למתקדמים בלבד.
      משך הקורס: 10 מפגשים.
      מידע על מועד הקורס ב2013-14 יפורסם בהמשך.

      למידע נוסף על לימודי פיסול

      צפו בסרטון אודות קורסים נוספים בתחום הקרמיקה בבית בנימיני:

      ]]>       8274 2013-03-07 15:50:03 2013-03-07 13:50:03 closed open %d7%a4%d7%99%d7%a1%d7%95%d7%9c-%d7%a4%d7%99%d7%92%d7%95%d7%a8%d7%98%d7%99%d7%91%d7%99 publish 5571 3 page 0 _thumbnail_id ngg-1569 _edit_lock 1374156982 _edit_last 3 _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1374156981 _alp_broken_links a:1:{s:181:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%9C%D7%99%D7%9E%D7%95%D7%93%D7%99-%D7%A4%D7%99%D7%A1%D7%95%D7%9C/";a:0:{}} description קורס פיסול פיגורטיבי קרמי יתרכז בעבודה ממודל, טכניקות רישום ופיסול בפורמט קטן title קורס פיסול פיגורטיבי קרמי | פיסול פיגורטיבי | בית בנימיני robotsmeta index,follow keywords פיסול פיגורטיבי       Figurative Ceramic Sculpture http://www.benyaminiceramics.org/en/ceramic-courses/sculpture-courses/figurative-ceramic-sculpture/ Thu, 07 Mar 2013 13:50:15 +0000 http://www.benyaminiceramics.org/?page_id=8281
      We will relate to the following sculptures:
      • Donatello- Michelangelo
      • Carpeaux- Rodin
      • Maioll
      • Moore- Laurens
      • Brancusi
      • Giacometti
      • Archipenko- Lipchitz
      • Spaventa
      • Nakian
      Instructor: Zvika Lachman
      Dates of the course in 2013-14 will be advertised at the beginning of the semester
      ]]>       8281 2013-03-07 15:50:15 2013-03-07 13:50:15 closed open figurative-ceramic-sculpture publish 6154 3 page 0 _edit_lock 1374160715 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _thumbnail_id ngg-1569       Advah Tal http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/shift/%d7%90%d7%93%d7%95%d7%95%d7%94-%d7%98%d7%9c/advah-tal/ Thu, 14 Mar 2013 14:52:11 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/03/Advah-Tal.jpg 8338 2013-03-14 16:52:11 2013-03-14 14:52:11 closed open advah-tal inherit 8337 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/03/Advah-Tal.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"281";s:6:"height";s:3:"448";s:14:"hwstring_small";s:22:"height='96' width='60'";s:4:"file";s:21:"2013/03/Advah-Tal.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:21:"Advah-Tal-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:21:"Advah-Tal-188x300.jpg";s:5:"width";s:3:"188";s:6:"height";s:3:"300";}}s:10:"image_meta";a:10:{s:8:"aperture";s:2:"11";s:6:"credit";s:0:"";s:6:"camera";s:9:"NIKON D90";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1311582714";s:9:"copyright";s:0:"";s:12:"focal_length";s:2:"36";s:3:"iso";s:3:"200";s:13:"shutter_speed";s:1:"1";s:5:"title";s:0:"";}} _wp_attached_file 2013/03/Advah-Tal.jpg אדווה טל http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/shift/%d7%90%d7%93%d7%95%d7%95%d7%94-%d7%98%d7%9c/ Thu, 14 Mar 2013 14:53:30 +0000 http://www.benyaminiceramics.org/?page_id=8337

      העבודה עושה שימוש בחומר יציקה קרמי ויוצרת הגדרה מחודשת של גבולות נפח וחלל.

      היא מורכבת משבכות, עשויות זילוף חומר קרמי - דמוי תחרה, אשר מתחברות  לכדי אובייקטים רבועים המאוחדים למבנה מודולרי.

      (מדרשה למורים לאמנות, קלמניה)

      ]]>       8337 2013-03-14 16:53:30 2013-03-14 14:53:30 closed open %d7%90%d7%93%d7%95%d7%95%d7%94-%d7%98%d7%9c publish 8289 2 page 0 _edit_lock 1363275350 _edit_last 3 _alp_processed 1363275349 _thumbnail_id 8338 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default       Ayala Sol Friedman http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/shift/%d7%90%d7%99%d7%9c%d7%94-%d7%a1%d7%95%d7%9c-%d7%a4%d7%a8%d7%99%d7%93%d7%9e%d7%9f/ayala-sol-friedman/ Thu, 14 Mar 2013 14:57:08 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/03/Ayala-Sol-Friedman.jpg 8342 2013-03-14 16:57:08 2013-03-14 14:57:08 closed open ayala-sol-friedman inherit 8341 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/03/Ayala-Sol-Friedman.jpg _wp_attached_file 2013/03/Ayala-Sol-Friedman.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"298";s:6:"height";s:3:"448";s:14:"hwstring_small";s:22:"height='96' width='63'";s:4:"file";s:30:"2013/03/Ayala-Sol-Friedman.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:30:"Ayala-Sol-Friedman-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:30:"Ayala-Sol-Friedman-199x300.jpg";s:5:"width";s:3:"199";s:6:"height";s:3:"300";}}s:10:"image_meta";a:10:{s:8:"aperture";s:3:"5.6";s:6:"credit";s:0:"";s:6:"camera";s:20:"Canon EOS 5D Mark II";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1311059873";s:9:"copyright";s:0:"";s:12:"focal_length";s:2:"51";s:3:"iso";s:3:"800";s:13:"shutter_speed";s:15:"0.0166666666667";s:5:"title";s:0:"";}} אילה סול פרידמן http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/shift/%d7%90%d7%99%d7%9c%d7%94-%d7%a1%d7%95%d7%9c-%d7%a4%d7%a8%d7%99%d7%93%d7%9e%d7%9f/ Thu, 14 Mar 2013 14:57:49 +0000 http://www.benyaminiceramics.org/?page_id=8341 "פעימות" בניה של מיכלים באמצעות פעולה בעלת מקצב פנימי תוך כדי חיפוש של חומריות, צבע, תנועה וקצב. (המחלקה לעיצוב קרמי וזכוכית, אקדמיה לאמנות ועיצוב, בצלאל)]]> 8341 2013-03-14 16:57:49 2013-03-14 14:57:49 closed open %d7%90%d7%99%d7%9c%d7%94-%d7%a1%d7%95%d7%9c-%d7%a4%d7%a8%d7%99%d7%93%d7%9e%d7%9f publish 8289 3 page 0 _edit_lock 1363275370 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1363275369 _thumbnail_id 8342 Elad Kashi http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/shift/%d7%90%d7%9c%d7%a2%d7%93-%d7%a7%d7%90%d7%a9%d7%99/elad-kashi/ Thu, 14 Mar 2013 15:00:15 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/03/Elad-Kashi.jpg 8347 2013-03-14 17:00:15 2013-03-14 15:00:15 closed open elad-kashi inherit 8346 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/03/Elad-Kashi.jpg _wp_attached_file 2013/03/Elad-Kashi.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"448";s:6:"height";s:3:"317";s:14:"hwstring_small";s:23:"height='90' width='128'";s:4:"file";s:22:"2013/03/Elad-Kashi.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:22:"Elad-Kashi-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:22:"Elad-Kashi-300x212.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"212";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1361513582";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} אלעד קאשי http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/shift/%d7%90%d7%9c%d7%a2%d7%93-%d7%a7%d7%90%d7%a9%d7%99/ Thu, 14 Mar 2013 15:01:37 +0000 http://www.benyaminiceramics.org/?page_id=8346

      מיזוג בין הצלחת, לשולחן ואירגונם באופן מודולרי מאפשרים מגוון רחב של כלים ייעודיים. בסיום הארוחה פשוט מכניסים את השולחן למדיח. גישה עיצובית זו יוצרת חווייה חדשה של מפגש משפחתי ושיח סביב שולחן עגול בזמן הארוחה.

      (המחלקה לעיצוב תעשייתי, שנקר, בית ספר גבוה להנדסה ועיצוב)

      ]]>       8346 2013-03-14 17:01:37 2013-03-14 15:01:37 closed open %d7%90%d7%9c%d7%a2%d7%93-%d7%a7%d7%90%d7%a9%d7%99 publish 8289 1 page 0 _edit_lock 1363275387 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1363275386 _thumbnail_id 8347       efrat keren_01 http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/shift/%d7%90%d7%a4%d7%a8%d7%aa-%d7%a7%d7%a8%d7%9f/efrat-keren_01/ Thu, 14 Mar 2013 15:03:26 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/03/efrat-keren_01.jpg 8351 2013-03-14 17:03:26 2013-03-14 15:03:26 closed open efrat-keren_01 inherit 8350 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/03/efrat-keren_01.jpg _wp_attached_file 2013/03/efrat-keren_01.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"448";s:6:"height";s:3:"335";s:14:"hwstring_small";s:23:"height='95' width='128'";s:4:"file";s:26:"2013/03/efrat-keren_01.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:26:"efrat-keren_01-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:26:"efrat-keren_01-300x224.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"224";}}s:10:"image_meta";a:10:{s:8:"aperture";s:3:"4.3";s:6:"credit";s:0:"";s:6:"camera";s:8:"DMC-FH25";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1341840366";s:9:"copyright";s:0:"";s:12:"focal_length";s:4:"12.4";s:3:"iso";s:3:"800";s:13:"shutter_speed";s:5:"0.025";s:5:"title";s:0:"";}} אפרת קרן http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/shift/%d7%90%d7%a4%d7%a8%d7%aa-%d7%a7%d7%a8%d7%9f/ Thu, 14 Mar 2013 15:03:54 +0000 http://www.benyaminiceramics.org/?page_id=8350 "יום" בין כבד לקל, בין שביר לשבור, בין חומר לאויר, בין גוף לחלל, הפניית מבט אל קו דק, רחש של יומיום. (המחלקה לעיצוב קרמי וזכוכית, אקדמיה לאמנות ועיצוב, בצלאל)]]> 8350 2013-03-14 17:03:54 2013-03-14 15:03:54 closed open %d7%90%d7%a4%d7%a8%d7%aa-%d7%a7%d7%a8%d7%9f publish 8289 0 page 0 _edit_lock 1363275903 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1363275903 _thumbnail_id 8351 Barak Daly http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/shift/%d7%91%d7%a8%d7%a7-%d7%93%d7%90%d7%9c%d7%99/barak-daly/ Thu, 14 Mar 2013 15:04:54 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/03/Barak-Daly.jpg 8355 2013-03-14 17:04:54 2013-03-14 15:04:54 closed open barak-daly inherit 8354 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/03/Barak-Daly.jpg _wp_attached_file 2013/03/Barak-Daly.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"448";s:6:"height";s:3:"331";s:14:"hwstring_small";s:23:"height='94' width='128'";s:4:"file";s:22:"2013/03/Barak-Daly.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:22:"Barak-Daly-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:22:"Barak-Daly-300x221.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"221";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1361486342";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} ברק דאלי http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/shift/%d7%91%d7%a8%d7%a7-%d7%93%d7%90%d7%9c%d7%99/ Thu, 14 Mar 2013 15:09:25 +0000 http://www.benyaminiceramics.org/?page_id=8354 "תמונה" החומר הנוזלי, שארית העבודה, הופך לציור מופשט באמצעות הפעולה המכנית של האבניים. זהו מפגש בין שני שדות שיח: הציור ועבודת האבניים המתרימים זה לזה באמצעות פעולת העבודה על האבניים שמטרתה כיור כלים שימושיים מצד אחד ושימוש אירוטי בנוזל ליצירת קומפוזיציה מופשטת מצד שני.

      (בית הספר לאמנות חברה וקהילה, מכללת ספיר)

      ]]>       8354 2013-03-14 17:09:25 2013-03-14 15:09:25 closed open %d7%91%d7%a8%d7%a7-%d7%93%d7%90%d7%9c%d7%99 publish 8289 0 page 0 _edit_lock 1364913002 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1364911799 _thumbnail_id 8355       Dvora Strauss http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/shift/%d7%93%d7%91%d7%95%d7%a8%d7%94-%d7%a9%d7%98%d7%a8%d7%90%d7%95%d7%a1/dvora-strauss/ Thu, 14 Mar 2013 15:10:51 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/03/Dvora-Strauss.jpg 8359 2013-03-14 17:10:51 2013-03-14 15:10:51 closed open dvora-strauss inherit 8358 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/03/Dvora-Strauss.jpg _wp_attached_file 2013/03/Dvora-Strauss.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"297";s:6:"height";s:3:"448";s:14:"hwstring_small";s:22:"height='96' width='63'";s:4:"file";s:25:"2013/03/Dvora-Strauss.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:25:"Dvora-Strauss-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:25:"Dvora-Strauss-198x300.jpg";s:5:"width";s:3:"198";s:6:"height";s:3:"300";}}s:10:"image_meta";a:10:{s:8:"aperture";s:3:"1.4";s:6:"credit";s:0:"";s:6:"camera";s:11:"NIKON D7000";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1339572797";s:9:"copyright";s:0:"";s:12:"focal_length";s:2:"50";s:3:"iso";s:3:"160";s:13:"shutter_speed";s:6:"0.0025";s:5:"title";s:0:"";}} דבורה שטראוס http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/shift/%d7%93%d7%91%d7%95%d7%a8%d7%94-%d7%a9%d7%98%d7%a8%d7%90%d7%95%d7%a1/ Thu, 14 Mar 2013 15:11:35 +0000 http://www.benyaminiceramics.org/?page_id=8358 הִתְנַעֲרִי מֵעָפָר קוּמִי קבוצה של אובייקטים היוצרים תחושה של כמיהה לצמיחה ולנישגב. מפגש בין חומר ורוח.

      (המחלקה לקרמיקה, המכון לאמנויות, תל חי)

      ]]>       8358 2013-03-14 17:11:35 2013-03-14 15:11:35 closed open %d7%93%d7%91%d7%95%d7%a8%d7%94-%d7%a9%d7%98%d7%a8%d7%90%d7%95%d7%a1 publish 8289 4 page 0 _edit_lock 1363275400 _edit_last 3 _alp_processed 1363275400 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _thumbnail_id 8359       Chen Sviezki http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/shift/%d7%97%d7%9f-%d7%a9%d7%95%d7%99%d7%a6%d7%a7%d7%99/chen-sviezki/ Thu, 14 Mar 2013 15:12:35 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/03/Chen-Sviezki.jpg 8363 2013-03-14 17:12:35 2013-03-14 15:12:35 closed open chen-sviezki inherit 8362 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/03/Chen-Sviezki.jpg _wp_attached_file 2013/03/Chen-Sviezki.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"448";s:6:"height";s:3:"286";s:14:"hwstring_small";s:23:"height='81' width='128'";s:4:"file";s:24:"2013/03/Chen-Sviezki.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:24:"Chen-Sviezki-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:24:"Chen-Sviezki-300x191.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"191";}}s:10:"image_meta";a:10:{s:8:"aperture";s:3:"7.1";s:6:"credit";s:0:"";s:6:"camera";s:20:"Canon EOS 5D Mark II";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1331732457";s:9:"copyright";s:0:"";s:12:"focal_length";s:3:"105";s:3:"iso";s:3:"100";s:13:"shutter_speed";s:5:"0.005";s:5:"title";s:0:"";}} חן שויצקי http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/shift/%d7%97%d7%9f-%d7%a9%d7%95%d7%99%d7%a6%d7%a7%d7%99/ Thu, 14 Mar 2013 15:12:52 +0000 http://www.benyaminiceramics.org/?page_id=8362

      סדרה של אובייקטים קרמיים בשילוב שרינק צבעוני המשמש כמחבר (שרינק הינו שרוול בידוד אשר מתכווץ בחום ומשמש את תעשיית החשמל והאלקטרוניקה). מפגש בין העולם הקרמי והעולם התעשייתי, היוצר קומפוזציות וצבעוניות חדשים.

      (המחלקה לעיצוב תעשייתי, שנקר, בית ספר גבוה להנדסה ועיצוב)

      ]]>       8362 2013-03-14 17:12:52 2013-03-14 15:12:52 closed open %d7%97%d7%9f-%d7%a9%d7%95%d7%99%d7%a6%d7%a7%d7%99 publish 8289 0 page 0 _edit_lock 1363276351 _edit_last 3 _alp_processed 1363275934 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _thumbnail_id 8363       Yulia Tsukerman http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/shift/%d7%99%d7%95%d7%9c%d7%99%d7%94-%d7%a6%d7%95%d7%a7%d7%a8%d7%9e%d7%9f/yulia-tsukerman/ Thu, 14 Mar 2013 15:15:09 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/03/Yulia-Tsukerman.jpg 8368 2013-03-14 17:15:09 2013-03-14 15:15:09 closed open yulia-tsukerman inherit 8367 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/03/Yulia-Tsukerman.jpg _wp_attached_file 2013/03/Yulia-Tsukerman.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"448";s:6:"height";s:3:"283";s:14:"hwstring_small";s:23:"height='80' width='128'";s:4:"file";s:27:"2013/03/Yulia-Tsukerman.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:27:"Yulia-Tsukerman-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:27:"Yulia-Tsukerman-300x189.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"189";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"5";s:6:"credit";s:0:"";s:6:"camera";s:11:"NIKON D5000";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1310119955";s:9:"copyright";s:0:"";s:12:"focal_length";s:2:"34";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:4:"0.04";s:5:"title";s:0:"";}} יוליה צוקרמן http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/shift/%d7%99%d7%95%d7%9c%d7%99%d7%94-%d7%a6%d7%95%d7%a7%d7%a8%d7%9e%d7%9f/ Thu, 14 Mar 2013 15:15:47 +0000 http://www.benyaminiceramics.org/?page_id=8367

      נקודת המוצא לפרוייקט זה היא ציורי טבע דומם בסגנון ואניטאס (ציורי טבע דומם, המאה ה-17). האוביקטים עוסקים בהפשטה של משהו מוכר וקיים, וניסיון להעביר דרך צורה תחושה של שבירות, אי יציבות ואפילו אי השתייכות.

      (המחלקה לעיצוב קרמי וזכוכית, אקדמיה לאמנות ועיצוב, בצלאל)

      ]]>       8367 2013-03-14 17:15:47 2013-03-14 15:15:47 closed open %d7%99%d7%95%d7%9c%d7%99%d7%94-%d7%a6%d7%95%d7%a7%d7%a8%d7%9e%d7%9f publish 8289 0 page 0 _edit_lock 1363276500 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1363274148 _thumbnail_id 8368       yaara landau katz small http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/shift/%d7%99%d7%a2%d7%a8%d7%94-%d7%9c%d7%a0%d7%93%d7%90%d7%95-%d7%9b%d7%a5/yaara-landau-katz-small/ Thu, 14 Mar 2013 15:16:58 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/03/yaara-landau-katz-small.jpg 8372 2013-03-14 17:16:58 2013-03-14 15:16:58 closed open yaara-landau-katz-small inherit 8371 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/03/yaara-landau-katz-small.jpg _wp_attached_file 2013/03/yaara-landau-katz-small.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"448";s:6:"height";s:3:"273";s:14:"hwstring_small";s:23:"height='78' width='128'";s:4:"file";s:35:"2013/03/yaara-landau-katz-small.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:35:"yaara-landau-katz-small-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:35:"yaara-landau-katz-small-300x182.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"182";}}s:10:"image_meta";a:10:{s:8:"aperture";s:2:"16";s:6:"credit";s:0:"";s:6:"camera";s:20:"Canon EOS 5D Mark II";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1340286280";s:9:"copyright";s:0:"";s:12:"focal_length";s:2:"47";s:3:"iso";s:3:"200";s:13:"shutter_speed";s:7:"0.00625";s:5:"title";s:0:"";}} יערה לנדאו-כץ http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/shift/%d7%99%d7%a2%d7%a8%d7%94-%d7%9c%d7%a0%d7%93%d7%90%d7%95-%d7%9b%d7%a5/ Thu, 14 Mar 2013 15:17:28 +0000 http://www.benyaminiceramics.org/?page_id=8371

      סדרה של ואזה, קערה וגוף תאורה קרמיים אשר יוצרו על ידי פיתוח שיטה של יציקה לתבניות מתחלפות. צורת העבודה החדשה מקנה לאובייקטים מבניות ושפה חדשה. שיטת הייצור מאפשרת ליצור משפחה של

      אובייקטים בעלי קומפוזיציה שונה ושפה צורנית אחידה.

      (המחלקה לעיצוב תעשייתי, שנקר, בית ספר גבוה להנדסה ועיצוב)

      ]]>       8371 2013-03-14 17:17:28 2013-03-14 15:17:28 closed open %d7%99%d7%a2%d7%a8%d7%94-%d7%9c%d7%a0%d7%93%d7%90%d7%95-%d7%9b%d7%a5 publish 8289 0 page 0 _edit_lock 1364141850 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1364141850 _thumbnail_id 8372       Fargo Michal http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/shift/%d7%9e%d7%99%d7%9b%d7%9c-%d7%a4%d7%a8%d7%92%d7%95/fargo-michal/ Thu, 14 Mar 2013 15:20:06 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/03/Fargo-michal.jpg 8376 2013-03-14 17:20:06 2013-03-14 15:20:06 closed open fargo-michal inherit 8375 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/03/Fargo-michal.jpg _wp_attached_file 2013/03/Fargo-michal.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"448";s:6:"height";s:3:"297";s:14:"hwstring_small";s:23:"height='84' width='128'";s:4:"file";s:24:"2013/03/Fargo-michal.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:24:"Fargo-michal-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:24:"Fargo-michal-300x198.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"198";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1361485815";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} מיכל פרגו http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/shift/%d7%9e%d7%99%d7%9b%d7%9c-%d7%a4%d7%a8%d7%92%d7%95/ Thu, 14 Mar 2013 15:20:25 +0000 http://www.benyaminiceramics.org/?page_id=8375 "Else"

      פיתוח שפה צורנית באמצעות טבילת ספוג בחומר יציקה במטרה לפתח תובנות חדשות בגבול הדק שבין קראפט לעיצוב. האם גבול זה הוא רלוונטי?

      המחלקה לעיצוב קרמי וזכוכית, אקדמיה לאמנות ועיצוב, בצלאל

      ]]>       8375 2013-03-14 17:20:25 2013-03-14 15:20:25 closed open %d7%9e%d7%99%d7%9b%d7%9c-%d7%a4%d7%a8%d7%92%d7%95 publish 8289 0 page 0 _edit_lock 1363274444 _edit_last 3 _alp_processed 1363274443 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _thumbnail_id 8376       Max Cheprack http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/shift/max/max-cheprack/ Thu, 14 Mar 2013 15:22:02 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/03/Max-Cheprack.jpg 8380 2013-03-14 17:22:02 2013-03-14 15:22:02 closed open max-cheprack inherit 8379 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/03/Max-Cheprack.jpg _wp_attached_file 2013/03/Max-Cheprack.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"336";s:6:"height";s:3:"381";s:14:"hwstring_small";s:22:"height='96' width='84'";s:4:"file";s:24:"2013/03/Max-Cheprack.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:24:"Max-Cheprack-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:24:"Max-Cheprack-264x300.jpg";s:5:"width";s:3:"264";s:6:"height";s:3:"300";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1361487391";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} מקס צ'פרק http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/shift/max/ Thu, 14 Mar 2013 15:22:32 +0000 http://www.benyaminiceramics.org/?page_id=8379 "אקסטרוזיה בחומר"

      האקסטרוזיה (שיחול) הקרמית מאפשרת לדחוס חומר דרך פתח ולייצר פרופילים מדוייקים, מורכבים ורכים. בקרמיקה משתמשים בשיחול בעיקר על מנת לייצר לבנים לבניה. בפרויקט זה נערך מחקר הבודק את האפשרות לייצר באמצעות שיחול מוצרים לא שגרתיים כגון: אגרטלים, כלי מטבח, כלי נגינה ועוד. צמד השרפרפים הסופיים שואב השראה ממשרביות ואורנמנטיקה מוסלמית.

      (המחלקה לעיצוב תעשייתי, HIT - מכון טכנולוגי חולון)

      ]]>       8379 2013-03-14 17:22:32 2013-03-14 15:22:32 closed open max publish 8289 0 page 0 _edit_lock 1364140052 _edit_last 3 _alp_processed 1364140052 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _thumbnail_id 8380       Sivan http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/shift/%d7%a1%d7%99%d7%95%d7%9f-%d7%97%d7%a4%d7%a5/sivan/ Thu, 14 Mar 2013 15:25:14 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/03/Sivan.jpg 8386 2013-03-14 17:25:14 2013-03-14 15:25:14 closed open sivan inherit 8385 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/03/Sivan.jpg _wp_attached_file 2013/03/Sivan.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"419";s:6:"height";s:3:"336";s:14:"hwstring_small";s:23:"height='96' width='119'";s:4:"file";s:17:"2013/03/Sivan.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:17:"Sivan-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:17:"Sivan-300x240.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"240";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1361487604";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} סיון חפץ http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/shift/%d7%a1%d7%99%d7%95%d7%9f-%d7%97%d7%a4%d7%a5/ Thu, 14 Mar 2013 15:25:31 +0000 http://www.benyaminiceramics.org/?page_id=8385 "דיזה דינאמית – אקסטרוזיה תלת ממדית"

      התערבות היוצר בפס הייצור התעשייתי ליצירת אובייקטים קיימים וחדשים: המחקר הטכנולוגי של האקסטרוזיה ושכלולו מאפשר את תנועת חלקי המכשיר תוך כדי תהליך הייצור ופיתוח של שפה צורנית חדשה.

      (המחלקה לעיצוב תעשייתי, אקדמיה לאמנות ועיצוב, בצלאל)

      ]]>       8385 2013-03-14 17:25:31 2013-03-14 15:25:31 closed open %d7%a1%d7%99%d7%95%d7%9f-%d7%97%d7%a4%d7%a5 publish 8289 5 page 0 _edit_lock 1363275418 _edit_last 3 _alp_processed 1363275418 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _thumbnail_id 8386       Eran Gal-Or http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/shift/%d7%a2%d7%a8%d7%9f-%d7%92%d7%9c-%d7%90%d7%95%d7%a8/eran_gal-or2/ Thu, 14 Mar 2013 15:27:53 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/03/Eran_Gal-Or2.jpg 8391 2013-03-14 17:27:53 2013-03-14 15:27:53 closed open eran_gal-or2 inherit 8390 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/03/Eran_Gal-Or2.jpg _wp_attached_file 2013/03/Eran_Gal-Or2.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"331";s:6:"height";s:3:"448";s:14:"hwstring_small";s:22:"height='96' width='70'";s:4:"file";s:24:"2013/03/Eran_Gal-Or2.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:24:"Eran_Gal-Or2-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:24:"Eran_Gal-Or2-221x300.jpg";s:5:"width";s:3:"221";s:6:"height";s:3:"300";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1361485764";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} ערן גל-אור http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/shift/%d7%a2%d7%a8%d7%9f-%d7%92%d7%9c-%d7%90%d7%95%d7%a8/ Thu, 14 Mar 2013 15:28:33 +0000 http://www.benyaminiceramics.org/?page_id=8390 "הדפסת חומרים קרמיים"

      פיתוח מדפסת תלת ממדית לפורצלן וזכוכית. באמצעות הדפסת האובייקטים נבדקות היכולות הטכנולוגיות והיתרונות של הדפסה תלת ממדית וכיצד הן משפיעות על היבטים שונים בפיתוח המוצר הסופי.

      מדפסת קרמית זו הינה הגדולה בעולם ומסוגלת להדפיס אובייקטים בגודל של 80 ס"מ לכל כיוון

      (המחלקה לעיצוב תעשייתי, HIT - מכון טכנולוגי חולון)

      ]]>       8390 2013-03-14 17:28:33 2013-03-14 15:28:33 closed open %d7%a2%d7%a8%d7%9f-%d7%92%d7%9c-%d7%90%d7%95%d7%a8 publish 8289 6 page 0 _edit_lock 1364141029 _edit_last 3 _alp_processed 1364140187 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _thumbnail_id 8391       Rahel Buxnbaum http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/shift/%d7%a8%d7%97%d7%9c-%d7%91%d7%95%d7%a7%d7%a1%d7%a0%d7%91%d7%95%d7%99%d7%9d/rahel-buxnbaum/ Thu, 14 Mar 2013 15:29:37 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/03/Rahel-Buxnbaum.jpg 8394 2013-03-14 17:29:37 2013-03-14 15:29:37 closed open rahel-buxnbaum inherit 8395 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/03/Rahel-Buxnbaum.jpg _wp_attached_file 2013/03/Rahel-Buxnbaum.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"448";s:6:"height";s:3:"230";s:14:"hwstring_small";s:23:"height='65' width='128'";s:4:"file";s:26:"2013/03/Rahel-Buxnbaum.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:26:"Rahel-Buxnbaum-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:26:"Rahel-Buxnbaum-300x154.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"154";}}s:10:"image_meta";a:10:{s:8:"aperture";s:2:"16";s:6:"credit";s:0:"";s:6:"camera";s:20:"Canon EOS 5D Mark II";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1309197267";s:9:"copyright";s:0:"";s:12:"focal_length";s:3:"125";s:3:"iso";s:2:"50";s:13:"shutter_speed";s:6:"0.0125";s:5:"title";s:0:"";}} רחל בוקסנבוים http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/shift/%d7%a8%d7%97%d7%9c-%d7%91%d7%95%d7%a7%d7%a1%d7%a0%d7%91%d7%95%d7%99%d7%9d/ Thu, 14 Mar 2013 15:30:08 +0000 http://www.benyaminiceramics.org/?page_id=8395 "אליס"

      באמצעות יציקת חומר נוזלי לתבניות רכות מבד נוצר חיבור בין חומר רך לקשה (בד, קרמיקה). הקרמיקה מקבלת את הטקסטורה של הבד, את מראה התפרים ונראית כבד קשיח. תהליך עבודה זה מייצר ממד של הפתעה צורנית מצד אחד תוך כדי שמירה על שימושיות מצד שני.

      (המחלקה לעיצוב תעשייתי, אקדמיה לאמנות ועיצוב, בצלאל)

      ]]>       8395 2013-03-14 17:30:08 2013-03-14 15:30:08 closed open %d7%a8%d7%97%d7%9c-%d7%91%d7%95%d7%a7%d7%a1%d7%a0%d7%91%d7%95%d7%99%d7%9d publish 8289 0 page 0 _edit_lock 1364139870 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1364139808 _thumbnail_id 8394       Shai Pery http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/shift/%d7%a9%d7%99-%d7%a4%d7%a8%d7%99/shai-pery/ Thu, 14 Mar 2013 15:33:31 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/03/Shai-Pery.jpg 8401 2013-03-14 17:33:31 2013-03-14 15:33:31 closed open shai-pery inherit 8400 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/03/Shai-Pery.jpg _wp_attached_file 2013/03/Shai-Pery.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"336";s:6:"height";s:3:"336";s:14:"hwstring_small";s:22:"height='96' width='96'";s:4:"file";s:21:"2013/03/Shai-Pery.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:21:"Shai-Pery-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:21:"Shai-Pery-300x300.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"300";}}s:10:"image_meta";a:10:{s:8:"aperture";s:3:"4.5";s:6:"credit";s:0:"";s:6:"camera";s:11:"NIKON D5000";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1310050786";s:9:"copyright";s:0:"";s:12:"focal_length";s:2:"22";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:15:"0.0333333333333";s:5:"title";s:0:"";}} שי פרי http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/shift/%d7%a9%d7%99-%d7%a4%d7%a8%d7%99/ Thu, 14 Mar 2013 15:33:56 +0000 http://www.benyaminiceramics.org/?page_id=8400 "אפור"

      מערכת של אובייקטים קרמיים, המתייחסת למרחב המחייה העירוני, המתמקדת בשולי, בסמוי מן העין, בחצרות האחוריות – תוך כדי חיפוש של צורניות חדשה. על ידי חשיפת הצורות בחלל הריק שבין כלי האוכל, מתאפשרת הצצה לעולם מדומיין של צורות הנמצאות סביבנו אך נעלמות מעינינו.

      (המחלקה לעיצוב קרמי וזכוכית, אקדמיה לאמנות ועיצוב, בצלאל)

      ]]>       8400 2013-03-14 17:33:56 2013-03-14 15:33:56 closed open %d7%a9%d7%99-%d7%a4%d7%a8%d7%99 publish 8289 0 page 0 _edit_lock 1363275324 _edit_last 3 _alp_processed 1363275262 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _thumbnail_id 8401       Efrat Keren / Day http://www.benyaminiceramics.org/en/ceramic-galleries/past-exhibitions/shift-%e2%80%93-ceramics-in-academies-of-art-and-design/efrat-keren-day/ Thu, 14 Mar 2013 15:51:31 +0000 http://www.benyaminiceramics.org/?page_id=8426 Between heavy and lightweight, Between breakable and broken, Between matter and air, Between body and space, Directing the gaze toward a thin line, the sound of everyday life. Department of Ceramic and Glass Design, Bezalel Academy of Art and Design]]> 8426 2013-03-14 17:51:31 2013-03-14 15:51:31 closed open efrat-keren-day publish 8311 0 page 0 _edit_lock 1363276292 _edit_last 3 _thumbnail_id 8351 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default Barak Dali / A Picture http://www.benyaminiceramics.org/en/ceramic-galleries/past-exhibitions/shift-%e2%80%93-ceramics-in-academies-of-art-and-design/barak-dali-a-picture/ Thu, 14 Mar 2013 15:52:19 +0000 http://www.benyaminiceramics.org/?page_id=8428 ]]> 8428 2013-03-14 17:52:19 2013-03-14 15:52:19 closed open barak-dali-a-picture publish 8311 0 page 0 _edit_lock 1363276340 _edit_last 3 _thumbnail_id 8355 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default Chen Sviezki http://www.benyaminiceramics.org/en/ceramic-galleries/past-exhibitions/shift-%e2%80%93-ceramics-in-academies-of-art-and-design/chen-sviezki/ Thu, 14 Mar 2013 15:53:08 +0000 http://www.benyaminiceramics.org/?page_id=8430 A series of ceramic objects combined with a colorful shrink used as a connector. A shrink is an insulation sleeve which shrinks in heat and is used by the electrical and electronics industry). A meeting between the ceramic and the industrial world creates new and colorful compositions. Industrial Design Department, Shenkar, School for Engineering and Design]]> 8430 2013-03-14 17:53:08 2013-03-14 15:53:08 closed open chen-sviezki publish 8311 0 page 0 _edit_lock 1363276388 _edit_last 3 _thumbnail_id 8363 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default Yulia Tsuckerman http://www.benyaminiceramics.org/en/ceramic-galleries/past-exhibitions/shift-%e2%80%93-ceramics-in-academies-of-art-and-design/yulia-tsuckerman/ Thu, 14 Mar 2013 15:55:47 +0000 http://www.benyaminiceramics.org/?page_id=8432 This project refers to the still life paintings such as those painted by Vanitas in the 17th century. The objects deal with abstraction of something familiar and try to channel through the form a sense of fragility, instability and even displacement. Department of Ceramic and Glass Design, Bezalel Academy of Art and Design]]> 8432 2013-03-14 17:55:47 2013-03-14 15:55:47 closed open yulia-tsuckerman publish 8311 0 page 0 _edit_lock 1363276547 _edit_last 3 _thumbnail_id 8368 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default Yaara Landau-Katz http://www.benyaminiceramics.org/en/ceramic-galleries/past-exhibitions/shift-%e2%80%93-ceramics-in-academies-of-art-and-design/yaara-landau-katz/ Thu, 14 Mar 2013 15:56:36 +0000 http://www.benyaminiceramics.org/?page_id=8434 A series comprising of a vase, bowl and ceramic lighting fixtures, manufactured using a method of casting in alternating molds. This unique method gives the objects a structure and a new language. The production method enables creating a family of objects with different composition, yet with a uniform formal language. Industrial Design Department, Shenkar, School for Engineering and Design]]> 8434 2013-03-14 17:56:36 2013-03-14 15:56:36 closed open yaara-landau-katz publish 8311 0 page 0 _edit_lock 1363276597 _edit_last 3 _thumbnail_id 8372 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default Michal Fargo / Else http://www.benyaminiceramics.org/en/ceramic-galleries/past-exhibitions/shift-%e2%80%93-ceramics-in-academies-of-art-and-design/michal-fargo-else/ Thu, 14 Mar 2013 15:57:25 +0000 http://www.benyaminiceramics.org/?page_id=8436 Dipping a sponge in casting material develops a new language of form.  This gives a  new insight into the fine line between craft and design. Is this limit relevant? Department of Ceramic and Glass Design, Bezalel Academy of Art and Design]]> 8436 2013-03-14 17:57:25 2013-03-14 15:57:25 closed open michal-fargo-else publish 8311 0 page 0 _edit_lock 1363276646 _edit_last 3 _thumbnail_id 8376 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default Max Cheprak / Extruded material http://www.benyaminiceramics.org/en/ceramic-galleries/past-exhibitions/shift-%e2%80%93-ceramics-in-academies-of-art-and-design/max-cheprak-extruded-material/ Thu, 14 Mar 2013 15:58:41 +0000 http://www.benyaminiceramics.org/?page_id=8438 Ceramic extrusion enables the compression of ceramic material through an opening to produce accurate, composite and delicate profiles. The field of ceramics uses extruding mainly to produce bricks for construction. This project conducted a study examining the possibility of producing, through extrusion, unusual products, such as vases, kitchenware, musical instruments and more. The final pair of stools are inspired by the carved wood design of the Mashrabiya and Islamic ornamentation. Department of Industrial Design, HIT - Holon Institute of Technology]]> 8438 2013-03-14 17:58:41 2013-03-14 15:58:41 closed open max-cheprak-extruded-material publish 8311 0 page 0 _edit_lock 1363276722 _edit_last 3 _thumbnail_id 8380 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default Rachel Boxnboim / Alice http://www.benyaminiceramics.org/en/ceramic-galleries/past-exhibitions/shift-%e2%80%93-ceramics-in-academies-of-art-and-design/rachel-boxnboim-alice/ Thu, 14 Mar 2013 15:59:34 +0000 http://www.benyaminiceramics.org/?page_id=8440 Casting slip into soft moulds of fabric creates a connection between the soft and the hard (clay and fabric).  The ceramics gets the texture of the fabric, the appearance of seams and looks like a rugged cloth. This process creates an element of surprise  but maintains the functionality of the products. Department of Ceramic and Glass Design, Bezalel Academy of Art and Design]]> 8440 2013-03-14 17:59:34 2013-03-14 15:59:34 closed open rachel-boxnboim-alice publish 8311 0 page 0 _edit_lock 1363276774 _edit_last 3 _thumbnail_id 8394 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default Shay Pery / Gray http://www.benyaminiceramics.org/en/ceramic-galleries/past-exhibitions/shift-%e2%80%93-ceramics-in-academies-of-art-and-design/shay-pery-gray/ Thu, 14 Mar 2013 16:00:23 +0000 http://www.benyaminiceramics.org/?page_id=8442 A series of ceramic objects refers to the urban living space and focuses on the marginal, the invisible and that which lies hidden in the backyards, while searching for a new form. A glimpse into a fantastic world of shapes that exist all around us but remain unseen is enabled by exposing the forms in spaces between the dishes. Department of Ceramic and Glass Design, Bezalel Academy of Art and Design]]> 8442 2013-03-14 18:00:23 2013-03-14 16:00:23 closed open shay-pery-gray publish 8311 0 page 0 _edit_lock 1363276823 _edit_last 3 _thumbnail_id 8401 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default Elad Kashi http://www.benyaminiceramics.org/en/ceramic-galleries/past-exhibitions/shift-%e2%80%93-ceramics-in-academies-of-art-and-design/elad-kashi/ Thu, 14 Mar 2013 16:01:31 +0000 http://www.benyaminiceramics.org/?page_id=8444 A combination of plates, a table and modular ergonomics using a variety of specific utensils.  At the end of the meal the table goes into the dishwasher.  This design approach creates a new experience for the family sitting around the table for a meal. Industrial Design Department, Shenkar, School for Engineering and Design]]> 8444 2013-03-14 18:01:31 2013-03-14 16:01:31 closed open elad-kashi publish 8311 1 page 0 _edit_lock 1363276892 _edit_last 3 _thumbnail_id 8347 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default Adva Tal http://www.benyaminiceramics.org/en/ceramic-galleries/past-exhibitions/shift-%e2%80%93-ceramics-in-academies-of-art-and-design/adva-tal/ Thu, 14 Mar 2013 16:02:50 +0000 http://www.benyaminiceramics.org/?page_id=8446 The work utilizes ceramic casting material and redefines the limits of volume and space. The work consists of lace-like layers, the splattering of ceramic material, which connects and becomes square objects consolidated in a modular structure. HaMidrasha – The school of art teachers, Kalmania ]]> 8446 2013-03-14 18:02:50 2013-03-14 16:02:50 closed open adva-tal publish 8311 2 page 0 _edit_lock 1363276971 _edit_last 3 _thumbnail_id 8338 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default Ayala Sol-Friedman / Beats http://www.benyaminiceramics.org/en/ceramic-galleries/past-exhibitions/shift-%e2%80%93-ceramics-in-academies-of-art-and-design/ayala-sol-friedman-beats/ Thu, 14 Mar 2013 16:03:37 +0000 http://www.benyaminiceramics.org/?page_id=8448 The work consists of containers that were constructed through an action with an inner rhythm, in the search for materiality, color, movement and tempo. Department of Ceramic and Glass Design, Bezalel Academy of Art and Design]]> 8448 2013-03-14 18:03:37 2013-03-14 16:03:37 closed open ayala-sol-friedman-beats publish 8311 3 page 0 _edit_lock 1363277017 _edit_last 3 _thumbnail_id 8342 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default Dvora Strauss / Dust off the dust of my rising http://www.benyaminiceramics.org/en/ceramic-galleries/past-exhibitions/shift-%e2%80%93-ceramics-in-academies-of-art-and-design/dvora-strauss-dust-off-the-dust-of-my-rising/ Thu, 14 Mar 2013 16:05:03 +0000 http://www.benyaminiceramics.org/?page_id=8450 A group of objects that create a sense of yearning for growth and the sublime; matter meets spirit. Ceramics Department, Institute of the Arts, Tel Hai]]> 8450 2013-03-14 18:05:03 2013-03-14 16:05:03 closed open dvora-strauss-dust-off-the-dust-of-my-rising publish 8311 4 page 0 _wp_page_template default robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _edit_lock 1363277104 _edit_last 3 _thumbnail_id 8359 Sivan Hefetz / Dynamic apertures- three-dimensional extrusion http://www.benyaminiceramics.org/en/ceramic-galleries/past-exhibitions/shift-%e2%80%93-ceramics-in-academies-of-art-and-design/sivan-hefetz-dynamic-apertures-three-dimensional-extrusion/ Thu, 14 Mar 2013 16:06:44 +0000 http://www.benyaminiceramics.org/?page_id=8452 The intervention in the industrial production line to create new and existing objects: the technological research of extrusion and its development enables the movement of machine parts during the manufacturing process allowing the development of a new language of form. Department of Ceramic and Glass Design, Bezalel Academy of Art and Design]]> 8452 2013-03-14 18:06:44 2013-03-14 16:06:44 closed open sivan-hefetz-dynamic-apertures-three-dimensional-extrusion publish 8311 5 page 0 _edit_lock 1363277205 _edit_last 3 _thumbnail_id 8386 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default Eran Gal-Or / Printing ceramic materials http://www.benyaminiceramics.org/en/ceramic-galleries/past-exhibitions/shift-%e2%80%93-ceramics-in-academies-of-art-and-design/eran-gal-or-printing-ceramic-materials/ Thu, 14 Mar 2013 16:07:58 +0000 http://www.benyaminiceramics.org/?page_id=8454 A three-dimensional printer was developed for porcelain and glass. Printing the objects enables an inquiry of the technological capabilities and benefits of three-dimensional printing and how they affect the final product. This ceramic printer is the largest in the world and is able to print objects 80cm in size Department of Industrial Design, HIT - Holon Institute of Technology]]> 8454 2013-03-14 18:07:58 2013-03-14 16:07:58 closed open eran-gal-or-printing-ceramic-materials publish 8311 6 page 0 _edit_lock 1363278239 _edit_last 3 _thumbnail_id 8391 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default Misty Gamble http://www.benyaminiceramics.org/2013/03/%d7%a1%d7%a0%d7%93%d7%9c%d7%a8%d7%99%d7%aa-%d7%aa%d7%95%d7%a4%d7%a8%d7%aa-%d7%a1%d7%a4%d7%a8%d7%99%d7%aa-%d7%a8%d7%90%d7%99%d7%95%d7%9f-%d7%a2%d7%9d-%d7%9e%d7%99%d7%a1%d7%98%d7%99-%d7%92%d7%9e/mistygamble/ Sun, 17 Mar 2013 15:30:33 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/03/MistyGamble.jpg 8460 2013-03-17 17:30:33 2013-03-17 15:30:33 closed open mistygamble inherit 8457 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/03/MistyGamble.jpg _wp_attached_file 2013/03/MistyGamble.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"201";s:6:"height";s:3:"224";s:14:"hwstring_small";s:22:"height='96' width='86'";s:4:"file";s:23:"2013/03/MistyGamble.jpg";s:5:"sizes";a:1:{s:9:"thumbnail";a:3:{s:4:"file";s:23:"MistyGamble-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} 4436627215_8ebb7143b6_o http://www.benyaminiceramics.org/2013/03/%d7%a1%d7%a0%d7%93%d7%9c%d7%a8%d7%99%d7%aa-%d7%aa%d7%95%d7%a4%d7%a8%d7%aa-%d7%a1%d7%a4%d7%a8%d7%99%d7%aa-%d7%a8%d7%90%d7%99%d7%95%d7%9f-%d7%a2%d7%9d-%d7%9e%d7%99%d7%a1%d7%98%d7%99-%d7%92%d7%9e/4436627215_8ebb7143b6_o/ Sun, 17 Mar 2013 15:31:49 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/03/4436627215_8ebb7143b6_o.jpg 8461 2013-03-17 17:31:49 2013-03-17 15:31:49 closed open 4436627215_8ebb7143b6_o inherit 8457 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/03/4436627215_8ebb7143b6_o.jpg _wp_attached_file 2013/03/4436627215_8ebb7143b6_o.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"448";s:6:"height";s:3:"336";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:35:"2013/03/4436627215_8ebb7143b6_o.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:35:"4436627215_8ebb7143b6_o-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:35:"4436627215_8ebb7143b6_o-300x224.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"224";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"3";s:6:"credit";s:0:"";s:6:"camera";s:7:"SP550UZ";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1240794567";s:9:"copyright";s:0:"";s:12:"focal_length";s:4:"5.55";s:3:"iso";s:3:"125";s:13:"shutter_speed";s:15:"0.0333333333333";s:5:"title";s:0:"";}} misty http://www.benyaminiceramics.org/2013/03/%d7%a1%d7%a0%d7%93%d7%9c%d7%a8%d7%99%d7%aa-%d7%aa%d7%95%d7%a4%d7%a8%d7%aa-%d7%a1%d7%a4%d7%a8%d7%99%d7%aa-%d7%a8%d7%90%d7%99%d7%95%d7%9f-%d7%a2%d7%9d-%d7%9e%d7%99%d7%a1%d7%98%d7%99-%d7%92%d7%9e/misty/ Sun, 17 Mar 2013 15:33:45 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/03/misty.jpg 8462 2013-03-17 17:33:45 2013-03-17 15:33:45 closed open misty inherit 8457 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/03/misty.jpg _wp_attached_file 2013/03/misty.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"194";s:6:"height";s:3:"259";s:14:"hwstring_small";s:22:"height='96' width='71'";s:4:"file";s:17:"2013/03/misty.jpg";s:5:"sizes";a:1:{s:9:"thumbnail";a:3:{s:4:"file";s:17:"misty-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} סנדלרית, תופרת, ספרית: ראיון עם מיסטי גמבל http://www.benyaminiceramics.org/2013/03/%d7%a1%d7%a0%d7%93%d7%9c%d7%a8%d7%99%d7%aa-%d7%aa%d7%95%d7%a4%d7%a8%d7%aa-%d7%a1%d7%a4%d7%a8%d7%99%d7%aa-%d7%a8%d7%90%d7%99%d7%95%d7%9f-%d7%a2%d7%9d-%d7%9e%d7%99%d7%a1%d7%98%d7%99-%d7%92%d7%9e/ Sun, 17 Mar 2013 15:34:40 +0000 http://www.benyaminiceramics.org/?p=8457 ראיון מיוחד שערכה שירה סילברסטון עם מיסטי גמבל, אמנית פיסול קרמי מארצות הברית, שנערך עבור המגזין "1280 - כתב עת לתרבות חומרית". מתוך גיליון 21, קיץ 2010, בעריכת טליה טוקטלי. כתב העת בהוצאת אגודת אמני קרמיקה בישראל, בשיתוף עמותת אמנים יוצרים בישראל ובתמיכת משרד התרבות והספורט, מנהל התרבות.

      כשפוסעים לחלל שפסליה של מיסטי גמבל מוצגים בו, חשים כאילו נקלעים לבמת תאטרון שזה עתה זעק בה הבמאי "freeze!". דמויות נשים בעלות שֹער עשוי למשעי וילדות במשחקן צבועות צבעי פסטל רכים ומתקתקים, העומדים בניגוד למבטיהן הרוחשים, הן רק חלק מעבודותיה של גמבל - אמנית קרמיקה אמריקנית מאוקלנד, קליפורניה. גמבל, 43, גדלה בעיר פאלוס ורדס שבקליפורניה, לא הרחק מלוס אנג'לס. "אני חושבת שאחדות מעבודותיי מושפעות מהרקע שלי ובמובן מסוים הן גם נותנות פרשנות למקום ולאופן שגדלתי בו", כותבת לי מיסטי בריאיון הדואר אלקטרוני שלנו. "גדלתי בשכונה אמידה למדי בפרבר של לוס אנג'לס, והקרבה לדיסנילנד יצרה סביבה קצת ביזארית בשבילי. כבר כילדה הייתי ערה לסוגיית המעמדות החברתיים ולמה שנחשב או לא נחשב ראוי. המקור של רבות מעבודותיי כיום הוא בדיאלוג המילולי והחזותי על חיצוניות, יומרה והלימות – כיצד 'ראוי', 'מנומס' ו'נכון' להתנהג". אביה היה טייס ובובנאי שנהג להופיע ברחבי ארצות הברית והעולם, ועיסוקו השפיע רבות על עבודותיה. "מאז ומתמיד הוקסמתי מאמנויות הבמה. אבי היה מוכר מאוד בארצות הברית ומחוצה לה, והוא שיצר את הבובה הראשונה של פינוקיו לדיסנילנד ב-1968. ברוב חופשות הקיץ שלי כילדה הייתי מבלה עם המשפחה בפסטיבלי בובות בערים ברחבי ארצות הברית. פרנק אוז (מיס פיגי) וקרול ספיני (ביג בירד ואוסקר מרחוב סומסום) היו חברים קרובים של אבא שלי, והם נהגו לשמור עליי ועל אחותי כשאבי היה על הבמה. זה היה מזל גדול לגדול בבית שההורים תומכים כל כך בנסיעות ובטיולים למקומות רחוקים. גם בשלב מאוחר יותר בחיי המשכתי ללוות את אבי במסעותיו בעולם, ובין היתר ביקרנו בפסטיבל הבובות בחולון ב-2001 ואפילו בטהרן. הוזמנו לאיראן ב-1998 והיינו האמריקנים הראשונים שהופיעו שם מאז המהפכה האיסלאמית של 1979. כשנחתנו שם צירפו לנו מאבטחים, והמשטרה החשאית ליוותה אותנו כל שהותנו. הופענו מול אלפי אנשים כל ערב, ובכל ערב הקהל רקד ושר מולנו, אף שהשלטון אסר זאת. מסע זה השפיע מאוד על חיי ועל תפיסת עולמי. הבנתי שכאמן אתה רוצה לדעת שהיצירה שלך באמת יכולה לשנות". גמבל נוהגת לפסל דמויות של נשים וילדות בגודל טבעי, לעתים אף גדולות מכך. במבט ראשון הדמויות מעלות בצופה חיוך, שכן יש בהן מן הקריקטוריות והסַטירה, אך במבט שני משהו בהן מתחיל לכרסם בך, ואולי אף לאיים. מחוות הגוף שלהן והקיפאון שהן שרויות בו מעוררים חוסר נוחות. בסדרת הילדות שלה הדבר בא לידי ביטוי באופן בולט במיוחד כשמבט נוסף מאחורי גבה של אחת הדמויות חושף מספריים רגע לפני פעולה, ניסיון הצתת גפרור או יד שהזדחלה מתחת לחצאית ונדמית כמפשפשת במבושיה. מתוך כל "ילדה טובה" לבושה חצאית וצבועה צבעי פסטל מציצה לה "ילדה רעה", הרסנית, טרוריסטית קטנה. "רציתי שהעבודות האלה יעוררו בעתה, הלם, פרובוקציה וגם צחוק במקביל. העבודה בעצם עוסקת בלקיחת אחריות ובהעצמת ה'יוצר', במקרה זה הדבר בא לידי ביטוי ב'העצמת' כוחן של הדמויות באמצעות אביזרים כמו מספריים וגפרורים המשמשים ככלי נשק חלופיים. את העבודה הזאת יצרתי בלימודיי לתואר שני ומצאתי דרך 'לקחת אחריות"'. עבודה בחומר בגדלים האלה קשה במיוחד, שלא לומר סיזיפית, שכן בדרך עשויות לקרות אין ספור תקלות. מדוע העדפת דווקא את החומר על פני חומרים אחרים? אני חושבת שאני אוהבת את האתגר... ואת הרבגוניות שלו. בשבילי החומר הוא החומר האולטימטיבי. הוא לעולם אינו משעמם אותי, שומר על הערנות שלי ואני לומדת כל הזמן. המדיום הזה מאפשר לי לעבוד במגוון אופנים ודיסציפלינות. אני משתמשת בטכניקות שלקוחות מהדפס, מציור, מפיסול ומעיצוב גרפי שלמדתי באקדמיה לאמנות ב-1989. כשאני בונה עבודה גדולה, אני חושבת על הקליפה או על החיצוניות/ פנימיות שלה ומשתמשת בשיטות שאני זוכרת מלימודי תפירה כמו יצירת קפלים (פֶּנְסִים) וקיפולים. העבודות שלי עשויות חומר לשרפה גבוהה עם הרבה מאוד שמוט. לרוב אני שורפת לקון 3 ואחר כך עוד כמה פעמים בטמפרטורה נמוכה יותר לקבלת הצבע שאני רוצה. אני צובעת באמצעות ספוג, מכחולים, צובענים, תחמוצות, זיגוגים ותת-זיגוגים. אני מעמיסה ומעמיסה על פני השטח ושורפת עד שאני מרוצה מהתוצאה. עבודות רבות שלך עוסקות במותגים, כמו מיצב הנעליים שבו כל נעל חתומה בכיתוב "Misty Gamble West Palm Beach" הנראה כמותג, או המיצב הקרוי "Chanel". מה משמעות המותג בשבילך ומה הוא מייצג בעולמך? כשהתייחסתי למותג, התייחסתי ללוגו שלי או לזהות "המותגית" שלי. במיצב "ערמת נעליים" נהפכתי ליצרנית או לסנדלרית ויצרתי נעליים עם המותג של שמי ומקום מגוריי – פאלם ביץ' המערבית. את העיר הזאת ייסד הנרי פלגלר כקהילה שנועדה לאכלס את עובדי שני המלונות הגדולים באי הסמוך לפאלם ביץ'. בעצם זה כאילו אני אומרת שהסנדלרייה שלי היא בפאלם המערבית ואני משרתת את הנשים של פאלם ביץ'. בעבודותיי אני מוצאת את עצמי מגלמת דמות של סנדלרית, ספרית או חייטת. אני חושבת שחלק מההשראה לכך הוא של סבתי. כשהייתי צעירה היא עשתה לי מנוי למגזין ווג, ועד יום מותה חידשה את המנוי מדי שנה בשנה. גדלתי בציפייה מתמדת לגיליון חדש, וכל גיליון הייתי קוראת מההתחלה ועד הסוף בלי לפספס מילה. את עבודותייך את מציגה בגלריות כמיצבים. כיום "מיצב" נעשה פופולרי מאוד בתחום הקרמיקה ובכלל. אני רואה לא מעט תערוכות שהאמן או האוצר בחר לכנותן מיצב אף שפעמים רבות מדובר בהצבה של אובייקטים בחלל. מהו מיצב בשבילך ובאיזו דרך את רואה את עבודותייך המוצגות כמיצב ולא כהצבה? למיצב יש טווח רחב של משמעויות. אמנים משתמשים במונח "מיצב" כדי לתאר עבודה שנוצרה לחלל פנימי או למקום תצוגה ספציפי. המילה "מיצב" מתארת דרכים רבות ושונות של עבודה ותפיסה. אני חושבת שאמנות מיצב משנה והופכת סביבה. אני גם חושבת ששינוי של חלל, הפיכתו למשהו אחר ויצירת סביבה הם "מיצב". אני מקווה שהעבודה שלי עושה זאת. אני מגדירה את עבודתי, הכוללת מגוון דמויות, כמיצב. יצרתי גם עבודות (הנעליים למשל) שבשבילן בניתי חללים פנימיים, וגם אותן אני מחשיבה מיצבים. לאחרונה התחלתי להתעניין בשימוש בטכניקות חדשות ליצירת עבודה חדשה והצגתה במתכונת חדשה. עם מי את בדיאלוג תוך כדי תהליך העבודה? במהלך הלימודים לתואר שני ובמהלך ההתמחויות שעשיתי בכל מיני מקומות הייתי בדיאלוג מתמיד עם כמה מהקולגות שלי. לרוב אני יוצרת, מציגה את העבודה ורק אז מקבלת משוב. איזו אמנות את צורכת ומהם מקורות ההשראה שלך? מאז ומתמיד הייתי מוקפת אמנים ושחקנים, אבל לקריירה אמנותית לא הלכתי מיד. בשנים 1993‑2005 הייתי מפיקה, סוכנת, יחצ"נית וגם ניהלתי פסטיבלים בתחום המוזיקה. מה שבאמת השפיע עלי הוא האנשים שהקיפו אותי בתקופה הזאת – האמנים, המוזיקאים, השחקנים. כיום הסטודנטים שלי ממשיכים להדהים אותי על בסיס יומיומי. אני גם רואה המון סרטים, מקשיבה להרבה מוזיקה וצופה בכמה שיותר אמנות. לאחרונה אני צופה בהרבה סרטי אופנה כמו Isaac Mizrahi’s Unzipped. אמנים שאני אוהבת במיוחד הם אקיו טאקאמורי, מאטיס, קיקי סמיט, מנואל נרי, מגדלנה אבאקנוביץ', ארתור גונזלס ועוד רבים וטובים. בתחום המוזיקה אני אוהבת במיוחד את ליאונרד כהן, מוזיקת נשמה, ויקטוריה וויליאמס, טום וויטס, בוב דילן והרשימה עוד ארוכה. את מלמדת זו השנה השנייה במחלקה לקרמיקה של האקדמיה לאמנות קנזס סיטי (Kansas City Art Institute) במיזורי. כשביקרתי שם לפני שנה וחצי, סטודנטים שלך אמרו לי שאת הרוח החיה של המקום. האם את רואה עצמך כך? מה חשוב לך להעביר לסטודנטים? זה מאוד מחמיא לי, כמובן, אבל אני חושבת שבמחלקה יש הרבה מדריכים רוחניים והיו בה לא מעט דמויות אגדתיות, כך שתמיד חשתי כבוד גדול להיות חלק מסגל ההוראה כאן. אני מלמדת את הסטודנטים שלי להיות פעילים, מעוררי מחשבה, אמיצים, לוקחי סיכונים ובעלי רעב ללמוד. אני חושבת שמההתחלה חשוב ביותר לצייד את הסטודנטים במיומנות יצירה מתוך חשיבה מושגית, דיאלוג ביקורתי, טכניקה הכוללת חומרים ותהליך ומחקר בלתי פוסקים. את המיומנות הטכנית והחשיבה המושגית אפשר ללמד יחד. כמורה אני מלמדת את המיומנויות האלה במקביל כבר מיומם הראשון של הסטודנטים בכיתה שלי. כיצד את רואה את עצמך כיום: יותר כאמנית או יותר כמורה? אני אמנית. תמיד אהיה אמנית. הגישה שלי ללימוד ולכל דבר שאני עושה מגיעה מהמקום הזה, וכך אני פועלת בעולם. ואיזו דרך טובה יותר יש לגשת לעולם אם לא כאדם יצירתי, המוצא פתרונות, לוקח סיכונים, מחליט החלטות ולעולם אינו מוותר? לאן את מעוניינת "למתוח" את הדמויות/עבודות שלך? האם חשבת להפוך את המיצבים למיצגים? יש לי רעיונות חדשים לסדרות הכוללות דמויות רבות משוכפלות בגודל טבעי יחד עם חלקים פיגורטביים משוכפלים מתוך שימוש במיקס-מדיה ומיצב. היכן את רואה עצמך בעוד כחמש שנים? מה השאיפות שלך? אני אדם אמביציוזי למדי ויש לי לא מעט דברים ב-To Do list שלי. הייתי רוצה לנסוע לחו"ל במסגרת חילופי אמנים, ובסופו של דבר אני רוצה לבסס את עצמי בעיר אחת שבה אוכל ללמד במוסד לתארים מתקדמים. אני רואה את עצמי גם מוציאה לאור ספרים, וכעת אני עובדת על כמה רעיונות. לטווח הרחוק מטרתי להיעשות אמנית קרמיקה מכובדת התורמת עשייה וזוויות ראייה חדשות לתחום הפיסול הקרמי. אני רוצה שיזכרו אותי כאמנית וכמחנכת שנתנה השראה לאחרים ליצור חזון, ושתמכה ברצון שלהם להפוך אותו למציאות. למידע נוסף על קורס פיסול קרמי בבית בנימיני שירה סילברסטון – יוצרת בחומר, בוגרת המחלקה לקדרות, המכון לאמנויות במכללה האקדמית תל חי, בעלת תואר ראשון במדעי החיים מאוניברסיטת תל אביב, עורכת משנה ומפיקה של מגזין הקרמיקה הישראלי לתרבות חומרית - 1280.]]>       8457 2013-03-17 17:34:40 2013-03-17 15:34:40 closed open %d7%a1%d7%a0%d7%93%d7%9c%d7%a8%d7%99%d7%aa-%d7%aa%d7%95%d7%a4%d7%a8%d7%aa-%d7%a1%d7%a4%d7%a8%d7%99%d7%aa-%d7%a8%d7%90%d7%99%d7%95%d7%9f-%d7%a2%d7%9d-%d7%9e%d7%99%d7%a1%d7%98%d7%99-%d7%92%d7%9e publish 0 0 post 0 _edit_lock 1364209610 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1364209608 _alp_broken_links a:1:{s:299:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%9C%D7%99%D7%9E%D7%95%D7%93%D7%99-%D7%A4%D7%99%D7%A1%D7%95%D7%9C/%D7%A7%D7%95%D7%A8%D7%A1-%D7%A4%D7%99%D7%A1%D7%95%D7%9C-%D7%A7%D7%A8%D7%9E%D7%99-%D7%99%D7%A1%D7%95%D7%93%D7%95%D7%AA/";a:0:{}}       Eating Design: רשמים מפתיחת תערוכת Shift http://www.benyaminiceramics.org/2013/03/shift-%d7%a8%d7%a9%d7%9e%d7%99%d7%9d-%d7%9e%d7%a2%d7%a8%d7%91-%d7%a4%d7%aa%d7%99%d7%97%d7%aa-%d7%94%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%94/ Mon, 18 Mar 2013 12:06:44 +0000 http://www.benyaminiceramics.org/?p=8471 מאת: אורלי נזר

      Eating Design הוא שימוש בעיצוב להפיכת אובייקט, מרכיב או חוויה לתחושת תאבון. האכילה בעולם המערבי ה"שבע" איננה לשם הישרדות בלבד. היבטים חברתיים תרבותיים ואמנותיים מהווים מרכיבים משמעותיים בחווית האכילה.

      אירוע מתוק במיוחד בסגנון זה חווינו בפתיחת התערוכה Shift, בפרוייקט "פלציבו קולינרי קרמי". בתוך הגלריה הוצבו שתי עמדות, האחת בחצר והשנייה על הגג. בכל אחת מהעמדות התחוללה התרחשות. מי שהגיע לגג פגש בעמדת קבלת קהל מוארת בה שני מגישים בחלוק לבן המדמה חלוק רוקחים, עם סמל של סטודיו אפטיט. מלפניהם דלפק ומאחוריהם מדפים עם מיכלי חומר אטומים, עבודת אבניים.  ה"רוקחים" הציעו לקהל שלוש תרופות לטיפול בשלוש "מחלות": העדר תשוקה, קנאה, לב שבור. בזה אחר זה בחרו ה"פציאנטים" מיכל אשר את תכולתו לא ידעו. כשהמיכל בידם הוגש להם פטיש בעזרתו עליהם לנתץ את המיכל ולהשתמש בתכולתו עפ"י ההוראות הכתובות בפנים. את התרופה יש לבלוע בעיניים עצומות, להתחיל ממינון קטן ולהגדיל לפי צורך. כבר בסיכום ביניים עלה כי התרופה הנדרשת ביותר הייתה זו המעוררת תשוקה.

      בעמדה השנייה בחצר הגלריה הוגשו לקהל טעימות מרוחות על ריבועי קרמיקה. ההשראה הרעיונית והאסתטית היא כמובן לוחיות הבדיקה של גלזורות אשר נמצאות בכל סטודיו קרמיקה. מבחינה ויזואלית הצבעוניות שהוגשה על ריבועי הקרמיקה הייתה מדהימה: ירוק פיסטוק, חום שוקולד, אדום תות עם תפוז, אפרפר של טחינה ועוד. הקהל נתבקש לבדוק טעמים כשם שהקדרים בודקים תרכובות של גלזורות.

      התערוכה באה להציג תמונת מצב כפי שמשתקפת בעבודות בוגרים של מחלקות הקרמיקה של בתי הספר השונים ללימודים גבוהים בארץ: בצלאל, המדרשה לאמנות, שנקר, תל חי, מכללת ספיר ומכון טכנולוגי חולון. מגוון בתי הספר מייצר שיח בין עבודות להן נקודות מוצא שונות במרחב שבין עיצוב, קראפט ואמנות. נקודות המוצא השונות משפיעות לא רק על התוצרים הסופיים והרעיון שמבטאים, אלא גם על האוצרות. במקום שבו הוצבו עבודות עיצוב  הוקרנו סרטים של הסטודנטים, המציגים את תהליך העבודה. נוצר דיון מעניין בנוגע למשולש רעיון – ביצוע – תוצר סופי. את כל אחת מהעבודות המוצגות ניתן לחוות כאובייקט סופי ומוגמר, כתהליך וכרעיון. תהליכי העבודה המוקרנים במסכים לרגע נתפסים כחלק מהחוויה האסתטית, תפיסה הנשענת על עולם הקראפט, וברגע אחר כמסבירים את הרעיון, אז התוצר הסופי נהיה אילוסטרציה לרעיון. בהסתכלות זו ההבזקים של הרעיונות, ההברקות, הם המוצגים של התערוכה, תפיסה הקרובה יותר לעולם העיצוב.

      אירוע Eating Design וסיור בתערוכת Shift יתקיים ביום ו', 5 באפריל 2013, בשעה 11:30. לפרטים נוספים, צרו קשר

      ]]>       8471 2013-03-18 14:06:44 2013-03-18 12:06:44 closed open shift-%d7%a8%d7%a9%d7%9e%d7%99%d7%9d-%d7%9e%d7%a2%d7%a8%d7%91-%d7%a4%d7%aa%d7%99%d7%97%d7%aa-%d7%94%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%94 publish 0 0 post 0 _edit_lock 1364204638 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1363761597 _alp_broken_links a:2:{s:203:"http://www.benyaminiceramics.org/2013/03/eating-design-%D7%A1%D7%99%D7%95%D7%A8-%D7%92%D7%9C%D7%A8%D7%99%D7%94-%D7%95%D7%94%D7%A8%D7%A6%D7%90%D7%95%D7%AA-%D7%91%D7%AA%D7%A2%D7%A8%D7%95%D7%9B%D7%AA-shift/";a:0:{}s:71:"http://www.benyaminiceramics.org/%D7%A6%D7%95%D7%A8-%D7%A7%D7%A9%D7%A8/";a:0:{}} 830 http://www.benyaminiceramics.org/2013/03/eating-design-%d7%a1%d7%99%d7%95%d7%a8-%d7%92%d7%9c%d7%a8%d7%99%d7%94-%d7%95%d7%94%d7%a8%d7%a6%d7%90%d7%95%d7%aa-%d7%91%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%aa-shi 91.193.50.70 2013-03-20 08:39:10 2013-03-20 06:39:10 1 pingback 0 0       giacomoti http://www.benyaminiceramics.org/2013/03/%d7%a4%d7%99%d7%a1%d7%95%d7%9c-%d7%a7%d7%a8%d7%9e%d7%99-%d7%91%d7%99%d7%9f-%d7%a7%d7%a8%d7%90%d7%a4%d7%98-%d7%9c%d7%90%d7%9e%d7%a0%d7%95%d7%aa-%d7%a2%d7%9b%d7%a9%d7%95%d7%95%d7%99%d7%aa/giacomoti/ Mon, 18 Mar 2013 16:49:39 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/03/giacomoti.jpg 8468 2013-03-18 18:49:39 2013-03-18 16:49:39 closed open giacomoti inherit 8465 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/03/giacomoti.jpg _wp_attached_file 2013/03/giacomoti.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"294";s:6:"height";s:3:"448";s:14:"hwstring_small";s:22:"height='96' width='63'";s:4:"file";s:21:"2013/03/giacomoti.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:21:"giacomoti-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:21:"giacomoti-196x300.jpg";s:5:"width";s:3:"196";s:6:"height";s:3:"300";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} פיסול קרמי: בין קראפט לאמנות עכשווית http://www.benyaminiceramics.org/2013/03/%d7%a4%d7%99%d7%a1%d7%95%d7%9c-%d7%a7%d7%a8%d7%9e%d7%99-%d7%91%d7%99%d7%9f-%d7%a7%d7%a8%d7%90%d7%a4%d7%98-%d7%9c%d7%90%d7%9e%d7%a0%d7%95%d7%aa-%d7%a2%d7%9b%d7%a9%d7%95%d7%95%d7%99%d7%aa/ Mon, 18 Mar 2013 16:50:20 +0000 http://www.benyaminiceramics.org/?p=8465 לימודי פיסול. הוא נעים למגע, "סלחן" – קל לתקן טעויות, חקיין של טקסטורות, זול יחסית. זאת הסיבה שאמני המאה הקודמת הרבו ליצור בו פסלים ולצקת אותם בברונזה כאשר את הפסל המקורי מחומר השליכו לפח. באולמות התצוגה החומר הקרמי לא מצא לו מקום. היו את השיש והברונזה, מתחתם עץ, מאוחר יותר בא הברזל, אח"כ לטקס, בדים תעשייתיים, בטון, עיסת נייר... ועדיין לקרמיקה לא נמצא מקום, דווקא בגלל שהיא הייתה איתנו תמיד. הקטגוריה פיסול קרמי מהווה קטגוריה היברידית אשר במובנים מסוימים זרה ואף מנוגדת הן לתחום הקראפט והן לתחום האמנות העכשווית. מנקודת המבט של חפצי הקראפט, פיסול קרמי חסר את המאפיין העיקרי של הקרפט והוא השימושיות (לצד מיומנות, נאמנות לחומר ולטכניקה). ואילו מנקודת המבט של האמנות, הפיסול הקרמי חסר את האוטונומיה של האמנות בכך שמחויב לחומר ולטכניקה מסוימים. מצרף התכונות של הפיסול הקרמי דורש מאלה הבאים להעריך אותו הבנה מיוחדת בתחום.

      מאחורי עבודת אמנות עומדים מכלול של שיקולים והחלטות: צורה, נפח, שיווי משקל, אור וצל, קומפוזיציה, תנועה, צבעוניות וחומר. בפיסול הקרמי, בעניין החומר אין בחירה. החומר הוא נקודת המוצא. פה בעצם טמונה המהות. ישנם אמנים נאמנים לחומר אשר הצליחו ליצור פסלים אשר החומריות, הצורניות והרעיון משתלבים לחוויה אחת, כאשר המרכיבים מעצימים האחד את השני. מי שהשפיע על מאד על התחום הוא פיטר וולקוס (Peter Voulkos) האמריקאי אשר פרץ לתודעה עם קבוצת המופשט האקספרסיוניסטי בקרמיקה בשנות השישים. אמני קרמיקה ישראלים ותיקים בתחום הפיסול הם ציונה שמשי, נעמי ונורה, משה שק (ג'וק), ודיויד מוריס. ויש עוד.

      מה שהופך את העבודות שלהם לחזקות היא ההבנה את החומר והגיוס של תכונותיו לטובת הרעיון. הפלסטיות, ההתכווצות, השבירות, ואולי המהותי ביותר: היותו של הפסל נפח ולא מסה, כל אלה יכולים להיות מגויסים לשירותו של הרעיון האמנותי. למידע נוסף על לימודי פיסול בבית בנימיני, הכוללים קורס פיסול קרמי]]>       8465 2013-03-18 18:50:20 2013-03-18 16:50:20 closed open %d7%a4%d7%99%d7%a1%d7%95%d7%9c-%d7%a7%d7%a8%d7%9e%d7%99-%d7%91%d7%99%d7%9f-%d7%a7%d7%a8%d7%90%d7%a4%d7%98-%d7%9c%d7%90%d7%9e%d7%a0%d7%95%d7%aa-%d7%a2%d7%9b%d7%a9%d7%95%d7%95%d7%99%d7%aa publish 0 0 post 0 _edit_lock 1364391084 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1364209404 _alp_broken_links a:2:{s:181:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%9C%D7%99%D7%9E%D7%95%D7%93%D7%99-%D7%A4%D7%99%D7%A1%D7%95%D7%9C/";a:0:{}s:299:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%9C%D7%99%D7%9E%D7%95%D7%93%D7%99-%D7%A4%D7%99%D7%A1%D7%95%D7%9C/%D7%A7%D7%95%D7%A8%D7%A1-%D7%A4%D7%99%D7%A1%D7%95%D7%9C-%D7%A7%D7%A8%D7%9E%D7%99-%D7%99%D7%A1%D7%95%D7%93%D7%95%D7%AA/";a:0:{}}       ceramic placebo http://www.benyaminiceramics.org/2013/03/shift-%d7%a8%d7%a9%d7%9e%d7%99%d7%9d-%d7%9e%d7%a2%d7%a8%d7%91-%d7%a4%d7%aa%d7%99%d7%97%d7%aa-%d7%94%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%94/p1070296/ Mon, 18 Mar 2013 17:05:14 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/03/P1070296.jpg 8472 2013-03-18 19:05:14 2013-03-18 17:05:14 closed open p1070296 inherit 8471 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/03/P1070296.jpg _wp_attached_file 2013/03/P1070296.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"336";s:6:"height";s:3:"448";s:14:"hwstring_small";s:22:"height='96' width='72'";s:4:"file";s:20:"2013/03/P1070296.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:20:"P1070296-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:20:"P1070296-224x300.jpg";s:5:"width";s:3:"224";s:6:"height";s:3:"300";}}s:10:"image_meta";a:10:{s:8:"aperture";s:3:"3.3";s:6:"credit";s:0:"";s:6:"camera";s:7:"DMC-TZ3";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1363307880";s:9:"copyright";s:0:"";s:12:"focal_length";s:3:"4.6";s:3:"iso";s:3:"100";s:13:"shutter_speed";s:15:"0.0333333333333";s:5:"title";s:0:"";}} Small Gallery http://www.benyaminiceramics.org/en/ceramic-galleries/current-exhibitions/small-gallery/ Tue, 19 Mar 2013 12:02:17 +0000 http://www.benyaminiceramics.org/?page_id=8497 8497 2013-03-19 14:02:17 2013-03-19 12:02:17 closed open small-gallery publish 6176 3 page 0 _edit_lock 1369144349 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default Small Gallery - גלריה קטנה http://www.benyaminiceramics.org/?page_id=8477 Tue, 19 Mar 2013 12:02:25 +0000 http://www.benyaminiceramics.org/?page_id=8477

      פסח מגיע ובעקבותיו המתנות - זה הזמן לבקר שוב בגלריה הקטנה של בית בנימיני: תצוגת מכירה מתחלפת של יוצרי קרמיקה מהשורה הראשונה. השנה תביאו למארחים שלכם אובייקט אחד מסוגו, שטבועים בו מיומנותו, ידו ורוחו של יוצר מקומי.

      האמניות המציגות: לאה שבס, לורי גולדשטיין, אתל פיסרף, רונית זוהר, עדי שפירא, סימון סולומן

      במדפי התצוגה של בית בנימיני מוצעות למכירה עבודות אשר מקשר אותן חוט דק של טכניקת עבודה.

      הייחודיות של כל אמנית היא מרתקת וכך גם רמת המיומנות של כל אחת מהן, מאפשרת לה ביטוי אישי ואקספרסיביות השמורה למאסטרים בתחום. האמניות השונות משתמשות כל אחת בדרכי פעולה אשר סיגלה לעצמה מתוך ניסוי וטעיה, תוך רכישת מיומנות בטכניקה של משטחי חומר (Slabs).

      האמנית לורי גולדשטין למשל, משתמשת במשטחי חומר לחים מאד אשר קל מאד לגלגל לקמט ולעצב. ניתן גם לדחוס אותם לתוך תבניות עץ או גבס, ולהטביע בהם טקסטורות שונות.

      האמנית אתל פיסרף עושה שימוש בשיטה המתאימה יותר לצורות גיאומטריות. נותנים למשטח החומר להתייבש עד למידת לחות הנקראת "קושי-עור" (leather hard), אז חותכים ומאחדים את החלקים לכדי צורה תלת ממדית. בשיטה זו אפשר ממש לבנות קוביות מדויקות, ניתן גם לאחות עם צורות מעוגלות או חלקים שנוצרו על אבניים, ובלבד שמידת הלחות של החלקים השונים זהה. ניתן להשתמש במערוך רגיל אולם אלה המשתמשים בטכניקת המשטחים באופן אינטנסיבי נעזרים במרדד שולחני (Slab Roller) הדוחס כמות גדולה של חומר למשטח רחב.

      ]]>       8477 2013-03-19 14:02:25 2013-03-19 12:02:25 closed open small-gallery-%d7%92%d7%9c%d7%a8%d7%99%d7%94-%d7%a7%d7%98%d7%a0%d7%94 draft 5718 3 page 0 _edit_last 3 _edit_lock 1369143947 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1363695405       Kids_ceramics http://www.benyaminiceramics.org/%d7%90%d7%a8%d7%95%d7%a2%d7%99%d7%9d/sdim0808-edit/ Tue, 19 Mar 2013 12:36:33 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2010/07/SDIM0808-Edit.jpg 8515 2013-03-19 14:36:33 2013-03-19 12:36:33 closed open sdim0808-edit inherit 1439 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2010/07/SDIM0808-Edit.jpg _wp_attached_file 2010/07/SDIM0808-Edit.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"366";s:6:"height";s:3:"336";s:14:"hwstring_small";s:23:"height='96' width='104'";s:4:"file";s:25:"2010/07/SDIM0808-Edit.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:25:"SDIM0808-Edit-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:25:"SDIM0808-Edit-300x275.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"275";}}s:10:"image_meta";a:10:{s:8:"aperture";s:3:"7.1";s:6:"credit";s:0:"";s:6:"camera";s:10:"SIGMA SD14";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1330290030";s:9:"copyright";s:0:"";s:12:"focal_length";s:2:"40";s:3:"iso";s:3:"400";s:13:"shutter_speed";s:15:"0.0166666666667";s:5:"title";s:0:"";}} choco http://www.benyaminiceramics.org/?attachment_id=8528 Tue, 19 Mar 2013 13:25:43 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/03/choco.jpg 8528 2013-03-19 15:25:43 2013-03-19 13:25:43 closed open choco inherit 0 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/03/choco.jpg _wp_attached_file 2013/03/choco.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"960";s:6:"height";s:3:"540";s:14:"hwstring_small";s:23:"height='72' width='128'";s:4:"file";s:17:"2013/03/choco.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:17:"choco-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:17:"choco-300x168.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"168";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} shift placibo 4 http://www.benyaminiceramics.org/?attachment_id=8530 Tue, 19 Mar 2013 13:27:26 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/03/shift-placibo-4.jpg 8530 2013-03-19 15:27:26 2013-03-19 13:27:26 closed open shift-placibo-4 inherit 0 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/03/shift-placibo-4.jpg _wp_attached_file 2013/03/shift-placibo-4.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"448";s:6:"height";s:3:"336";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:27:"2013/03/shift-placibo-4.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:27:"shift-placibo-4-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:27:"shift-placibo-4-300x224.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"224";}}s:10:"image_meta";a:10:{s:8:"aperture";s:3:"3.3";s:6:"credit";s:0:"";s:6:"camera";s:7:"DMC-TZ3";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1363304819";s:9:"copyright";s:0:"";s:12:"focal_length";s:3:"4.6";s:3:"iso";s:3:"200";s:13:"shutter_speed";s:3:"0.1";s:5:"title";s:0:"";}} Eating Design: סיור גלריה והרצאות בתערוכת Shift http://www.benyaminiceramics.org/2013/03/eating-design-%d7%a1%d7%99%d7%95%d7%a8-%d7%92%d7%9c%d7%a8%d7%99%d7%94-%d7%95%d7%94%d7%a8%d7%a6%d7%90%d7%95%d7%aa-%d7%91%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%aa-shift/ Wed, 20 Mar 2013 06:34:48 +0000 http://www.benyaminiceramics.org/?p=8535 סיור בתערוכת Shift והרצאות בבית בנימיני לקרמיקה עכשווית. ההרצאות והסיור יתקיימו ביום שישי  5 באפריל 2013, בשעה 11:30.

      בתוכנית:

      Eating Design / עידו גרעיני, סטודיו אפטיט.

      שימוש בעיצוב להפיכת אובייקט, מרכיב או חוויה לתחושת תאבון. האכילה בעולם המערבי ה"שבע" איננה לשם הישרדות בלבד. היבטים חברתיים תרבותיים ואמנותיים מהווים מרכיבים משמעותיים בחווית האכילה. בהרצאה יוצגו נושאים עכשוויים וטרנדים וגישות בעולם הקולינארי, חווית אכילה ועיצוב.

      לכתבה על Eating Design - רשמים מערב פתיחת תערוכת Shift

      שיטה. תבנית. אוביקט / יערה לנדאו-כץ

      שיטה של תבניות מתחלפות  ליציקות קרמיות אשר פותחה במהלך פרויקט הגמר במחלקה לעיצוב תעשייתי בשנקר.יערה עיצבה סדרה של ואזה, קערה וגוף תאורה קרמיים אשר יוצרו ופותחו דרךאותה שיטה. צורת העבודה החדשה מקנה לאובייקטים מבניות ושפה ויזואלית חדשה. שיטת הייצור מאפשרת ליצור משפחה שלאובייקטים בעלי קומפוזיציה שונה ושפה צורנית אחידה.

      מכונה פואטית - הדפסת חומרים קרמיים / ערן גל-אור.

      במסגרת פרוייקט הגמר במחלקה לעיצוב תעשייתי במכון הטכנולוגי בחולון, פיתח ערן גל-אור מדפסת תלת-מימדית אשר מדפיסה חומרים קרמיים ופורצלן, זכוכית ומתכות.המדפסת ייחודית בעולם מבחינת גודל ההדפסה ושיטת ההזרקה הקרמית. באמצעותה - יצר ערן כלים קרמיים אשר שפתם הצורנית שאובה מעולם הטכנולוגיה.

      ]]>       8535 2013-03-20 08:34:48 2013-03-20 06:34:48 closed open eating-design-%d7%a1%d7%99%d7%95%d7%a8-%d7%92%d7%9c%d7%a8%d7%99%d7%94-%d7%95%d7%94%d7%a8%d7%a6%d7%90%d7%95%d7%aa-%d7%91%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%aa-shift publish 0 0 post 0 _edit_lock 1364560850 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1364560788 _alp_broken_links a:1:{s:177:"http://www.benyaminiceramics.org/2013/03/shift-%D7%A8%D7%A9%D7%9E%D7%99%D7%9D-%D7%9E%D7%A2%D7%A8%D7%91-%D7%A4%D7%AA%D7%99%D7%97%D7%AA-%D7%94%D7%AA%D7%A2%D7%A8%D7%95%D7%9B%D7%94/";a:0:{}} 831 http://www.benyaminiceramics.org/2013/03/shift-%d7%a8%d7%a9%d7%9e%d7%99%d7%9d-%d7%9e%d7%a2%d7%a8%d7%91-%d7%a4%d7%aa%d7%99%d7%97%d7%aa-%d7%94%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%94/ 91.193.50.70 2013-03-20 08:41:01 2013-03-20 06:41:01 1 pingback 0 0       Activity for children during Pesach http://www.benyaminiceramics.org/en/2013/03/activity-for-children-during-pesach/ Wed, 20 Mar 2013 07:23:08 +0000 http://www.benyaminiceramics.org/?p=8546 A one time workshop for children to work in clay, inspired by the exhibition SHIFT showing currently at the Benyamini Center. Suitable for children from 5 years old. Thursday, 28 March 2013, from 10:30 to 12:00. Cost: 40 shekels a participant. Prior registration required: Tel: 03-5182257 or e-mail: benyaminiccc@gmail.com]]> 8546 2013-03-20 09:23:08 2013-03-20 07:23:08 closed open activity-for-children-during-pesach publish 0 0 post 0 _edit_lock 1363765330 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} Shift gallery tour and lectures http://www.benyaminiceramics.org/en/2013/03/lecture-eating-design/ Sat, 23 Mar 2013 09:51:40 +0000 http://www.benyaminiceramics.org/?p=8493 Eating Design / Ido Garini – Studio Appetit Today, as people don't just eat to survive,social, cultural, and even artistic aspects of eating have assumed greater importance. This lecture reviews current issues, trends and approaches in food and eating experience and design. Method – Mould – Object /Yaara Landau-Katz A method of variable parts for casting ceramics was developed for her final project at Shenkar.  With this method she developed a vase, bowl and light fixture and creates a unique visual language which through small variations creates variety of forms. A Poetic Machine – printing ceramic materials / Eran Gal-Or This 3D printing machine was developed as a final project at the Holon Design School.  It is capable of printing ceramic materials including porcelain, glass and metal and has the largest printing capability in the world. For further details, contact us.]]> 8493 2013-03-23 12:51:40 2013-03-23 09:51:40 closed open lecture-eating-design publish 0 0 post 0 _edit_lock 1364913556 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} המדפייה http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%9e%d7%a6%d7%99%d7%92%d7%95%d7%aa/%d7%9e%d7%93%d7%a4%d7%99%d7%99%d7%94-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/ Thu, 04 Apr 2013 16:04:42 +0000 http://www.benyaminiceramics.org/?page_id=8722 ספל /  פסל [nggallery id=160] הדוויג גרוסמן, מחלוצות הקרמיקה הישראלית, חיה עם הפסל רודי להמן מראשוני הפסלים בישראל. מספרים כי יום אחד נכנסה הדוויג לסטודיו של רודי ואמרה לו: "גם אני רוצה לעשות פסלים ולהיות מפורסמת כמוך". ענה לה: "הדוויג, לי אין ברירה - אני חייב לעשות פסל. אבל לך יש את האפשרות והיכולת לעשות ספל". ספל בעל שפה חומרית וציורית ייחודית העשוי על ידי אמן קרמיקה הוא אחד החפצים המעניינים והאישיים ביותר הן בשביל היוצר והן בשביל המשתמש. היוצר מצידו משקיע באובייקט הקטן מאמץ רב על מנת לתמצת את שפתו האישית וליצור חפץ ייחודי שנעים ונוח לשתות ממנו. המשתמש, מצד שני, מייצר קשר אינטימי עם הספל באמצעות מגע חושני: יד, גוף, שפתיים. בבית בנימיני תצוגה קטנה של ספלים / פסלים של מיטב אומני הקרמיקה: עירית אבא, אתי גורן, רעיה שטרן, שמאי גיבש, רותי סימון ורבים אחרים.]]> 8722 2013-04-04 19:04:42 2013-04-04 16:04:42 closed open %d7%9e%d7%93%d7%a4%d7%99%d7%99%d7%94-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99 publish 5718 3 page 0 _edit_lock 1371541763 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1371485897 _thumbnail_id ngg-1455 On the shelf http://www.benyaminiceramics.org/en/ceramic-galleries/current-exhibitions/on-the-shelf/ Thu, 04 Apr 2013 16:07:39 +0000 http://www.benyaminiceramics.org/?page_id=8726 Cups – On the Shelf [nggallery id=160] It is told that Hedwig Grossman, one of the pioneers of studio pottery in Israel, who was the partner of Rudy Lehman, one of the earliest sculptors in Israel, walked into the studio and told him that she also wanted to sculpt and be famous.  To which she received the reply:  ``I have no option, I have to sculpt.  But you can make a cup (which is a small sculpture)`` A cup has a specific material and formal presence handmade by a ceramic artist.  It is one of the most interesting and intimate of vessels  for the maker and the user alike.  The artist invests time and energy to make a cup that is representative of his style and at the same time is useful and comfortable for drinking.  The user makes an intimate and sensuous connection with the object through his hand, body and lips. The Benyamini Center has a changing collection of cups by numerous artists including Irit Abba, Raya Stern, Eti Goren, Shula Miller, Ruti Simon, Laurie Goldstein, Shahaf  Givon, Hana Neiger, and others.]]> 8726 2013-04-04 19:07:39 2013-04-04 16:07:39 closed open on-the-shelf publish 6176 3 page 0 _edit_lock 1369131787 _edit_last 3 _thumbnail_id ngg-1630 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default First Studio 2013 http://www.benyaminiceramics.org/?attachment_id=8743 Wed, 10 Apr 2013 09:13:32 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/04/First-Studio-2013.pdf 8743 2013-04-10 12:13:32 2013-04-10 09:13:32 closed open first-studio-2013 inherit 0 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/04/First-Studio-2013.pdf _wp_attached_file 2013/04/First-Studio-2013.pdf _wp_attachment_metadata a:0:{} אדמה ואש - הקרמיקה של ז'ואן מירו / שרה הקרט http://www.benyaminiceramics.org/2013/04/%d7%90%d7%93%d7%9e%d7%94-%d7%95%d7%90%d7%a9-%d7%94%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94-%d7%a9%d7%9c-%d7%96%d7%95%d7%90%d7%9f-%d7%9e%d7%99%d7%a8%d7%95-%d7%a9%d7%a8%d7%94-%d7%94%d7%a7%d7%a8%d7%98/ Mon, 22 Apr 2013 12:53:33 +0000 http://www.benyaminiceramics.org/?p=8777

      המאמר לקוח מ- "1280" - כתב עת לאמנות הקרמיקה, בהוצאת אגודת אמני קרמיקה בישראל, גיליון 9, אביב 2004. עורכת כתב העת: שרה הקרט.

      בקרב אמני האוונגרד הספרדים, לצדם של פיקאסו ודאלי, נמצא גם ז'ואן מירו (1983-1893), צייר ופסל, שכמותם הטביע את חותמו על האמנות המודרנית במאה ה-20. עבודותיו בתחומים אלה הוצגו ונותחו בספרים, במונוגרפיות ובמאמרים לאין ספור, ולעתים הוזכר שמירו אכן שלח את ידו גם בקרמיקה. רק במחצית השנייה של המאה העשרים, ובייחוד לקראת סופה, גברה ההתעניינות בתחום יצירתו זו, והחלו להציגה ביתר שכיחות בגלריות ובמוזאונים. (1)

      המדקדקים אולי לא יראו במירו קדר במובן זה שהוא לא יצר את הכלים - כדים וצלחות - במו ידיו, אלא בעיקר עיטר אותם, אבל יחד עם זאת, כל יצירותיו הפיסוליות בחומר לא נוצרו כמקטים לפסלי מתכת, והורתם, תפיסתם הרעיונית ועיצובם מעורים היטב בתובנת החומר.

      בשנים החשוכות של מלחמת האזרחים בספרד ומלחמת העולם השנייה הרגיש מירו אי נחת רבה מן הציור ואף זנח את הציור על בד לכמה שנים, אך בה בעת חיפש מוצא ליצירתיותו. בתקופה זו צייר על כל חומר שנקרה על דרכו - נייר, קרטון, מזוניט, עץ, לוחות נחושת, חלוקי נחל ועוד. רוסה מריה מאלט, מחברת אחת המונוגרפיות שלו, מציינת שהיה משהו "באופי של מירו שמעולם לא בא על סיפוקו ודחף אותו לחקור כל אפשרות שטמונה בחומרים". בכלל זה היה גם החומר הקרמי.(2) המגע המיידי עם החומר, עבודת הכפיים המשלבת כוח פיזי עם רגישות והבנה של תכונות החומר שנגע בו, דיברו אל לבו. החומר באיכויותיו הפלסטיות-אקספרסיביות, ברגישותו ליד המעצבת, בכפיפות לרצונו, ובפלא הטרנספורמציה שלו באש, כבשו את מירו מיד כפי שהעיד על עצמו: "הבוהק של הקרמיקה מדבר אלי: הוא יוצר מעין גצים. ונוסף על כך קיים המאבק עם היסודות של אדמה ואש. כמו שציינתי קודם, אני לוחם. אתה חייב לדעת להשתלט על האש כשאתה יוצר קרמיקה".(3) ניתן לומר בהחלטיות שמבחינה קונספטואלית לא הפריד מירו כלל בין מדיום למדיום; הוא התמסר לכל חומר שעבד בו באותה התלהבות ואמונה והשכיל להבליט את איכויותיו המיוחדות.

      תפיסתו את הקרמיקה כאותנטית יותר התאימה להלך נפשו בנקודת זמן מסוימת והביאה אותו לפנות ב-1942, בהיותו בברצלונה, אל לורנס ארטיגאס (Artigas), מהקדרים המפורסמים ביותר בספרד של אותם ימים, ולבקש לעבוד בסדנתו. תחילה בקשתו נדחתה; ארטיגאס, שהרחיק כל דקורציה מעבודתו, חשש ממירו הצייר ובייחוד מגישתו הסוריאליסטית, אבל לבסוף נעתר לו.

      במשך השנים נוצרה בין השניים שותפות מופלאה, שותפות ערכית שנבעה מן ההוקרה העמוקה שחש מירו כלפי הקדר, כאמן וכאומן, ומן האהבה והערכה שרחש ארטיגאס כלפי הצייר הצעיר ממנו, שאותו למד להכיר תוך כדי עבודתם המשותפת. על כך כתב ארטיגס הבן - שהצטרף אליהם בשנים מאוחרות יותר - "עבדנו ברוח של ידידות, רצון טוב ושותפות מלאה". (4)

      מירו רכש את תובנות החומר מארטיגאס, וזה כיבד את רוח היצירה של מירו בלי לכבול אותה לאמונתו הוא. יש לציין כי בזמן שיצירת הקרמיקה של מירו התפתחה בגבולות שפתו האישית, ברוח סוריאליסטית-פנטסטית, נשאר ארטיגאס נאמן ליצירתו הוא, וכליו נשארו פשוטים, חסרי דקורציה או ציור, וללא השפעות "מירואיות" גלויות.

      שיתוף פעולה ממין זה בין קדר לצייר איננו חדש בתולדות האמנות המודרנית, ומן המפורסמים הם הציירים גוגין (Gauguin), רואיו (Rouault), מטיס (Matisse), בראק (Braque) וכאמור פיקסו, ארטיגאס ובנו, ששיתפו פעולה גם עם דופי (Dufy) ובראק.  יחד עם זאת, השותפות שנוצרה בין השניים ונמשכה תקופה ממושכת בחייהם האמנותיים יוצאת דופן ומיוחדת במינה. לדעת ארטיגאס הבן לא יכלו עבודותיו של מירו להיווצר, אלא משותפות זו.

      ארטיגאס יצר את הצלחות ואת הכדים ומירו צייר עליהם, אבל אלה לא סיפקו אותו. בתקופה הראשונה, מספרים, כיסה מירו בדימוייו כל משטח שנקרה על דרכו: פיסות חרס, לבני תנור שבורות, אריחים שנמצאו בסדנה ועוד. עולם הדימויים של מירו הועתק אל הרקע הקרמי, ובעזרתו של ארטיגאס קיבלו גם הגוונים האופיינים לציור שלו - האדום החריף, השחור, הצהוב והכחול - ביטוי בזיגוגים.

      במקצת העבודות - על הפנים הקעורות של הצלחות ועל פני הכדים הקמורים - ניכרת היטב תפיסת חלל קרובה אל התלת-ממד יותר מאשר אל הבד השטוח, והציורים עוקבים יפה אחר צורת הכלי - מרכז ושוליים מובלטים בצלחות, וצוואר וכתף הכד מודגשים במסורת של הקדרות; ואולם בעבודות אחרות מירו מתעלם מעקרונות אלה, והעיטורים פושטים על פני הכלים בחוסר יראה מוחלט. במהרה פרצה היצירתיות של מירו את גבולות הכלי: הוא פגע בדופן, הרס סימטריה, פתח פתחים, חרץ חריצים או הוסיף גושים, שעוזרים להאניש את הכלי עד כדי יצירת ישות חדשה ועצמאית.

      הציור היה ונשאר תחום הביטוי העיקרי של מירו, ואולם התלת-ממד אִתגר אותו באותה מידה. הוא עבר לכייר יותר ויותר בחומר, ולקראת המחצית השנייה של שנות ה-50 כבר הצטברה קבוצה של פסלים שיוצרת את הגוף המשמעותי בתחום זה.(5) כאמור, מקצת הפסלים מתבססים על צורת הכלי ויוצאים ממנו. אחרים מקורם בגוש החומר שמירו דש בו ויצר דימוי, בדרך כלל דמות אישה או גבר, ולעתים גם חיה. ואולם זהות החומר ניכרת היטב בעיצוב. הדבר בולט ברכות הצורות הביומורפיות ובנזילותם של חלקי גוף אחד אל תוך השני - קו שמאפיין רבים מן הפסלים. מירו גם למד לנצל היטב איכויות טקטיליות של פני השטח, וברוב העבודות יצר מרקמים גסים, חומריים, פני שטח שמעידים על טביעת האצבעות של האמן.

      הפסלים שנוצרו טומנים בחובם כוח פראי, ארכאי, שמקרב אותם אל כמה מקורות של אמנות. ואכן, מקורות יצירתו של מירו, כפי שהראו חוקרי עבודותיו, רבים ושונים.(6) ראשית, לטבע ארצו ולאנשיה מקום חשוב בהוויה של יצירתו; ושנית, קשת תרבותית-היסטורית רחבה השאירה את עקבותיה בנפשו והשפיעה על יצירתו. בעבודתו נמצאו הדים של ציורי קיר פרה-היסטוריים ממערות אלטמירה בצרפת, של אמנות דתית עממית ספרדית שהכיר בכנסיות רומנסקיות, ושל אמנות שבטית, בעיקר אפריקאית ואוקיאנית, שהיו קרובים ללבו של מירו, כשם שהיו קרובים לחוג הסוריאליסטים שבקרבם הסתובב בתקופה שהיה בפריז.

      הפשטה ועיוותים צורניים של דמות האדם והחיה, הגזמה של חלקי גוף מסוימים, דקורציה כבדה ועוד אלמנטים בולטים באמנויות אלה - שהיו שונים מהקנון המערבי וזרים לו לחלוטין - הילכו קסם רב על אמנים כפיקסו, מקס ארנסט (Ernst), מגרית (Magritte), דלי (Dali), מירו ואחרים. אמנים אלה, שהתאכזבו מן התרבות המערבית, ביקשו לשוב ולעורר ביצירתם (ספרות ואמנות פלסטית) את אותו מסתורין שנגלה להם באמנות "פרימיטיבית"; הם רצו להעלות רגשות עמוקים מן התת-מודע ולהביע יצרים חזקים, בראשיתיים, אפילו פראיים אך אותנטים יותר, שנדחקו ונמחקו על ידי הערכים הדקדנטיים של החברה הבורגנית המערבית.

      מירו, כמו יתר בני החבורה הסוריאליסטית, ראה יופי וטביעת חיים אמיתית בחפצים דוממים שמצויים בסביבתנו, בחפצים עתיקים או ישנים וזנוחים, והם אף שימשו לו ליצירות האסמבלאז'ים הראשונים שלו. האהבה, הנכונות לעבוד עם חומרים "נמוכים" ולראותם כשווי ערך ביצירה האמנותית, קיבלו משנה תוקף גם בהשפעת אישיותו ויצירתו של אנטוניו גאודי (Gaudi), האמן הספרדי שמירו העריץ. הקתדרלה הפנטסטית שלו Sagrada Familia, שכבר עמדה בבנייתה בכיכר המרכזית בברצלונה, הייתה מוקד של עלייה לרגל לאמנים כולם. המיזוג של אדריכל-אמן-אומן בדמותו של גאודי השפיעה רבות על מירו וכן על דור שלם של אמנים צעירים בספרד.

      לקראת סוף שנות ה-60  קיבלו עבודות הקרמיקה של מירו תשומת לב רבה, כישרונו כקרמיקאי התבסס, והוא החל לקבל הזמנות רבות ליצירת קירות קרמיים (7). אלה עבודות גדולות ומונומנטליות, עשויות אריחים שנעשו והוצבו שוב בעזרתם של ארטיגאס ובנו. מירו צייר את המוטיבים שלו מראש, והם והאריחים בוצעו בסדנה של ארטיגאס. הקירות הקרמיים הביאו נחת רבה למירו, שכן יצירתו הפכה פומבית ונגישה לציבור הרחב.

      אל עבודות הקרמיקה, ובייחוד בתחום העיטור, הביא מירו את האיקונוגרפיה האופיינית לציוריו - את הכוכבים העליזים לצד השמש והירח, את קווי המים המתפתלים כערבסקות, את השרבוטים המזכירים ציורי ילדים או רישומי גרפיטי, וכן את העין הבודדת, הגדולה והרואה כול ובעלת הכוח המאגי (העין המאגית המקללת!), ובעיקר את דמויות האדם הסכמטיות המרחפות בחלל מלא תנועה דינמית, משוחרר מחוקי פרספקטיבה וללא כוחות כבידה, כחלל שמימי.

      גם פסלי החומר של מירו הם מעין שיבוט של דימויים אלה בתלת-ממד, ורובם הפשטה מעוותת של גוף האדם עם דגש על הקומי והגרוטסקי. נראה שמירו מצא פן זה של האנושות מסקרן, מלהיב ואמיתי הרבה יותר. הדימויים לרוב אינם מוגדרים ממש, ויש בהם מעין נזילות מטמורפית בין קשת לראש, בין שער לעכביש לכוכב, והגוף לעתים הופך לסולם ולהפך. גם הזהות המינית של הדמויות מתחלפת, והצירוף של אישה- ציפור או ראש-פאלוס שכיח למדי.

      העולם שברא מירו בציורים, בפסלים ובכלל זה בפסלי הקרמיקה הוא עולם סמלי, חסר היגיון מערבי, ומקורב יותר אל זה שרווח בימי הביניים; עולם מלא אפקטים פרדוקסליים, משעשעים עם קורטוב של נאיביות. מירו בנה שפת סימנים פרטית שמחקה את הגבולות בין האפשרי לקיים, בין היפה למכוער, בין הרציני למגוחך; שפה פיוטית משלו אבל נהירה ומובנת לכל צופה באשר הוא.

      עבודות הקרמיקה נעשו לרוב באבנית ונצרפו תמיד בתנור עצים בטמפרטורות גבוהות. ארטיגאס ובנו אחריו סירבו להשתמש בחומרי שרפה אחרים כמו גז, פחמים או חשמל, והשתמשו בשרפה זו בלבד. הם העריכו את פעולת האש והעשן על כליהם, ואכן קדרים אלה הקדימו את תאוות הרקו והאנגמה ששטפה את המערב עשורים אחדים מאוחר יותר. הפסלים בחומר קושטו במעט זיגוג צבעוני, אבל רוב הגוף נשאר חשוף ומגלה את איכות החומר ואת תגובתו לאש ולפעולת האפר.

      הקרמיקה של מירו - הכלים המעוטרים וכן הפיסול - עמדו בסתירה מוחלטת לגישה האנגלית מבית מדרשו של ברנרד ליץ' וממשיכיו וכן לקרמיקה הסקנדינבית. הצבעוניות החריפה, הטיפול הדינמי מלא הדמיון בחומר, האקספרסיביות שהוא החדיר לקרמיקה - כל אלה פתחו אפיק נוסף לקרמיקה המודרנית. הם שינו בלי ספק את המודעות לחומר, ובשנים הבאות היו השראה לקרמיקה באירופה ובארצות הברית כאחד.

      את תמצית המחווה המשמעותית ביותר של מירו לקרמיקה אני עצמי מוצאת בפסל המונומנטלי "אישה וציפור" (חמישה-עשר מטר גובה) שיצר שנה לפני מותו; דימוי האישה עשוי מכד גדול, והציפור הנחה על ראשה עשויה אף היא מחלקו של כד.(8)

      למידע נוסף על לימודי פיסול בבית בנימיני

      הערות: 1- בגלריה פייר מטיס בניו יורק הוצגו כמה תערוכות בלעדיות של הקרמיקה של מירו ב-1945 וכן ב-1956, ב-1961 וב-1985; גלריה מאט (Gallery Maeght) בפריס הציגה מעבודותיו ב-1956 וב-1963; ב-1991 הוצגו עבודותיו בפאנזה (Faenza);  וב-1992 נערכה תערוכה במוזאון Het Kruithaus S'Hertogenbosch, הולנד, שכללה קרמיקה. בשנות ה-80 וה-90 הוצגו כמה תערוכות בספרד; ובסוף ספטמבר 2000 נפתחה במוזאון גרדינר בטורונטו, קנדה, תערוכה מקיפה של עבודותיו בחומר, שכללה מקבץ של שישים עבודות והוצא קטלוג מקיף. 2.   Rosa Maria Malet, Joan Miro, Edicione Poligrafa, S.A., 1983 3. Anne McPherson (ed.) Joan Miro, Playing with Fire, The G.R..Gardiner Museum of Ceramic Art, Sep. 2000-Jan. 2001, p.35 4. J. Gardy Artigas, "Miro-Artigas - High-Fired Earthenware", in: Anne McPherson, ibid, p.15 יש לציין שבקטלוג כל העבודות מיוחסות לשני היוצרים - רובן למירו ולארטיגאס האב, ומקצתן גם לבנו, שהיה אף הוא קדר ועבד עם מירו. מוזכר גם שמו של הקדר הנס ספינר (Hans Spinner), ששיתף גם הוא פעולה עם מירו. 5.   המכלול העשיר של עבודות (כארבע מאות במספר) נעשו בעיקר בשני פרקי זמן - בשנים 1944-1942, ובשנים 1959-1956. לאחר מכן מיעט מירו לעטר ולפסל והתמקד בקירות קרמיים. 6.   Anne McPherson (ed.) Joan Miro, Playing with Fire, ibid, p.35. 7.   מירו יצר חמישה-עשר קירות קרמיים במקומות שונים בעולם, בכללם בניין אונסקו בפריס, מבנה באוניברסיטת הארוורד, ארצות הברית, מוזאון גוגנהיים בניו יורק, מוזאון  קונסטהאוס בציריך, בניין חברת גז באוסקה, יפן, ובניין בשדה התעופה בברצלונה. 8. Woman and Bird, 1981-1982, Cement covered with pottery fragments, ~15m. high (see Rosa Maria Malet, ibid., p.128)
      ]]>       8777 2013-04-22 15:53:33 2013-04-22 12:53:33 closed open %d7%90%d7%93%d7%9e%d7%94-%d7%95%d7%90%d7%a9-%d7%94%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94-%d7%a9%d7%9c-%d7%96%d7%95%d7%90%d7%9f-%d7%9e%d7%99%d7%a8%d7%95-%d7%a9%d7%a8%d7%94-%d7%94%d7%a7%d7%a8%d7%98 publish 0 0 post 0 _edit_lock 1366636117 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1366635932 _alp_broken_links a:1:{s:181:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%9C%D7%99%D7%9E%D7%95%D7%93%D7%99-%D7%A4%D7%99%D7%A1%D7%95%D7%9C/";a:0:{}}       תל אביב, ברלין, במעבר http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/%d7%aa%d7%9c-%d7%90%d7%91%d7%99%d7%91-%d7%91%d7%a8%d7%9c%d7%99%d7%9f-%d7%91%d7%9e%d7%a2%d7%91%d7%a8/ Tue, 23 Apr 2013 09:38:59 +0000 http://www.benyaminiceramics.org/?page_id=8796

      פתיחת התערוכה: יום חמישי, 2 במאי 2013, בשעה 19:30.

      תל אביב וברלין, שתי ערים קוסמופוליטיות, משתייכות לקבוצת ערים מרכזיות בעולם אשר משמשות מוקדי משיכה למהגרים. בעידן הגלובליזם, הנגישות והנדידה נעשו נוחות וזמינות יותר. האמונה באפשרויות בלתי מוגבלות וברב-תרבותיות מאתגרת לבדוק ולנסות לחיות בערים אלה, להיטמע בהן ולהנות מקסמן. המהגרים המחפשים לשנות את סביבתם התרבותית המקורית, האתנית צובעים אותן באיכויות ייחודיות בעלות גוונים שונים של פתיחות ודחייה.

      ארבעה אמנים נוגעים בתערוכה זו במכלול משמעויות של היות מהגר לערים רב לאומיות, ציוריות ומחוספסות. התערוכה מציפה את נושא ההגירה החוקית לא מאספקט פוליטי, אלא מתוך גישה עיתונאית משהו המלווה ברגישות למשמעותן של עקירה והשתרשות, לתועלת ולבעייתיות הנלוות לתופעה.

      הדמוט ביטיגר בודקת האם מתגבשת  סינתזה של קהילה מתמהיל רב גוני של מהגרים וכיצד. ביטיגר יוצאת למסע ברחבי ברלין ומציגה בפני עשרים מרואיינים בני לאומים שונים את השאלה האם ברלין היא עיר המאפשרת ומקבלת שונויות או משמרת נפרדות. תשובותיהם מובילות אותה לשתי העבודות המוצגות בתערוכה.

      לאחר שנים רבות של עבודה כצלם עיתונות מפנה נינו הרמן את עדשת מצלמתו למפגשי רחוב. בעשרות צילומי סצינות מתוך חיי יום ולילה של עוברי אורח וקבוצות אתניות שונות הוא כמו ממפה את דרום העיר תל אביב. יכולתו להיות נוכח יחד עם רגישותו וכבודו לפרט מאפשרים לו ליצור מעין מסמך תיעודי, אותנטי ואמין. מצלמתו קולטת מעמדים של דיוני מדרכות, אוירה של עיר שהחיים פועמים ברחובותיה, בבתי הקפה שלה, בם מתקיים מיזוג גלויות באופן הטבעי ביותר.

      עינת כהן, בעבודתה קופסאות עוסקת בארעי. מבני הפורצלן הממוזערים שלה, המונחים על מעין מסוע מקובע, מדמים את בנייני המטרופולין תל-אביב מחד  ונראים כארגזי קרטון מאידך. הקופסה, המשמשת לאריזה ולאחסון של חפצים לעתים סתמיים ולעתים בעלי ערך אישי סנטימנטלי, מתקשרת עם מושגים של מעבר, זכרונות, געגועים - כולם אף רלווטיים לנושא ההגירה.

      יצירתה של טליה טוקטלי ניזונה ממארג של תרבות מהגרים אירופאית ומשמעות של היות ישראלי על רצף התרבות המקומית. חוטים אלה היא פורמת ושוב קושרת כדי להגדיר את הסינתזה הנכונה לה. במיצב מותירה סימן היא מרכיבה פזל של פרגמנטים הנשענים על אותו ציר תרבותי, חידתיים משהו וניתנים לפרשנויות רבות.

      מיקומו של בית בנימיני, בלב התהוותה והתגבשותה של אוכלוסיית מהגרים מגוונת, חיזק את הבחירה בהעלאת תערוכה זו. המתהלך באזור בכל שעות היום והלילה חש את היותו רוחש סוגי אוכלוסיות המשתייכות למנעד רחב ביותר: אנשי עמל, עובדי עיתונות, אמנים שהתקבצו מכל עבר, מהגרים ועוברי אורח מרחבי המדינה והעולם. [nggallery id=161] ]]>       8796 2013-04-23 12:38:59 2013-04-23 09:38:59 closed open %d7%aa%d7%9c-%d7%90%d7%91%d7%99%d7%91-%d7%91%d7%a8%d7%9c%d7%99%d7%9f-%d7%91%d7%9e%d7%a2%d7%91%d7%a8 publish 276 9 page 0 _edit_lock 1375008178 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1373869158 _thumbnail_id ngg-1597 970 http://www.benyaminiceramics.org/2013/06/%d7%a2%d7%9c-%d7%90%d7%95%d7%a6%d7%a8%d7%95%d7%aa-%d7%9e%d7%a0%d7%a7%d7%95%d7%93%d7%aa-%d7%9e%d7%91%d7%98-%d7%90%d7%99%d7%a9%d7%99%d7%aa/ 91.193.50.70 2013-06-17 17:00:13 2013-06-17 14:00:13 1 pingback 0 0       tel-aviv-berlin-invitation http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%94%d7%a2%d7%91%d7%a8/%d7%aa%d7%9c-%d7%90%d7%91%d7%99%d7%91-%d7%91%d7%a8%d7%9c%d7%99%d7%9f-%d7%91%d7%9e%d7%a2%d7%91%d7%a8/tel-aviv-berlin-invitation/ Tue, 23 Apr 2013 09:39:40 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/04/tel-aviv-berlin-invitation.jpg 8798 2013-04-23 12:39:40 2013-04-23 09:39:40 closed open tel-aviv-berlin-invitation inherit 8796 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/04/tel-aviv-berlin-invitation.jpg _wp_attached_file 2013/04/tel-aviv-berlin-invitation.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"316";s:6:"height";s:3:"448";s:14:"hwstring_small";s:22:"height='96' width='67'";s:4:"file";s:38:"2013/04/tel-aviv-berlin-invitation.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:38:"tel-aviv-berlin-invitation-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:38:"tel-aviv-berlin-invitation-211x300.jpg";s:5:"width";s:3:"211";s:6:"height";s:3:"300";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} Tel Aviv, Berlin, In Transit http://www.benyaminiceramics.org/en/ceramic-galleries/past-exhibitions/tel-aviv-berlin-in-transit/ Tue, 23 Apr 2013 09:47:13 +0000 http://www.benyaminiceramics.org/?page_id=8804 Many major cities around the world attract immigrants seeking to change their cultural and ethnic surroundings. In the era of globalism, accessibility and migration is easier and thus more prevalent. The belief in endless possibilities and multiculturalism motivates people from all over the world to move to different cities, to explore and assimilate and to enjoy their various charms. It seems that some of them are attracted to the experience of being detached from their place of birth; they renounce the strings that attach them to their homeland and examine their feelings and options for development that become possible in the new place, where they lack all previous commitments. Tel Aviv and Berlin, both cosmopolitan cities, belong to the group of cities that attract this type of migration. Their cafes, bars and sidewalks, their vibrant public spaces are bustling with diverse populations and cultures, some of whom are still in no-man's-land, in between settling and departing. Immigrants in both these cities paint the town with unique qualities and various shades of openness and rejection. In this exhibition, four artists from different creative fields relate to the complexities of immigrating to a new city, the benefits and problems associated with the phenomenon of migration to these attractive yet deceiving urban surroundings. In a series of meetings and discussions, the participants created a platform for a joint exhibition that is to be shown in these two vibrant and similar cities: multinational, picturesque yet rugged, sexy yet miserable. The exhibition raises the issue of legal immigration to Tel Aviv and Berlin, not from a political perspective, but rather a somewhat journalistic approach that is sensitive to the various meanings and implications of displacement and enrooting. Hadmut Bittiger, a multidisciplinary artist from Berlin, visits Israel frequently. For some time now she has focused on immigration to the city and tries to reveal the mutual feelings of migrants and local residents. Berlin is unique as it is composed of dozens of layers of different nationalities and religions;   immigrants who for centuries have migrated to the city from across Europe and Asia. One in every four Berliners holds a foreign passport. How and when does such a diverse mix of people fuse to form a community? Bittiger deals exactly with this question. She heads out on a journalistic-like voyage through Berlin and asks 20 immigrants from various nationalities: Is the city’s diversity an opportunity or does it make people move farther apart? Their responses span a wide range of sensations: from nostalgia to their homeland and national pride, admiration toward the supportive government policies and gratefulness for the opportunities they and their family member's have been given; alongside disappointment from their failure to become accepted and integrated members of society and back to feelings of tolerance, acclimatization, delight by the multicultural environment and a hope to merge into the melting pot, along with a wish to preserve their original tradition. These answers inspired the artist to create the two works displayed in the exhibition: Berlin – City of Diversity 1: A work composed of circles of texts from international newspaper cuttings, which simulates the map of Berlin and highlights the broad spectrum of its varied and dynamic population. Berlin - City of Diversity 2: An audio doc-art installation comprised of the interviewee's answers that are printed on colored ribbons attached to cellophane heads. On each head is a button that can be activated and thus the viewer can listen to the interviewee's recorded response in his mother tongue. This is an installation with the potential of a babble of languages reverberating in the gallery space. Nino (Hananya) Hermans photographs raise a different sensation. After many years as a photojournalist, Herman turns his camera lens toward street encounters. Dozens of photographs of scenes taken in the day and night, typical of different ethnic groups, map out southern Tel Aviv. His ability to be present together with his sensitivity and respect for the individual, allow him to create authentic and credible documentation. Herman does not distinguish between immigrants from the Israeli peripheries or from abroad - for him, the subject is passersby, mostly young, who have settled in south Tel Aviv. Most of them are searching for answers to physical, spiritual and material existential questions. For some of the people who appear in his photographs, the city is permissive, tolerant and accepting. His camera captures scenes of discussions on street corners, the atmosphere of a city in which daily life unravels in the streets and in cafes. Groups of young people collide, unite around social protests, alongside groups of loners from different areas and ages, travelling by bicycle and walking their dogs. Nino's photographic installation is between documentary and art, and portrays the pulse of the city. Einat Cohen, a ceramic artist who has focused for years on issues of temporality and the transition, fixes to a ``conveyor`` belt a series of miniature porcelain structures, seemingly mobilizing the buildings in the Tel Aviv metropolis, like cardboard boxes. It's as if the boxes contracted and turned the buildings into a work of art: some are anonymous and others are Tel Aviv icons with their resident's all "packed" inside them. The familiar and functional box used for packing and storing of various objects that can be mundane or of sentimental value. In this case, the cardboard box also relates to concepts of transition, memory, nostalgia - all relevant to the topic of immigration. The delicacy and fragility of the miniature porcelain structures illustrate the loaded status of being an immigrant in the city. Talia Tokatly chooses a personal-private approach to  the theme of the exhibition . Her work is inspired by the culture of European immigrants  and deals with the heritage of the family heirlooms and works of art that remained.  In addition, she relates to the meaning of being an Israeli in  the context of the local culture.  . She unravels and reweaves these relationships in order to find the synthesis that suits her. Her artistic language is not national-political or declarative, but rather the language of research,. In the installation Leaves a Mark she assembles a puzzle of fragments.that reflect on vague signs and clues with multiple meanings and refer to multiculturalism. The location of the Benyamini Center, in the heart of a growing and diverse immigrant population, strengthened the conviction to mount this exhibition. Walking the streets of this area, in day or night, one can sense the broad array of people that populate the neighborhood: laborers, press workers, artists gathered from all over,  immigrants and travelers from around the country and from all corners of the world. [nggallery id=161] ]]> 8804 2013-04-23 12:47:13 2013-04-23 09:47:13 closed open tel-aviv-berlin-in-transit publish 279 9 page 0 _edit_lock 1366797618 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _thumbnail_id ngg-1597 DVDs http://www.benyaminiceramics.org/%d7%a1%d7%a4%d7%a8%d7%99%d7%94/dvd/dvds/ Tue, 23 Apr 2013 10:10:56 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/04/DVDs.jpg 8810 2013-04-23 13:10:56 2013-04-23 10:10:56 closed open dvds inherit 8013 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/04/DVDs.jpg _wp_attached_file 2013/04/DVDs.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"532";s:6:"height";s:3:"399";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:16:"2013/04/DVDs.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:16:"DVDs-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:16:"DVDs-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} DVDs http://www.benyaminiceramics.org/%d7%a1%d7%a4%d7%a8%d7%99%d7%94/dvd/dvds-2/ Tue, 23 Apr 2013 10:11:22 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/04/DVDs1.jpg 8811 2013-04-23 13:11:22 2013-04-23 10:11:22 closed open dvds-2 inherit 8013 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/04/DVDs1.jpg _wp_attached_file 2013/04/DVDs1.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"532";s:6:"height";s:3:"399";s:14:"hwstring_small";s:23:"height='96' width='128'";s:4:"file";s:17:"2013/04/DVDs1.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:17:"DVDs1-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:17:"DVDs1-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} DVD http://www.benyaminiceramics.org/%d7%a1%d7%a4%d7%a8%d7%99%d7%94/dvd/ Tue, 23 Apr 2013 10:12:00 +0000 http://www.benyaminiceramics.org/?page_id=8013 ספרית ה-DVD שלנו גדלה לאט. עדיין מעטים בעולם הם הסרטים בנושא קרמיקה ואנו מנסים להוסיף כל חומר רלוונטי ומעניין כשיחות עם אומנים, חומר היסטורי, הדגמות בסימפוזיונים ועוד.

      נזכיר פה שתי קלטות מהאוסף, שתי הדגמות של טכניקות עבודה שהם מההפקות של "אנסיקה" (האירגון האמריקאי לחינוך לאמנויות הקרמיקה):

      ליסה אור היא קרמיקאית צעירה אשר יוצרת כלים בשרפה נמוכה: היא המציאה שיטה מעניינת משלה בה היא יוצרת כלי על הגלגל בהתחלה מתוך תבנית וממשיכה אותו בהרמה רגילה. צורותיה חופשיות, פראיות , וגמורות בעיתור מאוד צבעוני ונועז במסורת האמריקאית המודרנית, בלי פחד ליפול "לקיטש".

      קריס סטיילי, קרמיקאי אמריקאי מוערך ופרופסור מנהל מחלקת הקרמיקה באוניברסיטת "פאן סטייט", מביא כיוון שונה לחלוטין בהדגמה של הצורות הנקיות, בעבודת גלגל מדוייקת, וברקונסטרוקציה של הצורה למשהו חדש. הוא מרצה מרתק על קרמיקה ועל השינויים שהתחום עובר היום, ואיך השינויים האלה משפיעים על התיחסותינו לאובייקטים, לזולת ולתחושת המקום שלנו.

      ]]>       8013 2013-04-23 13:12:00 2013-04-23 10:12:00 closed open dvd publish 1946 4 page 0 _edit_lock 1366795779 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1366793737 _thumbnail_id 8865       Video & DVD http://www.benyaminiceramics.org/en/library/video-dvd/ Tue, 23 Apr 2013 10:12:57 +0000 http://www.benyaminiceramics.org/?page_id=8015 ]]> 8015 2013-04-23 13:12:57 2013-04-23 10:12:57 closed open video-dvd publish 1948 4 page 0 _edit_lock 1366713602 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _thumbnail_id 8810 סדנת אריחים - מאריח לתבליט http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%a1%d7%93%d7%a0%d7%90%d7%95%d7%aa/%d7%a1%d7%93%d7%a0%d7%aa-%d7%90%d7%a8%d7%99%d7%97%d7%99%d7%9d-%d7%9e%d7%90%d7%a8%d7%99%d7%97-%d7%9c%d7%aa%d7%91%d7%9c%d7%99%d7%98/ Tue, 23 Apr 2013 10:51:31 +0000 http://www.benyaminiceramics.org/?page_id=8830 [imagebrowser id=164]

      ייצור ושימוש באריחי קרמיקה נפוץ בעולם בתרבויות שונות. עד ימינו ניכרים השפעותיהם של הסגנונות השונים: מוסלמי, ספרדי, ארמני, איטלקי, הולנדי ועוד. בסדנה נכיר את הסגנונות השונים שנולדו מתוך שילוב של צרכים חברתיים, אמנותיים  וארכיטקטוניים. כמו כן נכיר עיצובים עכשוויים בני ימינו.

      ניצור אריחים בעבודת יד לשימוש בתוך הבית ובחוץ. נפתח שפה אישית שאותה ניצוק לעשיית אריחים בעלי פני-שטח מגוונים. מאריח שטוח בדגמים עשירים ועד לתבליט. מאריח בודד ועד שילוב של כמה אריחים לכדי תמונה. יילמדו שיטות צביעה מגוונות תוך שימוש באנדרגלייז, גלזורות ושריפות מתאימות.

      מנחת הסדנה: רונית רפ.

      אין צורך בידע מוקדם.

      עלות: 900 ש"ח ל-5 מפגשים כולל חומרים ושריפות

      הסדנה תתקיים בימי חמישי בין השעות 15:30-19:30.

      תאריכי הסדנה: 11 ביולי עד 8 באוגוסט 2013.

      למידע נוסף על סדנאות קרמיקה בבית בנימיני לכתבת העשרה בנושא אריחי קרמיקה

      ]]>       8830 2013-04-23 13:51:31 2013-04-23 10:51:31 closed open %d7%a1%d7%93%d7%a0%d7%aa-%d7%90%d7%a8%d7%99%d7%97%d7%99%d7%9d-%d7%9e%d7%90%d7%a8%d7%99%d7%97-%d7%9c%d7%aa%d7%91%d7%9c%d7%99%d7%98 publish 4325 3 page 0 _edit_lock 1366715874 _edit_last 3 menu_title אריחי קרמיקה keywords אריחי קרמיקה description סדנת אריחי קרמיקה - מאריח לתבליט בבית בנימיני בתל אביב, בהנחיית רונית רפ title סדנת אריחי קרמיקה - מאריח לתבליט _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1366715874 _thumbnail_id ngg-1610 robotsmeta index,follow _alp_broken_links a:3:{s:207:"http://www.benyaminiceramics.org/%D7%9E%D7%A8%D7%9B%D7%96-%D7%91%D7%A0%D7%99%D7%9E%D7%99%D7%A0%D7%99/%D7%A6%D7%95%D7%95%D7%AA-%D7%94%D7%9E%D7%95%D7%A8%D7%99%D7%9D/%D7%A8%D7%95%D7%A0%D7%99%D7%AA-%D7%A8%D7%A4/";a:0:{}s:150:"http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%a1%d7%93%d7%a0%d7%90%d7%95%d7%aa/";a:0:{}s:109:"http://www.benyaminiceramics.org/2013/04/%D7%90%D7%A8%D7%99%D7%97%D7%99-%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/";a:0:{}} 877 http://www.benyaminiceramics.org/2013/04/%d7%90%d7%a8%d7%99%d7%97%d7%99-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/ 91.193.50.70 2013-04-23 14:17:07 2013-04-23 11:17:07 1 pingback 0 0       Tilemaking: Tiles to Reliefs http://www.benyaminiceramics.org/en/ceramic-courses/workshops/tilemaking-tiles-to-reliefs/ Tue, 23 Apr 2013 10:52:46 +0000 http://www.benyaminiceramics.org/?page_id=8832 8832 2013-04-23 13:52:46 2013-04-23 10:52:46 closed open tilemaking-tiles-to-reliefs publish 4379 3 page 0 _edit_lock 1367789374 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _thumbnail_id ngg-1610 רונית רפ http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%a6%d7%95%d7%95%d7%aa-%d7%94%d7%9e%d7%95%d7%a8%d7%99%d7%9d/%d7%a8%d7%95%d7%a0%d7%99%d7%aa-%d7%a8%d7%a4/ Tue, 23 Apr 2013 11:11:29 +0000 http://www.benyaminiceramics.org/?page_id=8841 [imagebrowser id=164]

      מרצה בקורס: סדנת אריחי קרמיקה

      מורה לפיסול ועיצוב קרמי ב"קוביה", ירושלים. בעלת סטודיו פרטי בכפר-בן נון. עסקה במשך 12 שנים בייצור וניהול סטודיו לייצור אריחים – "אריחימצוירים". בוגרת המחלקה לעיצוב קרמי בבצלאל, ובעלת תואר שני בספרות עברית במסלול כתיבה יצירתית, אוניברסיטת בן-גוריון. השתתפה בביאנלה השלישית והרביעית לקרמיקה במוזיאון הארץ בתל אביב.

      ]]>       8841 2013-04-23 14:11:29 2013-04-23 11:11:29 closed open %d7%a8%d7%95%d7%a0%d7%99%d7%aa-%d7%a8%d7%a4 publish 5634 0 page 0 _edit_lock 1366715491 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default       orly nezer http://www.benyaminiceramics.org/2013/04/%d7%90%d7%a8%d7%99%d7%97%d7%99-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/orly-nezer/ Tue, 23 Apr 2013 11:15:56 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/04/orly-nezer.jpg 8845 2013-04-23 14:15:56 2013-04-23 11:15:56 closed open orly-nezer inherit 8844 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/04/orly-nezer.jpg _wp_attached_file 2013/04/orly-nezer.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"207";s:6:"height";s:3:"244";s:14:"hwstring_small";s:22:"height='96' width='81'";s:4:"file";s:22:"2013/04/orly-nezer.jpg";s:5:"sizes";a:1:{s:9:"thumbnail";a:3:{s:4:"file";s:22:"orly-nezer-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} אריחי קרמיקה http://www.benyaminiceramics.org/2013/04/%d7%90%d7%a8%d7%99%d7%97%d7%99-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/ Tue, 23 Apr 2013 11:17:02 +0000 http://www.benyaminiceramics.org/?p=8844

      אריחי קרמיקה קשורים בתחום הארכיטקטורה ועיצוב חללי מחיה. אריחי הקרמיקה עמידים, נוחים לשימוש ומעל לכל – יפים ביותר. עולה כי האדם ניצל את התכונות המיוחדות של הקרמיקה במשך 4,000 שנה. קירות מצופים אריחים נמצאו בפירמידות במצרים, ובעתיקות בבל ויוון. אריחי הקרמיקה המזוגגים אינם סופגים מים, אינם נשרטים או משתפשפים, לא מוכתמים.

      הכנת אריחי קרמיקה בעבודת יד מאפשרת לנצל טכניקות שונות של עבודה בחומר, ולפיכך ישנם סוגים שונים של אריחים. האריח יכול להיות מישורי כציור או בעל נפח כתבליט. הוא יכול להיות מונו-כרומטי או צבעוני, ויכול להיות בכל קו מתאר שהוא בהתאם לדרישות הארכיטקטוניות.

      לרוב מיוצרים האריחים בעבודת יד ממשטחים. בעת החיתוך של החומר הלח נילקח בחשבון אחוז ההתכווצות של החומר, כדי להגיע לגודל האריח הסופי הרצוי. להקטנת אחוז ההתכווצות ולהגדלת העמידות של האריח מומלץ להשתמש בחומר גולמי בעל אחוז גבוה של גרגרי שמוט. את האריחים חותכים בשלב שהחומר יבש למחצה: "קושי עור". זאת כדי למנוע עיוותים והתעקמויות.

      יש היוצרים תבניות גבס או עץ כדי לשחזר את הדוגמא של האריח מספר רב של פעמים. ניתן להעתיק בקלות למשטח החומר דוגמא אשר צוירה על נייר. יש המייצרים הדפסים של הדוגמאות בהדפסת רשת או דיגיטלית, ומטמיעים אותם בזיגוג של האריח.

      שכיחותם של האריחים בכל בית מהוה נקודת מוצא לעבודות אמנותיות רבות. למשל העבודה פAטרן שיצר גיא בן נר.  בן נר הדפיס ושיכפל את סמל רכב הנכים על גבי אריחי קרמיקה. כתוצאה משכפולו הפך הסמל לאורנמנטיקה ערבית ובכך מחבר, ויזואלית וגם רגשית שתי קבוצות מיעוט פגיעות בחברה הישראלית.

      למידע על סדנת אריחי קרמיקה בבית בנימיני

      ]]>       8844 2013-04-23 14:17:02 2013-04-23 11:17:02 closed open %d7%90%d7%a8%d7%99%d7%97%d7%99-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94 publish 0 0 post 0 _edit_lock 1366716005 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";}       Ceramic Tiles http://www.benyaminiceramics.org/en/2013/04/ceramic-tiles/ Tue, 23 Apr 2013 11:23:25 +0000 http://www.benyaminiceramics.org/?p=8849 Ceramic tiles are associated with architecture and the living space.  Tiles are resistant, practical and above all can be very beautiful.  Man has used the unique properties of clay for 4000 years and tiles are to be found in the pyramids in Egypt and ancient Greece. Handmade ceramic tiles can vary in technique; decorated 2D surfaces using monochromes or bright colors or develop into 3D low relief surfaces which can be adapted to the architecture of the space. Tiles can be cut from leather-hard slabs of clay – bearing in mind that clay contracts in the drying and firing process or pressed in plaster or wooden moulds.  Decorating techniques vary and may include hand painting, paper transfer, screen or digital printing and decals. Tiles are common in just about every home but they may be the starting point for works of art, such as the work created by Guy Ben Ner – repetition of the symbol for the disabled printed on tiles created an arab style ornamentation – visually and emotionally connecting two minority groups in Israeli society. For furher information regarding "Tilemaking: Tiles to Reliefs" workshop at the Benyamini Center.]]> 8849 2013-04-23 14:23:25 2013-04-23 11:23:25 closed open ceramic-tiles publish 0 0 post 0 _edit_lock 1366716628 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} archive image http://www.benyaminiceramics.org/%d7%a1%d7%a4%d7%a8%d7%99%d7%94/%d7%94%d7%a7%d7%9e%d7%aa-%d7%90%d7%a8%d7%9b%d7%99%d7%95%d7%9f-%d7%93%d7%99%d7%92%d7%99%d7%98%d7%9c%d7%99-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94-%d7%99%d7%a9%d7%a8%d7%90%d7%9c%d7%99%d7%aa/archive-image/ Tue, 23 Apr 2013 11:34:21 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/04/archive-image.jpg 8853 2013-04-23 14:34:21 2013-04-23 11:34:21 closed open archive-image inherit 8852 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/04/archive-image.jpg _wp_attached_file 2013/04/archive-image.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"307";s:6:"height";s:3:"435";s:14:"hwstring_small";s:22:"height='96' width='67'";s:4:"file";s:25:"2013/04/archive-image.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:25:"archive-image-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:25:"archive-image-211x300.jpg";s:5:"width";s:3:"211";s:6:"height";s:3:"300";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} הקמת ארכיון דיגיטלי לקרמיקה ישראלית http://www.benyaminiceramics.org/%d7%a1%d7%a4%d7%a8%d7%99%d7%94/%d7%94%d7%a7%d7%9e%d7%aa-%d7%90%d7%a8%d7%9b%d7%99%d7%95%d7%9f-%d7%93%d7%99%d7%92%d7%99%d7%98%d7%9c%d7%99-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94-%d7%99%d7%a9%d7%a8%d7%90%d7%9c%d7%99%d7%aa/ Tue, 23 Apr 2013 11:34:57 +0000 http://www.benyaminiceramics.org/?page_id=8852 הקמת ארכיון דיגיטלי לקרמיקה ישראלית בבית בנימיני – לראשונה בישראל מוקם בבית בנימיני ארכיון דיגיטלי לקרמיקה הישראלית. הארכיון ישמש כגוף ידע פתוח לציבור הרחב באמצעות אתר האינטרנט של בית בנימיני וקטלוג הספרייה. בעזרתו ניתן יהיה להכיר, לחקור ולזהות מגמות בקרמיקה הישראלית. התקוה היא כי הארכיון יפתח פתח לכתיבה אקדמית ובקורתית, כמו גם יעזור לחשוף ולקדם את תחום הקרמיקה בתרבות החזותית. אוצרת הארכיון הינה תרצה ילון קולטון, אוצרת ותיקה בעלת היכרות עמוקה עם הקרמיקה הישראלית.

      אנו קוראים לאמנים להגיש חומר (לפי הטופס המצורף) ופונים לכאלה שיש להם גישה לחומרים היסטוריים ולארכיונים, לשתף אותנו במידע החשוב על מנת לתעד הקרמיקה הישראלית מראשית דרכה.

      להורדת הטופס

      ]]>       8852 2013-04-23 14:34:57 2013-04-23 11:34:57 closed open %d7%94%d7%a7%d7%9e%d7%aa-%d7%90%d7%a8%d7%9b%d7%99%d7%95%d7%9f-%d7%93%d7%99%d7%92%d7%99%d7%98%d7%9c%d7%99-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94-%d7%99%d7%a9%d7%a8%d7%90%d7%9c%d7%99%d7%aa publish 1946 5 page 0 _edit_lock 1366796936 _edit_last 3 _alp_processed 1366796936 menu_title ארכיון דיגיטלי robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _thumbnail_id 8890       Building a Digital Archives on Ceramics http://www.benyaminiceramics.org/en/library/building-a-digital-archives-on-ceramics/ Tue, 23 Apr 2013 11:38:06 +0000 http://www.benyaminiceramics.org/?page_id=8856 ]]> 8856 2013-04-23 14:38:06 2013-04-23 11:38:06 closed open building-a-digital-archives-on-ceramics publish 1948 5 page 0 _edit_lock 1366875586 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default moshe shek http://www.benyaminiceramics.org/%d7%a1%d7%a4%d7%a8%d7%99%d7%94/%d7%94%d7%a7%d7%9e%d7%aa-%d7%90%d7%a8%d7%9b%d7%99%d7%95%d7%9f-%d7%93%d7%99%d7%92%d7%99%d7%98%d7%9c%d7%99-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94-%d7%99%d7%a9%d7%a8%d7%90%d7%9c%d7%99%d7%aa/moshe-shek/ Tue, 23 Apr 2013 14:43:00 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/04/moshe-shek.jpg 8865 2013-04-23 17:43:00 2013-04-23 14:43:00 closed open moshe-shek inherit 8852 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/04/moshe-shek.jpg _wp_attached_file 2013/04/moshe-shek.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"448";s:6:"height";s:3:"332";s:14:"hwstring_small";s:23:"height='94' width='128'";s:4:"file";s:22:"2013/04/moshe-shek.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:22:"moshe-shek-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:22:"moshe-shek-300x222.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"222";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} digitalarchive http://www.benyaminiceramics.org/?attachment_id=8867 Tue, 23 Apr 2013 14:44:10 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/04/digitalarchive.pdf 8867 2013-04-23 17:44:10 2013-04-23 14:44:10 closed open digitalarchive inherit 0 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/04/digitalarchive.pdf _wp_attached_file 2013/04/digitalarchive.pdf _wp_attachment_metadata a:0:{} archive image israeli http://www.benyaminiceramics.org/%d7%a1%d7%a4%d7%a8%d7%99%d7%94/%d7%94%d7%a7%d7%9e%d7%aa-%d7%90%d7%a8%d7%9b%d7%99%d7%95%d7%9f-%d7%93%d7%99%d7%92%d7%99%d7%98%d7%9c%d7%99-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94-%d7%99%d7%a9%d7%a8%d7%90%d7%9c%d7%99%d7%aa/archive-image-israeli/ Wed, 24 Apr 2013 08:20:46 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/04/archive-image-israeli.jpg 8890 2013-04-24 11:20:46 2013-04-24 08:20:46 closed open archive-image-israeli inherit 8852 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/04/archive-image-israeli.jpg _wp_attached_file 2013/04/archive-image-israeli.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"312";s:6:"height";s:3:"448";s:14:"hwstring_small";s:22:"height='96' width='66'";s:4:"file";s:33:"2013/04/archive-image-israeli.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:33:"archive-image-israeli-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:33:"archive-image-israeli-208x300.jpg";s:5:"width";s:3:"208";s:6:"height";s:3:"300";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} craftcontemporary http://www.benyaminiceramics.org/2013/05/%d7%a7%d7%a8%d7%90%d7%a4%d7%98-%d7%a2%d7%9b%d7%a9%d7%95%d7%95%d7%99-%d7%99%d7%95%d7%9d-%d7%a2%d7%99%d7%95%d7%9f-%d7%91%d7%91%d7%99%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/craftcontemporary/ Thu, 02 May 2013 08:46:37 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/05/craftcontemporary.jpg 8916 2013-05-02 11:46:37 2013-05-02 08:46:37 closed open craftcontemporary inherit 8913 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/05/craftcontemporary.jpg _wp_attached_file 2013/05/craftcontemporary.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"448";s:6:"height";s:3:"299";s:14:"hwstring_small";s:23:"height='85' width='128'";s:4:"file";s:29:"2013/05/craftcontemporary.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:29:"craftcontemporary-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:29:"craftcontemporary-300x200.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"200";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} craftcontemporary2 http://www.benyaminiceramics.org/2013/05/%d7%a7%d7%a8%d7%90%d7%a4%d7%98-%d7%a2%d7%9b%d7%a9%d7%95%d7%95%d7%99-%d7%99%d7%95%d7%9d-%d7%a2%d7%99%d7%95%d7%9f-%d7%91%d7%91%d7%99%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/craftcontemporary2/ Thu, 02 May 2013 08:48:23 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/05/craftcontemporary2.jpg 8917 2013-05-02 11:48:23 2013-05-02 08:48:23 closed open craftcontemporary2 inherit 8913 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/05/craftcontemporary2.jpg _wp_attached_file 2013/05/craftcontemporary2.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"448";s:6:"height";s:3:"299";s:14:"hwstring_small";s:23:"height='85' width='128'";s:4:"file";s:30:"2013/05/craftcontemporary2.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:30:"craftcontemporary2-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:30:"craftcontemporary2-300x200.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"200";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} קראפט עכשווי: יום עיון בבית בנימיני http://www.benyaminiceramics.org/2013/05/%d7%a7%d7%a8%d7%90%d7%a4%d7%98-%d7%a2%d7%9b%d7%a9%d7%95%d7%95%d7%99-%d7%99%d7%95%d7%9d-%d7%a2%d7%99%d7%95%d7%9f-%d7%91%d7%91%d7%99%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/ Thu, 02 May 2013 08:49:09 +0000 http://www.benyaminiceramics.org/?p=8913 מהו קראפט עכשווי? מה המשמעות החברתית והתרבותית של עשיית קראפט בעולם פוסט מודרני? מה מניע את היוצרים לעסוק בתחום וכיצד המהפכה הדיגיטאלית באה לידי ביטוי בחפצים וביחסי יוצר-צרכן?

      בית בנימיני - המרכז לקרמיקה עכשווית, עמותת אמנים יוצרים בישראל – תחום אמנויות ואגודת אמני קרמיקה בישראל מזמינים את הקהל הרחב ליום עיון בנושא קראפט עכשווי.

      יום העיון יתקיים בבית בנימיני ביום שני, 27 במאי, החל מהשעה 14:00.

      צילום: אסי חיים מתוך בלוג "המורדים"

      תחום הקראפט עבר כמה וכמה תמורות במאות האחרונות מאז המהפכה התעשייתית ואחריה המהפכה הדיגיטאלית ולמעשה ממציא ומגדיר את עצמו מחדש בכל תקופה. כיום, במאה ה-21 איננו זקוקים לחפצים עשויים עבודת יד על-מנת לשרוד. המוטיבציה הכלכלית שהניעה בעבר משפחות וקהילות מסורתיות לעסוק בקראפט ולהעביר את חכמת הידיים והבנת החומר העמוקה בתהליך חניכה ארוך לדורות הבאים, כמעט ואינה רלבנטית, בייחוד בעולם המערבי.

      תכנים חדשים ממלאים את שדה הקראפט בגלגולו הנוכחי. בעידן הגלובליזציה, בעולם שמשאביו הולכים ומתכלים, נושאים חברתיים, ביקורתיים וכאלה המתייחסים לסביבה הם רק חלק מהסוגיות המעסיקות אנשי קראפט ומעצבים בתהליך עבודתם. תהליך העבודה מלווה בחיפוש מתמיד אחר תובנות חדשות ליצירת חפצים בעלי ערך ואמירה אישית ותרבותית. ישנם יוצרים בתחום הקראפט המשלבים חומרים וטכנולוגיות דיגיטאליות בתהליך עבודתם וישנם כאלה המוצאים את המשמעות המרכזית בעבודתם דווקא בשימור טכניקות מסורתיות ובנאמנות לחומר אחד לצד פיתוח שפה צורנית וטביעת אצבע אינדיבידואלית.

      כך או אחרת, פעולת הקראפט היא אנושית ועצם הבחירה בה, כמו גם תוצריה - החפצים שנוצרים בסופו של תהליך, משקפים מחשבה, חקירה וערכים תרבותיים וחברתיים המשליכים על התקופה בה אנו חיים.

      תוכנית יום העיון

      14:00 - התכנסות

      14:30- 15:10 הרצאת פתיחה: קראפט עכשווי - סוגיות נבחרות:  דר' ראובן זהבי

      16:50-15:20: סוגיות בקראפט עכשווי

      • קראפט כמנוף לשינוי חברתי – ארז מולאי
      • בין קראפט מסורתי לעיצוב עכשווי - שילוב חומרים וטכניקות מסורתיות בעיצוב עכשווי - עדיטל אלה
      • קראפט בעולם מקוון: האמן כמותג עסקי  - מיה לנדאו

      16:50: הפסקה

      17:20- 18:50: שימור גופי ידע

      • שימור מלאכות מסורתיות -  יונית קריסטל
      • המורדים - מסע לתיעוד העסקים שבשולי השיטה הקפיטליסטית– אסי חיים
      • "How To" –- ליאורה רוזין

      19:50-19:00: האמן אל אנאטסוי – קטעי ארכיון

      הרשמה מראש בטלפון 03-5182257 או בדואר האלקטרוני benyaminiccc@gmail.com

      דמי כניסה: לקהל הרחב - 70 ש''ח, לחברי עמותת אמנים יוצרים בישראל, תלמידים בבית בנימיני ולסטודנטים: 60 ש"ח.

      טרה / עדיטל אלה

      נושאי ההרצאות והמשתתפים:

      קראפט עכשווי - סוגיות נבחרות סביב סוגיות עכשוויות (מעשור אחרון) ותוך  סקירה רוחבית מהירה של יצירות נבחרות מרחבי העולם אבקש לבחון את מעמד הקראפט  ביחס לתחומי העיצוב התעשייתי והאמנות, את סימני השאלה העולים עם  שילוב הכלים הדיגיטאליים – נאו-קראפט, את הפיכתו לערוץ מחאה  -קראפטיביזם ,את המקום שהוא תופס בפרקטיקה של מעצבים היום ובמחקר האקדמי. דר' ראובן זהבי - אמן ומרצה בכיר בבצלאל במחלקה לצורפות ואופנה ובמחלקה להיסטוריה ותיאוריה. מנחה מזה 7 שנים סמינריון בנושא קראפט עכשווי. לשעבר ראש המחלקה לצורפות בבצלאל.

      קראפט כמנוף לשינוי חברתי מהי אחריות סביבתית ברת קיימא? כיצד אנו כפרטים יכולים לחולל שינוי המסייע לאחר לשפר את איכות חייו, את התפיסה שלו את עצמו ואת מקומו בתוך הקהילה בה הוא חי? ההרצאה תציג הסתכלות על עיצוב וקראפט ככלים המובילים לשינוי ולדרך של יצירת יזמיות חברתיות מיטיבות בחיי אוכלוסיות ומסגרות תומכות שונות, ותציג כיצד תהליכים אלו מסייעים להן להשתלב במעגל החיים בקהילה. דרך הצגה של מספר פרויקטים שבוצעו בשנים האחרונות ובחינה של תוצאות תהליכי העבודה, תוצג תפיסת חיים חדשה, תוך שימת דגש על השימוש בקראפט ככלי המוביל תהליך זה ומבצע שינוי כולל המתמשך לאורך זמן. ארז מולאי -  בעל סטודיו לעיצוב חברתי וממובילי תחום העיצוב החברתי בארץ, המפתח בשנים האחרונות מיזמים חברתיים עבור אוכלוסיות קצה במגוון תחומים.

      בין קראפט מסורתי לעיצוב עכשווי - שילוב חומרים וטכניקות מסורתיות בעיצוב עכשווי ההרצאה תאפשר הצצה לפועלם של מעצבים שונים מרחבי העולם הבוחרים להישען על מסורת ענפה ועשירה ולפתח עבורה אופק חדש המותאם לדפוסי הייצור והצריכה של היום וליצור דרכם מחשבות ואפשרויות חדשות לדפוסי הייצור של מחר. במסגרת ההרצאה תשתף המרצה גם מפועלה וניסיונה בתחום זה. עדיטל אלה – מעצבת המתמחה בתחום של עיצוב לקיימות, בעלת הסטודיו 'עיצוב חושב סביבה', מרצה במכון טכנולוגי חולון.

      קראפט בעולם מקוון: האמן כמותג עסקי בשנים האחרון נשבר מחסום השיווק ואמנים רבים בחרו לאמץ מודל עסקי חדש. לבסס מותג עצמאי שיוצר, משווק ומוכר ישירות לקהל. מודל זה מאפשר לאמן להתפרנס מיצירתו, לבוא במגע ישיר עם הקהל אך גם מחייב אותו להתמודד עם תמורות ביצירתו. בהרצאה אציג מודלים מקובלים היום, אדבר על הכלים לביסוס והפעלת מותג עצמאי ועל הקשיים והאילוצים של היצירה כתוצאה מכך. מיה לנדאו - מלווה ויועצת לעסקים בתחום העיצוב והיצירה.

      שימור מלאכות מסורתיות הצצה אל מאחורי הקלעים של מלאכת השימור המעשית, האנשים, המקומות והסיפורים המיוחדים שלהם. החיפוש אחר אותם אנשים  אשר עדיין זוכרים את המלאכות, כיצד הגעתי אליהם\ן, מה למדתי, ואיך אני מנסה לשמר את הידע הזה. ההרצאה מפגישה תרבויות שונות שחיו בארץ דורות רבים עם תרבויות שהגיעו לכאן מהפזורה היהודית. יונית קריסטל - חוקרת ומשמרת מלאכות מסורתיות.

      המורדים - מסע לתיעוד העסקים שבשולי השיטה הקפיטליסטית כחלק מפרויקט צילום יצא אסי חיים לחפש בתי עסק שפרשו מהמרוץ אחר הטרנדי, המעוצב והחדשני. במסעו הוא גילה שקיימים עדיין לא מעט חנויות ועסקים בני 40, 50, 60 שנים ויותר שמתקיימים בצניעות ובמרכזם ניצב בדרך כלל אדם שהחליט שלא להיכנע לאידיאל היופי המושלם ולתת כבוד לסביבה שליוותה אותו לאורך השנים. בבתי העסק הנדירים האלו לא עסוקים במרדף אחר הטרנד האחרון וצלקות הזמן, הצבע שדהה, החלודה והריהוט שנסדק לאורך השנים יחד עם שאר סימני השחיקה - הם עדות לחיים שלמים. חפצים שהזדקנו בכבוד עם בעליהם ולא הוחלפו עם הסדק הראשון. אסי חיים קורא להם "המורדים" והמאבק שלהם יכול לשמש השראה לכולנו. אסי חיים -  עיתונאי וצלם - עורך מוסף הצרכנות ב"ישראל היום". הוציא לאחרונה את רב המכר "חדרוכל" המתעד את המנות המיתולוגיות בקיבוצים ואת הסיפורים שמאחוריהם ומפעיל את הבלוג "המורדים" בו הוא מתעד עסקים בני עשרות שנים שמתעקשים לשרוד.

      "How To" באתר שיתוף הסרטונים יו-טיוב התהווה עם השנים מאגר עצום של סרטוני הדרכה מז'אנר סרטוני ה-"how to make", ובו מסבירים אנשים מכל רחבי העולם כיצד לבצע מיני מלאכות - פשוטות כמורכבות - בסגנון ויזואלי ובשפה הייחודית להם. בעוד שבעבר, מלאכות וידע היו עוברים מאב לבן, מאיש המקצוע לשולייתו, לאחרונה החלו לחלחל דרכי למידה חדשות שמפרות את כל הכללים שהיו עד כה. גם אנו כמעצבים, הרחבנו את גבולות המחקר והיצירה שלנו בהתאם למקורות המידע המקוון. בשנים האחרונות, תהליכי העבודה של מעצבים צעירים נשענים הן על שיטות לימוד מסורתיות והן על ידע ההולך ומצטבר במאגרים אוניברסאליים הזמינים ברשת. הפרויקט "How To" הוא ניסיון ליצור נקודת מבט חדשה על הידע האנושי ועל תהליכי למידה ויצירה עכשוויים, ולנסח מחדש את יחסי המעצב/משתמש הן בחלל הממשי והן בחלל המקוון. תערוכה תחת שם זה נאצרה והופקה על ידי ניצן דבי ועל ידי, ליאורה רוזין, והוצגה במסגרת שבוע העיצוב בבייג'ין. ליאורה רוזין - מעצבת, אוצרת ושותפה בסטודיו ב' יחד עם המעצבת ניצן דבי. בוגרת תואר ראשון ללימודי עיצוב באיינדהובן דזיין ובעלת תואר שני בהתמחות אודות עיצוב בבצלאל.

      ]]>       8913 2013-05-02 11:49:09 2013-05-02 08:49:09 closed open %d7%a7%d7%a8%d7%90%d7%a4%d7%98-%d7%a2%d7%9b%d7%a9%d7%95%d7%95%d7%99-%d7%99%d7%95%d7%9d-%d7%a2%d7%99%d7%95%d7%9f-%d7%91%d7%91%d7%99%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99 publish 0 0 post 0 _edit_lock 1368716236 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1368695944 913 http://erev-rav.com/archives/24194 192.115.31.27 2013-05-22 00:40:47 2013-05-21 21:40:47 0 pingback 0 0       Contemporary Craft - Symposium http://www.benyaminiceramics.org/en/2013/05/contemporary-craft-symposium/ Thu, 02 May 2013 08:55:06 +0000 http://www.benyaminiceramics.org/?p=8919 Monday 27 May 2013 at 14:00 What is contemporary craft?  What is the social and cultural implication of hand crafted work in a post-modern era?  What drives the makers and how does the digital revolution affect the objects and the makers? Program: 14:30 – 15:10 Opening lecture: Dr Reuven Zahavi, Selected issues on Contemporary Craft 15:20 – 16:50 Issues about Contemporary Craft Craft that can leverage a social change – Erez Mulay Between Traditional Craft and Contemporary Design – Adital Ella Craft in a Digital Era: the artist as a business label – Mia Landau 16:50 Break 17:20 – 18:50 Conservation of Knowledge Conserving traditional crafts – Yonit Crystal The Protestors – A documentary journey to businesses on the fringe of capitalism – Asi Haim How to – Liora Rozin 19:00 – 19:50 The artist Al Anatsui – excerpts from the archives Prior Registration: 03-5182257 or benyaminiccc@gmail.com Entrance: 70 shekels 60 shekels for members of the Designer Crafts Association, students of the Benyamini Center]]> 8919 2013-05-02 11:55:06 2013-05-02 08:55:06 closed open contemporary-craft-symposium publish 0 0 post 0 _edit_lock 1367730323 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} pots1stella http://www.benyaminiceramics.org/2013/05/%d7%a7%d7%95%d7%9e%d7%a7%d7%95%d7%9e%d7%99%d7%9d-%d7%9b%d7%90%d7%9e%d7%99%d7%a8%d7%94-%d7%a2%d7%91%d7%95%d7%93%d7%95%d7%aa%d7%99%d7%94-%d7%a9%d7%9c-%d7%a1%d7%98%d7%9c%d7%94-%d7%9c%d7%94%d7%91/pots1stella/ Thu, 02 May 2013 09:14:30 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/05/pots1stella.jpg 8923 2013-05-02 12:14:30 2013-05-02 09:14:30 closed open pots1stella inherit 8922 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/05/pots1stella.jpg _wp_attached_file 2013/05/pots1stella.jpg _wp_attachment_metadata a:6:{s:5:"width";s:4:"1021";s:6:"height";s:3:"768";s:14:"hwstring_small";s:23:"height='96' width='127'";s:4:"file";s:23:"2013/05/pots1stella.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:23:"pots1stella-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:23:"pots1stella-300x225.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"225";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} pots2stella http://www.benyaminiceramics.org/2013/05/%d7%a7%d7%95%d7%9e%d7%a7%d7%95%d7%9e%d7%99%d7%9d-%d7%9b%d7%90%d7%9e%d7%99%d7%a8%d7%94-%d7%a2%d7%91%d7%95%d7%93%d7%95%d7%aa%d7%99%d7%94-%d7%a9%d7%9c-%d7%a1%d7%98%d7%9c%d7%94-%d7%9c%d7%94%d7%91/pots2stella/ Thu, 02 May 2013 09:15:06 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/05/pots2stella.jpg 8924 2013-05-02 12:15:06 2013-05-02 09:15:06 closed open pots2stella inherit 8922 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/05/pots2stella.jpg _wp_attached_file 2013/05/pots2stella.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"997";s:6:"height";s:3:"768";s:14:"hwstring_small";s:23:"height='96' width='124'";s:4:"file";s:23:"2013/05/pots2stella.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:23:"pots2stella-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:23:"pots2stella-300x231.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"231";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} קומקומים כאמירה: עבודותיה של סטלה להב http://www.benyaminiceramics.org/2013/05/%d7%a7%d7%95%d7%9e%d7%a7%d7%95%d7%9e%d7%99%d7%9d-%d7%9b%d7%90%d7%9e%d7%99%d7%a8%d7%94-%d7%a2%d7%91%d7%95%d7%93%d7%95%d7%aa%d7%99%d7%94-%d7%a9%d7%9c-%d7%a1%d7%98%d7%9c%d7%94-%d7%9c%d7%94%d7%91/ Thu, 02 May 2013 09:15:47 +0000 http://www.benyaminiceramics.org/?p=8922 מאת: רוית לצר.

      המאמר לקוח מ- "1280" – כתב עת לאמנות הקרמיקה, בהוצאת אגודת אמני קרמיקה בישראל, גיליון 9, אביב 2004. עורכת כתב העת: שרה הקרט

      הקומקומים היו אבני הדרך ביצירתה של סטלה, פרי של מפגשים, סדנאות והתנסויות בחומר. בעזרת הקומקומים השיבה למצבים ולאתגרים חדשים והגיבה עליהם. לקומקום ולכלי החומר השימושיים תפקיד חשוב בחיי היומיום ובתרבות האנגלית ממנה באה ובה גדלה עד שהייתה בת עשרים ושלוש.

      סטלה נולדה בלונדון בשנת 1942. כפשרה עם הוריה, שהתנגדו לבחירתה באמנות כדרך חיים, החלה ללמוד עיצוב חלונות ראווה ב- College of Distributive Trades בלונדון. לאחר שנה עברה ללמוד אמנות ב- St. Martins School of Art, ששכן באותו בניין, ולפרנסתה עבדה כמעצבת של סמלי מכוניות וכותרות לפרסומות.

      לישראל הגיעה דרך תוכנית של הסוכנות היהודית לביקור בן שלושה חודשים שהתארך לשנה, ובזמן זה התגוררה בקיבוץ מעגן מיכאל. כבר במהלך שנה זו החליטה לעזוב את אנגליה ולעבור ולהשתקע בישראל. כאם לשלושה ילדים קטנים, החלה ללמוד בחוג לקרמיקה של אורה איילון ברמת השרון, ובתוך זמן מה החליטה להקים סטודיו משל עצמה ולהתפרנס ממכירה של כלים שימושיים. כדי להשלים ידע כללי וטכני שהיה נחוץ לה, נסעה והשתתפה בסדנאות קרמיקה רבות ומגוונות בחו"ל. היא למדה אצל אמנים רבים, בכללם מייקל קסון (Michael Casson), ג'ון גליק (John Glick), סינתיה ברינגל (Cynthia Brinegle), דייויד פירת' (David Frith), ביירון טמפל (Byron Temple), סנדי סימון (Sandy Simon), ועוד, שהשפיעו רבות על השקפת עולמה האמנותית ועל יצירתה הקרמית.

      במשך שנות עבודתה יצרה סטלה מאות קומקומים, מקצתם מוכרים לנו, מקצתם נראים שייכים לתקופות אחרות וליוצרים אחרים. הקומקומים שעשתה הושפעו מהאמנים שפגשה, אך בחלוף הזמן השתמשה בידע שרכשה והצליחה לבנות שפה ייחודית משל עצמה. האמנים שלמדה מהם הושפעו מברנרד ליץ' (Leach) ומהמדה (Hamada), וכך גם היא בעקבותיהם.

      הכלים שיצרה סטלה חופו בזיגוגי אפר ונצרפו בצריפת חיזור. כשהחלה למכור עבודות בישראל, היו כליה שונים מאלה שנראו בשוק המקומי. האמנים שיצרו בחומר בתקופה זו הושפעו מאוד מתרבות העשייה הגרמנית, ואילו בחנויות נמכרו כלים מתוצרת לפיד ונעמן. ההצלחה במכירות הייתה רבה, וסטלה יצרה כלים שימושיים שנמכרו בחנויות ובמכירות בביתה, שממשיכות עד היום.

      מזמן שהחלה לעבוד משתמשת סטלה בחומר שמכין בעלה, הארי, ושהותאם על ידם לתהליך עבודתה. את הכלים צרפה פעם אחת לטמפרטורה של º1220 ואחדים מהם עישנה לאחר סיום השרפה הגבוהה.

      במשך השנים יצרה סטלה כלים שימושיים שונים ורבים, והקומקומים, שלא היה להם ביקוש רב בשוק המקומי, הפכו למוטיבים שחוזרים בעת חיפוש צורני וכעבודה לתערוכות נושא.

      בשנת 1990 השתתפה בסדנה שהעביר האמן ההונגרי אמרי שרמל (Imre Schrammel) בחיפה (בתרגומה של מוד פרידלנד). עבודותיו של האמן היו שונות בתכלית מכל מה שעשתה עד אז, אך דרך עבודתו ונגיעתו בחומר השפיעו על דרך מחשבתה בשנים מאוחרות יותר. שרמל בנה את פסליו בחומר, ולאחר מכן השתמש בלוחות עץ על מנת ללחוץ עליו ולשנות את צורתו ללא נגיעת היד. בשנים שלאחר הסדנה החלה להתרחק משימושיות הקומקום, עיוותה ושינתה את צורתו עד שלבסוף הפך לחפץ שאיננו שימושי כלל.

      סטלה אימצה את דרך עבודתו של שרמל והחלה לטפל באופן דומה בקומקומים שיצרה על הגלגל. דמותם של הקומקומים השתנתה באחת, והם הפכו רכים וכמו אנושיים באופיים. העבודה על הקומקומים הללו נעשית כאשר החומר רך מאוד, מיד כשהוא מנותק מהאבניים, רכות הכלי ורטיבותו מביאה אותו לידי התמוטטות שמצויה בשליטתה של סטלה, ובידיה ההחלטה מתי לעוצרה. בסוף התהליך נראים הקומקומים כנוטים ליפול, כמי שנחים על צדם, שעצרו תוך כדי תנועה. עם הזמן הפכו הקומקומים מתלת-ממדיים לדו-ממדיים, ודוגמה בולטת לכך ניתן היה לראות בקומקום הגדול שהציגה בשיתוף עם המעצב סיני בר בביאנלה הישראלית לקרמיקה בשנת 2002. גודלו של הקומקום היה 2.5 X 2.5 מטרים, והיה עשוי עץ, סול, מחברים קרמיים ומדפי תנור.

      במקביל לכל אלה לקחה סטלה חלק בגלריה "8 ביחד" בירושלים, שם הציגה ומכרה את עבודותיה לאורך שנים. סטלה העבירה סדנאות שרפת רקו, ולימדה עבודה בחומר בסטודיו שבביתה במושב חניאל. בשנים האחרונות חזרה לעסוק בציור, והשפעת הכלים שיצרה והעיטורים בהם השתמשה ניכרת בציורי הנוף הגדולים.

      סטלה לא חדלה לעבוד בחומר עד מותה בשנת 2011.

      הכוח וההומור, האנרגיות ליצור ולעבוד ללא הפסקה,
      האהבה הגדולה לחומר הקרמי ולבני אדם, כל אלו היו סטלה.
      אוהבים ומתגעגעים.

      למידע על קורס פיסול קרמי בבית בנימיני

      ]]>       8922 2013-05-02 12:15:47 2013-05-02 09:15:47 closed open %d7%a7%d7%95%d7%9e%d7%a7%d7%95%d7%9e%d7%99%d7%9d-%d7%9b%d7%90%d7%9e%d7%99%d7%a8%d7%94-%d7%a2%d7%91%d7%95%d7%93%d7%95%d7%aa%d7%99%d7%94-%d7%a9%d7%9c-%d7%a1%d7%98%d7%9c%d7%94-%d7%9c%d7%94%d7%91 publish 0 0 post 0 _edit_lock 1367492917 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1367492853 _alp_broken_links a:1:{s:299:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%9C%D7%99%D7%9E%D7%95%D7%93%D7%99-%D7%A4%D7%99%D7%A1%D7%95%D7%9C/%D7%A7%D7%95%D7%A8%D7%A1-%D7%A4%D7%99%D7%A1%D7%95%D7%9C-%D7%A7%D7%A8%D7%9E%D7%99-%D7%99%D7%A1%D7%95%D7%93%D7%95%D7%AA/";a:0:{}}       כלים בהשראת מבנים ארכיטקטונים http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%9e%d7%aa%d7%97%d7%99%d7%9c%d7%99%d7%9d/%d7%9b%d7%9c%d7%99%d7%9d-%d7%91%d7%94%d7%a9%d7%a8%d7%90%d7%aa-%d7%9e%d7%91%d7%a0%d7%99%d7%9d-%d7%90%d7%a8%d7%9b%d7%99%d7%98%d7%a7%d7%98%d7%95%d7%a0%d7%99%d7%9d/ Thu, 02 May 2013 10:39:23 +0000 http://www.benyaminiceramics.org/?page_id=8969 [imagebrowser id=165]

      קורס מיוחד לסמסטר קיץ 2013.

      באופן מסורתי מוגדרת הארכיטקטורה כאמנות הבניה, כתחום העוסק בעיצוב ובתכנון חללים. בקורס נתבונן במבנים ובארכיטקטורה מתקופות וסגנונות בנייה שונים בעזרתם נבחן את המבניות, הפרופורציות והיחסים בין חלל וחומר. כל הערכים הללו יהוו נקודת המוצא לעבודה אישית וליצירת אובייקטים קרמים בטכניקות בניית יד שונות.

      בהנחיית אתל פיסרף.

      מועד הקורס: יום שלישי, 17:30-20:30.
      משך הקורס: 5 מפגשים.
      פתיחת הקורס בסמסטר הקיץ: 9 ביולי 2013.

      עלות הקורס: 675 ₪ (כולל חומרים ושריפות).

      צפו בסרטון אודות קורס כלים בהשראת מבנים ארכיטקטוניים וקורסים נוספים בתחום הקרמיקה בבית בנימיני:

      ]]>       8969 2013-05-02 13:39:23 2013-05-02 10:39:23 closed open %d7%9b%d7%9c%d7%99%d7%9d-%d7%91%d7%94%d7%a9%d7%a8%d7%90%d7%aa-%d7%9e%d7%91%d7%a0%d7%99%d7%9d-%d7%90%d7%a8%d7%9b%d7%99%d7%98%d7%a7%d7%98%d7%95%d7%a0%d7%99%d7%9d trash 4320 8 page 0 _edit_lock 1367505023 _edit_last 3 menu_title קורס קיץ: כלים robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1367505486 _alp_broken_links a:1:{s:213:"http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%a6%d7%95%d7%95%d7%aa-%d7%94%d7%9e%d7%95%d7%a8%d7%99%d7%9d/%d7%90%d7%aa%d7%9c-%d7%a4%d7%99%d7%a1%d7%a8%d7%a3/";a:0:{}}       Vessels Inspired by Architecture http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%9e%d7%aa%d7%97%d7%99%d7%9c%d7%99%d7%9d/vessels-inspired-by-architecture/ Thu, 02 May 2013 10:41:45 +0000 http://www.benyaminiceramics.org/?page_id=8973 8973 2013-05-02 13:41:45 2013-05-02 10:41:45 closed open vessels-inspired-by-architecture trash 4320 8 page 0 _alp_processed 1367505483 _edit_lock 1367491565 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default אקספרסיביות בחומר - כיתת אמן http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%a1%d7%93%d7%a0%d7%90%d7%95%d7%aa/%d7%90%d7%a7%d7%a1%d7%a4%d7%a8%d7%a1%d7%99%d7%91%d7%99%d7%95%d7%aa-%d7%91%d7%97%d7%95%d7%9e%d7%a8-%d7%9b%d7%99%d7%aa%d7%aa-%d7%90%d7%9e%d7%9f/ Thu, 02 May 2013 14:07:27 +0000 http://www.benyaminiceramics.org/?page_id=9013 [imagebrowser id=166]

      סדנה מיוחדת לסמסטר קיץ בהנחיית אסתר בק.

      בסדנה יבחנו דרכים חוויתיות ולא קונבנציונליות לבניית מכלים קרמים. נקודת המוצא תהיה עבודת אובניים או בניית יד אך אופני המגע והשימוש בכלים שאינם בהכרח כלי העבודה המקובלים לעבודה בחומר יאפשרו התנסות בחוויה קרמית מסוג אחר. בשנים האחרונות פיתחה אמנית הקרמיקה אסתר בק שפה ייחודית ואקספרסיבית הזוכה להערכה רבה בארץ ובעולם, הדגמותיה והעבודה בחומר יאפשרו למשתתפים לפתח דרכי עבודה ייחודיות ולהתבטא בחופשיות במרחבי הפעולה בחומר הקרמי. לצד העבודה המעשית יתוודעו המשתתפים לעבודות קרמיות בסגנון מופשט אקספרסיוניסטי ולאמנים בארץ ובעולם הפועלים בדרכים דומות.

      הסדנה מיועדת ליוצרים בעלי ידע בעבודת אובניים ובבניית יד.

      מועד הסדנה:
      הסדנה כוללת 4 מפגשים, שיתקיימו בין התאריכים 16 ביולי ל-6 באוגוסט 2013.
      שעות הסדנה: 14:00-17:00 בימי שלישי.
      עלות הסדנה: 650 ₪, כולל חומרים .
      ]]>       9013 2013-05-02 17:07:27 2013-05-02 14:07:27 closed open %d7%90%d7%a7%d7%a1%d7%a4%d7%a8%d7%a1%d7%99%d7%91%d7%99%d7%95%d7%aa-%d7%91%d7%97%d7%95%d7%9e%d7%a8-%d7%9b%d7%99%d7%aa%d7%aa-%d7%90%d7%9e%d7%9f publish 4325 7 page 0 _edit_lock 1367873576 _edit_last 3 menu_title אקספרסיביות בחומר description בסדנה יבחנו דרכים חוויתיות ולא קונבנציונליות לבניית מכלים קרמים _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1367873333 _thumbnail_id ngg-1614 robotsmeta index,follow       Expressive Clay- Masterclass http://www.benyaminiceramics.org/en/ceramic-courses/workshops/expressive-clay-masterclass/ Thu, 02 May 2013 14:08:06 +0000 http://www.benyaminiceramics.org/?page_id=9015 9015 2013-05-02 17:08:06 2013-05-02 14:08:06 closed open expressive-clay-masterclass publish 4379 7 page 0 _edit_lock 1367913021 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default צלילים בחומר http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%a1%d7%93%d7%a0%d7%90%d7%95%d7%aa/%d7%a6%d7%9c%d7%99%d7%9c%d7%99%d7%9d-%d7%91%d7%97%d7%95%d7%9e%d7%a8/ Thu, 02 May 2013 14:17:30 +0000 http://www.benyaminiceramics.org/?page_id=9022 [imagebrowser id=167]

      סדנה מיוחדת לתקופת הקיץ בהנחיית לאוניד גיסין.

      תופים / פעמונים / רעשנים / משרוקיות / חלילים ועוד - הזמנה לבדוק את החיבור בין צליל (סאונד) לחומר הקרמי. מסע קצר בדרך לא מוכרת ומאתגרת מגוש החומר ועד הצלילים הראשונים. הקניית מיומנויות בסיסיות בפיסול קרמי, אפשרות לשילוב עבודת קדרות.

      משחר האנושות ביקש האדם ליצור גשר בין העולם הרוחני, האלוהי לבין עולם הגשמי, האנושי, החומרי. בכל תרבות וקהילה שבה התקיימו פולחנים וריטואלים רצה האדם להעצים את רחשי הלב בעזרת גופו על ידי הפקת צלילים ורעשים. ארכיאולוגים מצאו כלי נשיפה עשויים עצמות חלולות וכלי נגינה אחרים עשויים מחלקים חלולים של פירות וצמחים מיובשים. הכלים המשונים הללו תמיד יועדו למטרה מאוד מסוימת ובדרך כלל היו ניידים ואפילו היו כחלק מלבוש. המוסיקה הפשוטה הזאת הלכה יחד עם האנשים ויצאה מהאוויר שהם נשפו. כלי נגינה אלה לרוב היו מאוד פרימיטיביים ומעוצבים כצלמיות או תיארו סיפורים מחיי היום יום. אחד הכלים הנפוצים ביותר נחשב כלי נשיפה פשוט בשם אוקרינה. אלו שתי מילים איטלקיות – "אוקה" ו"רינה" שפירושן "ברווז קטן". בספרות אפשר למצוא דוגמאות של חלילים, רעשנים, פעמונים, כדים מחוברים ממולאים במים, קומקומים מנגנים, ספלים עם משרוקית, פעמוני רוח ועוד. קסם מיוחד לו לכלי שנוצר מאדמה בידי אדם, שנצרב באש, שמוזרמת בו רוח על ידי נשיפה או תנועות גוף.

      אין צורך בידע מוקדם.

      זמני הסדנה: ימי ראשון, 13:30-16:30

      תאריכים: 7 ביולי עד 4 באוגוסט 2013.

      עלות: 675 ש"ח ל-5 מפגשים.

      למידע נוסף על קורס פיסול קרמי בבית בנימיני.

      ]]>       9022 2013-05-02 17:17:30 2013-05-02 14:17:30 closed open %d7%a6%d7%9c%d7%99%d7%9c%d7%99%d7%9d-%d7%91%d7%97%d7%95%d7%9e%d7%a8 publish 4325 0 page 0 _edit_lock 1369129300 _edit_last 3 _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1369123117 _alp_broken_links a:2:{s:231:"http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%a6%d7%95%d7%95%d7%aa-%d7%94%d7%9e%d7%95%d7%a8%d7%99%d7%9d/%d7%9c%d7%90%d7%95%d7%a0%d7%99%d7%93-%d7%92%d7%99%d7%a1%d7%99%d7%9f/";a:0:{}s:299:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%9C%D7%99%D7%9E%D7%95%D7%93%D7%99-%D7%A4%D7%99%D7%A1%D7%95%D7%9C/%D7%A7%D7%95%D7%A8%D7%A1-%D7%A4%D7%99%D7%A1%D7%95%D7%9C-%D7%A7%D7%A8%D7%9E%D7%99-%D7%99%D7%A1%D7%95%D7%93%D7%95%D7%AA/";a:0:{}} _thumbnail_id ngg-1616 description תופים, פעמונים, משרוקיות, חלילים ועוד. מגוש החומר ועד הצלילים הראשונים robotsmeta index,follow       Clay Notes http://www.benyaminiceramics.org/en/ceramic-courses/workshops/clay-notes/ Thu, 02 May 2013 14:18:20 +0000 http://www.benyaminiceramics.org/?page_id=9024 9024 2013-05-02 17:18:20 2013-05-02 14:18:20 closed open clay-notes publish 4379 0 page 0 _edit_lock 1367928898 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _thumbnail_id ngg-1616 לפני ואחרי: ייעוץ אישי בצבע http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%a1%d7%93%d7%a0%d7%90%d7%95%d7%aa/%d7%9c%d7%a4%d7%a0%d7%99-%d7%95%d7%90%d7%97%d7%a8%d7%99-%d7%99%d7%99%d7%a2%d7%95%d7%a5-%d7%90%d7%99%d7%a9%d7%99-%d7%91%d7%a6%d7%91%d7%a2/ Thu, 02 May 2013 14:24:39 +0000 http://www.benyaminiceramics.org/?page_id=9030 [imagebrowser id=168]

      הזמנה למפגש חד פעמי וייעוץ אישי בצבע ופני שטח קרמיים.

      המשתתפים יתבקשו להביא עבודות לא גמורות ויתנסו במגוון אפשרויות: אוברגלייז, דקאלים, לאסטרים, קריסטלים, גלזורות אפקטים ועוד.

      מנחת הסדנה: אנה כרמי.

      מועד הסדנה: יום שני, 5 באוגוסט 2012, בין השעות 18:00-21:00

      עלות הסדנה: 185 ש"ח כולל חומרים.

      ]]>       9030 2013-05-02 17:24:39 2013-05-02 14:24:39 closed open %d7%9c%d7%a4%d7%a0%d7%99-%d7%95%d7%90%d7%97%d7%a8%d7%99-%d7%99%d7%99%d7%a2%d7%95%d7%a5-%d7%90%d7%99%d7%a9%d7%99-%d7%91%d7%a6%d7%91%d7%a2 publish 4325 9 page 0 _edit_lock 1367843381 _edit_last 3 menu_title ייעוץ אישי בצבע description הזמנה למפגש חד פעמי וייעוץ אישי בצבע ופני שטח קרמיים _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1367507517 _thumbnail_id ngg-1615 robotsmeta index,follow       Before and After: Individual Color Counseling http://www.benyaminiceramics.org/en/ceramic-courses/workshops/before-and-after-individual-color-counseling/ Thu, 02 May 2013 14:25:20 +0000 http://www.benyaminiceramics.org/?page_id=9032 9032 2013-05-02 17:25:20 2013-05-02 14:25:20 closed open before-and-after-individual-color-counseling publish 4379 9 page 0 _edit_lock 1367843387 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default Porcelainbauman http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%9e%d7%aa%d7%a7%d7%93%d7%9e%d7%99%d7%9d/%d7%9c%d7%99%d7%9e%d7%95%d7%93%d7%99-%d7%a7%d7%93%d7%a8%d7%95%d7%aa-%d7%9c%d7%9e%d7%aa%d7%a7%d7%93%d7%9e%d7%99%d7%9d/porcelainbauman/ Mon, 06 May 2013 13:49:14 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2012/07/Porcelainbauman.jpg 9205 2013-05-06 16:49:14 2013-05-06 13:49:14 closed open porcelainbauman inherit 5593 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2012/07/Porcelainbauman.jpg _wp_attached_file 2012/07/Porcelainbauman.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"336";s:6:"height";s:3:"363";s:14:"hwstring_small";s:22:"height='96' width='88'";s:4:"file";s:27:"2012/07/Porcelainbauman.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:27:"Porcelainbauman-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:27:"Porcelainbauman-277x300.jpg";s:5:"width";s:3:"277";s:6:"height";s:3:"300";}}s:10:"image_meta";a:10:{s:8:"aperture";s:2:"11";s:6:"credit";s:0:"";s:6:"camera";s:8:"NIKON D3";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1329122427";s:9:"copyright";s:0:"";s:12:"focal_length";s:2:"50";s:3:"iso";s:3:"200";s:13:"shutter_speed";s:5:"0.008";s:5:"title";s:0:"";}} arnevet http://www.benyaminiceramics.org/2013/05/%d7%a4%d7%90%d7%a0%d7%9c-%d7%a7%d7%a8%d7%99%d7%90%d7%94-%d7%94%d7%90%d7%a8%d7%a0%d7%91%d7%aa-%d7%a2%d7%9d-%d7%a2%d7%99%d7%a0%d7%99-%d7%94%d7%a2%d7%a0%d7%91%d7%a8/arnevet/ Mon, 20 May 2013 15:30:49 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/05/arnevet.jpg 9258 2013-05-20 18:30:49 2013-05-20 15:30:49 closed open arnevet inherit 9257 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/05/arnevet.jpg _wp_attached_file 2013/05/arnevet.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"290";s:6:"height";s:3:"448";s:14:"hwstring_small";s:22:"height='96' width='62'";s:4:"file";s:19:"2013/05/arnevet.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:19:"arnevet-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:19:"arnevet-194x300.jpg";s:5:"width";s:3:"194";s:6:"height";s:3:"300";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} פאנל קריאה: הארנבת עם עיני הענבר http://www.benyaminiceramics.org/2013/05/%d7%a4%d7%90%d7%a0%d7%9c-%d7%a7%d7%a8%d7%99%d7%90%d7%94-%d7%94%d7%90%d7%a8%d7%a0%d7%91%d7%aa-%d7%a2%d7%9d-%d7%a2%d7%99%d7%a0%d7%99-%d7%94%d7%a2%d7%a0%d7%91%d7%a8/ Mon, 20 May 2013 15:31:18 +0000 http://www.benyaminiceramics.org/?p=9257 הנכם מוזמנים לפאנל קריאה מיוחד על הספר "הארנבת עם עיני הענבר" מאת אדמונד דה ואל - סיפורם של אמן קרמיקה בריטי אחד, אספן אמנות יהודי פריזאי ממוצא אודסי ו-264 מיניאטורות יפניות. הפאנל בהנחיית חגית רוט ובהשתתפות ד"ר עודד וולקשטיין, תמי ישראלי, ד"ר סמדר שפי , טליה טוקטלי ואסתר בק.

      האירוע יתקיים ביום חמישי, 13 ביוני 2013 בשעה 20:00, בבית בנימיני.

      דמי השתתפות: 25 ₪ לאדם. להרשמה ולמידע נוסף, פנו בטלפון 03-5182257 או צרו קשר

      אדמונד דה ואל, בנו של כומר, בעל שורשים יהודיים, יורשם של פסלוני הנצקה היפניים, יוצא למסע חובק עולם בעקבות 264 פסלונים זעירים. מסעו מביא את  סיפורם של הנצקות הכרוך בסיפורה של משפחת אפרוסי. האפרוסים - שושלת יהודית רבת עוצמה ממוצא אודסי, הגיעה לפריז של המאה ה – 19 ובמהרה חלשה על חיי התרבות, האמנות והכלכלה של העיר. ברקע סיפור הנצקות ואפרוסי, לוקח עמו דה ואל את הקורא לשיטוט הנע ונד בין האימפרסיוניזם הפריזאי לבין הז'אפוניזם ויפן, כשברקע, מבעבעת לאטה השנאה האנטישמית. אותה שנאה מגיעה לשיאה הידוע מראש במלחמת העולם השנייה, עת איבדו בני המשפחה את הונם האגדי ובמקרים רבים, אף את חייהם. הדבר היחיד כמעט ששרד את איימי המלחמה הנו אוסף הנצקות היפניות.

      אדמונד דה ואל הוא אחד מאמני הקרמיקה המובילים בעולם ומהכותבים החשובים בתחום הקרמיקה כיום. דה ואל ידוע בעיקר בעבודות המיצב הגדולות שלו שהוצגו במקומות רבים ברחבי העולם. בשנת 2010, הוציא לאור את הספר "הארנבת עם עיני הענבר", שזכה להצלחה מסחררת והוגדר כ"סנסציה ספרותית", היה רב-מכר עולמי, זכה בפרסים יוקרתיים והוכתר כאחד הספרים הטובים של השנה על ידי שורה ארוכה של עיתונים חשובים.

      הדיון יעסוק באספנות, אמנות ותשוקה ליופי, אותה תשוקה המביאה את גיבור היצירה – שארל אפרוסי, לאסוף בשקדנות מאות נצקות יפניות, ואת מחבר היצירה - דה ואל, לצאת למסע היסטורי, אישי, אינטלקטואלי ואמנותי בעקבות סיפורה של שושלת אפרוסי ובפרט אחר סיפורו של שארל אפרוסי והנצקות שלו.

      בדיון ייקחו חלק:

      המסאי והמתרגם ד"ר עודד וולקשטיין. לאחרונה ראה אור קובץ מסיפורי אדגר אלן פו בתרגומו וכן הנובלה האמריקאית "הנער האבוד" של תומס וולף. וולקשטיין מלמד במדרשה לאמנות, באוניברסיטה העברית ובמכללת ספיר. עבודת הדוקטורט שלו עסקה ביחסים בין המסורת האסתטית של הנשגב לבין ספרות אמריקאית מודרניסטית. תמי ישראלי, בוגרת מכון מנדל, לשעבר נספחת לענייני תרבות בשגרירות ישראל בלונדון, לקטורית, עורכת, מרצה באוניברסיטת בן גוריון ומנהלת מסלול המו"לות תכנית לתואר שני במחלקה לספרות עברית בבן גוריון. ד"ר סמדר שפי , מרצה באוניברסיטה העברית, יועצת לענייני אמנות, אוצרת ומבקרת אמנות .טליה טוקטלי, אמנית, מרצה בכירה בבצלאל, אקדמיה לאמנות ועיצוב, עורכת כתב העת לתרבות חומרית 1280°c. זוכת פרס העיצוב לשנת 2012 של מינהל התרבות, משרד המדע, התרבות והספורט. אסתר בק, אמנית קרמיקה, אספנית קרמיקה בינלאומית, בעלת תואר שני בפסיכולוגיה. כותבת בכתבי עת מקצועיים על קרמיקה ישראלית, מנהלת הספרייה והארכיון של בית בנימיני.

      לכתבה על אדמונד דה ואל - מסע בעקבות חפצים

      ]]>       9257 2013-05-20 18:31:18 2013-05-20 15:31:18 closed open %d7%a4%d7%90%d7%a0%d7%9c-%d7%a7%d7%a8%d7%99%d7%90%d7%94-%d7%94%d7%90%d7%a8%d7%a0%d7%91%d7%aa-%d7%a2%d7%9d-%d7%a2%d7%99%d7%a0%d7%99-%d7%94%d7%a2%d7%a0%d7%91%d7%a8 publish 0 0 post 0 _edit_lock 1369114920 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1369064751 _alp_broken_links a:2:{s:71:"http://www.benyaminiceramics.org/%D7%A6%D7%95%D7%A8-%D7%A7%D7%A9%D7%A8/";a:0:{}s:216:"http://www.benyaminiceramics.org/2012/11/%D7%90%D7%93%D7%9E%D7%95%D7%A0%D7%93-%D7%93%D7%94-%D7%95%D7%90%D7%9C-%D7%94%D7%90%D7%A8%D7%A0%D7%91%D7%AA-%D7%A2%D7%9D-%D7%A2%D7%99%D7%A0%D7%99-%D7%94%D7%A2%D7%A0%D7%91%D7%A8/";a:0:{}}       Panel: The Hare with the Amber Eyes http://www.benyaminiceramics.org/en/2013/05/panel-the-hare-with-the-amber-eyes/ Mon, 20 May 2013 15:32:34 +0000 http://www.benyaminiceramics.org/?p=9260 The Hare with the Amber Eyes  by Edmund de Waal A panel to discuss a story by the renowned British ceramic  artist about a Parisian art collector from Odessa and 264 Japanese miniatures. The evening will be mediated by Hagit Roth. The participants:  Dr Oded Walkstein, Tami Israeli, Dr Smadar Sheffi, Talia Tokatly, Ester Beck The panel will discuss collecting, art and passion for beauty, the same passion that led Charles Ephrussi to diligently collect hundreds of Japanese netsuke and led the writer to embark on an historical voyage, personal, intellectual, steeped in art, to trace the Ephrussi dynasty. Thursday 13 June 2013 at 20:00 Entrance:25 shekels The event is organized in cooperation with the Israel Ceramic Artists Association. ]]> 9260 2013-05-20 18:32:34 2013-05-20 15:32:34 closed open panel-the-hare-with-the-amber-eyes publish 0 0 post 0 _edit_lock 1369064136 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} נריקומי / גל גורן http://www.benyaminiceramics.org/2013/05/%d7%a0%d7%a8%d7%99%d7%a7%d7%95%d7%9e%d7%99-%d7%92%d7%9c-%d7%92%d7%95%d7%a8%d7%9f/ Mon, 20 May 2013 15:40:11 +0000 http://www.benyaminiceramics.org/?p=9263 מאת: גל גורן.

      נריקומי היא טכניקת עבודה שמשמשת ליצירת דוגמאות צבעוניות ומרקמים בחומר. העיקרון הבסיסי שלה הוא שימוש בצבעים שונים של חומר, הנחתם זה על גבי זה בצורות שונות וחיתוכם ליצירת פרוסות עם דוגמאות זהות. מהפרוסות יוצרים משטחים ואותם בדרך כלל משטחים לתוך תבניות. מקורות הטכניקה עתיקים מאוד והם מופיעים על גבי עבודות חומר וזכוכית בנות אלפי שנים מכל רחבי העולם' . באיטליה, בתעשיית הזכוכית שימש המונח  “מיליפיורי” שמשמעותו "אלף פרחים". באנגליה, הראשון שיישם אותה על חימר היה תומס ווג’ווד במפעלי "וודג'ווד" בסטרטפורדשייר, בפיו היא נקראה “אגתוור” על שם אבן האגת, גביש קוורץ הבנוי שכבות-שכבות של צבעים שונים הנחשפים עם חיתוכו. אמנים ידועים המשתמשים בטכניקה זו הם בראש ובראשונה קנג’י נריאגה (יפן) שפיתח את הטכניקה ואף נתן לה את שמה, דורותי פייבלמן (ארה"ב) תומאס הודלי (אנגליה) שעובדים עם פורצלן, והם אלו שלקחו את הטכניקה לגבולות חדשים.

      האתגר שבטכניקה הוא כפול: יצירת דוגמאות מורכבות או מדויקות, ומניעת סדקים בעת ייבושו של הגוף הקרמי, בין אם הוא בעל צורה סגורה או פתוחה. מאחר ובניגוד לכל סוג עבודה אחר, לוחיות החומר אינן מסודרות בכיוון אחיד אלא לכיוון החיתוך של הדוגמה, לנריקומי יש נטייה להיסדק בחיבורים. מאותה סיבה, הסדקים בלתי ניתנים לאיחוי. לכל אמן יש שיטות שונות לייבוש. דורותי פייבלמן, למשל, עובדת עם סוגי פורצלן שונים המתייבשים בקצבים שונים, לכן היא נאלצת לייבש את עבודותיה מהר ובאחידות – לעיתים באמצעות ייבוש במיקרוגל.

      לפני שנתיים השתתפתי בסדנת נריקומי עם דורותי פייבלמן, במבט ראשון נראתה לי הטכניקה מגבילה, צבעונית וקיטשית למדי, עד שראיתי כוסות סאקה מעשה ידיה של דורותי: הכוסות מדמות עלי כותרת של פרחים, עורקי הצמח העדינים ,הצבעוניות המדויקת והשקיפות העדינה יוצרות אשליה של עלה כותרת קליל ועדין. ביחד איתי השתתף בסדנה ג'ון אנדרסן, אמן פימו (חימר פולימרי) שיוצר באמצעותו דוגמאות פסיכאדליות לקישוט גיטרות חשמליות. ההשוואה בין שני החומרים הייתה מעניינת מבחינתי מאוד. השליטה בפימו, בצורות שהוא יוצר ובצבעוניות שלו קלה הרבה יותר ולעומתו הפורצלן קשה לעבודה, מעוות את הדוגמאות הגיאומטריות ונסדק במרץ. היתרונות של הפורצלן הם בעמידותו (לאחר שריפה בלבד), באלגנטיות של הטקסטורה והמגע שלו ובשקיפות שניתן להשיג באמצעותו.

      גל גורן היא בוגרת בצלאל. זכתה במלגה סטודיו ראשון ומאז ספטמבר 2012 היא עובדת בסטודיו בבית בנימיני - מפתחת את השיטה האישית שלה בנריקומי.

      ]]>       9263 2013-05-20 18:40:11 2013-05-20 15:40:11 closed open %d7%a0%d7%a8%d7%99%d7%a7%d7%95%d7%9e%d7%99-%d7%92%d7%9c-%d7%92%d7%95%d7%a8%d7%9f publish 0 0 post 0 _edit_lock 1369129321 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1369124577       נריקומי http://www.benyaminiceramics.org/2013/05/%d7%a0%d7%a8%d7%99%d7%a7%d7%95%d7%9e%d7%99-%d7%92%d7%9c-%d7%92%d7%95%d7%a8%d7%9f/img_1067-copy/ Tue, 21 May 2013 08:22:30 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/05/IMG_1067-Copy.jpg 9276 2013-05-21 11:22:30 2013-05-21 08:22:30 closed open img_1067-copy inherit 9263 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/05/IMG_1067-Copy.jpg _wp_attached_file 2013/05/IMG_1067-Copy.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"448";s:6:"height";s:3:"301";s:14:"hwstring_small";s:23:"height='86' width='128'";s:4:"file";s:25:"2013/05/IMG_1067-Copy.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:25:"IMG_1067-Copy-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:25:"IMG_1067-Copy-300x201.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"201";}}s:10:"image_meta";a:10:{s:8:"aperture";s:2:"14";s:6:"credit";s:0:"";s:6:"camera";s:13:"Canon EOS 40D";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1337256940";s:9:"copyright";s:0:"";s:12:"focal_length";s:2:"60";s:3:"iso";s:3:"100";s:13:"shutter_speed";s:5:"0.008";s:5:"title";s:0:"";}} משה שק ז"ל: טוטמים עכשוויים http://www.benyaminiceramics.org/2013/06/%d7%9e%d7%a9%d7%94-%d7%a9%d7%a7-%d7%96%d7%9c-%d7%98%d7%95%d7%98%d7%9e%d7%99%d7%9d-%d7%a2%d7%9b%d7%a9%d7%95%d7%95%d7%99%d7%99%d7%9d/ Sun, 02 Jun 2013 14:36:45 +0000 http://www.benyaminiceramics.org/?p=9309 מאת: שרה הקרט

      המאמר לקוח מ-°1280, כתב עת לאמנות הקרמיקה, בהוצאת אגודת אמני הקרמיקה בישראל, גיליון 5, סתיו 2002. עורכת כתב העת: שרה הקרט

      משה שק ז"ל נפטר בשנת 2011. המאמר נכתב בעודו בחיים, עת עסק ביצירה ובפיסול, כולל פיסול קרמי, במלוא המרץ.

      משה שק הוא איכר שורשי בנפשו, לא משום שזה קרוב לחמישה עשורים הוא חי על אדמת קיבוצו (היה בין מייסדי קיבוץ בית ניר ב-1957), ואף עיבד אותה שנים רבות, אלא משום שהוא דבק באדמה, באותה חלקת אלוהים קטנה, אזור לכיש - שהקיבוץ יושב בו - באופן מילולי ומטפורי גם יחד. באומרנו שהוא איש טבע אמרנו שהוא מכיר כל רגב מאדמת האזור, כל נקיק וכל גבעה שבקרבתם הוא משוטט ללא הרף, והוא קשור אל הנמצא על פני השטח כאל הקבור מתחתיו, ולא בכדי. גבעות האזור הן גבעות כורכר, שכבה של סלע קשה מלמעלה וסלע רך מתחתיה, ולכן יצרו כאן כוחות הטבע, הרוח והמים מערות רבות עם תצורות מגוונות ומעניינות להפליא1.

      צילום: אולג בפשוס

      דורות מתושבי המקום, מן הפלשתים הקדומים ועד הערבים מאוחר יותר, אכלסו את המערות מאות בשנים. הם השתכנו בהן בעצמם וגם קברו בהן את מתיהם, וכך השאירו עדות חיה לתרבותם החומרית והרוחנית. עקבות של חיים מגוונים נותרו שם: עקבות של עבודה – הם חצבו בסלע כדי להרחיב את שטח המגורים ובנו כוכים וארונות לצורכי אכסון; של אמונות – מוטיבים קישוטיים חוזרים בקירות המערות ובכלים; של מנהגי דת וקבורה – כלי פולחן2 וגלוסקמאות נמצאו באזור. את אלו גילו ארכאולוגים בחפירות, ואחרים גלויים עד היום בקירות המערות ובשרידי מבנים מעשה ידי אדם. כאן גם שורש החיים של אמנותו של משה שק.

      ברגישות מופלאה הוא חווה את קימורי העמודים שנחצבו באבן הרכה, את לחיצות האצבעות שהטביע הקדר הקדמון בחומר הרטוב כשסובב את החוליות ובנה את קנקני השתייה ואת הכדים לתבואה. אלו מלחשים אל משה בשפה אותנטית שמובנת לו בבהירות, ואותה הוא מתרגם ומחיה בעבודותיו זה שנים רבות. אברהם אופק ידידו כתב בין היתר את הפסוק היפה: "...משה – בעיניים נוגע ובידיים רואה"3, והייתי מוסיפה – ובנשמתו הוא שומע. עבודותיו של משה, הכדים והקדרות הגדולות, ובעיקר פסלי החיות4 מוכרים היטב לאוהדי האמנות בארץ, והם מעמודי התווך של הקרמיקה הישראלית המודרנית. תחילה הכרנו אותם מגובבים בסדנתו שבקיבוץ, משם עברו כמה מהם אל אולמות תצוגה מכובדים של גלריות, ולבסוף מצאו את מנוחתם במוזאונים או שהם מוצגים דרך קבע במקומות ציבור ברחבי הארץ5.

      במשך השנים עבד משה בחומרים כגון עץ וברזל, ועבודות רבות שנעשו בחומר נוצקו גם בברונזה. משה, שרואה חשיבות מרבית בהבנת החומר כבסיס ליצירה - כל חומר ואיכויותיו שלו - רואה למשל הקבלה בין העבודה בחומר ובין יצירת דגם בשעווה שמשמש ליציקת הברונזה - שני חומרים שהוא מרבה להשתמש בהם לאחרונה, ולכן המעבר ביניהם נוח לו ונכון.

      בשנתיים האחרונות יצר משה קבוצת פסלים חדשה, פסלים צעירים בזמן אך ותיקים ברוחם. אלה פסלי עמוד זקופים, טוטמים, שחלקם התחתון, הגלילי, זהה, ומעליו מתנשאות תצורות שונות בכל פסל, תצורות שאופייניות ללקסיקון המוכר של משה. בחוש ההומור האופייני לו חלקים שמרמזים על הראש ועל איבריו מעוותים ועוברים תהליך של פיתוח מטמורפי - ראש-עיניים, אוזניים-ידיים, אף-פה, כיד הדמיון. הראש מנופח לעתים לכדור ולעתים פחוס לגמרי; האף מאורך לעתים כאפו של פינוקיו ולעתים מזכיר זרבובית של חזיר, וכן הלאה.

      החיבור בין העמוד הגלילי לחלק שמעליו יוצר דימוי של דמות מונומנטלית שמשיקה בקלות למסורת של המונומנט ההרואי בעל ההיסטוריה העשירה - מן האובליסק המצרי הקדום ועד פסלי המצביאים האירופים, ואם נרצה, מצריח המסגד ועד גורד השחקים הניו יורקי. לא עוד חיות קדמוניות–דמיוניות, כי אם התעסקות בדמות האדם וברוחו. התוכן חדש, אך ה"ידיים ידי עשו". אותם גלילים-צינוריים ששכיחים בפסלי החיות, אותן טפיחות מעוגלות-מכליות ששימשו ליצירת ראש, בטן, קימור של גו בפסלי החיות, מופיעים-נחבאים בפסלים החדשים. ואולם העיוות וההפשטה מפחיתים מחשיבותה של הדמות ומעניקים לה ממד קומי, אנושי. שלא כבמונומנטים מן העבר שביקשו להנציח דמות או את מעשה ידי המקימים אותם, הפסלים החדשים של משה אינם דימויים הרואים, כוחניים. משה מבקש להביע את רוחנית האדם יחד עם חולשותיו. וייתכן, משום כך, שבפסלים אלו משה מתקרב אל המופשט יותר משהתקרב אליו בעבר, אך עדיין אינו חוצה את הגבול; אין הוא מחפש תיאור ריאליסטי כדבריו כי אם את "הקוד של הצורה-חומר".6 בעבודותיו הקודמות הצליח משה להישאר מחובר אל קוד ארכאי-ראשוני שאליו הוא מתגעגע עד היום, ואילו בעבודות החדשות, בלי ספק, הוא עשה צעד אל עבר העולם הקלסי.

      כמה מפסלים אלו ייווצקו בקרוב בברונזה, יועמדו במקומות ציבוריים ויהפכו לנחלת הכלל. האחרים ישמרו בחומר את העשייה האותנטית, מעשה ידיו של האמן.

      הפסלים עשויים קירות דקים של אדמית מקומית, בעבודה ידנית; כולם מזוגגים באנגובים, בדרך כלל בלבן, ולעתים בתוספת צבעונית של כתם ברזל; הם נצרפו פעם אחת בלבד בטמפרטורה של Cº1100 לערך.

      למידע נוסף אודות קורס פיסול קרמי

      הערות
      1. מערות בית ג'וברין, מערת לוזית ומערות המסתור של בר-כוכבא הן מן המערות המפורסמות באזור.
      1. משה, עם חברים ארכאולוגים, נוהג לבקר בחפירות ארכאולוגיות שבאזורי הדרום, והוא מכיר היטב את התגליות שנחשפו שם במשך השנים. בין היתר, מטמון "בר אדון" - אוסף גדול של כלי פולחן בברונזה, שמוצג כעת במוזאון ישראל.
      1. ראו קטלוג הקרמיקה של משה שק, מוזאון ארץ ישראל, תל אביב 1994.
      1. ראו קטלוג משה שק, מוזאון הרצליה 1992.
      1. קטלוג מוזאון ארץ ישראל, שם.
      1. מתוך ריאיון עם האמן.
      ]]>       9309 2013-06-02 17:36:45 2013-06-02 14:36:45 closed open %d7%9e%d7%a9%d7%94-%d7%a9%d7%a7-%d7%96%d7%9c-%d7%98%d7%95%d7%98%d7%9e%d7%99%d7%9d-%d7%a2%d7%9b%d7%a9%d7%95%d7%95%d7%99%d7%99%d7%9d publish 0 0 post 0 _edit_lock 1370347169 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1370275867 _alp_broken_links a:1:{s:299:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%9C%D7%99%D7%9E%D7%95%D7%93%D7%99-%D7%A4%D7%99%D7%A1%D7%95%D7%9C/%D7%A7%D7%95%D7%A8%D7%A1-%D7%A4%D7%99%D7%A1%D7%95%D7%9C-%D7%A7%D7%A8%D7%9E%D7%99-%D7%99%D7%A1%D7%95%D7%93%D7%95%D7%AA/";a:0:{}}       משה שק http://www.benyaminiceramics.org/2013/06/%d7%9e%d7%a9%d7%94-%d7%a9%d7%a7-%d7%96%d7%9c-%d7%98%d7%95%d7%98%d7%9e%d7%99%d7%9d-%d7%a2%d7%9b%d7%a9%d7%95%d7%95%d7%99%d7%99%d7%9d/jk-99/ Mon, 03 Jun 2013 16:10:08 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/06/JK-99.jpg 9321 2013-06-03 19:10:08 2013-06-03 16:10:08 closed open jk-99 inherit 9309 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/06/JK-99.jpg _wp_attached_file 2013/06/JK-99.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"303";s:6:"height";s:3:"448";s:14:"hwstring_small";s:22:"height='96' width='64'";s:4:"file";s:17:"2013/06/JK-99.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:17:"JK-99-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:17:"JK-99-202x300.jpg";s:5:"width";s:3:"202";s:6:"height";s:3:"300";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1370243025";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} סמסטר קיץ - מערכת שעות http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%a1%d7%9e%d7%a1%d7%98%d7%a8-%d7%94%d7%a7%d7%99%d7%a5-%d7%91%d7%91%d7%99%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/summercourses/ Mon, 17 Jun 2013 10:15:04 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/06/summercourses.jpg 9328 2013-06-17 13:15:04 2013-06-17 10:15:04 closed open summercourses inherit 9324 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/06/summercourses.jpg _wp_attached_file 2013/06/summercourses.jpg _wp_attachment_metadata a:6:{s:5:"width";s:4:"1317";s:6:"height";s:3:"922";s:14:"hwstring_small";s:23:"height='89' width='128'";s:4:"file";s:25:"2013/06/summercourses.jpg";s:5:"sizes";a:3:{s:9:"thumbnail";a:3:{s:4:"file";s:25:"summercourses-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:25:"summercourses-300x210.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"210";}s:5:"large";a:3:{s:4:"file";s:26:"summercourses-1024x716.jpg";s:5:"width";s:4:"1024";s:6:"height";s:3:"716";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt לחצו להגדלה סמסטר הקיץ בבית בנימיני http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%a1%d7%9e%d7%a1%d7%98%d7%a8-%d7%94%d7%a7%d7%99%d7%a5-%d7%91%d7%91%d7%99%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/ Mon, 17 Jun 2013 10:15:57 +0000 http://www.benyaminiceramics.org/?page_id=9324

      בית הספר לאמנות הקרמיקה בבית בנימיני שמח להציע לחובבים, אמנים ומעצבים המבקשים לפעול בגבולות החומר הקרמי מגוון קורסים בסמסטר הקיץ לשנת 2013. מערך הקורסים המוצע ניתן על ידי צוות מרצים מקצועי ואיכותי המאפשר את הרחבת הידע המעשי והתיאורטי. בית הספר והסדנאות השונות מאפשרים למידה, התפתחות והתמקצעות, כמו גם סדנאות עתיות.

      סמסטר הקיץ הקרוב, יולי/ אוגוסט 2013, יאפשר לקהל המקצועי והמנוסה, כמו גם לאלו המתנסים בעבודה בחומר לראשונה, מגוון רחב של נושאי לימוד, שיעורים וסדנאות.

      מצפים לראותכם!

      להלן מערכת השעות של סמסטר הקיץ (לחצו להגדלה)

      לחצו להגדלה

      למידע מפורט על הקורסים בסמסטר הקיץ:

      לחוברת הקורסים המלאה (קובץ PDF)

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_thumbnail_id 9428 robotsmeta index,follow 968 http://www.benyaminiceramics.org/2013/06/%d7%a2%d7%91%d7%95%d7%93%d7%aa-%d7%94%d7%90%d7%91%d7%a0%d7%99%d7%99%d7%9d-%d7%9b%d7%a7%d7%a1%d7%9d-%d7%91%d7%97%d7%95%d7%9e%d7%a8/ 91.193.50.70 2013-06-17 16:45:58 2013-06-17 13:45:58 1 pingback 0 0       BenyaminiSummer2013 http://www.benyaminiceramics.org/?attachment_id=9342 Mon, 17 Jun 2013 10:23:17 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/06/BenyaminiSummer2013.pdf 9342 2013-06-17 13:23:17 2013-06-17 10:23:17 closed open benyaminisummer2013 inherit 0 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/06/BenyaminiSummer2013.pdf _wp_attached_file 2013/06/BenyaminiSummer2013.pdf _wp_attachment_metadata a:0:{} סדנה רעיונית ליוצרים בחומר http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%a1%d7%93%d7%a0%d7%90%d7%95%d7%aa/%d7%a1%d7%93%d7%a0%d7%94-%d7%a8%d7%a2%d7%99%d7%95%d7%a0%d7%99%d7%aa-%d7%9c%d7%99%d7%95%d7%a6%d7%a8%d7%99%d7%9d-%d7%91%d7%97%d7%95%d7%9e%d7%a8/ Mon, 17 Jun 2013 10:31:34 +0000 http://www.benyaminiceramics.org/?page_id=9345

      הסדנה תועבר ע"י שלומית באומן.

      המורכבות והבין תחומיות של שפת האמנות והעיצוב בימינו מחייבת הבנה כוללת, מרובדת ואינטגרטיבית של היבטים חומריים, טכנולוגיים ורעיוניים. התוכנית מיועדת ליוצרים בחומר המעוניינים לחדד את הצד הרעיוני של עבודתם. בקורס נעבוד על נושא כללי שיוצג בפני הקבוצה ונפתח באופן אישי וקבוצתי את היבטיו השונים. הקורס מבוסס על תרגילי ביניים, הרצאות, ביקורת עבודות ותרגיל מסכם.

      מועד הקורס: 30 ביולי עד 1 באוגוסט 2013 (שלושה ימים מרוכזים), בין השעות 9:00-16:00.

      עלות הקורס: 950 ₪.

      ]]>       9345 2013-06-17 13:31:34 2013-06-17 10:31:34 closed open %d7%a1%d7%93%d7%a0%d7%94-%d7%a8%d7%a2%d7%99%d7%95%d7%a0%d7%99%d7%aa-%d7%9c%d7%99%d7%95%d7%a6%d7%a8%d7%99%d7%9d-%d7%91%d7%97%d7%95%d7%9e%d7%a8 publish 4325 9 page 0 _edit_lock 1371472124 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1371472123 _thumbnail_id ngg-1350       עבודת אבניים: ניסוי ותהיה http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%9e%d7%aa%d7%a7%d7%93%d7%9e%d7%99%d7%9d/%d7%a2%d7%91%d7%95%d7%93%d7%aa-%d7%90%d7%91%d7%a0%d7%99%d7%99%d7%9d-%d7%a0%d7%99%d7%a1%d7%95%d7%99-%d7%95%d7%aa%d7%94%d7%99%d7%94/ Mon, 17 Jun 2013 10:54:06 +0000 http://www.benyaminiceramics.org/?page_id=9352

      הקורס ניתן במסגרת סמסטר קיץ 2013.

      בשנים האחרונות מקבלת עבודת האבניים משמעות חדשה: מכלי לייצור סדרתי של כלים שימושיים – הפכו האבניים לכלי המאפשר פיתוח של שפה אישית ופיסולית. בסדנה ננתח את המשמעויות הצורניות והסימבוליות של העבודה באבניים. נעבוד ונתנסה עליהם מנקודת מוצאמחקרית הבודקת את גבולות השימוש בהם תוך כדי ניסוח משמעויות חדשות, ניסוי ותהיה. הסדנה איננה מתמקדת בשיפור מיומנויות אלא בהעמקת ההיבטים הרעיוניים של העבודה באבניים.

      הסדנה מיועדת ליוצרים בעלי ידע בעבודה באבניים.
      מועד פתיחת הקורס: 8 ביולי 2013.
      שעות הקורס: שני, 9:00-12:00.

      עלות: 675 ₪ ל-5 מפגשים כולל חומרים ושריפות..

      הקורס בהנחיית שלומית באומן.

      ]]>       9352 2013-06-17 13:54:06 2013-06-17 10:54:06 closed open %d7%a2%d7%91%d7%95%d7%93%d7%aa-%d7%90%d7%91%d7%a0%d7%99%d7%99%d7%9d-%d7%a0%d7%99%d7%a1%d7%95%d7%99-%d7%95%d7%aa%d7%94%d7%99%d7%94 publish 4322 7 page 0 _edit_lock 1371470147 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1371470135 _alp_broken_links a:1:{s:231:"http://www.benyaminiceramics.org/%D7%9E%D7%A8%D7%9B%D7%96-%D7%91%D7%A0%D7%99%D7%9E%D7%99%D7%A0%D7%99/%D7%A6%D7%95%D7%95%D7%AA-%D7%94%D7%9E%D7%95%D7%A8%D7%99%D7%9D/%D7%A9%D7%9C%D7%95%D7%9E%D7%99%D7%AA-%D7%91%D7%90%D7%95%D7%9E%D7%9F/";a:0:{}} _thumbnail_id 9205       כלים בהשראת מבנים ארכיטקטוניים http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%9e%d7%aa%d7%97%d7%99%d7%9c%d7%99%d7%9d/%d7%9b%d7%9c%d7%99%d7%9d-%d7%91%d7%94%d7%a9%d7%a8%d7%90%d7%aa-%d7%9e%d7%91%d7%a0%d7%99%d7%9d-%d7%90%d7%a8%d7%9b%d7%99%d7%98%d7%a7%d7%98%d7%95%d7%a0%d7%99%d7%99%d7%9d/ Mon, 17 Jun 2013 12:11:07 +0000 http://www.benyaminiceramics.org/?page_id=9388

      במהלך סמסטר הקיץ של בית בנימיני, ייפתח קורס קרמיקה שימושית מיוחד בהנחיית אתל פיסרף – כלים בהשראת מבנים ארכיטקטוניים.

      באופן מסורתי מוגדרת הארכיטקטורה כאמנות הבניה, כתחום העוסק בעיצוב ובתכנון חללים. בקורס נתבונן במבנים ובארכיטקטורה מתקופות וסגנונות בנייה שונים בעזרתם נבחן את המבניות, הפרופורציות והיחסים בין חלל וחומר. כל הערכים הללו יהוו נקודת המוצא לעבודה אישית וליצירת אובייקטים קרמים בטכניקות בניית יד שונות.
      נדרש ידע בבניית יד
      מועד הקורס: יום שלישי, 17:30-20:30.
      משך הקורס: 5 מפגשים.
      פתיחת הקורס בסמסטר הקיץ: 9 ביולי 2013.

      עלות הקורס: 675 ₪ (כולל חומרים ושריפות).

      ]]>       9388 2013-06-17 15:11:07 2013-06-17 12:11:07 closed open %d7%9b%d7%9c%d7%99%d7%9d-%d7%91%d7%94%d7%a9%d7%a8%d7%90%d7%aa-%d7%9e%d7%91%d7%a0%d7%99%d7%9d-%d7%90%d7%a8%d7%9b%d7%99%d7%98%d7%a7%d7%98%d7%95%d7%a0%d7%99%d7%99%d7%9d publish 4320 6 page 0 _edit_lock 1371471086 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1371471085 _thumbnail_id ngg-1618 _alp_broken_links a:1:{s:213:"http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%a6%d7%95%d7%95%d7%aa-%d7%94%d7%9e%d7%95%d7%a8%d7%99%d7%9d/%d7%90%d7%aa%d7%9c-%d7%a4%d7%99%d7%a1%d7%a8%d7%a3/";a:0:{}}       סמסטר קיץ 2013 http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%a1%d7%9e%d7%a1%d7%98%d7%a8-%d7%94%d7%a7%d7%99%d7%a5-%d7%91%d7%91%d7%99%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/ester-beck2/ Mon, 17 Jun 2013 12:55:52 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/06/ester-beck2.jpg 9428 2013-06-17 15:55:52 2013-06-17 12:55:52 closed open ester-beck2 inherit 9324 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/06/ester-beck2.jpg _wp_attached_file 2013/06/ester-beck2.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"336";s:6:"height";s:3:"342";s:14:"hwstring_small";s:22:"height='96' width='94'";s:4:"file";s:23:"2013/06/ester-beck2.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:23:"ester-beck2-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:23:"ester-beck2-294x300.jpg";s:5:"width";s:3:"294";s:6:"height";s:3:"300";}}s:10:"image_meta";a:10:{s:8:"aperture";s:3:"2.8";s:6:"credit";s:0:"";s:6:"camera";s:19:"Canon PowerShot G12";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1271447460";s:9:"copyright";s:0:"";s:12:"focal_length";s:3:"6.1";s:3:"iso";s:3:"250";s:13:"shutter_speed";s:15:"0.0333333333333";s:5:"title";s:0:"";}} נקודת מפגש: האמן מייקל גירטסן http://www.benyaminiceramics.org/2013/06/%d7%a0%d7%a7%d7%95%d7%93%d7%aa-%d7%9e%d7%a4%d7%92%d7%a9-%d7%94%d7%90%d7%9e%d7%9f-%d7%9e%d7%99%d7%99%d7%a7%d7%9c-%d7%92%d7%99%d7%a8%d7%98%d7%a1%d7%9f/ Mon, 17 Jun 2013 13:06:32 +0000 http://www.benyaminiceramics.org/?p=9432 "אני מאמין שלכלים קרמיים שימושיים כמו גם לאובייקטים קרמיים לא שימושיים ישנה אמירה עכשווית. הם השתקפות של המוסכמות החברתיות, אורח החיים והריטואלים שלנו" (מייקל גירטסן)

      אמן, מעצב ואיש קראפט. מייקל גירטסין עונה לשלוש ההגדרות, פועל בשלושה שדות עשייה ומטשטש את הגבולות ביניהם. האובייקטים הפיסוליים ההיברידים שהוא יוצר הינם השתקפות חומרית של המפגש בין אמנות, עיצוב וקראפט.

      גירטסן, יליד דנמרק (1966), החל את דרכו המקצועית בשנות ה-80 כמתלמד בסטודיו לקרמיקה ומשם המשיך ללימודים בבית הספר הדני לעיצוב בקופנהגן, Danmarks Designskole. בשנים אלה פיתח מיומנות גבוהה בעבודת אבניים ובמקביל למד את יסודות הפיסול והעיצוב. כיום הוא אחד מאמני הקרמיקה המובילים בדנמרק ועבודותיו מוצגות במקומות רבים ברחבי העולם, בהם מוזיאון ויקטוריה ואלפרד בלונדון והמוזיאון לאמנות ועיצוב בניו יורק.

      "נקודת המפגש בין פריטים שימושיים לבין פיסול הוא הדבר שמעניין אותי" (מייקל גירטסן)

      לאחר סיום לימודיו היה זה אך טבעי מצד גירטסן להתמקד במדיום הקרמי, ובמהרה החל לפתח שפה צורנית משלו ששורשיה טמונים במלאכת הקדרות המסורתית מחד ובלימודי העיצוב והפיסול מאידך. עבודותיו הראשונות החלו כצורות גיאומטריות בסיסיות שכוירו על האבניים (צילינדרים וצלחות), נחתכו וחוברו מחדש ליצירת אובייקטים פיסוליים שהתאפיינו בצבעי זיגוג מונוכרומטים. הזיגוג האחיד ופני השטח נטולי הטקסטורות הקנו לאובייקטים אופי "ניטרלי", "נקי" ועם זאת פואטי. אופי העבודות מיצב אותן במקום ביניים על הסקאלה שבין שדה העיצוב לבין שדה הקראפט. מיקום זה הפך לטריטוריה בה המשיך גרטסן ליצור ולחקור.

      "כל הדברים נעים, כולם רצים, כולם משתנים במהירות. פרופיל לעולם אינו חסר תנועה מול עינינו, אלא הוא מופיע ונעלם שוב ושוב" (מתוך המניפסט הטכני של הציור הפוטוריסטי)

      פסליו של גירטסן הפכו למורכבים יותר ויותר עם הזמן. לעיתים חיבר מעל עשרה חלקים שנעשו על האבניים ונחתכו לכדי אובייקט אחד, שלמרות היותו סטטי ניכרה בו תנועה. אופן חיבור החלקים העדינים לפסל אחד, נראה כמדמה דמות בתנועה מתוך סרט מאויר שלרגע הוקפא. מוטיב התנועה הפך למרכזי בעבודותיו ונתן להן נופח דינאמי ואנרגטי. האופי האנליטי של הקומפוזיציות יחד עם הצורה הדינאמית בשילוב פני השטח הצבעוניים - חלקים עד כדי תעשייתיים, מרמזים על השפעתו של האמן הפוטוריסטי האיטלקי אומברטו בוצ'וני על גירטסן. במקביל, מפשטות הצורות של האובייקטים והמראה החלק והניטראלי מהדהדת השפעתו של הצייר האיטלקי ג'ורג'יו מורנדי, צייר טבע דומם.

      "עבודות הקרמיקה שלו גורמות לנו להסתכל ולשאוף למעלה. הן מפתיעות אותנו כמו מציאות מופלאות בשווקי פשפשים איכותיים" (אדמונד דה-ואל)

      התייחסותו של גירטסן לחלל החלה עם הזמן לעבור תמורות. הוא התחיל להציב את עבודותיו במקומות חריגים ולא צפויים כמו פינות תקרה, על גבי קורות עץ גבוהות ומעל דלתות כניסה. גם אופן פיזור העבודות בחלל השתנה – במקום אובייקטים בודדים הוא החל לתלות צברים רנדומאליים של אובייקטים המרוכזים במקומות שונים בחלל, בין אם על הקירות ובין אם על התקרה. במקומות מסוימים צייר גירטסן צורות גיאומטריות פשוטות וצבעוניות על קירות חללים סגורים כמו גם חללים פתוחים ותלה את עבודותיו בתוכן ולידן. כך, נוצר משחק מודגש בין תלת לדו מימד שהוסיף רובד נוסף לעבודותיו.

      בשנים האחרונות ניכר שינוי בצורת פסליו הקרמיים של גירטסן. הן הפכו לאורגניות יותר, הקצוות החדים התקהו, פלטת הצבעים השתנתה מעט והאובייקטים הפכו למעיין דמויות אמורפיות. על פני השטח החלקים נצבעו תבניות גיאומטריות צבעוניות שיצרו מתח בין צורה לאורנומנט וחידדו את הדינאמיות של האובייקט. בנוסף נראה כי עבודות מסוימות בהן מופיעים עיטורים גיאומטריים על פני השטח בצבעי כחול, שחור, אדום, מקיימות דיאלוג עם כלי פורצלן שעוטרו בדגמים סופרמטיסטים של הצייר הרוסי קזימיר מלביץ', והיוו חלק מהתעמולה הסובייטית במאה הקודמת. גם כאן, נוכחת התייחסות אינטלקטואלית של האמן המחברת בין אלמנטים בהיסטוריה של הקרמיקה לבין תולדות האמנות ובאה לידי ביטוי בעבודות פיסול קרמי עכשווי.

      "פסליו של גירטסן צועדים בחלל כמו חייזרים שהגיעו מעולם צבעוני מקביל" (ג'ייסון ג'ייקס מתוך We come in peace)

      השפעת הפופ ארט והמדע הבדיוני נהייתה דומיננטית יותר ויותר בעבודותיו האחרונות. אם בעבר העבודות היו אנליטיות, מדיטטביות ומעודנות יחסית, כעת, הן רגשיות, הומוריסטיות ומתקשרות יותר עם הצופה. בנוסף, כיום, הוסיף האמן לפלטת הצבעים שלו  זהב, כסף ופלאטינה (לאסטרים) לצביעת אלמנטים באובייקטים. צבעים אלה מייצרים מעין אפקט מראה, ואלמנטים צורניים אחרים על פני האובייקט כמו גם החלל, משתקפים על פני הפסלים ויוצרים עומק נוסף.

      בתערוכת יחיד שהתקיימה ב-2011 בניו-יורק תחת הכותרת We Come In Peace הציג גירטסן עבודות מהשנים האחרונות להן קרא "מניפסט אקלקטי". במניפסט המוצע לצופה הוא מצליח באופן מרשים ליצור מפגש מורכב בין אלמנטים דקורטיביים לצורה פיסולית של אובייקט ממשי ובכך מצליח לטשטש את הגבולות שבין אמנות, עיצוב וקראפט.

      מקורות Apollonio, Umbro, (edited by), (1973). Futurist Manifestos, London: Thames and Hudson De Waal, Edmund (2005). "Michael Geertsen’s Assemblages", Ceramics Art & Perception/ Technical, 60 Jacques, Jason (2011). Michael Geertsen: We Come In Peace, New York: Jason Jacques Gallery Press McFadden, David. Michael Geertsen : Stepping Over the Lines, New York
      ]]>       9432 2013-06-17 16:06:32 2013-06-17 13:06:32 closed open %d7%a0%d7%a7%d7%95%d7%93%d7%aa-%d7%9e%d7%a4%d7%92%d7%a9-%d7%94%d7%90%d7%9e%d7%9f-%d7%9e%d7%99%d7%99%d7%a7%d7%9c-%d7%92%d7%99%d7%a8%d7%98%d7%a1%d7%9f publish 0 0 post 0 _edit_lock 1371476087 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1371474943 _alp_broken_links a:1:{s:299:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%9C%D7%99%D7%9E%D7%95%D7%93%D7%99-%D7%A4%D7%99%D7%A1%D7%95%D7%9C/%D7%A7%D7%95%D7%A8%D7%A1-%D7%A4%D7%99%D7%A1%D7%95%D7%9C-%D7%A7%D7%A8%D7%9E%D7%99-%D7%99%D7%A1%D7%95%D7%93%D7%95%D7%AA/";a:0:{}}       girtsen1 http://www.benyaminiceramics.org/2013/06/%d7%a0%d7%a7%d7%95%d7%93%d7%aa-%d7%9e%d7%a4%d7%92%d7%a9-%d7%94%d7%90%d7%9e%d7%9f-%d7%9e%d7%99%d7%99%d7%a7%d7%9c-%d7%92%d7%99%d7%a8%d7%98%d7%a1%d7%9f/girtsen1/ Mon, 17 Jun 2013 13:09:22 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/06/girtsen1.jpg 9435 2013-06-17 16:09:22 2013-06-17 13:09:22 closed open girtsen1 inherit 9432 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/06/girtsen1.jpg _wp_attached_file 2013/06/girtsen1.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"600";s:6:"height";s:3:"700";s:14:"hwstring_small";s:22:"height='96' width='82'";s:4:"file";s:20:"2013/06/girtsen1.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:20:"girtsen1-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:20:"girtsen1-257x300.jpg";s:5:"width";s:3:"257";s:6:"height";s:3:"300";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} girtsen2 http://www.benyaminiceramics.org/2013/06/%d7%a0%d7%a7%d7%95%d7%93%d7%aa-%d7%9e%d7%a4%d7%92%d7%a9-%d7%94%d7%90%d7%9e%d7%9f-%d7%9e%d7%99%d7%99%d7%a7%d7%9c-%d7%92%d7%99%d7%a8%d7%98%d7%a1%d7%9f/girtsen2/ Mon, 17 Jun 2013 13:09:23 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/06/girtsen2.jpg 9436 2013-06-17 16:09:23 2013-06-17 13:09:23 closed open girtsen2 inherit 9432 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/06/girtsen2.jpg _wp_attached_file 2013/06/girtsen2.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"564";s:6:"height";s:3:"400";s:14:"hwstring_small";s:23:"height='90' width='128'";s:4:"file";s:20:"2013/06/girtsen2.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:20:"girtsen2-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:20:"girtsen2-300x212.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"212";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} girtsen3 http://www.benyaminiceramics.org/2013/06/%d7%a0%d7%a7%d7%95%d7%93%d7%aa-%d7%9e%d7%a4%d7%92%d7%a9-%d7%94%d7%90%d7%9e%d7%9f-%d7%9e%d7%99%d7%99%d7%a7%d7%9c-%d7%92%d7%99%d7%a8%d7%98%d7%a1%d7%9f/girtsen3/ Mon, 17 Jun 2013 13:09:24 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/06/girtsen3.jpg 9437 2013-06-17 16:09:24 2013-06-17 13:09:24 closed open girtsen3 inherit 9432 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/06/girtsen3.jpg _wp_attached_file 2013/06/girtsen3.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"900";s:6:"height";s:3:"630";s:14:"hwstring_small";s:23:"height='89' width='128'";s:4:"file";s:20:"2013/06/girtsen3.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:20:"girtsen3-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:20:"girtsen3-300x210.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"210";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} עבודת האבניים כקסם בחומר http://www.benyaminiceramics.org/2013/06/%d7%a2%d7%91%d7%95%d7%93%d7%aa-%d7%94%d7%90%d7%91%d7%a0%d7%99%d7%99%d7%9d-%d7%9b%d7%a7%d7%a1%d7%9d-%d7%91%d7%97%d7%95%d7%9e%d7%a8/ Mon, 17 Jun 2013 13:45:54 +0000 http://www.benyaminiceramics.org/?p=9448 בספרו "המערה" מתאר הסופר הפורטוגזי ז'וּזֶה סראמאגו  (José de Sousa Saramago), את המושג "חוכמת ידיים" כ"שכל קטן" הנמצא בגב כף היד. אין ספק כי עבודת האבניים מייצגת חוכמת ידיים באופן המובהק ביותר: העבודה מבוססת כמעט לחלוטין על רגש, מגע, מישוש, זרימה ותנועה. בסמסטר הקיץ בבית בנימיני ניתן להתנסות בכול מיני רמות של עבודה באבניים ולחוש כיצד ניתן ליצור קסם בחומר.

      עבודת אבניים – קורסי קיץ

      האבניים – מכשיר טרום תעשייתי בו מתקיים קשר ייחודי בין אדם ומכונה. בעבר שימשו האבניים ליצירת כלים שימושיים, אולם לאחר המהפכה התעשייתית הפכו לכלי ייצור המשמש היום בסטודיו של היוצר הקרמי לפיתוח שפה אישית. העבודה באבניים היא חווייתית מאוד ומאפשרת באופן בו זמני חוויה של עשייה, יצירת כלים שימושיים, יצירת אובייקטים פיסוליים וכדומה. זוהי חוויה פיזית ורוחנית כאחד – המאפשרת נדבך אחרי נדבך לפתח סדרות של עבודות על פי רצון היוצר.

      תהליך החניכה בעבודה באבניים הוא ממושך, ורכישת המיומנות מתבצעת תוך כדי אימון ועבודה בסטודיו. זהו תהליך מתגמל שגלום בו עושר של עשייה המשלב בין חוויה לאינטלקט, חידוד התמצאות חומרית במרחב תלת ממדי ומפגש בין תחושה לחוכמת כפיים.

      בקורסי הקיץ של בית בנימיני ניתן ללמוד את עבודת האבניים במרוכז ובכל הרמות – עם מיטב המורים: החל מהקניית מיומנויות וטכניקות בסיסיות לעבודה באובניים (רועי מעין, רונן ימין ונועה אלמגור), דרך פיתוח מיומנויות של יוצרים העובדים באבניים ומעוניינים לשפר אספקטים טכניים ועיצוביים - תוך בחינה צורנית, אסטתית ופונקציונלית של הנפחים (אתי גורן), דרך הכרות עם טכניקות ואופני בנייה שונים של כלים גדולים בבניית יד ועל האובניים (ג'קרנדה קורי) ועד לניתוח המשמעויות הרעיוניות ופיתוח גישה ניסיונית בעבודה באבניים (שלומית באומן).

      למידע נוסף על הקורסים המציעים עבודת אבניים במסגרת סמסטר הקיץ:

    • קורס קדרות – לתלמידים מתחילים וממשיכים / נועה אלמגור, רונן ימין, רועי מעין
    • קדרות – כלי ומכסה / אתי גורן
    • קורס אבניים – כלים גדולים, קדרות ובניית יד / ג'קרנדה קורי
    • עבודת אבניים – ניסוי ותהיה / שלומית באומן
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      ]]>       9456 2013-06-17 16:54:18 2013-06-17 13:54:18 closed open summer-courses-wheel-throwing-for-all-levels publish 0 0 post 0 _edit_last 3 _edit_lock 1371477259 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";}       טליה טוקטלי. צילום: שי הלוי http://www.benyaminiceramics.org/2013/06/%d7%a2%d7%9c-%d7%90%d7%95%d7%a6%d7%a8%d7%95%d7%aa-%d7%9e%d7%a0%d7%a7%d7%95%d7%93%d7%aa-%d7%9e%d7%91%d7%98-%d7%90%d7%99%d7%a9%d7%99%d7%aa/talya/ Mon, 17 Jun 2013 13:58:27 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/06/talya.jpg 9459 2013-06-17 16:58:27 2013-06-17 13:58:27 closed open talya inherit 9458 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/06/talya.jpg _wp_attached_file 2013/06/talya.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"336";s:6:"height";s:3:"415";s:14:"hwstring_small";s:22:"height='96' width='77'";s:4:"file";s:17:"2013/06/talya.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:17:"talya-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:17:"talya-242x300.jpg";s:5:"width";s:3:"242";s:6:"height";s:3:"300";}}s:10:"image_meta";a:10:{s:8:"aperture";s:3:"4.5";s:6:"credit";s:0:"";s:6:"camera";s:10:"NIKON D300";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1366721139";s:9:"copyright";s:0:"";s:12:"focal_length";s:2:"34";s:3:"iso";s:3:"400";s:13:"shutter_speed";s:15:"0.0166666666667";s:5:"title";s:0:"";}} על אוצרות מנקודת מבט אישית http://www.benyaminiceramics.org/2013/06/%d7%a2%d7%9c-%d7%90%d7%95%d7%a6%d7%a8%d7%95%d7%aa-%d7%9e%d7%a0%d7%a7%d7%95%d7%93%d7%aa-%d7%9e%d7%91%d7%98-%d7%90%d7%99%d7%a9%d7%99%d7%aa/ Mon, 17 Jun 2013 14:00:09 +0000 http://www.benyaminiceramics.org/?p=9458 מאת: רונית צור

      תחום האוצרות מרתק והופך למרכזי מעצם היותו רב השפעה על קביעת האג'נדה האמנותית של מוסדות תרבות שונים ולהיפך. האוצר אוחז בידו מפתח חשוב לחשיפה לקהל הרחב של היצירה המתפתחת בתוככי הסטודיו של אמנים שונים. באפשרותו לעודד אמנים שהוא מאמין בפוטנציאל של יצירתם, ולחבר יוצרים שונים תחת מטריית תערוכה משותפת. הדבר מתקיים גם בהקשרו של בית בנימיני.

      כאשר נפתח בית בנימיני, המרכז לקרמיקה עכשווית, לפני כשנתיים היה ברור שזו הזדמנות ייחודית לשים את תחום הקרמיקה במרכז הבמה, בלב האזור המתפתח של סטודיות וגלריות בדרום תל אביב, ולהציגו כתחום מגובש שלוקח חלק בשיח האמנותי והעיצובי.

      היות והמקום מצהיר על עכשוויות ופתיחות נסיונית נראה היה לי מתאים, כשלקחתי על עצמי את הניהול של הגלריות, לפנות לאוצרים נוספים מלבדי בעלי תובנות קרמיות מחד אך בעלי נקודות ייחוס שונות לאמנות, מאידך. כאלה שבזכות קשריהם השונים יביאו לבית בנימיני את קהלם, יעלו שאלות מגוונות ונושאים שונים לדיון בתערוכות שיאצרו, יתרמו לרלוונטיות ולאטרקטיביות של המרכז למציגים ולמבקרים בו כאחד.

      טליה טוקטלי. צילום: שי הלוי

      במשך השנתיים הראשונות לקיומו של בית בנימיני הוצגו בו עשר תערוכות נושא קבוצתיות ושש תערוכות יחיד. בכל תערוכה ניבנה תהליך עבודה משותף עם האוצר שנבחר כך שתישמר מסגרת ההנחיה הכללית שהוגדרה במרכז ויתאפשר הביטוי הייחודי של האוצר. אני מדמה אוצרות של תערוכה קבוצתית לניצוח על תזמורת מרובת כלים. כדי שיצליח וישאיר את חותמו דרוש תאום בין כל הגורמים הלוקחים בו חלק: היצירה, המנצח, הנגנים, הכלים, אולם המופע. כך גם בתערוכה – הנושא, האמנים, העבודות, החלל אופן התצוגה, הקטלוג - כל אלה אמורים, תחת שרביטו של האוצר, ליצור יצירה שלמה ומהודקת. תערוכה קבוצתית נהגית בדרך כלל על ידי האוצר - הוא בעל החזון, הוא שבוחר את התמה של התערוכה, את ההיגד שהוא רוצה להעלות ולדון בו. הנושא יכול להיות חברתי, פוליטי, משיק למדיית הקרמיקה, בעל נקודת מוצא אישית פרטית או אמירה על תחום עצובי, תרבותי.

      התערוכות הקבוצתיות שהוצגו במקום העלו דיונים מעניינים על הקשר בין היוצר לבין חומר הגלם המשמש אותו (של מי האדמה הזאת / אוצר: ערן ארליך), על נושא הקיטש והיצירה הקרמית העכשווית (אוברקיטש / אוצר: רועי מעין), על האופצייה הקיימת בשבר הקרמי כנקודת מוצא ליצירה חדשה הנשענת על עברה (שבר, שבריריות / אוצרת: אילת זהר), על החמור המשמש אייקון בתרבות הקרמיקה הישראלית עכשווית כאובייקט שהוא גם בעל קונוטציות רעליות (חמור / אוצרת: רויטל בן אשר), על משמעויות של פרידה והפלגה (הפלגה/ אוצרת: תרצה ילון קולטון), עיצוב צעיר של בוגרי אקדמיות ( Shift / אוצרות: שלומית באומן ורוית לצר).

      כאמנית קרמיקה מזה שנים עניין אותי להרחיב את העיסוק שלי לתחום האוצרות. במהלך כזה מביאים את הרקע והחיבור האישי כאמן אך מניחים  בצד את היצירה העצמית ונכנסים לתוך עולמו של היוצר האחר. התרומה היא ביכולת ההתבוננות החיצונית, בהבאת ההיכרות עם חלל התצוגה ואיך הוא משפיע על העבודות המוצגות, במתן פרשנויות נוספות ומרחק מעט אובייקטיבי יותר לאופני התבוננות אפשריים בהיקף היצירה המוצגת.  אוצרות יכולה להיות מרובת גישות, תהליכים ורובדים. על פי רוב במהלך העבודה על תערוכה נתקלים בהפתעות בלתי צפויות, מתעורר הצורך בגמישות ובהתאמות. נקודת הפתיחה היא ברורה אך הדרך יכולה להוביל לתערוכה שונה לחלוטין מזו שהאוצר תיכנן מלכתחילה.

      בעבודה שלי מול אוצרי התערוכות בבית בנימיני, לאחר שגובש וסוכם נושא התערוכה, היה חשוב לי לשמור על חופש היצירה שלהם, לחשוף אותם לאמני קרמיקה שיכולים לתרום ביצירתם לתערוכה המתוכננת, לעזור בהפקת התערוכה והקטלוג ובעמידה בלוחות הזמנים. במרבית התערוכות התקיים שיח גלריה או מפגש יומי לסדרת הרצאות הנוגעות בנושא התערוכה.

      לעומת תערוכה קבוצתית העבודה על תערוכת יחיד היא ממוקדת אמן. בסדרה של מפגשים בסטודיו מקלפים את המעטפת, מגיעים לליבת הדברים המעסיקים את אותו יוצר, מבינים את התהליכים שהוא עובר ומנסחים את ההדגשים שרוצים להבליט. זהו תהליך אינטימי שלתוכו האוצר והאמן מביאים את עצמם,  מנהלים דו-שיח בונה המתגבש לכדי טקסט, העמדה, והתערוכה המוגמרת. ישנן תצוגות של מקבצי עבודות הקיימים בסטודיו של האמן והרחבתם לכלל אמירה שלמה ומדויקת, יש ותהליך העבודה המשותף נבנה ספציפית לתצוגה בבית בנימיני עם הקשרים לתצוגות אחרות במקום.

      התערוכה הנוכחית המוצגת בבית בנימיני, תל אביב, ברלין, במעבר, התאפיינה בתהליך אוצרות חווייתי שעברו כל משתתפיה יחדיו. אין זו תערוכה שנרקמה בראשו של אוצר שבחר לבטא תמה מסוימת, אלא ראשיתה במפגש מקרי שלי  עם הדמוט ביטיגר, אמנית רב-תחומית מברלין אשר עבודותיה מטפלות בנושא המהגרים בעירה. היות ובית בנימיני  ממוקם בלב התהוותה והתגבשותה של אוכלוסיית מהגרים מגוונת, נראה מתאים ומעניין להעלות פרשנויות אמנותיות שונות על תופעת ההגירה בתל אביב ובברלין. שלושה אמנים ישראלים העוסקים  בהיבטים מקומיים על מצבי ארעיות והיות במעבר הוזמנו להצטרף לפורום דיון משותף שמטרתו לבחון ולגבש תערוכה בנושא. קבענו לקיים מפגשים תקופתיים על מנת לשתף אחד את השני בתהליכי העבודה ולהתעדכן בכיווני ההתפתחות של היצירות. למעשה היתה בכך סוג של יצירה נוספת, רוחנית, בה ידע כל אחד את חלקו במכלול התערוכה, נוצרו שיתוף והדדיות לקראת תצוגה אחת מגובשת, זאת בשונה מהנהוג בתערוכות קבוצתיות בן לא מתקיים חיבור בין האמנים השונים אלא כל אמן עובד באופן עצמאי מבלי שיהיה מודע לחלקו במארג הכולל של התערוכה. תל אביב, ברלין, במעבר אמורה להיות מוצגת בשתי הערים התוססות והדומות מבחינות רבות - ערים קוסמופוליטיות, המהוות מרכז תרבותי רב לאומי, אטרקטיביות ומחוספסות, סקסיות, מאתגרות ולעתים מוליכות שולל.

      ]]>       9458 2013-06-17 17:00:09 2013-06-17 14:00:09 closed open %d7%a2%d7%9c-%d7%90%d7%95%d7%a6%d7%a8%d7%95%d7%aa-%d7%9e%d7%a0%d7%a7%d7%95%d7%93%d7%aa-%d7%9e%d7%91%d7%98-%d7%90%d7%99%d7%a9%d7%99%d7%aa publish 0 0 post 0 _edit_lock 1371479112 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";}       shary boyle http://www.benyaminiceramics.org/2013/06/%d7%94%d7%90%d7%a8%d7%9e%d7%95%d7%9f-%d7%94%d7%90%d7%99%d7%a0%d7%a6%d7%99%d7%a7%d7%9c%d7%95%d7%a4%d7%93%d7%99-%d7%94%d7%91%d7%99%d7%90%d7%a0%d7%9c%d7%94-%d7%91%d7%95%d7%a0%d7%a6%d7%99%d7%94-2013/shary-boyle/ Mon, 17 Jun 2013 14:31:29 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/06/shary-boyle.jpg 9463 2013-06-17 17:31:29 2013-06-17 14:31:29 closed open shary-boyle inherit 9462 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/06/shary-boyle.jpg _wp_attached_file 2013/06/shary-boyle.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"336";s:6:"height";s:3:"406";s:14:"hwstring_small";s:22:"height='96' width='79'";s:4:"file";s:23:"2013/06/shary-boyle.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:23:"shary-boyle-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:23:"shary-boyle-248x300.jpg";s:5:"width";s:3:"248";s:6:"height";s:3:"300";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} הארמון האינציקלופדי - הביאנלה בונציה 2013 http://www.benyaminiceramics.org/2013/06/%d7%94%d7%90%d7%a8%d7%9e%d7%95%d7%9f-%d7%94%d7%90%d7%99%d7%a0%d7%a6%d7%99%d7%a7%d7%9c%d7%95%d7%a4%d7%93%d7%99-%d7%94%d7%91%d7%99%d7%90%d7%a0%d7%9c%d7%94-%d7%91%d7%95%d7%a0%d7%a6%d7%99%d7%94-2013/ Mon, 17 Jun 2013 14:32:49 +0000 http://www.benyaminiceramics.org/?p=9462 הרצאה מיוחדת מפי ד"ר סמדר שפי בשיתוף אגודת אמני הקרמיקה בישראל.

      בהרצאה תציג ד"ר שפי מבט נרחב על הביאנלה: היסטוריה (למה לא כל תערוכה היא ביאנלה) על המבנה האירגוני-רעיוני-פוליטי ועל האופן בו התערוכה הלכה וגדלה לאירוע שכמעט בלתי אפשרי לראות את כולו. בביאנלה הנוכחית, המצוינת, נתבונן בתערוכה המרכזית הארמון האנציקלופדי, בביתנים הלאומיים ובאחדים מאירועי הלווין. נראה במה היא שונה מביאנלות שקדמו לה ונבדוק אפיונים ודגשים באצירה ויצירה.

      סמדר שפי היא ד"ר לאמנות באוניברסיטה העברית, מבקרת אמנות אוצרת ויועצת אמנות ובעלת בלוג ''החלון''.

      ההרצאה תתקיים בבית בנימיני ביום ה', 11 ביולי 2013, בשעה 20.00.

      דמי השתתפות: 60 ₪. לחברי אגודה וסטודנטים: 50 ₪

      להרשמה נא להתקשר למזכירות האגודה לאמנות הקרמיקה בישראל, בטלפון 03-6874150

      Shary Boyle, הביתן הקנדי.

      ]]>       9462 2013-06-17 17:32:49 2013-06-17 14:32:49 closed open %d7%94%d7%90%d7%a8%d7%9e%d7%95%d7%9f-%d7%94%d7%90%d7%99%d7%a0%d7%a6%d7%99%d7%a7%d7%9c%d7%95%d7%a4%d7%93%d7%99-%d7%94%d7%91%d7%99%d7%90%d7%a0%d7%9c%d7%94-%d7%91%d7%95%d7%a0%d7%a6%d7%99%d7%94-2013 publish 0 0 post 0 _alp_processed 1371545176 _edit_lock 1371551780 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";}       The Encyclopedic Palace- the Venice Bienale 2013 http://www.benyaminiceramics.org/en/2013/06/the-encyclopedic-palace-the-venice-bienale-2013/ Mon, 17 Jun 2013 14:37:09 +0000 http://www.benyaminiceramics.org/?p=9465 ]]> 9465 2013-06-17 17:37:09 2013-06-17 14:37:09 closed open the-encyclopedic-palace-the-venice-bienale-2013 publish 0 0 post 0 _edit_lock 1371484159 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} Jenny Gawronsky http://www.benyaminiceramics.org/2013/06/%d7%92%d7%a0%d7%99-%d7%92%d7%91%d7%a8%d7%95%d7%a0%d7%a1%d7%a7%d7%99-%d7%90%d7%9e%d7%a0%d7%99%d7%aa-%d7%90%d7%95%d7%a8%d7%97%d7%aa-%d7%91%d7%91%d7%99%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0/jenny-gawronsky/ Mon, 17 Jun 2013 14:44:35 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/06/Jenny-Gawronsky.jpg 9469 2013-06-17 17:44:35 2013-06-17 14:44:35 closed open jenny-gawronsky inherit 9468 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/06/Jenny-Gawronsky.jpg _wp_attached_file 2013/06/Jenny-Gawronsky.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"328";s:6:"height";s:3:"400";s:14:"hwstring_small";s:22:"height='96' width='78'";s:4:"file";s:27:"2013/06/Jenny-Gawronsky.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:27:"Jenny-Gawronsky-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:27:"Jenny-Gawronsky-246x300.jpg";s:5:"width";s:3:"246";s:6:"height";s:3:"300";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} ג'ני גברונסקי - אמנית אורחת בבית בנימיני http://www.benyaminiceramics.org/2013/06/%d7%92%d7%a0%d7%99-%d7%92%d7%91%d7%a8%d7%95%d7%a0%d7%a1%d7%a7%d7%99-%d7%90%d7%9e%d7%a0%d7%99%d7%aa-%d7%90%d7%95%d7%a8%d7%97%d7%aa-%d7%91%d7%91%d7%99%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0/ Mon, 17 Jun 2013 14:45:09 +0000 http://www.benyaminiceramics.org/?p=9468 במרוצת חודש יולי יארח בית בנימיני את האמנית האמריקאית הצעירה ג'ני גברונסקי כאמנית הבית (Artist in residence).

      כיתת אמן עם האמנית תתקיים ביום רביעי, 16 ביולי, בשעה 16:00. עלות כניסה לכיתת האמן: 20 ש"ח.

      ג'ני, בעלת תואר שני באמנות מאוניברסיטת לואיזיאנה - חיה, עובדת ומלמדת במדינת קולוראדו, ארה"ב. יצירתה מתמקדת בעיקר בקדרות פונקציונאלית בהיבט מיצבי. באמצעות מקבצי כלים שימושיים יומיומיים ובהצבה ריטואלית- טקסית, האמנית יוצרת נופים אינטימיים שהם מיצבים שולחניים ביתיים המכונים בפיה tablescapes  - נופי שולחן. חפצים בעלי ערך שימושי, אסתטי ורגשי וציטוטים מתרבויות שונות, חוברים לקומפוזיציות תלת ממדיות דרכם מטענים תרבותיים חווים עדנה ומשמשים לה תפאורת במה למופעים אינטימיים והתחדשות של אורחות ומנהגים של ימים עברו. שילוב אלמנטים של ניקיון מודרניסטי, גיאומטריה סימטרית ואלמנטים עיטוריים מתרבות האסלאם - ערבסקות, שריגי צמחים בקצביות חזרתית ועבודת פיליגרן לקוחה מעיטורי הפורצלאנים הצרפתיים של Sevres , יוצרים סביבה אסתטית אישית מאוד ובמה דינאמית לנוף המשתנה תמידית תוך כדי השימוש באובייקטים המככבים. הכלים והמיצבים משמשים את האמנית לאמירה רעיונית המנסה להשיב עטרה ליושנה – האדרת עבודת היד ויציקת תכנים ומשמעות לקונספט של 'שולחן ערוך' – כסמל לסטאטוס חברתי, התנהלות ופרוטוקול, אופנה, פולחן וטקסיות; פסק זמן ממרוץ החיים להתבוננות רפלקטיבית – הזנה פיסית לצד הזנה רוחנית.]]>       9468 2013-06-17 17:45:09 2013-06-17 14:45:09 closed open %d7%92%d7%a0%d7%99-%d7%92%d7%91%d7%a8%d7%95%d7%a0%d7%a1%d7%a7%d7%99-%d7%90%d7%9e%d7%a0%d7%99%d7%aa-%d7%90%d7%95%d7%a8%d7%97%d7%aa-%d7%91%d7%91%d7%99%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0 publish 0 0 post 0 _edit_lock 1373846394 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1373791132       Jenny Gawronski - Visiting artist at Beit Benyamini http://www.benyaminiceramics.org/en/2013/06/jenny-gawronski-visiting-artist-at-beit-benyamini/ Mon, 17 Jun 2013 14:46:47 +0000 http://www.benyaminiceramics.org/?p=9471 Jenny, a graduate of Louisiana State University, currently works and lives in Alamosa, Colorado. Most of her work is Installation oriented functional thrown and altered pots put together as ‘innovative sets of objects that create dynamic tablescapes … the landscape of the objects used on the table’. Objects which have inherent qualities of function, visual aesthetic and emotion are combined with various cultural references to create a three dimensional composition which enhances and revives table traditions of by gone days. Modernistic cleanliness and simplicity, arabesque patterns, repetitive symmetrical shapes found in Islamic art and references to French filigree style Sevres porcelains; create a very personal environment and a stage for ‘intimate performances between objects and their users. These performances are constantly transforming, as the composition of the objects and the users reveal themselves through their use’. Jenny’s tablescapes celebrate craftsmanship and the role of ritualistic objects in our lives. Through her work, the artist hopes to reshape our food consumption environment and restore table settings to their former important status in our culture; a symbol for social standing, proper etiquette, protocol and behavior, fashion, ceremony and ritual; a rest for reflective observation and a meaningful experience – physical nourishment along with spiritual nurturing.]]> 9471 2013-06-17 17:46:47 2013-06-17 14:46:47 closed open jenny-gawronski-visiting-artist-at-beit-benyamini publish 0 0 post 0 _edit_lock 1371482448 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} תערוכות בתמיכת בית בנימיני http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%91%d7%aa%d7%9e%d7%99%d7%9b%d7%aa-%d7%91%d7%99%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/ Mon, 17 Jun 2013 15:51:52 +0000 http://www.benyaminiceramics.org/?page_id=9475 תערוכות בתמיכת מרכז בנימיני:

      גלרית שי אריה - "חומר צעיר"[singlepic id=32 w=160 h=120 float=center]

      האקדמיה לאמנות בצלאל - תערוכות שונות [singlepic id=243 w=160 h=120 float=center] המדרשה לאמנות המכללה האקדמית בית ברל - "תנור הנייר" ותערוכת מחלקה [singlepic id=244 w=160 h=120 float=center] ]]>       9475 2013-06-17 18:51:52 2013-06-17 15:51:52 closed open %d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%91%d7%aa%d7%9e%d7%99%d7%9b%d7%aa-%d7%91%d7%99%d7%aa-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99 publish 5716 5 page 0 _edit_lock 1371484760 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1371484759 _alp_broken_links a:1:{s:175:"http://www.benyaminiceramics.org/%D7%A4%D7%A2%D7%99%D7%9C%D7%95%D7%99%D7%95%D7%AA/%D7%AA%D7%A2%D7%A8%D7%95%D7%9B%D7%95%D7%AA/%D7%97%D7%95%D7%9E%D7%A8-%D7%A6%D7%A2%D7%99%D7%A8/";a:0:{}} _thumbnail_id ngg-76       Exhibitions sponsored by Benyamini Center http://www.benyaminiceramics.org/en/ceramic-galleries/exhibitions-supported-by-benyamini-center/ Mon, 17 Jun 2013 16:05:26 +0000 http://www.benyaminiceramics.org/?page_id=9492 Young Clay [singlepic id=32 w=160 h=120 float=center] Bezalel Acadamy of Art and Design, Jerusalem [singlepic id=243 w=160 h=120 float=center] HaMidrasha Teachers College, Beit Berl [singlepic id=244 w=160 h=120 float=center] ]]> 9492 2013-06-17 19:05:26 2013-06-17 16:05:26 closed open exhibitions-supported-by-benyamini-center publish 6167 5 page 0 _edit_lock 1371485150 _edit_last 3 _thumbnail_id ngg-76 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default sharyboyle http://www.benyaminiceramics.org/?attachment_id=9529 Thu, 27 Jun 2013 11:28:52 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/06/sharyboyle.jpg 9529 2013-06-27 14:28:52 2013-06-27 11:28:52 closed open sharyboyle inherit 0 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/06/sharyboyle.jpg _wp_attached_file 2013/06/sharyboyle.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"592";s:6:"height";s:3:"470";s:14:"hwstring_small";s:23:"height='96' width='120'";s:4:"file";s:22:"2013/06/sharyboyle.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:22:"sharyboyle-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:22:"sharyboyle-300x238.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"238";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} קורסי קדרות בקיץ http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%9e%d7%aa%d7%97%d7%99%d7%9c%d7%99%d7%9d/%d7%a7%d7%95%d7%a8%d7%a1%d7%99-%d7%a7%d7%93%d7%a8%d7%95%d7%aa-%d7%91%d7%a7%d7%99%d7%a5/ Sun, 30 Jun 2013 10:55:34 +0000 http://www.benyaminiceramics.org/?page_id=9552

      למידע על קורס קדרות למתחילים בשנת הלימודים 2013-2014

      למידע על קורס קרמיקה וקדרות - לתלמידים ממשיכים בשנת הלימודים 2013/14

      מועדי הקורסים בקיץ:

      1) יום שישי, 9:00-12:00 – קורס למתחילים, אין צורך בידע מוקדם.
      2) יום רביעי, 9:00-12:00 – קורס המשך לחיזוק מיומנויות עבודה באובניים.
      3) יום רביעי, 19:00-21:00 – קורס המשך לחיזוק מיומנויות עבודה באובניים.

      יום שישי, 9:00-12:00, בהנחיית נועה אלמגור.

      קורס קדרות למתחילים.
      משך הקורס: 5 מפגשים.
      פתיחת הקורס בסמסטר הקיץ: 12 ביולי 2013.

      עלות הקורס: 675 ₪ (כולל חומרים ושריפות).

      יום רביעי, 9:00-12:00, בהנחיית רועי מעין.

      קורס המשך בקיץ.
      פתיחת הקורס בסמסטר הקיץ: 10 ביולי 2013.
      משך הקורס: 5 מפגשים.

      עלות הקורס: 675 ₪ (כולל חומרים ושריפות).

      יום רביעי, 19:00-22:00, בהנחיית רונן ימין.

      קורס המשך בקיץ.
      פתיחת הקורס בסמסטר הקיץ: 10 ביולי 2013.
      משך הקורס: 5 מפגשים.

      עלות הקורס: 675 ₪ (כולל חומרים ושריפות).

      ]]>       9552 2013-06-30 13:55:34 2013-06-30 10:55:34 closed open %d7%a7%d7%95%d7%a8%d7%a1%d7%99-%d7%a7%d7%93%d7%a8%d7%95%d7%aa-%d7%91%d7%a7%d7%99%d7%a5 publish 4320 7 page 0 _edit_lock 1374668517 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1374668516 _alp_broken_links a:3:{s:225:"http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%a6%d7%95%d7%95%d7%aa-%d7%94%d7%9e%d7%95%d7%a8%d7%99%d7%9d/%d7%a0%d7%95%d7%a2%d7%94-%d7%90%d7%9c%d7%9e%d7%92%d7%95%d7%a8/";a:0:{}s:213:"http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%a6%d7%95%d7%95%d7%aa-%d7%94%d7%9e%d7%95%d7%a8%d7%99%d7%9d/%d7%a8%d7%95%d7%a2%d7%99-%d7%9e%d7%a2%d7%99%d7%9f/";a:0:{}s:213:"http://www.benyaminiceramics.org/%d7%9e%d7%a8%d7%9b%d7%96-%d7%91%d7%a0%d7%99%d7%9e%d7%99%d7%a0%d7%99/%d7%a6%d7%95%d7%95%d7%aa-%d7%94%d7%9e%d7%95%d7%a8%d7%99%d7%9d/%d7%a8%d7%95%d7%a0%d7%9f-%d7%99%d7%9e%d7%99%d7%9f/";a:0:{}} _thumbnail_id ngg-1619       סדנת צבע ואלמנטים קרמיים http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%a1%d7%93%d7%a0%d7%90%d7%95%d7%aa/%d7%a1%d7%93%d7%a0%d7%aa-%d7%a6%d7%91%d7%a2-%d7%95%d7%90%d7%9c%d7%9e%d7%a0%d7%98%d7%99%d7%9d-%d7%a7%d7%a8%d7%9e%d7%99%d7%99%d7%9d/anna2/ Sun, 30 Jun 2013 13:08:36 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/06/anna2.jpg 9590 2013-06-30 16:08:36 2013-06-30 13:08:36 closed open anna2 inherit 9589 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/06/anna2.jpg _wp_attached_file 2013/06/anna2.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"448";s:6:"height";s:3:"299";s:14:"hwstring_small";s:23:"height='85' width='128'";s:4:"file";s:17:"2013/06/anna2.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:17:"anna2-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:17:"anna2-300x200.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"200";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"8";s:6:"credit";s:0:"";s:6:"camera";s:23:"Canon EOS DIGITAL REBEL";s:7:"caption";s:0:"";s:17:"created_timestamp";s:9:"315525608";s:9:"copyright";s:0:"";s:12:"focal_length";s:2:"47";s:3:"iso";s:3:"100";s:13:"shutter_speed";s:4:"0.05";s:5:"title";s:0:"";}} סדנת צבע ואלמנטים קרמיים http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%a1%d7%93%d7%a0%d7%90%d7%95%d7%aa/%d7%a1%d7%93%d7%a0%d7%aa-%d7%a6%d7%91%d7%a2-%d7%95%d7%90%d7%9c%d7%9e%d7%a0%d7%98%d7%99%d7%9d-%d7%a7%d7%a8%d7%9e%d7%99%d7%99%d7%9d/ Sun, 30 Jun 2013 13:09:42 +0000 http://www.benyaminiceramics.org/?page_id=9589

      הסדנה בהנחיית אנה כרמי.

      סדנה מקיפה בת שבעה מפגשים בהם יתוודעו המשתתפים בעזרת הדגמות והתנסות אישית לטכניקות מגוונות שיעשירו את פלטת הצבע באישית ויאפשרו הרפתקאות חדשות ובלתי צפויות בעשייה החומרית.

      מפגש ראשון: תכשיטים ותבליטים: תבניות גבס, סיליקון, התנסות בעבודה בגבס ליצירת אובייקטים קטנים.

      מפגש שני: צבע על פני החומר: צובענים, חומר צבעוני, אנגובים, עפרונות קרמיים, ציור על אריחים.

      מפגש שלישי: הדפס על חומר רטוב: דפי אנגובים והדפס בחומר רטוב ושרוף, התנסות בעבודה עם חרוזי זכוכית.

      מפגש רביעי: גלזורות תעשייתיות וקריסטליות: מפגשי גלזורות בטמפרטורה נמוכה, זיגוג חוזר על כלים שרופים.

      מפגש חמישי: דקאלים: שימוש בדקאלים על כלים מזוגגים וזכוכית.

      מפגש שישי: לאסטרים וסודותיהם.

      מפגש שביעי: תיקונים ודבקים: רפאות בשלבים שונים של העשייה ושיבוץ אלמנטים שאינם קרמים לאחר השריפה.

      שבעה מפגשים בני שלוש שעות, רישום למפגש יחיד על בסיס מקום פנוי.

      עלות: 1350 שקל ל7 מפגשים של שלוש שעות. המחיר כולל חומרים ושריפות

      מידע על מועדי הסדנה יתפרסם במשך השנה.

      ]]>       9589 2013-06-30 16:09:42 2013-06-30 13:09:42 closed open %d7%a1%d7%93%d7%a0%d7%aa-%d7%a6%d7%91%d7%a2-%d7%95%d7%90%d7%9c%d7%9e%d7%a0%d7%98%d7%99%d7%9d-%d7%a7%d7%a8%d7%9e%d7%99%d7%99%d7%9d publish 4325 0 page 0 _edit_lock 1374665450 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1373712019 _thumbnail_id 9590       Ceramic elements and color http://www.benyaminiceramics.org/en/ceramic-courses/workshops/ceramic-elements-and-color/ Sun, 30 Jun 2013 13:11:21 +0000 http://www.benyaminiceramics.org/?page_id=9593 Instructor: Anna Carmi A comprehensive 7 meeting workshop of demos and experiments using various techniques that will broaden the participants color palette and enable new adventures and unexpected results in  clay practice. Meeting 1: Jewellery and relief – plaster and silicon moulds for small objects Meeting 2: Surface color – stains, colored clay, engobes, pencils and painting on tiles Meeting 3: Printing on wet surfaces and experimenting with glass beads. Meeting 4: Commercial and crystalline glazes, low temperature glazes and repeat firings Meeting 5: Decals on ceramic and glass Meeting 6: The secrets of luster Meeting 7: Mending and glues – at various stages of the work as well as non-ceramic materials Cost: 1350 shekels for 7 meetings of 3 hours including materials and firings Details regarding dates  will be published.]]> 9593 2013-06-30 16:11:21 2013-06-30 13:11:21 closed open ceramic-elements-and-color publish 4379 0 page 0 _edit_lock 1373713622 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _thumbnail_id 9590 סדנה למחקר ופיתוח טכנולוגי http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%a1%d7%93%d7%a0%d7%90%d7%95%d7%aa/%d7%a1%d7%93%d7%a0%d7%94-%d7%9c%d7%9e%d7%97%d7%a7%d7%a8-%d7%95%d7%a4%d7%99%d7%aa%d7%95%d7%97-%d7%98%d7%9b%d7%a0%d7%95%d7%9c%d7%95%d7%92%d7%99/ Sun, 30 Jun 2013 13:21:45 +0000 http://www.benyaminiceramics.org/?page_id=9596

      סדנה בהנחיית יהודה ומיכל קורן.

      קורס מחקר ופיתוח טכנולוגיה קרמית ויישומה בסטודיו הפרטי. הטכנולוגיה הקרמית, מלווה את תהליך היצירה בחומר בכל שלביו ומהווה חלק בלתי נפרד מתהליך החשיבה הרעיונית והצורנית. מטרת הקורס היא לפתח חשיבה טכנולוגית עצמאית ולהקנות ידע עיוני ומעשי הכולל: מינרלים, חרסיות שונות ותכונותיהם, תהליך השריפה, פיתוח חשיבה צבעונית ויישומה בגוף הקרמי והזיגוג. כל מפגשים יכללו מבוא עיוני, מתן תרגילים, ניתוח תוצאות והסקת מסקנות וילוו עבודה עצמאית של המשתתפים.מסקנות המחקר ותוצאות הקורס יתועדו וישמרו בארכיון בית בנימיני ויהיו פתוחות לקהל הרחב.

      מיועד לקרמיקאים ובעלי ניסיון רב בחומר הקרמי

      מפגש חודשי, ימי רביעי, 14:00-10:00.

      מחיר: 1,000 ₪.

      מידע על תאריכים מדויקים יפורסם בהמשך.

      ]]>       9596 2013-06-30 16:21:45 2013-06-30 13:21:45 closed open %d7%a1%d7%93%d7%a0%d7%94-%d7%9c%d7%9e%d7%97%d7%a7%d7%a8-%d7%95%d7%a4%d7%99%d7%aa%d7%95%d7%97-%d7%98%d7%9b%d7%a0%d7%95%d7%9c%d7%95%d7%92%d7%99 publish 4325 8 page 0 _edit_lock 1375002040 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1375001333 _thumbnail_id 9929       Ceramic Technology - Research and Development http://www.benyaminiceramics.org/en/ceramic-courses/workshops/ceramic-technology-research-and-development/ Sun, 30 Jun 2013 13:22:09 +0000 http://www.benyaminiceramics.org/ceramic-courses/workshops/ceramic-technology-research-and-development/ The workshop is for ceramists who have studied ceramic technology. Subjects for research: transparency and opacity, texture, color, clay bodies, the body and the glaze, the use of materials developed for space industries.  The results of the research done by participants between meetings will be analyzed and then developed further. All results will be recorded in the archives of the Benyamini Center available to the public. 9 meetings, Wed. 10.00 – 14.00 annual Cost: 1000 shekels]]> 9598 2013-06-30 16:22:09 2013-06-30 13:22:09 closed open ceramic-technology-research-and-development publish 4379 8 page 0 _wp_page_template default robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _edit_lock 1375002243 _edit_last 3 _thumbnail_id 9929 dori http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%9c%d7%99%d7%9e%d7%95%d7%93%d7%99-%d7%a4%d7%99%d7%a1%d7%95%d7%9c/%d7%a1%d7%93%d7%a0%d7%aa-%d7%a4%d7%99%d7%a1%d7%95%d7%9c-%d7%a0%d7%a8%d7%90%d7%98%d7%99%d7%91%d7%99/%d7%93%d7%95%d7%a8%d7%99-027/ Sun, 30 Jun 2013 15:21:11 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/06/דורי-027.jpg 9615 2013-06-30 18:21:11 2013-06-30 15:21:11 closed open %d7%93%d7%95%d7%a8%d7%99-027 inherit 9614 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/06/דורי-027.jpg _wp_attached_file 2013/06/דורי-027.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"448";s:6:"height";s:3:"235";s:14:"hwstring_small";s:23:"height='67' width='128'";s:4:"file";s:24:"2013/06/דורי-027.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:16:"-027-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:16:"-027-300x157.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"157";}}s:10:"image_meta";a:10:{s:8:"aperture";s:3:"3.8";s:6:"credit";s:0:"";s:6:"camera";s:7:"DSC-P52";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1092371949";s:9:"copyright";s:0:"";s:12:"focal_length";s:3:"6.3";s:3:"iso";s:3:"100";s:13:"shutter_speed";s:6:"0.0125";s:5:"title";s:0:"";}} סדנת פיסול נראטיבי http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%9c%d7%99%d7%9e%d7%95%d7%93%d7%99-%d7%a4%d7%99%d7%a1%d7%95%d7%9c/%d7%a1%d7%93%d7%a0%d7%aa-%d7%a4%d7%99%d7%a1%d7%95%d7%9c-%d7%a0%d7%a8%d7%90%d7%98%d7%99%d7%91%d7%99/ Sun, 30 Jun 2013 15:22:14 +0000 http://www.benyaminiceramics.org/?page_id=9614

      בהנחיית דורי שכטל זנגר.

      סדנת פיסול המאפשרת מפגש והכרות עם סגנון הפיסול הנארטיבי של אמנית הקרמיקה, דורי שכטל זנגר. במהלך הסדנה יתוודעו המשתתפים דרך הרצאה, דימויים והדגמות לסגנון ולתהליכי העבודה הייחודים.

      הסדנה תתמקד בשלושה נושאים עיקריים:

      • פיסול פיגורטיבי: טכניקות בניית יד, חוליות וגוש מלא.
      • מיכלים, בין שימושי לפיסולי: תבניות חומר חד פעמיות.
      • פני השטח הקרמיים: טיפול צבעוני, אנגובים, חריטות ועוד.

      המפגשים בסדנה בני ארבע שעות, אין צורך בידע מוקדם.

      ארבעה מפגשים, בימי חמישי, 14:00-18:00.

      עלות: 800 שקל כולל חומרים ושריפות

      מידע מפורט על תאריכים יפורסם בהמשך.

      ]]>       9614 2013-06-30 18:22:14 2013-06-30 15:22:14 closed open %d7%a1%d7%93%d7%a0%d7%aa-%d7%a4%d7%99%d7%a1%d7%95%d7%9c-%d7%a0%d7%a8%d7%90%d7%98%d7%99%d7%91%d7%99 publish 5571 6 page 0 _edit_lock 1374667810 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1374667809 _thumbnail_id 9664       Narrative Sculpture http://www.benyaminiceramics.org/en/ceramic-courses/sculpture-courses/narrative-sculpture/ Sun, 30 Jun 2013 15:23:32 +0000 http://www.benyaminiceramics.org/?page_id=9617 Instructor: Dori Shechtel Zanger A four meeting workshop that will familiarize participants with the artists unique style including a lecture and demo of her work processes.  The workshop will focus on three main aspects: Figurative sculpture: handbuilding, coils and using a block of clay Vessels between functional and sculptural: one off clay moulds Ceramic surface: color, engobes, sgrafitto and more Previous experience not required Thursdays 14:00 – 18:00 Cost: 800 shekels for 4 meetings of 4 hours. The price includes materials and firings Dates to be advertised during the year.]]> 9617 2013-06-30 18:23:32 2013-06-30 15:23:32 closed open narrative-sculpture publish 6154 6 page 0 _edit_lock 1373713618 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _thumbnail_id 9664 קורס גבס ואריחי קרמיקה: "תלוי על הקיר" http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%9e%d7%aa%d7%97%d7%99%d7%9c%d7%99%d7%9d/%d7%a7%d7%95%d7%a8%d7%a1-%d7%92%d7%91%d7%a1-%d7%95%d7%90%d7%a8%d7%99%d7%97%d7%99-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94-%d7%aa%d7%9c%d7%95%d7%99-%d7%a2%d7%9c-%d7%94%d7%a7%d7%99%d7%a8/ Mon, 01 Jul 2013 09:25:26 +0000 http://www.benyaminiceramics.org/?page_id=9638 [imagebrowser id=170]

      במפגש המרתק שבין דו מימד לתלת מימד נלמד טכניקות שונות להכנת אריחים, נעזר בתבניות גבס בעזרתן נייצר מוטיבים חוזרים (בהשראת האמן האמריקאי Jason Green). נפתח שיטות שונות ליצירת טקסטורות תוך שימוש בגבס רטוב ויבש, סגנונות שונים של חריטה על חומר (sgrafito and mishimo), חריטה על פלטות גבס, העתקת סטרוקטורות של נייר, תחרה, קפלי בד ועוד. נשתמש בשיטות שלמדנו בכדי לייצר תבליטים על פני אריחים בעלי נפח. דרך גוף האריחים שיווצר במהלך הקורס נלמד לעצב קומפוזיציות מורכבות, נבחן את אפשרויות הצבע  ונדון באפשרויות התליה.הקורס כולל מצגות, הדגמות ודיון קבוצתי.

      אין צורך בידע קודם

      מועדי הקורס: ימי ראשון, 14:00-17:00.  הקורס יינתן בסמסטר א' בלבד.

      עלות הקורס: 4185 ₪ (כולל חומרים ושריפות).

      צפו בסרטון אודות קורס קדרות ולימודי קרמיקה בבית בנימיני:

      ]]>       9638 2013-07-01 12:25:26 2013-07-01 09:25:26 closed open %d7%a7%d7%95%d7%a8%d7%a1-%d7%92%d7%91%d7%a1-%d7%95%d7%90%d7%a8%d7%99%d7%97%d7%99-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94-%d7%aa%d7%9c%d7%95%d7%99-%d7%a2%d7%9c-%d7%94%d7%a7%d7%99%d7%a8 publish 4320 3 page 0 _edit_lock 1376292201 _edit_last 3 menu_title קורס גבס ואריחי קרמיקה robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1373708042 _thumbnail_id ngg-1641       "On the Wall" - plaster moulds and tiles http://www.benyaminiceramics.org/en/ceramic-courses/beginners/on-the-wall-plaster-moulds-and-tiles/ Mon, 01 Jul 2013 09:58:32 +0000 http://www.benyaminiceramics.org/?page_id=9645 Instructor: Alina Toperman Eitan A fascinating meeting between 2D and 3D.  The course will cover various techniques of building plaster moulds and tiles with repetitive motives (inspired by work of Jason Green).  We will develop methods to create textures using various materials in wet  and dry plaster including sgrafito and mishimo.  With these tools we will work on relief tiles focusing on complex compositions.  The course will also cover color and mounting and include  demos, presentations and group discussions. No previous experience required Sundays 14:00 – 17:00 First semester Cost: 2160 shekels including materials and firings]]> 9645 2013-07-01 12:58:32 2013-07-01 09:58:32 closed open on-the-wall-plaster-moulds-and-tiles publish 4369 3 page 0 _edit_lock 1373708000 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _thumbnail_id ngg-1641 הקערה האישית שלי http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%a1%d7%93%d7%a0%d7%90%d7%95%d7%aa/%d7%94%d7%a7%d7%a2%d7%a8%d7%94-%d7%94%d7%90%d7%99%d7%a9%d7%99%d7%aa-%d7%a9%d7%9c%d7%99/ Mon, 01 Jul 2013 10:05:29 +0000 http://www.benyaminiceramics.org/?page_id=9648

      מנחה: שמאי גיבש.

      בסדנה נבחן שיטות שונות של בניית קערות תוך התבוננות בקערות מעשי ידי אומני קרמיקה שונים ממהארץ והעולם. נתנסה וניישם טכניקות בניה שונות באובניים ובבניית יד במטרה למצוא את הקערה האישית של כל משתתף. במפגשים נעזר במצגות בכדי להבין וללמוד שיטות עבודה שונות, נתחיל את תהליך העבודה ברישומי דו מימד וניישם בחומר את תהליך העבודה השלם. הסדנה כוללת שיתוף פעולה בין הסטודנטים ועבודותיהם, דיונים ועבודה בגלזורות קון 6 קנויות והכנת עבודות לשריפות אלטרנטיביות שיוצגו למשתתפים במהלך הסדנה.

      הסדנה מיועדת לבעלי ניסיון עבודה בקדרות ו/או בבניית יד.

      חמישה מפגשים בני שלוש שעות. מועדים מדויקים יפורסמו בהמשך.

      עלות: 800 ₪ כולל חומרים ושריפות.

      ]]>       9648 2013-07-01 13:05:29 2013-07-01 10:05:29 closed open %d7%94%d7%a7%d7%a2%d7%a8%d7%94-%d7%94%d7%90%d7%99%d7%a9%d7%99%d7%aa-%d7%a9%d7%9c%d7%99 publish 4325 7 page 0 _edit_lock 1373713176 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1373713176 _thumbnail_id 9652       SHAMAI2. http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%a1%d7%93%d7%a0%d7%90%d7%95%d7%aa/%d7%94%d7%a7%d7%a2%d7%a8%d7%94-%d7%94%d7%90%d7%99%d7%a9%d7%99%d7%aa-%d7%a9%d7%9c%d7%99/shamai2/ Mon, 01 Jul 2013 10:21:39 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/07/SHAMAI2..jpg 9652 2013-07-01 13:21:39 2013-07-01 10:21:39 closed open shamai2 inherit 9648 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/07/SHAMAI2..jpg _wp_attached_file 2013/07/SHAMAI2..jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"640";s:6:"height";s:3:"474";s:14:"hwstring_small";s:23:"height='94' width='128'";s:4:"file";s:20:"2013/07/SHAMAI2..jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:20:"SHAMAI2.-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:20:"SHAMAI2.-300x222.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"222";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} My Personal Bowl http://www.benyaminiceramics.org/en/ceramic-courses/workshops/my-personal-bowl/ Mon, 01 Jul 2013 10:32:42 +0000 http://www.benyaminiceramics.org/?page_id=9655 Instructor: Shamai Gibsh We will examine various techniques of bowl-making by ceramic artists from around the world and then experiment using different techniques of handbuilding or wheel throwing so that each participant finds their personal style. The process will begin with drawing, translating to clay, cooperation between students and discussions  The workshop will include cone 6 glazes as well as preparing work for special firings Experience in handbuilding or wheelthrowing required Five meetings of three hours Cost: 800 shekels including materials and firings]]> 9655 2013-07-01 13:32:42 2013-07-01 10:32:42 closed open my-personal-bowl publish 4379 7 page 0 _edit_lock 1373713601 _edit_last 3 _thumbnail_id 9652 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default דורי 027 http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%9c%d7%99%d7%9e%d7%95%d7%93%d7%99-%d7%a4%d7%99%d7%a1%d7%95%d7%9c/%d7%a1%d7%93%d7%a0%d7%aa-%d7%a4%d7%99%d7%a1%d7%95%d7%9c-%d7%a0%d7%a8%d7%90%d7%98%d7%99%d7%91%d7%99/%d7%93%d7%95%d7%a8%d7%99-027-2/ Mon, 01 Jul 2013 10:40:13 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/06/דורי-0271.jpg 9663 2013-07-01 13:40:13 2013-07-01 10:40:13 closed open %d7%93%d7%95%d7%a8%d7%99-027-2 inherit 9614 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/06/דורי-0271.jpg _wp_attached_file 2013/06/דורי-0271.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"448";s:6:"height";s:3:"235";s:14:"hwstring_small";s:23:"height='67' width='128'";s:4:"file";s:25:"2013/06/דורי-0271.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:17:"-0271-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:17:"-0271-300x157.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"157";}}s:10:"image_meta";a:10:{s:8:"aperture";s:3:"3.8";s:6:"credit";s:0:"";s:6:"camera";s:7:"DSC-P52";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1092371949";s:9:"copyright";s:0:"";s:12:"focal_length";s:3:"6.3";s:3:"iso";s:3:"100";s:13:"shutter_speed";s:6:"0.0125";s:5:"title";s:0:"";}} dori http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%9c%d7%99%d7%9e%d7%95%d7%93%d7%99-%d7%a4%d7%99%d7%a1%d7%95%d7%9c/%d7%a1%d7%93%d7%a0%d7%aa-%d7%a4%d7%99%d7%a1%d7%95%d7%9c-%d7%a0%d7%a8%d7%90%d7%98%d7%99%d7%91%d7%99/dori/ Mon, 01 Jul 2013 10:40:28 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/06/dori.jpg 9664 2013-07-01 13:40:28 2013-07-01 10:40:28 closed open dori inherit 9614 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/06/dori.jpg _wp_attached_file 2013/06/dori.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"448";s:6:"height";s:3:"235";s:14:"hwstring_small";s:23:"height='67' width='128'";s:4:"file";s:16:"2013/06/dori.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:16:"dori-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:16:"dori-300x157.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"157";}}s:10:"image_meta";a:10:{s:8:"aperture";s:3:"3.8";s:6:"credit";s:0:"";s:6:"camera";s:7:"DSC-P52";s:7:"caption";s:0:"";s:17:"created_timestamp";s:10:"1092371949";s:9:"copyright";s:0:"";s:12:"focal_length";s:3:"6.3";s:3:"iso";s:3:"100";s:13:"shutter_speed";s:6:"0.0125";s:5:"title";s:0:"";}} תערוכה רינה פלג - לחצו להגדלה http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%9e%d7%a6%d7%99%d7%92%d7%95%d7%aa/%d7%a8%d7%99%d7%a0%d7%94-%d7%a4%d7%9c%d7%92-%e2%80%93-%d7%a7%d7%95%d7%9e%d7%99%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/rina-invitation/ Tue, 09 Jul 2013 14:12:49 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/07/rina-invitation.jpg 9694 2013-07-09 17:12:49 2013-07-09 14:12:49 closed open rina-invitation inherit 9693 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/07/rina-invitation.jpg _wp_attached_file 2013/07/rina-invitation.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"800";s:6:"height";s:4:"1135";s:14:"hwstring_small";s:22:"height='96' width='67'";s:4:"file";s:27:"2013/07/rina-invitation.jpg";s:5:"sizes";a:3:{s:9:"thumbnail";a:3:{s:4:"file";s:27:"rina-invitation-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:27:"rina-invitation-211x300.jpg";s:5:"width";s:3:"211";s:6:"height";s:3:"300";}s:5:"large";a:3:{s:4:"file";s:28:"rina-invitation-721x1024.jpg";s:5:"width";s:3:"721";s:6:"height";s:4:"1024";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} רינה פלג – קומיקרמיקה http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%9e%d7%a6%d7%99%d7%92%d7%95%d7%aa/%d7%a8%d7%99%d7%a0%d7%94-%d7%a4%d7%9c%d7%92-%e2%80%93-%d7%a7%d7%95%d7%9e%d7%99%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/ Tue, 09 Jul 2013 14:13:50 +0000 http://www.benyaminiceramics.org/?page_id=9693 "רינה פלג – קומיקרמיקה, הפלינטסטונס נגד בנות הפאוור פאפ"

      אוצרת: רונית צור

      פתיחת התערוכה: יום חמישי, 18 ביולי 2013, בשעה 20:00.

      בעבודותיה חוצה רינה פלג את קווי הקדרות המסורתית ויוצרת עבודות קדרות מסוג חדש. היא מפתחת טכניקות מקוריות, אותן היא משכללת לכדי שלמות ביצועית מוקפדת, ומשתמשת בתהליכי עבודה לא שגרתיים מתוך רצון להתאים את דרכי הביטוי והיצירה לנושאים בהם היא מטפלת; חומר בלבוש של נצרים קלועים שתי וערב, קרדומי חומר לבן תלויים על ידיות בייסבול, מעין מבנים קרמיים הנשענים על קונסטרוקציית רגלי מתכת חלודות, מעוטרים בדמויות קומיקס צבעוני. רינה פלג מעבירה את הזירה הדקורטיבית והקישוטית המקובלת אל המרחב העכשווי ע"י שימוש בקומיקס ורדי מייד כאלמנט קישוטי – בכך העתיקה שבמלאכות משתלבת בפוסט מודרניסטי בו מתערבבים זה בזה ישן וחדש, חומרה וקלילות, אומנות קלאסית ומשפחת קדמוני.

      האדמה מסמלת עבורה הקשרים ארכיאולוגיים מקומיים ושייכות, בדומה לה גם החומרנושא עימו זכרונות שנטבעו בו. יחד עם מרכזיות הקשר לאדמה בעבודותיה תופס מוטיב האיוורורחלק חשוב במכלול המוגמר של יצירתה. צנורות ומשטחי קרמיקה מחוררים מחוברים  לאובייקטים שהיא מציגה, כמו מאפשרים להם לנשום, הם אינם מסיבים  או אטומים, אינם יכולים לשמש ככלי קיבול, והפונקציה המרכזית שלהם היא עצם היותם.

      [nggallery id=172]

      ]]>       9693 2013-07-09 17:13:50 2013-07-09 14:13:50 closed open %d7%a8%d7%99%d7%a0%d7%94-%d7%a4%d7%9c%d7%92-%e2%80%93-%d7%a7%d7%95%d7%9e%d7%99%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94 publish 5718 1 page 0 _edit_lock 1376417092 _edit_last 2 _alp_processed 1375219480 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _thumbnail_id 9709       Rina Peleg: Comiceramics http://www.benyaminiceramics.org/en/ceramic-galleries/current-exhibitions/rina-peleg-comiceramics/ Tue, 09 Jul 2013 14:30:28 +0000 http://www.benyaminiceramics.org/?page_id=9696 ]]> 9696 2013-07-09 17:30:28 2013-07-09 14:30:28 closed open rina-peleg-comiceramics publish 6176 1 page 0 _edit_lock 1375219555 _edit_last 3 robotsmeta index,follow _revision-control defaults _wp_page_template default _thumbnail_id 9709 1045 http://www.QPNWk.net 151.237.189.190 2013-07-25 17:48:59 2013-07-25 14:48:59 ... [Trackback]... [...] Read More here: benyaminiceramics.org/en/ceramic-galleries/current-exhibitions/rina-peleg-comiceramics/ [...]...]]> 0 trackback 0 0 זהבה אדלסבורג - תערוכה. לחצו להגדלה http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%9e%d7%a6%d7%99%d7%92%d7%95%d7%aa/%d7%96%d7%94%d7%91%d7%94-%d7%90%d7%93%d7%9c%d7%a1%d7%91%d7%95%d7%a8%d7%92-%d7%9c%d7%90-%d7%93%d7%a4%d7%a0%d7%94-%d7%9c%d7%90-%d7%90%d7%a4%d7%95%d7%9c%d7%95/zehava-invitation/ Tue, 09 Jul 2013 15:08:56 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/07/zehava-invitation.jpg 9700 2013-07-09 18:08:56 2013-07-09 15:08:56 closed open zehava-invitation inherit 9699 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/07/zehava-invitation.jpg _wp_attached_file 2013/07/zehava-invitation.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"800";s:6:"height";s:4:"1135";s:14:"hwstring_small";s:22:"height='96' width='67'";s:4:"file";s:29:"2013/07/zehava-invitation.jpg";s:5:"sizes";a:3:{s:9:"thumbnail";a:3:{s:4:"file";s:29:"zehava-invitation-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:29:"zehava-invitation-211x300.jpg";s:5:"width";s:3:"211";s:6:"height";s:3:"300";}s:5:"large";a:3:{s:4:"file";s:30:"zehava-invitation-721x1024.jpg";s:5:"width";s:3:"721";s:6:"height";s:4:"1024";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} זהבה אדלסבורג: לא דפנה, לא אפולו http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%9e%d7%a6%d7%99%d7%92%d7%95%d7%aa/%d7%96%d7%94%d7%91%d7%94-%d7%90%d7%93%d7%9c%d7%a1%d7%91%d7%95%d7%a8%d7%92-%d7%9c%d7%90-%d7%93%d7%a4%d7%a0%d7%94-%d7%9c%d7%90-%d7%90%d7%a4%d7%95%d7%9c%d7%95/ Tue, 09 Jul 2013 15:09:32 +0000 http://www.benyaminiceramics.org/?page_id=9699 זהבה אדלסבורג: לא דפנה, לא אפולו

      אוצר: אבנר זינגר

      פתיחת התערוכה: יום חמישי, 18 ביולי 2013, בשעה 20:00.

      עבודותיה של זהבה אדלסבורג עוסקות בטבע ובתרבות וממחישות את הדיסוננס שבין המתרחש בטבע לבין המתרחש בתרבות האנושית. הןמעוררות מחשבות על אפשרויות אחרות למערכת היחסים שלנו עם הטבע הכוללת גם את יחסינו עם החברה ואת יחסנו אל עצמנו, יחסים שאין בהם רצון לשלוט ולהכתיב.

      כל העבודות המוצגות מורכבות מחלקי חרס ופיגומי עץ  ונבנו מחלקי עבודה אחת מן העבר (מינחה, 2005, גלריה הקבוץ). הפסל המקורי התפרק וכל אחד מחלקיו טופל, גדל, נעשה מורכב יותר והפך לפסל בפני עצמו.העבודות מכילות שקעים ובליטות מכוסי ציורים והדפסים ומזמינות אינסוף מסלולים אפשרייםלהתבוננות בהן.

      המיצב מתמודד עם נושאים כמו כאוס, מחזור ומחזוריות, מטמורפוזה ופירוק והרכבה. כאוס הוא תופעה בעלת ערך חיובי, מאחר שהוא מביא לידי התארגנות מחדש. בטבע נוצר כאוס כחלק ממחזור של צמיחה והבראה. מחזוריות היא תופעה שאנו חווים יום-יום בכל התהליכים המתקיימים בטבע. אנו ערים לה, אך פעמים רבות מנסים לשלוט בה ובכך יוצרים מפגעים וחוסר הרמוניה.

      פירוק והרכבה מתרחשים בטבע כל הזמן ואנו, בני האדם, עוסקים בהם ללא הרף. המפגש שלנו עם כל דבר כמו חומר, רעיון, רגש, חוויה, מחייב אותנו לקלוט אותו, לפרקו ולהרכיבו מחדש אבל אנו עושים זאת במרבית המקרים באופן אוטומטי, ללא תשומת-לב מיוחדת ועל פי אותן תבניות שמקובלות בחברה ושאליהן הורגלנו. פסליה של זהבה מראים שיש דרכים אחרות, רעננות ומאתגרות לקלוט, לפרק ולהרכיב ומזמינים אותנו לאמץ דרכים אלה מעולם האמנות ומאולם הגלריה גם לחיינו ולמערכת היחסים שלנו עם הטבע.

      [nggallery id=173]

      ]]>       9699 2013-07-09 18:09:32 2013-07-09 15:09:32 closed open %d7%96%d7%94%d7%91%d7%94-%d7%90%d7%93%d7%9c%d7%a1%d7%91%d7%95%d7%a8%d7%92-%d7%9c%d7%90-%d7%93%d7%a4%d7%a0%d7%94-%d7%9c%d7%90-%d7%90%d7%a4%d7%95%d7%9c%d7%95 publish 5718 2 page 0 _edit_lock 1375274837 _edit_last 3 robotsmeta index,follow _revision-control defaults _wp_page_template default _alp_processed 1375274836 _thumbnail_id 9706 1077 http://www.benyaminiceramics.org/2013/08/%d7%a9%d7%99%d7%97-%d7%92%d7%9c%d7%a8%d7%99%d7%94-%d7%9e%d7%a9%d7%95%d7%aa%d7%a3/ 91.193.50.70 2013-08-13 22:12:40 2013-08-13 19:12:40 1 pingback 0 0       Neither Daphne nor Apollo - Zehava Edelsburg http://www.benyaminiceramics.org/en/ceramic-galleries/current-exhibitions/neither-daphne-nor-apollo-zehava-edelsburg/ Tue, 09 Jul 2013 15:26:28 +0000 http://www.benyaminiceramics.org/?page_id=9703 Opening of exhibition Neither Daphne nor Apollo - Zehava Edelsburg Thursday 18/7/13 at 20:00 The works of Zehava Edelsburg deal with nature and culture, illustrating the dissonance between what happens in the natural kingdom and what occurs in human culture. Human culture occurs alongside natural processes and is, I believe, largely the expression of the all too human desire to control and direct nature according to man's understanding and feelings. Unlike man, nature essentially "knows" how to behave - regardless of man and his inability to understand how to behavein his encounter with nature. Zehava's works invoke thoughts about different ways of relating to nature, which includes our relations to society, to other people and with ourselves. Observing her work raises issues such as chaos, cycle and cyclicality, metamorphosis, dismantling and assembling. Chaos is a positive phenomenon, as it entails re-organization. It occurs in nature as a part and parcel of the cycle of growth and recovery. We experience cyclicality in natural processes on a daily basis. We are aware of it, but too often try to control various cycles, causing harm and disharmony. Metamorphosis - the place where nature never stagnates, even for a moment, but constantly changes, constantly takes on new shapes and forms in order to function optimally - is not adopted by humans as a lifestyle. The option to change one's opinions, thoughts and moods, to act contrary to the norm and thus escape stagnation and fixation, is not an obvious choice and often arouses opposition and contempt. Furthermore, strong and consistent opinions, rooted ideology and a desire for permanent and continuous peace and security are considered normative values ​​that should be aspired to. Dismantling and assembling occur in nature all the time. We, humans, as part of nature, deal with it constantly. Each encounter we have with anything (matter, idea, emotion, experience, etc.) requires us to receive, dismantle and reassemble. But in most cases, we do so automatically,paying little attention to this process, operatingaccording to the same patterns that are socially acceptable and that we have become accustomed to. Zehava's sculptures show that there are other, fresh and challenging ways to receive, disassemble and reassemble. They suggest the adoption of those practices from the art world and the gallery hall into our lives and our relationship with nature. Zehava presents works which seem to be supported by scaffolds. Thus, the process of building becomes an integral part of the work and the supports contribute to the creation of a new whole. Monumentality characterizes Zehava's previous works. These works demonstrate the human desire for control, and make us, the viewers, feel small and threatened. Her current works are more accessible to the viewer; they allow close and more intimate observation, a dialogue, a feeling of harmony and openness. The sculptures in this installation were built of parts of a past work (Minhah,2005). The original sculpture fell apart and each one of its parts was cared for, grew, became more complex and turned into a statueof its own. Avner Singer Artist and curator [nggallery id=173] ]]> 9703 2013-07-09 18:26:28 2013-07-09 15:26:28 closed open neither-daphne-nor-apollo-zehava-edelsburg publish 6176 2 page 0 _edit_lock 1375274869 _edit_last 3 robotsmeta index,follow _revision-control defaults _wp_page_template default _thumbnail_id 9706 DSC_0817 http://www.benyaminiceramics.org/ceramic-galleries/current-exhibitions/neither-daphne-nor-apollo-zehava-edelsburg/dsc_0817/ Tue, 09 Jul 2013 15:28:29 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/07/DSC_0817.jpg 9706 2013-07-09 18:28:29 2013-07-09 15:28:29 closed open dsc_0817 inherit 9703 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/07/DSC_0817.jpg _wp_attached_file 2013/07/DSC_0817.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"448";s:6:"height";s:3:"325";s:14:"hwstring_small";s:23:"height='92' 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http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/courses-2013-2014_postcard/ Wed, 24 Jul 2013 11:14:33 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2011/08/courses-2013-2014_postcard.jpg 9852 2013-07-24 14:14:33 2013-07-24 11:14:33 closed open courses-2013-2014_postcard inherit 2825 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2011/08/courses-2013-2014_postcard.jpg _wp_attached_file 2011/08/courses-2013-2014_postcard.jpg _wp_attachment_metadata a:6:{s:5:"width";s:4:"1000";s:6:"height";s:3:"705";s:14:"hwstring_small";s:23:"height='90' width='128'";s:4:"file";s:38:"2011/08/courses-2013-2014_postcard.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:38:"courses-2013-2014_postcard-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:38:"courses-2013-2014_postcard-300x211.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"211";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} techsadna http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%a1%d7%93%d7%a0%d7%90%d7%95%d7%aa/%d7%a1%d7%93%d7%a0%d7%94-%d7%9c%d7%9e%d7%97%d7%a7%d7%a8-%d7%95%d7%a4%d7%99%d7%aa%d7%95%d7%97-%d7%98%d7%9b%d7%a0%d7%95%d7%9c%d7%95%d7%92%d7%99/techsadna/ Sun, 28 Jul 2013 08:47:08 +0000 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http://www.benyaminiceramics.org/?attachment_id=9933 Sun, 28 Jul 2013 08:49:29 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/07/courses-2013-2014_print.pdf 9933 2013-07-28 11:49:29 2013-07-28 08:49:29 closed open courses-2013-2014_print inherit 0 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/07/courses-2013-2014_print.pdf _wp_attachment_metadata a:0:{} _wp_attached_file 2013/07/courses-2013-2014_print.pdf amber playing jihad http://www.benyaminiceramics.org/2013/08/amber-aguirre-%d7%9b%d7%99%d7%aa%d7%aa-%d7%90%d7%9e%d7%9f/amber-playing-jihad34kb/ Mon, 12 Aug 2013 09:45:11 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/08/amber-playing-jihad34kb.jpg 9979 2013-08-12 12:45:11 2013-08-12 09:45:11 closed open amber-playing-jihad34kb inherit 9978 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/08/amber-playing-jihad34kb.jpg _wp_attached_file 2013/08/amber-playing-jihad34kb.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"470";s:6:"height";s:3:"553";s:14:"hwstring_small";s:22:"height='96' width='81'";s:4:"file";s:35:"2013/08/amber-playing-jihad34kb.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:35:"amber-playing-jihad34kb-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:35:"amber-playing-jihad34kb-254x300.jpg";s:5:"width";s:3:"254";s:6:"height";s:3:"300";}}s:10:"image_meta";a:10:{s:8:"aperture";s:3:"3.2";s:6:"credit";s:0:"";s:6:"camera";s:30:"";s:7:"caption";s:30:"";s:17:"created_timestamp";s:10:"1281585369";s:9:"copyright";s:15:"COPYRIGHT, 2007";s:12:"focal_length";s:2:"13";s:3:"iso";s:3:"120";s:13:"shutter_speed";s:15:"0.0222222222222";s:5:"title";s:0:"";}} _wp_attachment_image_alt Amber Aguirre - amber playing jihad Amber Aguirre - כיתת אמן http://www.benyaminiceramics.org/2013/08/amber-aguirre-%d7%9b%d7%99%d7%aa%d7%aa-%d7%90%d7%9e%d7%9f/ Mon, 12 Aug 2013 09:49:50 +0000 http://www.benyaminiceramics.org/?p=9978 Amber Aguirre אמנית אורחת בבית בנימיני

      במרוצת חודש אוגוסט יארח בית בנימיני את האמנית Amber Aguirre כאמנית הבית (Artist- in- Residence)

      כיתת אמן עם אמבר ביום רביעי 21.8.13 בשעה 16:00

      אמבר היא זוכת המלגה לשנת 2013 מטעם NCECA במסגרת פרויקט ייחודי של שיתוף פעולה בינלאומי בין הארגון ומרכזים קראמיים ברחבי העולם. NCECA הוא ארגון אמריקאי חשוב, רב חברים ורב פעילות הן מקומית והן חובקת עולם. פרויקט שיתופי עימו מעמיד את בית בנימיני בקדמת הפעילות המקצועית הבינלאומית - הישג חשוב, מרשים ומכובד ביותר.

      Amber Aguirre - amber playing jihad

      אמבר, בעלת תואר שני מאוניברסיטת סן פרנציסקו חיה, יוצרת ומלמדת כיום בהוואי.

      אמנית, קדרית ופסלת - יצירתה מתמקדת בעיקר בפיסול פיגוראטיבי באמצעותו היא יוצרת נרטיב המשמש אותה לביטוי אמירה עוקצנית וביקורתית על הקיום האנושי.

      כבת לניצולי שואה היא גדלה בסביבה שהטמיעה בה מגיל רך מודעות לעובדות חיים קשות ומכאיבות.

      דמויות אנושיות ודמויות אנתרופומורפיות משמשות לאמנית כלי להעברת תחושות, שאלות קיומיות, חוויות ועמדות ביקורתיות. שבריריות המין האנושי מובעת באמצעות אימוץ הומור שחור וטכניקת חיפוי ייחודית המדגישה וויזואלית מוטיבים טעונים של התפרקות ושבירה. האמנית עושה שימוש אפקטיבי בטכניקה הקרויה בפיה "Naked Fauxku" המדמה אפקטים של “naked raku” בטמפרטורות גבוהות.

      www.amberaguirre.com

      ]]>       9978 2013-08-12 12:49:50 2013-08-12 09:49:50 closed open amber-aguirre-%d7%9b%d7%99%d7%aa%d7%aa-%d7%90%d7%9e%d7%9f publish 0 0 post 0 _edit_lock 1376490993 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1376489527       Amber Aguirre - Visiting artist at Benyamini Center http://www.benyaminiceramics.org/en/2013/08/amber-aguirre-visiting-artist-at-benyamini-center/ Mon, 12 Aug 2013 10:03:10 +0000 http://www.benyaminiceramics.org/?p=9990 Amber Aguirre - amber playing jihad Amber, a graduate of San Francisco State University, currently lives, teaches and creates in Hawaii. Most of her work is figurative sculpture which enhances a narrative used to comment, observe and explore the human condition. As the child of a Holocaust survivor I was indoctrinated from a young age into awareness of the fear, apathy, and victimization inherent in human cultures. Throughout history artists have functioned as social commentators. I use human and anthropomorphic figures as the vehicle to explore the results of these prevalent emotions on society. To accentuate the narrative the artist developed a unique technique - “Naked Fauxku” which reproduces a likeness to Naked Raku but is created in a high fire, oxygenated atmosphere with no reduction. It creates a cracked and painful looking surface that adds subliminal meaning to the work by visually suggesting breakage and disintegration. www.amberaguirre.com]]> 9990 2013-08-12 13:03:10 2013-08-12 10:03:10 closed open amber-aguirre-visiting-artist-at-benyamini-center publish 0 0 post 0 _edit_last 3 _edit_lock 1376301792 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} הזמנה לתערוכת סל צריחה 2013 http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%9e%d7%a6%d7%99%d7%92%d7%95%d7%aa/%d7%a1%d7%9c-%d7%a6%d7%a8%d7%99%d7%97%d7%94-2013/sal_invite_120kb/ Tue, 13 Aug 2013 16:47:26 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/08/sal_invite_120kb.jpg 10023 2013-08-13 19:47:26 2013-08-13 16:47:26 closed open sal_invite_120kb inherit 9998 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/08/sal_invite_120kb.jpg _wp_attached_file 2013/08/sal_invite_120kb.jpg _wp_attachment_metadata a:6:{s:5:"width";s:4:"1667";s:6:"height";s:3:"833";s:14:"hwstring_small";s:23:"height='63' width='127'";s:4:"file";s:28:"2013/08/sal_invite_120kb.jpg";s:5:"sizes";a:3:{s:9:"thumbnail";a:3:{s:4:"file";s:28:"sal_invite_120kb-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:28:"sal_invite_120kb-300x149.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"149";}s:5:"large";a:3:{s:4:"file";s:29:"sal_invite_120kb-1023x511.jpg";s:5:"width";s:4:"1023";s:6:"height";s:3:"511";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} _wp_attachment_image_alt הזמנה לתערוכת סל צריחה 2013 sal_invite_80kb http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%9e%d7%a6%d7%99%d7%92%d7%95%d7%aa/%d7%a1%d7%9c-%d7%a6%d7%a8%d7%99%d7%97%d7%94-2013/sal_invite_80kb/ Tue, 13 Aug 2013 16:50:01 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/08/sal_invite_80kb.jpg 10025 2013-08-13 19:50:01 2013-08-13 16:50:01 closed open sal_invite_80kb inherit 9998 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/08/sal_invite_80kb.jpg _wp_attached_file 2013/08/sal_invite_80kb.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"600";s:6:"height";s:3:"300";s:14:"hwstring_small";s:23:"height='64' width='128'";s:4:"file";s:27:"2013/08/sal_invite_80kb.jpg";s:5:"sizes";a:2:{s:9:"thumbnail";a:3:{s:4:"file";s:27:"sal_invite_80kb-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}s:6:"medium";a:3:{s:4:"file";s:27:"sal_invite_80kb-300x150.jpg";s:5:"width";s:3:"300";s:6:"height";s:3:"150";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} סל צריחה 2013 http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%9e%d7%a6%d7%99%d7%92%d7%95%d7%aa/%d7%a1%d7%9c-%d7%a6%d7%a8%d7%99%d7%97%d7%94-2013/ Tue, 13 Aug 2013 17:07:12 +0000 http://www.benyaminiceramics.org/?page_id=9998 התערוכה השנתית של אגודת אמני קרמיקה בישראל

      אוצרת: רז סמירה פתיחה: יום חמישי 29 באוגוסט 2013, בשעה: 20:00 בית בנימיני – המרכז לקרמיקה עכשווית, העמל 17, תל-אביב נעילה: שבת 12 באוקטובר 2013

      התערוכה השנתית של אגודת אמני הקרמיקה בישראל, "סל צריחה", מציינת שנתיים למחאה החברתית של קיץ 2011. התערוכה משקפת את ההתרחשויות החברתיות והאמנותיות שנולדו בעקבות המחאה, ובוחנת כיצד שינתה המחאה בהדרגה את הנרטיב הישראלי ואת התודעה הישראלית. התערוכה מתייחסת לשליטה של כלכלה גלובלית, קפיטליסטית ודורסנית על המציאות החברתית-כלכלית שבתוכה חיים כולנו.

      סל הצריכה הוא אחד הגורמים המשמעותיים בחיינו: הוא קובע את המדד, את אחוזי העוני בחברה, את סל התרבות, את סל התרופות. השינויים בו מייצגים את השינויים הכלכליים בחברה שבעקבותיהם מתרחשים שינויים חברתיים ופוליטיים. התערוכה מגיבה על תרבות הצריכה בת זמננו המשרתת צורכי תאגידים גדולים, תוך ניצול אמצעי התקשורת ההמוניים. תרבות זו יוצרת קיטוב בין עניים לעשירים.

      מדיום הקרמיקה הוא זירה תוססת ורבת עניין, והיוצרים בה מגיבים לאירועי המחאה הן באופן ישיר ומיידי והן באופן נסתר. בתערוכה משתתפים 25 אמנים, והיא משלבת מיצג, וידאו ועבודות קרמיקה.

      [nggallery id=176]

      משתתפים: אליזבת כהן, אירית אורפז, אניסה אשקר, אפרת אייל, גדעון גכטמן, ג'נטג'ינו, גיא גולדשטיין, דורית בן טוב, דניאל לנדאו, טליה טוקטלי, יעל נובק, יואלה שרון, לאה שבס, מאיה אטון, מיכל אדלר שלו, סיון שטרנבך, עינת כהן, ענבל גרזון, עפרי תם, רונית ברנגה, רחל אלימלך אורבך, רני גילת, רעיה שטרן, תמר ניסים.

      בערב הפתיחה יוצג המיצג "המטחנה" של תמר ניסים

      ]]>       9998 2013-08-13 20:07:12 2013-08-13 17:07:12 closed open %d7%a1%d7%9c-%d7%a6%d7%a8%d7%99%d7%97%d7%94-2013 publish 5718 0 page 0 _edit_lock 1376417920 _edit_last 2 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default _alp_processed 1376417856 _alp_broken_links a:1:{s:113:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/";a:0:{}}       sal_thumb http://www.benyaminiceramics.org/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%aa%d7%a2%d7%a8%d7%95%d7%9b%d7%95%d7%aa-%d7%9e%d7%a6%d7%99%d7%92%d7%95%d7%aa/%d7%a1%d7%9c-%d7%a6%d7%a8%d7%99%d7%97%d7%94-2013/sal_thumb/ Tue, 13 Aug 2013 17:42:24 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/08/sal_thumb.jpg 10036 2013-08-13 20:42:24 2013-08-13 17:42:24 closed open sal_thumb inherit 9998 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/08/sal_thumb.jpg _wp_attached_file 2013/08/sal_thumb.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"300";s:6:"height";s:3:"190";s:14:"hwstring_small";s:23:"height='81' width='128'";s:4:"file";s:21:"2013/08/sal_thumb.jpg";s:5:"sizes";a:1:{s:9:"thumbnail";a:3:{s:4:"file";s:21:"sal_thumb-150x150.jpg";s:5:"width";s:3:"150";s:6:"height";s:3:"150";}}s:10:"image_meta";a:10:{s:8:"aperture";s:1:"0";s:6:"credit";s:0:"";s:6:"camera";s:0:"";s:7:"caption";s:0:"";s:17:"created_timestamp";s:1:"0";s:9:"copyright";s:0:"";s:12:"focal_length";s:1:"0";s:3:"iso";s:1:"0";s:13:"shutter_speed";s:1:"0";s:5:"title";s:0:"";}} Artist on the Border Line - Betty Woodman http://www.benyaminiceramics.org/en/2013/08/artists-on-the-border-line-betty-woodman/ Tue, 13 Aug 2013 18:20:03 +0000 http://www.benyaminiceramics.org/?p=10016 Betty Woodman: "I make things that could be functional, but I really want them to be considered works of art".

      Betty Woodman Is a renowned, established ceramic artist – known for her vibrant deconstructed vases that are influenced by art history and ceramic culture. Her works are found in fine art collections of leading museums as well as venues showing craft. "It was not, 'One day I'm a potter, and the next day I'm an artist.' It was a gradual expansion".

      Woodman was born in the USA in 1930, studied ceramics at Alfred University, and began her career making wheel thrown functional vessels that she and her artist husband decorated. With time she broke away from the traditional ceramic pot and looked for new directions in deconstruction, influenced by the New York artists of the Pattern and Decoration Movement although remnants of the basic vessel form are still evident in her work. "It's there throughout the history of art, there's always a vessel. No matter where you look, there's a pitcher pouring water, there's a vase sitting there". Her sculptural work is a play between 2D and 3D with the ceramic surface becoming her `canvas`, creating large compositions as wall pieces employing light and shade as well as positive and negative as integral parts of her work. She is still an active artist working in New York and Italy and showing in galleries and museums around the world. Bibliography:
      • Clark, Garth, Strauss Cindi (2012). Shifting Paradigms in Contemporary Ceramics: The Garth Clark and Mark Del Vecchio Collection, U.S.A: Yale University Press in association with the Museum of Fine Arts, Houston
      • Henriques, Paulo, (edited by), (2006). Teatros, Theatres, Theaters, Milan: Skira
      • Woodman, Betty (1990). Opera Selecta, Hague: Gegevens Koninklijke Bibliotheek
      ]]>       10016 2013-08-13 21:20:03 2013-08-13 18:20:03 closed open artists-on-the-border-line-betty-woodman publish 0 0 post 0 _edit_lock 1376461050 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";}       על קו התפר: האמנית בטי וודמן http://www.benyaminiceramics.org/2013/08/%d7%a2%d7%9c-%d7%a7%d7%95-%d7%94%d7%aa%d7%a4%d7%a8-%d7%94%d7%90%d7%9e%d7%a0%d7%99%d7%aa-%d7%91%d7%98%d7%99-%d7%95%d7%95%d7%93%d7%9e%d7%9f/ Tue, 13 Aug 2013 18:36:59 +0000 http://www.benyaminiceramics.org/?p=10004 "I make things that could be functional, but I really want them to be considered works of art".

      בטי וודמן Betty Woodman הינה אמנית קרמיקה ותיקה, מהמוכרות והחשובות ביותר בעולם. השימוש היצירתי והיצרי שלה בצבע ובצורה בהשראת מגוון רחב של השפעות מתולדות האמנות וההיסטוריה של הקרמיקה מתנקזים ליצירת פסלי קרמיקה שופעי חיוניות, שובי לב ובעלי עומק אינטלקטואלי. עבודות הקרמיקה שלה משחקות בו זמנית בשדה האמנות ובשדה הקראפט, וניתן למצוא אותן באוספים של מוזיאונים חשובים ברחבי העולם דוגמת מוזיאון המטרופוליטן והמוזיאון לאמנות מודרנית בניו-יורק, מוזיאון ויקטוריה ואלברט בלונדון והמוזיאון לאמנויות דקורטיביות בפריז. בטי וודמן היא בין אמני הקרמיקה הבודדים שיצירותיהם מוצגות בגלריות ומוזיאונים לאמנות בתדירות זהה לזו שהן מוצגות בגלריות ומוזיאונים לקראפט.

      "It was not, 'One day I'm a potter, and the next day I'm an artist.' It was a gradual expansion".

      וודמן (אליזבת אברהמס) נולדה ב-1930 בקונטיקט ארצות הברית ואת דרכה המקצועית החלה בסוף שנות הארבעים של המאה הקודמת, בבית הספר לאומניות של אוניברסיטת אלפרד בניו-יורק. עם סיום לימודיה בתחילת שנות החמישים, חזרה לקונטיקט ויצרה כלים שימושיים על האבניים. ב-1951 שהתה שנה באיטליה, שם התוודעה למסורת הקרמיקה המקומית שצבעוניותה הותירה בה רושם עז וכעבור כמה שנים מצאה את דרכה לעבודותיה. כששבה לארצות הברית, התחתנה עם האמן ג'ורג' וודמן ועד שנות השבעים לערך יצרה כלים שימושיים שלעיתים קרובות עיטר בן זוגה. עם הזמן פרצה וודמן את גבולות הצורות הקלאסיות של הקדרות השימושית ובמקביל התנסתה במשחקי צבע שונים במגוון חומרים קרמים (גלזורות, אנגובים ועוד) שקראו תיגר על השימוש המסורתי המקובל. העניין החדש שמצאה בצבע - פלטת הצבעים שלה ואופן השימוש העשיר והחופשי בהם, היו תולדה של השפעת הקרמיקה האיטלקית הצבעונית לה נחשפה, וכן השפעתם של אמנים ניו-יורקים מחוג מכריה, שהשתייכו בשנות השבעים לתנועת "הדגם והעיטור"(Pattern and Decoration movement). החל משנות השמונים גוף עבודותיה של וודמן נע בין מרחבי הקרמיקה – ציור - פיסול, והסינתזה בין הצבע, אופן הציור והצורה של כל עבודה ועבודה שלה, הפכו לסימן ההיכר הייחודי, איכותי ויוצא הדופן של יצירתה.

      "It's there throughout the history of art, there's always a vessel. No matter where you look, there's a pitcher pouring water, there's a vase sitting there".

      הצורה המזוהה ביותר עם וודמן היא האגרטל, מהצורות הבסיסיות בלקסיקון הצורות של הכלים השימושיים ובעלת מגוון מופעים רחב בתרבויות שונות לאורך ההיסטוריה. מסעותיה בעולם והחשיפה לאמנות, אדריכלות ומסורות של תרבויות שונות מילאו אותה בהשראה ובידע, שהובילו אותה לפרשנות מחודשת של הצורה, שהפכה למוטיב מרכזי בעבודותיה. דה-קונסטרוקציה ורה-קונסטרוקציה של צורת כלי הקיבול הקלאסי הובילו את האמנית ליצירת גופים פיסוליים מורכבים, שבהם, ללא יוצא מן הכלל, מוטמעים ההיסטוריה של הקרמיקה השימושית ומגוון השפעות רחב מתולדות האמנות – אמנות מצרית, פיסול יווני ואצטקי, עבודות מתקופת שושלת טאנג הסינית, המיוליקה האיטלקית עיטורים מתקופת הבארוק והרוקוקו ואף ציורים של פיקאסו ומאטיס. עם הזמן גבר העניין של וודמן באופן בו מניפולציות שונות בצבע משפיעות על האופן בו מפרש הצופה תמונה כלשהי, והיא החלה להתייחס לפני השטח הקרמיים כקנבס עליו התנסתה במשחקי תלת ודו-מימד. כך, ניתן למצוא לא מעט מעבודותיה בהן מופיעים ציורי אגרטלים סימבוליים על צורות קרמיקה שטוחות המתעתעות בצופה שעשוי לחשוב כי הוא מתבונן בצורות כלי תלת מימדי. אופן הצבת עבודותיה של וודמן גם כן עבר תמורות, והחל משנות ה-90 היא מציגה גם עבודות הנפרשות בקומפוזיציות שונות על פני קירות גדולים שלהן נוסף אלמנט של משחקי אור וצל, פוזיטיב ונגטיב. כיום, בטי וודמן מחלקת את זמנה בין הסטודיו שלה בניו- יורק לבין זה שבאיטליה וממשיכה להציג את עבודותיה בתערוכות יחיד ובתערוכות קבוצתיות במקומות שונים בעולם ולזכות בפרסים יוקרתיים. מקורות
      • Clark, Garth, Strauss Cindi (2012). Shifting Paradigms in Contemporary Ceramics: The Garth Clark and Mark Del Vecchio Collection, U.S.A: Yale University Press in association with the Museum of Fine Arts, Houston
      • Henriques, Paulo, (edited by), (2006). Teatros, Theatres, Theaters, Milan: Skira
      • Woodman, Betty (1990). Opera Selecta, Hague: Gegevens Koninklijke Bibliotheek

      בית בנימיני מציע קורס קדרות יסודות המתאים למשתתפים ללא כל ידע קודם או לבעלי ידע בסיסי בקדרות

      בנוסף מתקיים בבית בנימיני קורס פיסול קרמי. הקורס אינו דורש ידע קודם בפיסול או בקרמיקה.

      ]]>       10004 2013-08-13 21:36:59 2013-08-13 18:36:59 closed open %d7%a2%d7%9c-%d7%a7%d7%95-%d7%94%d7%aa%d7%a4%d7%a8-%d7%94%d7%90%d7%9e%d7%a0%d7%99%d7%aa-%d7%91%d7%98%d7%99-%d7%95%d7%95%d7%93%d7%9e%d7%9f publish 0 0 post 0 _edit_lock 1376427957 _edit_last 3 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _alp_processed 1376424406 _alp_broken_links a:3:{s:292:"http://www.benyaminiceramics.org/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%a7%d7%a8%d7%9e%d7%99%d7%a7%d7%94/%d7%a7%d7%95%d7%a8%d7%a1%d7%99%d7%9d-%d7%9c%d7%9e%d7%aa%d7%97%d7%99%d7%9c%d7%99%d7%9d/%d7%a7%d7%95%d7%a8%d7%a1-%d7%a7%d7%93%d7%a8%d7%95%d7%aa-%d7%99%d7%a1%d7%95%d7%93%d7%95%d7%aa/";a:0:{}s:292:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%9E%D7%AA%D7%97%D7%99%D7%9C%D7%99%D7%9D/%D7%A7%D7%95%D7%A8%D7%A1-%D7%A7%D7%93%D7%A8%D7%95%D7%AA-%D7%99%D7%A1%D7%95%D7%93%D7%95%D7%AA/";a:0:{}s:299:"http://www.benyaminiceramics.org/%D7%A7%D7%95%D7%A8%D7%A1%D7%99%D7%9D-%D7%9C%D7%A7%D7%A8%D7%9E%D7%99%D7%A7%D7%94/%D7%9C%D7%99%D7%9E%D7%95%D7%93%D7%99-%D7%A4%D7%99%D7%A1%D7%95%D7%9C/%D7%A7%D7%95%D7%A8%D7%A1-%D7%A4%D7%99%D7%A1%D7%95%D7%9C-%D7%A7%D7%A8%D7%9E%D7%99-%D7%99%D7%A1%D7%95%D7%93%D7%95%D7%AA/";a:0:{}}       Sal Tzriha http://www.benyaminiceramics.org/en/ceramic-galleries/current-exhibitions/sal-tzriha/ Tue, 13 Aug 2013 18:55:26 +0000 http://www.benyaminiceramics.org/?page_id=10002 Annual Exhibition of the Ceramic Artists Association of Israel Sal Tzriha (Basket of goods and services) Curator: Raz Samira Opening: Thursday 29/8/13 at 20:00 At the opening: Performance by Tamar Nissim ``The Grinder`` Artists: Elizabeth Cohen, Irit Orpaz, Anisa Ashkar, Efrat Eyal, Gideon Gechtman, Janet Gino, Guy Goldstein, Dorit Bentov, Daniel Landau, Talia Tokatly, Yael Novak, Yoella Sharon, Leah Sheves, Maya Aton, Michal Adler Shalev, Sivan Sternbach, Einat Aroch, Einat Cohen, Inbal Garzon, Ofri Tam, Ronit Barranga, Rahel Elimelech Orbach, Rani Gilat, Raya Stern, Tamar Nissim

      הזמנה לתערוכת סל צריחה 2013

      This exhibition marks two years since the social protest of the summer of 2011 and reflects the social and artistic activity that has resulted from the outcry which gradually changed the narrative of Israeli politics and the consciousness of Israeli society. The exhibition relates to the global, capitalistic economy that affects our daily lives on a socio-economic level. The basket of goods and services is of essence to everyone and determines the level of poverty, culture and health provided to the citizens. The exhibition is a reaction to the consumer culture we live in and the manipulation of mass media – elements which broaden the gap between the rich and the poor. The ceramic medium is active and the 25 participating artists expose the issues through an interesting variety of approaches including performance, video and ceramic works. Exhibition closes: Saturday 12 October 2013]]>       10002 2013-08-13 21:55:26 2013-08-13 18:55:26 closed open sal-tzriha publish 6176 0 page 0 _edit_lock 1376486242 _edit_last 2 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} _wp_page_template default       שיח גלריה משותף http://www.benyaminiceramics.org/2013/08/%d7%a9%d7%99%d7%97-%d7%92%d7%9c%d7%a8%d7%99%d7%94-%d7%9e%d7%a9%d7%95%d7%aa%d7%a3/ Tue, 13 Aug 2013 19:09:07 +0000 http://www.benyaminiceramics.org/?p=10020 שיח גלריה משותף לשתי התערוכות המוצגות בבית בנימיני

      זהבה אדלסבורג / לא דפנה, לא אפולו / אוצר: אבנר זינגר

      רינה פלג / קומיקרמיקה / אוצרת: רונית צור

      שישי, 16.8.13 בשעה 11:30 בהשתתפות האמניות והאוצרים התערוכות ינעלו ביום שבת ה 24.8.12

      בין שתי התערוכות שמוצגות בבית בנימיני רב השוני אך יחד עם זאת וויזואלית ניתן למצוא קווי השקה מעניינים. שתי האמניות המציגות תערוכות יחיד הקימו מיצבים של אובייקטים היברידיים צבעוניים, נושאי מטעני תרבות השונים זה מזה. שתיהן נשענות ביצירתן בין היתר על הקשרים ארכיאולוגיים ומדיית הקרמיקה תופסת חלק משמעותי בה אך דרכי הביטוי האמנותי שלהן אחרות בתכלית.

      בעבודותיה חוצה רינה פלג את קווי הקדרות המסורתית ויוצרת עבודות קדרות מסוג חדש. היא מפתחת טכניקות מקוריות, אותן היא משכללת לכדי שלמות ביצועית מוקפדת, ומשתמשת בתהליכי עבודה לא שגרתיים מתוך רצון להתאים את דרכי הביטוי והיצירה לנושאים בהם היא מטפלת

      המיצב של זהבה אדלסבורג ממחיש את הדיסוננס שבין המתרחש בטבע לבין המתרחש בתרבות האנושית ומעורר מחשבות על אפשרויות אחרות למערכת היחסים שלנו עם הטבע, יחסים שאין בהם רצון לשלוט ולהכתיב. יש בו הצעה לראות את החיוב הקיים בתופעת הכאוס כמאפשר התארגנות מחדש, כחלק ממחזור של צמיחה והבראה.

      בית בנימיני, רח' העמל 17, תל אביב, טל: 03-5182257

      שעות פתיחה: ימים ב – ה: 19:00 – 11:00

      שישי-שבת: 14:00 – 11:00

      www.benyaminiceramics.org

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      woodman2 http://www.benyaminiceramics.org/2013/08/%d7%a2%d7%9c-%d7%a7%d7%95-%d7%94%d7%aa%d7%a4%d7%a8-%d7%94%d7%90%d7%9e%d7%a0%d7%99%d7%aa-%d7%91%d7%98%d7%99-%d7%95%d7%95%d7%93%d7%9e%d7%9f/woodman2/ Tue, 13 Aug 2013 19:59:49 +0000 http://www.benyaminiceramics.org/wp-content/uploads/2013/08/woodman2.jpg 10084 2013-08-13 22:59:49 2013-08-13 19:59:49 closed open woodman2 inherit 10004 0 attachment 0 http://www.benyaminiceramics.org/wp-content/uploads/2013/08/woodman2.jpg _wp_attached_file 2013/08/woodman2.jpg _wp_attachment_metadata a:6:{s:5:"width";s:3:"200";s:6:"height";s:3:"255";s:14:"hwstring_small";s:22:"height='96' 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post 0 _edit_lock 1376429018 _edit_last 2 robotsmeta index,follow _revision-control a:1:{i:0;s:8:"defaults";} 1082 http://www.tbbower.com/ 175.44.12.245 2013-08-15 08:34:28 2013-08-15 05:34:28 Louis Vuitton Outlet Online... Well done ! Drinking water might have been more useful, but hey …...]]> 0 trackback 0 0